I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so...
-
Upload
martina-nicholson -
Category
Documents
-
view
215 -
download
1
Transcript of I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so...
![Page 1: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/1.jpg)
I. The Ordinary World
The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma. The hero is shown against a background of environment, heredity, and personal history. Some kind of polarity in the hero’s life is pulling in different directions and causing stress.
![Page 2: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/2.jpg)
II. The Call to AdventureHero is called to
adventure by mistake or called by a herald who summons the hero.
This call comes at a time when the hero is ready for inner growth.
Agamemnon and Odysseus
![Page 3: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/3.jpg)
Who calls Harry Potter to adventure?
![Page 4: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/4.jpg)
Harry Potter Hagrid (on behalf of Dumbledore)
![Page 5: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/5.jpg)
Who calls Dorothy in The Wizard of Oz to
adventure?
![Page 6: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/6.jpg)
DorothyGet’s called by a tornado
![Page 7: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/7.jpg)
III. The Refusal of the Call• The hero is not
always eager to assume the adventure offered. This kind of hero is called a reluctant hero.
Agamemnon calling Odysseus to war. Odysseus is a “reluctant” or “unwilling” hero.
![Page 8: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/8.jpg)
The Refusal of the Call• The hero has the
opportunity to reject the call. If the hero refuses, his or her life may enter a state of paralysis until something happens to release him or her. (continued) Agamemnon calling
Odysseus to war. Odysseus is a “reluctant” or “unwilling” hero.
![Page 9: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/9.jpg)
The Refusal of the Call• The hero may want
to answer the call to adventure and this kind of hero is called a willing hero.
Agamemnon calling Odysseus to war. Odysseus is a “reluctant” or “unwilling” hero.
![Page 10: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/10.jpg)
Is Harry Potter a “willing” or “reluctant”
Hero?
![Page 11: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/11.jpg)
Harry Potter is a Willing Hero
![Page 12: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/12.jpg)
Is Dorothy a “willing” or “reluctant” Hero?
![Page 13: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/13.jpg)
Dorothy is a reluctant hero
![Page 14: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/14.jpg)
IV. MEETING WITH THE MENTOR
• The hero encounters a helper as the journey begins: a guide and protector (often an old woman or old man)
Athena
![Page 15: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/15.jpg)
IV. MEETING WITH THE MENTOR
• The protector usually appears to one who has already accepted the call but not always. The helper is often a wizard, hermit, or shepherd.
Athena
![Page 16: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/16.jpg)
Who is Harry Potter’s Mentor?
![Page 17: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/17.jpg)
Dumbledore
![Page 18: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/18.jpg)
Who is Dorothy’s Mentor?
![Page 19: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/19.jpg)
Glinda the Good Witch
![Page 20: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/20.jpg)
V. The Crossing of the 1st Threshold
• The hero goes beyond the boundaries of everyday life accompanied by the guide and faces dangerous forces of the unknown.
![Page 21: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/21.jpg)
VI. Tests, Allies & Enemies
• The hero is tested and sorts out allegiances in the Special World
![Page 22: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/22.jpg)
Harry Potter is tested by…
![Page 23: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/23.jpg)
“Fluffy” in Harry Potter
![Page 24: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/24.jpg)
Dorothy’s enemy…
![Page 25: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/25.jpg)
Wicked Witch
![Page 26: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/26.jpg)
VII. Approach
• The hero and newfound allies prepare for the major challenge in the Special world
![Page 27: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/27.jpg)
VIII. The Ordeal
• Near the middle of the story, the hero enters a central space in the SW & confronts death or faces his/her greatest fear.
![Page 28: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/28.jpg)
IX. The Reward• The hero takes
possession of the treasure won by facing death. There may be celebration, but there is also danger of losing the treasure again.
![Page 29: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/29.jpg)
X. The Road Back• The hero leaves the
Special World to be sure the treasure is brought home.
![Page 30: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/30.jpg)
XI. The Resurrection• The hero is severly
tested once more on the threshold of home. He/she is purified by a last sacrifice, another moment of death & rebirth, but on a higher & more complete level.
![Page 31: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma.](https://reader035.fdocuments.net/reader035/viewer/2022070403/56649f2c5503460f94c46f69/html5/thumbnails/31.jpg)
XII. Return with the Elixir• The hero returns
home or continues the journey, bearing some element of the treasure that has the power to transform the world as the hero has been transformed.