Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections...

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Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective as a cataloger, cataloging in DC or Zinecore with the Zine thesaurus seems to be a much better fit than RDA/Marc cataloging and LCSH because of the nature and the format of zines. The goal of a zine is to be a unique, independent publication, so trying to follow RDA and LCSH seems to go against the basic essence of the creators intent. Rather than accept the themes as they are, or as they are covered in the zine thesaurus, it is often difficult to find subject headings in LC that are a good match, because many of the LCSH are designed for scholarly works instead of the topics typically covered in zines. The formats of zines are also unique, and rarely follow the conventions of typical publications. As a result, much of the information that one needs to fill out in KOHA is hidden, missing, or even contradicts other information in the zine. Sorting through this and entering it in proper Marc format is very time-consuming. Catalogers have to balance the amount of time they spend cataloging an item with the likely user needs in accessing the item. Even from the perspective of the user, though, I think DC or Zinecore is more appropriate for zines. Although they may not have the benefit of searching for these materials through the standard catalog, the keywords they use to conduct a search may be more likely to coincide with general terms or zine thesaurus terms than with LCSH. Personally, I think Zinecore offers the best mix of cataloging ease while still being user- friendly. The zine thesaurus terms help to provide some authority-control in the subject area, while still being more flexible and relevant than LCSH. And with Zinecore you can also address the illustrative content better through the mediumcategory, which helps users who wish to search out different formats of zines, such as hand drawn versus typewritten. Ultimately, I think the form of cataloging might also be tied to how an Institution classifies the zines. If they are gathered together in one area as a browsing collection, then having them accessible through the standard catalog may be less important. If the library plans to

Transcript of Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections...

Page 1: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Jennifer Erickson

LIS7030 Fall 2014

Assignment 11- Zine Cataloging

Reflections on Cataloging

Having finished cataloging my ten zines, I can say that from my perspective as a

cataloger, cataloging in DC or Zinecore with the Zine thesaurus seems to be a much better fit

than RDA/Marc cataloging and LCSH because of the nature and the format of zines.

The goal of a zine is to be a unique, independent publication, so trying to follow RDA

and LCSH seems to go against the basic essence of the creator’s intent. Rather than accept the

themes as they are, or as they are covered in the zine thesaurus, it is often difficult to find subject

headings in LC that are a good match, because many of the LCSH are designed for scholarly

works instead of the topics typically covered in zines.

The formats of zines are also unique, and rarely follow the conventions of typical

publications. As a result, much of the information that one needs to fill out in KOHA is hidden,

missing, or even contradicts other information in the zine. Sorting through this and entering it in

proper Marc format is very time-consuming. Catalogers have to balance the amount of time they

spend cataloging an item with the likely user needs in accessing the item.

Even from the perspective of the user, though, I think DC or Zinecore is more appropriate

for zines. Although they may not have the benefit of searching for these materials through the

standard catalog, the keywords they use to conduct a search may be more likely to coincide with

general terms or zine thesaurus terms than with LCSH.

Personally, I think Zinecore offers the best mix of cataloging ease while still being user-

friendly. The zine thesaurus terms help to provide some authority-control in the subject area,

while still being more flexible and relevant than LCSH. And with Zinecore you can also address

the illustrative content better through the “medium” category, which helps users who wish to

search out different formats of zines, such as hand drawn versus typewritten.

Ultimately, I think the form of cataloging might also be tied to how an Institution

classifies the zines. If they are gathered together in one area as a browsing collection, then

having them accessible through the standard catalog may be less important. If the library plans to

Page 2: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

shelve each one with books and other materials according to subject, then the added time

commitment of RDA/LCSH cataloging may be necessary and appropriate.

KOHA Authority Records: Nakazawa, Kiyoshi Omata, Garrett Roth, Mike Q Anti-authoritarianism Independent media

Dublin Core Records Stewart Kimura feels no pain <?xml version="1.0" encoding="UTF-8"?> <metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"> <dc:title>Stewart Kimura feels no pain: the ha-ha-halloween issue!!</dc:title> <dc:title>Stewart Kimura feels no pain, Vol 1, No 2</dc:title> <dc:title>SKFNP, Vol 1, No 2</dc:title> <dc:creator>Nakazawa, Kiyoshi</dc:creator> <dc:creator>Omata, Garrett</dc:creator> <dc:subject>Halloween</dc:subject> <dc:subject>Comics</dc:subject> <dc:description>Zine containing commentary and two comic strips with mature Halloween themes: Toro the Happy Angel vs. Halloween, and Usu Boy Zero in a True Halloween Story.</dc:description> <dc:description>Combination of type and handwritten text with comic strip illustrations. Illustration on cover and "fill-in-the-blank story" on back.</dc:description> <dc:publisher>Kiyoshi Nakazawa & Garrett Omata</dc:publisher> <dc:contributor>Omata, Garrett</dc:contributor> <dc:contributor>Nakazawa, Kiyoshi</dc:contributor> <dc:date>1996</dc:date> <dc:type>Zine</dc:type> <dc:type>Minicomics</dc:type> <dc:type>Text</dc:type> <dc:type>Illustrations</dc:type> <dc:format>12 pages</dc:format> <dc:format>22 cm</dc:format> <dc:language>Eng</dc:language> <dc:coverage>United States</dc:coverage> <dc:coverage>Late 20th century</dc:coverage> <dc:rights>Copyright 1996 Kiyoshi Nakazawa & Garrett Omata</dc:rights> </metadata>

Page 3: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Show me the money! <?xml version="1.0" encoding="UTF-8"?> <metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"> <dc:title>Show me the money!: Labor create$ all wealth</dc:title> <dc:title>Show me the money!: Labor creates all wealth</dc:title> <dc:title>Show me the money!: Issue #31, Winter/Spring 2010</dc:title> <dc:title>SMt$!: Issue #31, Winter/Spring 2010</dc:title> <dc:creator>Hunnicutt, Tony</dc:creator> <dc:subject>Anti-authoritarianism</dc:subject> <dc:subject>Libertarianism</dc:subject> <dc:subject>Income inequality</dc:subject> <dc:subject>Unemployment</dc:subject> <dc:subject>U.S. economic policy</dc:subject> <dc:subject>Capitalism</dc:subject> <dc:description>Zine "published from an anti-authoritarian, libertarian-left perspective with the sole purpose of criticizing the current economic system, establishing the truth about economic history, singling out corruption in the financial system, exposing its inherent inequity and injustice and exploring possible alternatives to it."</dc:description> <dc:description>In this issue: The Ten Most Corrupt Capitalists; Supreme Court Nazis; Inverted Totalitarianism - what's it all About?; Debt Dynamite Dominoes - The Coming Financial Catastrophe; Assessing the Illusion of Recovery; Environmental Corner; The Lay-Off Scoreboard; Fun Facts; Poetry; and Much, much, more!</dc:description> <dc:description>Text-focused. Typewritten in small font. Illustrations on front and back with 12 small illustrations and 9 charts used to highlight text. </dc:description> <dc:publisher>Create Your Own Media</dc:publisher> <dc:contributor>Marshall, Andrew Gavin </dc:contributor> <dc:date>2010</dc:date> <dc:type>Zine</dc:type> <dc:type>Political zine</dc:type> <dc:type>Text</dc:type> <dc:format>55 pages</dc:format> <dc:format>22 cm</dc:format> <dc:language>Eng</dc:language> <dc:coverage>United States</dc:coverage> <dc:coverage>Early 21st century</dc:coverage> </metadata>

Page 4: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Skim Lizard 4 <?xml version="1.0" encoding="UTF-8"?> <metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"> <dc:title>Skim Lizard 4</dc:title> <dc:title>Skim 5% Lizard 4</dc:title> <dc:creator>Puppy Toss Artweirdcult</dc:creator> <dc:subject>Drawing</dc:subject> <dc:subject>Writing</dc:subject> <dc:subject>Adult relationships</dc:subject> <dc:description>Cooperatively produced zine featuring comics, illustrations, letters and commentary primarily focused on relationships and the production of comics and other creative outlets.</dc:description> <dc:description>Printed in black and white with hand-drawn illustrations on the front and back covers and interior, as well as typewritten text.</dc:description> <dc:description>Contents: Saturday, Part 1--Punker Vignette--Love and Lust in a Small Town--Easier to Read--Filthy Habits--I Remember Not to Forget--Gabby Picks--SIMLetter...--Yay, We Got Letters!--I Killed the Day...--Newz and Happninz--Technique Schmecknique</dc:description> <dc:publisher>Puppy Toss Artweirdcomicz</dc:publisher> <dc:contributor>Hsu-Storaker, Lily</dc:contributor> <dc:contributor>Hsu-Storaker, Scott</dc:contributor> <dc:contributor>Betz, M.C.</dc:contributor> <dc:contributor>Gehweiler, Fawn</dc:contributor> <dc:contributor>Williams, Dylan</dc:contributor> <dc:contributor>Walker, Landry Q.</dc:contributor> <dc:contributor>Jones, Eric</dc:contributor> <dc:contributor>Crade, Rustan</dc:contributor> <dc:contributor>Maxim, W.</dc:contributor> <dc:contributor>Gamboa, Gabrielle</dc:contributor> <dc:contributor>Futterman, Barry</dc:contributor> <dc:contributor>Higgins, Sean</dc:contributor> <dc:date>1993</dc:date> <dc:type>Zine</dc:type> <dc:type>Minicomics</dc:type> <dc:type>Text</dc:type> <dc:type>Illustrations</dc:type> <dc:format>26 pages</dc:format> <dc:format>22 cm</dc:format> <dc:language>Eng</dc:language> <dc:coverage>United States</dc:coverage> <dc:coverage>Late 20th Century</dc:coverage> <dc:coverage>1993</dc:coverage> <dc:rights>TM 1993 Puppy Toss</dc:rights> <dc:rights>All characters, stories and art copyright 1993 by their respective creator(s).</dc:rights> </metadata>

Page 5: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Scatter-brain-dead-mess <?xml version="1.0" encoding="UTF-8"?> <metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"> <dc:title>Scatter-brain-dead-mess</dc:title> <dc:title>Scatterbrain-dead-mess</dc:title> <dc:title>Scatter-braindead-mess</dc:title> <dc:creator>Annalisa</dc:creator> <dc:subject>Sexual Assault</dc:subject> <dc:subject>Mental Illness</dc:subject> <dc:subject>Music</dc:subject> <dc:subject>Relationships</dc:subject> <dc:description>A "perzine" - zine containing personal experiences of Annalisa, including issues with sexual assault, mental illness, music, and relationships. Includes personal stories, poetry, drawings, and a photo. </dc:description> <dc:description>Primarily text-based zine, including both typed and handwritten text with a few small illustrations and a photo on the back. Bound with green and black yarn. Pamphlet from the National Sexual Assault Hotline, operated by the Rape, Abuse, & Incest National Network (RAINN) is bound into the centerfold. </dc:description> <dc:publisher>Annalisa</dc:publisher> <dc:type>Zine</dc:type> <dc:type>Personal zine</dc:type> <dc:type>Text</dc:type> <dc:type>Illustrations</dc:type> <dc:format>18 pages</dc:format> <dc:format>22 cm</dc:format> <dc:language>eng</dc:language> <dc:coverage>United States</dc:coverage> </metadata>

Page 6: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Here be dragons 8 <?xml version="1.0" encoding="UTF-8"?> <metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"> <dc:title>Here be dragons: a political fanzine: 8</dc:title> <dc:title>H.B.D.</dc:title> <dc:creator>Roth, Mike Q</dc:creator> <dc:creator>Meisberger, Eric XXX</dc:creator> <dc:subject>Alternative lifestyles</dc:subject> <dc:subject>Anarchism</dc:subject> <dc:subject>U.S. politics</dc:subject> <dc:subject>Labor</dc:subject> <dc:subject>Labor Unions</dc:subject> <dc:subject>Economic policy</dc:subject> <dc:subject>Organizational management</dc:subject> <dc:subject>Guns</dc:subject> <dc:subject>Racism</dc:subject> <dc:description>Zine covering political and economic topics, and life experiences of the creators and contributors. Includes essays, book reviews, illustrations and poetry.</dc:description> <dc:description>Black and white. Primarily text with 17 illustrations, including octopus drawing on front, and illustrations in centerfold based on anarchist poster.</dc:description> <dc:publisher>Mike Q Roth & Eric XXX Meisberger</dc:publisher> <dc:contributor>Strange, Jon</dc:contributor> <dc:contributor>Taylor, Mike</dc:contributor> <dc:contributor>Ghadesi, Ariana</dc:contributor> <dc:contributor>Library core forever</dc:contributor> <dc:contributor>Witsell, Theo</dc:contributor> <dc:date>2001-01-27</dc:date> <dc:type>Zine</dc:type> <dc:type>Political Zine</dc:type> <dc:type>Text</dc:type> <dc:type>Illustrations</dc:type> <dc:format>42 pages</dc:format> <dc:format>22 cm</dc:format> <dc:language>eng</dc:language> <dc:coverage>Early 21st century</dc:coverage> <dc:coverage>United States</dc:coverage> </metadata>

Page 7: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Manual Dexterity <?xml version="1.0" encoding="UTF-8"?> <metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"> <dc:title>Manual dexterity: independent audio magazine</dc:title> <dc:subject>Zine-making</dc:subject> <dc:subject>Music</dc:subject> <dc:subject>Indie Rock</dc:subject> <dc:description>Zine covering the independent music scene. Includes interviews with bands: The Narrator, Schedule Two, Baby Teeth, and Nurses, as well as with the editors of seven other Zines. Also includes music reviews and ads.</dc:description> <dc:description>Black and white publication includes numerous photos of musicians, bands, and album covers. Photos include candid and posed shots, as well as photos taken during live performances.</dc:description> <dc:description>Contents: Schedule Two--Sixes-Editors--The Narrator--Nurses--Baby Teeth--Reviews--Summer</dc:description> <dc:publisher>Subtitles Publishing</dc:publisher> <dc:contributor>Strong, Chris</dc:contributor> <dc:contributor>McHank, David</dc:contributor> <dc:contributor>Russell, Ryan</dc:contributor> <dc:contributor>Oly</dc:contributor> <dc:contributor>Desmond, Sean</dc:contributor> <dc:contributor>Doan, Miriam</dc:contributor> <dc:contributor>Shanley, Kirstie</dc:contributor> <dc:contributor>Collerd, Ryan</dc:contributor> <dc:contributor>De Wilde, Autumn</dc:contributor> <dc:contributor>Pena, Gus</dc:contributor> <dc:contributor>Anderson, Stuart</dc:contributor> <dc:contributor>Schroeder, Amy</dc:contributor> <dc:contributor>Brydges, Steve</dc:contributor> <dc:contributor>Luczejko, Justin</dc:contributor> <dc:contributor>Taylor, Todd</dc:contributor> <dc:contributor>Rabid, Jack</dc:contributor> <dc:type>Zine</dc:type> <dc:type>Fanzine</dc:type> <dc:type>Text</dc:type> <dc:type>Illustrations</dc:type> <dc:format>45 pages</dc:format> <dc:format>21 cm</dc:format> <dc:language>eng</dc:language> <dc:coverage>United States</dc:coverage> <dc:coverage>Early 21st century</dc:coverage> </metadata>

Page 8: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Stewart Kimura feels no pain; Vol 1 <metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"> <dc:title>Stewart Kimura feels no pain: Vol 1, No 1</dc:title> <dc:title>SKFNP: Vol 1, No 1</dc:title> <dc:creator>Nakazawa, Kiyoshi</dc:creator> <dc:creator>Omata, Garrett</dc:creator> <dc:subject>Relationships</dc:subject> <dc:subject>Writing</dc:subject> <dc:description>Zine containing comics on relationships and writing, including Usu Boy Zero, Adventures of Toro the Happy Angel, and Jesus Spoke to my Pet.</dc:description> <dc:description>Black and white publication. Primarily hand-drawn comics with some text. Airbrushed illustration on cover.</dc:description> <dc:publisher>Kiyoshi Nakazawa & Garett Omata</dc:publisher> <dc:date>1996-09</dc:date> <dc:type>Zine</dc:type> <dc:type>Minicomics</dc:type> <dc:type>Text</dc:type> <dc:type>Illustrations</dc:type> <dc:format>12 pages</dc:format> <dc:format>22 cm</dc:format> <dc:language>eng</dc:language> <dc:coverage>United States</dc:coverage> <dc:coverage>1996</dc:coverage> <dc:coverage>Late 20th century</dc:coverage> <dc:rights>Every thing in this comic copyright Kiyoshi Nakazawa & Garrett Omata (except Stewart Kimura)</dc:rights> </metadata>

Page 9: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Doctor Who Fanzine #12 <?xml version="1.0" encoding="UTF-8"?> <metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"> <dc:title>Doctor Who fanzine #12: Welcome back to shit school!</dc:title> <dc:title>Dr Who Fanzine #12: Welcome back to shit school!</dc:title> <dc:subject>Doctor Who</dc:subject> <dc:subject>Dr Who</dc:subject> <dc:subject>Art</dc:subject> <dc:description>Zine of artwork by multiple creators, ranging from basic sketches to comics to more detailed work. Pieces have random subjects only a few of which reference Doctor Who.</dc:description> <dc:description>Cover of light green craft paper with white interior. Printed in black and white. Primarily illustrations with very little text. Photo of a group of people on inside back cover, and sticker with two photos on back cover, entitled "Moment of Transition: Birth and Pompeii Plaster Cast".</dc:description> <dc:publisher>Intermedia II</dc:publisher> <dc:type>Zine</dc:type> <dc:type>Art zine</dc:type> <dc:type>Illustrations</dc:type> <dc:format>40 pages</dc:format> <dc:format>22 cm</dc:format> <dc:language>eng</dc:language> <dc:coverage>United States</dc:coverage> </metadata>

Page 10: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Katzilla #2 <?xml version="1.0" encoding="UTF-8"?> <metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"> <dc:title>Katzilla #2</dc:title> <dc:creator>Dechant, Johannes</dc:creator> <dc:subject>Zine-making</dc:subject> <dc:subject>Punk rock</dc:subject> <dc:subject>Hardcore punk</dc:subject> <dc:subject>Israeli politics</dc:subject> <dc:subject>Israeli alternative culture</dc:subject> <dc:subject>Israeli fanzines</dc:subject> <dc:description>Zine with interviews, articles, and show reviews from Israel's punk rock and hardcore scenes. Also includes an interview with an Israeli zine producer and distributor.</dc:description> <dc:description>Printed in black and white, primarily text with some illustrations and photos. Many photos are of live performances. Illustrations include show flyers and other zine cover art.</dc:description> <dc:description>Contents: Editors note, 3--Nechej Na'atza/Dir Yassin/Smartut Cachol Lawan, 4--Giora on Shows, 32--Salon Mazal, 43--Noya on Fanzines, 45--Boshet Records, 49--Jerichos Echo & others, 52--Gutzy.com, 54--Show reviews, 60.</dc:description> <dc:contributor>Frederico</dc:contributor> <dc:contributor>Giora</dc:contributor> <dc:contributor>Noya</dc:contributor> <dc:contributor>Oded Idan</dc:contributor> <dc:date>2005-07</dc:date> <dc:type>Zine</dc:type> <dc:type>Fanzine</dc:type> <dc:type>Text</dc:type> <dc:type>Illustrations</dc:type> <dc:format>72 pages</dc:format> <dc:format>20 cm</dc:format> <dc:language>eng</dc:language> <dc:coverage>Israel</dc:coverage> <dc:coverage>2005</dc:coverage> </metadata>

Page 11: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Slush Pile 1 <?xml version="1.0" encoding="UTF-8"?> <metadata xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/"> <dc:title>The slush pile: Issue 1, Fall 2001</dc:title> <dc:subject>Alternative media</dc:subject> <dc:subject>Literature</dc:subject> <dc:description>"There are times in life when you have to ignore the voice of authority and simply do what you feel is right... [This zine brings together] writers eager for engagement and confrontation. Writers who have had enough of obscurity, who defy the mythology of the dominant culture, and who not only refuse to wait for the literary establishment's permission to tell their stories, but are hell-bent on tearing an opening through which those stories will be heard."</dc:description> <dc:description>Pink craft paper cover with illustration of person gleefully throwing manuscripts out of an apartment windows. Printed in black and white. All text.</dc:description> <dc:description>Contents: Editor's Rant--Statement of Rebellion--Karl Wenclas: from Zine Beat #2--Chris Estey: Hot Ass, Orange is the new red, The night I told Henry Rollins to get in the van--Ann Sterzinger: Don't Go Back; Like a Cake--Michael Jackman: The Army: 1989 (excerpts)--Doug Bassett: On Making Enemies--Steve Kostecke: Text for the Morally-Challenged--The Moody Petition Debate--Contact Information</dc:description> <dc:publisher>Underground Literary Alliance</dc:publisher> <dc:publisher>U.L.A.</dc:publisher> <dc:contributor>Kostecke, Steve</dc:contributor> <dc:contributor>Wenclas, Karl</dc:contributor> <dc:contributor>Estey, Chris</dc:contributor> <dc:contributor>Sterzinger, Ann</dc:contributor> <dc:contributor>Jackman, Michael</dc:contributor> <dc:contributor>Bassett, Doug</dc:contributor> <dc:date>2001</dc:date> <dc:type>Zine</dc:type> <dc:type>Literary zine</dc:type> <dc:type>Text</dc:type> <dc:format>96 pages</dc:format> <dc:format>22 cm</dc:format> <dc:language>eng</dc:language> <dc:coverage>United States</dc:coverage> <dc:coverage>Early 2000's</dc:coverage> </metadata>

Page 12: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Zinecore Records Stewart Kimura feels no pain: the ha-ha-halloween issue!!

<?xml version="1.0" encoding="UTF-8"?> <zc:title>Stewart Kimura feels no pain: the ha-ha-halloween issue!!</zc:title> <zc:title>Stewart Kimura feels no pain; Vol 1, No 2</zc:title> <zc:title>SKFNP; Vol 1, No 2</zc:title> <zc:creator>Nakazawa, Kiyoshi</zc:creator> <zc:creator>Omata, Garrett</zc:creator> <zc:subject>Halloween</zc:subject> <zc:subject>20th Century</zc:subject> <zc:genre>Minicomics</zc:genre> <zc:description>Combination of type and handwritten text with comic strip illustrations. Illustration on cover and "fill-in-the-blank story" on back.</zc:description> <zc:abstract>Zine containing commentary and two comic strips with mature Halloween themes: Toro the Happy Angel vs. Halloween, and Usu Boy Zero in a True Halloween Story.</zc:abstract> <zc:datecreated>1996</zc:datecreated> <zc:extent>12 pages</zc:extent> <zc:dimensions>22 x 14 centimeters</zc:dimensions> <zc:medium>Hand drawn</zc:medium> <zc:medium>Hand written</zc:medium> <zc:medium>Typed</zc:medium> <zc:language>eng</zc:language> <zc:collection>Minneapolis Community & Technical College Library Zine Collection</zc:collection> <zc:volume> Vol 1, No 2</zc:volume> <zc:placeofpublication>Arcadia, California, United States</zc:placeofpublication> <zc:rights>Copyright 1996 Kiyoshi Nakazawa & Garrett Omata</zc:rights>

Page 13: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Show me the money!

<?xml version="1.0" encoding="UTF-8"?> <zc:title>Show me the money!: Labor create$ all wealth</zc:title> <zc:title>Show me the money!: Labor creates all wealth</zc:title> <zc:title>Show me the money!: Issue #31, Winter/Spring 2010</zc:title> <zc:title>SMt$!: Issue #31, Winter/Spring 2010</zc:title> <zc:creator>Hunnicutt, Tony</zc:creator> <zc:subject>Anti-authoritarianism</zc:subject> <zc:subject>Libertarianism</zc:subject> <zc:subject>Income distribution</zc:subject> <zc:subject>Unemployment</zc:subject> <zc:subject>Economics</zc:subject> <zc:subject>Capitalism</zc:subject> <zc:subject>21st Century</zc:subject> <zc:genre>Political zine</zc:genre> <zc:description>Text-focused. Typewritten in small font. Illustrations on front and back with 12 small illustrations and 9 charts used to highlight text. </zc:description> <zc:abstract>Zine "published from an anti-authoritarian, libertarian-left perspective with the sole purpose of criticizing the current economic system, establishing the truth about economic history, singling out corruption in the financial system, exposing its inherent inequity and injustice and exploring possible alternatives to it."</zc:abstract> <zc:tableofcontents>In this issue: The Ten Most Corrupt Capitalists; Supreme Court Nazis; Inverted Totalitarianism - what's it all About?; Debt Dynamite Dominoes - The Coming Financial Catastrophe; Assessing the Illusion of Recovery; Environmental Corner; The Lay-Off Scoreboard; Fun Facts; Poetry; and Much, much, more!</zc:tableofcontents> <zc:publisher>Create Your Own Media</zc:publisher> <zc:datecreated>2010</zc:datecreated> <zc:extent>55 pages</zc:extent> <zc:dimensions>22 x 14 centimeters</zc:dimensions> <zc:medium>Typed</zc:medium> <zc:language>eng</zc:language> <zc:collection>Minneapolis Community & Technical College Library Zine Collection</zc:collection> <zc:issue>31</zc:issue> <zc:placeofpublication>Minneapolis, Minnesota, United States</zc:placeofpublication>

Page 14: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Skim Lizard 4

<?xml version="1.0" encoding="UTF-8"?> <zc:title>Skim Lizard 4</zc:title> <zc:title>Skim 5% Lizard 4</zc:title> <zc:creator>Puppy Toss Artweirdcult</zc:creator> <zc:subject>Drawing</zc:subject> <zc:subject>Writing</zc:subject> <zc:subject>Relationships</zc:subject> <zc:subject>20th Century</zc:subject> <zc:genre>Minicomics</zc:genre> <zc:description>Printed in black and white with hand-drawn illustrations on the front and back covers and interior, as well as typewritten text.</zc:description> <zc:abstract>Cooperatively produced zine featuring comics, illustrations, letters and commentary primarily focused on relationships and the production of comics and other creative outlets. Contributors include: Lily Hsu-Storaker, Scott Hsu-Storaker, M.C. Betz, Fawn Gehweiler, Dylan Williams, Landry Q. Walker, Eric Jones, Rustan Crade, W. Maxim, Gabrielle Gamboa, Barry Futterman, and Sean Higgins. </zc:abstract> <zc:tableofcontents>Saturday, Part 1--Punker Vignette--Love and Lust in a Small Town--Easier to Read--Filthy Habits--I Remember Not to Forget--Gabby Picks--SIMLetter...--Yay, We Got Letters!--I Killed the Day...--Newz and Happninz--Technique Schmecknique</zc:tableofcontents> <zc:publisher>Puppy Toss Artweirdcomicz</zc:publisher> <zc:datecreated>1993</zc:datecreated> <zc:extent>26 pages</zc:extent> <zc:dimensions>22 x 14 centimeters</zc:dimensions> <zc:medium>Hand drawn</zc:medium> <zc:medium>Typed</zc:medium> <zc:language>eng</zc:language> <zc:collection>Minneapolis Community & Technical College Library Zine Collection</zc:collection> <zc:issue>4</zc:issue> <zc:placeofpublication>United States</zc:placeofpublication> <zc:rights>TM 1993 Puppy Toss</zc:rights> <zc:rights>All characters, stories and art copyright 1993 by their respective creator(s).</zc:rights>

Page 15: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Scatter-brain-dead-mess

<?xml version="1.0" encoding="UTF-8"?> <zc:title>Scatter-brain-dead-mess</zc:title> <zc:title>Scatterbrain-dead-mess</zc:title> <zc:title>Scatter-braindead-mess</zc:title> <zc:creator>Annalisa</zc:creator> <zc:subject>Sexual Assault</zc:subject> <zc:subject>Mental Illness</zc:subject> <zc:subject>Music</zc:subject> <zc:subject>Relationships</zc:subject> <zc:genre>Personal zine</zc:genre> <zc:description>Primarily text-based zine, including both typed and handwritten text with a few small illustrations and a photo on the back. Bound with green and black yarn. Pamphlet from the National Sexual Assault Hotline, operated by the Rape, Abuse, & Incest National Network (RAINN) is bound into the centerfold. </zc:description> <zc:abstract>A "perzine" - zine containing personal experiences of Annalisa, including issues with sexual assault, mental illness, music, and relationships. Includes personal stories, poetry, drawings, and a photo. </zc:abstract> <zc:datecreated>1995-2005?</zc:datecreated> <zc:extent>18 pages</zc:extent> <zc:dimensions>22 x 14 centimeters</zc:dimensions> <zc:medium>Hand drawn</zc:medium> <zc:medium>Typed</zc:medium> <zc:language>eng</zc:language> <zc:collection>Minneapolis Community & Technical College Library Zine Collection</zc:collection> <zc:placeofpublication>Minnesota, United States</zc:placeofpublication>

Page 16: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Here be dragons 8

<?xml version="1.0" encoding="UTF-8"?> <zc:title>Here be dragons: a political fanzine: 8</zc:title> <zc:title>H.B.D.</zc:title> <zc:creator>Roth, Mike Q.</zc:creator> <zc:creator>Meisberger, Eric XXX</zc:creator> <zc:creator>Ghadesi, Ariana</zc:creator> <zc:creator>Strange, Jon</zc:creator> <zc:creator>Taylor, Mike</zc:creator> <zc:creator>Library core forever</zc:creator> <zc:subject>Alternative lifestyles</zc:subject> <zc:subject>Anarchism</zc:subject> <zc:subject>Politics</zc:subject> <zc:subject>Labour Unions</zc:subject> <zc:subject>Economics</zc:subject> <zc:subject>Organizational management</zc:subject> <zc:subject>Guns</zc:subject> <zc:subject>Racism</zc:subject> <zc:subject>21st Century</zc:subject> <zc:genre>Political zine</zc:genre> <zc:description>Black and white. Primarily text with 17 illustrations, including octopus drawing on front, and illustrations in centerfold based on anarchist poster.</zc:description> <zc:abstract>Zine covering political and economic topics, and life experiences of the creators and contributors. Includes essays, book reviews, illustrations and poetry.</zc:abstract> <zc:publisher>Roth, Mike Q</zc:publisher> <zc:publisher>Meisberger, Eric XXX</zc:publisher> <zc:datecreated>2001-01-27</zc:datecreated> <zc:extent>42 pages</zc:extent> <zc:dimensions>22 x 14 centimeters</zc:dimensions> <zc:medium>Typed</zc:medium> <zc:medium>Handwritten</zc:medium> <zc:medium>Hand drawn</zc:medium> <zc:language>eng</zc:language> <zc:collection>Minneapolis Community & Technical College Library Zine Collection</zc:collection> <zc:issue>8</zc:issue> <zc:placeofpublication>Pittsburgh, Pennsylvania, United States</zc:placeofpublication>

Page 17: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Manual Dexterity

<?xml version="1.0" encoding="UTF-8"?> <zc:title>Manual dexterity: independent audio magazine</zc:title> <zc:subject>Music</zc:subject> <zc:subject>Zine-making</zc:subject> <zc:subject>21st Century</zc:subject> <zc:genre>Fanzine</zc:genre> <zc:description>Black and white publication includes numerous photos of musicians, bands, and album covers. Photos include candid and posed shots, as well as photos taken during live performances.</zc:description> <zc:description>Includes photos by: Chris Strong, David McHank, Ryan Russell, Oly, Sean Desmond, Miriam Doan, Kirstie Shanley, Ryan Collerd, and Autumn De Wilde. Includes interviews with zine editors Gus Pena, Stuart Anderson, Amy Schroeder, Steve Brydges, Justin Luczejko, Todd Taylor and Jack Rabid. </zc:description> <zc:abstract>Zine covering the independent music scene. Includes interviews with bands: The Narrator, Schedule Two, Baby Teeth, and Nurses, as well as with the editors of seven other zines. Also includes music reviews and ads.</zc:abstract> <zc:tableofcontents>Schedule Two--Sixes-Editors--The Narrator--Nurses--Baby Teeth--Reviews--Summer</zc:tableofcontents> <zc:publisher>Subtitles Publishing</zc:publisher> <zc:datecreated>2005 - 2010?</zc:datecreated> <zc:extent>45 pages</zc:extent> <zc:dimensions>22 x 14 centimeters</zc:dimensions> <zc:medium>Typed</zc:medium> <zc:medium>Photos</zc:medium> <zc:language>eng</zc:language> <zc:collection>Minneapolis Community & Technical College Library Zine Collection</zc:collection> <zc:placeofpublication>Maple Grove, Minnesota, United States</zc:placeofpublication>

Page 18: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Stewart Kimura feels no pain; Vol 1, No 1

<?xml version="1.0" encoding="UTF-8"?> <zc:title>Stewart Kimura feels no pain: Vol 1, No 1</zc:title> <zc:creator>SKFNP: Vol 1, No 1</zc:creator> <zc:subject>Relationships</zc:subject> <zc:subject>Writing</zc:subject> <zc:subject>20th Century</zc:subject> <zc:genre>Minicomics</zc:genre> <zc:description>Black and white publication. Primarily hand-drawn comics with some text. Airbrushed illustration on cover.</zc:description> <zc:abstract>Zine containing comics on relationships and writing, including Usu Boy Zero, Adventures of Toro the Happy Angel, and Jesus Spoke to my Pet.</zc:abstract> <zc:datecreated>1996-09</zc:datecreated> <zc:extent>12 pages</zc:extent> <zc:dimensions>22 x 14 centimeters</zc:dimensions> <zc:medium>Hand drawn</zc:medium> <zc:medium>Typed</zc:medium> <zc:medium>Handwritten</zc:medium> <zc:language>eng</zc:language> <zc:collection>Minneapolis Community & Technical College Library Zine Collection</zc:collection> <zc:volume>Vol.1, No.1</zc:volume> <zc:placeofpublication>Arcadia, California, United States</zc:placeofpublication> <zc:rights>Every thing in this comic copyright Kiyoshi Nakazawa & Garrett Omata (except Stewart Kimura)</zc:rights>

Page 19: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Doctor Who Fanzine #12

<?xml version="1.0" encoding="UTF-8"?> <zc:title>Doctor Who fanzine #12: Welcome back to shit school!</zc:title> <zc:title>Dr Who Fanzine #12: Welcome back to shit school!</zc:title> <zc:subject>Art</zc:subject> <zc:subject>Doctor Who</zc:subject> <zc:genre>Art zine</zc:genre> <zc:description>Cover of light green craft paper with white interior. Printed in black and white. Primarily illustrations with very little text. Photo of a group of people on inside back cover, and sticker with two photos on back cover, entitled "Moment of Transition: Birth and Pompeii Plaster Cast".</zc:description> <zc:abstract>Zine of artwork by multiple creators, ranging from basic sketches to comics to more detailed work. Pieces have random subjects only a few of which reference Doctor Who.</zc:abstract> <zc:publisher>Intermedia II</zc:publisher> <zc:datecreated>1990 - 2010?</zc:datecreated> <zc:extent>40 pages</zc:extent> <zc:dimensions>22 x 14 centimeters</zc:dimensions> <zc:medium>Collage</zc:medium> <zc:medium>Hand drawn</zc:medium> <zc:language>eng</zc:language> <zc:collection>Minneapolis Community & Technical College Library Zine Collection</zc:collection> <zc:issue>12</zc:issue> <zc:placeofpublication>United States</zc:placeofpublication>

Page 20: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Katzilla #2

<?xml version="1.0" encoding="UTF-8"?> <zc:title>Katzilla #2</zc:title> <zc:creator>Dechant, Johannes</zc:creator> <zc:subject>Punk</zc:subject> <zc:subject>Music</zc:subject> <zc:subject>Alternative lifestyles -- Israel</zc:subject> <zc:subject>Israel -- Politics and government</zc:subject> <zc:subject>Zine-making</zc:subject> <zc:subject>21st Century</zc:subject> <zc:genre>Fanzine</zc:genre> <zc:description>Printed in black and white, primarily text with some illustrations and photos. Many photos are of live performances. Illustrations include show flyers and other zine cover art.</zc:description> <zc:abstract>Zine with articles and show reviews from Israel's punk rock and hardcore scenes. Includes interviews with Frederico, “the father of the scene”, Giora, a bass player and singer, and with Noya, an Israeli zine producer and distributor.</zc:abstract> <zc:tableofcontents>Editors note -- Nechej Na'atza/Dir Yassin/Smartut Cachol Lawan -- Giora on Shows -- Salon Mazal -- Noya on Fanzines -- Boshet Records -- Jerichos Echo & others -- Gutzy.com -- Show reviews.</zc:tableofcontents> <zc:datecreated>2005-07</zc:datecreated> <zc:extent>72 pages</zc:extent> <zc:dimensions>20 x 16 centimeters</zc:dimensions> <zc:medium>Typed</zc:medium> <zc:medium>Photos</zc:medium> <zc:language>eng</zc:language> <zc:collection>Minneapolis Community & Technical College Library Zine Collection</zc:collection> <zc:issue>2</zc:issue> <zc:placeofpublication>Israel</zc:placeofpublication>

Page 21: Jennifer Erickson · Jennifer Erickson LIS7030 Fall 2014 Assignment 11- Zine Cataloging Reflections on Cataloging Having finished cataloging my ten zines, I can say that from my perspective

Slush Pile 1

<?xml version="1.0" encoding="UTF-8"?> <zc:title>The slush pile: Issue One, Fall, 2001</zc:title> <zc:subject>Independent media</zc:subject> <zc:subject>Literature</zc:subject> <zc:subject>21st Century</zc:subject> <zc:genre>Literary zine</zc:genre> <zc:description>Pink craft paper cover with illustration of person gleefully throwing manuscripts out of an apartment windows. Printed in black and white. All text.</zc:description> <zc:abstract>"There are times in life when you have to ignore the voice of authority and simply do what you feel is right... [This zine brings together] writers eager for engagement and confrontation. Writers who have had enough of obscurity, who defy the mythology of the dominant culture, and who not only refuse to wait for the literary establishment's permission to tell their stories, but are hell-bent on tearing an opening through which those stories will be heard." --Back cover</zc:abstract> <zc:tableofcontents>Editor's Rant -- Statement of Rebellion -- From Zine Beat #2/ Karl Wenclas -- Hot Ass, Orange is the new red, The night I told Henry Rollins to get in the van/ Chris Estey -- Don't Go Back, Like a Cake/Ann Sterzinger -- The Army: 1989 (excerpts)/ Michael Jackman -- On Making Enemies/Doug Bassett -- Text for the Morally-Challenged/Steve Kostecke -- The Moody Petition Debate -- Contact Information</zc:tableofcontents> <zc:publisher>Underground Literary Alliance</zc:publisher> <zc:publisher>U.L.A.</zc:publisher> <zc:datecreated>2001</zc:datecreated> <zc:extent>96 pages</zc:extent> <zc:dimensions>22 x 15 centineters</zc:dimensions> <zc:medium>Typed</zc:medium> <zc:language>eng</zc:language> <zc:collection>Minneapolis Community & Technical College Library Zine Collection</zc:collection> <zc:issue>One</zc:issue> <zc:issue>1</zc:issue> <zc:placeofpublication>Philadelphia, Pennsylvania, United States</zc:placeofpublication>