Jazz 'N' Samba for Guitar, Tr Charlie Byrd

7/22/2019 Jazz 'N' Samba for Guitar, Tr Charlie Byrd

1/33


2/33

GHARLIEETRDJAZZ'N' SAN4BA F@R GUITARrhrE r4usrGoFANTo)Nl@GARL@S

IJO\ U-9 50\'G5,FLY llE TO THE IVtOON r.lrr Ot/r.'r l\',,r,istO PAlO fjr, fr,,il HOSE iVERE THE DA) 5 . . . .

ii3:tl'5itri+:iED @mPG{

/lllfrltrclllli()rr rrf tlc Bossrr Noi'rt.1)lrrrzrrrg /i/rvllrrrr CuilLtr itt l/rr, 8t'ssrr,\'cri'a 25()rlr 7vl',r r/1 /'lossa Nrri'rr llltrrtllrrt l)rrllr'r'rs . . .lCHEGA t)U SAUDADE (No ,\'lor,'8Jrrr'st 26DESAFINAI)O (s/is/rt/v Ort Ol Trorct 5l)ON'l tVf-lt GO AWAY (Por Carsrr I)r'Iirri) .12FsI'F.R,\\C A PIRDIDA ].IESTE StL OLllAI{ I f/rrrt Lo,-l ) r,rr l|t'rrrr l8FOI A NOI]E 1/r l\irs \'rglrrr. .. 10IT ilAS NIGHTtiroiA Noirr') 10JAZZ 'N' SAI,lttA (S,i Darrqo Sarrrl,,rt . . 8N() MORI ULUES t Clrt'.ga Dc Sarr,lrrrlt't 26O QUE f QUE VAI SER DE MIM 16POR CAUSA DE VOCf (Drrrr f Fi'cr C-rr Ailrr.vr 12SE T()IX)S |OSSEM ICUAIS A VOCE t.sorrcorrc To Liglrt Ulr r\lv Lif e t . 27SLIGHTLY OUT OF TUNE ( f)L'srrfrrrrrr lo ) . . 55d I)ANCO SAMUA r/,i:: \' s,rrrrbrr I 81SOMEO:\-E 1 O LIGHT UP MY LIFE t Se' To,/os Fo-sse'rtt lgrrais A l/ocd t . . 21TtlAl LOOK YOU WEAR llstr,5r'rr C)J/r,rrt 18vE\l \',tvFR i S rU raOo 14

..29...30...32

TftOlg '.1',-1 YY ?'^?;'^Y,?;


3/33

INTERPRETATION OF THE BOSSA NOVAThe bo6sa nova should almost play itself, There is no feeling of pushrtaa

ln s lazz plece. Juet ride along easily with everythtng rather understated -- muchmore subtle than, aay, the mambo or cha-cha-cha.

, Not only must the melodybe played louder than its surrounding notes, but it must also be phrased with acertaln amount of freedom. Mueh of the beauty and excitement of the bossa novalies i.L t]le contraat between the melody, phrased rather freely, and the rhythmsection whlch is rather tight sounding and very even. This is well illustrated bythe music of Villa- Iobos. This greatest of Brazilian composers wrote manyhighly rhythmic pieces for the guitar,but did not hesitate to employ ritards,ral-lentandos, accelerandos and other breaks in tempo in order to enhance the mel-ody.

HOW TO PRACTICE THESE ARRANGEMENTSSome of the arrangements ln this folio will be a challenge for the average

pleyer. I would llke to Buggest a method of practice that may be helpful. Use ametronome or other method of keeping a slow, steady tempo. Keep the eighth noteln mind as the baeic rhythmic unit, not the quarter note. hactice very slowly un-til you have the co-ordination of the various parts under the hand as well as inyour ear. ot y then should you attempt to bring the piece up to proper tempo.PLAYING RHYTHM GUITAR IN THE BOSSA NOVA

I thtnk a few words mlght be appropriate here on tlre subject of playingrhythm gultar ln the bossa nova. For exam.ple, when backing up a vocalist or so-lolst:

Just adding even eighth notee to the rhythm sction is a help:tc.


4/33

Editorts note: In the bossa nova,and other Intin American music as well,the eighth note is interpreted a8 lt is in claesical music, tlat le, exactly evenly.Note the difference between this and the tazz interpretation whlch makes eighthnoteo sound more like ), ) ). J * .J ) J )To the basic eigbth note pattern may be added bas8 notea. These may behalf notee: etc.

or dotted quarters followed by elghth notes:

The underlylng accentuatlon of the bossa nova is derived from the old SpanishtVrhrrrt Xa {? ( In the most wpical bo66a nova beat, ttris rhythmrs combtned wuh us mtlror r^ s., (' ft f l f (a (

Editorrs note: Except for the lst quarter note of the 2nd bar. thi8 cor-responds exactly to the clave beat as used in the bos6a nova. Anyone interestedln the constructlon of Latln music ghould realize that the clave beat is it8 wholefoundation: rhythmic, melodic and harmonic.

Compare the traditlonal clave beat (r6ed in the cha-cha-cha, bolero, be-guine, etc.) with the bosga nova clave.

Tladitional cleve Bosea nova clave(' {( (lt((tll(rtrltettllNotice especially the subtle shift in accent ln the second bar.

Although it is imposslble to glve exact rules for rhythm playins, a hint maybe in order here. If the drummer is playing even elghth notes, the Sultaristehould play wit a great deal of freedom. But if the drummer ie accentlng,theglitarist should try to avoid conllicting too much with these accents. That ie,hemust play "in clave." A compa.rison between the rhythmic flgures on page 4and the bo8sa nova clave beat will ghow you what this mean8,


5/33

SOME TTUCAL BOSSA NOVA RIIYTHM PATTERNS

3) 6 r 04) 0r 0r LIau 0l 0

IMPONTANTThe chord dtagrana whlch ere found wlth each arrangenent are neant aaeld to players wboee rlgbt resdlDg ls rct all tt shqrld be. They ahorld not befor tbe rfotbn guttar part.


6/33

English Lyric bYJON HENDRICKS andJESSIE CAVANAUGH

Boss a nova tempoz

I

c?ileffi

GmiA - ofr.H+fil ----r-r------1,f'

cldim? A? b5ffiBbm FI?]ffi. .ffi

DESAFINADO(Slightly Out Of Tune)

tt{ DD

v lv,Ep- D? b9+8 lrffiN ffi-ttr'

Original text byNEWTON MENDONCAMusic byANTONTO CARLOS JOBrM

D?beffi-tt .

e t ,.\nrhr lo5gand loo2 EJrr.r.r Ilu'r(alArapua Sao Paulo BrarilfRO'irdrt Isrttstc L\C. \ew\orl (onrftikallrublica'('nrishr\torrhcL sA )ndceid'lnreinarronal Corvrrshr lrure,l \lade In L 5 AAll RrBhB I{e.aer lftludrnt luhlc ferlnrmance For lro{il


7/33

6

ffi*

IVCmajT

ffi-ofr.,ff

II

m -arr' EEII - 3 fr.H111l--J. r

J

ffi-o .

ffi-u*. ffi- crr.- - - ''m


8/33

ffi-,r .J

VII

)Fffi-,t. G7ffi - s fr.

B bmaj ?ffi -tt'' Bbn6ffi - efr.- - -l'f'v-

G7

ffi- ofr.F$4aj 7ffi-.*.

F(add Iffi Bbmffi6- rfr. Vanp and, fade


9/33

a

lrglis h Lyric by\OR\l.{N CIMBELT\rne lowest string to D.

Em7mrjH-+ r 1:l i-t ri '

JAZZ'N' SAMBA(Sb Dango Samba)tron lhe nlm COfACABA\A pAl.AC

E9.-J-_--:_

Origina I Text and Mus ic byANTONIO CARLOS JOBIN4 andVINICIUS DE MORAES

"#'ffi r-3----------r

A13b e

^D6v---.ii:: G7,f".-T::iiEm? (Abass)0 o

E9 Em7 (AIJaBE)

Am7 D?tLlfftf,_zfr. gF,fr,qr -sfr.;1;:l

-_.__- -==__-.-- oBm7- . Itij-7 fr :lT; trEr::: +, fl 97;}ii-7frr-f11 fr.

,-3_ ,-J_(Fingering as before)

O Copynght loo3and 1065 Edrloni Suvini Z?rboni S.p.A . Milan hrlvfnp LUDLOWMUSIC, lNC., New York. (onr rols ail publi(ar ion ri8hrs lor rhe U S A .ndCanadalnbrnalional Copyrirht Securd Madein U S A..Ail R18hts R"sfrred Irrlud'ns Public Performan. For Proljr


10/33

m- :'G7Dmaj?;:s-2fr. -E--afr.*

DmajT=E_2fr.

- t fr'.

fingering till end)

,-3........-


11/33

r0IT WAS NIGHT(Foi A Noite)Samba - Cancao

English L1,ric byGENE LEES Original Text and Music byANTONIO CARLOS JOBIM andNEWTON MENDONgA

Bm?b5-::,... r1--efr

Am

ffi?b e

fr,Dm(b5) G'I Dm (+5)

Fmi-rf-e fr.l)e

O Coovnsht looil atd loo5 Edicas Eulerp. Llda , Rio de laniro Bt'z'l-tii"iloitrivri3ic. rirc- N.", vo't l.ont'ols allPublication rights for the U s A and canadaliiirutiorul Coov;chr *tured Ma& in IJ S AruiAi*f's n *.t"a t,.tudin8 Publ'( Per{orman


12/33

ItDm? G7# --3-fi-

'C+ lrrrati+iNffi-lfr-'-J- r-3"'------:i:ti:--o fr. Dm:.; I lTl::llrl-3fr.t- 3------1

c9l: l:L',: *1- lofi.

Dm?

t-3 '(Bb)r fi- i-f+l0- _.;s

,- 3--------- ,--J- ,Xitr -5 fr.r-J-_

CmajT

c,i1*1-t'' r-3- ,lIi:-:r : :; :_s fr.r-3 -----r

G7j-rFii.1 -1

Ffo? ffi.-cfri .t. J :-'_-l h,{ Jii

Dm7

{>A10.0-o3F-tfr.+++

i

G7{:]EEtE+-sf".

Cmaj??ffi :l:::::k-s 11.o fr. CImrbsffi-- 3 ----------r 4t C6 CmajTG7fftr-o C:E+--sfr.

ciEE-.-5fr.r_3.---------- ,DII]: t--') I

r-3- ffi-.*.-3...........r


13/33

DON'T EVER GO AWAY(Por Causa De Voce)Samba- CancaoDm7

C+EMHin ;re-sfr.\r

English lyric by RAY GILBERT

CmajT

m-?rr'E:S - s fr,r_ 5L

&*r .:EI-3'-------

Arn

Original text by DOLORES DURTNMusic by AI.|TONIO CARLG JOBIM

Dm?o fr. Dm7TC+H-]1' 3- r-3- ffi-'t 'r__J----J L_j_____JBb

r:3----rcffi.--sfr.

H.1-1+r-J-------rEi-H r-i--r ,$t-or .rlrH+lffr.r-3___ r_J-__-_r

cffi-**. ,3.JA7) __ 3_-----l -- 3-------'1 8 fr.

Dm7lffi_dfr.r_l_3_ Em?b#l-++ ++r-_3__r A7ffi

tG7 CmajTr-J--r m-3to, H-ff+l I:I:mF+tf1_-6fr.

7= =-.'l VCma

--5 fr.c6

Dm7S--+f ..-J-l1 -J-fmH+H--f--] T- *'.1, rfE]Hd#-cr. (B) (Bb)--rfr.r_3___r

O-Copyrirht 1957, '1965and 1967 Edi(oes Eulerpe Ltda.. Riode janeiro. B.azilrRJ DEVoN MUstc.INC.. New york. contiot ,[ ilai. ri; dii; i;iiire u.s.A. ana canaa:lnrarnarion lCopyrishr Sccured Maite in U.S.AAII RjrhLs ResNed lrrludinr Pubtic performanc. For profit

ffi15


14/33

t3Dm? _ G7 -offiflil ffi?.ffi

Edtun7ffiFFI|H -6 f1.G?-- 3----.----r t4tbi,


15/33

ER A MEU LADOSamba - cancaot4 VEM VIV

),-3-.''

.J rrJ ,J r-3-Original Text and Music byANTONIO CARLOS JOBIM andALCIDES FERNANDESc_r-J---.---1 ,-3--..----

D7#(Dm)@mAb?,-3_r l{fl.l]-,""'-J-

^r 'r'-3- ,--J-

4ffi-a91.

VFm9.0+i: Ab7b5..l..l."'--ctr. G?rrr:-lSl-.t".'rc

,r,--3--_---

FmEaj 7ry_,__, G7r-3__---------

o Cogyrisht 1956.rd 1965 Edices EuterF Ltda., Riod.l.n.ito, Ita2illno HOILIS MUSIC, NC., Ncw YorL, controls all publication riShls for the U.s.A. .nd c.nadalnrrrution l CopyriSht lcurld Mdcin U.S.A.All Ri8hB R.r.rv.d lEludin8 Frblic P.t{orrn nc Fo. Profil


16/33

ftfri- Em7

ffi---sfr.Flll-r tF9l-E:r

-+-+.]-rAdim?

{

ffr1--3 fr.t#

'--3- Fm

Dm?=:L_c fr.

m-5fr.l.]-i-g D?F.;r4-+r -3 fr.

(Fingering a8 before)

Dm -3----=' t=--ltI

sbo0;J-t -ti.n

r -r Eri

i I cmajT

efi G7F-{fr. ffi,-3- : -r-'r-- o ir. FmoILf+r{+Trrn

C6(adda_00_-.+i+'l.+

ffi-,zi fr.\n?-E((r


17/33

t6,tO QUE E QUE VAI SER DE MIM

Samba

Original Tcxt and Music byANTONIO CARI-OS JOBII\4

CmajT::l:*i i -I fr.c

: Ia a:-ii i : i:-eEm?illl1-'"'m?=4e+c?b9trlDili+ti fr. I7 I

G9+E;Edll -rfr. A9;:I1_? fr.m?lln-7fr.i+lffi*tr".

Dm7

D7t]:m-sfr.Fttil-iD9I:mLJ.LL '++-t+

o Covrirhr l954.rd 1965 Edicocs Eutrp Lid. . Riode r.ncito Elazil.rno' fiOiLLtSMUSIC, NC., Ncw York, controls allpublication riShls for the U S.A. and C.nadaI;';-rnation:l coDvnrht s.cuad Ma& in U s A.lll Rlehrs Rcscni.d hchdina Publi( P.rformrn< For Ptofit


18/33

l:G?cF-afr,

Gbaugl lF-err.

c7:Ijs-cfr.

Dm7F;_sfr.Li+* G?+::1:E-7fr.i++li'#.r--l-l,))))

A7Em?b5 #--{fr.ffi n11. FEl-l-l++-J)J))) 0D7---:- -3lr--.l-Dm7:

D.S.aI Coda


19/33

r8

English Lyric byGENE LEES

THAT LOOK YOU WEAR(Este Seu Olhar)

Gm? C13b I

Original Text and Music byANTONTO CARLOS JOBrMirn (adddlr+FmaJ?# Cm?#)G7

ffi mr :m-,mE) Gm7 cfo::m-3fr.,--3$i

Fdim (add-____lt,ffi,-3.---r-r i:::m-ofr.._l_i_l-.ll{#--3-

Am7ry;: A7rn'r-Li-lt-l-.],-3--- il-rrtl -8f1. Bb6 Bbm6l-rrrn,--3- Hfii-q fr. -3-$fffi-* rr.J . t.-- J )-----r r r

Gm?gE-3fr.*fi| ---3-.-- t[rrHiili-sfr.

ilifllr

Am offi ffi-'*;r-----r Gm?ffiIll'r 'rO_Copydthi 1959, 195{ ard 1965 Edirora MusicalArapu., Sro paulo, Brazil?nO HOLLIS MUSIC, INC., Ncw York, conrrols all public.tion 'i8hrs for rhe U.S.A. end Canadalntsrnatiorul Copyright Secured MaiLinU.S.A. -All Rishb R?s.rvd lrEludins Publi< Pcr(orm.rrr For P'orir


20/33

t9AEF6f 6i- 511-ffi

Fdtm(add E)ffi,-3----rL-J---J

A?nTln-5 tr.H+H Cm?b5 F,--3-------r ffi-ur"1.--=Gm7

*rfr.

'JJ-3--------J t-3-.J r-3---------J

'Fdim(add E)ffi-o*. Gm?ffiH++

ffiF]-++#

G$diml++]1.1

Fffibmoffi


21/33

c70 Gm?Fdim.

-rffi-zrr. ffi-.*. tj:]DH+H-srr.

Gm?*rfr. Effi*3fr.FI-IFH-8 fr.cTbsffit-+tH3---3---r ,-3-

Fdim (add E)

A? 5 fr.F-mHi+flm?bs|lTlTl -5 fr.F r-+l G11ffi

- 3.........J +3------r - 3- '-3----r---o Ir.O

#l

G7 Grn?EE.-3fr.t1-1+1 .-3-

c13beFt+l+llrrl]1^ F1-H 11I-J- ,ltI I J---J

Gm?rr{Trl --O fr .H++.--J-

t:lE-3fr.r-Hft1

Fo (add 9)


22/33

SOMEONE TO LIGHT UP MY LIFE(Se Todos Fossem lguais A VocA)Samba- CancaoOriginal Text by VINICIUS DE \,lOMESMusic by ANTONIO CARLOS JOBIN'I

G7 Barre Itrr-3-.---r r-3------r r--3----r

:];j=B-3fr.-+-{-t-iJ

2r

English Lyric byCENE LEESF? Barre IIIEEtrHlifl_sfr.

i:Ehtiti _cfr.r-3------r ,-3-----r) )=--- )

r-3-)

D?flf,-"r".l3r:ro-str.lltth,-3--------- ry:1 A7rrrrrr -6tf ,t{-i?+iffi:r -. ._ Bbm?m-efr-A7+ Gm?iffifl-",".J) J) J,))EbI Abmalr

,). 2a' Jl

[IE-tfr. EEiB-ofr'+rH #+.] am?bs

D?beilH-ttr'

lctffi C@v'iphr 1958 19o{ ard l9o5 Edico.3 EutrrDc Ltda.. Rio d. l.n'ro. Eraz'lfno'ho:LllSMUSlC NC.. New Yorl. controls allpublication ri8lts for the U S.A. and Canadalntsrnational Copyri8ht SGcured M.d in U.S.A.

EbaIElH+fl1CmEEI

All Rithts Rescrvrd lrrludint Public P.rform.nc. Fot Profit


23/33

22CmmajTffi-otr. Cm?ffi-ur".

F9FFffi.-+ fr.H.]-+.1.1

-3"""- r-3---rBb6..r*_afr.t. i -1r,"_t 3 ,

3-)Dm?0;I: EI t- H_ 3 fr.' ;3--1

G7sJS- rfr.t+-r'.-'F-:-----7rI:o-tfr.H+H.l-J........1 ,_3.----rr--3.-J '--3----J

Cm? FTffi-'". ffi-'t'''-3--.--r _J----r T-7 Cm7Ebmaj ?ffi-efr.+H+.j

'-.-3 --r))fti+fir cEH-ut".4:*H-orr.

Flm?ffi--urr.l-J.---...1

tJt #-'"' ,-3- ,-3""--)JD7ffi-J--r r-3----r


24/33

Bane Barre

ffi-ur". Dn?b5ffiF13ffi ffi*fr(ey6g1q3ilfi-'r"; sbzffi

Dm? Cm?

ffi-rtr.

-_{ fr.

F?BbmaJ?ffiif

ror* t"'ffi u r".

ffi-'*'ffiD?b9m-.tr. Gm- t[FfF _3 tr.a--.t--""'1 Fm?ffi-ttr'

1

G7bffinbmal?

mi'".-.) r-3-,lJlry+q r-3-

r-3"""'-)J)Cm? rZffi*r"..-J..----1 r-.3----.---t .Pf,.-r".tlr$flil . J a)t )J ))


25/33

z4 ESPERANqA PERDIDA

_0ffitrlj-#

Original Text and Music byANTONIO CARLOS JOBIM and BILLY BLANCOA7+

Bbmffim?TI]-*r+ F13 Bb6ffiil-"r". ur''*IEbm6IEtr F?H*jfi-efr t'i.'rr-ofr.. H4*l

-f'9r=l:i{-.1- sfr.-FFFRffim,f-'

o{J)I)4 Bbffi -s fr.r DDMffi+tUr.Tfltl o o

fr.Cmr;Tr+1?arrrL--6L.l lt-.rl++1-]1^ lrJN

I 1,Vl f-'@ Copyritht t955and 1965 Edicocs Euterp Lrda., Riode,aneiro. ErazilTRO HAVPSHIRE HOUSE PUBLISHING CORP., New York. conrrols allpublication lighrs for rhe U.S.A. and Canadalnbrnational Copyri8ht Securd Mad. in U.S.A.All R{hs Reserued lrrludint Public Perlormanc For Profil


26/33

z5Bbrfft--4fr-itfiN IEE-__fr.It { }11

Ebr3 Dbr3fr. ttr'ffittFfl'--6Fl-H rt

[email protected]#fCm?b5

ffi*t".

Bb6fll-J- l-L_liil++ Bbmaj?

o lFinge"ing as before)

G7F++;i *-a fr. Cmi:---il--8mq


27/33

z6 NO MORE BLUES(Chega De Saudade)

English Lyric byHENDRICKS andCAVANAUGH

rAmx ox 3lx

Original Text and Music byANTONIO CARLOS JOBIM andVINICIUS DE MORAES

A7+ 5xxl23lm'nBdimxx24 Gm71no h) cm7-5xlx x g22x\ A augx1 \2xl

v Gx2x

rAmlx2x BbaddC Bbx 3l lxx - xSllxxffi' m.,u' E7.xxOlxO ATsusx0x0,lxffiffitv l=O C@vriiht l95E- l962.nd 106TEditora Musical tuapua, Sao Paulo Brazilniri fiO;LuS r.lustc. nc.. N.w York. conr rols .ll publicar ion rishtrlorrheU s A andc.nadaIneinariorul Copvrisht Se(ued Mad in U S AAll Rishts Resn;.d l;cludinsPublic Performanc For Profit

Bossa nova tempo

E7xxOl 0x


28/33

vr)

r 3--_t-t, t, ,


29/33

E9x x x I ,13ffi8a7lr?lI

rIFl'I xx 2xlje04ma

rr(rt3 fr.

E73 xr,l2

7'Gl)trvD7x00xl3 rV'D9x23l,lxExx210x

B susxlSxxo Badd2xl3xlx D13xx0l34 GmajTxll02xm'87 augs)(x 120,1ffi

.? times87I x l2 xlEffi'UB7l)il2lxm'n

rt=-------frVV

J ) )^.bGmxx3l I xm'o

A7Sxlx 2x

Gm9lxllx,t

-D----ll0 fr.

) )t, --.t l-vl

2k.


30/33

FLY ME TO THE MOON(In Other Words)

G7and

Words and Music bYBART HOWARDSlowly

Am7Flval1.DmTmoon. a-mong CmajTthe stars;he FLet

d).me see rvhatme

'b -:O4l l'l+'to

Irl1et me play,f,-d. ')'

hold myo.l..-oL..---Bm7-5spring s like orl

4

- pi-ter Amand Mars

2 o

Dm7oth - erE7Jtt,al

A7InG7u'ords:

-l_.--le-eIo t

Chand

I

Dm7oth-er u'ords: E77 Irm6 C Bm7kiss me --n dar - ling4 t.

i-o o l-'G7

3Am?Fill

I4J.

BnrT-5I ong

my.b-heart with

U^ @and let me sing Cmaj 7-ev - er- lnore;

Dm7oth - cr

Dm7song,2

forbe

FYouo).

are

'b

for all E7I rvor' - Ama - dore. G7r,vclrds :-

J _-_) please bea) o)

-Jt II -^)ship and A7In

t ------,4 lJ) o IT'l

G76oth-er words: G7-9 cI love you. CmajT*H,,CC7

,rCmajTtl'ue:o*J. _


31/33

30 O PATO(The Duck)English lyric byJON HEN'DRICKS Original text and music byJAYME SILVA ardNEUZA TEIXEIRADmajT

xx 0l I I

,{'E9xx2l{3

A l3(-s)xx I 03{

C [ (no Sth)D (no 5th)x32xlx x32rlr

D7-52xl3x,t lx23xx^r m'om'n 3-.+ano SthrG6ino.lrdi3xxOr0

G add 9lAx2xam'u'

O Cop ,nrht 1960and 1962 Edi(oes Musicais Samba Ltda.. R'o de raneiro. Bra.zilfRO CROMWRL MUSIC lNC. Nw York. conrrols all publi.arion rishrs for rhe U.S.A. and Canadalneriutron:l Copyri3ht gcured Made in U.S AAll Rishs R.rrved lrrludiry Public Performance For Profir


32/33

1 R.ffi


33/33

3Z

THOSE WERE THE DAYSWords and Music bYGENE RASKIN

+ -Q- IAm7.D L -\,\Dme

Am7

t-,

R7

-1t +a-e + 4Q

ta,+?

a lcnrpo I +lAm_2 i-=l; Am4

=A \

+4'-l++Dm

-t77

Jazz 'N' Samba for Guitar, Tr Charlie Byrd

Documents

Transcript of Jazz 'N' Samba for Guitar, Tr Charlie Byrd