Frank Shelley [email protected] June 23, 2012 · 2016-04-30 · first view your images...
Transcript of Frank Shelley [email protected] June 23, 2012 · 2016-04-30 · first view your images...
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•Ask Questions!
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RAW
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What is Workflow?
Workflow is simply the steps taken between shooting
pictures and creating final output images.
This can be as simple as downloading JPEG files
from your digital camera, printing, and storing or it can
incorporate RAW file conversion, image optimization,
organization, printing contact sheets and individual
prints, and production of several output file sizes and
formats.
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What is Workflow? Workflow is the entire Process:
Import
Metadata
Backup
Edit
Develop
Finish
Share
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Why Shoot RAW?
Quality of an original
Versatility of a negative!
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What makes a file RAW?
1. Undeveloped
2. High Bit depth
3. Linear response
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Why RAW?
1. Massive increase in pixel data
1. 8 bits (JPEG) - 256 values
2. 12 bits (RAW) – 4,096 values – Many dSLRs offer this
3. 14 bits (RAW) – 16,384 values – some dSLRs offer
4. 16 bits (RAW) - 65,536 values – Medium Format
Backs & Leica
5. Finer gradation of tone
6. More accurate color
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Why RAW –continued ?
2. Much more latitude in exposure and room for
correction
3. Ability to implement Workflow Tools
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Why RAW Now ?
Workflow, Workflow, Workflow
With the right tools, RAW is easier than JPEG
Technologies have evolved –
Software tools, Camera speed, Memory
capacity and inexpensive drives
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The Old Way
Copy files off card…View/edit in... ? Photoshop?...
Open in Photoshop…Process, save PSD file…
Save a JPEG copy... where?...Save a small copy...
where?...
Black and white version?... Save a Master TIFF…where? …
Copy…Crop? Copy…
And so on
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The New Way
Import and apply metadata…Integrated backup… Mark
(star) good images…
Develop marked images…Make any number of
variations(crops, BW, etc.)…
Maybe finish some in PS…Export what is needed directly…
Discard exports, no copies
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Digital photography background
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Early digital systems
Scanning Camera
3 Rows of Red, Green and Blue
pixels that traverse the image area.
Image Area
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Early digital systems
Chip is filtered 3 separate times for
Red, Green and Blue channels
+ +
1st exposure 2nd exposure 3rd exposure
Triple Shot Camera
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Single shot digital cameras
Chip is “patterned” with
Red, Green and Blue Pixels
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Development
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Each Photo Site borrows
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Development
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Development
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Developed Image
As a result, the
single shot file is
roughly 3X the
number of
megapixels. For
example, a 6
megapixel chip
yields an 18mg file.
An image has now been
“developed”. The three
channels when combined
make up the RGB image.
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Where?
In Camera
In the computer using a RAW file converting
application
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What makes a file RAW?
1. Undeveloped
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What they look like...
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RAW File Designations
.3fr,.ari, .arw,.bay, .cr2,, crw .cap,.dcs,
.dcr, dng, .drf,
.eip, .erf,.fff,.iiq,.k25, .kdc,.mef, .mos,
.mrw,.nef, .nrw,
.obm, orf,.pef, .ptx, .pxn,.r3d, .raf, .raw,
.rwl, .rw2, .rwz,
.sr2, .srf, .srw,.x3f
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Bit Depth
12 bits per channel = 4096 shades of
gray
010010101011
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When we manipulate data, we compress &
stretch adjacent tones
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High Bit Depth
Exposure
Color Balance
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Exposure
Any of the controls...Exposure, Contrast, Brightness
may alter exposure.
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Color Balance
Color balance=Gray Balance=Neutral Balance
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Is it Gray? Color Balance is equal RGB values on something that is supposed to print without
hue! R=245
G=245
B=245
R=115
G=115
B=115
R=35
G=35
B=35
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Color Balance
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What makes a file RAW?
1. Undeveloped
2. High Bit depth
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Non Destructive
Great term!
Edits to an image are saved as an edit list. Can be
done, undone & redone as many times as needed.
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What makes a file RAW?
1. Undeveloped
2. High Bit depth
3. Linear Response
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Linear Response
The human eye and film are non-linear.
The recording response of a digital sensor is
proportional to the number of photons that hit it. The
response is linear. Unlike film digital sensors record
twice the signal when twice the number of photons hit
it. The linear RAW data will usually look very dark and
low in contrast compared to a normal photograph.
RAW linear data allows much better complete control
to an image.
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Linear File Converted in Software
Un
Unprocessed
Software
Conversion
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REVIEW Three common elements in RAW
1. Undeveloped
2. High Bit depth
3. Linear response
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Benefits / Drawbacks to RAW
FIles are larger than jpeg’s
(Good thing storage is cheap!)
Additional step required in
some situations
Not as universal as jpeg’s.
Wide Latitude
Easy to repurpose
Applications get better
Drawbacks Benefits
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Applications that support RAW Camera manufacturer’s
• Nikon (NX2), Canon (DPP), Fujifilm, and Sony all make applications suitable to their own file formats. Using the camera manufacturer’s RAW software will allow access to all that the file can offer (SDK).
Adobe Camera RAW / Photoshop/ Elements/ Lightroom
Capture One
Aperture – Mac Only
Corel Aftershot Pro – formerly Bibble Pro
DxO
ACDSee Pro 5
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Free RAW Program
IrfanView
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www.irfanview.com
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One last thing....
New cameras
Be aware of supported gear
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ADOBE DNG
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• DNG format helps promote archival confidence, since
digital imaging software solutions will be able to open raw
files more easily in the future.
• A single raw processing solution enables a more efficient
workflow when handling raw files from multiple camera
models and manufacturers.
• A publicly documented and readily available specification
can be easily adopted by camera manufacturers and
updated to accommodate technology changes.
FREE from
Adobelabs.com
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Great Affordable Downloaders
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INGESTAMATIC
$19.99
IMAGEINGESTER
$40
DOWNLOADER
PRO $29.99
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All RAW applications have elements in common
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Common in RAW apps
Browser
• Layout
• Metadata
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Common Tools in RAW applications
Adjust Exposure, Color Balance
Scaling
Save in Common formats
Sharpening
Renaming
Cropping
Color Management
Some form of Batch Processing
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Unique features Among RAW programs
Aperture • Browser has great editing features
Lightroom • The leader – preferred by many pros concerned with total image handling
Photoshop • Can implement other Photoshop functions, DNG “Standard”
Phase One Capture One Pro • Batch processing, quality. Selective color adjustment
Nikon NX • 10mm stuff Dust tool
Dx0 • Optics & Geometric Correction
Corel Aftershot Pro • Speed • Noise Ninja included
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RAW Convertor Features
User Interface
Support for Color Management (Monitor profile,
Camera profiles,Output profiles)
Histogram or aid for EV correction
Large Preview
Realtime WB,EV and other correction previews
Batch Capabilities
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RAW Convertor Features - 2
Good Workflow integration
Integration with RAW Image Browser (Lightroom,etc.)
Saving & Recalling settings (like WB,Sharpening)
16 Bit file save
Tag saved files with profiles
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More on Conversion
JPEGS can be saved as TIFFS to avoid losing data.
This will allow better editing on a JPEG so no
artifacts are introduced. (Lossless)
I usually convert to 16 bit TIFF unless creating web
files
Color Space can be assigned – sRGB for web use –
make sure your browser is capable of Color
Management
Multiple file editing saves time
Feel free to take files into an external editor
(Photoshop) 51
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You may have multiple needs – process accordingly
All digital images need sharpening. Always Sharpen
last
Never add Sharpening to your Master image
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IMPLEMENTATION
Steps Involved
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Steps Involved Outline
1. Shooting or Capture Workflow
2. Color Management
3. Digital Processing
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Before we discuss RAW Workflow
1. Make sure the time is set correctly in the camera
2. Batteries should be fully charged
3. Memory Cards – format in Camera only
4. Transfer images via a card reader
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Shooting or Input
Start Off Right – Set Camera to RAW
Use Histogram
Set a White Balance – not
AWB
Expose to the Right
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Establish a Neutral Reference at Capture
Great tool is XRites’s Color Passport or a Digital Grey
Card or a Black, Grey & White Card.
Insert in scene & Expose
Remove and Capture Final Image(s)
Process RAW file in software and use Reference
Area for Neutral
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Histograms
The tendency when you begin to photograph digitally is
to underexpose to preserve highlights. You should
avoid this under normal conditions. Over exposure or
metering as your camera suggests on your subject will
serve you much better. This is counter intuitive and it
will take some time to get comfortable with. When you
first view your images in Lightroom or another RAW
Convertor they will look like you really had a little too
much Jamieson’s. That is why you used RAW and why
you need to understand the entire digital workflow
while you are out shooting to obtain the best digital
exposure. Remember Linear.
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Histograms - 2
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0 - 255
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Correct
Exposure
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Under
Exposure
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Over
Exposure
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Contrast Too
High This image has both clipped
shadows and highlights. The
dynamic range of the scene is
larger than the dynamic range
of the camera.
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Low
Contrast The image only contains
midtones and lacks contrast,
resulting in a hazy image.
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Modified
Contrast
When "stretching" the above histogram
via a Levels or Curves adjustment, the
contrast of the image improves, but
since the tones are redistributed over a
wider tonal range, some tones are
missing, as indicated in this "combed"
histogram. Too much combing can lead
to posterization.
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Turn ON the Highlight Warning in
Your Camera Setup to Show
Overexposure. Overexposed areas
will Blink.
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REMEMBER THAT YOU CAN RECOVER
HIGHLIGHTS IN ADOBE CAMERA RAW (or with
Apple’s Aperture, Adobe Lightroom or Capture One)
– UP TO TWO STOPS!
REMEMBER THAT YOU CAN CONTROL THE
BRIGHTNESS AND BRING IT BACK DOWN TO
THE WAY THE IMAGE SHOULD LOOK!
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Since you are capturing in RAW and using 12 to 16
bits of information you have plenty of room to
manipulate the image if you need to – as long as you
don’t blow out the highlights too much. With Jpeg’s
the camera is converting them, adding sharpening
and also dropping it down to an 8-bit file which has
only 256 tonal values. That may sound ok, but if you
have to do serious levels work in an Editing Program
on that Jpeg (for example, wrong exposure) you will
be seriously damaging the file. That is why RAW is so
much better for critical image capture.
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Michael Clark’s workflow in the field goes like this:
“Set custom white balance > Take a photo of the subject
> Preview the image and histogram – at this point I am
not looking at the image – just the histogram > from the
histogram I see if I need to adjust my exposure (shutter
speed and aperture). If the histogram is mashed up on
the left then I open up and overexpose to push the
histogram to the right; conversely if I have seriously
blown the highlights out I stop down and take another
shot to make sure I have the optimum exposure. > Once
I get the exposure dialed in I then start shooting in
earnest.”
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Histograms will be of a different nature under certain
conditions. Do not panic or over react.
Examples – black cat in coal bin
white plate on white background
High Key or Low Contrast
In other words, Subjects not consisting of a mix
of Shadows, Midtones & Highlights
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Color Management
A program in itself!
RAW has no color space it is assigned during
processing
Need for a professional, “Smart” Monitor to edit files
that are accurate for all purposes
Need to work in a neutral environment
Hardware and Software is needed for accurate
profiling
All devices differ in their interpretation of color
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Standard Settings for Photography:
6500K White Point, 2.2 Gamma and 120 Luminance
If producing your own prints you may want to match
the paper white with the Monitor white
Color Spaces – assigned in Editing Program for
Output
sRGB – web and basic prints. Wedding/Portrait
aRGB – Fine Art Preferred as well as ProPhotoRGB (very
big)
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Digital Processing
Consists of:
RAW Processing
Cataloging
Backing Up
Output
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Set Up Folders for Images
Needs vary; so customize
Remember Same Way All of the Time!
Hierarchy: Images Folder on Hard drive
Create a Job Folder. In the Job Folder establish
subfolders. I use MASTER, JPEG, TIFF, ORG
ORG = Originals MASTER = Edited files w/edit
layers
TIFF = Print or Output JPEG = Web or Print
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I use Folder = Subject_YYMMDD (Capture Date)
Subfolders = Subject_YYMMDD_JPEG
Subject_YYMMDD_MASTER
Subject_YYMMDD_ORG
Subject_YYMMDD_TIFF
You may have more or less depending on needs
Copy and change info as you get assignments
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My first step after capture is to name the folder and
subfolders accordingly and copy RAWs to the ORG
folder. Here’s where a Downloader can help.
Then immediately create a backup either on an
external hard drive , DVD or Remote (Carbonite)
Verify the integrity of the Backup
REMEMBER – 4GBs of Images is equal to a DVD
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First Look
Use your preferred image browser and go through the
RAW images and delete any that are not fit for
Primetime such as out of focus, poor
composition,etc. Lightroom makes it easy to reject
I use Lightroom as it is fairly versatile and chock full of
features for the working Pro ie Metadata, keywords,
editing, renumbering
Metadata – you can create a Metadata Template
Keywords – add relevant keywords for easy searching
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Rename Guide
Batch Rename.
Name files with only the letters of the alphabet and
the numerals 0 through 9
•Avoid punctuation marks (other than hyphen and
underscore), accented vowels and other special
characters
•Keep the full name to 31 characters or less for files
on network or removable media
Very easy in Lightroom
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More Image Data
Rate Images based on star scale
Add additional labels to files
Refine Keywords
Create & Organize groups of images into a defined
Collection
Lightroom will allow Stacking a group of images for
quick navigation
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Overview of a Digital Processing Workflow
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RAW INGESTION (Demosaicing)
NOISE REDUCTION
APPLY TONE CURVE
APPLY CAMERA PROFILE
EXPOSURE
WHITE BALANCE
CONTRAST,BRIGHTNESS,SATURATION
CORRECT COLORS (Selective;Global)
RETOUCH
RESIZE
SHARPEN
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A Lightroom Workflow
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CAPTURE
RAW or JPEG?
Expose Correctly
IMPORT
Store Photos in organized Folders
Consider renaming & converting
RAW to DNG
Apply Basic Metadata – copyright
& general keywords
Apply any Develop presets
Render Previews – saves time
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A Lightroom Workflow - 2
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ORGANIZE
Browse Photos
Manage photos in Folders
Group Photos into Stacks &
Collections
Add Star ratings & labels to
identify Favorites
Add additional metadata; ie
keywords
Search for photos using filters &
smart collections
Back up catalog & photos
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A Lightroom Workflow - 3
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DEVELOP / RETOUCH
Adjust tone and color
Remove dust, noise, sharpen,
apply lens corrections
Straighten and Crop
Apply Effects
Switch to Photoshop or other
external editors for pixel based
editing
Create panoramics and HDRs in
external editors
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A Lightroom Workflow - 4
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OUTPUT
Create finished files in size, format
& your choice of Color Space
Export plug-ins to enhance such
as borders
Slide Shows – export to videos,
PDF & Jpegs
New – Books
Create Web Gallery
Use Publish to synch with Flickr &
photo sharing websites
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Backup / Archive Backup: Backups have two distinct purposes. Their primary
purpose is to recover data as a reaction to data loss, be it
by data deletion or corrupted data. The secondary purpose
of backups is to recover data from a historical period of
time within the constraints of a user-defined data retention
policy, typically configured within a backup application for
however long copies of the data are required.
Archive: Storage of a collection of digital data comprise an
archive. Archive data is data that does not change much or
at all and must be kept long periods of time. May want
outside service.
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Be disciplined
Implement a Backup procedure and always use it
It only takes one hiccup to ruin your day
UPDIG recommends a 3-2-1 strategy:
3 copies of each file
2 types of media
1 stored remotely
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DAM
The term "digital asset management" (DAM) refers to
the protocol for downloading, renaming, backing up,
rating, grouping, archiving, optimizing, maintaining,
thinning, and exporting files. It covers a lot of
ground.
DAM software helps you sort, track, back up, convert,
and archive your photographs. Its function is to
store, view, control, and manipulate all the
information you have collected about your photos,
as well as the photos themselves.
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Browsers vs. Cataloging Software
There are two primary types of DAM software:
browsers and cataloging software. A browser reads
information from a file but does not store it
separately. Cataloging software stores information in
its own separate file (bear in mind, however, that the
software, and the catalog document it makes, are
distinct from the photos themselves).
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Browsers vs. Cataloging Software - 2
At first, a browser and a cataloging application look
similar. Each one can display multiple files, sort
according to multiple criteria, and send off the files
to be worked on. But behind the scenes, there is an
important difference. A browser extracts data from
the files on a more or less "real-time" basis and
builds its utility around this information. DAM
cataloging software, however, keeps a permanent
catalog of information about the images, including
thumbnails.
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Differences – Catalog Software is faster
One thing cataloguing software can do better than a
browser is to return results much faster. Because
cataloguing software keeps all the organizational
information in a database document, it only needs to
do a local search. A browser may have to look
through the keywords of 100,000 files stored on
several different drives to return the same results.
And if the software is structured to continually
update the search results, it will be constantly
reindexing this information.
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Differences – Catalog Software allows virtual sets
More important, however, is the ability of good
cataloging software to create and keep virtual sets.
Virtual sets are like the folders that you keep images
in, except that they all point to the same original file.
This enables you to include an image as part of
multiple sets without having to copy the files multiple
times.
The best of the cataloguing applications will also let
you organize your groups into groups or nested
virtual sets, essential to good organization of your
image files.
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Differences – Catalog Software Also
Knows where data is supposed to be
Allows faster backup of important sorting work
Allows working with offline images
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A DAM Procedure
Digital Asset Management
Lightroom is not totally DAM approved. For most
people LR works great and makes it easy to catalog,
edit and find your images.
Lightroom is Browser based and is not networkable.
The best DAM Program that I know of is the former
iView Media Pro. This cataloging program was
purchased by Microsoft and sat fairly dormant if not
on the verge of extinction…
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New Life
The Program has been purchased by Phase One out
of Denmark. They are the inventors of Capture One
software and a fine line of 16 bit Medium Format
Backs.
The Program has just been re-worked and is known
as Media Pro 1. The price is $199.
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Overview
Phase One Media Pro™ is a professional photo manager that makes it
easy to manage your photo and video assets. Built to be fast and
intuitive, it is a powerful photography assistant that will supercharge the
way you find, organize, and share your images and videos wherever
your files are stored. Media Pro supports photo and video files from more
than 100 different cameras and is built to manage large photo libraries.
Find and select your images quickly. Magnify images and evaluate your
images with correct colors, in high quality and including adjustments
using Capture One’s professional image rendering engine. Drag and
drop to import and add keywords and ratings for images and videos.
Manage your library across multiple drives. Even when your originals are
offline, you can browse, search, and annotate your images.
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The DAM Book
Digital Asset Management for
Photographers
by Peter Krogh
http://www.peterkrogh.com/
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Q&A
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fin