Pentecostal-Charismatic Style of Music and Worship The Emotional Effects of Music on Religious...
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Transcript of Pentecostal-Charismatic Style of Music and Worship The Emotional Effects of Music on Religious...
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Psychology of Music
DOI: 10.1177/0305735602301004 2002; 30; 8 Psychology of Music
Mandi M. Miller and Kenneth T. Strongman Pentecostal-Charismatic Style of Music and Worship
The Emotional Effects of Music on Religious Experience: A Study of the
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distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from
distribution.© 2002 Society for Education, Music, and Psychology Research. All rights reserved. Not for commercial use or unauthorized
by Oscar Amat on November 20, 2007 http://pom.sagepub.comDownloaded from