PROGRAMME 16 - Centre Pompidou...2016/04/18 · 2016 PROGRAMME CONTENTS 2016 CALENDAR page 3...
Transcript of PROGRAMME 16 - Centre Pompidou...2016/04/18 · 2016 PROGRAMME CONTENTS 2016 CALENDAR page 3...
COMMUNICATION AND PARTNERSHIPS DEPARTMENT
PRESS KIT
PROGRAMME
16
2016 PROGRAMME
CONTENTS
2016 CALENDAR page 3
L’HISTOIRE DE L’ART
Wifredo Lam page 5
Paul Klee page 6
René Magritte page 7
Cy Twombly page 8
CONTEMPORARY CREATION
Dominique Gonzalez-Foerster page 9
Anselm Kiefer page 10
Gérard Fromanger page 11
Haegue Yang page 12
Jean-Luc Moulène page 13
MULTIDISCIPLINARY EXHIBITIONS
Beat Generation page 14
Un Art Pauvre Page 15(provisional title)
Anne Teresa De Keersmaeker page 16
Le Surréalisme en Égypte Page 17(provisional title)
THE DESIGN EVENT
Pierre Paulin page 18
AT THE MUSEUM
Cher(e)s Ami(e)s page 20 Homage to donors
Les expositions-dossiers page 21 presentation of the modern collection• Go-betweens• Politics• Focuses
PHOTOGRAPHY
The unbearable lightnessThe 1980s page 23
Carte blanche PMU page 23
Louis Stettner page 24
Brassaï (provisional title) page 24
PRIX MARCEL DUCHAMP 2015
New formula page 25 two presentations, in June and September 2016
PRESS CONTACTS page 26
3 february 2016
communication and partnerships department 75191 Paris cedex 04
directorBenoit Parayretelephone00 33 1 44 78 12 [email protected]
press officers
Céline Janvier00 33 1 44 78 49 [email protected]
Dorothée Mireux00 33 1 44 78 46 [email protected]
Anne-Marie Pereira00 33 1 44 78 40 [email protected]
Élodie Vincent00 33 1 44 78 48 [email protected]
Press releases and kits online on the Centre Pompidou websitewww.centrepompidou.fr
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JANUARY – SUMMARY OF EXHIBITIONS IN PROGRESS
DOMINIQUE GONZALEZ-FOERSTER, 1887-2058 UNTIL 1 FEBRUARY 2016
GALERIE SUD, LEVEL 1
PRIX MARCEL DUCHAMP 2014 JULIEN PRÉVIEUXUNTIL 1 FEBRUARY 2016
ESPACE 315, LEVEL 1
WIFREDO LAMUNTIL 15 FEBRUARY 2016
GALERIE 2, LEVEL 6
VARDA/CUBAUNTIL 1 FEBRUARY 2016
GALERIE DE PHOTOGRAPHIES, LEVEL -1
KAREL APPELUNTIL 11 JANUARY 2016
MUSEUM, GALERIE D’ART GRAPHIQUE,
LEVEL 4
CLAUDE RUTAULTD’OÙ JE VIENS OÙ J’EN SUIS OÙ JE VAISUNTIL 11 JANUARY 2016
GALERIE D’ART GRAPHIQUE, LEVEL 4
ANSELM KIEFERUNTIL 18 APRIL 2016
GALERIE 1, LEVEL 6
JANUARY – OPENINGS
THE MUSEUM’S DOSSIERS-EXHIBITION
PASSEURSSTARTING 14 JANUARY 2016
MUSEUM, LEVEL 5
FOCUS AT THE MUSEUMHOMAGE TO HUBERT DAMISCH13 JANUARY – 13 MARCH 2016
MUSEUM, LEVEL 5
FEBRUARY – OPENINGS
GÉRARD FROMANGER17 FEBRUARY - 16 MAY 2016
MUSEUM, GALERIE ART GRAPHIQUE,
LEVEL 4 LES ANNÉES 1980L’INSOUTENABLE LÉGÈRETÉ PHOTOGRAPH, FILM 24 FEBRUARY - 23 MAY 2016
GALERIE DE PHOTOGRAPHIES, LEVEL -1
ANNE TERESA DE KEERSMAEKER26 FEBRUARY - 6 MARCH 2016
GALERIE SUD, LEVEL 1
MARCH – OPENINGS
CHER(E)S AMI(E)S - HOMAGE TO DONORS OF CONTEMPORARY COLLECTIONS : PART 1 /GIFTS AND DONATIONSSTARTING 21 MARCH 2016
MUSEUM, LEVEL 4
FOCUS AT THE MUSEUMHOMAGE TO VITTORIO GREGOTTI30 MARCH – 16 MAY 2016
MUSEUM, LEVEL 5
APRIL - OPENINGS
PAUL KLEEL'IRONIE À L'ŒUVRE6 APRIL - 1 AUGUST 2016
GALERIE 2, LEVEL 6
MAY – OPENINGS
PIERRE PAULIN11 MAY - 22 AUGUST 2016
GALERIE SUD, LEVEL 1
JUNE - OPENINGS
PRIX MARCEL DUCHAMP 2015: THE NOMINEES 1ST JUNE - 15 AUGUST 2016
MUSEUM, LEVEL 4
UN ART PAUVRE (PROVISIONAL TITLE)
8 JUNE - 29 AUGUST 2016
GALERIE SUD, LEVEL 1
CHER(E)S AMI(E)S - HOMAGE TO DONORS OF THE CONTEMPORARY COLLECTIONS : PART 2 / WESTREICH WAGNER, UNE COLLECTIONSTARTING 10 JUNE 2016
MUSEUM, LEVEL 4 LOUIS STETTNER. ICI AILLEURS15 JUNE - 12 SEPTEMBER 2016
GALERIE DE PHOTOGRAPHIES, LEVEL -1
BEAT GENERATION22 JUNE - 3 OCTOBER 2016
GALERIE 1, LEVEL 6
2016 CALENDAR
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SEPTEMBER - OPENINGS
VIDÉODANSE12 - 18 SEPTEMBER 2016
RENÉ MAGRITTELA TRAHISON DES IMAGES21 SEPTEMBER 2016 - 23 JANUARY 2017
GALERIE 2, LEVEL 6
LE SURRÉALISME EN ÉGYPTE (PROVISIONAL TITLE)
28 SEPTEMBER 2016 - 9 JANUARY 2017
MUSEUM, GALERIE D’ART GRAPHIQUE, LEVEL 4
THE MUSEUM’S DOSSIERS-EXHIBITION
POLITICSSEPTEMBER 2016
MUSEUM, LEVEL 5
OCTOBER - OPENINGS
CARTE BLANCHE PMU 28 SEPTEMBER - 17 OCTOBER 2016
GALERIE DE PHOTOGRAPHIES, LEVEL -1
PRIX MARCEL DUCHAMP 2016LES NOMMÉSSTARTING 12 OCTOBER 2016
GALLERY 3, LEVEL 1
JEAN-LUC MOULÈNE19 OCTOBER 2016 - 20 FEBRUARY 2017
GALERIE SUD, LEVEL 1
NOVEMBER - OPENINGS
BRASSAÏ (PROVISIONAL TITLE)
9 NOVEMBER 2016 - 30 JANUARY 2017
GALERIE DE PHOTOGRAPHIES, LEVEL -1
CY TWOMBLY30 NOVEMBER 2016 - 24 APRIL 2017
GALERIE 1, LEVEL 6
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WIFREDO LAMUNTIL 15 FEBRUARY 2016
GALERIE 2, LEVEL 6
Curator: Catherine David
The retrospective devoted by the Centre Pompidou
to the Cuban painter Wifredo Lam (1902 - 1982)
endeavours to re-situate his career within
an international history of art, in which he played
an essential part. Covering every period from
his early years in Cuba and the time he spent
in Spain from 1924-1938 (works from this time
have recently been rediscovered in Madrid)
to the dazzling series of engravings in the Sixties
and Seventies and his collaborations with the leading
writers of his time, this retrospective also sheds
new light on crucial works after his "return
to the homeland" (1942 - 1952).
Introducing a mixed style of painting combining
Western modernism with African and Caribbean
symbols, Lam mingled with all the avant-gardes of
his time, and grappled with the problems of the
world. His deeply politically-committed work,
exploring a wide variety of expressions and media
from painting and drawing to engraving and
ceramics, battled with the same issues as his friend,
Aimé Césaire: "painting the dramatic events
of his country, the cause and the spirit of the Black
people." He invented his own unique and original
language to "foster the dignity of life" and "hail
freedom". Featuring numerous rare documents,
letters, photographs, reviews and books (some seen
for the first time), which shed light on the context
of Lam's work, oeuvre and thinking, this retrospective
benefits from the exceptional loan of one of
his iconic works, La Jungla (1943), now in New York's
Museum of Modern Art. The exhibition will also
travel to the Tate Gallery in London and the Centro
de Arte Reina Sofia in Madrid.
HISTORY OF ART
Wifredo Lam:
La jungla, 1943,
Museum of Modern Art,
New York, 2015.
Digital Image,
Museum of Modern Art,
New York /Scala, Florence
© Adagp, Paris 2015
PRESS CONTACT
Anne-Marie [email protected]
00 33 1 44 78 40 69
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PAUL KLEE, L’IRONIE À L’ŒUVRE6 APRIL - 1 AUGUST 2016
GALERIE 2, LEVEL 6
Curator: Angela Lampe
Exhibition dedicated to Pierre Boulez.
The Centre Pompidou takes audiences on a new journey through the work of one of the 20th century's most iconic artists, and a singular figure in modernity: Paul Klee. This thematic retrospective brings together around 250 works from leading international collections and the Zentrum Paul Klee. It takes a fresh look at the artist's work, taking as themes his "romantic irony" and the associated ideas of satire and parody. This approach elucidates Klee's relationship with his peers and the artistic movements of his times. A concept resulting from the first, German Romanticism, "Romantic irony" refers to the process of artistic creation. Klee's works should be seen as play on the self-representation of art.
The exhibition is divided into seven thematic sections which shed light on each stage in Paul Klee's artistic development: "Satire and caricature" (the early years); "Cubism"; "Mechanical theatre" (in line with Dada and Surrealism); "Constructivism" (the Dessau Bauhaus years); "Backward glances" (the Thirties); "Picasso" (Klee's reception after the 1932 Picasso retrospective in Zurich) and "The crisis years (between Nazi policies, war and illness). Alongside some major works which are rarely loaned, such as the large formats of the Thirties and above all the legendary Angelus Novus (never before exhibited in France), sculptures, collections of drawings and little-known works like the reverse glass painting of his early years will be presented.
Paul Klee:
Insula dulcamara, 1938
Oil and colour mixed with glue
on paper mounted on hessian
88 x 176 cm
Berne, Zentrum Paul Klee
© Public domain
HISTORY OF ART
PRESS CONTACT
Anne-Marie [email protected]
00 33 1 44 78 40 69
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RENÉ MAGRITTE LA TRAHISON DES IMAGES21 SEPTEMBER 2016 - 23 JANUARY 2017
GALERIE 2, LEVEL 6
Curator: Didier Ottinger
The Centre Pompidou is devoting a thematic
exhibition to the work of the Belgian artist
René Magritte. This completely new exhibition
reinterprets the entire work of the artist in the
light of five "figures" to which Magritte made
constant reference in his work: fire, shadows,
curtains, words and the fragmented body.
Through an approach based on these themes,
the exhibition reveals the artist's thinking
on questions of resemblance and realism, and
highlights his works dealing with the deceptive
representations of the world.
The exhibition brings together Magritte's paintings
with antique images, illustrating mythological
narratives of the invention and definition of painting.
René Magritte:
Le double secret, 1927
© Centre Pompidou, mnam-cci /
Dist. RMN-GP,
Photo : G. Meguerditchian
© Adagp, Paris 2015
HISTORY OF ART
PRESS CONTACT
Céline [email protected]
00 33 1 44 78 49 87
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CY TWOMBLY30 NOVEMBER 2016 - 24 APRIL 2017
GALERIE 1, LEVEL 6
Curator: Jonas Storsve
The Centre Pompidou is staging a major retrospective
of the work of the American artist Cy Twombly.
This exhibition – of unprecedented scope in Europe
– looks back over his entire career through
a broad selection of works, from his first pieces
in the early Fifties influenced by the so-called
"primitive" arts, graffiti and writing, to his last
chromatically exuberant paintings, by way of
his highly physical paintings from the early Sixties
and his response to the minimal and conceptual
art of the Seventies.
Unanimously acclaimed as one of the great
painters of the second half of the 20th century,
Twombly, who divided his life between Italy and
America from the end of the Fifties, "syncretised"
the legacy of American Abstract Expressionism
with the origins of Western classical painting.
The exhibition particularly emphasises the importance
Twombly gave to cycles and series, in which he
reinvented great history painting in his own way.
The first major retrospective staged since
the artist's death in 2011, the exhibition is also
an occasion to highlight the artist's special
relationship with Paris, the Centre Pompidou
having devoted a major retrospective to the artist
in 1988.
Cy Twombly:
Blooming, 2001 - 2008
Courtesy of the Fondazione
Nicola Del Roscio Archives
Photo: Studio Silvano, Gaeta
© Cy Twombly Foundation
HISTORY OF ART
PRESS CONTACT
Élodie [email protected]
00 33 1 44 78 48 56
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CONTEMPORARY CREATION
DOMINIQUE GONZALEZ-FOERSTER 1887-2058UNTIL 1 FEBRUARY 2016
GALERIE SUD, LEVEL 1
Curator: Emma Lavigne
The Centre Pompidou is devoting an exhibition
that is both retrospective and forward-looking
to the work of Dominique Gonzalez-Foerster,
which sets around thirty works in relation with
each other in a maze of rooms, environments
and passages, taking over several areas in the
building. "Dominique Gonzalez-Foerster,
1887-2058" lays out an open timeline in the space,
which goes from 1887 to 2058, and broadens
the limits of the retrospective by combining
several centuries and climates. The exhibition
starts in the late 19th century, moves through
the experience of the 20th and immerses viewers
in landscapes and interiors that are tropical, arid,
biographical or dystopian in turn.
The collection of parallel realities and staged
areas, where the genres of landscape, portrait
and period rooms coexist, becomes a fictional
abode with numerous entrances constructed
to experiment with the sensations of outside and
inside, absence and presence, identity and fiction,
the present moment and the exploration of time.
Sometimes stages, sometimes games areas,
sometimes introspective narratives, the rooms, films
and apparitions of Dominique Gonzalez-Foerster
draw on a living memory of film, literature and
the open structures of architecture and music
as ways of exploring the limits and possibilities
of the artistic realm.
Like an opera or musical, the exhibition makes
all sorts of cinematic, literary and scientific
presences appear, creating a heterogeneous,
multiple world teeming with sensations, narratives
and quotations.
The exhibition constitutes the identification of
the artist, the work as well as that of the viewer.
PRESS CONTACT
Dorothée [email protected]
00 33 1 44 78 46 60
Dominique Gonzalez-Foerster:
Sans Titre (mm), 2015
© Adagp, Paris 2015
photo: Giasco Bertoli
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CONTEMPORARY CREATION
ANSELM KIEFER16 DECEMBER 2015 - 18 APRIL 2016
GALERIE 1, LEVEL 6
Curator: Jean-Michel Bouhours
The Centre Pompidou is staging a completely new
overview of Anselm Kiefer's work. This retrospective,
the first in France for thirty years, invites visitors
to explore ten or so thematic rooms retracing
the German artist's entire career from the late
Sixties to the present day.
Laid out in an area of 2,000 m², the exhibition
consists of nearly 150 works, including around
60 paintings chosen from among his masterpieces,
an installation, a series of display cases and works
on paper, together with his first books.
Organised as a series of thematic rooms corresponding
to specific spaces / times, the exhibition brings
together an exceptional collection of the most iconic
paintings that stud Kiefer's career. Works such as
Resurrexit (1973), Quaternität (1973), Varus (1976),
Margarete (1981), Sulamith (1983) and Für Paul
Celan: Aschenblume (2006) were "pivotal" paintings
addressing various issues: the question of German
history, the reactivation of memory, the dialectic
of destruction and creation, and grief for Jewish
culture. In the early Nineties, Kiefer's visual work
opened out to other systems of thought, such
as the kabbala and alchemy, which enriched and
oriented the artist's fundamental questions.
For this project, the artist produced a series
of forty-odd "display cases" during 2015 on the themes
of alchemy and the kabbala, for which he drew
on a "reserve of possibles": an arsenal of objects
awaiting redemption.
Kiefer's work invites visitors, with singular visual
and plastic intensity, to discover a variety of poetic,
literary and philosophical worlds, from the poetry
of Paul Celan, Ingeborg Bachmann and Jean Genet
to Heidegger's philosophy, treatises on alchemy,
the sciences, esotericism and the Hebraic thought
of the Talmud and the kabbala.
PRESS CONTACT
Élodie [email protected]
00 33 1 44 78 48 56
Anselm Kiefer, 2014,
© Anselm Kiefer,
photo: © Charles Duprat
© Adagp, Paris 2015
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GÉRARD FROMANGER17 FEBRUARY – 16 MAY 2016
GALERIES DU MUSÉE, LEVEL 4
Curator: Michel Gauthier
No sooner is Fromanger's name uttered than it
unleashes a whole string of associations: May 68,
red silhouettes, street scenes, Prévert, Godard,
Deleuze, Foucault, photorealism, Narrative
Figuration, painting and politics.
While these associations are enough to recompose
the setting and recreate the atmosphere in which
Fromanger's work gained broad recognition
during the Seventies, they would not be sufficient
to define the approach that established its
permanence despite the many mutations his work
underwent throughout a half-century: a style of
painting open to the world, and at the same time
fully conscious of itself.
With fifty-odd works dating from 1964 to 2015,
some of which are little known, the exhibition,
in a non-chronological sequence, endeavours
to shed light on the various expressions of
the dualism central to Fromanger's art: a passion
for the pictorial and concern for the world.
Gérard Fromanger:
En Chine, à Hu-Xian
de la série « Le désir est par-
tout », août 1974
Centre Pompidou, mnam-cci/
Dist. RMN-GP, P. Migeat
© Gérard Fromanger
bought from the artist in 1975.
Attributed to the musée national
d'art moderne/centre de création
industrielle, on 2 June 1977.
The inscription in Chinese
in the painting means
"to serve the people".
CONTEMPORARY CREATION
PRESS CONTACT
Céline [email protected]
00 33 1 44 78 49 87
12
HAEGUE YANG6 JULY 2016
FORUM
Curator: Nicolas Liucci-Goutnikov
To celebrate France-Korea Year, the artist Haegue
Yang is creating a new installation for the Forum
of the Centre Pompidou. Born in Seoul in 1971,
working between Korea and Germany,
Haegue Yang diverts materials and objects from
their primary function. For example, venetian
blinds and fans are integrated into abstract
constructions, designed as sensitive environments
imbued with modernist references. Haegue Yang
is considered one of the key protagonists of today’s
contemporary art scene.
Haegue Yang, Sol LeWitt:
Upside Down – Structure with
Three Towers, Expanded 23
Times, Split in Three, 2015,
presented at the 13th Biennale
de Lyon from 10 September 2015
to 3 January 2016.
CONTEMPORARY CREATION
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JEAN-LUC MOULÈNE19 OCTOBER 2016 - 20 FEBRUARY 2017
GALERIE SUD, LEVEL 1
Curator: Sophie Duplaix
The Centre Pompidou is devoting its first monograph
exhibition to the work of Jean-Luc Moulène.
Invited several times by the Centre Pompidou
to take part in group exhibitions, and often shown
at the Museum, the artist presents a manifesto
of his work for this exhibition, not as a retrospective
of works, but as a retrospective of protocols.
With a series of completely new works, he creates
a circuit that reconstructs the richness and
complexity of his abstract and physical universe.
Moulène seeks to "objectify" the world through
a variety of practices, forms and subjects,
and by exploring operations such as disjunction,
intersection, laterality, cutting and contingency,
involving the tension between body and object.
He questions shared space and the form taken
by this space, working on its interaction with
the individual space.
Moulène is also continuing his meticulous research
on materials, and repeating his collaborations with
industrial design.
This exhibition is a poetic act in which Jean-Luc
Moulène brings together art, science and technology.
Jean-Luc Moulène:
Trichrome 2, Marseille, 2015
Courtesy of the artist
and Galerie Chantal Crousel, Paris
© Jean-Luc Moulène /
© ADAGP, Paris 2015
Photo: Florian Kleinefenn
CONTEMPORARY CREATION
PRESS CONTACT
Dorothée [email protected]
00 33 1 44 78 46 60
14
BEAT GENERATION 22 JUNE - 3 OCTOBER 2016
GALERIE 1, LEVEL 6
Curators: Philippe-Alain Michaud /
Jean-Jacques Lebel
The "Beat Generation" was a movement based
on literature and art which arose in the USA
during the Fifties, at the initiative of William
Burroughs, Allen Ginsberg and Jack Kerouac,
who met at Columbia University in New York
in 1944. The movement then moved to the West
Coast and gravitated around Lawrence Ferlinghetti's
bookshop in San Francisco, City Lights Books
and briefly around the Six Gallery, the setting,
on 7 October 1955, for Ginsberg's famous reading
of his poem "Howl", which led to a spectacular
trial for obscenity, and brought a paradoxical
celebrity to the Beat poets. Between 1958 and 1963,
Paris became one of the crucial centres for
the Beat Generation. William Burroughs,
Gregory Corso, Allen Ginsberg, Peter Orlovsky,
Brion Gysin, and many others stayed regularly
at the Beat Hotel, at 9 rue Gît-le-Cœur, the Mecca
of Bohemian life after the war and a laboratory
for visual and sound experiments.
This was where Brion Gysin, William Burroughs
and Antony Balch developed the "cut-up"
technique, Burroughs wrote Naked Lunch,
and Brion Gysin invented his "Dreamachine".
The "Beat Generation"exhibition, devised and
presented at the Centre Pompidou, is the first major
retrospective on this theme in Europe. In a completely
new approach, it puts the accent on this often
forgotten Parisian period of a movement that
profoundly marked contemporary creation.
With a geographical circuit, this exhibition takes
up Beat nomadism, from New York to San Francisco,
Mexico, Tangier and Paris. It is an occasion to
show how the Beat movement involved – perhaps
for the first time in history – writers' and artists'
systematic use of analogue technology
(tape recorders, records, radio, telephone, photo
and film cameras); to compare the work of film
directors (Christopher MacLaine, Bruce Baillie,
Stan Brakhage, and Stan Vanderbeek) to that
of photographers (Allen Ginsberg and William
Burroughs in collaboration with Robert Frank,
Charles Brittin, John Cohen, Harold Chapman,
and so on), and to show the extensions of the Beat
culture into the California art scene (Wallace Berman,
Bruce Conner, George Herms, Wally Hedrick,
Jay DeFeo, and many more).
John Cohen:
Robert Frank, Alfred Leslie,
Gregory Corso, 1959
© L. Parker Stephenson
Photographs, NYC
MULITIDISCIPLINARY EXHIBITIONS
PRESS CONTACT
Dorothée [email protected]
00 33 1 44 78 46 60
15
UN ART PAUVRE (PROVISIONAL TITLE)8 JUNE - 29 AUGUST 2016
GALERIE SUD, LEVEL 1
Curatorship coordinated by Frédéric Paul,
with the collaboration of Marie-Ange Brayer,
Jonathan Pouthier, Didier Schulmann
(Bibliothèque Kandinsky), Franck Madlener
and Marine Nicodeau (Ircam)
With this completely new multidisciplinary event
based on its huge collections, the Centre Pompidou
examines the different artistic practices revolving
around the notion of "poor" was crystallised,
starting in the Sixties: in the visual arts, of course,
with Arte Povera, but also in music, architecture,
theatre and experimental film.
In 1967, various manifestoes heralded the birth of
Arte Povera. The article written by Germano Celant
instantly established the movement at the crossroads
of several disciplines, making simultaneous
reference to the visual arts, cinema and theatre
– particularly the "poor theatre" conceived
by Jerzy Grotowski.
From the outset, Arte Povera was thus central
to numerous artistic practices characterised
by the simplicity of the creative gesture and
the emphasis on simple materials. The materials
used by the artists of Arte Povera were often
natural or recovered. This form of recycling arose
less from a creed than from the attention given
to traces, reliefs and the most basic manifestations
of life. While Arte Povera proclaimed a return
to archaic gestures, Grotowski advocated for
a theatre "stripped of everything that was not of
itself," without sets, lighting effects, make up,
costumes or music. Music, precisely, then began
to experiment with the rarefaction of sound,
reflecting the force of the questioning common
to all artistic disciplines.
Developed in collaboration with different departments
of the Centre Pompidou, among other the IRCAM,
the event draws on the collections of the musée
national d'art moderne, home to one of the world's
largest collections of Arte Povera. The exhibition
reveals all its richness and diversity through
the iconic works of numerous figures in the movement,
including Giovanni Anselmo, Gilberto Zorio,
Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro,
Piero Gilardi, Jannis Kounellis, Mario Merz,
Giulio Paolini, Pino Pascali, Giuseppe Penone and
Michelangelo Pistoletto, together with numerous
creators who had much in common with it,
like Ugo La Pietra, Ettore Sottsass and Michele de
Lucchi. Arte Povera's presence in the Centre Pompidou
collection has been further increased by the exceptional
donation to the Bibliothèque Kandinsky of the
archives of Ida Gianelli, who directed the Castello
di Rivoli in Turin from 1991 to 2008 and before that,
the Saman Gallery in Genoa.
The exhibition will also be extended in various
ways within the Centre Pompidou: through
the programme of the 2016 edition of IRCAM's
annual event ManiFeste, as well as on the various
floors of the Musée National d'Art Moderne, where
numerous works will interact with the contemporary
echoes of these different "poor" techniques.
MULITIDISCIPLINARY EXHIBITIONS
PRESS CONTACT
Élodie [email protected]
00 33 1 44 78 48 56
16
ANNE TERESA DE KEERSMAEKER WORK / TRAVAIL / ARBEID26 FEBRUARY - 6 MARCH 2016
GALERIE SUD, LEVEL 1
Curator: Serge Laurent
What happens if a choreography is presented like
an exhibition? This simple question is the starting
point for Work / Travail / Arbeid by dancer and
choreographer Anne Teresa De Keersmaeker.
The implications of such an experience shape
the conventional way of thinking, constructing
and experiencing both contemporary dance
and the exhibition. To answer the question,
Anne Teresa De Keersmaeker drew on her Vortex
Temporum, a ballet written to the eponymous
score of French composer Gérard Grisey
and created in 2013. She has reinvented
this choreography to fit with the radically different
temporal, spatial and conceptual conditions
of a museum.
The dancers of the Rosas company and the musicians
of the Ictus ensemble who perform Work / Travail /
Arbeid do not only import a ballet into the Galerie
Sud of the Centre Pompidou. They reinterpret
dance in the form of a nine-day exhibition,
accessible as such to the public, a long way
from any experience of this kind in the theatre.
The initial length of the ballet is drawn out into
ten-hour cycles, with each hour featuring a new part
of the choreography and a new combination
of dancers and musicians in the exhibition area.
This project transforms the material and context
that have long characterised dance, and give
a completely new form to the rigorous choreographic
language of Anne Teresa De Keersmaeker.
The presentation of Work / Travail / Arbeid in Paris is
the result of a collaboration between the Opéra de
Paris, the Centre Pompidou and the Rosas
company. It is supported by BNP Paribas Fortis
and the BNP Paribas Fortis foundation.
Photo: Anne Van Aerschot
MULITIDISCIPLINARY EXHIBITIONS
PRESS CONTACT
Anne-Marie [email protected]
00 33 1 44 78 40 69
17
LE SURRÉALISME EN ÉGYPTE :LE GROUPE ART ET LIBERTÉ (1938 - 1948) (PROVISIONAL TITLE)28 SEPTEMBER 2016 - 9 JANUARY 2017
GALERIE DU MUSÉE, LEVEL 4
General curator: Catherine David
co-curators: Sam Bardaouil and Till Fellrath
Surréalisme en Égypte is the first presentation
by a museum of the "Art et Liberté" group created
in 1938, a collective of intellectuals and artists
linked with International Surrealism. The group,
as brief (1938 - 1948) as it was famous, was founded
in Cairo by the Surrealist writer Georges Henein
and the artists Ramses Younan, Fouad Kamel
and Kamel El-Telmissany.
Announced by the publication of the manifesto
entitled "Vive L‘Art Dégénéré" circulated in Cairo
on 22 December 1938, news of the group's creation
was rapidly relayed throughout the world
in February 1939 by Clé, the monthly bulletin
of the F.I.A.R.I., and by Henri Calet in La Nouvelle
Revue Française and Roland Penrose in the April
issue of the London Bulletin of Surrealism.
Through this manifesto, the collective declared its
solidarity with European artists and intellectuals
struggling against Fascist and Nazi regimes.
The exhibition sheds light on the critical use
of Surrealism as a tool for radical change
and a way of creating a contemporary visual
language. The "Art et Liberté" group thus found
a new expression in the revolutionary approach
of Surrealism, enabling it to challenge an antiquated
academicism supported by a Conservative
middle-class. Through its criticism of artistic and
political models in Egypt, the "Art et Liberté"
group had a considerable influence on a younger
generation of artists who were the frontrunners
of Egyptian modernity. Together, the works and
documents in the exhibition reveal the contribution
of the "Art et Liberté" group, whose political
commitment was strongly in tune with
the contemporary period. This exhibition will help
to study and reassess these art scenes, too-long
relegated to the side-lines of the traditional
canons of art history.
MULITIDISCIPLINARY EXHIBITIONS
PRESS CONTACT
Anne-Marie [email protected]
00 33 1 44 78 40 69
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THE DESIGN EVENT
PIERRE PAULIN 11 MAY - 22 AUGUST 2016
GALERIE SUD, LEVEL 1
Curator: Cloé Pitiot
Designer, interior architect and creator Pierre Paulin
sculpted space, laid it out and landscaped it.
His environments, furniture and industrial objects,
whether simple or spectacular, were always
intended to serve the body, providing it with
comfort and reassurance. With more than
70 pieces of furniture and 50-odd designs,
this first exhibition devoted by the Centre Pompidou
to Pierre Paulin provides a journey through
the entire corpus of the designer and 40 years
of creation from the angle of his dialogue
with history and the body. The deliberately
educational exhibition is dotted with strips
of wallpaper, the support for documents, press
articles, review covers and exhibition catalogues.
In dialogue with historyVisitors will set out on a chronological visit
to discover his most iconic designs, which include
chairs, desks, lamps and industrial objects.
Previously unseen drawings, films and documentation
will shed light on the designer's numerous, eclectic
projects.
In the spring of 2015, the designer's family
donated to the Centre Pompidou an exceptional
collection of archives, documents and drawings
dedicated to the work of the designer. An iconic
figure of post-war creation, Pierre Paulin marked
forty years of the history of contemporary
international design with his singular, prolific works.
Pierre Paulin's works entered the collections
of New York 's MoMA at the end of the sixties.
In 1971, he was chosen by Claude and Georges
Pompidou to redesign the private apartments of
the Palais de l’Elysée. In 1984, François Mitterrand
also called on Pierre Paulin for the interior
architecture and design of the presidential office
at the Elysée.
Pierre paulin:
Siège 577, 1967
© Centre Pompidou, mnam-cci /
Dist. RMN-GP, Photo : B. Prévost
© SAIF
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THE DESIGN EVENT
The exhibition presents outstanding pieces from
Pierre Paulin's production that are now icons
of design, including the Anneau, Mushroom,
Ribbon, Butterfly and Tulip chairs. It also devotes
considerable space to unpublished and
self-published projects, like the Tapis-siège,
the Déclive, the Herman Miller project, the Tente
and rare pieces from the Fifties, together with
a number of prototypes.
The pieces, presented on "stands", also pay tribute
to the designer's collaborations with his editors,
including Meuble TV, Thonet, Disderot, Artifort,
Mobilier International and Mobilier National.
The exhibition also features some more industrial
pieces designed for ADSA, the agency Pierre Paulin
founded with his wife Maia Paulin and Marc Lebailly
in 1975.
In dialogue with the body The exhibition encourages visitors to establish
a dialogue between the body and comfort.
Paulin's work was constantly driven by the ideas
of comfort and a new lifestyle (at floor level,
for example), and the visit invites viewers to sit down
in the designer's seats. Re-editions are available
to the public of the Mushroom, Ribbon, Tulip,
Butterfly, F444 and Amphis chairs. The exhibition
presents a new reconstruction of the living room
of La Calmette, the villa he designed in the Cévennes
during the Nineties, where the public can see
a thick diwan (carpet) running along a wall,
flipping sides on the floor, and providing a setting
for four Tongue chairs.
Three previously unreleased films shed new light
on the work of Pierre Paulin: a 12-minute biography
revealing new images, a film about the link between
Pierre Paulin, Georges Pompidou and the Centre
Pompidou, and a series of 12 three-minute films
devoted to his iconic chairs.
PRESS CONTACT
Céline [email protected]
00 33 1 44 78 49 87
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CHER(E)S AMI(E)S NEW PRESENTATION OF THE CONTEMPORARY COLLECTIONS GIFTS AND DONATIONSSTARTING 16 MARCH 2016
MUSEUM, LEVEL 4
Curators: Christine Macel
and Frédéric Migayrou with Loïc Le Gall
The Centre Pompidou is planning a new
presentation of the contemporary collections
occupying a large part of the fourth floor.
This provides an interpretation of today's art
through works that have entered the collection
over the past five years, thanks to the generosity
of the Centre Pompidou's patrons and donors:
the Société des amis du musée national d'art
moderne, the Centre Pompidou Foundation,
donors and private foundations, companies, artists
and galleries.
This new presentation is structured around
various themes and artists, including Farah Atassi,
Ariella Azoulay, Karla Black, Isabelle Cornaro,
Olafur Eliasson, Adrian Ghenie, Wade Guyton,
Susan Hefuna, Junya Ishigami, François Morellet,
Victor Man, Ciprian Muresan, Christodoulos
Panayiotou, Anri Sala, Haim Steinbach, UN Studio,
Kara Walker, Ding Yi, Marcel Wanders, Xu Zhen
and Akram Zaatari. It illustrates the diversity of
the works recently added to the collections, and
the increasingly open attitude towards international
scenes fostered by the Centre Pompidou.
WESTREICH WAGNER, UNE COLLECTIONSTARTING 9 JUNE 2016
MUSEUM, LEVEL 4
Curatorship: Christine Macel,
curator at the musée national d’art moderne
Elisabeth Sussman, curator at the Whitney
Museum of American Art
The second part of the new presentation of
the contemporary collections will consist of the first
showing of the Thea Westreich-Wagner and
Ethan Wagner collection, spread out over 1,200 m²
on the fourth floor, with 150 pieces.
This pays tribute to the exceptional group of works
assembled since the Eighties by the husband and
wife collectors from New York. 800 of these works
are now promised to the Centre Pompidou Foundation
and the Whitney Museum of American Art in New York.
This impressive collection is largely devoted to figures
now established in the history of art of the late
20th century (Eija-Liisa Ahtila, Martin Barré and
Philippe Parreno) and to artists whose names
have been more recently established (Claire Fontaine,
Josephine Pryde and Danh Vo.) The hang puts
the accent on the European part of this promised
gift, which contains the works of around 35 artists.
Major themes are evoked throughout a chronological
circuit: the exhaustion of the subject in painting,
reinvented modernism and the question of genre.
The exhibition of the Whitney Museum of American
Art, oriented more towards American art, will open
on 18 November 2015 in New York
AT THE MUSEUM
PRESS CONTACT
Céline [email protected]
00 33 1 44 78 49 87
PRESS CONTACT
Anne-Marie [email protected]
00 33 1 44 78 40 69
2016 features two presentations in honour of donors from varied backgrounds who, through their generosity and passion, enable the collection of the Musée National d'Art Moderne to remain firmly in touch with the present. The first, opening in March, provides a huge overview of recent contemporary donations made to the Centre Pompidou. The second, opening in June, pays homage to the New York Westreich-Wagner husband and wife couple and their recently-promised donation of 300 works to the Centre Pompidou Foundation.
These two exceptional presentations go hand-in-hand with major interior renovation work. In 2016, a new forward-looking area will be opened in the heart of the museum, devoted to the visual creation of today.
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AT THE MUSEUM
DOSSIER-EXHIBITION PRESENTATIONOF THE MODERN COLLECTIONS MUSEUM, LEVEL 5
Curatorship: members of the musée national d'art
moderne
GO-BETWEENS STARTING 14 JANUARY 2016Exhibition dossiers are dotted around the circuit
of the modern collections. Designed as study and
research areas entrusted to the museum's erudite
teams, they are renewed twice a year, and
incorporate works of art and the Bibliothèque
Kandinsky's documents and archives.
On 13 January 2016, a new sequence will be devoted
to these "Passeurs" whose commitment and efforts
promoted the viewing and reading of modern
works. Critics, art historians, thinkers of the time
and enlightened art lovers, these figures made
a decisive contribution to the history of art of
the 20th century.
After putting the spotlight on Georges Duthuit,
Guillaume Apollinaire and Michel Ragon,
the musée national d'art moderne will now be
concentrating on the critical world of new
"go-betweens", including the Steins, Wilhelm
Uhde, Oswald de Andrade, Robert Lebel,
Sigfried and Carola Giedion and Alain Jouffroy.
The classes given by Vassily Kandinsky at
the Bauhaus will be the subject of a special focus.
Scientific coordination: Nicolas Liucci-Goutnikov
assisted by Julie Champion and Mathilde Bartier
LES STEIN
Devised by Cécile Debray
WILHELM UHDE
Devised by Angela Lampe
ANDRÉ BRETON
Devised by Jean-Michel Bouhours and Camille
Morando
ROBERT LEBEL
Devised by Bernard Blistène and Julie Champion
SIGFRIED ET CAROLA GIEDION
Devised by Aurélien Lemonier
ALAIN JOUFFROY
Devised by Didier Schulmann
OSWALD DE ANDRADE
Devised by Nicolas Liucci-Goutnikov
COURS DE KANDINSKY AU BAUHAUS
Devised by Christian Briend
AIMÉ CÉSAIRE
Devised by Julie Champion and Mica Gherghescu
FRANCIS PONGE
Devised by Julie Champion and Anne Lemonnier
BERNARD GHEERBRANT
Devised by Stéphanie Rivoire
REYNER BANHAM
Devised by Aurélien Lemonier
POLITICS SEPTEMBER 2016A new sequence of dossier-exhibition will explore
the way artists have supported political ideology
through their respective practices. Various case
studies based on the collections will be suggested
as food for thought: Rodchenko's Workers Club,
agit-prop, Italian architecture during Fascism,
the political commitment of André Breton,
socialist realism in France and the Situationist
International.
Scientific coordination: Nicolas Liucci-Goutnikov
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AT THE MUSEUM
FOCUSESA NEW SPACE IN THE MUSEUM
Located at the meeting point of the modern and contemporary collections, a room of 120 m² features tributes to artists and the people who helped them, inviting viewers to appreciate the place they occupy in the museum's past and present history. Renewed every two months or so, this room puts the spotlight on works recently acquired by the Centre Pompidou.
After Barnett Newman in May, and Gil J. Wolman
in July, the Musée National d'Art Moderne will be
celebrating:
CHEN ZHEN
21 OCTOBER 2015 - 4 JANUARY 2016
"I am seeking a language through which I can
dialogue with the source of the universe and
the inner heart of human beings." This is
the approach adopted by Chen Zhen, whose
artistic career has developed since his arrival
in Paris in 1986 into a profoundly humanist dialogue
between cultures. The Centre Pompidou pays tribute
to him by exhibiting Beyond the Vulnerability (1999),
a work that recently entered its collection, created
with children in Salvador da Bahia.
Devised by Odile Rousseau.
HUBERT DAMISCH
14 JANUARY 2016 - 13 MARCH 2016
Through his writing and his teaching at the École
des Hautes Études en Sciences Sociales,
Hubert Damisch has played a crucial role in redefining
the scope of art history since the Seventies
by integrating it into the structuralist movement.
According to Damisch, the art of the past cannot
be seen independently from that of the present.
The scope of his analysis, emancipated from
any chronological framework (an emancipation
that he even uses as a method principle),
thus extends without a break from the Renaissance
to the modern and contemporary period.
He believes that works develop models of
intelligibility through their own means.
His analyses, without ever losing their historical
or discursive rigour, cover painting, drawing,
architecture, photography and film, and open out
to the now closely related fields of philosophy,
science theory, linguistics and psychoanalysis.
Devised by Olivier Cinqualbre and Philippe-Alain
Michaud assisted by Julie Champion.
VITTORIO GREGOTTI
30 MARCH 2016 - 16 MAY 2016
Vittorio Gregotti was a key figure in Italian architecture
of the second half of the 20th century, simultaneously
a famous teacher, the director of major professional
reviews, and an outstanding architect. His career
was launched in 1964 with the residential blocks
of the Via Montegani in Milan, and the same year,
he co-directed the 13th Milan Triennial with
Umberto Eco. Three of his designs, the University
of Palermo science department (1969 - 78),
the campus of University of Calabria in Cosenza
(1973 - 79) and the social housing project in Cefalu
(1976 - 79), are representative of his approach,
which fostered the large-scale together with
the relationship between territorial morphology
and the language of the site. One of his last
projects was his design for the Grand Théâtre
de Provence in Aix-en-Provence (2003 - 07).
Devised by Olivier Cinqualbre.
PRESS CONTACT
Dorothée [email protected]
00 33 1 44 78 46 60
23
THE UNBEARABLE LIGHTNESS THE 1980SPHOTOGRAPHS, FILMS24 FEBRUARY - 23 MAY 2016
GALERIE DE PHOTOGRAPHIES, FORUM-1
Curator: Karolina Ziebinska-Lewandowska
The exhibition of photographs and films presented
by the Centre Pompidou looks back at the Eighties
through sixty-odd works by over twenty artists.
Heterogeneous, elusive, painful, fantastical,
still too close, as light-hearted as they were serious,
these years, considered the climax of post-modernism,
are highly contrasted and paradoxical.
The exhibition takes a new look at the decade,
and adopts the standpoint of focusing on films
and photographs in the Centre Pompidou collection.
For the most part, the works exhibited express
criticism of Western culture and society, according
to various strategies. With some, it is a brutal,
ironic document; with others a realistic or
imaginary staging, a pastiche, or the use of sets
and artifices. For the first time, the exhibition
brings together the works of Bazil Bustamante,
David Buckland, Agnès Bonnot, Clegg and Guttman,
Paul de Nooijer, Tom Drahos, Jean-Paul Goude,
Hergo, Karen Knorr, Elizabeth Lennard, Robert
Mapplethorpe, Joachim Mogarra, Patrick Nagatani,
Alice Odilon, Présence Panchounette, Florence
Paradeis, Martin Parr, Pierre et Gilles, Sandy
Skoglund, Unglee, Boyd Webb and Mark Wilcox.
Agnès Bonnot
(Untitled), 1982
40,2 x 26,4 cm
Centre Pompidou, Paris
Centre Pompidou / P.Migeat /
Dist. RMN-GP
© Agnès Bonnot / Agence Vu’
CARTE BLANCHE PMU 2016 28 SEPTEMBER-17 OCTOBER 2016
GALERIE DE PHOTOGRAPHIES, FORUM-1
For the last seven years, the PMU has been fostering contemporary photographic creation, giving a free
hand to photographers to cast their eye on the world of gaming – in principle entirely foreign to them.
The photographer selected is awarded a grant of €20,000 to carry out a new project, together with a book
published by Filigranes and, starting this year, an exhibition at the Centre Pompidou's Galerie de Photographies.
Thierry Fontaine, the Carte Blanche winner in 2015, exhibited his work in the Galerie de Photographies
at the Centre Pompidou between 7 and 19 October 2015.
At the opening of the 2016 season, a new Carte Blanche PMU will be exhibited at the Centre Pompidou.
PHOTOGRAPHY
PRESS CONTACT
Élodie [email protected]
00 33 1 44 78 48 56
24
LOUIS STETTNERICI AILLEURS15 JUNE - 12 SEPTEMBER 2016
GALERIE DE PHOTOGRAPHIES, LEVEL -1
Curators: Clément Chéroux / Julie Jones
The exhibition devoted by the Centre Pompidou
to the work of Louis Stettner in all its stylistic
and historic breadth covers nearly eight decades
of creation.
It reveals the poetic Paris of the post-war years,
the busy New York of the Fifties, Sixties
and Seventies, the atmospheric quality of urban
ambiences and the actions of people at work,
which the photographer captured with incomparable
perception.
Born in 1922, Louis Stettner was one of the last
great American photographers of this still active
generation. He started as a photographer during
the Thirties, and travelled frequently back
and forth between France and the USA during
the post-war years. His work is marked by
this geographical ambivalence, oscillating
between American-style street photography
and French style humanist photography.
Wishing for the Centre Pompidou to become the venue
of reference for his work, Louis Stettner has made
it a donation of vintage prints.
BRASSAÏ (TITRE PROVISOIRE)9 NOVEMBER2016 - 30 JANUARY 2017
GALERIE DE PHOTOGRAPHIES, LEVEL -1
Curators: Clément Chéroux / Karolina Ziebinska-
Lewandowska
More information will be soon available.
Louis Stettner:
Aubervilliers, 1947
Centre Pompidou, mnam-cci /
Dist. RMN-GP,
G. Meguerditchian
© Louis Stettner
Brassaï (Halász Gyula, dit):
Statue du Maréchal Ney
dans le brouillard, 1932
Centre Pompidou collection,
musée national d’art moderne
Centre Pompidou, mnam-cci /
Dist. RMN-GP, J.C. Planchet
© Brassaï Estate - RMN
PHOTOGRAPHY
PRESS CONTACT FOR BOTH EXHIBITIONS
Élodie [email protected]
00 33 1 44 78 48 56
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MELIK OHANIANPRIX MARCEL DUCHAMP 20151ST JUNE - 15 AUGUST 2016
MUSEUM, LEVEL 4
Curator : Christine Macel
THE 2016 NOMINEES12 OCTOBER 2016 - 30 JANUARY 2017
GALLERY 4, LEVEL 1
Curator : Alicia Knock
Created in 2000 by the ADIAF (Association for
the dissemination of French art) to put the spotlight
on artists of the French scene, the Prix Marcel
Duchamp celebrated its 15th anniversary in 2015.
Today, it is one of the most prestigious prizes f
or contemporary art in the world.
The Prix Marcel Duchamp has been awarded
since 2002 to a winner selected among four artists
born or resident in France, working in the field
of the visual and plastic arts: installations, video,
painting, photography and sculpture. From the outset,
it was organised in partnership with the Centre
Pompidou, which each year invites the winner
for a three-month solo exhibition in Espace 315.
Since 2005, all the artistic proposals in competition
have been exhibited at the FIAC (International
Contemporary Art Fair).
The Prix Marcel Duchamp plays a crucial role
in the national and international scene, where
it asserts the vitality and diversity of the French
arts and gives the floor to collectors.
In 2016, the ADIAF and the Centre Pompidou will
give fresh impetus to the Prix Marcel Duchamp
by changing its procedures. This new exhibition
formula reasserts and strengthens the Centre
Pompidou's commitment to artists and the ADIAF.
Starting from the 2016 edition, the nominees will now be invited to exhibit in a venue at the Centre Pompidou that is twice as big: 650 m², in a reconfigured area. This major change will give greater visibility to artists of the French contemporary scene. It will make it possible to exhibit the works of the four finalists, giving audiences an idea of their work before the jury make their decision. The announcement of the winner will also take place at the Centre Pompidou and will be immediately followed by the prize-giving ceremony.
2016, a year of transition, will be marked by two Prix Marcel Duchamp exhibitions at the Centre Pompidou:• The 2015 winner, Melik Ohanian, will exhibit in the summer of 2016 at the museum. • The proposals of the artists nominated for the 2016 Prix Marcel Duchamp will be jointly exhibited during the new season of 2016 in the new area, Gallery 4.
Thanks to this new format, the four artists
will enjoy three months of visibility at the Centre
Pompidou.
To date, the Prix Marcel Duchamp was amended
to fifteen winners among sixty artists considered
the most ground breaking of their generation:
Thomas Hirschhorn (2000)
Dominique Gonzalez-Foerster (2002)
Mathieu Mercier (2003)
Carole Benzaken (2004)
Claude Closky (2005)
Philippe Mayaux (2006)
Tatiana Trouvé (2007)
Laurent Grasso (2008)
Saâdane Afif (2009)
Cyprien Gaillard (2010)
Mircea Cantor (2011)
Daniel Dewar et Grégory Gicquel (2012)
Latifa Echakhch (2013)
Julien Prévieux (2014)
Melik Ohanian (2015).
PRIX MARCEL DUCHAMP
PRESS CONTACT
Dorothée [email protected]
00 33 1 44 78 46 60
PRESS CONTACTS
CENTRE POMPIDOUdirection de la communication et des partenariats
directorBenoit Parayretelephone00 33 (0)1 44 78 12 [email protected]
Press officers
Céline Janvier00 331 44 78 49 [email protected]
Dorothée Mireux00 331 44 78 46 [email protected]
Anne-Marie Pereira00 33)1 44 78 40 [email protected]
Élodie Vincent00 331 44 78 48 [email protected]
Press releases and kits online on the Centre Pompidou website.www.centrepompidou.fr
AGENCY FOR CINEMAS
Pierre Laporte Communicationtelephone 01 45 23 14 14 [email protected]
AGENCY FORPERFORMING ARTS
MYRAYannick Dufour & Alexandre Mineltelephone 01 40 33 79 [email protected]
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