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GARL@S

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/lllfrltrclllli()rr rrf tlc Bossrr Noi'rt.1)lrrrzrrrg /i/rvllrrrr CuilLtr itt l/rr, 8t'ssrr,\'cri'a 2

5()rlr 7vl',r r/1 /'lossa Nrri'rr llltrrtllrrt l)rrllr'r'rs . . .l

CHEGA t)U SAUDADE (No ,\'lor,'8Jrrr'st 26

DESAFINAI)O (s/is/rt/v Ort Ol Trorct 5

l)ON'l tVf-lt GO AWAY (Por Carsrr I)r'Iirri) .12

FsI'F.R,\\C A PIRDIDA ].IESTE StL OLllAI{ I f/rrrt Lo,-l ) r,rr l|t'rrrr l8FOI A NOI]E 1/r l\irs \'rglrrr. .. 10

IT ilAS NIGHTtiroiA Noirr') 10

JAZZ 'N' SAI,lttA (S,i Darrqo Sarrrl,,rt . . 8

N() MORI ULUES t Clrt'.ga Dc Sarr,lrrrlt't 26

O QUE f QUE VAI SER DE MIM 16

POR CAUSA DE VOCf (Drrrr f Fi'cr C-rr Ailrr.vr 12

SE T()IX)S |OSSEM ICUAIS A VOCE t.sorrcorrc To Liglrt Ulr r\lv Lif e t . 27

SLIGHTLY OUT OF TUNE ( f)L'srrfrrrrrr lo ) . . 5

5d I)ANCO SAMUA r/,i:: \' s,rrrrbrr I 81

SOMEO:\-E 1 O LIGHT UP MY LIFE t Se' To,/os Fo-sse'rtt lgrrais A l/ocd t . . 21

TtlAl LOOK YOU WEAR llstr,5r'rr C)J/r,rrt 18

vE\l \',tvFR i S rU raOo 14

..29...30...32

TftOlg"'.1',-1"YY"?'^?;'^Y,?;

INTERPRETATION OF THE BOSSA NOVA

The bo6sa nova should almost play itself, There is no feeling of "pushrtaa

ln s lazz plece. Juet ride along easily with everythtng rather understated -- much

more subtle than, aay, the mambo or cha-cha-cha.

, Not only must the melody

be played louder than its surrounding notes, but it must also be phrased with a

certaln amount of freedom. Mueh of the beauty and excitement of the bossa nova

lies i.L t]le contraat between the melody, phrased rather freely, and the rhythm

section whlch is rather tight sounding and very even. This is well illustrated by

the music of Villa- Iobos. This greatest of Brazilian composers wrote many

highly rhythmic pieces for the guitar,but did not hesitate to employ ritards,ral-

lentandos, accelerandos and other breaks in tempo in order to enhance the mel-

ody.

HOW TO PRACTICE THESE ARRANGEMENTS

Some of the arrangements ln this folio will be a challenge for the average

pleyer. I would llke to Buggest a method of practice that may be helpful. Use a

metronome or other method of keeping a slow, steady tempo. Keep the eighth note

ln mind as the baeic rhythmic unit, not the quarter note. hactice very slowly un-

til you have the co-ordination of the various parts under the hand as well as in

your ear. ot y then should you attempt to bring the piece up to proper tempo.

PLAYING RHYTHM GUITAR IN THE BOSSA NOVA

I thtnk a few words mlght be appropriate here on tlre subject of playing

rhythm gultar ln the bossa nova. For exam.ple, when backing up a vocalist or so-

lolst:

Just adding even eighth notee to the rhythm s€ction is a help:€tc.

Editorts note: In the bossa nova,and other Intin American music as well,

the eighth note is interpreted a8 lt is in claesical music, tlat le, exactly evenly.

Note the difference between this and the tazz interpretation whlch makes eighth

noteo sound more like ), ) ). J * .J ) J )To the basic eigbth note pattern may be added bas8 notea. These may be

half notee: etc.

or dotted quarters followed by elghth notes:

The underlylng accentuatlon of the bossa nova is derived from the old Spanish

tVrhrrrt Xa {? ( In the most wpical bo66a nova beat, ttris rhythm

rs combtned wuh us mtlror r^ s., (' ft f l f (a (Editorrs note: Except for the lst quarter note of the 2nd bar. thi8 cor-

responds exactly to the clave beat as used in the bos6a nova. Anyone interested

ln the constructlon of Latln music ghould realize that the clave beat is it8 whole

foundation: rhythmic, melodic and harmonic.

Compare the traditlonal clave beat (r6ed in the cha-cha-cha, bolero, be-

guine, etc.) with the bosga nova clave.

Tladitional cleve Bosea nova clave

(' {( (lt((tll(rtrltettllNotice especially the subtle shift in accent ln the second bar.

Although it is imposslble to glve exact rules for rhythm playins, a hint may

be in order here. If the drummer is playing even elghth notes, the Sultarist

ehould play wit! a great deal of freedom. But if the drummer ie accentlng,the

glitarist should try to avoid conllicting too much with these accents. That ie,he

must play "in clave." A compa.rison between the rhythmic flgures on page 4

and the bo8sa nova clave beat will ghow you what this mean8,

SOME TTUCAL BOSSA NOVA RIIYTHM PATTERNS

3) 6( r ( 0

4) 0r 0r LIau( 0l 0

IMPONTANTThe chord dtagrana whlch ere found wlth each arrangenent are neant aa

eld to players wboee rlgbt resdlDg ls rct all tt shqrld be. They ahorld not befor tbe rfotbn guttar part.

English Lyric bY

JON HENDRICKS and

JESSIE CAVANAUGH

Boss a nova tempoz

I

c?ile

ffi

GmiA - ofr.H+fil ----r-r------1

,f'cldim? A? b5

ffi

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]ffi."".ffi

DESAFINADO(Slightly Out Of Tune)

tt{ DD

v lv,Epp- D? b9

+8 lrffi

N ffi-ttr'

Original text byNEWTON MENDONCA

Music byANTONTO CARLOS JOBrM

D?be

ffi-tt".

e t ,.\nrhr lo5gand loo2 EJrr.r.r Ilu'r(alArapua Sao Paulo BrarilfRO'irdrt Isrttstc L\C. \ew\orl (onrftikallrublica'('nrishr\torrhcL sA )ndceid'

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a

lrglis h Lyric by\OR\l.{N CIMBEL

T\rne lowest string to D.Em7

mrjH-+ r 1:l i-t ri '

JAZZ'N' SAMBA(Sb Dango Samba)

tron lhe nlm COfACABA\A pAl.AC€

E9.-J-_--:_

Origina I Text and Mus ic byANTONIO CARLOS JOBIN4 and

VINICIUS DE MORAES

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r0

IT WAS NIGHT(Foi A Noite)

Samba - Cancao

English L1,ric byGENE LEES Original Text and Music by

ANTONIO CARLOS JOBIM andNEWTON MENDONgA

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DON'T EVER GO AWAY(Por Causa De Voce)

Samba- Cancao

Dm7

C+EMHin

;re-sfr.\r

English lyric by RAY GILBERT

CmajT

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Original text by DOLORES DURTNMusic by AI.|TONIO CARLG JOBIM

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ER A MEU LADOSamba - cancao

t4 VEM VIV

),-3-.''

.J rrJ ,Jr-3-

Original Text and Music byANTONIO CARLOS JOBIM andALCIDES FERNANDES

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O QUE E QUE VAI SER DE MIMSamba

Original Tcxt and Music byANTONIO CARI-OS JOBII\4

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D.S.aI Coda

r8

English Lyric byGENE LEES

THAT LOOK YOU WEAR(Este Seu Olhar)

Gm? C13b I

Original Text and Music byANTONTO CARLOS JOBrMdirn (add

d+lr+

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'i8hrs for rhe U.S.A. end Canada

lntsrnatiorul Copyright Secured MaiLinU.S.A. -All Rishb R?s.rv€d lrEludins Publi< Pcr(orm.rrr For P'orir

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SOMEONE TO LIGHT UP MY LIFE(Se Todos Fossem lguais A VocA)

Samba- CancaoOriginal Text by VINICIUS DE \,lOMESMusic by ANTONIO CARLOS JOBIN'I

G7 Barre Itr

r-3-.---r r-3------r r--3----r:];j=B-3fr.-+-{-t-

iJ

2r

English Lyric byCENE LEES

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i:Ehtiti _cfr.

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z4 ESPERANqA PERDIDA

_0ffitrlj-#

Original Text and Music byANTONIO CARLOS JOBIM and BILLY BLANCO

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z6 NO MORE BLUES(Chega De Saudade)

English Lyric byJON HENDRICKS andJESSTE CAVANAUGH

r

Amx ox 3lx

Original Text and Music byANTONIO CARLOS JOBIM and

VINICIUS DE MORAES

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FLY ME TO THE MOON(In Other Words)

G7and

Words and Music bYBART HOWARD

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me see rvhatme

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hold my

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O PATO(The Duck)

English lyric byJON HEN'DRICKS

Original text and music byJAYME SILVA ardNEUZA TEIXEIRA

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