Portfolio_Eric Gonzales
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ERIC ŒUVRE GONZALES
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Transcript of Portfolio_Eric Gonzales
ERICŒUVRE
GONZALES
CURRICULUM VITAECURRICULUM VITAECURRICULUM VITAECURRICULUM VITAE
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CURRICULUM VITAECURRICULUM VITAECURRICULUM VITAECURRICULUM VITAEEDUCATION[2002 - 2007] University of Oklahoma
Bachelor of Architecture
OBSERVATIONSBarton Myers Associates Inc.Architects & PlannersLos Angeles, CAParticipated in planning and design of the Dr. Phillips Performing Arts Center in Orlando, Florida from schematic design through construction documents.
[2007 - 2010]
Beyond Metal Inc.Design and Fabrication WorkshopOklahoma City, OKParticipated in design, fabrication and administration of metal sculpture, furniture, installations and other related projects.
[2006 - 2007]
SAVVY
Aptitude and creativeness in construction methods and techniques. Highlights - Welding certification in fillet and groove weldsStrong graphic and verbal communication skills. Unique ability in performing root- cause analysis and problem resolution through critical eye attributes.Formal training in Autodesk Revit and applied knowledge of BIM methods, applications and restrictions related to professional practiceExperimentation with scripting and explicit history techniques in the development of digital models
Autodesk AutoCAD, Autodesk Revit, Rhinoceros v4Maxwell Render, Sketchup, Adobe Illustrator, AdobePhotoshop, Adobe In-Design, Adobe DreamweaverMicrosoft Office
TECHNICAL
CURRICULUM VITAE
DR. PHILLIPS CENTER
FROGTOWN BENCH
PLaK RESIDENCE
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INDEXINDEXINDEXI3 4
INDEXINDEXINDEXNDEXI
DR. PHILLIPS CENTERDR. PHILLIPS CENTERDR. PHILLIPS CENTERDR. PHILLIPS CENTERDR. PHILLIPS CENTERDR. PHILLIPS CENTER
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DR. PHILLIPS CENTERDR. PHILLIPS CENTER
PROJECT
LOCATION
SITE
PROGRAM
SIZE
DATES INVOLVED
INVOLVMENT
Dr. P. Phillips Orlando Performing Arts Center
Orlando, Florida
Nine acre, two-block development located in the heart of downtown Orlando
330,000 SF
2007-2010
Responsibilities included lead coordinator for exterior envelope as wellas detail and engineering coordination for lobby ‘wave wall’
Performing arts facility comprised of three theaters: 2,700 seat Broadway-styleAmplified Theater, 300 seat Community Theater, 1700 Acoustic Theater. Faciltyincludes lobby and patronage space, back-of-house technical spaces, administrationspace, and an extensive education space
CONTEXTURBAN FABRIC
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Dr. P. Phillips Center for the Performing ArtsPublic Plaza & Commercial DevelopmentOrlando City HallFuture Mixed-Use DevelopmentAdjacent Central Business District
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CONTEXT
View East towards Main Entrance from Public Plaza
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CONTEXTDEVELOPMENT
View East towards Main Entrance from Public Plaza
The Dr. P. Phillips Orlando Performing Arts Center is the centerpiece of a two block redevelopment of downtown Orlando. Designed as a comprehensive home to Orlando’s art organizations as well as traveling road shows to Orlando, the Center is intended to garner a new social and cultural spirit to this often forgotten city.
To serve its role as a cultural catalyst, the Center includes a major arts education component as well as residential, office and commercial space. The site is opposite city hall with another major goal to create a meaningful civic space that will become the symbolic center of the city.
1. Lobby 2. Rotunda 3. Banquet Room 4. Sponsor’s Room 5. Wave Wall 6. Roof Terrace 7. Broadway Theater 8. Community Theater 9. Music Hall
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10. Large Rehearsal Room 11. Small Rehearsal Room 12. Admini Offices 13. Education Area 14. Dressing Rooms 15. Scene Transfer 16. Loading Dock
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THREE
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1. Lobby 2. Rotunda 3. Banquet Room 4. Sponsor’s Room 5. Wave Wall 6. Roof Terrace 7. Broadway Theater 8. Community Theater 9. Music Hall
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10. Large Rehearsal Room 11. Small Rehearsal Room 12. Admini Offices 13. Education Area 14. Dressing Rooms 15. Scene Transfer 16. Loading Dock
ROOF
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ESTCODE
ESTCODEESTCODE
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WEST
SOUTH
ENVELOPE
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Glass CurtainwallBrick FacadeMetal Deck Canopy Roof
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The exterior envelope of the Performing Arts Center consists of three primary divisions; glass curtianwall, brick facade and a metal deck canopy roof. The glass curtain-wall and brick facade conceal the public and private areas of the Center, respectively. The visual and materialistic dichotomy of these two envelope systems strengthen the revealing nature and strict ‘trueness’ of this modernist center. All the while, the metal deck canopy roof acts as a solar shade and overall border to the building, framing the public lobby within the context of the urban fabric.
ENVELOPEDIVISIONS
ENVELOPECANOPY ROOF
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ENVELOPECANOPY ROOF
LOBBY
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Barton Myers sketch of Theater drums, exposed as objects to the lobby
The lobby of the Performing Arts Center is the public gathering space and circulation space for theater patrons. It is four levels and is spatially divided into three sections, corresponding to each theater. The primary spatial and design element of the lobby is the ‘Wave Wall’, a three-dimensionally curved concrete wall that faces the theater drums while acting as acoustic seperator for each theater. This curving wall travels the length of the lobby and ultimately acts as the spatial and physical media-tor between public and private, patron and performer, lobby and stage.
LOBBYTHE ELEMENTS
6” Concrete “Wave Wall”Vertical Steel Tubes
Horizontal Steel BeamsBroadway Theater and Superstructure
Mechanical Valance and Stem Wall
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LOBBYWAVE WALL
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Rendering of Lobby and Wave Wall as seen from Level 4
LOBBYWAVE WALL
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Theater and concert halls must provide a unique meeting place between living people, where a live performance can enrap-
ture spectator and performer alike.”
Richard Pilbrow
THE THEATER
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BROADWAY THEATERBROADWAY THEATERThis 2800 seat hall is a proscenium style theater which features
electrical amplification to accommodate large local and traveling Broadway-style performance groups.
COMMUNITY THEATERCOMMUNITY THEATERThis 300 seat multi-purpose hall is a cross between a proscenium style
theater and a black-box style theater. It will primarily service local groups in the performance of theater, dance and music as well as
accommodate educational functions.
THEATER
COMMUNITY THEATERCOMMUNITY THEATERThis 300 seat multi-purpose hall is a cross between a proscenium style
theater and a black-box style theater. It will primarily service local groups in the performance of theater, dance and music as well as
accommodate educational functions.
MUSIC HALLMUSIC HALLThis 1700 seat hall is a multi-purpose theater with the ability to change seating configuration based on performance type and requirements. It provides a sound acoustic environment for local and traveling orches-
tras, ballets and operas.
THEATERBROADWAY THEATER
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RENDERING BY CRAIG MULLINS
Perspective of Broadway Stage as seen from Level 2
THEATER
RENDERING BY CRAIG MULLINS
Perspective of Stage and Hall taken from Upstage Right
THEATER
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THEATERCOMMUNITY THEATER
THEATERMUSIC HALL
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RENDERING BY CRAIG MULLINS
Perspective of Music Hall stage in Orchestra configuration taken from Second Tier
THEATER
PROJECT
LOCATION
SITE
PROGRAM
SIZE
DATES INVOLVED
INVOLVMENT
Frogtown Bench
Los Angeles, California
NA
11’-8” in length and 1’-9” in width with a total volume of 1.646 cubic feet
2009
Collaborated with partner in the design and fullconstruction of concrete bench
Design and construct bench for display at local art-walk
FROGTOWN BENCH
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FROGTOWN BENCHFROGTOWN BENCHFROGTOWN BENCH
This bench sought to challenge the dichotomic relationship between aggressive form and physical stability and investigate how pushing this normally stable balance can change perceptions about a common type of furniture. By using a monolithic material such as concrete, this exploration became a competitive conversation about the role of shape and structure in design. The shape was born out of an intuitive and ethereal process of fairing lines and vectors, forming the curves and edges that move, intersect and cross along the length of the bench. These curves, defining the outline of the shape, travel out and up at both ends to create two slivers of concrete. It is at these ends that the balance between shape and stability start to waiver.
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DIAGRAMPUSHING AND PULLING
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DIAGRAM
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DOCUMENTCONSTRUCT[ ]ed
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5'-6 1/2" 3'-2 1/4"
1'-6
"
4"
1'-1
0"
11'-8
"
1'-9"
1'-6 1/4"
PlanElevations
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1'-5
3/4
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2'-11 1/2"
2'-3
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9 1/4"
DRAWING
The developed fragility created by the delicate and exagerated shape, spurned a ‘counter-process’ of material reinforcement. This material reinforcement included the addition of reinforcing bars and glass fibers to the concrete as well as a network of reinforcing frames and supports to the conrete formwork. This agitated relationship between shape and structure is ultimately realized and manifested in the skepticism and struggle of the user as they prepare sit on this object.
DOCUMENTCONSTRUCT[ ]ed
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DOCUMENTCONSTRUCT[ ]ed
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PROJECT
LOCATION
SITE
PROGRAM
SIZE
DATES INVOLVED
INVOLVMENT
PLak Residence
Glendale, California
3,300 SF site with steep grade located in a hillside comm-unity overlooking the Los Angeles basin
1,650 SF Gross Floor Area,
2009-2010
Responsibilities included drafting plans and sections forestimating and permitting along with creating renderings for client and city approval
Single family residential building to house single family of four
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PLaK RESIDENCEPLaK RESIDENCEPLaK RESIDENCE
DRAWINGRECONFIGURED LANDSCAPE
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CB
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A D
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UP
EL: 106'-1/2"
R=14
@ 7
3/4
"T=1
3 @
10"
AC UNIT
TRASH
GREEN
RECYCLE
EL: 103'-1/2"
EL: 106'-1/2"
R=18
@ 7
"T=1
7 @
12"
UP
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ONE
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R=18
@ 7
3/4
"T=1
7 @
10"
EL: 118'-0"
UP
EL: 117'-11 1/4"
DN
R=18
@ 7
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EL: 106'-1/2"
R=20
@ 6
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9 @
12"
UP
DN
T=17
@ 10
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CB
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DN
EL: 130'-0"
OPEN BELOW
R=18
@ 7
3/4
"T=1
7 @
10"
EL: 130'-0"
DN
R=23 @ 6"T=22 @ 12"
EL: 129'-11 1/4"
EL: 130'-6"
DN
UP
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THREETWO
1. Garage 2. Lower Terrace 3. Middle Terrace 4. Upper Terrace 5. Living/Dining Room 6. Kitchen 7. Bathroom 8. Bedroom 9. Master Bedroom
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DRAWINGROOF
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CB
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R=23 @ 6"T=22 @ 12" DN EL: 142'-0"EL: 130'-6"
1/8" PER FOOT SLOPE
DN
T.O.W.: 145'-6"
EL: 106'-1/4"T.O.W.: 145'-6"
1/8" PER FOOT SLOPE
10. Office 11. Roof Terrace 12. Utility/Service Area
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Rendering of House Entrance as seen from Street
VIZUALIZE53 54
VIZUALIZEEXTERIOREXTERIOR
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Interior Rendering of Living Area and Kitchen
INTERIORINTERIORVIZUALIZE
