Portfolio Serdar Aydin

28
p o r t f o l i o 2 2 0 1 MA Architecture University of Liverpool Serdar Aydin

description

MA Architecture University of Liverpool

Transcript of Portfolio Serdar Aydin

Page 1: Portfolio Serdar Aydin

p o r t f o l i o 2 20 1

MA ArchitectureUniversity of Liverpool

Serdar Aydin

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i

to cancan

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Content

1. Brewery over the canal (Bridge) 1

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8 142. Invisible Narratives

Invisible narratives propose a submerged research centre and a scultural urban in�ll for a public space using a modular unit at the material scale, a new ‘brick’ topology. The idea highlights how the system responds to a number of change strategies.

3. Islamic Tiling Patterns and Caligraphy

The bridge proposes a range of functional spaces with a modern framework, vierend-eel truss. Put on the bridge, the brewing process is displayed with a linear planning to visitors.

A canopy proposal derived from octogonal star pattern.

Research summary of the dissertation for a �exible urban design tool with shape grammars optimised by genetic algorithms where programming and design take place with aninterdisciplinary approach.

174. (Research)quasiGRAMMARS

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Preface

iii

Since the modern philosophy has constructed our understanding in every �elds, one may see a complexity on the piece of caligraphy art at rigth. If it is so

complex, it would be often de�ned as random. The word of random refers to as not

ordered. But the reverse might be the case. Though I will point out a hint about this

anomaly at the end of the portfolio, I want to link my understanding of art, architecture

and urban design with this piece.

According to Wabi-Sabi that tells us two diferrent or opposite things can exist

together, I conclude that it is possible for randomness to coexist with order. In the

projects on this portfolio, complexity is

displayed in di�erent forms such as visual, functional, structural and even philosophical complexities. However,

order is a sine-qua-non whilst designin complexity. This type of design might fall in with mathematics, geometry, algebra

and even astronomy. Having to be innovative and �exible, designing a

complexity might end up with a paradigm shift that will lead the future.

In order to complete this complex process of designing a complexity, research and

analysis possess a signi�cance. Only then, the innovative complexity that is

attempted to design can be contextual as the order used comes with the

knowledge from research and analysis.

Here are three works listed in the content. But each of them are derived from the

others displayed in the last page. On top everything, they are a product of my

self-perception in architecture, life and everything that I think I know. There are con�icts, contradictions and mistakes. I

see them like the world. I see my position as a dealer in this world. Dealer between

the reality of contradictions and the desire for perfect. Never been perfect

though and never felt close to it.In a nutshell, with this portfolio, I ask

your pardon to spend a couple of minutes for a look.

Serdar Aydin, 2012

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Merton Road, Bootle, LiverpoolDecember, 2011Academic group work for research, individual for designGroup leader, chief designerResearch, site analysis, master plan, concept generation, layout, details, plansAi Xue, Song Yi, Cagri Celikten, Deng Yuanjie, Zhang FanMike Knight, Richard Dod

Organic Brewery for Cains Leed-Liverpool canal regenaration

Brewery over the canal (Bridge)

Cains is a Liverpool brewery with a long and proud history.Their products range from beers and lagers for largesupermarket chains to small-run beers for their own pubs.They are expanding their range of ‘real ale’ and heritage beersand require a new, organic brewery that can use theLeeds-Liverpool canal for transportation of raw materials inand �nished beers out. The slogan of the design is“Drink Responsibly, Cains Brewery”.

Location: Date:Type:Role:Contribution:

Collaborators:Tutors:

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Research&History

Liverpool

Liverpool

City Centre

Site

Canal(4 miles)

Wigan

To: Belfast Dublin Isle of Man

Irish Sea

Leeds

1900

1970

2012

1900

Number ofhouses

318

8853

1629

Number of pubs

1970 2012

0

50

100

150

200

250

300

350

Pub & Population Ratio

Social Context: Pubs Social Context: BrewerySocial Context: Canal

Pubs are about people. This indirectly makes pubs to be consideredlike a social being, at least a part of it. Giving a designer the responsibilityto think about social problems, a brewery cannot be consideredwithout the context of pubs and people.

Leeds & Liverpool Canal

From Site to City Centre via Canal

Transatlantic Ties

Traveling by boat or a titanic ship is the history of Liverpool. This brings Liverpool di�erent identities and styles. Boats mean natioal harmony while huge ships international melody. This in turn becomes art, music and architecture in Liverpool.

The canal was built more than 100 years ago and constantly expanded. The main reason was transportation

of goods and coal that was necessary for the industry. Nowadays, canal is alone and mostly ignored by the

architecture alongside its banks.

Brewery architecture is su�ering paralelled with the decrease in the importance of pubs in

society. They are either massive blocks as an extention of existing preliminary old architecture

or completely burried under the smug of industrial zones.

From the site to the city centre, the length of the canal is around 4 miles. The opportunity of a beer festival is the starting point of the design. According to the dock in the site, other functions are organised.

With a declining density in the neighbourhood, pubs have become less and less. Pub culture is a characteristic feature not only in Liverpool but also all over the UK. The tradition of pubs is to become extinct years later, replaced with new typology of modern day meeting places.

Liverpool: Last Stop Before USLiverpool has historic ties with the US. It was the last stop for European immigrants before the continent of America. The port of the city misses the old days and people coming and going. Titanic was owned by a company based on Liverpool. Dramatic history of the ships that sank in the Atlantic gives Liverpool historical importance. These facts make Liverpool important in terms of port engineering as well as canal which connects the city to other places in the North of England.

1970s Cains today

20122012

Mersey River

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Site Analysis

23.8%

20.9%

Neighbourhood Research

Merton RoadRailwayCanal

RoadsBootle Rail Station

Brocklebank Dock

Alexandra Dock

Oriel House

Railway

Public Utilities

St Winefride'sRC Church

St Winefride'sRC Church

Green Ratio

41.5%

55.3%

Industry&CommercialResidential

Building Density

18.4%

1

A

A

BSefton Borough

Sefton Borough

CClairville CloseDGeorgia Close ERuskin Close F

B

CF

DE

1

2

2

Mersey Rail

Leed-Liverpool Canal

Pedestrian Route Dock Tourist Route Transportation Add 1: Canal Museum

Add 2: Eco-farmyard Add 3: NeighbourhoodPavillion

FunctionsExisting FunctionsGreen

Scrap Yard

Empty Building

Empty Plot

Neigbourhood Pavillion

Eco-farmyard

Canal Museum&Pub

Site forBrewery

CanalMuseum

Dock fortourist

Beer out

Beer outLocal Markets

Raw material in

Functional Route

Farms (10miles away)

Albert Dock (4miles away)

Dock

SiteSiteTowing Path Towing Path

Site Site

Contextual Analysis

SummaryVisual AnalysisBesides a brewery, three more functions is added to the scheme as a result of rigorous research and site analysis, whereas the ideaof a brewey on a bridge spanningover the canal improves theawareness toward the potentials of the canal.In so doing, the e�ect ofthe railway bridgeblocking the view in the site islessened.

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Problems: Neighbourhood in City

Brewery on the BridgePhase 1

Phase 2

Phase 3

Concept

Approachfrom the station

Vierendeel Truss

Canal Museum

‘Drink Responsibly’ Social Centre

Eco-Farmwayd and Neighbourhood Pavillion

Clearly needed to adress health and social issues.Easily accessed by pedestrians and locals.

Responding to the church, having an openspace in front of the rare door alongside thecanal.

Placed to highlight the canal towards the oriel road where the station is.

In accord with the existing dock, a museumfunction is added to the scheme.

Bistro&Cafe

Solar Panels

St Winefride'sRC Church

Farms (10miles away)

Albert Dock (4miles away)

Entrance to the Bridge Background Image: Approach from Oriel Road where the railway station is

Low household incomes in the cityRelatively low education attainment levels

Highest smoking prevalence in the cityHigh bing-drinking rates in the city

High hospital admission rates for alcahol-related conditions in the cityLowest life expectancy in the city

xxxxxx

Functions

Vierendeel Truss?Elemenation of diagonal elementsRare as a bridge typeCommon in modern building constructionResolution of gross shear forces against the frame elementsRetaining rectangular opennings between columnsAdvantageous in allowing �exibility in the use of space

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01. Social Centre Lobby02. Reception03. Seminar Room04. Secretary05. Meeting Room06. O�ce07. WC

08. Bistro / Cafe09. Bar10. Kitchen11. WC12. Beer Barrels13. Semi-Open14. Car Park

15. Canal Museum16. Reception17. Raw Material Import18. Lifts for Brewery19. Lifts for Visitors20. WC21. Recycling22. Dock23. Open Air Theatre

24. Entrance Hall25. Reception26. Moving Pathway for Visitors27. Sta� Line / Exit28. Lounge29. Changing Rooms30. WC31. Filled Casks32. Engineering Room33. Filling Room34. Fermentation 235. Fermentation 136. Brewery37. Silo / Hops38. Melt Storage39. Bar40. Lifts for Visitors41. Pub42. Roof (Canal Musem)43. Roof (Drink Responsibly Social Centre)44. Leeds-Liverpool Canal

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211516

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2727

282931

30 32

333435

2626

3637

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3941

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76

15 35 m50 Bridge Plan Canal Museum Plan Social Centre Plan

Bistro / Cafe Plan

±0,00

±0,00

±0,00

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±0,00

-0,50

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+5,00+5,00

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30 70 m100

DrawingsSite Plan

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Process

Section & Elevation

Brewery Scale

Productivity: 80 barrels (163 litre each) per brewing Brew Productivity: 80 X 163 = 13040 L Three times brewing in a week, recommended Weekly productivity: 3 X 80 = 240 barrels; 240 X 163 = 39,120 L Yearly Productivity: 240 X 50 = 12,000 barrels; 12,000 X 163 = 1,956,000 L

Raw Materials: Grist per brewing: (Produced beer) X 0.2 = 13,040 X 0.2 = 2,608 kg Grist per week: 3 X 2.608 = 7.824 kg

Fertiliser: Per brewing: (Produced beer) X 0.25 = 13.040 X 0.25 = 3,260 kg Per week: 3 X 3,260 = 9,780 kg Per year: 9,780 X 50 = 489,000 kg

Transformation System: Canal - Narrowboat Capability of each boats (20,000 kg / 400 bags / 120 barrels) 50L and 15L cask/keg for distribution

PREPARING AND STORAGE TRANSPORTATION 123456 SACCHARIFICATIONFERMENTATIONPACKAGINGDELIVERY

Malt50 kg

SortingMachine

DryingMachine

MashVessel

LauterTun

Hopsback

HarmlessWater

Puri�ed

RECYCLING ROOM

WhirlpoolHops

Yeast

Fermentation TankFermentation TankBarrels / Casks

Cold Water Treatment waterExtra Sugar

Hot Water

Silo Boats

Smashing Baking

HumidifyingGermination

Sustainable Brewery Reuse of water Reuse of waste - Solar drying system Eco-Farmyard Only cask production Health-Social Centre Public transportation accessibility

TRANSPORTATIONDELIVERYPACKAGING

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Perspective

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Experimental Wave Power Research Facility on Hilbre Island Visitor and Research CentresModern Brick

Invisible Narratives

Location: Date:Type:

Role:Contribution:

Hilbre Island, West Kirby, LiverpoolMay, 2012Team-work with Ai XueDAF Competition 2012Short-listed Project, (see http://adaptablefutures.com/competition%20results/)DesignerAll

‘Invisible narratives’ is a sensitive design which allows simultaneous perception of the

space and the nature. It emulates self-organisation in nature, with a new

typology of brick system.

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Nature on Hilbre IslandSatellite View

Welsh channel

Dee estuary Mersey

LiverpoolBirkenhead

Prestatyn

10 km50

Hilbre Island

Faun

aHa

bita

t Tim

e

Over Winter Wading Birds

Migrating Birds

Only Mamal on Hilbre island

Common Seal Dolpinsometimes appear

Invertebrate

223 species have been observed, and five species have nested here regularly

Flor

aFl

ower

ing

Time

Limonium binervosum

Aspleniaceae

Cerastium arvense

Parietaria judaica

Rock sea-spurrey

Bell Heather

Common Heather

Janurary Feburary March April May June July August September October November December

Algea

Field Vole

SanderingSandpiperOstercatcherKnot Dunlin Redshankturnstone

MeadowpipetLinnetSkylarkStarlingShelduck

1

7

2

2

4

56

8

3

1

34

5

6

1

2

3

3

3

3

3

3

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Special grassland species Sub-maritime Grassland Species Other animals/plants

Red rocks

Safest Route to Hilbre for hikers

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1

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Little Hilbre

Mean Low Water LevelMean High Water Level

Little Eye

Hilbre Island

West Kirby

Duddon&Wrye

Anglesey

Lleyn Peninsula

Marine Lake

Liverpool

Hilbre Research

Centre

Existing Wind Farm

Tidal Lagoon Locations

30 kmto

Liverpool BayTidal Energy Lagoon

Mean Low Water Level

Approved Route to the Island

Mean High Water Level

low-cost comparing to other wave power applicationsminimal impact on marine environment

fosters biodiversity by creating new habitatsattracts tourists

Sustainable Tidal Lagoon Advatages

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MO

VABLE

Non-�xed ObjectsDetachable Connections

Openrable Elements

ADJUSTABLE

SUSTAINABLE

SymbiocticLight Foorprint

BiomimicryPublic Enagement

Environmental Energy Adaptive

Local MaterialsModular Units

Structral RedundancyKnow Techniques

ReassembleStanderd Component

Handful Scale

Multi-functional SpacesFlowing Open Spaces

Changeble Spaces

CONVERTIBLE

SCAL

ABLE

Adaptable

Concept

Proposed area:900m²

Existing footprints: 850m²

Lifeboat House

Protective Observatory

Visitor Center & Research Center

AccommodationZone

Proposed Planting Area

Existing Planting Area

N

Birdview

Mean Low Water LevelMean High Water Level

Lifeboat House

Protective ObservatoryVisitor Center

& Research Center

AccommodationZone

1. Existing Volumes 2. Point Cloud 3. Delaunay 4. Intersection 5. Facet-dome 6. Bubbles

tetrakaidecahedron + dodecahedron

weaire-phelan structure

Type 1: Wooden CoveredInsulated Cells

Type 2:Frame Cells

Type 3: Glass Covered Cells

Type 4:PV Panel Cells

Algae-like Weaire-Phelan StructureModern Brick Units

230m yrs ago Hilbre as a desert

since 1080 to now Hilbre living with tides

scheme of today Hilbre with biomimicry

2050 Hilbre by herself

Biomimicry

Morphology Contextual Design Instead of Intutive Decisions

Modern Brick TypologyA biomimicrical algorithm has been designed as an interpretation of algae, engaging in a creative dialogue with notions of mass, developable surfaces, patterns and transparency in nature. Modern brick becomesa gesture of how geometry and simple forms can cause a complex environmentthat connect intimately with the larger world. Shortly, simple materials are lightly manipulated and connected to dramatic e�ect.10

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Visitor & Research Centres Plan

Visitor RouteResearcher Route

Construction‘Design’ literally refers to the past due to the pre�x ‘de-’.With the aim of innovative results, historical material brick has beeninterpreted as well as the construction processof traditional brick domes.

The narrative of organic �ow is free from interruption. Instead of juxtaposing the visual abundance of the natural surroundings with restrained imagery of a research building, ‘invisible narratives’ introduces visitors to a range of ambiences.

Living RoofThe accumulation of sand and earth brought by tidal waves

will be breeding local plants like heather or veneris.They can also provide simple homes for birds

stopping by while migrating

15m5011

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Component DetailSection & Detail

4

3D Solar PanelsFolded solar cell systems producing powerthroughout the day and do not need tracking.

ModularityThe adaptivity of the design is mainly featured by the modular units producing which is engaged by public, reassemble of construction and the symbiotic capacity with plants in this unique environment.

15m50

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Timeline & Lifespan

HILBRE ISLAND

CITY SQUAREVOLUNTEER ORGANISATIONS

SCHOOLSART STUDIOS

ONE MONTHFRAMEWORK MANUFACTRING

TWO MONTHSDELIVERING

ONE YEARPUBLIC ENGAGEMENT IN CONSTRUCTION PROCESS ON ISLAND

ONE YEARCHANGE AND MOVE OF CLUSTER UNITS

EVERYDAYSEDIMENT FROM WAVES

2050BE A PART OF THE ISLAND

ONE YEAR LATERINDIGENOUS FLORA AND FAUNA INHABIT ON ROOF

GRASS, HEALTHIER, MIGRATING PASSING BIRDS... ...

Nucleation

Intersection

Growth Participation

The framework of cluster units will be transferred by visitors such as hikers from HILBRE ISLAND to the city of LIVERPOOL

Reassembled units asscultures, installations, seats, shelters, ...

Autonomy 2050 Hilbre by herself

230 million years ago Hilbre island was a desert, through years of movement of crust and evolution of creature, it became the paradise for numerous coastal creatures (waders, seals, molllusks, heathers). And it has been under the humanbeings’ in�uence since 1080. The scheme is to make a serious of construction responsible scienti�c research and visitors by barrowing a part of the resource on the island, and 20 years later, the construction will become a part of the island, compensating what we borrowed today.

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Muqarnas, Tiling and CaligraphyGrasshopper, Kangaroo, CAAD

Islamic Tiling Patterns and Caligraphy

Date:Type:Tutor:Link:

November, 2011Academic / Individual workMike Knighthttps://vimeo.com/43345795

The goal of this work is to design a portable, adaptable and movable canopy based on octagonal Islamic star

pattern. The question raised to solve is the space problem of those who pray together in mosques under

any weather conditions. While stepping up for a solution, learning Grasshopper is the target to reach.

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Muslims are most likely to get together on Fridays to pray. But there is often lack of space, forcing people to settle whereever they are, court-yards, grass and even streets. Sunny days are good whereas winter doubles the issue. There might be a �exible canopy allowing a couple of people to create their own space quickly. In this work, one of the Islamic tiling patterns that could be seen in mosques almost without exception is used to generate a a �exible canopy form. Then the possibility of a relation-ship between tiling patterns and caligraphy is questioned.

Muqarnas: An stalactile ornament in Islamic architecture applied to the interior of domes,

vaults and arches since 10th century, presenting parameters

of scale, texture and depth, colouration and tone with a

slightly more rational take on the distribution of geometry

and forms.

Al-Hambra PalaceGranada, SPAIN

Section and Plan of muqarnas domeHall of the Two Sisters, Al-Hambra

Stalac Tile, Tesselated ManifoldsStudent work, Washington Uni, http://archinect.com/features/article/100296/student-works-stalactile-tessellated-manifolds

Islamic Deformationsby Jennifer Coppin

Problem Research

Analysis in Grasshopper

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It is time to reveal the hint that is mentioned in the preface of this portfolio. I think you might have already found it. Yes, it is

hidded in the comparison between two pictures above. On the left is the result of the form �nding analysis from Islamic tiling patterns. And the other is a piece of caligraphy named

as ‘Vav Sketch’. I �nd stunning that the similarity between two pictures are found by random.

Do you still believe that it is random?

Top-View of free form �ndingKangaroo in Grasshopper

Vav Sketch - Caligraphy by Fatih Ozkafa http://www.kalemguzeli.org/hatteserleriayrinti.php?KNO=695&HKNO=20

00:00:00 00:00:02 00:00:04 00:00:06 00:00:08 00:00:04

00:00:14

00:00:23

00:00:36

00:00:48

00:01:00

00:00:12 00:00:14 00:00:16 00:00:1800:00:10

00:00:22 00:00:24 00:00:26 00:00:2800:00:20

00:00:32 00:00:34 00:00:36 00:00:3800:00:30

00:00:42 00:00:44 00:00:46 00:00:4800:00:40

00:00:52 00:00:54 00:00:56 00:00:5800:00:50

Form Finding

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Shape GrammarsEvolutionary AlgorithmsProcessing Programming Language

A parametric quasi-grammar for generating a �exible urban design tool

Date:Type:Supervisor:Link:

August, 2012Academic / DissertationMike Knighthttp://prezi.com/yphftc9wpedp/quasigrammars/

quasiGRAMMARS is the name of the tool which is theoretically de�ned in my thesis for MA Architecture. Basically it is generated by shape grammar rules as a result of the analysis of existing urban language/pattern. Then these rules are optimised by genetic algorithm which is a technique for computational problems.

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looking into shape grammar rules in the city of Marrakesh in Morrocco.

This work induced the initial idea of a research in computational urban design that is based on vernacular

rules of shape grammars.

As a result, the dissertation by which I completed the master’s was to

search the theory of designing an urban design tool in an architecture

software. With all the aforesaid interest, knowledge and experiences

this work gave me the passion and ambition for further studies and

career in computational architecture and urban design within the context

of vernacular research interests.

master’s in Liverpool. Afterwards, I came across with an academic news.

It was about the Nobel Prize in chemistry in 2011. Dan Shechtman

had received the prize for his discovery of ‘quasicrystals’. Islamic

architecture, Andalusian in particular, had been resource for

scientist to analyse the structure of ‘quasicrystals’.

Being interested in Andalusian art, I paid special attention to Morroccon

art, architecture and cities. Having learned how to use parametric

design tools, I was intrigued by the works done by Jose Duarte seeking a

�exible urban design method by

Islamic decoration has been a long-time interest of me. When my

dad got a business to produce furnitures for mosques in his little

wood furniture workshop, I was only 19, studying architecture. Me and

my dad have designed and produced many furniture that are embellished

with islamic art patterns. These patterns led my way through my

education. As explained in the previous CAAD project, the topic I

researched has always been in�uenced by this background.

The star patterns in the Al-Hambra Palace and in Andalusian art caught

my eyes before commencing a

Background

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Computational design has recently come to recast the conventional urban design strategies. The complexity of urban planning exceeds the potential owned by manual design techniques to produce an array of distinguishable solutions while competent to deal with varying demands during urban design process. This research explores the means to create a �exible urban design tool that could a�ord to conceive complex solutions with cooperative computational design techniques. The computa-tional process is divided into two parts; shape grammars and evolu-tionary algorithms. The �exibility to

satisfy constantly changing demands is constituted by parametric shape grammars that consist of variables. Genetic algorithms and genetic programming are compared and suggested to meet the optimisation problem of the �exibility controlled by parametric variables which are described by aforementioned shape grammars. The parametric urban design tool proposed in this work pays special attention to the coexis-tence of the new and old in harmony with each other. Therefore, the goal of this design related research is to present a guidance for a computa-tional solution within this complexity.

AbstractResearch Questions Research Methodology

How can we harmonise very simple rules,whose output generates complexitycarrying su�cient information fordynamic urban design?

What e�ects do genetic algorithmshave on shape grammars in thecontext of complex urban design?

What software are operative inprogramming with shape grammarsand genetic algorithms for urbandesigners and architects?

quasiGRAMMARS ‘Design is Research’1

1

2

3

4

?

?

What is the extent of theoretical/philosophical backgroundin the creation of urban patterns?

Literature Review for: Cities & Philosophy Urban History CAAD History

2 Computational Analysis: Software Case Studies Duarte’s Marrakesh work Halatsch’s work

3 Learning & TestingSoftware Tools and Programming Languages

4 Review for Speci�cProblem: NeoliberalDevelopment Strategies

5 Comparison & Suggestion

INTERDISCIPLINARY APPROACH

architecture roboticsurban design

computer science URBAN HISTORY

philosophy

?

?

ManualDesign

Techniques

UrbanDesign

Now

Future

Complexity

ComputationalOptimisation

Time

ShapeGrammars

Algorithms &

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Fram

ewor

k

Timeline

+ =

Fast Growing vs.Complexity

What’s wrongwith urban?

PROBLEM IN THE BROAD CONTEXT SOLUTION IN THE BROAD CONTEXT SPECIFIC PROBLEM SPECIFIC SOLUTION

Richness ofrandomness!..

Stacking blocks in thename of development!..

Computation forliveable urban!..

Urbanisation along the historyUrban patternPlanning & PhilosophyTop-down approachesComputation & RandomnessTimeline for computation

Complexity & RandomnessBottom-up approaches and Girih and vernacular patternsFractal strategyEvolutionary algorithmsGenetic-code scriptingCritereia for success

High-rise shortcuts(Re)developing an urban MozartDi�erent form of Neoliberal development: ChinaBuilding future’s cities by TOKI: Turkey

Shape GrammarsParametric & Fractal shape grammarsShape grammar rulesOptimisationGenetic algorithms

Paradigm ShiftNeccessary

Large-ScaleUrban Projects

Programming forUrban Design

Flexible UrbanDesign Tool

quasiGRAMMARS1 2 3 4

PHASE I / FOUR WEEKSRESEARCH FOR THEORETICAL FRAMEWORK

PHASE II / THREE WEEKSLEARNING AND TESTING PROGRAMMING LANGUAGES

PHASE III / FIVE WEEKSANALYSING ACTUAL PROBLEM & DETAILS FOR SOLUTION

FUTURE WORK FOR PHDGENERATING AN URBAN DESIGN TOOL

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1. Shape Grammars - 1972 by Stiny&Gibsto de�ne

to generate

Programmiıng

2. Genetic Algorithms - 1970 by Holland

Individual elementsto depend on each other

Every change to requirethe whole newlyconstructed.

why ]] ] ]] ]Complexity &Randomness

Because Randomness == max Complexity

Randomness != Regularity && Simplicity

Problem is: INDIVIDUALITY

DISCRETENESS ==

IDENTITY

COMPLEXITY] ]If Order != Disorder then Order != Randomness

But Order Randomness

which is a case of disorder

Every change to requirethe whole newlyconstructed.

how

Instead of euclidean geometry

Algebra & Arithmetic] [Instead of generalisation

Contextual Analysis] [Instead of intuitive design

Logical, Combinatorial,Relational Design] [

Shape Grammars

Descriptive:1 2

input data to de�ne the shape grammar

geometry

symbolattributes

position variables such aslength and width vectors

Shape de�nition

: number of edgesl

w

n: lengthl: widthw: angleQ

n=4

Q1Q2

Q3Q4

an urban lot example:

Generative:

Genetic Algorithms

OPT

IMIS

ATIO

N

COM

PUTA

TIO

Ngenerate random population

growing according to the rules de�ned by shape grammars

DNA - genotypes

�tness criteria

Start optimisationgenerate mating pool

1st step - selection of two parents2nd step - crossover3rd step - mutation4th step - accepting

New populationUsing the new population fora further run

ReplacementIf satis�ed, stop and returnthe best solution

Last step, testing

go to 1st stepFinished - Loop

parent 1

parent 2

1 0 0 1 1 1 0 0 0

1 1 1 0 0 1 0 1 0new

pop

ulati

on

1. mating: 2. crossover:

child+

1 0 0 1

1 0 1 0

1 1 1 0 0

1 1 0 0 0

1 0 1 0

1 1 0 0 0

new population

1 0 1 0 1 1 0 0 0

0 1

3. mutation 4. accepted new population

1 1 1 0 1 0 0 0 0

Page 26: Portfolio Serdar Aydin

quasiGRAMMARS - ‘A goodly word is like a goodly tree.’

ConclusionSuggestion

Scripting and Codewriting Languages:

AutoLISP (AutoCAD)

C, C#, C++JavaMATLABMacScriptMaya

Processing (Java)Python

RhinoScript (Grasshopper)

Summary:

easier and faster:

threat

creation of large urban scenarios with the help of the method by which genetic algorithms and shape grammars integrated

generation and visualisation of large-scale urban projects

integration of non-regular geometry

manageable complexity for complicated urban design problems

reusability of design patterns over the process providing sustainability

may come to an abrupt end inadvertently.

may end up with sluggish due to the amount of information carried.

1

2

3

4

User-friendly structureConvenient for designers no matter it is a fresher to use or not.

Downloadable librariesFast integration of texts and visual results

Easy integration with other 3D softwareAllows original concepts to be lifting up to their �nal forms

5

1

2

Tested at the beginning.Used to be very commonHard to grasp the work-�ow for a fresherLimited for visualisation of written text comparing to Processing

Designing complexity with AutoLISP in AutoCAD:

Processing combined with Grasshopper:

PointsElements

Libraries

Vectors

Traer Physics Point2line

Boolean Combinatorial optimisation

Point2line

Parametric controlling

ControlP5

Visualisation

PeasyCam

Page 27: Portfolio Serdar Aydin

Others

Museum Mosque Social Housing Rennovation Eco-House Airport Terminal Observatory Residence O�ce Leisure Centre Town Hall

Global Warming Museum2007Istanbul - Taksim SquareStudent CompetitionIndividual

Mosque2006TrabzonAcademicIndividual

A Syncretistic Housing2008Tbilisi / GEORGIAAcademicIndividual

Survey / Restoration 2008Tbilisi / GEORGIAAcademicGroup-Work

Sustainable Housing2009Tbilisi / GEORGIAStudent CompetitionIndividual

International Airport Term.2009TrabzonDiploma ProjectIndividual

Bird Observatory and Research Centre Design2009Kars, Kuzey Doga SocietyProfessionalGroup-Work

Residence + Hotel2010EskisehirPractice (Job Exper.)Group-Work Techinal Drawing Rendering

O�ce2010EskisehirPractice (Job Exper.)Individual Design and Presentation

Pro-Steel ‘092009AmasyaStudent CompetitionGroup-Work Group Leader

Municipilaty Building and Square Design2009DenizliArchitecture CompetitionGroup-Work Designer

Masterplan

Liverpool WatersLiverpool, Graz, Hong KongWorkshop 3 Architects 2 Urban PlannersGroup-Work Group Leader

23

Thank you...

Page 28: Portfolio Serdar Aydin

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪

提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉

Adress: Visnelik Mahallesi,Taskopru Caddesi, No: 9/126020 Eskisehir / Turkeye-mail: [email protected] [email protected]

Personal

Project Manager, SENA Project, Eskisehir, 06-10/2011Editorial Assistant, Prof. Sengul Oymen Gur, 07-08/2010Editorial Assistant, Dr. Halil Ibrahim Duzenli, 01-04/2009Freelance Designer, Kuzey Doga Society, 09-12/2008Designer Assistant, Dr. Figen Beyhan, 01-04/2008Intern, Site Architect, ARITURK Cons. Com., 06-09/2007

Experiences

University of Liverpool, Liverpool, UK MA Architecture September 2012Karadeniz Technical University, Trabzon, Turkey Bachelors of Architecture July 2009

Education