e.mail: info@vicenzae.org

www.vicenzae.org – www.vicenzabooking.comwww.palladio2008.info – www.cisapalladio.org

“… Perciò conoscere Palladio, La Basilica, la Loggia del Capitanio, la Rotonda, il teatro Olimpico, il palazzo Chiericati e gli altri attraverso gli studi è una conoscenza imperfetta. Bisogna vederlo a Vicenza. Una piccola Roma, un’invenzione scenografi ca…”

(da Viaggio in Italia, Guido Piovene)

Via A.

Volta

Via Fra Paolo Sarpi

C.tr

à P.

Nuovo

C.trà Porta S. Croce

Via Pajello

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G. P

agliarin

o

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à S

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C.t rà S.Francesco C

.trà S.Marco C.trà Pusterla

Corso Antonio Fogazzaro

CasermaP.S.

Corso S. Felice

VIALE MILAN

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VIALE VENEZIA

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OM

A

FF.SS. Stazione

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Ponte S. Libera

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CORSO A. P

ALLADIO

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Viale Dante

VIALE RISORGIMENTO

C.trà S. Chiara C.trà S.Tomaso C.trà S. Caterina

Via R. Pasi

Via Ceccarini

Viale Rodolfi

Viale Rumor

Piazza Araceli

Contrà R

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.Corona

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a S

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Via Legione Gallieno

Via Fogolin

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Corso Padova

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S. PIETRO

VIA

LE M

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GH

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ITA

Via dello Stadio

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retenio

SS

. Aposto

li

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arche

Viale A. Giuriolo

Piazza Matteotti

S. LUCIA

Contrà

Mu

re S

. Rocco

C.trà della Misericordia

De Gasperi Piazzale

Via

Gor

izia

MutilatoPiazza del

Pia

zzal

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Giu

sti

Via Cattaneo

Via G. Bonollo

C.trà Mure P. Nova

C.trà Mure Rocchetta

C.trà S.M. Nova

C.trà S. Rocco

C.trà C. Domini

C.trà Porta N

ova

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. Am

brogio

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usato

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à C

anta

rane

S. LorenzoPiazza

C.so A. Fogazzaro

C.trà Cordenons

Str. Filippini

C

orno

leo

C.trà Lampertic

o

SignoriPiazza

dei

C.trà Cavour

C.trà S. Faustino

BiadePiazza

Ponte S. Paolo

C.trà S

. Michele

Ponte Furo

Porton

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GualdiPiazza

Co

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MarconiPiazza

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GIARDINI SALVI

CAMPO MARZO

PARCO QUERINI

PiazzaXX SettembrePonte

degli Angeli

C.trà S.Gaetano

C.trà Manin

Corso Padova

C.trà del Monte

Piazza

delle Erbe

C.trà Pigafetta

PiazzettaS. Giuseppe

C.trà Gazzolle

C.tra Carpagnon

Ponte

S. Michele

C.trà P

iancoli

PalazzoBarbaran da Porto

Palazzo Civena Trissino

Arco delle Scalette

Palazzo Iseppo da Porto

Cappella Valmarana

Teatro Olimpico

Palazzo da Schio

Palazzo Valmarana Braga Rosa

Casa Garzadori Bortolan

Chiesa S. Maria Nuova Palazzo ThieneBonin Longare

Palazzo Porto Breganze

Casa Cogollo

Loggia del Capitaniato

Basilica Palladiana

Palazzo Chiericati

Cupola e Porta della Cattedrale

Palazzo Capra

Loggia Valmarana

Palazzo Pojana

Palazzo Da Monte Migliorini

Palazzo Thiene

Piazza

Duomo

CORSO PALL

ADIO

Andrea Palladio, architect1508-1580

He was born in Padua to Pietro della Gondola and Marta called “la zotta” (limping Martha). At the age of 16 he went to live in Vicenza, where he took his education and became one of the greatest architects of his time, and not only his time, thanks to the style called “Palladianism”, which spread all over the world: from the White House in Washington to the Queen’s House in Britain, from the University of Virginia to numerous palaces of St. Peterborough and Puskin. Almost al portraits ascribed to Palladio show the text “architetto vicentino”, architect from Vicenza, and only in mid-twentieth century his birth town was discovered. Many other aspects of his life are uncertain: his birthplace, the family home in Vicenza, his features, the cause of his death and the place he died, and even the place he was buried. Gian Giorgio Trissino, his big mentor, was certainly right to give him the name Palladio, as though he was an angel or a mythological, or supernatural character.One thing is certain: Vicenza, as UNESCO declared, has been universally recognised as the town of Palladio and has inscribed 23 monuments of its historic town centre and 16 villas of its province onto the World Heritage List, which are all ascribed to the architecture genius.With this little guide book we would like to accompany you on the discovery of the Palladian route into imagined harmony in the historic town centre of Vicenza and invite you to discover the “route of the villas” with the help of our guide books and the websites www.palladio2008.info and www.vicenzae.org.

Pedestrian areaTeatro Olimpico / Olympic TheatrePalazzo Chiericati / Palazzo ChiericatiCasa Cogollo / Casa CogolloPalazzo da Monte Migliorini / Palazzo da Monte MiglioriniCappella Valmarana / Valmarana ChapelPalazzo Iseppo da Porto / Palazzo Iseppo da PortoPalazzo Barbaran da Porto / Palazzo Barbaran da PortoPalazzo Thiene / Palazzo ThieneBasilica Palladiana / Palladian BasilicaLoggia del Capitaniato / Loggia del CapitaniatoPalazzo Pojana / Palazzo PojanaPalazzo Valmarana Braga Rosa / Palazzo Valmarana Braga RosaCupola e Porta della Cattedrale / Dome and Portal of the CathedralPalazzo Porto Breganze / Palazzo Porto BreganzePalazzo Capra / Palazzo CapraPalazzo Thiene Bonin Longare / Palazzo Thiene Bonin LongareLoggia Valmarana / Loggia Valmarana

Outside the pedestrian areaCasa Garzadori Bortolan / Casa Garzadori BortolanPalazzo Civena Trissino / Palazzo Civena TrissinoArco delle Scalette / Arco delle ScaletteChiesa di S. Maria Nova /Church Santa Maria NovaPalazzo da Schio / Palazzo da Schio

Andrea Palladio’s works in the historic town centre of Vicenza

Information offi cesin the historic town centre of Vicenza

Piazza Matteotti, 12 • (next to the Olympic Theatre. Start of route)Tel. +39 0444 32085409.00-13.00/14.00-18.00

Piazza dei Signori, 8 • Tel. +39 0444 54412210.00-14.00/14.30-18.30

PalladianRoutes

Into imagined harmony

Andrea Palladio’s works at VicenzaWorld heritage

PROVINCIADI VICENZA

Palazzo Barbaran da Porto (1569-70)(interior - exterior)This palace was commissioned by the count Montano Barbarano. Since 1997 and has been the seat of the In-ternational Centre for Architecture studies (C.I.S.A.), dedicated to Andrea Palladio, who, of course, designed it. The solemn façade was built in both the Ionic and the Corinthian order. The inner rooms and the salon are em-bellished with important stuccoes.

Palazzo Thiene (1542)(interior - exterior)What we can admire today is probably only a part of the imposing renovation strongly advo-cated by the counts Marcantonio and Adriano Tiene of their 15th-century palace. It seems also Giulio Romano worked on the design entrusted to Palladio.

Palladian Basilica (1546 – 1549)Palladio’s design of the imposing superstructure made of a superstructure with a double order of loggias on an al-ready existing palace won the competition among great architects such as Serlio, Sanmicheli and Giulio Romano, and placed him among the great artists. Goethe wrote about this non-religious building: “It is not possible to describe the impression Palladio’s Basilica leaves.”

Palazzo Iseppo da Porto (1544 c.)(exterior)Palladio designed both the town palace and the villa in Molina at Malo for his friend Iseppo, but neither was fi nished. The palace had better luck: Palladio had designed two different entrances and residences, of which remains the imposing façade, divided into three parts.

Loggia del Capitaniato (1565)(exterior)This building once was the offi cial building of the “Capitanio”, a military offi ce for the Venetian Re-public, and is today seat of the town council. Pal-ladio was entrusted with the renovation of the already existing medieval building 20 years after the design for the loggias of the Basilica.

Casa Cogollo(detta “del Palladio”, 1559)(exterior)This house has been believed to be Palladio’s residen-ce for its modest dimensions as opposed to the monu-mental town palaces. Actually, the famous architect was entrusted with the huge renovation of the façade of the house belonging to a notary named Cogollo.

Palazzo Porto Breganze (1571)(exterior)The works under Palladio’s supervision eviden-tly came to an end before the completion of the project. The façade is made of three giant half columns of the Corinthian order and of two inter-columns of seven that had been planned.

Palazzo Pojana (1561-1566)(exterior)This palace at n. 90/94 was built to join, with an arch that is still visible, two houses of the client Vicenzo Pojana. The signed design is preserved at the London R.I.B.A. (Royal Institut of British Architects).

Palazzo Chiericati (1550)(interior - exterior)This design is new for Palladio’s vision: a town palace and a suburban villa at the same time. It has been completed in mid-seventeenth century upon the former river harbour of the town. Since 1855 it has been seat of the Vicenza Town Museum.

Palazzo Valmarana Braga Rosa (1565)(interior - exterior)Giovanni Alvise Valmarana was, together with Trissino and Chiericati, one of Palladio’s biggest supporters. For him, the architect designed this extraordinary façade where the Giant order en-closes the whole height of the palace.

Teatro Olimpico (1580)(interior - exterior)The Olympic Academy can start the works for the theatre designed by Palladio only in 1580, the year in which he dies. Thus, he will not be able to see the end of the works, which will be supervised by his son Silla with the participation of Vincenzo Scamozzi, for the scenery and the famous seven streets of Thebes.

Palazzo da Monte Migliorini (1550-1554)(exterior)This residence of the Da Monte family in front of the Dominican monastery Santa Corona has been ascribed to Palladio and UNESCO decided to put it on the World Heritage List, as well as the architect’s other works.

Loggia Valmarana (Giardino Salvi)This loggia with 6 columns of the Doric order, topped by a triangular pediment, inside the Giar-dini Salvi (Salvi gardens), was built following a design which is very close to Palladio’s style, if not made by the architect himself. UNESCO de-cided to ascribe it to Palladio anyway in 1994.

Palazzo Civena Trissino (1540)(exterior)The palace erected by Palladio has become part of the Eretenia hospital after huge extension works in 1801. The palace was rebuilt after the Second World War, after having been heavily bombed.

Casa Garzadori Bortolan(exterior)The palace was commissioned to Palladio by Giam-battista Garzadori, whose death in 1567 cancelled the contract. Its ascription to Palladio, acknowled-ged also by UNESCO, is upheld by testimonies from 1564, when at least one part had been erected.

Arco delle Scalette (1595)This arch has been built 15 years after Palladio’s death by the Venetian captain Giacomo Bragadi-no. Palladio probably had conceived it as access point to the Monte Berico sanctuary, before the porticoes were built in mid-eighteenth century by Muttoni.

Villa Gazzotti Grimani Curti (1542)(exterior)The design was entrusted to Palladio by Taddeo Gazzotti who, however, had to sell it during its construction to the Venetian patrician Girolamo Grimani for fi nancial reasons.The façade is made of eight Ionic pilasters with three central intercolumns which are topped by a triangular pediment.

Villa Trissino Trettenero (1534)(exterior)This villa was not designed by Palladio, but eve-ryone considers it the place where his legend was born, and this is suffi cient for UNESCO to add it to the World Heritage List. Tradition has it that Palladio worked here as a simple stone-cutter, but he was still appreciated by its owner, the noble man of letters Gian Giorgio Trissino.

Dome and Portal of The CathedralThe dome had been designed by Palladio around 1565, almost twenty years after the works on the apsis, whereas the portal at the northern side, which replaced a Gothic one, was opened in 1575, upon request by Paolo Americo, who commissioned the Villa La Rotonda.

Church Santa Maria Nova (1578)(exterior)There is no expertise as Palladio’s authorship of this church is concerned, but it is still universally ascribed to him. The church has a single room, where presen-tly bequests from the library Biblioteca Bertoliana are preserved, and which was built upon request by Lodo-vico Trento for the monastery of the Augustinian nuns.

Palazzo Thiene Bonin Longare (1572 c.)(exterior)This palace was completed by Vicenzo Scamoz-zi around 1593, following the design of Andrea Palladio, whose authorship has been acknow-ledged unanimously by the experts. Today it hosts, among other things, the industrials asso-ciation of Vicenza.

Palazzo Capra(exterior)Of this palace, which is today incorporated in a commer-cial building, an arch can be seen which is overlooked by a pediment on four pilaster strips. It was commissioned to Palladio by G.A. Capra between 1510 and 1545 and was heavily altered during the 17th century with the erection of the Palazzo Piovini, which destroyed the original plant.

Palazzo da Schio (1560)(exterior)Palladio designed the façade of this palace for Bernardo da Schio, but was often absent from the supervision of the works, since he was busy with other building sites in Venice. The stone-cutter, who had no instructions, even interrup-ted the works which were fi nished in 1574-75.

Valmarana Chapel (1576 c.)It may have been designed by Palladio in 1576, fol-lowing the death of Antonio Valmarana, inside the crypt of Santa Corona, one of the most interesting churches from the artistic point of view, where he himself was buried before his mortal remains (or what was regarded as his mortal remains) were transported to the of the temple of fame at the main cemetery.

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CIMACAMPOGROSSO

m. 1502CIMA CAREGAm. 2259

M. OBANTEm. 2020

M. ZEVOLAm. 1975

M. COGOLOm. 1670

P.so XOMOm. 1058

M. NOVEGNOm. 1552

MONTE PRIAFORÀm. 1659

MONTESUMMANO

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COLETTO DI VELOm. 885

MONTECENGIOm. 1354

MONTEBELMONTE

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MONTE KABERLABA

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CIMA DICAMPOLONGO

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SPITZ DI ROTZOm. 1334

M. ERIOm. 1628

CIMA DICIVELLOm. 1714

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M. CUCCOm. 1581

M. VERENAm. 2019 MONTE MEATTA

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M. CUCCODI PORTULE

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MONTE ZEBIOm. 1778

MONTELONGARAm. 1633

MONTE FIARAm. 1785

M. CONFINALEm. 1587

COLLE DIVAL D'ANTENNE

m. 1551

COST'ALTAm. 1526

MONTELISSERm. 1634

CORNO DICAMPO BIANCO

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MONTEZINGARELLA

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CIMAPORTULEm. 2307

CIMA DODICIm. 2340

CIMA LARICIm. 2033

M. CUCCOm. 1775

DOSSO DI SOTTOm. 1635

CIMA MANDRIOLOm. 2051

CIMA VEZZENAm. 1908

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CIMA DELLACALDIERAm. 2123

M. CASTELLAROm. 1721

CIMA UNDICIm. 2228

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MONTECIMONEm. 1378

M. RAITERTALm. 1403

M. TORLEm. 1251

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MONTEGUSELLAm. 1388

MONTEMALCREBA

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MONTECAINA

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M. ECHARm.1366

M. SISEMOLm. 1242

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SASSOROSSOm. 1196

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M. MIELAm. 1782

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A L T O P I A N O D I A S I A G O

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P.so della Venam. 1546

P.so della Borcolam. 1206

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P.so della Loram. 1717

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P.so S. Caterinam. 796

Rif. Rumor

Rif. Melegnon

Rif. Valbona

Rif. Verenetta

Rif. Spillek

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Rif. ForteVerena

Rif. MonteCengio

Rif. al Granatiere

Rif. Verdefonte

Rif. Granezza

Rif. Alpino Rif. Monte Corno

Rif. Fontanella

Rif. Sporting Club

Rif. Campomuletto

Rif. Moline

Rif. Marcesina

Rif. Genzianella

Rif. Tombal

Rif. Val Maron

Rif. Solaia

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M. LOVERTINOm. 143

M. LOZZOm. 327

M. CINTOm. 283

M. RUSTAm. 401

MONTE VENDAm. 601

MONTE CEROm. 415

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M. ALTOm. 444

M. MOTTOLONEm. 400

Ossariodi Tonezza

Ossariodel Grappa

Ossario di Asiago

Ossario del Pasubio

Fonti diRecoaro Terme

Villa Gazzotti Marcello Curti

Villa Trissino Trettenero

Villa Almerico Capra Valmarana "La Rotonda"

Villa la Rotonda (1566)(interior - exterior)Palladio put this building into the section dedica-ted to town palaces in his work “Four Books of Architecture”, but everyone considers it a tem-ple-villa, with its perfectly identical 4 façades. It is the universal icon of Palladian villas and can boast many imitations around the world, also in this century.

Palladio’s Villas in town