Universidad Autónoma de San

Luis Potosí

Facultad del Hábitat

Industrial design critics

-Unit 3-

“symbolic industrial ceramicvessels”

Héctor Arturo Torres Ramírez

“The design is the discipline that develops standardized artifacts”

Based on that premise , the objects of industrial design should be able to be mass produced

this means that objects should not be improvised or depend on the techniques of a trained

worker , because that would require a preparation and a secondary effort.

the vessels shown below, share the characteristic of not having improvised features after the

emptied, reflected in lower cost products on time, making them attractive for industrial

production

..

= +No

improvisationAfter emptying

More profit

More quality

+Mono

materic

“not allowed” examples

BALANKÉ by Sofia arandillas (2015)

these openings are made by hand ,

this being a rectification

improvised work that could

destroy the vessel by manipulation

errors.

BALAMTE by Miguel Marques (2015)

Made by hand without

mold

NO NAME by Danya Rocha (2015)

No mono materic,

improvised cords

symbolic industrial ceramic vessels

The following are selected examples of work done

by students in the fifth semester of studies of

industrial design, to the subject of " Synthesis

Workshop V " for the third unit dedicated to pre-

Hispanic symbolism (Year 2015).

FernoTizi Zam

2015

jug

Ferno is a ceramic jug , ceramic paste made only

in 3-piece mold , no secondary corrections after

leaving the mold.

No improvisation

Mono materic

De fuegoAnice Arriola

2015

Cup

De fuego is a ceramic cup, ceramic paste

made only in 3-piece mold , no secondary

corrections after leaving the mold.

No improvisation

Mono materic

No-nameNo-autor

2015

Cup

“No-name” is a ceramic cup, ceramic paste

made only in 3-piece mold , no secondary

corrections after leaving the mold.

No improvisation

Mono materic

XibalbaMiguel Campillo

2015

Jug

“Xibalba” is a ceramic Jar, ceramic paste

made only in 2-piece mold , no secondary

corrections after leaving the mold.

No improvisation

Mono materic

MilhoHilma MRod

2015

Vessel

“MILHO” is a ceramic vessel, ceramic paste

made only in 3-piece mold , no secondary

corrections after leaving the mold.

No improvisation

Mono materic

No-nameNo-autor

2015

Cup

“No name” is a ceramic cup, ceramic paste

made only in 3-piece mold , no secondary

corrections after leaving the mold.

No improvisation

Mono materic

Conclusión:

Es importante recordar, que aunque podemos

rescatar técnicas y procesos artesanales

dentro del repertorio formativo de nuestra

disciplina, nuestro propósito es la producción

en masa, objetos que se encuentran mas allá

de la estandarización caen en la manufactura y

el desarrollo por autoría.

Su calidad mengua con las habilidades del

autor, y decaen con el paso del tiempo.

Esta muestra es importante, por que nos

muestra que aun con una inspiración

tradicional, es posible obtener verdaderos

productos de diseño industrial que no pierdan

el control de los procesos implicados y se

adapten a los sistemas de producción.

Conclusion:

It is important to remember that although we

can rescue craft techniques and training

processes within the repertoire of our

discipline , our purpose is mass production,

objects that are beyond the standardization

fall in manufacturing and development for

authorship.

Their quality diminishes with the skills of the

author, and decay with time.

This exhibition is important because it shows

us that even with traditional inspiration , it is

possible to obtain true industrial design

products that do not lose control of the

processes involved and adapt to production

systems

Industrial design Critics

unit 3