Music Sales Choral Binder 2011 Vol.2: SATB Sacred and ... - 2011 - VOL2.pdf · 67 John Joubert:...

Music Sales Choral Binder 2011Vol.2: SATB Sacred and Spirituals

* With Accompaniment

Page Title Catalogue Code SACRED

5 Mark Adamo: God’s Grandeur* HL50490268 15 Richard Blackford: I will sing to the Lord* NOV050270 29 Geoffrey Burgon: Conditor alme siderum* CH77297 37 Carson Cooman: Set me as a seal HL50490038 39 Patrick Hawes: Cantate Domino* NOV955988 49 Patrick Hawes: My dearest wish* NOV200519 63 Herbert Howells: God be in my head NOV959101 67 John Joubert: Pilgrimage Song NOV060093 87 John Joubert: Psalm 100* NOV060060

111 John Joubert: Responses NOV060082 121 Pawe ukaszewski: O Oriens CH75878 135 Pawe ukaszewski: O Radix Jesse CH75889 151 Pawe ukaszewski: Salve Regina CH77132 161 Paul McKibbins: Alleluia! HL50486692 167 Nico Muhly: Pater noster SRO100030179 Tarik O’Regan: Jubilate Deo (Latin)* NOV958463 205 Tarik O’Regan: Martyr Dei NOV958331-02 215 Georgia Stitt: De profundis HL50486691 219 John Tavener: Awed by the beauty CH70411 225 John Tavener: The Founder’s Prayer CH76989 229 John Tavener: Mother of God, here I stand CH68068 235 John Tavener: Take him, earth, for cherishing CH74998 241 John Tavener: You mantle yourself in light* CH68486 255 Judith Weir: Psalm 148* CH75339 277 James Whitbourn: Alleluia Jubilate* CH77330 293 James Whitbourn: A Prayer from South Africa CH76208 297 James Whitbourn: Requiem Canticorum* CH77649

SPIRITUALS 323 Didn’t my Lord deliver Daniel? (arr. Allain) NOV959211 335 Go down, Moses (arr. Allain) NOV959255 339 Steal away (arr. Allain) NOV959299 343 Were you there? (arr. Allain) NOV959266

Members of our shop staff are happy to answer any enquiries about these featured titles or any of those listed in the full Music Sales Choral Catalogue.

Please take this choral binder to one of our customer tills should you wish to purchase single or multiple copies of any of these featured titles.

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Richard Blackford

I will sing to the Lord Anthem for SATB chorus and organ��

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Texts from the Psalms of David

I Will Sing to The LordFor Diana

Richard Blackford

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28

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CONTEMPORARY CHURCH MUSIC SERIES

GEOFFREY BURGON

CONDITOR ALME SIDERUM

FOR SATB CHORUS AND ORGAN

Conditor alme siderum, Aeterna lux credentium, Christe redemptor omnium, Exaudi preces supplicum. Qui condo lens interitu, Mortis perire saeculum, Salvasti mundum languidum, Donans reis remedium. Vergente mundi vespere, Uti sponsus de thalamo Egressus honestissima Virginus matris clausula. Cujus forti potentiae Genu curvantur omnia Caelestia, terrestria Nutu fatentur subdita. Te deprecamur agie, Ventura judex saeculi, Conserva nos in tempore Hostis a terra perfidi. Laus, honor, virtus, Gloria Deo, Patri et filio, Sancto simul paraclito In saeculorum saecula. Amen

Creator of the stars of night, Thy people’s everlasting light; Jesu, redeemer, save us all, And hear thy servants when they call. Thou, grieving that the ancient curse Should doom to death a universe, Hast found the medicine, full of grace, To save and heal a ruined race. Thou came, the Bridegroom of the bride, As drew the world to evening tide; Proceeding from a virgin shrine, The spotless victim all divine. At whose dread name, majestic now, All knees must bend, all hearts must bow; And things celestial thee shall own And things terrestrial, Lord alone. O thou whose coming is with dread To judge and doom the quick and dead, Preserve us, while we dwell below, From every insult of the foe. To God the Father, God the Son, And God the Spirit, three in one, Laud, honour, might and glory be From age to age eternally. Amen

CHESTER MUSIC CH77297

29

ONLINE P

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q = 76

Anon. 7th century

Commissioned by Marlborough College for the Chapel Choir

Geoffrey Burgon 2010

Conditor alme siderum

SOPRANO

ALTO

TENOR

BASS

Organ

© 2010 Chester Music Limited Distributed by Music Sales Limited, Newmarket Road, Bury St. Edmunds, IP33 3YB, England �www.musicroom.com

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te- ri- tu- Mor tis- pe ri- re- sae cu- lum,- Sal -




3

31

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

23

S.

A.

T.

B.

29 BS.

A.

T.

B.

va- sti- mun dum- lan gui- dum,- Do nans- re is,- do nans-




re is- re me- di- um.- Ver

mf

gen- te- mun di- ves pe- re,- U ti-


mf



mf



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gen- - te- mu -

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32

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

35

S.

A.

T.

B.

42 CS.

A.

T.

B.

spon sus- de tha la- mo,- e gres- sus- hon est- is- si- ma- Vir gin- us- ma tris,-



di- - ve spe- - re,- Vir gi- -

Vir gin- us- ma tris- claus u- la.-

mp

Te de pre- ca- mur-


mp

Te de pre- ca- mur-


mp

Te de pre- ca- mur-

nus- ma tris.-

mp

Te de pre- ca- mur-

mp

5

33

ONLINE P

ERUSAL SCORE ONLY

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PERFORMANCE

48

S.

A.

T.

B.

52

S.

A.

T.

B.

a gi- e,- Ven tu- ra- ju dex- sae cu- li,- Con -




ser- va- nos in tem po- re- Hos tis- a ter ra,- hos tis- a




6

34

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

58

DMeno mosso

S.

A.

T.

B.

65

S.

A.

T.

B.

ter ra- per fi- di.- Laus, ho nor,- vir tus,- glo ri- a- De o-




Pa tri- et Fi li- o,- Sanc to- si mul- pa ra- cli- to,- In sae cu- lo- rum,-

Pa tri- et Fi li- o,- Sanc to- sisi mulmul-- papa ra-- cli- to,- In sae cu- lo- rum,-

Pa tri- et Fi li- o,- Sanc to- si mul- pa ra- cli- to,- In sae cu- lo- rum,-

Pa tri- et Fi li- o,- Sanc to- si mul- pa ra- cli- to,- In,

7

35

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

72

S.

A.

T.

B.

79rall.

S.

A.

T.

B.

Ped.

in sae cu- lo- rum- sae cu- la,- in sae cu- lo- rum,- in sae cu- lo- rum-

in sae cu- lo- rum- saesae cucu-- lala,-- in sae cu- lo- rum,- in sae cu- lo- rum-

in sae cu- lo- rum- saesae cucu-- lala,-- in sae cu- lo- rum,- in

in sae cu- la,- in, in

sae cu- la.- A

p

men,- a men,- a men.-

sae cu- la.- A

p


sae cu- la.- A

p


sae cu- la.- A

p


p

p

8

36

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

��

��

Song of Songs 8:6a, 7a

Ardent, do not rush (e = 84)

Copyright © 2010 by G. Schirmer, Inc. (ASCAP) New York, NYInternational Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication isprohibited by Federal law and subject to criminal prosecution.

for Matthew and Patrick, on their anniversary

SET ME AS A SEALCarson P. Cooman

Opus 817

SopranoAlto

TenorBass

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38

ONLINE P

ERUSAL SCORE ONLY

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CANTATE DOMINO Solo Sop., SA, Bar. Sax & Org.PATRICK HAWES

Patrick HawesCANTATE DOMINO

for solo soprano, SA chorus, baritonesaxophone and organ

NOVELLO39

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

q = 94

q = 94

Cantate DominoMusic by Patrick Hawes

Baritone Saxophone

Soprano Solo

Soprano

Alto

Organ

mp

Can

mp

ta- te- Do mi- no,-

5

B. Sax.

S.S.

S.

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can ta- te-

al

mp

le- lu- ia,-

al

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le- lu- ia,-

© 2006 Novello & Company Limited

mp

man.

40

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10

B. Sax.

S.S.

S.

A.

Org.

Do mi- no,-

al le- lu ia-

al le- lu- ia-

15

B. Sax.

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S.

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be ne- di- ci- te,- be ne- di- ci- -

no men- -

no men-

3

41

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PERFORMANCE

20

B. Sax.

S.S.

S.

A.

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te- no

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men e ius:- -

e

dim.

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mpdim.

25

B. Sax.

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A.

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be ne- nun ti- a- -

ped.

4

42

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29

B. Sax.

S.S.

S.

A.

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mp

te-

al le- lu- ia,-

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43

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39

B. Sax.

S.S.

S.

A.

Org.

mp

de

mp

di e- in di em- sa lu- ta- -

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re- e

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e

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44

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ERUSAL SCORE ONLY

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48

B. Sax.

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A.

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mf

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sempre man.

51

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no,-

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PERFORMANCE

55

B. Sax.

S.S.

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f

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60

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al le- lu- ia,- al le- -

al le- lu- ia,- al le- -

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8

46

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ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

65

B. Sax.

S.S.

S.

A.

Org.

lu- ia,- sa

mf

lu- -

lu- ia,- sa

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70

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p

-

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47

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76

B. Sax.

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ius,- al

pp

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lu- ia.

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dim al niente.

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dim al niente.

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dim al niente.

10

48

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Patrick Hawes

MY DEAREST WISHfor SATB chorus and organ

Novello

49

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Patrick Hawes’ setting of My dearest wish was given its first performance on 6 March 2010 at Lincoln Cathedral by the Choir of Lincoln Cathedral, conducted by Aric Prentice. �

50

ONLINE P

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�

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For the people and parishes of the Diocese of Lincoln so beloved of Bishop Edward King,on the centenary of his death 8th March 2010

With majesty q = c. 52

Music by Patrick HawesWords by Andrew Hawes

My dearest wish

Soprano

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dear est- wish – be Christ like- Chris tians;-

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a tempo47

Org.

49

Org.

��hope

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S.

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53

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58

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62

ONLINE P

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Herbert HowellsGOD BE IN MY HEAD

for SATB unaccompanied chorus

edited by Patrick Russill

Novello

63

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Herbert Howells · God be in my head Text: God be in my head and in my understanding; God be in mine eyes and in my looking; God by in my mouth and in my speaking; God be in my heart and in my thinking; God be at mine end, and at my departing. Richard Pynson’s Horae BVM, 1514. Notes: The unique source is a pencil autograph in the possession of Christopher Eaton Smith, to whom grateful acknowledgements are due. He recalls the piece was “written by Dr Howells in some spare minutes before the end of a theory lesson at the Royal College of Music in June 1966, following a ‘rather fair’ attempt at the same words by me!”. The underlay from b. 13 to the end is editorial. In the source bb. 13-15 lack text and bb. 16-17 are erroneously set to ‘keeping’: whatever words Howells had in mind were evidently one syllable less than the correct text. An alternative solution could be to split the semibreve in b.15 and for all to follow the soprano underlay. The F sharp in b. 5 is unclear and could possibly be a cautionary natural. The autograph has no indications of tempo or expression: these are all editorial as is the cautionary G natural in b. 7. Though intended only as an impromptu demonstration of melodic and harmonic control in the service of poetic text, the piece has delicate touches characteristic of Howells’s hymn-style of the 1960s. The beautiful consecutives between bars 14 and 15 that preface the quintessentially Howellsian final cadence are deliberately initialled ‘(H.H.)’. Patrick Russill December 2009 Order number: NOV959101 www.chesternovello.com www.musicroom.com All Rights reserved Printed in Great Britain No part of this publication may be copied or reproduced in any form or by any means without the prior permission of Novello & Company Limited.

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Richard Pynson’s Horae BVM, 1514

edited by Patrick Russill

Herbert Howells(1892 1983)

God be in my head

5

9

13

rall.

God

Tempo tranquillop

be in my head and in my un der stan ding; God be

p

in mine eyes and in my look ing; God

mp

be in my mouth

cresc.

and in my

mp cresc.

speak ing; God

poco f

be in my heart and

dim.

in my think ing;

poco f dim.

God

poco meno mosso

mp

be at mine end,

and

and

at

my

mydim.

de

de

part

part

ing.

ing.

dim.

65

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66

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John Joubert

PILGRIMAGE SONG(2010)

for baritone solo and unaccompanied SATB chorus with divisions

Novello

67

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PERFORMANCE

Words and music commissioned by Cappella Novocastriensis to celebrate its fiftieth anniversary, funded by a donation from the Estate of the late Mr and Mrs H.F.G. Andrews, Friends of Cappella. First performance on 13 November 2010 at St George’s Church, Jesmond, Newcastle upon Tyne, conducted by Eric Cross. Duration: c. 6 minutes

Cuthbert of Durham

We climb the strenuous slope to the far-seen ponderous pile that pins him down with its tons of stone stone stonily hewn from nearby hills hauled, shaped and set - This saint is set in echoing stone. Day or night, alone as seagulls cry I rest my head on stone. Here will I die. At Cuthbert’s shrine we are required to venerate these blackened chunks of coffin wood charred by the holocaust of time raked from the ash of thirteen hundred years as his sleepless eyes seek God in the stars from a windowless sea-girt cell on Lindisfarne.

Priest, bishop, prior or anchorite, I seek God’s holy fire, eternal light.

The iron rails of Telford’s permanent way close up behind us pilgrims or tourists from a northern shrine. How permanent are iron, wood, stone? Or prayer?

Stephen Tunnicliffe Text: Cuthbert of Durham © Copyright Stephen Tunnicliffe. Reproduced with permission

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SOLOBARITONE

SOPRANO

ALTO

TENOR

BASS

Piano (forrehearsal only)

Poco lento

We

p

climb the stren uous-

ah

p

ah ah ah

We

p

climb the stren uous-

ah

p

ah ah ah

S.

A.

T.

B.

Pno.

slope

mf

to the far seen- pon der- ous-

3

ah ah ah ah

mf

slope

mf

to the far seen- pon der- ous-

ah ah ah ah

mf

Stephen Tunnicliffe

Pilgrimage SongJohn Joubert

Op. 169

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S.

A.

T.

B.

Pno.

pile that pins him down

5

ah ah ah ah ah

pile that pins him down

ah ah ah ah ah

S.

A.

T.

B.

Pno.

with

mf

its tons of stone

più f

stone ston i- ly- hewn

7

ah ah ah

più f

ah

with

mf

its tons of stone

più f

stone ston i- ly- hewn

ah ah

più f

ah ah

3

mf

3

mf

3

3

2

70

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S.

A.

T.

B.

Pno.

from near by- - hills

f9

ah ah

f

ah ah

from near by- - hills

f

ah ah

f

ah ah

S.

A.

T.

B.

Pno.

hauled,

mf dim.

shaped and set – hauled, shaped and set –

11

mf dim.

ah ah ah

hauled,

mf dim.

shaped and set – hauled, shaped and set –

ah

mf dim.

ah ah ah

ah

3

71

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S.

A.

T.

B.

Pno.

shaped

p

and set –

13

ah

p

ah ah ah

mf

ah ah

shaped

p

and set –

ah

p

ah ah ah

mf

ah ah

S.

A.

T.

B.

Pno.

This

p

saint is set in ech o- - ing-

15

This

p


This

p


This

p


4

72

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SOLOBar.

S.

A.

T.

B.

Pno.

Day

mf

or night, a lone,- a lone- as

17

stone.

stone.

stone.

stone.

SOLOBar.

sea gulls- cry, a lone- as sea gulls- cry I rest my

20

SOLOBar.

head on stone, I rest my head on stone. Here

f

will I

22

5

73

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SOLOBar.

S.

A.

Pno.

die,

fp

here

mf f

will I

25

ah ah

fp

ah ah

fp

SOLOBar.

S.

A.

T.

B.

Pno.

die.

fp28

ah

fp

ah At

p

Cuth bert’s- shrine

ah

fp

ah At

p

Cuth bert’s- shrine

At

p

Cuth bert’s- shrine, at

At

p

Cuth bert’s- shrine, at

fp

fp

fp

fp

6

74

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S.

A.

T.

B.

Pno.

we are re quired- to ven er- ate,-

cresc.30

we are re quired- to ven er- ate,-

cresc.

Cuth bert’s- shrine we are re quired- to

Cuth bert’s- shrine we are re quired- to

S.

A.

T.

B.

Pno.

we

mf

are re quired- to ven er- ate-

cresc.32

we

mf

are re quired- to ven er- ate-

cresc.

ven er- ate-

cresc.

we

mf

are re quired- to

ven er- ate-

cresc.

we

mf

are re quired- to

7

75

ONLINE P

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S.

A.

T.

B.

Pno.

these

poco f

black ened- chunks, these black ened- chunks,

34

these

poco f

black ened- chunks, these black ened- chunks,

ven er- ate

cresc.

- these

poco f

black ened- chunks of cof fin-

ven er- ate

cresc.

- these

poco f

black ened- chunks of cof fin-

S.

A.

T.

B.

Pno.

these black ened- chunks of cof fin- wood

36

these black ened- chunks of cof fin- wood

wood, these black ened- chunks of

wood, these black ened- chunks of

8

76

ONLINE P

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S.

A.

T.

B.

Pno.

charred

fp

by the ho lo- caust- of time,

38

charred

fp

by the ho lo- caust- of time,

cof fin- wood charred

fp

by the ho lo- caust- of

cof fin- wood charred

fp


S.

A.

T.

B.

Pno.

charred

fp

by the ho lo- caust- of time

40

charred

fp

by the ho lo- caust- of time

time, charred

fp


time, charred

fp


9

77

ONLINE P

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NOT FOR USE IN

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S.

A.

T.

B.

Pno.

raked

mf

from the ash of thir teen- hun dred- years,

42

raked

mf

from the ash of thir teen- hun dred- years,

time raked

mf

from the ash of

time raked

mf

from the ash of

S.

A.

T.

B.

Pno.

più f cresc.

raked from the ash of thir

f

teen- hun dred- years

44

più f cresc.

raked from the ash of thir

f


thir

più f cresc.

teen- hun dred- years, thir

f


thir

più f cresc.

teen- hun dred- years, thir

f


10

78

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S.

A.

T.

B.

Pno.

as

cresc.

his sleep less- eyes seek God in the stars

ff

from a

46

as

cresc.


ff

from a

as

cresc.


ff

from a

as

cresc.


ff

from a

SOLOBar.

S.

A.

T.

B.

Pno.

f

Priest, bish op,-

48

win dow- less- sea girt- cell on Lin dis- farne.-




p3

p3

p3

p3

3

3

11

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SOLOBar.

S.

A.

T.

B.

Pno.

pri or- or

p

an chor- ite,-

p cresc. poco a poco

I seek God’s

51

SOLOBar.

ho ly- fire, God’s ho ly- fire, e

f

ter- nal- light, e ter- nal-

54

SOLOBar.

S.

A.

T.

B.

Pno.

light, e ter- nal- -

57

ah ah ah ah

ah ah ah ah

ah ah ah ah

ah ah ah ah

fff

ff p

ff p

ff p

ff p

12

80

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SOLOBar.

S.

A.

T.

B.

Pno.

light, e ter- nal- light,

59

f

ah ah ah ah ah ah ah

f


f


f


f

pp mf p

pp mf p

pp mf p

pp mf p

13

81

ONLINE P

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SOLOBar.

S.

A.

T.

B.

Pno.

e

mp

ter- nal- light.

62

The iron rails of Tel ford’s- per ma- nent- way

ah

fp

ah ah ah

ah

fp

ah

p

ah ah

ah

fp

ah

p

ah ah

ossia

mp mf3

p

3

ossia

14

82

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S.

A.

T.

B.

Pno.

close up be hind- us, close up be hind- us

65

ah

mf

ah ah ah ah ah

ah

mf

ah ah ah ah ah

ah

mf

ah ah ah ah ah

S.

A.

T.

B.

Pno.

pil

f

grims- or tour ists,- pil grims- or tour ists-

68

ah

f

ah ah ah

ah

f

ah ah ah

ah

f

ah ah ah

3 3

3 3

15

83

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S.

A.

T.

B.

Pno.

from a north ern- - shrine.

ff70

ah

ff

ah ah ah

ah

ff

ah ah ah

ah

ff

ah ah ah

S.

A.

T.

B.

Pno.

How

f poco a poco dim.

per ma- nent,- how

mf dim.

per ma- nent,-

72

ah ah ah ah

ah ah ah ah

ah ah ah ah

f poco a poco dim. mf dim. p



16

84

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S.

A.

T.

B.

Pno.

per

p dim.

ma- nent,-

74

ah ah ah ah ah ah

ah ah ah ah ah ah

ah ah ah ah ah ah

S.

A.

T.

B.

Pno.

are

pp

iron, wood, stone? Or prayer?

76

are

pp


are

pp


are

pp


pp mf pp

pp mf pp

pp mf pp

6'

17

85

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86

ONLINE P

ERUSAL SCORE ONLY

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John JoubertPSALM 100

(2009)for double SATB and piano/organ

Vocal Score

Novello

87

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NOT FOR USE IN

PERFORMANCE

John Joubert PSALM 100

Commissioned for the 2010 Gloucester Three Choirs Festival.

First performance at the opening service of the festival in Gloucester Cathedral on Saturday, 7th August 2010, by the combined festival choruses of Hereford, Worcester

and Gloucester, the Gloucester Cathedral Choir and the Philharmonia Brass. Conducted by Adrian Partington.

Duration: 7 minutes

Novello & Company Limited part of The Music Sales Group 14-15 Berners Street, London

Exclusive Distributors: Music Sales Limited Newmarket Road, Bury St. Edmund, Suffolk IP33 3YB

www.chesternovello.com www.musicroom.com

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© Copyright 2010 Novello & Company Ltd.

SOPRANOALTO

TENORBASS

SOPRANOALTO

TENORBASS

unis.

O

f

be joy ful- all ye lands:

Moderato assai

unis.

funis.

O

f

be joy ful- all ye lands:

unis.

f

f

Moderato assai

I

II

serve the Lord with glad ness,- and comebe fore- his

4

serve the Lord with glad ness,- and comebe fore- his

Book of Common Prayer1662

John Joubert(2009)

To Anna and Rob

PSALM 100

Chorus I

Chorus II

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I

II

pre sence- with a song. Be

p

ye sure

6

p

pre sence- with a song. Be

p

ye

p

p

I

II

that the Lord he is

9

sure that the

2

90

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I

II

God, that the Lord he is God; it

mf

is

11

mf

Lord he is God; it

mf

is he

mf

mf

I

II

he, and not

14

who has made us, and not

3

91

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I

II

we our selves:- we

mf cresc.

are his peo ple,-

16

mf cresc.

we, and not we our selves:- we

mf cresc.

are his

mf cresc.

mf cresc.

I

II

and the sheep, and the

19

peo ple,- and

f

the

f

4

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I

II

sheep,

f

and the sheep, and the sheep,

ff21

f ff

sheep, and the sheep, and the sheep,

ff

and the

ff

f cresc. ff

I

II

and the

sheep

sheep

24

sheep, the

the

5

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I

II

of

of

his

his

pas ture.-

Poco meno mosso26

sheep

sheep of

of

his

his

pas ture.-

dim. mf

Poco meno mosso

I

II

29

unis.

O

p

go your way in to- his gates with thanks-unis.

p

p

3 3 3 3 3

6

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I

II

unis.

O

mf

go your way in to- his

32

unis.

mf

giv

mf

- ing,- with thanks giv- ing,- with thanks giv- ing,-

mf

mf

I

II

gates with thanks giv- ing,- with thanks giv- ing,-

34

3 3 3 3

3 3 3 3

3

33 3

3

3

3

3

3 3

3 3

3 33 3 3

3

7

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I

II

with thanks giv- ing,-

36

f cresc.

I

II

and

p cresc.

in to- his courts, and in to- his courts,

38

p cresc.

and

p cresc.

in to- his courts, and in to- his

p cresc.

cresc.mf cresc.

3 3

3 3

L.H.

3

3

3

3

3

3

3

33 3 3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

p sub.

33

3

33

3

3

3

3

3 3

8

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I

II

and

f

in to- his courts with praise,

ff

and in to- his

40

f ff

courts, and

f

in to- his courts with praise,

ff

f ff

f cresc. ff

3 3 33

3 3 3 3

3

3 3 3

3

3

3 3

()

( )

33

3

3

3

3

3

33 3 3

3

3 3

3 3

9

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I

II

courts with praise:

mf p42

mf p

and in to- his courts with praise:

mf

mf

f dim.mf

I

II

44

p

p

p

3

3

3 3

3 3

3

3 33 3

33

3 3

L.H.

3 3 33

33 3

10

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pp

Poco meno mosso (poco lento)47

Tr.

O

mp

be thank ful-

50

Tr.

un to- him, and speak

52

Tr.

good

mf

of his Name, of his

54

p

TREBLE (Solo ad lib.)

11

99

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Tr.

II

Name.

57

For

p

the Lord is gra cious,-

p

II his mer - - - - cy

59

L.H.

R.H.

12

100

ONLINE P

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II is ev er- - last

mf

- ing:- and his

61

mf

mf

IItruth en -

63

13

101

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IIdur

cresc.

- eth- - from ge ne- -

64

cresc.

IIra- tion- to ge ne- - ra

f cresc.

- tion.-

65

f cresc.

cresc. f

)

(

14

102

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I

II

Glo ry- be to theFa ther,-

Tempo I (Moderato assai)67

ff

ff

Glo ry- be to theFa ther,-

ff

Tempo I (Moderato assai)

I

II

and to the Son: and to the Ho ly- -

71

and to the Son: and to the Ho ly- -

unis.ff

unis.

unis.

unis.

( ) ( )

15

103

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I

II

Ghost:

74

Ghost:

f

As it was in the be gin- ning,- is

f

f

I

II

is

f

now,

77

f

now,

f

3 3

16

104

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I

II

79

is

f

now, and ev er- shall be, and ev er-

f

I

II

and

f

ev er- shall be:

81

f

shall be:

3 3

17

105

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I

II

with out-

83

world with out- end, with out- end,

I

II

end,

86

with out- end.

3

3

18

106

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I

II

with

f

out- end.

88

f

I

II

A men,- -

90

ff

ff

A men,- -

ff

ff

ff

19

107

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I

II

a men,- - A men,- - a men,- -

92

a men,- - A men,- - a men,- -

I

II

ff

a men,- - a - -

95

ff

ff

a men,- - a - -

ff

20

108

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I

II

men,- a men.-

98

men,- a men.-

I

II

101

p ff

21

109

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110

ONLINE P

ERUSAL SCORE ONLY

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John JoubertPRECES AND RESPONSES

(2010)for unaccompanied SATB chorus

Novello

111

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John Joubert PRECES AND RESPONSES

First performance on Wednesday,11th August, 2010, given by the Choirs of Gloucester Cathedral, Hereford Cathedral and Worcester Cathedral, conducted by

Adrian Partington, at the 283rd Three Choirs Festival.

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�

�

�

�

�

�© Copyright 2010 Novello & Company Limited

PRIEST

SOPRANOALTO

TENORBASS

lips. O

And our mouth shall shew forth thy praise.

God, make speed to save us.

O

O

Lord

Lord

make

make

haste

haste to

O Lord make haste

help

to help

us, to help

us,

us,

to

O

help

Lord,

us,

make haste to help us,

make haste to

help

to help us, to help

us,

us,

O

O

Lord

Lord

make

make

haste

haste

to

to

help

help

us,

us,

��

��

��

��

��

��

��O Lord, open thou our

�

John Joubert

to Adrian Partington and the choristers of Gloucester Cathedral

PRECES AND RESPONSESfor SATB (unaccompanied)

��

��

��

��

��

��

��

� � � � �

� � ��

� � ��

� � � � � �

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� � ��

� � � � � ��

� � � � ��

� ��

113

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PERFORMANCE

�

�

�

�

�

�

�

�

help us.

make haste to help us.

make haste to help us.

As it was in the be gin- ning,- is now, and e ver- shall be:

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120

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Pawel LukaszewskiO ORIENS

(1997)

for unaccompanied SATB chorus (with divisions)

Chester Music

121

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

O ANTIPHONS – O ORIENS

Paweł Łukaszewski’s Seven Great Advent Antiphons were created over a period of five years

from 1995 to 1999. Four of the seven antiphonae (O Emmanuel, O Adonai,O Oriens,O Sapientia),

were performed by the Polish Chamber Choir, Schola Cantorum Gedanensis conducted by

Jan Łukaszewski at St. Nicholas church in Gdansk on 12 December 1998.

O ORIENS

The antiphon was written in 1997, and given its premiere by the Eric Ericson Chamber Choir –

the ensemble to which it was dedicated – conducted by Eric Ericson, winner of the so-called

‘Music Nobel Prize’: Polar Music Prize, in the concert hall of the F. Chopin Academy of Music in

Warsaw on 23 August 1997.

Paweł Łukaszewski

(Excerpt from booklet notes to ‘Missa pro Patria’, AP0009)

Pawel Lukaszewski

122

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

© 1998 Polskie Wydawnictwo Muzyczne SA, Kraków, Poland.assigned to Chester Music Limited © 2009 for the world except: Albania, Bosnia and Herzegovina,Bulgaria, China, Croatia, Estonia, North Korea, Cuba, Lithuania, Latvia, Macedonia, Poland, the CzechRepublic, Romania, Serbia and Montenegro, Slovakia, Slovenia, Ukraine, Hungary, Vietnam, Russia andthe Commonwealth of Independent States.

SOPRANO

ALTO

TENOR

BASS

PIANO

O

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5

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O

O

to Eric Ericson

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SSSSAAAATTTTBBBBPawe ukaszewski, 1997

O Oriens

Lento q = 52-56

(forrehearsal only)

S.

A.

T.

B.

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O

mp

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3

125

ONLINE P

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ter- nae,- et sol,

19

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126

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sol, iu sti- ti- ae:- Ve ni,- ve ni.-

23




iu sti- ti- ae:- Ve ni,- ve ni.-




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rit.

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127

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NOT FOR USE IN

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O O O O

27

O O O O

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31

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O

mp

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8

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et

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131

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se

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den- tes- in te ne- bris,- et

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54

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10

132

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

O ri- - ens,- O ri- - -

62

O ri- - ens,- O ri- - -

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65

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11

133

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

134

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Pawel LukaszewskiO RADIX JESSE

(1998)for unaccompanied SATB chorus (with divisions)

Chester Music

135

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

O ANTIPHONS – O RADIX JESSE

Paweł Łukaszewski’s Seven Great Advent Antiphons were created over a period of five years

from 1995 to 1999. Four of the seven antiphonae (O Emmanuel, O Adonai,O Oriens,O Sapientia),

were performed by the Polish Chamber Choir, Schola Cantorum Gedanensis conducted by

Jan Łukaszewski at St. Nicholas church in Gdansk on 12 December 1998.

O RADIX JESSE

The composition was conceived in the period of 1997 to 1998. There is also a version for fe-

male choir a cappella dedicated toVioletta Bieleka and Schola Cantorum Bialostociensis from

Bialystok, who had performed the premiere at the concert hall of F. Chopin Academy of Music

inWarsaw on 27 February 1998.

Paweł Łukaszewski

(Excerpt from booklet notes to ‘Missa pro Patria’, AP0009)

Pawel Lukaszewski

136

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

© 2000 Polskie Wydawnictwo Muzyczne SA, Kraków, Poland.assigned to Chester Music Limited © 2009 for the world except: Albania, Bosnia and Herzegovina,Bulgaria, China, Croatia, Estonia, North Korea, Cuba, Lithuania, Latvia, Macedonia, Poland, the CzechRepublic, Romania, Serbia and Montenegro, Slovakia, Slovenia, Ukraine, Hungary, Vietnam, Russia andthe Commonwealth of Independent States.

SOPRANO

ALTO

TENOR

BASS

PIANO

5

O

f

nn

p sub.

O

mpAndante q = 56-60SSSSAAATTTBBB Pawe ukaszewski, 1997/98

O Radix Jesse

O

f

nn

p sub.

O

mp

O

f

nn

p sub.

O

mp

O

p

O

p

Andante q = 56-60

(forrehearsal only)

Ra

S.

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137

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PERFORMANCE

9

qui

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S.3

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138

ONLINE P

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PERFORMANCE

12

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139

ONLINE P

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NOT FOR USE IN

PERFORMANCE

per (mm)-

15

Ra

S.1

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mf

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3

-

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su per- quem (mm)-

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T.

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p

O

B.

O

p

3

4

140

ONLINE P

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NOT FOR USE IN

PERFORMANCE

20

bunt,

S.1

- re

mp

ges- - os su- - um,-

3 3 3 3rit. Meno mosso q = 54

S.2

con ti- ne- bunt,- Ra

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T.

O

p

B.

O

p

3 3 3 3rit. Meno mosso q = 54

5

141

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

25

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re

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3

su- um,- O

p (ord.)

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se

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6

142

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

30

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S.1

f

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quem

S.2

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A.3

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T.2

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T.3

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B.2

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f


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B.3

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ni- ad

7

143

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

36

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p

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mp

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mf

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S.3

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ni- ad li be- ran

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8

144

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

40

ran

S.1

f

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ff

ni- ad li be-

fff

ran- dum- nos,

mp sub.gliss.

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ni- ad li be- ran

fff

- dum- nos,

mp sub.

gliss.

ran

T.1

f

- dum- nos, ve

ff

ni- ad li be-

fff

ran- dum- nos,

mp sub.gliss.

liT.2

be- ran

f

- dum- nos, ve

ff

ni- ad li be- ran

fff

- dum- nos,

mp sub.gliss.

ran

T.3

f

- dum- nos, ve

ff

ni- ad li be-

fff

ran- dum- nos,

mp sub.

gliss.

ran

B.1

f

- dum- nos, ve

ff

ni- ad li be-

fff

ran- dum- nos,

mp sub.gliss.

li

B.2

be- ran

f

- dum- nos, ve

ff

ni- ad li be- ran

fff

- dum- nos,

mp sub.gliss.

li

B.3

be- ran

f

- dum- nos, ve

ff

ni- ad li be- ran

fff

- dum- nos,

mp sub.

gliss.

9

145

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

(mm)

44

iam

S.1

mf

no li- tar da- re,- - - -

3 rit.

mm

S.2

mp

iam no li- (mm) tar da- re,-

mm

S.3

mp


mm

A.1

mp


mm

A.2

mp


mm

A.3

mp


O

T.

p

O

B.

p

3rit.

10

146

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

49

iam

S.1

mp

no - - li tar da- re,- iam

mf sussurando

no li- tar

33 3 3 3

-

a tempo

Rad

S.2

p

dix- - - Jes se,- -

Rad

S.3

p

dix- - - Jes se,- -

Rad

A.1

p

dix- - - Jes se,- -

Rad

A.2

p

dix- - - Jes se,- -

iam

A.3

mp

no - - li tar da- re,- iam

mf sussurando

no li- tar

33 3 3 3

-

O

T.

p

O

B.

p

33 3 3 3a tempo

( )

11

147

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

53

da

S.1

- re,- O

p (ord.)

Ra dix,- O Ra dix- Jes se,- O Ra dix- -

(mm)

S.2

O

p


(mm)

S.3

O

p


(mm)

A.1

O

p


(mm)

A.2

O

p


da

A.3

- re,- O

p (ord.)


T.

O

p

B.

O

p

12

148

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

57

( )

Jes

S.1

se,- O nn

Jes

S.2

se,- O nn

Jes

S.3

se,- O nn

Jes

A.1

se,- O nn

Jes

A.2

se,- O nn

Jes

A.3

se,- O nn

T.

nn

B.

nn

13

149

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

150

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

© 2010 Chester Music Limited

SOPRANOALTO

TENORBASS

SOPRANOALTO

TENORBASS

Sal ve,- sal ve,-

sal ve- Re gi- na,- sal ve- Re gi- na,-

4

sal ve,- sal ve,-

Sal

mp

ve- Re gi- na,- sal ve- Re gi- na,-

Larghetto q.. = 50

Pawe ukaszewski, 2009

Commissioned by CoMA, London, UK,with funds from the Performing Rights Foundation and subscribers to CoMA’s CoMmissioning Scheme

Salve ReginaSATB: SATB

CH

OIR

I

mp

mp

CH

OIR

II

mp

151

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE


8



12

sal ve- Re gi- na,- sal ve- Re gi- na,- sal ve- Re gi- na,-

Ma ter- mi se- ri- cor- di- ae,-

16



S.

p

A.

p

T.B. p

S.A.

f

T.B.

f

3

152

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE


20



24

vi - dul - - do spes - stra.

28

p

p

pf

f

vi -

S.A.

mp

dul - - do spes - stra.

Più mosso q = 90

T.B.

mp

S.A.

- ta,

mp

- ce - et no - Ma

f

ter- mi se- ri- -

T.B.

mp fp cresc.

p cresc.

cor- di- ae,- - ta,

p cresc.

- ce - et no -

p cresc.

4

153

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

32

sal ve.-

36

40

Ad te cla ma- mus,- Ad te sus pi --

Ad

Ad te cla ma- mus,-

sal

f

ve,- sal ve,- sal ve,- sal ve.-

fsal ve.-

sal

f

ve,- sal ve,- sal ve,- sal ve.-

f

Ad

mp

te cla ma- mus,- ex su- les- fi li- i- He ve,- Ad

pMeno mosso q = 80

mp

Ad

mp


p

mp


f p

te sus pi- -p p

te cla ma- mus,- ex su- les- fi li- i- He ve,-p

5

154

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

ra mus- ge men- tes- et flen tes,- ge men- tes- in

45

hac la cri- ma- rum- val le.-

48

ge men- tes- in hac la cri- ma- rum- val le.-

ad vo- ca- ta- nos tra-

51

er go,-

-

Ad

p

te sus pi- ra- mus- ge men- tes- et flen tes,-

p

Eimp

a,-

mpEi a,-h = 50

Ei

mp

a,- er go,- ad vo- ca- ta-

mp

mp er go,-

Ei

mp

a,- er go,- ad vo- ca- ta-

6

155

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

ad vo- ca- ta- nos trail los- tu os-55

59

63

il los- tu os- mi se- ri- cor- des-

il los- tu os- mi se- ri --

Ei a,- er go,-

Ei

ad vo-

a,

ca

-

- ta-

er

nos

go,

tra

-

-

il los- tu os- mi se- ri --

mi

o cu-

se

los,

-

-

ri- cor

o

-

cu-

des

los,

-

-

o cu- los,-

o cu- los,-

- cor des- o cu- los,-

ad

il

vo- ca

los-

- ta- nos

tu

tra

os

-

-

il

mi

los

se

-

- ri-

tu

cor-

os

des

-

-

mi se- ri- cor- des- o cu- los,-

o cu- los,-

o cu- los,-

o

o

cu

cu

-

-

los,

los,

-

-

o cu- los,- o cu- los,-

mi

o cu-

se

los

-

-

ri- cor

o

-

cu-

des

los,

-

-

o

o

cu

cu

-

-

los,

los,

-

-

o cu- los,- o cu- los,-

7

156

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

66

71

75

ad

p

nos con ver- te,- ad nos con ver- te,-

h = q..

p

ad

p

nos con ver- te,- ad nos con ver te,-

p

Et

S.

p

Je sum- be ne- dic- tum,-

Tempo I, Larghetto q.. = 50

Et

A.

p


Et

T.B.

p


S.A.

be

f

ne- dic- tum- fruc tum- ven tris- tu i,-

T.B.

f

Et

p


Et

p


Et

p


be

f

ne- dic tum- fruc tum- ven tris- tu i,-

f

8

157

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

79

83

87

no -

S.A.

mp

post ex - - li - os ten- de,-

Più mosso q.. = 90

T.B.

mp

S.A.

- bis

mp

hoc - si - - um be

f

ne- dic- tum- fruc tum-

T.B.

mp f

no -

p cresc.

post ex - - li - os -

p cresc.

ven tris- tu i,- - bis

p cresc.

hoc - si - - um

p cresc.

- ten

f

de,- os ten- de,- os ten- de,- os ten- de.-

fos ten- de.-

os

f

ten- de,- os ten- de,- os ten- de,- os ten- de.-

os

f

ten- de,- os ten- de,- os ten- de,-os ten- de.-

9

158

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

91

96

101

O

mf

cle mens,- O pi a,- O

Tempo I, Larghetto q.. = 50

mf

cle

mf

mens,- pi a,-

mf

dul cis,- O dul cis- Vir

f

go- Ma ri- a,-

dul cis,- O dul cis- f

dul cis,- Ma ri- a,-

O cle mens,- O pi a,- Vir go- Ma-

Vir

f

go- Ma ri- a,- Vir go- Ma ri- a,- Vir go- Ma ri- a,-

f

10

159

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

104

108

112

ri- a,- Vir go- sal ve,- sal ve,- sal ve,- Ma ri- a,-

Vir go- Ma ri- a,- Ma ri- a,- sal ve,- sal ve,- sal ve,-

sal ve,- sal ve,- sal ve,- Ma ri- a,-

Ma ri- a,- sal ve,- sal ve,- sal ve,-

sal ve.- - - - (n)

G.P.Meno mosso = 60

sal ve.- - - - (n)

11

160

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

&

&

V

?

&?

###

###

###

###

###

###

86

86

86

86

86

86

42

42

42

42

42

42

.œfAl -

Œ .

Œ .

Œ .

.œŒ .

.˙le,

Œ . œf œ œAl - le - lu -



.Œ . œ œ œ

Œ . œ œœ œœ

.œ œ œ œAl - le - lu -

.œ Jœ ‰ ‰ia!

.œ Jœ ‰ ‰ia!

.œ Jœ ‰ ‰ia!

.œ œœ œ œ..œœ.œ Jœ ‰ ‰

˙ia!

œ œ œ œAl - le - lu - ia!



œ œ œ œœœ œœ œœ œœ

Bright and rhythmic q . = 120

for Judith Clurman

ALLELUIA!

Piano(for rehearsalpurposes only)

Tenor

Bass

Alto

Soprano

Copyright © 2008 by G. Schirmer, Inc. (ASCAP), New York, NYInternational Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Paul McKibbins(1992)

Bright and rhythmic q . = 120

e = e throughout

e = e throughout


161

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

&

&

V

?

&?

###

###

###

###

###

###

83

83

83

83

83

83

86

86

86

86

86

86

4 .œ ‰

jœ œ jœAl - le - lu -

Jœ œ JœAl - le - lu -

jœ œ JœAl - le - lu -

.œ ‰Jœ œ Jœ

Jœœ œœ Jœœ

.œAl -

.œia!

.œia!

.œia!

.œ

.œ

.˙le,

jœ ‰ ‰ .œAl -

Jœ ‰ ‰ Œ .

Jœ ‰ ‰ Œ .

.Œ . .œJœ ‰ ‰ Œ .

.˙

.˙le,

Œ Jœ.œ

Al - le -

Œ . Œ jœAl -

.˙ .˙

Œ Jœ.œŒ Jœ

&

&

V

?

&?

###

###

###

###

###

###

42

42

42

42

42

42

83

83

83

83

83

83

86

86

86

86

86

86

8 .œ œ œ œAl - le - lu -

.œ œ œ œAl - le - lu -.œ œ

-

Jœlu - ia!

.œ œ Jœle - lu - ia!

.œ .œ œœ œœ œœ

.œ .œ œœ Jœœ

.œ ‰ia!

œ œia! Al -


œ œ œAl - le - lu -

.œ ‰œ œœ œœœ œœ œ

.œAl -

œ jœle - lu -


œ jœia! Al -

.œœ Jœœ œ œœ Jœ

.˙le -

œ jœ œjœ

ia! Al - le - lu -

œ jœ œ jœia! Al - le - lu -

.˙le -

.œ Jœ œ Jœœ jœ œ jœ.˙

ALLELUIA!

4

162

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

&

&

V

?

&?

###

###

###

###

###

###

42

42

42

42

42

42

86

86

86

86

86

86

42

42

42

42

42

42

86

86

86

86

86

86

12 .œ .œlu - ia!

œ jœ œjœ

ia! Al - le - lu -

œ Jœ œ jœia! Al - le - lu -

.˙lu -

.œ .œœ Jœ œ Jœœ jœ œ jœ.˙

‰ jœ œ œAl - le - lu -

œ œ œ œia! Al - le - lu -

.œ ‰ia!

.œ ‰ia!

œ œœ œœ œœ..œœ ‰

Jœ ‰ ‰ Œ .ia!

Jœ ‰ ‰ Œ .ia!

œP œ œ .œAl - le - lu - ia!


Jœœ ‰ ‰ Œ .

œœ œœ œœ ..œœ

∑

∑



∑œœ œœ œœ œœ

&

&

V

?

&?

###

###

###

###

###

###

86

86

86

86

86

86

42

42

42

42

42

42

86

86

86

86

86

86

16 Œ . ‰ œPAl -

Œ . ‰ œPAl -

œ œ œ .œAl - le - lu - ia!


Œ . ‰ œœœœ œœ œœ ..œœ

œ œcresc.

le - lu -

œ œcresc.

le - lu -

œcresc.œ œ œAl - le - lu - ia!


œœ œœœœ œœ œœ œœ

.˙ia!

.˙ia!

œF œ œ .œAl - le - lu - ia!

œF œ œ .œAl - le - lu - ia!

..˙œœ œœ œœ ..œœ

Jœ ‰ ‰ ‰ œFAl -

Jœ ‰ ‰ ‰ œFAl -



Jœœ ‰ ‰ ‰ œœœœ œœ œœ ..œœ

ALLELUIA!

5

163

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

&

&

V

?

&?

###

###

###

###

###

###

42

42

42

42

42

42

43

43

43

43

43

43

86

86

86

86

86

86

20 œ jœ jœ œle - lu - ia!

œ jœ jœ œle - lu - ia!



œœ jœœ jœœ œœœœ œœ œœ ..œœ

œcresc. œAl - le -

œcresc.

œAl - le -



œœ œœœœ œœ œœ œœ

poco rit.

poco rit.

poco rit.

poco rit.

œ œ œf œ

lu - ia!

œ œ œfœ

lu - ia!


œpoco rit. œ œAl - le - lu -

œœ œœ œœ œœœœ( ) œœ œœ

.U ,

.˙U ,

.U ,fia!

.U ,fia!

..˙U..˙

U

&

&

V

?

&?

###

###

###

###

###

###

42

42

42

42

42

42

86

86

86

86

86

86

42

42

42

42

42

42

A

A

a tempo

a tempo

a tempo

a tempo

24



∑

∑

œ œ œ

a tempo

.œœ œ œ .œ



∑

∑

œ œ œ œœ œ œ œ



Œ . ‰ œPAl -

Œ . ‰ œPAl -

œ œ œ ..œœœ œ œ ‰ œœ





œœ œœ œœ ..œœœœ J

œœ Jœœ œœ

ALLELUIA!

6

164

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

&

&

V

?

&?

###

###

###

###

###

###

42

42

42

42

42

42

86

86

86

86

86

86

28

œcresc.

œ œ œAl - le - lu - ia!

œcresc.


Œ œcresc.

Al -

Œ œcresc.

Al -

œ œœ œœ œœŒ œœ



Jœ .œle -

jœ .œle -

œœ œœ œœ œœ

Jœœ ..œœ

.œF .œAl - le -

œFœ œ œ œ œ

Al - le - lu - ia! Al - le -

.œ .œlu - ia!

.œ .œlu - ia!

.œ .œœ œ œ œ œ œ..œœ ..œœ

.œ .œlu - ia!

œ œ œ œ œ œlu - ia! Al - le - lu - ia!

œF jœ œ jœAl - le - lu - ia!

∑

.œ .œœ œ œ œ œ œœ Jœ œ Jœ

&

&

V

?

&?

###

###

###

###

###

###

42

42

42

42

42

42

32

.œ .œAl - le -

œ œ œ œ ŒAl - le - lu - ia!

Œ . ‰ œ œAl - le -

œF œ œ œ œ œAl - le - lu - ia! Al - le -

.œ .œœ œ œ œ Œœ œ œ œ œœ œœ

.œ .œlu - ia!

∑



.œ .œ

œœ œœ œœ œœ œœ œœ

œcresc.


œcresc.


œcresc. œAl - le -


œ œœ œœ œœœ œœ œ œ œ

ALLELUIA!

7

165

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

&

&

V

?

&?

###

###

###

###

###

###

86

86

86

86

86

86

35 œ œ œ œAl - le - lu - ia!


œ œlu - ia!

∑

œœ œœ œœ œœœ œ

∑

œf jœ œ jœAl - le - lu - ia!

Œ . Œ JœfAl -

.œf .œAl - le -

œ jœ œ jœœ.œ .œ

œfœ œ œ œ œ

Al - le - lu - ia! Al - le -

œ œ œ œ œ œAl - le - lu - ia! Al - le -

.˙le -

.œ .œlu - ia!

œ œœ œœ œœ œœ œœ.˙ .œ .œ

œ œ œcresc.œ œ œlu - ia! Al - le - lu - ia!

œ jœ ‰ Œlu - ia!

.œ Jœ ‰ Jœcresc.

lu - ia! Al -

.œcresc. .œAl - le -

œ œ œœ œ œ œœ.œ Jœ ‰ Jœ.œ .œ

&

&

V

?

&

?

###

###

###

###

###

###

39 ∑

∑

œ œ œ Œ jœƒ

le - lu - ia! Al -.œ .œƒlu - ia!

œ œ œ Œ .

Œ Jœ.œ .œ

Œ Jœƒ Jœ œAl - le,

jœƒ œ œ jœAl - le - lu - ia!

.˙le,

.˙

Œ jœ jœ œJœœ œ

Jœ.˙ .˙

œ œ œ Jœ ‰ ‰Al - le - lu - ia!

œ œ œ jœ ‰ ‰Al - le - lu - ia!

œ œ œ Jœ ‰ ‰Al - le - lu - ia!

œ œ œ jœ ‰ ‰Al - le - lu - ia!

œœ œœ œœ Jœœ ‰ ‰

œœ œœ œœ Jœœ ‰ ‰

8

ALLELUIA!

+84088-CBFGEe166

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Nico Muhly

PATER NOSTER (2008)

SATB chorus with soprano solo

ST ROSE MUSIC PUBLISHING

167

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Commissioned for the 2008 Edington Music Festival

ST ROSE MUSIC PUBLISHING Exclusive distributors: Music Sales Limited Head Office: 14/15 Berners Street, London W1T 3LJ Distribution: Newmarket Road, Bury St Edmunds, Ipswich IP33 3YB www.chesternovello.com

168

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Nico Muhly (2008)

Pater Nosterq = 66

© Saint Rose Music Publishing Inc.

SOPRANO

ALTO

TENOR

BASS

Pa

sempre mf - steady

ter- nos ter,- Pa ter- nos ter,- qui es in cae lis:- sanc ti- fi- -

Pa

sempre mf - steady


Pa

sempre mf - steady


Pa

sempre mf - steady


6

S. Solo

S.

A.

T.

B.

Pa

mf

ter-

ce - tur No men- Tu um;-

p

Pa

sub. mf

ter- nos ter,- Pa ter- nos ter,- qui

ce - tur No men- Tu um

p

- Pa

sub. mf



p

- Pa

sub. mf



p

- Pa

sub. mf


169

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

12

S. Solo

S.

A.

T.

B.

nos ter- qui es

3

in

3

cae lis:- -

es in cae lis:- sanc

p

ti- fi- ce-

mp

- tur No

p

men-


p

ti- fi- ce-

mp

- tur

p


p

ti- fi- ce-

mp

- tur

p


p

ti- fi- ce-

mp

- tur

p

17

S. Solo

S.

A.

T.

B.

Reg

mp

num- Tu

f

-

Tu um;- Ad ven- i- at- Reg

mf

num- Tu um;-

p

No men- Tu um- Ad ven- i- at- Reg

mf

num- Tu um;-

p

No men- Tu um- Ad ven- i- at- Reg

mf

num- Tu um;-

p

No men- Tu um-

2

170

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

2+322

S. Solo

S.

A.

T.

B.

um;

Ad ven- i- at- Reg

mf

num- Tu um;-

p

Ad ven- i- at- Reg

mf

num- Tu um;-

p

Ad ven- i- at- Reg

mf

num- Tu um;-

p

Ad ven- i- at- Reg num- Tu um;-

Slightly Faster q = 7226

3+2

S. Solo

S.

A.

T.

B.

Fi

p mf

at- - - vo -

Fi

mf - energetic

at- vo lun- tas- Fi at- vo lun- tas- Fi at- vo lun- tas- Tu -

Fi

mf - energetic


Fi

mf - energetic


Fi

mf - energetic


3

171

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

30

S. Solo

S.

A.

T.

B.

lun tas- Tu a;- Si

p

cut- in cae lo

mf

-

a. si

mp

cut- in cae lo

p

- et in ter ra.-

a. si

mp

cut- in cae lo

p

- et in ter ra.-

a. si

mp

cut- in cae lo

p

- et in ter ra.-

a. si

mp

cut- in cae lo- et in ter ra-

Faster Again q = 7835

S. Solo

S.

A.

T.

B.

Pa

mf - energetic

nem- nos trum- quo ti- di- a- num- da no bis- ho di- -

Pa

mf - energetic

nem- nos trum- pa nem- nos trum- quo ti- di- a- num- da no bis- ho di- -

Pa

mf - energetic


Pa

mf - energetic


Pa

mf - energetic


4

172

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Floating q = 7239

S. Solo

S.

A.

T.

B.

e,

e,

e, et

mp, insect-like, precise

di mit- te- no bis- de bi- ta- nos tra- si cut-

e, et

sempre mp, lean into downbeats

di mit- te- no bis- de bi- ta- nos tra- et di-

e, et

sempre mp, steady, drone-like

44

S.

A.

T.

B.

et


di mit- te- no bis- de bi- ta- nos tra- si cut-

et


di mit- te- no bis de bi- ta- nos tra-

etnos di mit- ti- mus- de bi to- ri- bus- nos tra- et di

3

mit te- no bis- de bi- ta- nos

sim.

tra- et di

ne

mfz - slight accent on all note changes

5

173

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

48

S. Solo

S.

A.

T.

B.

et

p

ne nos in du- -

et nos di mit- ti- mus- de bi- to- ri- bus- nos tra- et di

3

-

si cut- et nos di mit- ti- mus- de bi- to- ri- bus- nos

3

-

mit te- no bis- de bi- ta- nos tra- si cut- et nos di-

mit te- no bis- de bi- ta- nos tra- et di -

nos

52

S. Solo

S.

A.

T.

B.

cas

mf

- - - - - - -

mit te- no bis- de bi- ta- nos tra- si cut et nos di-

tra- Pa ter- nos ter- Pa ter- nos ter- et ne nos in du cas-

mit ti- mus- dede bi-- toto- ri- bus- nos tra- et di mit- te- no bis-

3

mit... et di mit- te- no bis- de bi- ta- nos -

in - -

6

174

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

56

S. Solo

S.

A.

T.

B.

in ten ta- ti3

- o- nem- et

p

ne nos in du- -

mit ti- mus- de bi- to- ri bus- nos tra-

3

in ten ta- ti- o- nem,et ne nos in du- cas- in

de bi- ta- nos tra- si cut- et nos di mit- ti- mus- dede bi- -

tra et ne nos in du- cas- in ten ta- ti- o- - -

du- - - - - cas-

60

S. Solo

S.

A.

T.

B.

cas

mf

- - - - - - -

et ne nos in du- cas- in ten ta- ti- o- nem,- et ne nos in du- -

ten ta- ti- o- nem, et ne nos in du- cas-

toto ri- bus- nos tra- si cut- et nos di mit- ti- mus- de bi- to- ri- bus-

3

nem,- -

in ten ta- - - -

7

175

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

65 Slowly q = 66

S. Solo

S.

A.

T.

B.

in ten ta- ti3

- o- nem-

cas in ten ta- ti- o- nem,

p

- sed

pp

li be- ra- nos a

in ten ta- ti- o- nem,

p

- nost ris.- sed

pp

li be- ra- nos a

nost ris

p

- -

sed

pp

li be- ra- nos a

- ti

p

o- nem,

mfz

-

71

S. Solo

S.

T.

B.

A

pp

- - - - - - -

ma lo.- sed li be- ra- nos a



nem,

8

176

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

76

S. Solo

S.

T.

B.

- - - - - - men.

ma lo.- A

mp

men.

p

- - -

ma lo.- A

mp

men.

p

- - -

ma lo.- A

mp

men.

p

- - -

A

mp

men.

p

- - -

9

177

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

178

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Tarik O’ReganJUBILATE DEO (LATIN)

for SATB chorus and organ

Novello

179

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

JUBILATE DEO [Latin setting]

Duration

5’

Instrumentation

SATB chorus organ

Text

Jubilate Domino omnis terra: servite Domino in laetitia.

Introite in conspectu eius: in exultatione.

Scitote quoniam Dominus ipse est Deus: ipse fecit nos, et non ipsi nos.

Populus eius, et oves pascuae eius, introite portas eius in confessione: atria eius in hymnis confitemini illi.

Laudate nomen eius, quoniam suavis Dominus: in aeternum misericordia eius, et usque in generationem, et generationem veritas eius.

Gloria Patri, et Filio: et Spiritui sancto. Sicut erat in principio, et nunc, et semper: et in saecula saeculorum. Amen.

Notes

Jubilate Deo was commissioned by William and Elizabeth Bayne for the Friends of Cathedral Music, Cathedral of St John, Albuquerque New Mexico as part of the Cathedral Commissions series. First performed by the Cathedral Choir under the direction of Iain Quinn with Maxine Thevenot, organist.

Tarik O’Regan New York, January 2009

180

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Steady q = 72

Steady q = 72

Jubilate Deo

Commissioned by William and Elizabeth Bayne for the Friends of Cathedral Music, Cathedral of St John, Albuquerque, New Mexico as part of the Cathedral Commissions series

Tarik O’Regan (b. 1978)

© 2009 Novello and Company Limited

SOPRANO

ALTO

TENOR

BASS

Organ

Ped.

Ju

pp

bi

poco

- late,- ju

ppoco

bi- la- te,-

Ju

pp

bi-

poco

late,- ju

pp

bi

poco

- late,- ju

ppoco

bi- la- te,-

Ju

pp

bi-

poco

late,- ju

poco

bi-

ppoco

la- - te,-

Ju

ppoco

bi- la- te,-

7

S.

A.

T.

B.

ju

mp

bi- la- te,- ju

f

bi- la- te- Do

ff

mi- no,- ju bi- -

ju

mp

bi- la- te,- ju

f

bi- la- te- Do

ff

mi- no,- ju bi- -

poco

ju

mf

bi- la- - te- Do

ff

mi- no,- ju bi- -

ju

mp

bi- la- te,- ju

f

bi- la- te- Do

ff

mi- no,- ju bi

27/4/9

- -

181

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

13A Steady h = 112

Steady h = 112

S.

A.

T.

B.

Org.

la

sffz

- te- Do mi- no,-

la

sffz

- te- Do mi- no,-

la

sffz

- te- Do mi- no,-

la

sffz

- te- Do mi- no,-

Gt.p

16

Org.

18

Org.

20

Org.

2

182

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

22

Org.

p

Gt. to Ped. 8’

24

Org. mf

B26

S.

A.

T.

B.

Org.

Ju

mf

bi- la- te- Do mi- no- om -

Ju

mf


Ju

mf


Ju

mf


mf

3

183

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

28

S.

A.

T.

B.

Org.

- nis ter ra- Ser vi- te

3

- Do mi- no- in


3

- Do mi- no- in


3

- Do mi- no- in


3

- Do mi- no- in

30

S.

A.

T.

B.

Org.

lae ti- ti- a- in troi- te- in cons -




4

184

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

32

S.

A.

T.

B.

Org.

pec- tu- ei us- in ex ul

3

- ta- ti- o- ne.- Sci

p

-


3


p

-


3


p

-


3


p

-

Sw.

p

Sw. to Ped. 16’

p

C34

S.

A.

T.

B.

Org.

to- te- quon iam- Do mi- nus-




mp

mp

5

185

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

36

S.

A.

T.

B.

Org.

ip se- est De us- ip se- fe cit-




38

S.

A.

T.

B.

Org.

nos

mf

et non ip si- nos po pu- lus-

nos

mf


nos

mf


nos

mf


mf

mf

6

186

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

40

S.

A.

T.

B.

Org.

ei us- et o ves- pas cu- ae

sfp

-


sfp

-


sfp

-


sfp

-

f

Gt.

42 D

S.

A.

T.

B.

Org.

ei us.- - Ju

f

bi- la- te-

ei us.- - Ju

f

bi- la- te-

ei us.- - Ju

f

bi- la- te-

ei us.- - Ju

f

bi- la- te-

Gt. to Ped. 16’

f

7

187

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

44

S.

A.

T.

B.

Org.

Do mi- no- om nis- ter ra- Ser vi- te

3

-


3

-


3

-


3

-

46

S.

A.

T.

B.

Org.

Do mi- no- in lae ti- ti- a- in -




8

188

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

48

S.

A.

T.

B.

Org.

troi- te- in cons pec- tu- ei us- in ex ul

3

- -


3

- -


3

- -


3

- -

50

S.

A.

T.

B.

Org.

ta- ti- o- ne.- A men,- a men,- a men,-

ta- ti- o- ne.- A men,- a men,- a men,- a -

ta- ti- o- ne.- A men.-

ta- ti- o- ne.- A men.-

Ped. to Sw. 16’

9

189

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

53

S.

A.

T.

B.

Org.

a men,- a men,

p

- a men,-

men,- a men,-

p

a men,- a men,-

p

p

Sw.

p

mp

mp p

E Tempo primo q = 7257

S.

A.

T.

B.

In

p

troi- te-

a

pp

men.- In

p

troi- - te-

pp

ah ah ah ah

pp

ah ah ah ah,

10

190

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

62

S.

A.

T.

B.

por tas- ei us- in con -

por tas- ei us- in con -

por tas- ei us in con -

ah, ah, ah, ah,

ah, ah, ah, ah, ah,

67

S.

A.

T.

B.

fes- si- o- ne- at ri- a- ei us- in hym nis-

fes- si- o- ne- at ri- a- ei us- in

fes- si- o- ne- at ri- a- ei us- in

- fes si- o- ne- at ri- a- ei us-

ah ah ah ah

ah ah ah ah

11

191

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

71

S.

A.

T.

B.

con fi- te- mi- ni- il - - -

hym nis- con fi- te- mi- ni- il -

hym nis- con fi- te- mi- ni- il - -

in hym nis- con fi- te- mi- ni- il -

ah ah

ah ah

74

S.

A.

T.

B.

li,-

li- lau da- te- no men- ei us.-

ah ah

ah ah

12

192

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

F Steady h = 112

Steady h = 112

79

A.

Org. ff

Gt.

ff

Gt. to Ped. 8’

81

S.

A.

T.

B.

Org.

Ju

mf

bi- la- te-

Ju

mf

bi- la- te-

Ju

mf

bi- la- te-

Ju

mf

bi- la- te-

mf

mf

13

193

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

83

S.

A.

T.

B.

Org.

Do mi- no- om - nis ter ra- Ser vi- te

3

-


3

-


3

-


3

-

85

S.

A.

T.

B.

Org.





14

194

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

87

S.

A.

T.

B.

Org.


3

- -


3

- -


3

- -


3

- -

89G

S.

A.

T.

B.

Org.

ta- ti- o- ne.- Quo

p

niam-

ta- ti- o- ne.- Quo

p

niam-

ta- ti- o- ne.- Quo

p

niam-

ta- ti- o- ne.- Quo

p

niam-Sw.

p mp

p

Sw. to Ped. 16’

mp

15

195

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

91

S.

A.

T.

B.

Org.

por tas- Do mi- nus- in ae -




93

S.

A.

T.

B.

Org.

ter- num- mi se- ri- cor

mf

- di- a-


mf

- di- a-


mf

- di- a-


mf

- di- a-

mf

mf

16

196

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

95

S.

A.

T.

B.

Org.

ei us- et us que- in ge ne- ra- ti- o- nem- et




97

S.

A.

T.

B.

Org.

ge ne- ra- ti- o- nem- ve

sfp

ri- tas- ei -


sfp

ri- tas- ei -


sfp

ri- tas- ei -


sfp

ri- tas- ei -

f

Gt.

17

197

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

H99

S.

A.

T.

B.

Org.

us.- Glo

f

ri- a- Pa tri,- et

us.- Glo

f

ri- a- Pa tri,- et

us.- Glo

f

ri- a- Pa tri,- et

us.- Glo

f

ri- a- Pa tri,- et

Gt. to Ped. 16’

f

101

S.

A.

T.

B.

Org.

Fi li- o,- et Spi ri- tu- i- Sanc to.- Si -




18

198

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

103

S.

A.

T.

B.

Org.

cut- e rat- in prin ci- pi- o,- et




105

S.

A.

T.

B.

Org.

nunc, et sem per,- et in sae cu- la

3

- sae cu- lo- rum.- A

mp subito

-


3


mp subito

-


3


mp subito

-


3


mp subito

-

Ped. to Sw. 16’

19

199

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

107 I

S.

A.

T.

B.

Org.

men.- Glo

ff

ri- a-

men.- Glo

ff

ri- a-

men.- Glo

ff

ri- a-

men.- Glo

ff

ri- a-

ff

ff

109

S.

A.

T.

B.

Org.

Pa tri,- et Fi li- o,- et Spi ri- -




20

200

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

111

S.

A.

T.

B.

Org.

tu- i- Sanc to.- Glo ri- a-




113

S.

A.

T.

B.

Org.

Pa tri,- Glo ri- a-

Pa tri,- Glo ri- a-

Pa tri,- Glo ri- a-

Pa tri,- Glo ri- a-

21

201

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

115

S.

A.

T.

B.

Org.

Pa tri.-

Pa tri.-

Pa tri.-

Pa tri.-Sw.

molto pp

J Tempo primoq = 72

Tempo primoq = 72

118

S.

A.

T.

B.

Org.

Ju

pp

bi

poco

- late,- ju

p poco

bi- la- te,-

Ju

pp

bi-

poco

late,- ju

pp

bi

poco

- late,- ju

p poco

bi- la- te,-

Ju

pp

bi-

poco

late,- ju

poco

bi-

ppoco

la- - te,-

Ju

p poco

bi- la- te,-

22

202

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

124

S.

A.

T.

B.

ju

mp

bi- la- te,- ju

f

bi- la- te- Do

ff

mi- no,- ju bi- -

ju

mp

bi- la- te,- ju

f

bi- la- te- Do

ff

mi- no,- ju bi- -

poco

ju

mf

bi- la- - te- Do

ff

mi- no,- ju bi- -

ju

mp

bi- la- te,- ju

f

bi- la- te- Do

ff

mi- no,- ju bi- -

130K Steady h = 112

Steady h = 112

S.

A.

T.

B.

Org.

la

sffz

- te- Do mi- no,-

la

sffz

- te- Do mi- no,-

la

sffz

- te- Do mi- no,-

la

sffz

- te- Do mi- no,-

ff

Gt. to Ped. 16’

ff

23

203

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

133

S.

A.

T.

B.

Org.

L135

S.

A.

T.

B.

Org.

A

ff


A

ff


A

ff


A

ff


Manhattan, January 2009

24

204

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Tarik O’ReganMARTYR DEI

for SATB chorus unaccompanied

Novello

205

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

MARTYR DEI Duration

4’ Instrumentation

unaccompanied SATB chorus Notes

Martyr Dei is an extract from the larger work, Martyr, which was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was first performed by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in St Albans Abbey on 24th January 2009, under the direction of John Gibbons.

Latin text sourced from MS 391, p. 271: Cambridge, Corpus Christi College (the Portiforium of St Wulfstan)

Text: Anonymous Translation: Percy Dearmer (1867-1936)

Text

Martyr Dei, qui unicum patris sequendo filium victis triumphans hostibus, victor fruens caelestibus,

tui precatus munere nostrum reatum delue arcens mali contagium, vitae removens tedium.

Soluta sunt iam vincula tui sacrati corporis, nos solve vinclis saeculi. amore filii dei.

Martyr of God, whose strength was steeled To follow close God’s only Son, Well didst thou brave thy battlefield, And well thy heavenly bliss was won! Now join thy prayers with ours, who pray That God may pardon us and bless; For prayer keeps evil’s plague away, And draws from life its weariness. Long, long ago, were loosed the chains That held thy body once in thrall; For us how many a bond remains! O Love of God release us all.

Tarik O’Regan Cambridge, December 2008

206

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE


SOPRANO

ALTO

TENOR

BASS

Piano (forrehearsal only)

MarMar

f

tyrtyr

--

Deof

i,God,

- quiwhose

ustrength

niwas

- cumsteeled

-

MarMar

f

tyrtyr

--

Deof

i,God,

- quiwhose

ustrength

niwas

- cumsteeled

-

MarMar

f

tyrtyr

--

Deof

i,God,

- quiwhose

ustrength

niwas

- cumsteeled

-

quiwhose

f

ustrength

niwas

- cum,steeled

-

patTo

mf

risfol

- selow-

quenclose

- doGod’s

- fion

lily

--

umSon,

-

5

patTo

mf

risfol

- selow-

quenclose

- doGod’s

- fion

lily

--

umSon,

-

patTo

mf

risfol

- selow-

quenclose

- doGod’s

- fion

lily

--

umSon,

-

mf

seTo

quenfol

-low-

doGod’s

- fion

lily

--

um,Son,

- caeNow

p

-

Translated byPercy Dearmer

Steady q = 58

Martyr Dei Tarik O’Regan (b. 1978)

f

207

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

vicWell

p

tisdidst

- trithou

umbrave

-thy

phans- hosbat

title ---

bus,field,

- vicAnd

torwell

- fruthy

ensheav’n

- caely

-

9

vicWell

p

tisdidst

- trithou

umbrave

- phansthy

- hosbat

title ---

bus,field,

- vicAnd

torwell

- fruthy

ensheav’n

- caely

-

vicWell

p

tisdidst

- trithou

umbrave

- phansthy

- hosbat

title ---

bus,field,

- vicAnd

torwell

- fruthy

ensheav’n

- caely-

-

p

- - - - - lesjoin,

tijoin

- - - -

blissles

mp

tiwas- bus,

won!- tu

Now

mp subito

ijoin

- prethy

caprayers- tus

with- mu

ours,ne

who- re

pray-

12

blissles

mp

tiwas- bus,

won!- tu

Now

mp subito

ijoin

- prethy

caprayers- tus

with- mu

ours,ne

who- re

pray-

blissles

mp

tiwas- bus,

won!- tu

Nowi

join- pre

thyca

prayers- tus

with- mu

ours,ne

who- re

pray-

mp

bus,thy

- tuprayers

i,with

mf

- - - - - - muours,

newho

- re,pray,

-

-

-

mp subito

2

208

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

nosThat

mf

trumGod

- remay

apar

- tumdon

--

deus

luand

- ebless,

-andde lu-

bless;e,

p

-

17

nosThat

mf

trumGod

- remay

apar

- tumdon

--

deus

luand

- ebless,

- deand

lubless;

- e-

nosThat

mf

trumGod

- remay

apar

- tumdon

--

deus

luand

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mayre a

par- - tum

don--

deus

luand

- ebless;

- ah

p

conkeeps

taplague

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--

viAnd

taedraws

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molife

- vensits

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21

arFor

p

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draws- re

frommolife

- vensits

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ah

p

ah

ah

3

209

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

tewear

dii

--

um,ness,

--

arfor

mp

censprayer

- makeeps

lie

- convil’s-

taplague-

agi- um

way,--

24

tewear

dii

--

um,ness,

--

arfor

mp

censprayer

- makeeps

lie

- convil’s-

taplague

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-

ah

mp

ah

mp

ah

viand

mf

taedraws

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molife

- vensits

- tewear

dii

--

um.ness.

--

SoLong,

f

lulong

- taa

- suntgo,-

iamwere

rall. Slower q = 5027

viand

mf

taedraws

- refrom

molife

- vensits

- tewear

dii

-- ness.

um.--

SoLong,

f

lulong

- taa

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iamwere

ah

mf

ah SoLong,

f

lulong

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- suntgo,-

iamwere

ah

mf

ah SoLong,

f

lulong

- taa

- suntgo,-

iamwere

4

210

ONLINE P

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NOT FOR USE IN

PERFORMANCE

vinloosed

cuthe

- lachains

-

Tempo Iº q = 5831

vinloosed

cuthe

- lachains

-

vinloosed

cuthe

- lachains

- tuthat

molto pp

- - iheld

sacthy

rabo

- tidy

--

vinloosed

cuthe

- la,chains,- iam

werevin

loosedcuthe

- lachains- tu

that

pp subito

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--

35

tuthat

pp

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oncecor po

in-

thrall,ris,-

oncecor po

in-

thrall,ris,- cor

oncepoin

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coronce

poin

-thrall,ris,- cor

oncepoin

- ris,thrall,

- coronce

poin

- -

5

211

ONLINE P

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NOT FOR USE IN

PERFORMANCE

sacthy

pp

rabo

- - tidy

--

coronce

p

poin

- - ris,thrall;

40

sacthy

rabo

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coronce

p

poin

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ris,thrall, once

corinpo-

thrall,ris,- cor

once

p

poin

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ris,thrall,

coronce

poin

- ris,thrall,

- coronce

p

poin

- risthrall;

-

nosFor

solus

vehow

- - vincma

mp

lisny

- -- - a

saebond

mf

cure

- --

45

nosFor

solus

vehow

- -mavinc

mp

lisny- -

- - saea

mf

bondcure

- --

nosFor

solus

vehow

- - vincma

mp

ny-lisa

- - saebond

mf

cure

- --

nosFor

solus

vehow

- vincma

mp

ny-

-lisa

saebond

mf

cure

- --

-

-

6

212

ONLINE P

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NOT FOR USE IN

PERFORMANCE

--

li,mains,

nosfor

solus,

vema

- vincny

f

-lisa

- saebond re

cu-mains!

li-

-

50

- mains,- li, nos

forsolus,

vema

- vincny

f

-lisa

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cure

-mains!

li--

--

li,mains,

nosfor

solus

vehow

- vincma

f

lisny

-- a

saebond

cure

- limains!-

-

li,mains,

nosfor us

solhow

vema

- vincny

f

-lisa

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cure

- limains!-

-

aO

ff

moLove

- reof

- fiGod

lire

- ilease

--

deus

i.all.

-

Slower q = 5056

aO

ff

moLove

- reof

- fiGod

lire

- ilease

--

deus

i,all,

- deus

i.all.

-

aO

ff

moLove

- reof

- fiGod

lire

- ilease

--

deus

i,all,

- fi li- i- deus

i.all.

-

aO

ff

moLove

- reof

- fiGod

lire

- ilease

--

deus

i,all,

- fi li- i- deus

i.all.

-

--

Cambridge, December 2008

7

213

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PERFORMANCE

214

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

&

?

bb

b b

43

43

Œ Œ œPunis.

Oh

Œ Œ œP

F œwhy is

˙F œunis.

œ œ œ œheav - en built so

œ œ œ œ

.˙far,

.˙

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˙ œœwhy is

˙ œœ

&

?

bb

b b

7 œœ œœ œœ œœearth set so re -œœ œœ œœ œœ

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12

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17 œœn œœ œI would not

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..œœ ..œœnreach the

..œœ ..œœ

..˙moon,

..˙A

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Thoughtful and unrushed q = 120-128

DE PROFUNDIS

SopranoAlto

Copyright © 2008 by G. Schirmer, Inc. (ASCAP), New York, NYInternational Copyright Secured. All Rights Reserved.

Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.

Georgia Stitt(b. 1972)

Christina Rossetti(1830-1894)

TenorBass


215

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NOT FOR USE IN

PERFORMANCE

&

?

bb

b b

22 ..˙P

One..˙P

˙ œœround mo -˙ œœ

œœ œœ ˙no - to - nousœœ œœ ˙

œœ ˙ofœœ ˙

..˙change;..˙

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..˙ ,

&

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bb

b b

28 œœ œœb œœYet e - ven

œœbb œœ œœ

˙ œbshe re -

œb

˙b œœb

œœ œœb œœbpeats her tune

œœbb œœ œœ

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˙ œbœb

&

?

bb

b b

32 ..˙nF

yond

..˙nF

..˙my

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..˙

..˙

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A

Œ Œ œPunis.

I

Œ Œ œP

Œ Œ œ

˙ œnev - er

˙ œunis.

&

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bb

b b

38 œ œ œ œwatch the scat - ter’d

œ œ œ œ

.œ .œfire Of

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..˙F

stars,..˙F

œœ Œ œœorœœ Œ œœ

&

?

bb

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42 œœ œœ œœ œœsun’s far - trail - ing

œœ œœ œœ œœ

..˙train,

..˙

œœ Œ œBut

œœ Œ œ

..˙f

all

..˙f

.œ .œmy

.œ .œ

..œœ ..œœ

DE PROFUNDIS

4

216

ONLINE P

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NOT FOR USE IN

PERFORMANCE

&

?

bb

b b

47 ..˙nheart..˙n

˙ œœis˙ œœn

˙b œœone de -

˙˙ œœ

..˙sire,

..˙

œœ Œ œœNFAnd

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&

?

bb

b b

52 ..˙all

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&

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bb

b b

56 ..˙vain:

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˙ Œ

˙ Œ

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..˙# -

&

?

bb

b b

60 ..˙AfI ..˙f

˙ œœam

˙ œœ

..˙bound..˙

˙ œœwith

˙ œœ

˙ œœflesh - ly

˙n œœn

&

?

bb

b b

65 ..˙bands,

..˙n

..˙

..˙

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..˙ ,

..˙b -PJoy,

..˙b -P˙ Œ

˙ ŒDE PROFUNDIS

5

217

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PERFORMANCE

&

?

bb

b b

70 œœb œœ Œbeau - ty,

œœbb œœ Œ

˙ œœnlie be -

˙ œœ

˙unis. œyond my

˙N œœ

.˙scope;

..˙n

&

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bb

b b

74

.˙

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I

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˙ œœnstrain my

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&

?

bb

b b

79

.˙I

.˙

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stretch my

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&

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bb

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83

.˙And

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..˙

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?

bb

b b

88 ...˙div.[

f

hope.

..˙f

...˙

..˙

...˙

..˙

...˙

..˙

...˙Up

..˙Up

DE PROFUNDIS

6

218

ONLINE P

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PERFORMANCE

CHESTER MUSIC

JOHN TAVENER

AWED BY THE BEAUTYfor unaccompanied choir SATB

from

THE VEIL OF THE TEMPLE

219

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PERFORMANCE

JOHN TAVENERTHE VEIL OF THE TEMPLE

Patron: H.R.H. The Prince of Wales

The Veil of the Temple was commissioned by the Temple Music Trust. The world premieretook place on 27th June 2003 at the Temple Church, London, performed by the Choir of theTemple Church and the Holst Singers, with Patricia Rozario (soprano), conducted by StephenLayton, as part of The City of London Festival, 2003. The anthem Awed by the beauty wasarranged in 2005.

Byzantine text, translated by Mother Thekla.

‘Oh’ should be sung as in the ‘o’ of ‘log’. Breathe when necessary, but not simultaneously. and represent microtones, the characteristic ‘breaks in the voice’ of Eastern chant.

Duration: c. 2 minutes

Score on sale: Order No. CH70411

Warning: the copying of any pages of this copyright publication is illegal. If copies aremade in breach of copyright, the publishers will, where possible, sue for damages.

A collection, Five Anthems from The Veil of the Temple, is also available,includingYou mantle yourself in light, Mother of God, here I stand, WhatGod is, we do not know, Awed by the beauty and O Mary Theotokos.

Order No. CH73656

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With ecstatic breath (q = c.88)

AWED BY THE BEAUTY

John Tavener

Soprano

Alto

Tenor

Bass

Awed

pp

by the beau ty- of thy vir gi- ni- ty,-

Awed

pp


Awed

pp


Awed

pp


© Copyright 2008 Chester Music Ltd. CH70411

4

All rights reservedPrinted in England

S.

A.

T.

B.

and the ex ceed- ing- ra diance- of thy pu ri- ty,-




221

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ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

7poco rall.

S.

A.

T.

B.

Ga bri- el- called out un to- thee, O Ma ry- full of grace.




A little slower10

S.

A.

T.

B.

Al

pp

lee- -- -

loú- -- -

i--

a..

--

Al

pp

lee- -- -

loú- -- -

i--

a..

--

Al

pp

lee- -

- - loú- -

- - i-- .

a.-

-

Al

pp

lee- -- -

loú- -- -

i-

- a..

--

Oh.

pp

212

222

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ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Tempo I

With ecstatic breath (q = c.88)14

S.

A.

T.

B.

Awed

pp


Awed

pp


Awed

pp


Awed

pp


17

S.

A.

T.

B.





22 3

223

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

20poco rall.

S.

A.

T.

B.





A little slower

23rit.

S.

A.

T.

B.

Al

f cresc.

lee--

--

loú i- -- -

a..

--

Al

f cresc.

lee-

--

- loú i- -

- -.

a.-

-

Oh.

f cresc.

Al

f cresc.

lee--

--

loú i- -- -

a..

--

Oh.

f cresc.

234

224

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NOT FOR USE IN

PERFORMANCE

CHESTER MUSIC

JOHN TAVENER

THE FOUNDER’S PRAYERFOR UNACCOMPANIED CHOIR SATB

This work was written for the Choir of Eton College.

Domine, Jesu Christe, qui me creasti, redemisti, et preordinasti adhoc quod sum; tu scis quæ de me facere vis; fac de me secundumvoluntatem tuam cum misericordia. Amen.

[O Lord Jesus Christ, who hast created and redeemed me and hastforeordained me unto that which now I am; thou knowest whatthou wouldst do with me; do with me according to thy will, in thymercy. Amen.]

Text by King Henry VI, who founded Eton College in 1440.

Duration: c. 1½ minutesScore on sale: Order No. CH76989

225

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Serene (q = c.60)

THE FOUNDER’S PRAYER

John Tavener


Sopranos

Altos

Tenors

Basses

4

S.

A.

T.

B.

Do

p dolce

mine,- Je su- Chris te,- qui me cre as- ti,-

re de- mis- ti,- et pre or- di- nas- ti- ad hoc quod sum;

et

p dolce

pre or- di- nas- ti- ad hoc quod sum;

et

p dolce

pre or- di- nas- ti- ad hoc quod sum;

* Breathe when necessary, but not simultaneously

Ah.*

p dolce

226

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PERFORMANCE

Più7

S.

A.

T.

B.

9

S.

A.

T.

B.

12

Child OkefordApril 2010

1 2 3 4 5 6 7 8 9

rit.

S.

A.

T.

B.

tu scis quae de me fa ce- re- vis; fac de me se cun- - dum



(Ah.)

vo lun- ta- tem- tu am- cum

pp

mi se- ri- cor- -

vo lun- ta- tem- tu am-

vo lun- ta- tem- tu am-

(Ah.)

di- - - - - a.- A men.-

A

pp

men.-

A

pp

men.-

Ah.

pp

3

227

ONLINE P

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NOT FOR USE IN

PERFORMANCE

228

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

CHESTER MUSIC

JOHN TAVENER

MOTHER OF GOD,HERE I STANDfor unaccompanied choir SATB

from


229

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NOT FOR USE IN

PERFORMANCE



The Veil of the Temple was commissioned by the Temple Music Trust. The world premieretook place on 27th June 2003 at the Temple Church, London, performed by the Choir of theTemple Church and the Holst Singers, with Patricia Rozario (soprano), conducted by StephenLayton, as part of The City of London Festival, 2003.

The anthem Mother of God, here I stand was sponsored by the Toulmin Family, and it isdedicated to the Choir of the Temple Church, its Director of Music, Stephen Layton, and theMaster of the Temple, the Rev. Robin Griffith-Jones. It was first performed on 13th May 2004,by the Choir of the Temple Church conducted by Stephen Layton.

Words by Mikhail Lermontov (1814–1841).





Order No. CH73656

230

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Hushed, with infinite tenderness (q = c.72)

© Copyright 2008 Chester Music Ltd. CH68068All rights reservedPrinted in England

MOTHER OF GOD, HERE I STAND

John Tavener

Soprano

Alto

Tenor

Bass

Organ

Mo

pp sempre

ther- of God, here I stand now pray ing,-

Mo

pp sempre


Mo

pp sempre


Mo

pp sempre

ther- of God, here I stand*

now pray ing,-

†

* Bass 2 is optional throughout† Play only if necessary to keep the choir up to pitch

(Ped.) 16' Bourdon

pp

231

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3

S.

A.

T.

B.

Org.

Be fore- this i kon- of your ra diant- bright ness,-




6

S.

A.

T.

B.

Org.

Not pray ing- to be saved from a bat tle- field;-




2

232

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8

S.

A.

T.

B.

Org.

Not giv ing- thanks, nor seek ing- for give- ness- -




11

S.

A.

T.

B.

Org.

for the sins of my soul, nor for all the souls




3

233

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14

S.

A.

T.

B.

Org.

Numb, joy less- and de so- late- on earth;


Numb, joy less- and de so- late- on earth,


17 rit.

S.

A.

T.

B.

Org.

but for her a lone,- whom I whol ly- give you . . .




4

234

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NOT FOR USE IN

PERFORMANCE

CHESTER MUSIC

JOHN TAVENER

TAKE HIM, EARTH,FOR CHERISHING

Adieu Roger...

FOR UNACCOMPANIED CHOIR SSATTBB

AND ECHO CHOIR SSAA

3.09

235

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NOT FOR USE IN

PERFORMANCE

This work was first performed on 12th December 2008, at a Memorial Service forRoger Tavener held at Christchurch, Spitalfields, London, conducted by Martin Neary.

Duration: c. 4 minutesScore on sale: Order No. CH74998

COMPOSER’S NOCOMPOSER’S NOCOMPOSER’S NOCOMPOSER’S NOCOMPOSER’S NOTETETETETE

This work was written in memory of my brother, Roger.

The five short phrases for choir and echo-choir, at once noble and solemn, tenderand mystical, should echo around a generous acoustic. The echo choir should beplaced high in a gallery, as far as possible from the main choir.

J.T.

TTTTTAKE HIM, EARAKE HIM, EARAKE HIM, EARAKE HIM, EARAKE HIM, EARTH, FOR CHERISHINGTH, FOR CHERISHINGTH, FOR CHERISHINGTH, FOR CHERISHINGTH, FOR CHERISHING

Take him, earth, for cherishing,To thy tender breast receive him.Body of a man I bring thee,Noble even in its ruin.

Aurelius Clemens Prudentius (4th century)translated by Helen Waddell

236

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Noble, solemn, tender and mystical q = c.72Con molto intensità

eternal memory – Roger

TAKE HIM, EARTH, FOR CHERISHING

John Tavener

Adieu Roger . . .


Sopranos

Altos

Sopranos

Altos

Tenors

Basses

poco

from

a d

ista

nce

EC

HO

CH

OIR

Take

pp

him, earth, for che rish- ing,-

poco

Take

pp


Take

MA

IN C

HO

IR

pp


Take

pp


com’ eco

6

S.

A.

Take

pp


poco

Take

EC

HO

CH

OIR

pp


poco

237

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NOT FOR USE IN

PERFORMANCE

11

S.

A.

T.

B.

To

p

thy ten der- breast re ceive- him.

poco

To

p


To

MA

IN C

HO

IR

p


To

p


com’ eco

15

S.

A.

To

p


poco

To

EC

HO

CH

OIR

p


19

S.

A.

T.

B.

Bo

mp

dy- of a man I bring thee,

poco

Bo

mp


Bo

MA

IN C

HO

IR

mp


Bo

mp


2

238

ONLINE P

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NOT FOR USE IN

PERFORMANCE

com’ eco

23

S.

A.

Bo

mp


poco

Bo

EC

HO

CH

OIR

mp


Slower q = c.5627

S.

A.

T.

B.

No

poco f

ble- e ven- in its ru

sfp

in,

ten.

-

poco

No

poco f


sfp

in,

ten.

-

No

MA

IN C

HO

IR

poco f


sfp

in,

ten.

-

No

poco f


sfp

in,

ten.

-

com’ eco

30

S.

A.

No

poco f


sfp

in,

ten.

-

poco

No

EC

HO

CH

OIR

poco f


sfp

in,

ten.

-

3

239

ONLINE P

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NOT FOR USE IN

PERFORMANCE

Tempo I q = c.7233

S.

A.

T.

B.

No

molto f

ble- e ven- in its ru in,-

poco

No

molto f


No

MA

IN C

HO

IR

molto f


No

molto f


com’ eco

38

S.

A.

No

molto f

ble- e ven- in its ru in.-

No

EC

HO

CH

OIR

molto f

ble- e ven- in its ru in.-

4

240

ONLINE P

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NOT FOR USE IN

PERFORMANCE

CHESTER MUSIC

JOHN TAVENER

YOU MANTLE YOURSELFIN LIGHT

for SATB chorus and organ

from


241

ONLINE P

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NOT FOR USE IN

PERFORMANCE



The Veil of the Temple was commissioned by the Temple Music Trust. The world premieretook place on 27th June 2003 at the Temple Church, London, performed by the Choir of theTemple Church and the Holst Singers, with Patricia Rozario (soprano), conducted by StephenLayton, as part of The City of London Festival, 2003.

The anthem You mantle yourself in light was sponsored by 39 Essex Street Chambers. It wasfirst performed on 29th April 2004, by the Choir of the Temple Church with James Vivian(organ), conducted by Stephen Layton.

Text from the Psalms, translated by David Melling.© David Melling. All rights reserved. Reproduced by permission.

‘Oh’ should be sung as in the ‘o’ of ‘log’. Breathe whennecessary, but not simultaneously.





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PERFORMANCE

Solemn, awesome and sonorous (q = c.60)

YOU MANTLE YOURSELF IN LIGHTJohn Tavener

All rights reservedPrinted in EnglandCH68486

Soprano

Alto

Tenor

Bass

Organ

You

mp

man tle- your self- in light, stretch out the skies as a

You

mp


Oh.

mp sonore

Ped.

p

© Copyright 2008 Chester Music Ltd.

6

A.

B.

Org.

cur tain;- the clouds your cha ri- ot,- you tread the ways of the

cur tain;- the clouds your cha ri- ot,- you tread the ways of the

(Oh.)

243

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

10

A.

B.

Org.

wind, mak

mp

ing- winds

cresc. poco a poco

your mes sen- gers,-

wind, mak

mp

ing- winds

cresc. poco a poco

your mes sen- gers,-

(Oh.)

13

A.

B.

Org.

flam

(cresc. poco a poco)

ing- fire your ser vant,- on a firm base es -

flam


ing- fire your ser vant,- on a firm base es -

(Oh.)

2

244

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

16

S.

A.

T.

B.

Org.

poco f

The

tab


- lish- ing- the earth, which for e- ver- will not be moved:

poco f

The

tab



poco f

The

mp sonore

Oh.

(Oh.)

19

S.

A.

T.

B.

Org.

deeps en robed- it; the wa ters- stood a bove- the

deeps en robed- it; the wa ters- stood a bove- the

(Oh.)

(Oh.)

3

245

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

22

S.

A.

T.

B.

Org.

moun tains.- At your re buke- they flee,

moun tains.- At your re buke- they flee,

(Oh.)

(Oh.)

24

S.

A.

T.

B.

Org.

at the voice of your thun der- they rush a way.-

at the voice of your thun der- they rush a way.-

(Oh.)

(Oh.)

4

246

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

26

S.

A.

T.

B.

Org.

Moun

p sub.

tains- rose, val leys- sank down

Moun

p sub.


Moun

p sub.


Moun

p sub.


Oh.

p sub.

29

S.

A.

T.

B.

Org.

to the place you es tab- lished- for them.




(Oh.)

5

247

ONLINE P

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NOT FOR USE IN

PERFORMANCE

31

S.

A.

T.

B.

Org.

You

f

filled the bounds they may not pass, nor re turn- to co ver- the earth.

You

f


You

f


You

f


(Oh.)

f

(mf )

33

A.

T.

B.

Org.

You

pp cresc. poco a poco

made the moon for its sea sons,-

You



You



(Ped.)pp

6

248

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

35

A.

T.

B.

Org.

the


sun knows the hour of its set ting.-

the



the



(p)

37

A.

T.

B.

Org.

You


made dark ness,- and it is light

You



You



(mp)

7

249

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

38

S.

A.

T.

B.

Org.

young

ff

li ons- roar ing- for their

in


which beasts of the field prowl forth, young

ff


in



ff


in



ff


ff

40

S.

A.

T.

B.

Org.

prey, seek ing- food from God.




8

250

ONLINE P

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NOT FOR USE IN

PERFORMANCE

43

A.

T.

B.

Org.

You

mp


You

mp


You

mp


You

mp


Oh.

mp sonore

(Ped.)

p

48

A.

T.

B.

Org.

cur tain;- the clouds your cha ri- ot,- you




(Oh.)

9

251

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

51

A.

T.

B.

Org.

tread the ways of the wind, mak

mp

ing- winds

cresc. poco a poco

your


mp

ing- winds

cresc. poco a poco

your


mp

ing- winds

cresc. poco a poco

your


mp

ing- winds

cresc. poco a poco

your

(Oh.)

54

A.

T.

B.

Org.

mes


sen- gers,- flam ing- fire your

mes



mes



mes



(Oh.)

10

252

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

56

A.

T.

B.

Org.

ser


vant,- on a firm base es -

ser



ser



ser



(Oh.)

58rit.

A.

T.

B.

Org.

tab



poco f

tab



poco f

tab



poco f

tab



poco f

(Oh.)

11

253

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

254

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

CHESTER MUSIC

JUDITH WEIR

PSALM 148FOR SATB CHORUS AND TROMBONE

255

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Commissioned to celebrate the 800th Anniversary of the University of Cambridge,and first performed on St Cecilia’s Day 2009 by The Choir of Gonville & Caius College,with Matthew Knight (trombone).

Duration: c. 6 minutesScore and trombone part on sale:

Score Order No. CH75339Trombone part Order No. 75339-01

PSPSPSPSPSALM 1ALM 1ALM 1ALM 1ALM 14848484848

Praise ye the Lord. Praise ye the Lord from the heavens: praise him inthe heights.

Praise ye him, all his angels: praise ye him, all his hosts.

Praise ye him, sun and moon: praise him, all ye stars of light.

Praise him, ye heavens of heavens, and ye waters that be above theheavens.

Let them praise the name of the Lord: for he commanded, and theywere created.

He hath also established them for ever and ever: he hath made adecree which shall not pass.

Praise the Lord from the earth, ye dragons, and all deeps:

Fire, and hail; snow, and vapours; stormy wind fulfilling his word:

Mountains, and all hills; fruitful trees, and all cedars:

Beasts, and all cattle; creeping things, and flying fowl:

Kings of the earth, and all people; princes, and all judges of the earth:

Both young men, and maidens; old men, and children:

Let them praise the name of the Lord: for his name alone is excellent;his glory is above the earth and heaven.

He also exalteth the horn of his people, the praise of all his saints; evenof the children of Israel, a people near unto him. Praise ye the Lord.

256

ONLINE P

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NOT FOR USE IN

PERFORMANCE

q = 126: Molto mosso

q = 126: Molto mosso


to Robin Holloway

Judith Weir(2008)

PSALM 148


Sopranos

Altos

Tenors

Basses

Trombonef 3 p f 3

p mf3 3 3 3

4

Praise

p

ye the Lord,

mf p

praise

p

ye the Lord

mf3 3

Praise

p

ye the Lord,

mf p

praise

p

ye the Lord

mf3 3

Praise!

f p

Praise!

f p

p mf f p mf p3 3 3

1.10

257

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

8

from the hea vens:- praise him in the heights.

p

Praise ye him,

mf3 3

from the hea vens:- praise him in the heights.

p

Praise ye him,

mf3 3

Praise

mf

him in the heights.

p3 3

Praise

mf

him in the heights.

p3 3

mf f mf p mf p mp 3

11

all his an gels:

p

- praise

mf

ye him,

f

all his hosts.

mf p

all his an gels:

p

- praise

mf

ye him,

f

all his hosts.

mf p

Praise

mf

ye him, all his hosts.

p3 3

Praise

mf

ye him, all his hosts.

p3 3

mf f p mf f mf p3

2

258

ONLINE P

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NOT FOR USE IN

PERFORMANCE

15

Praise

mf

ye him, sun and moon: praise him, all

f

Praise

mf

ye him, sun and moon: praise him, all

f

sun

f

and moon:

mf

sun

f

and moon:

mf

mfp f mf p

f33

18

ye stars of light, light!

mf p

ye stars of light, praise

mf

him, all ye stars of light,

p

light!

mf

praise

mf


p

light!

mf

praise

mf


p

mf fp mp f p mp

33

3

259

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

22

Praise

mf

him, ye hea vens- of

3

hea

f

vens,

p

-

p

Praise

mf

him, ye

p

Praise

mf

him, ye hea vens- of

3

hea

f

vens,

p

-

Praise

mf

him, ye

mf3

f3 p3

25

praise

f

him!

mf p

and

mf

ye wa ters- that

3

be

f

a bove- the

hea vens- of

3

hea

f

vens,

p

- praise him!

mf

praise

f

him!

mf p

and

mf

ye wa ters- that

3

be

f

a bove- the

hea vens- of

3

hea

f

vens,

p

- praise him!

mf

4

260

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

28

hea vens,-

3

a

mf

bove-

and

mf

ye wa ters- that

3

be a bove- the hea vens,-

3p

hea vens,-

3

a

mf

bove-

and

mf

ye wa ters- that

3

be a bove- the hea vens,-

3p

mf 3 p

31

the hea vens,-

3p

a

f3

bove-

mf

the hea vens.-

3p

a

mf

bove,- a

f3

bove-

mf

the hea vens.-

3p

the hea vens,-

3p

a

f3

bove-

mf

the hea vens.-

3p

a

mf

bove,- a

f3

bove-

mf

the hea vens.-

3p

f p f

3

mf p f3 p mp3 3

f3 3

5

261

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

35

Let

mf

them

mp

praise,

p

Let

mf

them

mp

praise,

p

Let

mf

them

mp

praise,

p

Let,

p

Let

mf

them

mp

3 3mp p mf mp

40

let

mp

them

mf

praise

f

the name

3

of the Lord,

p3

let

mp

them

mf

praise

f

the name

3

of the Lord,

p3

let

mp

them

mf

praise

f

the name

3

of the Lord,

p3

praise,

p

let

mf3

them

f

pmf

3

f

6

262

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

44

let

f

them

3

praise

mf

the name,

3

let

mf3

them praise the

3

name of the

3

let

f

them

3

praise

mf

the name,

3

let

mf3

them praise the

3

name of the

3

let

f

them

3

praise

mf

the name,

3

let

mf3

them praise the

3

name of the

3

praise,

mf3

let

3

them praise the

3

name of the

f3

Lord,

p3

let

mf

them

3

mf

3 3 3

f

3

p

3

mf

3

47

Lord,

f3

of

mf

the

3

Lord:

f p

Lord,

f3

of

mf

the

3

Lord:

f p

for

mp

he com -

Lord,

f3

of

mf

the

3

Lord,

f

the Lord:

p

praise the name

3

of the Lord,

f3

the Lord:

p

for

mp

he com -

3

f

3

p mf f p

7

263

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

51

He

mp

hath

3

al so- es

3

tab

mf

- lished- them for e ver- and e ver,- for

3

- mand ed,

mf

- and

mp

they were cre a

mf

- ted.- He hath

He

mp

hath

3

al so- es

3

tab

mf

- lished- them for e ver- and e ver,- for

3

- mand ed,

mf

- and

mp

they were cre a

mf

- ted.- He hath

54

e ver- and e ver,

mp

- for

mf3

e ver- and e ver,

mp

- for

al so- es tab- lished- them,

mp

he hath

3

made a de

3

cree

mf

- which

e ver- and e ver,

mp

- for

mf3

e ver- and e ver,

mp

- for

al so- es tab- lished- them,

mp

he hath

3

made a de

3

cree

mf

- which

8

264

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

57

e

mf

ver- and e

f

ver:

mp

- he hath made a de -

shall

f

not pass, he

mp

hath made a de cree- which

mf

e

mf

ver- and e

f

ver:

mp

- he hath made a de -

shall

f

not pass, he

mp

hath made a de cree- which

mf

60

- cree

mf

which shall not pass.

f mp

Praise the Lord

mf

from the earth,

shall not pass.

mp

Praise

mf

the Lord,

mp

Praise the Lord

mf

from the earth,

- cree

mf

which shall not pass.

f mp

Praise the Lord

mf

from the earth,

shall not pass.

mp

ye

f

dra gons,- - ye

mf3 3

f p f f

3 3

9

265

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

64

ye dra

f mf

gons,- - and all deeps:

f

ye dra

f mf

gons,- - and all deeps:

f3 3

ye dra

f mf

gons,- - and all

f

dra

3 3 3 3

-

dra

f mf

gons,- - ye dra

f3 3 3 3

-

pf mf f

3 3

3 3

67 mp p

mp p

gons:

mf

- -

3 3

gons:

mf

- -

3 3

mf pmf

3 3 p mf3 f3 3

10

266

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

71B.

Fire,

p

and

mp

hail;

p

snow,

mp

and

3 p f p f p3 33 3 3

75

va

mf

pours;-

mp

stor my-

mf

wind

f

ful -

mf3 3 3

mp mf p3 mp mf f

mf3 3 3 3 3

78S.

Moun

mf

tains,- and all hills;

mp

A.

Moun

mf


mp

T.

Moun

mf


mp

- fill

B.

ing- his

3

word,

f

his

mf

word,

ff p

ful

mf

fill- ing- his

3

3f mf ff p mf

3

11

267

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

82

fruit ful- trees, and all

mf

ce dars:

mp

-

p


mf

ce dars:

mp

-

p


mf

ce dars:

mp

-

p

word:

f p

Beasts,

mf p

and

mp

all cat

f

tle;

p

- creep

mf

ing,

p

-

f p mf p mp f p mf p mf p

87

creep ing- things:

f p

creep ing- things:

f p

creep ing- things:

f p

creep ing- things,

mp

and fly

mf

ing- fowl:

f p

mf p mp mf3 f 3 3

mf3 3 3 3

12

268

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

91

Kings

mp

of the earth, and all

mf

peo

mp

ple;-

Kings

mp


mf

peo

mp

ple;-

Kings

mp


mf

peo

mp

ple;-

mp p mfp

mfp

f p3 3 3 3 5

94

prin

mf

ces,- and all jud ges- of the earth:

mp

Both

mf3 3

prin

mf


mp

Both

mf3 3

prin

mf


mp

Both

mf3 3

prin

mf


mp

Both

mf3 3

mf

3

p f p mp mf f mf p

3

13

269

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

97

young men, and

f

maid

mf

ens;- old

mp

men,

young men, and

f

maid

mf

ens;- old

mp

men,

young men, and

f

maid

mf

ens;- old

mp

men,

young men, and

f

maid

mf

ens;- old

mp

men,

mf f mp mf f p3 3

100 mf

and child

f

ren:

mf

- Let

mf

them praise

mp

the name,

3

mf

and child

f

ren:

mf

- Let

mf

them praise

mp

the name,

3

mf

and child

f

ren:

mf

- Let

mf

them praise

mp

the name,

3

mf

and child

f

ren:

mf

- Let

mf

them praise

mp

the name,

3

mf f p mf p mf3

3

14

270

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

103

let

mf

them praise

mp

the name, let them praise

mf

the name of the

3 3 3

let

mf

them praise

mp


mf

the name of the

3 3 3

let

mf

them praise

mp


mf

the name of the

3 3 3

let

mf

them praise

mp


mf

the name of the

3 33

p mf p mf

3

105 Molto mosso: q = 144

Molto mosso: q = 144

Lord:

f p

For

mp

his name a lone- is

mf

ex cel --

Lord:

f p

For

mp

his name a lone-

Lord:

f p

For

mp

his name a lone- is

mf

ex cel --

Lord:

f p

For

mp

his name a lone-

p mf p mf p

15

271

ONLINE P

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NOT FOR USE IN

PERFORMANCE

109

- lent;

mp

his glo ry- is a bove- the earth and hea

mf

ven,

mp

-

is

mf

ex cel- lent;-

mp

his glo ry- is a bove- the earth

- lent;

mp

his glo ry- is a bove- the earth and hea

mf

ven,

mp

-

is

mf

ex cel- lent;-

mp

his glo ry- is a bove- the earth

mf f p f p

113

for

(mp)

his name al lone- is ex

mf

cel --

and hea

mf

ven,- for

mp

his name a lone-

for

(mp)

his name al lone- is ex

mf

cel --

and hea

mf

ven,- for

mp

his name a lone-

p mf p mf p mf

16

272

ONLINE P

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NOT FOR USE IN

PERFORMANCE

117

- lent;

mp

his glo ry- is a bove

mf

- the earth and hea ven.

mp

-

is

mf

ex cel- lent;-

mp


mf

- the earth

- lent;

mp


mf

- the earth and hea ven.

mp

-

is

mf

ex cel- lent;-

mp


mf

- the earth

p mf p mf f mp

121

He

mf

al

f

so- ex

3

alt- eth- the

3

and hea

f

- ven.

mf p

He

f3

He

mf

al

f

so- ex

3

alt- eth- the

3

and hea

f

- ven.

mf p

He

f3

f mp f3

p3

17

273

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

124

horn

p3

of

mf

his

3

peo

f

ple,

mf

-

3

al so- ex

3

alt- eth- the

3

horn

p

of

mf

his

3

peo

f

ple,

mf

-

3

horn

p3

of

mf

his

3

peo

f

ple,

mf

-

3

of his

3

al so- ex

3

alt- eth- the

3

horn

p

of

mf

his

3

peo

f

ple,

mf

-

3

mp 3 3f p mf

3f mf

3f mf

3

127 p3

the

mf3

praise of

3

all his

3

saints;

f mp

e ven

3

-mp p

3

praise,

mp

saints;

mf

e

mp

ven-

3

peo

f

ple,

mf

-

3p

3

praise,

mp

saints;

mf

e

mp

ven-

3

mp

of his

3

peo

mf

ple,-

3

praise,

mp

saints;

mf

e

mp

ven-

3

f mf

3

3f p

mf p mp

18

274

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Poco meno mosso

Poco meno mosso

131

of the child

mf

ren- of Is

f

rael,

mp

- a

p

peo ple- near

mp

un -

of the child

mf

ren- of Is

f

rael,

mp

- a

p

peo ple- near

mp

un -

of the child

mf

ren- of Is

f

rael,

mp

- a

p

peo ple- near

mp

un -

of the child

mf

ren- of Is

f

rael,

mp

- a

p

peo ple- near

mp

un -

mf mp

A tempo

A tempo

134

- to

p

him.

"

Praise

mp

ye the Lord,

mf p

- to

p

him.

"

Praise

mp

ye the Lord,

mf p

- to

p

him.

"

Praise

mp

ye the Lord,

mf p

- to

p

him.

"

Praise

mp

ye the Lord,

mf p

mp3 3 3

"mf p mf p mf

3 3 3

19

275

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

137

praise

mp

ye the Lord,

mf p

praise

mf

praise

mp

ye the Lord,

mf p

praise

mf

praise

mp

ye the Lord,

mf p

praise

mf

praise

mp

ye the Lord,

mf p

f p f p mf pmf

3 3f

3ff p

140

ye

f

the

ff3

Lord.

mf p

ye

f

the

ff3

Lord.

mf p

ye

f

the

ff3

Lord.

mf p

ye

f

the

ff3

Lord.

mf p

mff ff

3 ff p ff pff

3p

20

276

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE


JAMES WHITBOURN

ALLELUIA JUBILATEFOR SATB CHORUS AND ORGAN

(2010)

CHESTER MUSIC277

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

© 2010 Chester Music Ltd.

SOPRANO

ALTO

TENOR

BASS

ORGAN

Al

p

-

With rhythmic vitality (e = 140)

Al

p

-

Al

p

-

p

With rhythmic vitality (e = 140)

S.

A.

T.

B.

le,- al le- lu- ia,- al le- lu- ia,- al le- lu- ia,- al

pp

le,-

10


pp

le,-


pp

le,-

pp

From Psalm 66 (65): 1-2(Introit of the Third Sunday of Easter) JAMES WHITBOURN

ALLELUIA JUBILATEfor S.A.T.B. and organ

Commissioned for the Choir Schools’ Association conference 2008, originally for upper voices

“Alleluia. Shout joyfully to God, all the earth, alleluia;sing a psalm to his name, alleluia;

praise him with magnificence, alleluia.”

2

278

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PERFORMANCE

S.

A.

T.

B.

al le- lu- ia,- al le- lu- ia,- al le- lu- ia,- al

f

le,- al le- -

19


f

le,- al le- -


f

le,- al le- -

al

f

le,- al le- -

f

S.

A.

T.

B.

lu- ia,- al le- lu- ia,- al

p

le,- al le- lu- ia,-

28


p



p


lu- ia,- al le- lu- ia,-

p

3

279

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

S.

A.

T.

B.

al le- lulu- ia,-- al

pp

le- lu- ia.-

Lively, and withpulsating rhythm (q. = 56)37

al le- lu- ia,- al

pp

le- lu- ia,- al le- lu- ia.-

al

pp


al

pp


Lively, and withpulsating rhythm (q. = 56)

pp mp

S.

A.

T.

B.

Ju

p

bi- la- te- De o,- ju bi- la- te- De o,- ju bi- la- te- De -

46

Ju

p


Ju

p


Ju

p

bi- la- te- De o,- ju bi- la- te- De o,- ju bi- la- te,- ju bi- -

rit.

rit.

4

280

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

S.

A.

T.

B.

o,- ju

mp


54

o,- ju

mp


o,- ju

mp


late,- ju

mp

bi- la- te- De o,- ju bi- la- te- De o,- ju bi- la- te,- ju bi- -

S.

A.

T.

B.

o,- ju

f

bi- la- te- De o,- ju bi- la- te- De o,- al le- lu- ia,- al le- -

62

o,- ju

f


o,- ju

f


late,- ju

f

bi- la- te,- ju bi- la- te,- al le- lu- ia,- al le- -

f

5

281

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

S.

A.

T.

B.

lu

ff

- ia.- - Ju

f

bi- la- te- De o,-

70

lu

ff

- ia.- - Ju

f

bi- la- te- De o,-

lu

ff

- ia.- - Ju

f

bi- la- te- De o,-

lu

ff

- ia.- - Ju

f

bi- la- te- De o,-

ff

f

S.

A.

T.

B.

ju bi- la- te- De o,- ju bi- la- te,- ju bi- la- te- De o,- al le- lu- ia,- ju bi- la- te-

77

ju bi- la- te- De o,- ju bi- la- te,- ju bi- la- te- De o,- ju bi- la- te-



trombaGr.

5

6

282

ONLINE P

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NOT FOR USE IN

PERFORMANCE

S.

A.

T.

B.

De o,- ju bi- la- te- De o,- ju bi- la- te,- omom nisnis-- ter ra,- al le- lu- ia.-

84

De o,- ju bi- la- te- De o,- ju bi- la- te,- om nis- ter ra,- al le- lu- ia.-

De o,- ju bi- la- te- De o,- ju bi- la- te,- om nis- ter ra,- al le- lu- ia.-

De o,- ju bi- la- te- De o,- ju bi- la- te,- om nis- ter ra,- al le- lulu- ia.--

S.

A.

T.

B.

Psal

mf

mum- di ci- te- no mi- ni- e ius,- al le- lu- -

91

Psal

mf

mum- di ci- te- no mi- ni- e ius,- psal mum- di ci- te- no mi- ni-

Psal

mf

mum- di ci- te- no mi- ni- e ius,- al le- lu- -

Psal

mf

mum- di ci- te- no mi- ni- e ius,- psal mum- di ci- te- no mi- ni-

mf

7

283

ONLINE P

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NOT FOR USE IN

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S.

A.

T.

B.

ia.- Ju

p

bi- la- te- De o,- ju bi- la- te- De o,- ju bi- la- te-

98

e ius.- Ju

p

bi- la- te- De o,- ju bi- la- te- De o,- ju bi- la- te-

ia.- Ju

p

bi- la- te,- ju bi- la- te,- ju bi- la- te-

e ius.-

p

S.

A.

T.

B.

De o,- ju

f

bi- la- te- De o,- ju bi- la- te- De o,- al le- -

105

De o,- ju

f

bi- la- te- De o,- ju bi- la- te- De o,- al le- -

De o,- ju

f

bi- la- te,- ju bi- la- te,- al le- -

Ju

f

bi- la- te,- ju bi- la- te,- al le- -

f

8

284

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

S.

A.

T.

B.

lu- ia,- al le- lu

ff

- ia.- - Ju

f

bi- la- te-

112

lu- ia,- al le- lu

ff

- ia.- - Ju

f

bi- la- te-

lu- ia,- al le- lu

ff

- ia.- - Ju

f

bi- la- te-

lu- ia,- al le- lu

ff

- ia.- - Ju

f

bi- la- te-

ff

f

S.

A.

T.

B.

De o,- ju bi- la- te- De o,- ju bi- la- te,- ju bi- la- te- De o,- al le- lu- ia,-

120

De o,- ju bi- la- te- De o,- ju bi- la- te,- ju bi- la- te- De o,-



trombaGr.

5

9

285

ONLINE P

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NOT FOR USE IN

PERFORMANCE

S.

A.

T.

B.

ju bi- la- te- De o,- ju bi- la- te- De o,- ju bi- la- te,- omom nisnis-- ter ra,- al le- -

127

ju bi- la- te- De o,- ju bi- la- te- De o,- ju bi- la- te,- om nis- ter ra,- al le- -



S.

A.

T.

B.

lu- ia.- Da

mf

te- glo ri- am- lau di- e ius,- al

f

le- -

134

lu- ia.- Da

mf


f

- le -

lu- ia.- Da

mf


f

le- -

lulu- ia.-- Da

mf


f

le- -

mf

10

286

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

S.

A.

T.

B.

lu- ia,- Ju

p

bi- la- te- De o,- ju bi- la- te- De o,-

141

lu- ia,- Ju

p

bi- la- te- De o,- ju bi- la- te- De o,-

lu- ia,- Ju

p

bi- la- te,- ju bi- la- te,-

lu- ia,-

S.

A.

T.

B.

ju bi- la- te- De o,- ju

f

bi- la- te- De o,-

147


f

bi- la- te- De o,-


f

bi- la- te,-

Ju

f

bi- la- te,-

pf

11

287

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

S.

A.

T.

B.

ju bi- la- te- De o,- al le- lu- ia,- al le- lu

ff

- ia.- -

153

ju bi- la- te- De o,- al le- lu- ia,- al le- lu

ff

- ia.- -

ju bi- la- te,- al le- lu- ia,- al le- lu

ff

- ia.- -

ju bi- la- te,- al le- lu- ia,- al le- lu

ff

- ia.- -

ff

S.

A.

T.

B.

Ju

f

bi- la- te- De o,- ju bi- la- te- De o,- ju bi- la- te,-

161

Ju

f


Ju

f


Ju

f


f

tromba

Gr.

5

12

288

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

S.

A.

T.

B.

ju bi- la- te- De o,- al le- lu- ia,- ju bi- la- te- De o,- ju bi- la- te- De o,- ju bi- -

168

ju bi- la- te- De o,- ju bi- la- te- De o,- ju bi- la- te- De o,- ju bi- -



S.

A.

T.

B.

late,- omom nisnis-- ter ra,- al le- lu- ia.- Ju

mf

bi- la- te- De o,- al le- -

175

late,- om nis- ter ra,- al le- lu- ia.- Al

mf

le- lu- ia,- al le- -

late,- om nis- ter ra,- al le- lu- ia.- Al

mf

le- lu- -

late,- om nis- ter ra,- al le- lulu- ia.-- Al

mf

le- lu- -

mf

13

289

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

S.

A.

T.

B.

lu- ia- ju bi- la- te- De o,- ju bi- la- te- De o.- Ju

f

bi- la- te- De o,-

182

lu- ia,- al le- lu- ia,- ju bi- la- te- De o.- Ju

f

bi- la- te- De o,-

ia,- al le- lu- ia.- Ju

f

bi- la- te- De o,-

ia,- al le- lu- ia.- Al

mf

- -

f

S.

A.

T.

B.

ju bi- la- te- De o,- ju bi- la- te,- ju bi- la- te,- ju bi- la- te,- ju bi- la- te,- ju bi- la- te,-

189

ju bi- la- te- De, o- ju bi- la- te,- ju bi- la- te,- ju bi- la- te,- ju bi- la- te,- ju bi- la- te,-

ju bi- la- te- De o,- ju bi- la- te,- ju bi- la- te,- ju bi- la- te,- ju bi- la- te,- ju bi- la- te,-

le- lu- ia,- ju

f

bi- la- te,- ju bi- la- te,- ju bi- la- te,- ju bi- la- te,- ju bi- la- te,-

14

290

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

S.

A.

T.

B.

ju bi- la- te,- ju bi- la- te,- ju bi- la- te,- al le- lu- ia,-

e = e196




e = e

S.

A.

T.

B.

al

ff

le- lu- ia,- ju

mp

bi- la- te,- ju bi- la- te,- ju bi- la- te

ff

- De o.-

200

al

ff

le- lu- ia,- ju

mp


ff

- De o.-

al

ff

le- lu- ia,- ju

mp


ff

- De o.-

al

ff

le- lu- ia,- ju

ff

bi- la- te- De o.-

fff

15

291

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

292

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

© 2009 Chester Music Ltd.'A Prayer from South Africa' by Alan Paton© Copyright by The Alan Paton Will Trust. All Rights Reserved. International Copyright Secured. Reprinted by kind permission.

SOPRANO

ALTO

TENOR

BASS

Rehearsalaccompaniment

Lord, help me, help me to give my self- when I am

Moderato (q = c.76)

Lord,

mf

help me, help me when I am

Lord,

mf

help me, help me when I am

Lord,

mf

help me when I amModerato (q = c.76)

giv ing.- Teach me to give, to give with out- thought of re -

4

giv ing.- Teach me to give with out- thought of re -



mf

Commissioned by Chris, Mary, Gregory and Jonathan Chivers for Dominic Chivers on the occasion of his Confirmation,

Pentecost Sunday, 31 May 2009, Blackburn Cathedraland for performance by Blackburn Cathedral Choir directed by Richard Tanner

A Prayer from South AfricaA Prayer of Alan Paton James Whitbourn

293

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

ceiv- ing- and to re ceive- with out- thought of giv ing.-

7




Teach me Teach me

10

not to with hold- or to with draw- my self.- to hoard no thing:- love,




3

3

3

3

3

3

SOLO SOPRANO

2

294

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ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

mo ney,- time, pos ses- sions.- Make me rea dy- to give ev en- my life if it

14

mo ney,- time, pos ses- sions.- to give ev en- my life if it

mo ney,- time, pos ses- sions.-

mo ney,- time, pos ses- sions.-

is re quired- of me. And while I have it, use it as an in stru- ment- of your peace,

18

is re quired- of me. use it as an in stru- ment- of your peace,

use it as an in stru- ment- of your peace,

use it as an in stru- ment- of your peace,

3

3

3

3

295

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

CH76208

use it as an in stru- ment- of your peace. A - -

22

use it as an in stru- ment- of your peace.

and while I have it, use it as an in stru- ment- of your peace.

use it as an in stru- ment- of your peace.

men,- a men,- a men.- A men,- a men.-

rit.26

A men,- a men.- A men,- a men.-

A men,- a men,- a - - men, a men,- a men.-

A men,- a men.- A men,- a men.-

rit.

Distributed by Music Sales Limited, Newmarket Road,Bury St. Edmunds, IP33 3YB, England. www.musicroom.com

4

296

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ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE


JAMES WHITBOURN

REQUIEM CANTICORUMFOR SATB CHORUS, SOPRANO SAXOPHONE

AND ORGAN

CHESTER MUSIC297

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

298

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

Requiem Canticorum is a five-movement work of 12 - 14 minutes’ duration. The title means ‘Requiem of Song’or Requiem of Canticles’, indicating that it is a commemorative piece, and sets texts associated with the Requiem mass rather than being a full Requiem. The scoring - for choir, soprano saxophone and organ – is shared with ‘Son of God Mass’. It can be performed as a concert piece or as a free-standing anthem within the context of a commemorative event or liturgy. The work may also be performed in conjunction with selected movements from the ‘Son of God Mass’ to make a full concert Requiem. The key-structure of the two works allows for a seamless intertwining, and in concert should be performed in the sequence indicated below. When performed in this way, the sequence can be given the title ‘Requiem’ or ‘Requiem, Son of God Mass’ in a concert programme. Introit (Requiem Canticorum) Pie Jesus (Requiem Canticorum) Kyrie (Son of God Mass) Alleluia (Requiem Canticorum) De profundis (Requiem Canticorum) Sanctus and Benedictus (Son of God Mass) Pax Domini (Son of God Mass) Agnus Dei (Son of God Mass) Lux Aeterna (Requiem Canticorum) Amen (Son of God Mass) Additionally, some of the work can be used within a Requiem liturgy, with the following movements having a liturgical role: Introit (Requiem Canticorum), until bar 68 Kyrie (Son of God Mass) Alleluia (Requiem Canticorum) or De profundis (Requiem Canticorum) Sanctus and Benedictus (Son of God Mass) Agnus Dei (Son of God Mass) Lux Aeterna (Requiem Canticorum) Amen (Son of God Mass)

JW

299

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NOT FOR USE IN

PERFORMANCE

I. Introit Requiem aeternam dona eis Domine: et lux perpetua luceat eis. Te decet hymnus, Deus, in Sion; et tibi redetur votum in Jerusalem. 2 Esdras 2: 34, 35; Psalm 65, 2 Misereatur nostri omnipotens Deus et, dimissis peccatis nostris, perducat nos ad vitam aeternam.

Lord, grant them eternal rest, and may perpetual light shine on them. It is right, Lord, to sing a hymn to you on Mount Zion; and our vows shall be carried out for you in Jerusalem. May the omnipotent God have mercy on us and, wiping away our wrongdoings, bring us to eternal life.

II. Pie Jesu Pie Jesu Domine, dona eis requiem.

Gentle Lord Jesus, give them rest.

III. Alleluia Alleluia. Requiem aeternam dona eis, Domine: et lux perpetua tua luceat eis. 2 Esdras 2: 34, 35

Alleluia. Lord, Grant them eternal rest, and may light perpetual shine on them.

IV. De profundis De profundis clamavi ad te, Domine: Domine, exaudi vocem meam. Psalm 130, 1

From the depths have I cried to you, Lord; Lord, hear my voice.

V. Lux aeterna Lux aeterna luceat eis Domine, cum sanctis tuis in aeternum, quia pius es. 2 Esdras 2, 35 Requiem aeternam dona eis Domine: et lux perpetua luceat eis.

Light eternal shine on them, Lord, with your saints for eternity, for you are full of goodness. Lord, grant them eternal rest, and may perpetual light shine on them.

300

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

�

�

© 2010 Chester Music Limited

SOPRANO SAXOPHONE

in Bb

SOPRANO

ALTO

TENOR

BASS

ORGAN

mf espress.

Lento con rubato (q = 60)

Re

pp

qui- em,- re qui- -

Re

pp

qui- em,- re qui- -

Re

pp

qui- em,- re qui- -

Re

pp

qui- em,- re qui- -

Re

pp

qui- em,- re qui- -

Lento con rubato (q = 60)

pp p

��

��

��

��

��

��

��

��[actual sounds in score]

�3

REQUIEM CANTICORUMJAMES WHITBOURN

I. INTROIT

��rubato (saxophone)



��

rubato (saxophone)


��

Man. (8')

� add 16' Ped.

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301

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�

�

Sop.Sax.

S.

A.

T.

B.

Org.

mp mf

4

em,- re qui- em,- re qui- -

em- ae ter- nam- do - -




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302

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A.

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B.

Org.

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8

em,- re qui- - em,-

na- e is- - -

na- e is- - -

na- e is- - -

na- e is- - -

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S.

A.

T.

B.

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p

Tempo più giusto11

Do mine:- - et lux per -



Do mine:- - et lux per -Tempo più giusto

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3

303

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ERUSAL SCORE ONLY

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�

�

�

�

Sop.Sax.

S.

A.

T.

B.

Org.

mf

15

pe- tu- a- - lu ce- - -

pe- tu- a- - lu ce- - -

pe- tu- a- - lu ce- - -

pe- tu- a- - lu ce- - -

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S.

A.

T.

B.

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p

18

at- e is.- -

at- e is.- -

at- e is.- -

mp

Te

at- e is.- -

mp

Te

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4

304

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�

�

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�

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T.

B.

de cet- hym

mf

nus,- De us,- in Si on;- et ti bi- red de- tur-

21

de cet- hym

mf


de cet- hym

mf


S.

A.

T.

B.

Te

mp

de cet- hym

mf

nus,-

25

Te

mp

de cet- hym

mf

nus,-

vo tum- in Je ru- - sa - lem.

p

Te de cet- hym nus,-

vo tum- in Je ru- - sa - lem.

p

S.

A.

T.

De us,- in Si on;- et ti bi- red de- tur- vo tum- in Je -

29



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5

305

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�

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S.

A.

T.

B.

ru- - sa - lem.

pp

Te de cet- hym nus,- De us,- in Si on;-

p

et

33

ru- - sa - lem.

pp

Te

mf

de cet- hym nus,- De us,- in Si on;-

p

et

ru- - sa - lem.

pp

Te de cet- hym nus,- De us,- in Si on;-

p

et

Te

mf


Te

mf


Sop.Sax.

S.

A.

T.

mf p

38

ti bi- red de- tur- vo tum- in

mp

Je ru- - sa lem.

pp

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Je ru- - sa lem.

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Je ru- - sa lem.

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6

306

ONLINE P

ERUSAL SCORE ONLY

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�

�

S.

A.

T.

B.

Org.

Re

mp

qui- - em

mf

- ae ter- - - - - - -

Più mosso (q = 80)

43

Re

pp

qui- em,- re qui- em,- re qui- em- ae -

Re

pp

qui- em,- re qui- em,- re qui- em- ae -

Re

mp

qui- - em

mf

- ae ter- - - - - - -

Re

pp

qui- em,- re qui- em- ae -

Re

pp

qui- em,- re qui- em- ae -

Più mosso (q = 80)

��

��

��

��

��

��

��

��

� � � � � � � �

� � � � � � � � � �

��

� � � � � � � �

� � � � � � �

��

7

307

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

�

�

�

�

Sop.Sax.

S.

A.

T.

B.

Org.

mf

49

nam- do na- e is- Do mine:- et

ter- nam- - do na- e is- Do mine:

mf

-

ter- nam- - do na- e is- Do mine:

mf

-

nam- do na- e is- Do mine:-

ter- nam- - do na- e is- Do mine:-

ter- nam- - do na- e is- Do mine:-

pp

p

Sop.Sax.

S.

A.

f ff

55

lux per pe- tu- a- lu ce- at- e is.

p

-

et lux

f

per pe- tu- a

ff

- lu ce- at- e is.

p

-

et lux

f

per pe- tu- a

ff

- lu ce- at- e is.

p

-

��

��f

��

��

��

��

��

��

�� with 16' Ped.

��

��mf ff

��

��

� � �

� � � � � � � �

� � � � � � � � � �

��

� � � � � �

� � � � � � � � � �

��

� � � � � � �

� � � � � � � � � � � � � � � � � � � � � � ��

8

308

ONLINE P

ERUSAL SCORE ONLY

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PERFORMANCE

�

�

�

�

Sop.Sax.

S.

A.

T.

B.

mf

62

Re

mp

qui- - - em.-

Re qui- em.-

Re qui- em.-

Re

p

qui- - - -

Re

pp

qui- em.-

Re

pp

qui- em.-

S.

A.

T.

B.

Mi

p

se- re- a- tur- nos

mf

tri- om -

67

Mi

p

se- re- a- tur- nos

mf

tri- om -

Mi

p

se- re- a- tur- nos

mf

tri- om -

em.- Mi

p

se- re- a- tur- nos

mf

tri- om -

Mi

p

se- re- a- tur- nos

mf

tri- om -

Mi

p

se- re- a- tur- nos

mf

tri- om -

��

��

��

��

��

��

��

��

��

��

��

��

��

�� **

��

��

��

��

��

** if performed liturgically, the movement should end here

�

�

� � � � � �

� � � � �

��

� � �

��

� � � �

� � � �

� � � ��

� � � � �

� � � �

� � �

9

309

ONLINE P

ERUSAL SCORE ONLY

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PERFORMANCE

�

�

�

�

S.

A.

T.

B.

Org.

ni- pot- ens- De us,- et

71

ni- pot- ens- De us,- et di mis- sis- pec ca- tis-



p

A.

T.

B.

Org.

nos tris,- per

p

du- cat- nos ad vi tam- ae ter- nam.-

75

nos tris,- per

p


nos tris,- per

p


pp

��

��

��

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� � � � � � � �

� � � � � � � �

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��

10

310

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

�

�

�

�

S.

A.

T.

B.

Org.

Pi

p

e- Je su,- Do mi- - ne-

Adagio (q = 72)81

mm

ppp

mm

ppp

mm

ppp

ppp

Adagio (q = 72)

S.

A.

T.

B.

do na- e is- re qui- em,- Do mine- do na,- Do mine-

86

do

pp

na- e is- re qui- em,- Do mine-

do

pp


do

pp


��

��

��

��

��

��

��

II. PIE JESU

��

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��

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� � � � � � � � � �

� � � � � � � � � �

� � � � � � � � � �

11

311

ONLINE P

ERUSAL SCORE ONLY

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PERFORMANCE

�

�

Sop.Sax.

S.

A.

T.

B.

Org.

p

92

do na- e

mp

is- re qui- em.-

pp

do na- e

mp

is- re qui- em.-

pp

do na- e

mp

is- re qui- - em.-

pp

do na- e

mp

is- re qui- em.-

pp

do na- e

mp

is- re qui- em.-

pp

Sop.Sax.

Org.

97

pp

��

��

��

��

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��

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��

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��

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��

��(Man.) 8' flute

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� � � � � � � � �

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� � ��

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12

312

ONLINE P

ERUSAL SCORE ONLY

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PERFORMANCE

�

�

�

�

Sop.Sax.

S.

A.

T.

B.

Org.

102

Do

mf

mine-

Do

p

mi- - ne- do - -

Do

p

mi- - ne- do - -

Do

p

mi- - ne- do - -

S.

A.

T.

B.

do na- e is- re qui- em.-

p107

na- e

mf

is- re qui- - em.

p

-

- na e

mf

is- re qui- em.-

p

na- e

mf

is- re qui- em.-

p

na- e

mf

is- re qui- em.-

p

��

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� � ��

��

��

� ��

� � � � � � �

13

313

ONLINE P

ERUSAL SCORE ONLY

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PERFORMANCE

�

�

SOPRANO SAXOPHONE

in Bb

SOPRANO

ALTO

TENOR

BASS

ORGAN

Lento (q = 60)

Al

p

le- lu- ia,- al le- lu- ia,- al le- lu- ia,- al le- lu- ia,-

Al

pp

le- lu- ia,- al le- lu- ia,-

Al

p


Al

pp

le- lu- ia,- al le- lu- ia,-

Re

mp

qui- em- ae ter

f

- nam- -

Re

mp

qui- em- ae ter

f

- nam- -

Lento (q = 60)

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III. ALLELUIA

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�

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�

� � � � � �

� � � � � �

��

14

314

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

�

�

Sop.Sax.

S.

A.

T.

B.

Org.

p

poco accel.5

al

mp


al

p

le- - lu- ia,- al le- - lu- ia,-

al

mp

le- lu- ia,- al le- lu- ia- al le- lu- ia,- al le- lu- ia,-

al

p


do

mf

na- e is- Do

f

mi- - ne:-

do na- e is-

mp

poco accel.

��

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��

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��Ped.

� � � � �

� � � � � � � � � � � � � � � � � � � � � � �

�

� � � � � � � � � � � � � � � � � � � � � � ��

�

� � �

� �

��

� �

� � � ��

15

315

ONLINE P

ERUSAL SCORE ONLY

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PERFORMANCE

�

�

S.

A.

T.

B.

Org.

al

cresc.

le- lu- ia,- al le- lu- ia,- al le- lu- ia,- al le- lu- ia.-

9

al

cresc.


al

cresc.

le- lu- ia,- al le- lu- ia,- al le- lu- ia,- al le- lu- ia.-

al

cresc.


et

f

lux per pe- tu- a- lu

f

ce- at- e is.-

et

f

lux per pe- tu- - a.-

mf

Sop.Sax.

Org.

f ff

Più mosso (q = 100)13

f

��

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�� 9 9

��

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� � � � � � � � � � � � � � � � � � � � � � �

�

� � � � � � � � � � � � � � � � � � � � � � ��

�

� � �

� � � �

��

� �

� � � ��

�

� ��

��

� ��

��

16

316

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

�

�

�

�

Sop.Sax.

Org.

f

Tempo rubato16

ff

Sop.Sax.

S.

A.

p pp

Tempo giusto (q = 60)22

Re qui- - -

Re qui- em,-

Re qui- em,-

S.

A.

Org.

em- ae ter- nam.- - - -

28

re qui- em,- re qui- em.-

re qui- em,- re qui- em.-

p

�� *

��

��* This entry should overlap the previous organ chord

��

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��

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8' flute

� � � � � � � �

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� � � � � � � � �

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� � � � � � �

17

317

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

�

�

�

�

SOPRANO SAXOPHONE

in Bb

SOPRANO

ALTO

TENOR

BASS

ORGAN

q = 60

De pro fun- dis,- de pro fun- dis- cla ma

mf

- vi,-

De

pp

pro fun- dis,- de

p

pro fun- dis- cla ma

mf

- vi,- cla

f

-

De

pp

pro fun- dis,- de

p

pro fun- dis- cla ma

mf

- vi,- cla

f

-q = 60

pp

S.

A.

T.

B.

cla

f

ma- vit- ad te, Do

p

mine:-

mp

Do mine- ex au- di-

5

cla

f

ma- vit- ad te, Do

p

mine:-

mp


ma- vi- ad te, Do

p

mine:-

mp


ma- vi- ad te, Do

p

mine:-

mp


��

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IV. DE PROFUNDIS

��

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�p

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Ped.

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�

� � ��

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18

318

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

�

�

�

�

S.

A.

T.

B.

vo cem- me am,- Do

p

mine- ex au- di-

11

vo cem- me am,- Do

p

mine- ex au- di-

vo cem- me am,- Do

p

mine- ex au- di-

vo cem- me am,- Do

p

mine- ex au- di-

Sop.Sax.

S.

A.

T.

B.

Org.

mf

Tempo rubato

voc em- me

pp

am.- - - Re qui- -

voc em- me

pp

am.- - - Re qui- -

voc em- me

pp

am.- - - Re qui- -

voc em- me

pp

am.- - -

voc em- me

pp

am.- - -

pp

��

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19

319

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

�

��

�

Sop.Sax.

S.

A.

T.

B.

Org.

19

em,-

em,-

Re qui- em,-

Re qui- em,-

Re qui- em,-

Sop.Sax.

S.

A.

T.

B.

p

22

re qui- em.-

re qui- em.-

re qui- em,- re

pp

qui- em.-

re qui- em,- re

pp

qui- em.-

re qui- em,- re

pp

qui- em.-

re qui- em,- re

pp

qui- em.-

�5

5

�rubato (saxophone)

� � ��

�� rubato (saxophone)

��

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20

320

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

�

�

�

�

SOPRANO SAXOPHONE

in Bb

SOPRANO

ALTO

TENOR

BASS

ORGAN

Molto tranquillo (q = 66)

Lux

p

ae ter- na,- - - lux ae ter- na- lu ce- at-

Re

pp

qui- em- ae ter- - -

Re

pp

qui- em- ae ter- - -

p

Molto tranquillo (q = 66)

S.

A.

T.

B.

Org.

e is,- Do mi- - - - ne,- cum

7

et

pp

lux



��

��

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� � � � � � �

V. LUX AETERNA

�

� � � � � � �

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21

321

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

�

�

�

�

S.

A.

T.

B.

Org.

Sanc tus- - tu is- in ae ter- num,- qui a- pi us- es,

12

lux

pp

per pe- tu- a-

lux per pe- tu- a- lu ce- at- e is-

lux per pe- tu- a- lu ce- at- e is-

S.

A.

T.

B.

Org.

qui a- pi us- es.

18

pi

ppp

us- es.

qui a- pi us- es, pi us- es.

qui a- pi us- es, pi us- es.

ppp

��

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��

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� � ��

� � � � ��

� �

��

22

322

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

44V bbb 44 r Š Š Š Š Š Š . Š Š Š Š Š ‰ . Š ‰ Š ŠDid - n’t my Lord de - li-ver Dan-iel? Dan - iel was de -

fFreely i = 80

�

�

V bbb 44 ˆ ˆ ˆ ˆMm mm

mf colla voce *

V bbb 44 ˆ ˆ ˆ ˆˆ ˆ ˆ ˆmf colla voce

Mm mm

*

[V bbb 44 ˆ ˆ ˆ ˆ

Mm mm

mf colla voce

Bbbb 44 ˆ ˆ ˆ ˆMm mm

mf colla voce

{V bbb 44 r Š Š Š Š Š Š . Š Š Š Š Š ‰ . Š ‰ Š Šˆ ˆ ˆFreely i = 80

Bbbb 44 ˆ ˆ ˆ ˆ

SOLOSOPRANO

SOPRANO

ALTO

TENOR

BASS

Keyboard(rehearsal only)

V bbb Š Š Š ‰ Š Š Š Š Š Š Š Š Š Š Š ‰ . p- li - vered so why not ev - ’ry man?

5 i = 140

�

�

V bbb ˆ ‰ ‰ ‰ q pˆV bbb ˆ ‰‰ ‰‰ ‰‰ q pˆ[V bbb ˆ ‰ ‰ ‰ q Š Š Š Š Š Š Š Š>>

Did-n’t my Lord de-li-ver,

mp

Bbbb ˆ b‰ ‰ Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>Did-n’t my Lord de-li-ver, did-n’t my Lord de-li-ver,

mp

{V bbb Š Š Š ‰ Š Š Š Š Š Š Š Š Š ‰‰‰ q pˆ ‰‰ ‰‰ i = 140

Bbbb ˆ b ‰‰ ‰‰ ‰ q ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠŠ Š Š Š Š Š Š Š>>>>

for the Mill Hill School Chamber Choir

Didn’t my Lord deliver Daniel?Spiritual

arr. Richard Allain

* Parts shown as cue notes optional.

© Copyright 2006 Novello & Company Limited

323

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

�

�

V bbb p p p9

V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>Did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,

mp

[V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>

did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,

Bbbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,

{V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>B bbb ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ>>>>>>

�

�

V bbb p Š Š Š Š Š Š Š Š Š . Šf Š Š Š Š>mf

Did-n’t my Lord de - li - ver Dan - iel, de - li - ver

12

V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,

mf



mf


mf

{V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š . Šf Š Š Š Š>>>>B bbb ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ>>>>>>

2

324

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

�

�

V bbb Š . Še Š Š Š Š Š . Še Š r Š Š Š Š Š Š Š Š>Dan - iel, de - li - ver Dan - iel? Did-n’t my Lord de - li - ver

15





{V bbb Š . Še Š Š Š Š Š . Še Š r Š Š Š Š Š Š Š Š>B bbb ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ>>>>>>

�

�

V bbb Š . Šf Š Š Šf Š Še Š Š Š ˆ>Dan - iel, then why not e - ve - ry man?

18

V bbb Š Š Š Š Š Š Š Š Še Š Še Š Š Š Š Š Š Š Š Š Š Š>>>>>did -n’t my Lord de - li - ver, why not e - ve - ry, did-n’t my Lord de - li - ver,

[V bbb Š Š Š Š Š Š Š Š Šf Š Šf Š Š Š Š Š Š Š Š Š Š Š>>>>>

did -n’t my Lord de - li - ver, why not e - ve - ry, did-n’t my Lord de - li - ver,

Bbbb Š Š Š Š Š Š Š Š Še Š Še Š Š Š Š Š Š Š Š Š Š Š>>>>>did -n’t my Lord de - li - ver, why not e - ve - ry, did-n’t my Lord de - li - ver,

{V bbb Š . Še Š Š ŠŠe ŠŠ ŠŠe ŠŠ ŠŠ ŠŠ Š Š Š Š Š Š Š Š>>>B bbb Š Š Š

Š Š Š Š ŠŠŠf

ŠŠ ŠŠfŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ>>

>>>>

3

325

ONLINE P

ERUSAL SCORE ONLY

NOT FOR USE IN

PERFORMANCE

�

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V bbb p p p21

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V bbb ˆ ˆ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ‰‰ ŠŠf Š Š ŠDan - iel, why not e - ve-ry man? De-li-ver,

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V bbb Š . Šf Š Š Šf Š Še Š Š Š ˆ>Dan - iel, then why not e - ve - ry man?

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V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>Did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,

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pp71

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go. When Is - rael was in E-gypt’s lan’, let my peo-ple go, op -

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Go down, MosesSpiritual

arr. Richard Allain

b May be performed down a tone.* Solo optional


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V Š Š Š Š Šf Š Še Š r Š Š Š Š Š . ‰ . r Š ‰ .#Š Š = Šf Š . ‰ . Š ‰ .ALL

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go, if not I’ll smite your first-born dead.

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let my peo-ple,let my peo - ple go!

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* If only SATB are available, this section to the end may be sung by 1st soprano, 1st alto, 1st tenor and 2nd bass.

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arr. Richard AllainSTEAL AWAY

Spiritual (2006)for SSATB chorus unaccompanied

Novello & Company Limitedpart of The Music Sales Group

14-15 Berners Street, London W1T 3LJ

Exclusive Distributors: Music Sales LimitedNewmarket Road, Bury St. Edmunds,

Suffolk IP33 3YB

www.chesternovello.comwww.musicroom.com

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V bbb 44 Š . Še ‰ Š . Še ‰ Š . Še ŠŠ ŠŠ ŠŠ ŠŠ ‰‰ ..Š . Šf ‰ Š . Šf ‰ Š ŠSteal a - way, steal a -way, steal a-way to Je - sus.

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Š Š Š ‰ . r 44 Š bŠ Š . Še Š = ‰ .V


mp f p

Bbbb Š . Šf ‰ 32Š Š Š #‰ . r 44 Š bŠ Š . Še Š ‰ .V


mp f p

{V bbb ŠŠŠ ... ŠŠŠe ‰‰ 32 ŠŠŠ ŠŠŠ ŠŠ = ‰‰‰ ... t Še 44 ŠŠŠ bŠŠŠ == ŠŠŠ ... = ŠŠŠe ŠŠ ‰‰ ..

V

Bbbb ŠŠ .. ŠŠf ‰‰ 32ŠŠ ŠŠ ŠŠ #‰‰ .. r 44

ŠŠ bbŠŠ ŠŠ .. ŠŠfŠŠ ‰‰ ..

V

for David Drummond and the London Oriana Choir

Steal AwaySpiritual

arr. Richard Allain


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32�

�

V bbb Še Š Še Šf Š Še Š . Š Š . Š Še Š bŠe Še Š b( )Še Š . Še 32Š . Š Š Š .f

1. My Lord, he calls me, he calls me by the thun -der. The trum-pet sounds with -2. Green trees a-bend-in’, poor sin-ner stands a - trem-blin’.

9Poco più mosso

V bbb Še Š Še = Še Š Še Š Š Š Š Še = Š Še Še bŠ Še Š Š 32Š . Šf

1. My Lord, he calls me, he calls me by the thun -der. The trum-pet sounds with -2. Green trees a-bend-in’, poor sin - ner stands a - trem-blin’.

V bbb Še Š Še =( ) Še Š Še Š Š Š Š Še Š Še Še Š = Še Š Š 32Š . Šf


[V bbb Še Š Še Šf Š Še Š . Š Š . Š Še Š Še Še Š Še Š Š 32

Š . Š Š Š .f

1. My Lord, he calls me, he calls me by the thun -der. The trum-pet sounds with -2. Green trees a-bend-in’, poor sin-ner stands a - trem-blin’.Bbbb Še Š Še #Šf Š Šf Š Š Š Š Šf Š Še Še Š Še Š Š 32Š . Šf


{V bbb ŠŠŠe ŠŠŠ ŠŠŠe = = ŠŠŠe ŠŠŠ ŠŠŠe Š . Š Š . Š ŠŠŠe = ŠŠŠ bŠŠŠe ŠŠe bŠŠŠ =bŠŠŠe Š . Še 32Š Š Š Š ŠŠ ŠŠ

Poco più mosso

Bbbb ŠŠf ŠŠ ŠŠf #ŠŠf ŠŠ ŠŠfŠŠ ŠŠ ŠŠ ŠŠ ŠŠf ŠŠ ŠŠf

ŠŠf ŠŠ ŠŠe ŠŠ ŠŠ 32

32 44 64 44 ..�

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V bbb 32 Š Š Š ‰ r t Še 44 Š Š Š . Še 64 Š ‰ ‰ Š 44 Š Š Š . Še Š ‰ . ..V

F- in-a my soul, I ain’t got long to stay here, I ain’t got long to stay here.

mp12Tempo I rit.

a tempo

V bbb 32 Š Š ‰ r t Še 44 Š Š Š . Še 64 Š Š Š ‰ Š 44 Š Š Š . Še Š ‰ . ..F- in my soul, I ain’t got long to stay here, I ain’t got long to stay here.

mp

V bbb 32 Š Š ‰ q 44 Š Š Š . Še 64 Š ‰ ‰ Š 44 Š Š Š . Še Š ‰ . ..F- in my soul, ain’t got long to stay here, I ain’t got long to stay here.

mp

[V bbb 32 Š Š ‰ q 44 Š Š Š . Še 64 Š Š . Še ‰ Š 44 Š Š Š . Še Š ‰ . ..F

- in my soul, ain’t got long to stay here, I ain’t got long to stay here.

mp

Bbbb 32 Š Š ‰ q 44 Š Š Š . Še 64 = Š ‰ ‰ Š 44 Š Š bŠ . Še Š ‰ . ..F- in my soul, ain’t got long to stay here, I ain’t got long to stay here.

mp

{V bbb 32 Š Š Š ‰‰‰ r t Še 44 ŠŠŠ ŠŠŠ ŠŠŠ ... ŠŠŠe 64 ŠŠ ‰ ‰ ŠŠ 44 ŠŠŠ ŠŠŠ ŠŠŠ ... ŠŠŠe ŠŠŠ ‰‰ .. ..ŠŠ ŠŠ Š Š ‰‰

V FTempo I rit. a tempo

Bbbb 32 ŠŠ ŠŠ ‰‰ q 44 ŠŠ ŠŠ ŠŠ .. ŠŠf 64 = ŠŠ Š . Še ‰‰ ŠŠ 44 ŠŠ ŠŠ ŠŠ .. ŠŠfŠŠ ‰‰ .. ..‰ F

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32�

�

V bbb bŠŠ .. ŠŠe ‰‰ ŠŠ .. ŠŠf = ‰‰ bŠŠ .. ŠŠf Š Š ŠŠ ŠŠ ‰‰ .. ŠŠ .. ŠŠe b( ) ‰‰ 32Š Š Š Š

Steal a - way, steal a - way, steal a - way to Je - sus. Steal a - way,

pp mp f dim. mp17

V bbb bŠ . Še ‰ = Š . Še =( ) ‰ Š . Še Š Š Š bŠ bŠ Š ‰ . bŠ . Še ‰ 32Steal a - way, steal a - way, steal a - way to Je - sus. Steal a - way,

pp mp f dim. mp

[V bbb = Š . Še ‰ Š . Šf b‰ Š . Šf Š Š Š bŠ Š Š ‰ . Š . Še = ‰ 32

Steal a - way, steal a - way, steal a - way to Je - sus. Steal a - way,

pp mp f dim. mp

Bbbb = Š . Še =( ) ‰ #Š . Šf ‰ Š . Šf Š bŠ Š bŠ ‰ . bŠ . Šf ‰ 32Steal a - way, steal a - way, steal a-way to Je - sus. Steal a - way,

pp mp f dim. mp

{V bbb bbŠŠŠ ... ŠŠŠe ‰‰‰ = ŠŠŠ ... ŠŠŠe = = ‰‰‰ bŠŠŠ ... ŠŠŠf Š Š b ŠŠŠ ŠŠŠ ‰‰‰ ... bŠŠŠ ... ŠŠŠe b( ) ‰‰‰ 32

ŠŠ ŠŠ ŠŠ bŠŠB bbb == ŠŠ .. ŠŠf = ‰‰ #ŠŠ .. ŠŠf

b ‰‰ ŠŠ .. ŠŠf Š Š Š b Š ŠŠ bŠŠ ‰‰ .. bŠŠ .. ŠŠf = ‰‰ 64Š bŠ

32 44�

�

V bbb 32 ŠŠ ŠŠ ŠŠ b‰‰ .. t Še 44 ŠŠ ŠŠ = ŠŠ .. ŠŠe ŠŠ ‰‰ .. ŠŠ ŠŠ bŠŠ .. Še b ‰‰ ‰V

FFsteal a-way home, I ain’t got long to stay here, ain’t got long to stay here.

p poco pp22rit.

V bbb 32 Š Š Š b‰ . r 44 Š Š Š . Še Š ‰ . Š Š Š . Še b ‰ ‰V FFsteal a-way home, ain’t got long to stay here, ain’t got long to stay here.

p poco pp

[V bbb 32 bŠ Š Š ‰ . r 44 bŠ Š Š . Šf Š ‰ . Š Š Š . Še ‰ ‰

V

FFsteal a-way home, ain’t got long to stay here, ain’t got long to stay here.

p poco pp

Bbbb 32 Š Š Š b ‰ . r 44 = Š bŠ Š . Šf Š b‰ . bŠ Š Š . Še b ‰‰ ‰‰V

FFsteal a-way home, ain’t got long to stay here, ain’t got long to stay here.

p poco pp

{V bbb 32 ŠŠŠ ŠŠŠ ŠŠŠ bb ‰‰‰ ... t Še 44 ŠŠŠ ŠŠŠ ŠŠŠ ... ŠŠŠe ŠŠŠ ‰‰‰ ... ŠŠŠ ŠŠŠ bŠŠŠ ... ŠŠe bb ‰‰‰‰ ‰‰‰

V FFrit.

Bbbb 64 b ŠŠ ŠŠ ŠŠ b ‰‰ .. r 44 =bŠŠ bŠŠ ŠŠ .. ŠŠf ŠŠ b ‰‰ .. bŠŠ ŠŠ ŠŠ .. ŠŠf b ‰‰ ‰‰V

FF

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arr. Richard AllainWERE YOU THERE?

Spiritual (2006)for Soprano solo and SATB (div.) unaccompanied

Novello

343

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44�

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V #### 44 Š Š ‰ Š Š Š Š Š . Še ˆ ‰ Š ŠWere you there when they cru - ci - fied my Lord? Were you

mp mfMaestoso

V #### 44 q ‰ Š Š Š Š ŠŠ .. ŠŠe ˆ ‰ qthere when they cru - ci - fied my Lord?

mp

[V #### 44 q ‰ Š Š Š Š Š . Še ˆ ‰ q

there when they cru - ci - fied my Lord?

mp

B#### 44 q ‰ Š Š Š Š Š . Šf ˆ ‰ qthere when they cru - ci - fied my Lord?

mp

{V #### 44 Š Š ‰‰ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠŠ ... ŠŠŠe ˆ ‰‰ Š ŠMaestoso

B#### 44 q ‰‰ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ .. ŠŠf ˆ ‰‰ q

SOPRANO

ALTO

TENOR

BASS


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V #### ‰ Š Š Š Š Š . Še ˆ ‰ Š Š ˆ Š ‰ Š Š . Še Š Šthere when they cru-ci-fied my Lord? Oh! Some-times it caus-es me to

f mf dim.5

V #### ‰‰ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ .. ŠŠe ˆ ˆ ‰‰ ‰ ŠŠ ‰‰ Š Š . Še Š Šthere when they cru-ci-fied my Lord? Oh! Some-times it caus-es me to

mf f mf dim.

[V #### ‰ Š Š Š Š Š . Še ˆ ‰ ‰ Š Š ‰ Š ‰ Š Š . Še Š Š

there when they cru-ci-fied my Lord? Oh! Some-times it caus-es me to

mf f mf dim.

B#### ‰ Š Š Š Š Š . Šf ˆ ‰‰ ‰‰ ‰‰ ‰‰ ŠŠ ‰‰ Š #Š . Še Š = Šthere when they cru-ci-fied my Lord? Oh! Some-times it caus-es me to

mf fmf

dim.

{V #### ‰‰‰ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ... ŠŠŠe ˆ ‰ Š Š ˆ ŠŠŠŠ ‰‰‰ ŠŠ ŠŠ .. ŠŠe ŠŠ ŠŠˆ ‰ ‰‰‰ ‰ Š ŠB #### ‰‰ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ .. ŠŠf ˆ ‰‰ ‰‰ ˆ ŠŠ ‰‰ ŠŠ #ŠŠ .. ŠŠf

ŠŠ = ŠŠ‰ ‰

for David Drummond and the London Oriana Choir

Were you there?Spiritual

arr. Richard Allain


344

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�

�

V #### Š Š Š Š Š Š Š Š ‰ Š Š Š Š Š . Še ˆFFFtrem-ble, trem-ble, trem-ble. Were you there when they cru - ci - fied my Lord?

mp p pp mp12

V #### Š Š Š Š Š Š q ‰ Š Š Š Š Š . Še ‰ ‰FFFtrem-ble, trem-ble, trem-ble. there when they cru - ci - fied my Lord?

mp p pp mp

[V #### Š Š Š Š Š Š q ‰ Š Š Š Š Š . Še ‰ ‰FFF

trem-ble, trem-ble, trem-ble. there when they cru - ci - fied my Lord?

mp p pp mp

B#### Š Š Š Š Š Š q ‰‰ ŠŠ ŠŠ ŠŠ ŠŠ = ŠŠ .. ŠŠfˆFFF

trem-ble, trem-ble, trem-ble. there when they cru - ci - fied my Lord?

mp p ppmp

{V #### ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ Š Š ‰‰‰ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ = ŠŠŠ ... ŠŠŠe ‰ ‰

FFF

B #### ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ q ‰‰ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ .. ŠŠf‰ ‰ˆFFF

V #### q Š Š ‰ Š Š Š Š Š . Še ˆ ‰ Š Š ‰ Š ŠWere you there when they nailed him to the tree? Were you there when they

mpSOPRANO SOLO17

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V #### ‰ q ˆ ˆ ˆ ‰ q ‰ ‰Mm mm

p

V #### ‰ q ˆ ‰ # ‰ ˆ ‰ q ‰ ‰Mm mm

p

[V #### ‰ q ˆ ‰ ‰ ˆ ‰ q ‰ ‰

Mm mm

p

B#### ‰‰ q ˆ ˆ ˆ ‰ q = ‰ ‰Mm mm

p

{V #### ‰‰ Š Š ‰ Š Š Š Š Š . Še ˆ ‰‰ Š Š ‰ Š Šˆ ˆ ‰‰ ‰‰‰ # ‰B #### ‰ q ˆ ‰ ‰ ˆ ‰‰ q = ‰‰ ‰‰‰ ˆ

345

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V #### Š Š Š . Še ˆ ‰ Š Š ˆ Š =( ) ‰ Š Š . Še Š Šnailed him to the tree? Oh! Some-times it caus - es me to

23

�

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V #### ‰ ‰ ˆ ‰ Š Š ‰ ‰ Š ‰ Š Š . Še Š ŠOh! Some-times it caus - es me to

mf

V #### = ‰ ‰ = ˆ #‰ Š Š ‰ ‰ Š ‰ Š Š . Še Š ŠOh! Some-times it caus - es me to

mf

[V #### ˆ ˆ ‰ ‰ ‰ ‰ Š ‰ Š Š Š . Še ŠŠ Š

Oh! Some-times it caus - es me to

mf

B#### ‰ ‰ =ˆ ‰ . Š ˆ #Š ‰ Š = Š Š . Šf Š ŠOh! Some-times it caus - es me to

mf

{V #### Š Š Š . Še = ˆ ‰ Š Š ˆ ŠŠ =( ) ‰‰ ŠŠ ŠŠ .. ŠŠe ŠŠ ŠŠ= ‰‰ ‰‰ #‰‰ ŠŠ ŠŠ ‰‰ ‰‰B #### ˆ = ˆ ‰ ‰ ‰ ‰ #ŠŠ ‰‰ ŠŠ = ŠŠ ŠŠ .. ŠŠf ŠŠŠ ŠŠ‰ ‰ ‰ . Š ˆ

V #### Š Š Š Š Š Š Š Š ‰ Š Š Š Š Š . Še ˆFFFtrem-ble, trem-ble, trem-ble. Were you there when they nailed him to the tree?

mp p pp mp29

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V #### Š Š Š Š Š Š Š Š ‰ ‰ Š Š ‰ ˆFFFtrem-ble, trem-ble, trem-ble. Mm

mp p pp p

V #### Š Š Š Š Š Š Š Š ˆ ‰ = ‰ ˆFFFtrem-ble, trem-ble, trem-ble. Mm

mp p pp p

[V #### Š Š Š Š Š Š Š Š ‰ #‰ ‰ ‰ ˆFFF

trem-ble, trem-ble, trem-ble. Mm

mp p pp p

B#### Š Š Š Š #Š Š Š Š ˆ ‰ ‰ ˆFFFtrem-ble, trem-ble, trem-ble. Mm

mp p pp p

{V #### ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ‰‰ Š Š Š Š Š . Še ˆˆ ‰‰ = ‰‰)(

FFF

B #### ŠŠ ŠŠ ŠŠ ŠŠ #ŠŠ ŠŠ ŠŠ ŠŠ ‰ #‰ ‰ ‰‰ ˆˆFFF

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V #### ‰ q p p p p p34 molto tenuto

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V #### ‰ Š Š ‰ Š Š Š Š Š . Še ˆ ‰ Š Š ‰ Š ŠWere you there when they laid Him in the tomb? Were you there when they

f

V #### ‰ Š Š ‰ Š Š Š Š ŠŠ .. ŠŠe ˆ ‰ Š Š ‰‰ ŠŠ ŠŠWere you there when they laid Him in the tomb? Were you there when they

f

[V #### ‰ Š Š ‰ Š Š Š Š Š . Še ˆ ‰ Š Š ‰ Š Š

Were you there when they laid Him in the tomb? Were you there when they

f

B#### ‰ Š Š ‰ Š Š Š Š Š . Šf ˆ ‰ q ‰ Š ŠWere you there when they laid Him in the tomb? there when they

f

{V #### ‰‰ Š Š ‰‰ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠŠ ... ŠŠŠe ˆ ‰‰ Š Š ‰‰‰ ŠŠŠ ŠŠŠ

molto tenuto

B#### ‰‰ Š Š ‰‰ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ .. ŠŠf ˆ ‰‰ Š Š ‰‰ ŠŠ ŠŠ

�

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V #### Š Š Š . Še ˆ ‰ Š Š ˆ Š ‰ Š Š . Še Š Š Š Š Š ŠFFlaid Him in the tomb? Oh! Some-times it caus-es me to trem-ble, trem-ble,

p sub.40

V #### ŠŠ ŠŠ ŠŠ .. ŠŠe ˆ ˆ ‰‰ ‰ ŠŠ ‰‰ Š Š . Še Š Š Š Š Š ŠFFlaid Him in the tomb? Oh! Some-times it caus-es me to trem-ble, trem-ble,

p sub.

[V #### Š Š Š . Še ˆ ‰ ‰ =ˆ Š = ‰ Š Š . Še Š Š Š Š Š ŠFF

laid Him in the tomb? Oh! Some-times it caus-es me to trem-ble, trem-ble,

p sub.

B#### Š Š Š . Šf ˆ ‰‰ ‰‰ ‰‰ ‰‰ ŠŠ = ‰‰ Š #Š . Še Š = Š Š Š Š ŠFFlaid Him in the tomb? Oh! Some-times it caus-es me to trem-ble, trem-ble,

p sub.

{V #### ŠŠŠ ŠŠŠ ŠŠŠ ... ŠŠŠe ˆ ‰ Š Š = ˆ ŠŠŠ ‰‰‰ ŠŠ ŠŠ .. ŠŠe ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠˆ ‰ ‰‰ ‰ FF

B #### ŠŠ ŠŠ ŠŠ .. ŠŠf ˆ ‰‰ ‰‰ ‰‰ ‰‰ ŠŠŠ == ‰‰‰ ŠŠ #ŠŠ .. ŠŠfŠŠ = ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ

FF

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V #### Š Š Š Š ‰ Š Š Š Š Š . Še ˆ ‰ ‰ ‰ Š ŠFtrem-ble. Were you there when they laid Him in the tomb? Oh!

mp molto cresc. ff47

V #### Š Š q ‰ Š Š Š Š Š . Še ‰ ‰ = ‰ ‰‰ ‰ . ŠFtrem-ble. there when they laid Him in the tomb? Oh!

mp molto cresc. ff

[V #### Š Š q ‰ Š Š Š Š Š . Še ‰ ‰ ‰ = ‰ ‰ ‰F

trem-ble. there when they laid Him in the tomb? Oh!

mp molto cresc. ff

B#### Š Š q ‰‰ ŠŠ ŠŠ ŠŠ ŠŠ = ŠŠ .. ŠŠfˆ ˆ ‰‰ ŠŠ ŠŠF

trem-ble. there when they laid Him in the tomb? Oh!

mp molto cresc.ff

{V #### ŠŠ ŠŠ Š Š ‰‰‰ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ = ŠŠŠ ... ŠŠŠe ˆ ‰ ‰ ‰ Š Š‰ ‰ = ‰ ‰ ‰‰‰ Š ŠF

B #### ŠŠ ŠŠ q ‰‰ ŠŠ ŠŠ ŠŠ ŠŠ ŠŠ .. ŠŠf‰ ‰ ‰ = ‰ ‰‰ ŠŠ ŠŠˆ ˆF

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V #### ˆ Šf t r Š Š ‰ Š Š Š Š ‰ ‰ ‰ ˆ ‰FWere you there when they laid Him in the tomb?

mp ppp53Meno mosso

V #### ˆ ŠŠe t r Š Š ‰ Š Š Š Š ‰ Še t r q q ‰ ‰FWere you there when they laid Him in the tomb?

mp ppp

[V #### Š Š = ‰ Šf t r Š Š ‰ Š Š Š Š ‰ Še t r q q ‰‰ ‰‰F

Were you there when they laid Him in the tomb?

mp ppp

B#### ˆ ŠŠf t r ŠŠ ŠŠ ‰‰ ŠŠ ŠŠ ŠŠ ŠŠ ‰‰ ŠŠf t r q q ‰ ‰FWere you there when they laid Him in the tomb?

mp ppp

{V #### ˆ ŠŠe t r ŠŠ ŠŠ ‰‰‰ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ‰‰‰ ‰ ‰ ˆ ‰Š Š = ‰ Šf ŠŠf t r q q ‰‰ ‰‰

FMolto mosso

B#### ˆ ŠŠf t r ŠŠ #ŠŠ ‰‰ ŠŠ ŠŠ ŠŠ ŠŠ ‰‰ ŠŠf t r q q ‰‰ ‰‰F

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