Print Is The New Web

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Print Is The New Web by Elliot Jay Stocks elliotjaystocks.com/fowd08 twitter.com/elliotjaystocks Go on, follow me. It makes me feel nice.

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Elliot Jay Stocks speaking at Future of Web Design London 2008

Transcript of Print Is The New Web

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Print Is The New Webby Elliot Jay Stockselliotjaystocks.com/fowd08

twitter.com/elliotjaystocks Go on, follow me. It makes me feel nice.

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I love books

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I love books Business cards

Magazines

Posters & flyers

Packaging

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Me Web design

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Me Web design

(but crossing my fingers because I’m having an affair with print design)

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Juxtapoz magazine juxtapoz.com

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Scott Hansen iso50.com

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Scott Hansen iso50.com

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Scott Hansen iso50.com

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Scott Hansen iso50.com

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Scott Hansen iso50.com

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Freedom

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Freedom

Large areas of whitespace

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Freedom

Large areas of whitespace

Unusual layout

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Freedom

Large areas of whitespace

Unusual layout

Bold imagery / typography

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Freedom

Large areas of whitespace

Unusual layout

Bold imagery / typography

Thinking outside the grid

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Inseparable

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Inseparable

Print design Web designPresent day

Birth of print

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Inseparable

Print design Web designPresent day

Birth of printDesign as a whole

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Inseparable

Print design Web designPresent day

Birth of art

Design as a whole

Art as a whole

Birth of print

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Flash

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Flash“Aaa-aaaaaaaaaaah!

Saviour of the universe!”

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Jeff Croft:

“Flash speaks [a designer’s] language. It's visual in nature and has similar tools and UI to Photoshop, Illustrator, and their ilk.”

subtraction.com/archives/2008/0114_the_story_so.php

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Two tangents

Print design

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Two tangents

Print design

XHTML / CSS(rigidity of layout*)

Flash (freedom of layout*)

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Two tangents

Print design

* Generally speaking, of course. You know I love Web Standards more than Flash ... so please don’t throw the tomatoes just yet!

XHTML / CSS(rigidity of layout*)

Flash (freedom of layout*)

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Brave negative space

Conclave Obscurumconclaveobscurum.ru

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Non-standard decorative elements

Conclave Obscurumconclaveobscurum.ru

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Undisturbed page layout

Conclave Obscurumconclaveobscurum.ru

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Glitched layout - content shifted

Conclave Obscurumconclaveobscurum.ru

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Glitched layout - content shifted

Conclave Obscurumconclaveobscurum.ru

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Glitch requires user action to be fixed

Conclave Obscurumconclaveobscurum.ru

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Glitch requires user action to be fixed

Conclave Obscurumconclaveobscurum.ru

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More glitches

Conclave Obscurumconclaveobscurum.ru

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Intentional breakage

Conclave Obscurumconclaveobscurum.ru

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Intentional breakage

Conclave Obscurumconclaveobscurum.ru

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Reverting to normal content layout

Conclave Obscurumconclaveobscurum.ru

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Glitches... distortions...intentional breakages...what purpose do they serve?

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Glitches... distortions...intentional breakages...what purpose do they serve?

To break the mould

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Glitches... distortions...intentional breakages...what purpose do they serve?

To break the mould

To create a pleasant level of tension

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Glitches... distortions...intentional breakages...what purpose do they serve?

To break the mould

To create a pleasant level of tension

To involve the user (attention / participation required)

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Coba Haircobahair.co.uk/treatments.html

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Standard Imagestandardimage.jp/ver2.1

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Seed Conferenceseedconference.com

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Revyverrevyver.com

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A Brief Messageabriefmessage.com

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Narrative

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Subtraction: the story so farsubtraction.com/archives/2008/0114_the_story_so.php

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Khoi Vinh:

“My complaint, right now, is that the majority of storytelling that happens on the Web is based in the interactively rich environment made possible by Flash.”

“Not enough Web standards-minded designers are thinking narratively in the way that our Flash-fluent colleagues are.”

subtraction.com/archives/2008/0114_the_story_so.php

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No One Belongs Here More Than Younoonebelongsheremorethanyou.com

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No One Belongs Here More Than Younoonebelongsheremorethanyou.com

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Narrative

Narrative is not just about backward and forward or next and previous. It is about an evolving structure, problems and solutions, and a continuous sense of movement.

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Current colour

Shaun Inmanshauninman.com

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Changing colours over time

Shaun Inmanshauninman.com

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Faded saturation for older posts

Shaun Inmanshauninman.com

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Toggling low / high contrast

Shaun Inmanshauninman.com

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Narrative

Freytag’s analysis of literary plot structure:

1. Exposition2. Rising action3. Climax (turning point)4. Falling action5. Denouement

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Freytag’s Pyramid

Source: en.wikipedia.org/wiki/Dramatic_structure

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Translating narrative theoryto web design

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Translating narrative theoryto web design

1. Exposition = Strucutre (the grid)

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Translating narrative theoryto web design

1. Exposition2. Rising action

= Strucutre (the grid)= Tension (unusual layout)

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Translating narrative theoryto web design

1. Exposition2. Rising action3. Climax (turning point)

= Strucutre (the grid)= Tension (unusual layout)= Stand-out elements

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Translating narrative theoryto web design

1. Exposition2. Rising action3. Climax (turning point)4. Falling action

= Strucutre (the grid)= Tension (unusual layout)= Stand-out elements= Balance

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Translating narrative theoryto web design

1. Exposition2. Rising action3. Climax (turning point)4. Falling action5. Denouement

= Strucutre (the grid)= Tension (unusual layout)= Stand-out elements= Balance= The overall aesthetic

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Business cards.

I love them, too.

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Source: creativebits.org/cool_business_card_designs

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Source: creativebits.org/cool_business_card_designs

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Source: creativebits.org/cool_business_card_designs

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Source: creativebits.org/cool_business_card_designs

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Source: creativebits.org/cool_business_card_designs

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Source: creativebits.org/cool_business_card_designs

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Source: creativebits.org/cool_business_card_designs

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Source: creativebits.org/cool_business_card_designs

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Source: creativebits.org/cool_business_card_designs

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Source: creativebits.org/cool_business_card_designs

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More good’ns at: flickr.com/photos/dailypoetics/sets/ 72057594104389710/

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Your home page is notyour business card.

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Your home page is notyour business card.

Neither is your contact page or site navigation.

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Your home page is notyour business card.

Neither is your contact page or site navigation.

Your design is your business card.

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Conclusions

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Conclusions

Print design aesthetics have split off into two (Flash and HTML / CSS) tangents in web design.

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Conclusions

Print design aesthetics have split off into two (Flash and HTML / CSS) tangents in web design.

We need to unify these two branches by embracing design ‘freedoms’ from print design in the Web Standards world.

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Conclusions

Print design aesthetics have split off into two (Flash and HTML / CSS) tangents in web design.

We need to unify these two branches by embracing design ‘freedoms’ from print design in the Web Standards world.

Narrative is lacking in non-Flash web design and we need to challenge our current aesthetics.

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Conclusions

Print design aesthetics have split off into two (Flash and HTML / CSS) tangents in web design.

We need to unify these two branches by embracing design ‘freedoms’ from print design in the Web Standards world.

Narrative is lacking in non-Flash web design and we need to challenge our current aesthetics.

Impressing is not just done by good design; it’s done by brave design.

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Thank you!elliotjaystocks.com/fowd08