MKM803 Integrated Marketing Communications Week 8 Chapter 9 Broadcast Media.
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Transcript of MKM803 Integrated Marketing Communications Week 8 Chapter 9 Broadcast Media.
MKM803Integrated Marketing
Communications
Week 8
Chapter 9
Broadcast Media
Marianne Marando MKM803 - IMC
Television Advantages
Creativity and Impact High Impact Sight-Sound-Motion
Coverage and Cost Effectiveness Mass Coverage High Reach
Captivity and Attention Attention Getting Favorable Image
Selectivity and Flexibility High Prestige Low Exposure Cost
Marianne Marando MKM803 - IMC
Television Disadvantages
Cost
Lack of Selectivity
Fleeting Message
Clutter
Limited Viewer Attention
Distrust and Negative Evaluation
Marianne Marando MKM803 - IMC
Distrust and Negative evaluation
Marianne Marando MKM803 - IMC
Technology is changing the way that consumers watch television
Personal Video Recorder (PVR)
Video on Demand
Interactive Television
Marianne Marando MKM803 - IMC
Use TV Only If . . .
The budget is large enough to produce high quality commercials.
The media budget is sufficient to generate and sustain the number of exposures needed.
The market is large enough and reachable efficiently through a specific network, station, or program.
There’s a genuine need for a medium with high creative potential to exert a strong impact.
Marianne Marando MKM803 - IMC
Buying TV TimeNetwork Versus Spot Networks
Affiliated stations are linked Purchase transactions are simplified
Spot and local Commercials shown on local stations May be local or “national spot” commercials
Syndicated Programs Sold and distributed station by station
Off-network syndication are “reruns” First-run syndications are also featured
Advertiser-supported or bartered Programs sold to stations in return for air time
Marianne Marando MKM803 - IMC
Methods of Buying Time
Sponsorship Advertiser assumes responsibility for the
production and perhaps the content of the program
Sponsor has control and can capitalize on the prestige associated with a show
Participations Participating sponsors share the cost May participate regularly or sporadically Advertiser isn’t responsible for production Participants lack control over content
Marianne Marando MKM803 - IMC
Marianne Marando MKM803 - IMC
TV Dayparts
7:00 AM - 9:00 AM Mon. - Fri.
9:00 AM - 4:30 PM Mon. - Fri.
4:30 PM - 7:30 PM Mon. - Fri.
7:30 PM - 8:00 PM Sun. - Sat.
8:00 PM - 11:00 PM Mon. - Sat.
7:00 PM - 11:00 PM Sun.
11:00 PM - 11:30 PM Mon. - Fri.
11:30 PM - 1:00 AM Mon. - Fri.
Morning
Daytime
Early fringe
Prime-time access
Prime time
Prime time Sun.
Late news
Late fringe
Marianne Marando MKM803 - IMC
Measuring TV AudiencesAudience Measures Measured by rating services Size and composition indicated
Television Households Number of HH that own a TV Usually total HH in a market
Program Rating Percentage of TV HH tuned to a show “Rating point” = 1 percent of TV HH
Households Using TV (HUT) Percentage of homes in an area
watching TV at a given time
Share of Audience Percentage of HUT tuned to a show
Marianne Marando MKM803 - IMC
TV Audience Measures
HH tuned to show
Canadian HH using TV
Share =
Share of Audience
HH tuned to show
Total Canadian HH (11,000,000)
Rating =
Program Rating
Marianne Marando MKM803 - IMC
Influences on Television Ad rates
Supply and demand
Nature of purchase
Type of program
Day part
Commercial Length
Marianne Marando MKM803 - IMC
Discounts Offered by Television
Frequency
Volume
Continuity
Seasonal
Package Plans
ROS
Marianne Marando MKM803 - IMC
Designing a Television Commercial
First the Creative Brief is completed so there is an agreed upon contract between the agency and the client of what needs to happen. The agency is particularly concerned with the following:
WHO IS THE TARGET AUDIENCE?
WHAT IS THE BENEFIT WE ARE TRYING TO COMMUNICATE?
WHAT CAN WE OFFER AS SUPPORT FOR THIS?
WHAT IS THE CONSUMER INSIGHT?
WHAT IS THE BRAND’S TONE?
WHAT IS THE CONSUMER SUPPOSED TO DO?
WHAT IS THE NET TAKE-AWAY?
WHAT’S REQUIRED / MANDATORIES/ EXECUTIONAL CONSIDERATIONS/BUDGET
Marianne Marando MKM803 - IMC
Designing a Television Commercial
After the creative brief is completed and agreed upon the creative process begins.
First the creative team develops a central concept or theme – or an “Advertising Idea”
Marianne Marando MKM803 - IMC
What service businesses often advertise over the radio? What points are important to consider when making a radio commercial?
Marianne Marando MKM803 - IMC
Both Media . . .
Radio and TV Similarities
Are time oriented mediaAre sold in time segmentsHave some network affiliatesHave some independentsUse the public airwayAre regulated.Are externally paced mediaAre passive, low-involvement
Marianne Marando MKM803 - IMC
Radio Differs from TV
Offers only an audio message.
Is more limited communication.
Costs much less to produce.
Costs much less to purchase.
Has less status and prestige.
Radio Broadcasting . . .
Marianne Marando MKM803 - IMC
Advantages of Radio
Cost and Efficiency
Selectivity
Flexibility
Mental Imagery
Integrated Marketing
Marianne Marando MKM803 - IMC
Limitations of Radio
Creative Limitations
Audience Fragmentation
Limited Research Data
Limited Listener Attention
Clutter
Marianne Marando MKM803 - IMC
Radio Formats by Age Group
0 10 20 30 40 50 60 70
MOR/big band
Remaining formats
Classical
Religious
NAC/smooth jazz
Urban AC
Modern rock
Classic rock
Oldies
Spanish
Album rock
Urban
Country
Top 40
News/talk
Adult contemporary
45-5435-4425-3418-24
Marianne Marando MKM803 - IMC
Dayparts for Radio
6:00 AM — 10:00 AM
10:00 AM — 3:00 PM
3:00 PM — 7:00 PM
7:00 PM — 12:00 AM
12:00 AM — 6:00 AM
Morning Drive Time
Daytime
Aft./Eve. Drive Time
Nighttime
All Night
Marianne Marando MKM803 - IMC
Buying Radio Time
Network RadioRelatively new option in CanadaCHUM, The Team Sports Radio
Spot RadioAbout 20% of all spot
announcementsAllows great flexibility and targetingPurchase transaction can be difficult
Marianne Marando MKM803 - IMC
Buying Radio Time
Rotation PlansVertical rotationHorizontal rotation
Reach plan (Total Audience Plan)
Marianne Marando MKM803 - IMC
Technologies Affecting Radio
Digital Radio
Internet Radio