Forms of motion - Sheena Phillips€¦ · Forms of motion Sheena Phillips Three pieces for string...
Transcript of Forms of motion - Sheena Phillips€¦ · Forms of motion Sheena Phillips Three pieces for string...
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Forms of motion Sheena Phillips Three pieces for string orchestra (Violin 1, Violin II, Violin III, Viola, Violincello I, Violincello II, Contrabass)
I Birds c. 5:45
II Bees c. 4:45
III Fish c. 4:00
Total duration c. 15:00 (including pauses between movements)
The first movement, Birds, is based on the climbing, wheeling, soaring and swooping flight patterns of massed starlings at dusk. The passing of motifs from one part to another echoes what we know about how these patterns emerge: individual birds follow what their near neighbours do. There are lots of fascinating videos of murmuration on the web: just google ‘starling murmuration’. Bees is a depiction of the foraging flight of bumblebees. Bumblebees forage individually. Initially their flight features many loops and zig-zags, but they gradually identify good feeding areas and become more efficient in travelling between them. In this piece, four soloists represent four individual bees, and the gently humming mass of non-solo strings represents the hive, always in quiet motion but also essentially stationary. An article summarising bumblebee foraging patterns is at https://askabiologist.asu.edu/plosable/flight-bumblebees Fish evokes the movement of schools of fish, alternating between co-ordinated motion (which has parallels with murmuration) and periods of ‘milling’ in which the group has no particular orientation. It draws on information (and great pictures) in an academic study published by the Royal Society at http://rsfs.royalsocietypublishing.org/content/2/6/693
© copyright Sheena Phillips 2017
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___________________________________________________________________________ www.sheenaphillips.com [email protected]
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Forms of motion: notation and other performance information I Birds This movement has three violin parts and two cello parts to help accommodate players of different abilities. Tremolos are unmeasured. Trills – unless otherwise marked, trills are to the next note up in the diatonic scale of D major. Where the next note up is a sharp note, I have indicated this in brackets. Please start all trills on the upper note and continue for the whole duration of the note. Trill extension lines clarify when a trill should be continued into a tied note. II Bees Square noteheads : make simple repeating patterns using the two notes in the square notehead cluster. See the examples below for a few ideas. You may vary the patterns, perhaps responding to patterns of players around you – or you can stick to exactly the same pattern throughout the piece. Keep the patterns simple, using only quavers, crotchets or dotted crotchets. If you’re feeling adventurous, you may cross the bar line, but keep track of where you are! Conductor signals: the score marks the places at which notes change for one or more of the ‘hive’ parts. To help players keep track, it might be helpful to have a particular kind of signal for these ‘note switching points’ (as opposed to other conductor cues for soloists etc.) Tremolos are unmeasured. Trills – trills are to the next note up in the scale of F major. Please start all trills on the upper note. Sample interpretations of square noteheads: Notation Interpretation
& b 86 ..!! jœ œ jœ œ(repeated bars) jœ œ jœ œ jœ œ jœ œ jœ œ jœ œ
or similar
& b 86 ..!! .œ .œ(repeated bars)
.œ .œ .œ .œ .œ jœ œ .œ .œor similar
& b 86 ..!!Chord change
..!! .œ .œ .œ .œor similar
& b 86 89 86 89..!!Time signature change
..!! ..œœ œ œ œ jœ œ œ œ œ jœ œ .œor similar
II. Bees
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III Fish This movement has three violin parts and two cello parts to help accommodate players of different abilities. Tremolos are unmeasured. Trills are to the next note up in the diatonic scale of C major and begin on the lower note.
& b 86 ..!! jœ œ jœ œ(repeated bars) jœ œ jœ œ jœ œ jœ œ jœ œ jœ œ
or similar
& b 86 ..!! .œ .œ(repeated bars)
.œ .œ .œ .œ .œ jœ œ .œ .œor similar
& b 86 ..!!Chord change
..!! .œ .œ .œ .œor similar
& b 86 89 86 89..!!Time signature change
..!! ..œœ œ œ œ jœ œ œ œ œ jœ œ .œor similar
II. Bees
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perusal score - not for rehearsal or performance
forms of motionScore
I. Birds Sheena Phillips
© copyright Sheena Phillips 2017
sample
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2 forms of motion I: birds
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3forms of motion I: birds
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4 forms of motion I: birds
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5forms of motion I: birds
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.˙n æ
∑∑
.æ̇
.˙n æ
.æ̇
.æ̇
.æ̇
∑∑∑∑∑
.˙nŸ
.˙nŸππ
∑∑∑
.˙b
.˙
.˙
.˙
F
F
œ ˙
œn ˙∑
.˙b
.˙
.˙
.˙
p
p
pp
6 forms of motion I: birds
perusal score - not for rehearsal or performance
sample
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# ## ## ## ## ## ## #
44
44
44
44
44
44
44
43
43
43
43
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43
43
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44
Vln. I
Vln. II
Vln. III
Vla.
Vc. I
Vc. II
Cb.
Ÿ~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Ÿ N
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Ÿ N
92
˙ œ
˙ œn
Œ œn œ∑∑
.˙
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p
π
π
.˙
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.˙
.˙
pp
˙ Œ˙ Œ
˙ Œ
.˙b
.˙
.˙
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∑∑∑
.˙ Œ
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∑Œ Œ œŒ Œ œ
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P
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∑
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p
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pp
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.˙œ ˙n
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.˙ Œ
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# ## ## ## ## ## ## #
43
43
43
43
43
43
43
44
44
44
44
44
44
44
Vln. I
Vln. II
Vln. III
Vla.
Vc. I
Vc. II
Cb.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~∑∑
Ó ˙nw˙n œ œ
∑∑
F regathering
pcantabile
∑Ó ˙nwœ ˙ œ œw
∑∑
accel. poco a poco
P
∑
œ œn œ œ
˙n œ œ œœ œ ˙wn Ÿ
∑∑
w
œ œ œ œ œ œ
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wŸ
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pp
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.˙
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Ó ˙
˙ œ œ œ œ
œ .˙n˙ œ œ œ
Ó ˙
wŸ
wŸ
7forms of motion I: birds
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# ## ## #
# ## ## ## #
43
43
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43
43
43
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Vln. I
Vln. II
Vln. III
Vla.
Vc. I
Vc. II
Cb.
108 wŸ
˙ œ œ œ œ
˙ œ œ œœ œ œ œwŸ
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Œ ˙
˙ œ œ
œ œ œ œœ œ œ œ œ
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F
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43
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43
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43
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44
44
44
44
44
44
44
Vln. I
Vln. II
Vln. III
Vla.
Vc. I
Vc. II
Cb.
Ÿ~~~~~~~~~~~~Ÿ~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~Ÿ~~~~~~~~~~~~
113 œ œ œ œ œ œ œ œ
˙ œ œ œ œ
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œ .˙
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wŸ
wŸ
wŸ
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jœ wjœ wjœ w
jœ wwæwæ
∑
˙ Ó˙ Ó˙ Ó˙ Ó
æ̇ Ó
æ̇ Ó∑
8 forms of motion I: birds
perusal score - not for rehearsal or performance
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# ## ## ## ## ## ## #
43
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43
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43
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43
43
Vln. I
Vln. II
Vln. III
Vla.
Vc. I
Vc. II
Cb.
Ÿ~~~~~~~~~~~Ÿ~~~~~~~~~~
∑Œ œ- ˙
∑∑∑∑∑
vigorous, intense
f
Faster { q = c 120} G
Ó jœ- ˙˙ œ œ œ œ
w-jœ- wŸ
∑jœ wŸjœ wŸ
f
ff
f
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f
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∑œ œ œ œ
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œ .˙
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FF
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˙ ˙˙ ˙
jœ .Ÿ̇ Œjœ .Ÿ̇ Œjœ wŸ
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˙ ˙˙ ˙
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p
pp
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p
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wwŸ
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43
43
43
43
43
43
44
44
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44
44
44
44
43
43
43
43
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43
43
44
44
44
44
44
44
44
Vln. I
Vln. II
Vln. III
Vla.
Vc. I
Vc. II
Cb.
Ÿ~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~
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129 Œ ˙
∑
∑∑∑∑∑
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Ó jœ- ˙
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œ ˙ œ
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f
9forms of motion I: birds
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# ## ## ## ## ## ## #
43
43
43
43
43
43
43
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44
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44
43
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43
43
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Vln. I
Vln. II
Vln. III
Vla.
Vc. I
Vc. II
Cb.
135 œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ
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œ œ œ œ
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f
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43
43
43
43
43
43
43
44
44
44
44
44
44
44
Vln. I
Vln. II
Vln. III
Vla.
Vc. I
Vc. II
Cb.
142 ∑∑∑∑∑∑
.æ̇p
rit.
wæ
wæ
wæwæ
∑∑∑
∑
wŸ
∑∑∑∑∑
I
π
{ q = c 120} a tempo
∑∑∑
wŸ
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wŸ
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∑∑∑∑∑
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p
œ œ œ œ œ œ œ œŒ œ œ œ œ œ œ
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a final ascent
œ œ œ œ œ œ œ
œ œ œ œ œ œ
œ œ œ œ œ œ œ œwŸ
∑∑∑
p
10 forms of motion I: birds
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43
43
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43
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44
44
44
44
44
44
43
43
43
43
43
43
43
44
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44
44
44
44
Vln. I
Vln. II
Vln. III
Vla.
Vc. I
Vc. II
Cb.
Ÿ~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~149 ˙ ˙
.˙ œ
œ œ œ œ œ œ œ œ
∑∑∑∑
f
fœ Œ œ
.˙
.˙
∑∑∑∑
f
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w
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44
44
44
44
44
44
44
Vln. I
Vln. II
Vln. III
Vla.
Vc. I
Vc. II
Cb.
157 ∑∑∑
wæwæwæœ Œ Ó
Ó ˙
Ó ˙
Ó ˙∑∑∑∑
p
p
p
and disappearance below the horizonjœ wŸ
jœ wŸ
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π
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∑∑
ππ
∑∑∑∑
œ Œ Ó.Ÿ̇ Œ
∑π
∑∑∑∑∑∑
œ Œ Óπ
11forms of motion I: birds
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b
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86
86
86
86
86
86
86
86
86
Violin I solo
Violin II solo
Viola Solo
Cello Solo
Violin I
Violin II
Viola
Cello
Contrabass
∑
∑
∑
∑
∑
.˙
.˙
.˙
∑
Peaceful yet busy
sul tasto
sul tasto
sul tasto
sul G
π
ππ
∑
∑
∑
∑
∑
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.˙
.˙
∑
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∑
∑
∑
∑
∑
..≠≠..≠≠..≠≠
∑
square noteheads: see front pages
square noteheads: see front pages
square noteheads: see front pages
∑
∑
∑
∑
.˙
..≠≠..≠≠..≠≠
∑
πsul tasto
∑
∑
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∑
∑
∑
∑
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square noteheads: see front pages
∑
∑
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∑
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12
perusal score - not for rehearsal or performance
II. BeesSheena Phillips
© copyright Sheena Phillips 2017
sample
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b
b
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Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
œ œ œ jœ œ
∑
∑
∑
..≠≠
..≠≠..≠≠..≠≠
∑
A
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∑
∑
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F
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∑
∑
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∑
.œ jœb œ
∑
∑
∑
..≠≠
..≠≠..≠≠..≠≠
∑
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∑
∑
∑
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∑
jœb œ .œ
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∑
œ Jœn .œ
∑
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..≠≠..≠≠..≠≠
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forms of motion II: bees 13
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b
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89
89
89
89
89
89
89
89
89
86
86
86
86
86
86
86
86
86
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
Ÿ~~~~~~~~~~20
Jœn œ# .œ
∑
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∑
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..≠≠..≠≠..≠≠
∑
Jœ œ Jœ œ
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pœ œ œ œ œ œ
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∑
.œ œb Jœ
∑
∑
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..≠≠
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.œ Œ .
forms of motion II: bees14
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b
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Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
30 .œ .œ
∑
∑
∑
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Signal 1 (vlnc.)
F.œ# œ Jœ
∑
∑
∑
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∑
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∑
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∑
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∑
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∑
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P Jœn œ œb Jœ
∑
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∑
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..≠≠..≠≠..≠≠
∑
Jœb œ Jœb œ
∑
∑
∑
..≠≠
..≠≠..≠≠..≠≠
∑
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.˙
∑
∑
..≠≠
..≠≠..≠≠..≠≠
.œ Œ .
dolceP
forms of motion II: bees 15
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b
b
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b
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b
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Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
Ÿ~~~~~~~~~~~.˙
œ œ œ .œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
.œ Œ .
(second flower)
Signal 2 (vln. 2, vla., vlnc.)
B
F
the second bee gets going
.˙
.˙
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
œ œ œ œ œ œ
.œ jœ œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
.˙
œ# jœ .œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
.œ œ Jœ
.œ Jœ œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
.œ Œ .
F
pjœ .˙
œ Jœ .œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
.œ Œ .
.œb œ Jœn
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
Œ . .œ
.œb Jœ œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
F.œb Jœ œ
œ Jœb .œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
.œ Œ .
forms of motion II: bees16
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
48 Jœ œ .œ
Jœn œ .œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
.œ Œ .
(at the first flower)
.œb Jœ œ
.˙
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
.œ Œ .
.œ .œ
œ œ œ œ œ œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
.œ Jœ# œnjœ .Ÿ̇
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
p
.œ# .œ
Œ . .œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
F
.œn .œn
Jœ œ .œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
jœ œb jœ œ
.œ Jœ œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
.œb .œ
.œ .œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
.œ jœ œ
œ Jœb Jœ œ
∑
∑
..≠≠
..≠≠
..≠≠..≠≠
.œ Œ .
forms of motion II: bees 17
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
.˙b
œn Jœ Jœb œ
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠
.œ Œ .
(third flower)
Signal 3 (vln. 1, vla., vlnc.)C
P .˙
.˙
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠
∑
(second flower)
œ œb œ œ œ œ
.˙
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠
∑
p
.˙ œ#
œ œ œ œ œ œ
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠
.œ Œ .
( )
F
œ# jœn .œ#
.˙
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠
∑
Signal 4 (vln. 1)
p
jœ œ .œ
Œ . jœ œ
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠
∑
P
jœ œ .œb
œ jœ# jœ œn
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠
∑
jœ œn .œ
jœ œ# jœ œ
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠
∑
jœ œn .œ
.œ jœ œ
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠
.œ Œ .
forms of motion II: bees18
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
Ÿ~~~~~~~~~66
Jœ œn jœ œ
jœ# œ .œ
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠
.œ Œ .
.˙
Jœ œ .œ
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠
.œ Œ .
(fourth flower)
F.˙
.œ œb Jœ
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠
∑
jœ .˙
.œb œb Jœ
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠
∑
.˙
.˙b
œ œ œ œ œ œ
∑
..≠≠b
..≠≠
..≠≠..≠≠
.œ Œ .
(third flower)
dolce
F
p
F
œ œ œ œ œ œ
.˙
.˙
∑
..≠≠b
..≠≠
..≠≠..≠≠b
.œb Œ .
DSignal 5 (vlnc.)
p
F
enter the third bee
.œ œ Jœn
œ œb œ œ œ œ
∑
∑
..≠≠b
..≠≠
..≠≠..≠≠b
∑
F
œ Jœb œ œ œ
.˙
œ œ œ œ œ œ
∑
..≠≠b
..≠≠
..≠≠..≠≠b
∑
p
.œ jœ# œ
.œ œb Jœ
.˙
∑
..≠≠b
..≠≠
..≠≠..≠≠b
.œb Œ .
F
forms of motion II: bees 19
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
89
89
89
89
89
89
89
89
89
86
86
86
86
86
86
86
86
86
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
75
œn œ œ œ œ œ
.œ .œn
.œ Jœ œ
∑
..≠≠
..≠≠
..≠≠..≠≠b
∑
Signal 6 (vln. 1)
(and home again)
.˙
œ Jœb .œ
.œ œb œ œ
∑
..≠≠
..≠≠
..≠≠..≠≠b
∑
œ œ œ œ œ œ
.œ Jœ œn
.œ Jœn œ
∑
..≠≠
..≠≠
..≠≠..≠≠b
∑
p .˙
.˙
.œ œb Jœ
∑
..≠≠
..≠≠
..≠≠..≠≠b
.œb Œ .
(fourth flower)
∑
.˙ .œ
.˙ .œ
∑
..≠≠ ..––
..≠≠ ..––
..≠≠ ..––..≠≠ ..––
.œ Œ . Œ .
(at the first flower)
Signal 7 (vln. 1, vlnc.)
p
∑
œ œ œ œ œn œ
.œ Œ .
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
F
p
œ œ œ .œ#
œ Jœb œ œ œ
œ œ œ œ œ œ
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
(second journey out)
P
F
.œ .œ
.œ jœ# œ
.˙
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
p
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
Ÿ~~~~~
Ÿ~~~~~~~~~~~~~~~~~~
83 .œ jœ œ
œn œ œ .œjœ .˙
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
(and home again)
F
Jœ œn œ Jœ#
.˙
.˙
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
p
Jœ œ œ Jœ
œn œ œ œ œ œ
Œ . .œ
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
P
p
.˙
.œ .œ
.œ œ Jœb
∑
..≠≠
..≠≠
..≠≠..≠≠
.œ Œ .
Fœ œ œ œ œ œ
.˙
.œ .œn
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
.˙
∑
œ Jœb .œ
∑
..≠≠
..≠≠
..≠≠..≠≠b
.œb Œ .
Signal 8 (vlnc.)
.˙
Œ . .œ.œn œ Jœ
∑
..≠≠
..≠≠
..≠≠..≠≠b
∑
(second journey out)
p
P
jœ .œ œ Jœ
.œ jœ œœ œ œ .œ
∑
..≠≠
..≠≠
..≠≠..≠≠b
∑
.œb œ Jœ
œ# jœ jœ œ
Jœ œ .œ
∑
..≠≠
..≠≠
..≠≠..≠≠b
∑
(second flower)
F
F
p
forms of motion II: bees 21
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
89
89
89
89
89
89
89
89
89
86
86
86
86
86
86
86
86
86
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
92 .œ .œ#
œ œ œ œ œ œ.œ œb Jœ
∑
..≠≠
..≠≠
..≠≠..≠≠b
∑
F
œ Jœ# œ Jœ#
.œb .œ
.œb œ Jœ
∑
..≠≠
..≠≠
..≠≠..≠≠b
∑
œ Jœ# .œ
.˙n
.œn Jœ œb
∑
..≠≠
..≠≠
..≠≠..≠≠b
∑
F
Jœ# œ œ œ œ
.œb Jœ œ
.œ .œ
∑
..≠≠
..≠≠
..≠≠..≠≠b
.œb Œ .
.˙
œ Jœb .œ
Jœ œ .œ
œ œ œ œ œ œ
..≠≠
..≠≠
..≠≠..≠≠
.œ Œ .
(first flower again)
ESignal 9 (all)
dolceF
the fourth bee
.˙ .œ
œn Jœ .˙
.˙ .œ
.˙ .œ
..≠≠ ..––
..≠≠ ..––
..≠≠ ..––..≠≠ ..––
∑
jœ .Ÿ̇
.˙
jœ .Ÿ̇
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
p
p
Œ . œ œ œ
.Ÿ̇
Œ . .œ
œ œ œ œ œ œ
..≠≠
..≠≠
..≠≠..≠≠
.œ Œ .
p
P
P.œb œ Jœ
Œ . œ Jœb
.œb œ Jœ
.˙
..≠≠
..≠≠
..≠≠..≠≠
∑
P
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
101 Jœ œb œ Jœ
œ Jœ .œ
.œ .œn
œ Jœb Jœ œ
..≠≠
..≠≠
..≠≠..≠≠
∑
.œ .œ
.˙
œ Jœb .œ
œ Jœn Jœ œb
..≠≠
..≠≠
..≠≠..≠≠
∑
.œ œ# Jœ
.œ œ Jœ
.œn œ Jœ
.œ Jœn œ
..≠≠
..≠≠
..≠≠..≠≠
∑
.˙n
.œ# .œ
œ œ œ .œ
.˙
..≠≠
..≠≠
..≠≠..≠≠
∑
.˙
œn Jœn Jœ œ
Jœ œn œ œ œ
.œ œ Jœ
..≠≠
..≠≠
..≠≠..≠≠
∑
(second flower)
œ œ œ œ œ œ
.˙bjœ .Ÿ̇
.˙
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
(at the first flower)
F
F
F
f
F
.˙
.˙
œ œ œ œ œ œ
.˙
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
p
p
p
p
œ œ œ .œn
œ œb œ œ œ œ
.œ Œ .œ Jœ Jœ œ
..≠≠
..≠≠
..≠≠..≠≠
∑
p
F
f
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
89
89
89
89
89
89
89
89
89
86
86
86
86
86
86
86
86
86
89
89
89
89
89
89
89
89
89
86
86
86
86
86
86
86
86
86
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
Ÿ~~~~~~~~
109 .œn œn jœ
.˙
Jœ œb Jœ œ
.˙
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
p
p
F
œb jœb œ œ œ
Œ . .œb
.œ .œ
Œ . .œ
..≠≠
..≠≠
..≠≠..≠≠
.æ̇ p
.œ jœ œ
œ œb œ .œ
Jœn œ Jœb œ
Jœ œ .œ
..≠≠
..≠≠
..≠≠..≠≠
∑
cantando
F
f
.˙b .œ
.˙ .œ
Jœ œ .˙
.˙ Jœ œ
..≠≠ ..––
..≠≠ ..––
..≠≠ ..––..≠≠ ..––
∑
Signal 10 (vln.1, vln.2, vlnc.)
.˙jœ .˙jœ .Ÿ̇
.˙b
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
(second flower)
(first flower again)
p
p
F
œ œb œ œ œ œ
.œ Œ .
œ œ œ œ œ œ
.˙
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
F
p
F
p
.˙ .œ
œ œn œ .œ .œb
.˙ .œ
œ œb œ œ œ œ .œ
..≠≠ ..––
..≠≠ ..––
..≠≠ ..––..≠≠ ..––
.æ̇ .œæ
p
F
P
p
F
jœn œ# jœ œ
.œ jœ œ#
Œ . .œ
.˙
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
p
P
F
p
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
89
89
89
89
89
89
89
89
89
86
86
86
86
86
86
86
86
86
89
89
89
89
89
89
89
89
89
86
86
86
86
86
86
86
86
86
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~117
Jœ œb œ jœn
.˙
Jœb œ Jœ œ
œ Jœb Jœ œ
..≠≠
..≠≠
..≠≠..≠≠
∑
.œ œ Jœ
.˙
Jœ œ Jœ œ
.˙
..≠≠
..≠≠
..≠≠..≠≠
∑
(third flower)
p
.˙
œ œ œ œ œ œ
œ Jœ Jœ œjœ .Ÿ̇
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
(fourth flower)
G
F
F
F
P
.˙ œ œ œ
.˙ œ œ œ
Jœ# œ Jœn œ Jœ œ
Œ . Œ . œ œb œ
..≠≠ ..––
..≠≠ ..––
..≠≠ ..––..≠≠ ..––
∑
p
p
p
p
.˙
.œ# .œ
.˙
.˙
..≠≠
..≠≠
..≠≠..≠≠
∑
F
F
.˙ .œ
.œn .˙jœ .Ÿ̇ œ œ œ
Œ . Œ . .œ
..≠≠ ..––
..≠≠ ..––
..≠≠ ..––..≠≠ ..––
∑
F
pœ œ œ œ Jœn
.˙jœn œ .œ
œb Jœ Jœ œ
..≠≠
..≠≠
..≠≠..≠≠
∑
F
p
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
89
89
89
89
89
89
89
89
89
86
86
86
86
86
86
86
86
86
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
124 œ Jœb œ œ œ
œn œ œ œ œ œ
œ œb œ œ œ œ.˙b
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
(fourth flower)
f
F
(and home again)
.œ jœ# œ
.˙
.˙
.˙
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
p
p
œn œ œ œ œ œ
∑
∑œb œ œ œ œ œ
..≠≠
..≠≠
..≠≠..≠≠
∑
(and home again)
.˙
œn œ œ œ œ œ
œ œb œ œ œ œ.˙
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
p
F
∑
.˙
.˙
.œ Œ .
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
p
p
œ œ œ œ œ œ
∑
.˙œb œ œ œ œ œ
..≠≠
..≠≠
..≠≠..≠≠
∑
H
.˙ .œ
∑
∑
.˙b .œ
..≠≠ ..––
..≠≠ ..––
..≠≠ ..––..≠≠ ..––
.æ̇ .œæ
F
F
∑
Œ . .œ
œ œb œ œ œ œ.˙
..≠≠
..≠≠
..≠≠..≠≠
∑
(third journey)
Signal 11 (vln.2, vlnc.)
p
P
∑
œ jœ .œ#
.˙
Œ . .œb
..≠≠
..≠≠
..≠≠..≠≠
∑
F
forms of motion II: bees26
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
Ÿ~~~~~~~~~~~~~~~~
133
.œ œ jœ
œ jœ jœ œ
.˙
Jœ œb œb Jœ
..≠≠
..≠≠
..≠≠..≠≠
∑
(third journey)
P œ# jœ .œ
œ Jœ Jœ œb
jœ .Ÿ̇
.˙
..≠≠
..≠≠
..≠≠..≠≠
∑
F
œ Jœ Jœ œb
.œ Jœ œb
.œ Jœ œ
.˙
..≠≠
..≠≠
..≠≠..≠≠
∑
(second journey out)
p
p
.œb Jœn œ
.˙
œ Jœ Jœ œb
œ œ œ œ œ œ
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
F
F
F
Jœ œb .œ
Jœn œ .œ
.œ Jœn œ
.˙
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
F
p
.˙
.˙
.œ .œb
.˙
..≠≠
..≠≠
..≠≠..≠≠
∑
p
pœ œ œ œ œ œ
jœ .˙
.˙
œ œ œ œ œ œ
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
F
F
F
F
(and home again)
.˙
.˙
.˙
.˙
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
p
p
.œ œ Jœ
Œ . .œ
.œ Œ .
.˙
..≠≠
..≠≠
..≠≠..≠≠
.æ̇
p
p
p
forms of motion II: bees 27
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
Ÿ~~~~~~~~~~~~~~~~~~
142 .œ# .œ
Jœ œb .œ
.œ œ œ œ
∑
..≠≠
..≠≠
..≠≠..≠≠
∑
F
.˙n
Œ . œ Jœb
.œ œ Jœ
∑
..≠≠
..≠≠N
..≠≠..≠≠b
∑
ISignal 12 (vlnc.)
F
F
cantando
.œ Œ .
œ Jœ .œ
jœ .˙
∑
..≠≠
..≠≠
..≠≠..≠≠b
∑
œ œ œ œ œ œ
Jœ œ .œb
.˙
.œ .œ
..≠≠
..≠≠
..≠≠..≠≠b
∑
(second journey out)
F
p
F
.˙
.œ œ Jœ
Œ . .œ
œ Jœb Jœ œb
..≠≠
..≠≠
..≠≠..≠≠b
∑
p
F cantando
œ Jœ .œb
.œ# .œ
.œ œ Jœb
.œn Jœb œ
..≠≠
..≠≠
..≠≠..≠≠b
∑
Jœ œ .œ
œn Jœn Jœ œ
.œ .œn
.˙n
..≠≠
..≠≠
..≠≠..≠≠b
.˙bæ
f
F
f
œ œ œ œ œ œ
.˙b
œ Jœb .œ
.œ œ Jœ
..≠≠
..≠≠
..≠≠..≠≠b
.æ̇
(at the first flower)
F
p
.˙
.˙
.œn œ Jœ
.˙
..≠≠
..≠≠
..≠≠..≠≠b
∑
f
p
p
forms of motion II: bees28
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
89
89
89
89
89
89
89
89
89
86
86
86
86
86
86
86
86
86
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
Ÿ~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~
151 œ œn œ œb jœ
œ œb œ œ œ œ
œ œ œ .œ
.˙
..≠≠
..≠≠
..≠≠..≠≠b
∑
F
Fœ jœ jœ œ
.˙
Jœ œ .œ
jœ .˙
..≠≠
..≠≠
..≠≠..≠≠b
∑
p
f
.˙b
Œ . .œb
œ Jœ Jœ œ
.œ Œ .
..≠≠b
..≠≠
..≠≠..≠≠b
∑
J Signal 13 (vln.1, vln.2)
F
p
F
.˙
œ œb œ .œ.œb œ Jœ
Œ . .œ
..≠≠b
..≠≠
..≠≠..≠≠b
∑
f
p œ œb œ œ œ œ
.˙
.œn Jœ œb
.˙b
..≠≠b
..≠≠
..≠≠..≠≠b
.˙bæ
f
p
pF
.œ œ jœnjœ .˙
.œ .œ
.œ œb Jœ
..≠≠b
..≠≠
..≠≠..≠≠b
∑
F
.˙ .œ
.˙ Œ .
Jœ œ .˙
.˙b .œ
..≠≠b ..––
..≠≠ ..––
..≠≠ ..––..≠≠b ..––
∑
(second flower)
F
p
.˙
œ œ œ .œn
.œ Jœ# œ
.˙
..≠≠b
..≠≠
..≠≠..≠≠b
∑
p
p
F
p
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
159
œ œ œ œ œ œ
œ œb œ jœ œ
Jœ œn œ œ œœ œb œ .œ
..≠≠b
..≠≠
..≠≠..≠≠b
.œb Œ .
f
F
F
F
pizz.
.˙
.˙
.˙
Jœb œ œ Jœ
..≠≠b
..≠≠
..≠≠..≠≠b
∑
.˙
.˙
.œ .œb
Jœ œ .œ
..≠≠b
..≠≠
..≠≠..≠≠b
∑
p
p
p
œ œ œ jœ œ
œ œ œ œ œ œ
œ œ œ œ œ œjœ .Ÿ̇
..≠≠b
..≠≠
..≠≠..≠≠b
∑
(third flower)
F
F
p
F
.˙
.œ jœ# œ
.˙œ œ œ œ œ œ
..≠≠b
..≠≠
..≠≠..≠≠b
∑
P
F
p
œ œ œ œ œ œ
.œn .œjœ .Ÿ̇
.˙
..≠≠b
..≠≠
..≠≠..≠≠b
.œb Œ .p
F
p
.˙
.œ .œ
œ œ œ œ œ œ
∑
..≠≠b
..≠≠
..≠≠..≠≠b
∑
p
F
∑
.˙
.˙
œ Jœn Jœ œ
..≠≠b
..≠≠
..≠≠..≠≠b
∑
p
P
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&
&
B
?
&
&
B
?
?
b
b
b
b
b
b
b
b
b
Vln. I
Vln. II
Vla.
Vlnc.
Vln. I
Vln. II
Vla.
Vlnc.
Cb.
167
œ œ œ jœ œ
∑
jœ .Ÿ̇
œ œb œ œ œ œ
..≠≠b
..≠≠
..≠≠..≠≠b
∑
P
F
p
.˙
œn œ œ œ œ œ
œ œn œ œ œ œ
.˙
..≠≠b
..≠≠
..≠≠..≠≠b
∑
p
P
p
P
∑
.˙
.˙
∑
..≠≠b
..≠≠
..≠≠..≠≠b
∑
p
p
œ œ œ œ œ œ
∑
jœ .Ÿ̇
œ œ œ œ œ œ
..≠≠b
..≠≠
..≠≠..≠≠b
∑
p
P
.˙
œn œ œ œ œ œ
œ œ œ œ œ œ
.˙
..≠≠b
..≠≠
..≠≠..≠≠b
∑
p
p
P
∑
.˙
.˙
∑
..≠≠b
..≠≠
..≠≠..≠≠b
∑
p
∑
∑
∑
œ Jœ Jœ œ
..≠≠b
..≠≠
..≠≠..≠≠b
∑
p
œ œ œ œ œ œ
∑
œ œ œ œ œ œ
œ Jœ Jœ œ
..≠≠b
..≠≠
..≠≠..≠≠b
∑
π
p
.˙
œn œ œ .œ
.˙
.˙
..≠≠b
..≠≠
..≠≠..≠≠b
.œb Œ .π
π
π
π
.˙
.˙
.˙
.˙
..≠≠bU
..≠≠U
..≠≠U
..≠≠bU
∑
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&
&
&
B
???
44
44
44
44
44
44
44
Violin I
Violin II
Violin III
Viola
Cello I
Cello II
Contrabass
.˙ œ
.˙ œ
∑
.˙ œ
∑∑∑
F
F
F
strong, smooth, supple
œ# œ# œ œ#
œ œ# œ œ
∑œ œ œ œ
∑∑∑
q = 120
w
w
Ó œ œwb
œ œ ˙
∑∑
Con sord.
p
p
f
f
fCon sord.
˙ Ó˙ Ó
.˙ œ˙ Óœ .˙
∑∑
P
P
P
Ó ˙#
Ó ˙
˙ ˙
Ó ˙
.˙ Œ∑∑
F
F
F
˙ ˙#
˙ ˙
w˙b ˙
∑∑∑
f
f
f
œ œ# œ# œ œ .œœ œ# œ œ œ .œ
∑œ œ œ œ œ .œb
∑∑∑
&
&
&
B
?
??
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
8
w
w
Ó œ œ
w
œ ˙ œ
∑∑
P
P
P
P
œ Œ Ó
œ Œ Ó
œ ˙ œ
œ Œ Óœ œ œ œ œ .œ
Ó ˙
∑
Con sord.
P
Œ œ ˙
Œ œ ˙
œ œ œ ˙Œ œ ˙
ww
∑
F
F
F
œ œ œ# œ# œ3
œ œ œ œ# œ3
.˙ Œœ œ œ œ œ
3
œ Œ Óœ Œ Ó
∑
œ# œ ˙
œ œ ˙
Ó Œ œœ œb ˙
Œ œ œ œ œ#3
∑∑
f
f
f
F
F
.˙ œ
.˙ œ
œ œ œ# œ œ3.˙ œb
œ œ# ˙
œ .˙
∑F
˙ ˙
˙ ˙
w˙ ˙b
w
w
∑
p
p
32
perusal score - not for rehearsal or performance
III. FishSheena Phillips
© copyright Sheena Phillips 2017
sample
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&
&
&
B
?
??
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
15 œ œ œ# > .œ œ> .œœ œ œ> .œ œ> .œb
œ œ ˙œ œb œ> .œ œb
Ó œ œb
∑∑
F
w
w
Œ œ ˙wb
.˙ œb
∑∑
p
p
p
Œ œ œ œ .œ
Œ œ œ œ .œb
œ œ ˙
Œ œb œ œ œb
œ œ .˙
w
∑
F
F
F
F
w
w
˙ œ œ œw
œ œ œ .˙
˙b ˙
∑
p
p
p
∑
∑
œ œ ˙ œ
∑˙ ˙
œb .˙
∑
Œ œ œ œ
Œ œ œb œ
œ œ œ ˙ Œ
Œ œ œb œb
.˙ Œ
.˙b Œ∑
p
p
p
F
F
F
˙ ˙b
˙ ˙#
∑˙ ˙n
∑
∑∑
&
&
&
B
?
??
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
22 œ œb œb œ
œ# œ# œ œ#
Ó Œ œœ# œ œ œ#
Œ œ ˙
∑∑
F
F
f
f
f
œ œ œ ˙# œ
œn œ œ ˙ œ.˙ œ
œn œ œb ˙ œ#œ ˙ œ œ
∑∑
F
F
F
œ ˙n œ
œ ˙b œ
˙ œ- œ œ- œœ ˙# œœ .œ .˙
∑∑
œ œ ˙b
œ œb ˙b
.˙ œ
œ œ# ˙
œ œ ˙
Œ œ ˙
∑p
p
w
w˙ ˙
w
ww
∑
p
p
p
∑
∑
˙ œ œ
∑
˙ ˙
˙ ˙
∑
P
P
Pp
Ó ˙Ó ˙
.˙ Œ
Ó ˙b.˙ Œ.˙ Œ
∑
p
p
p
P
P
P
33forms of motion III: fish
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&
&
&
B
?
??
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
˙ ˙ ˙3
˙ ˙ ˙b3
∑
˙ ˙b ˙b3
∑
∑∑
A rising and plunging
w
w
∑w
∑
∑∑
Senza sord.
Senza sord.
œ# > .œ œ œ> .œ œ
œ> .œ œ œ> .œ œ
w# wœ> .œ œ œ> .œ œ
w w
œ Œ œ Œœ Œ œ Œpizz.
Senza sord.
pizz.
FF
f
f
f
F
F
œ ˙# œ
œ ˙ œ
w# wœ ˙ œb
w w
∑∑
˙ ˙b ˙b3
˙ ˙ ˙3
wn wb˙ ˙ ˙
3
w w
∑∑
w
w
wn wb
ww w
œ Œ œ Œœ Œ œ Œ
PP
˙ œ> .œ œ
˙ œ# > .œ œ
wn w˙ œ> .œ# œw w
∑∑
&
&
&
B
?
??
43
43
43
43
43
43
43
44
44
44
44
44
44
44
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
36
.˙ œ
.˙ œw w
.˙ œw w
∑∑
p
p
p
p
p
˙ ˙ ˙3
˙# ˙# ˙#3
∑
˙# ˙# ˙#3
∑
∑∑
w
w
∑w#
∑œ Œ Óœ Œ Ó
FF
F
F
F
œ .˙
œ# .˙
∑œ# .˙#
∑œ Œ Óœ Œ Ó
P
P
P
œ> .œ ˙
œ# > .œ ˙
.˙ .˙bœ> .œb ˙
∑œ Œ Œœ Œ Œ
F
F
F
P
˙ œ> .œb œ
˙ œ# > .œ œ
wb w˙ œ> .œb œ
w w
œ Œ œ Œœ Œ œ Œ
P
˙ Ó˙ Ó
wb w˙ Ów w
∑∑
34 forms of motion III: fish
perusal score - not for rehearsal or performance
sample
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&
&
&
B
?
??
43
43
43
43
43
43
43
44
44
44
44
44
44
44
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
43 ˙n ˙# ˙3
˙n ˙ ˙3
wn w˙b ˙b ˙b
3
w w
∑∑
f
f
f
f
f
.˙# œ#
.˙ œ
w w.˙ œ
w w
∑∑
˙n ˙ ˙3
˙# ˙# ˙#3
w w
˙ ˙ ˙3
w w
œ Œ œ Œœ Œ œ Œ
FF
.˙
.˙n
.˙ .˙
.˙#
.˙ .˙
œ# Œ Œœ# Œ Œ
p
p
p
p
p
œ .œ ˙
œb .œb ˙.˙ .˙
œ# .œ ˙.˙ .˙
œ# Œ Œœ# Œ Œ
pp
˙ œ
˙ œb.˙ .˙
˙ œ#.˙ .˙
∑∑
P
P
P
&
&
&
B
?
??
44
44
44
44
44
44
44
43
43
43
43
43
43
43
44
44
44
44
44
44
44
43
43
43
43
43
43
43
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
49
˙# œ# œ#
˙n œ œN
∑
˙ œ œ
∑œ Œ Óœ Œ Ó
w#
w
∑wb
∑
∑∑
œ# ˙#
œ ˙
∑œ ˙b
∑
∑∑
F
F
F
w#
w#
w w#w
∑
w w#
œ Œ œ Œ
F
Farco
F
.˙ Œ
.˙ Œ
w w#.˙ Œ
∑
w w#
∑
p
p
p
∑
∑
w w#
∑
∑
w w#
∑
35forms of motion III: fish
perusal score - not for rehearsal or performance
sample
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&
&
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B
?
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43
43
43
43
43
43
43
44
44
44
44
44
44
44
43
43
43
43
43
43
43
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
∑
∑
.˙ .˙#
∑˙ œ#
.˙ .˙#
œ Œ Œ
p
p
millingB
F dolce
p
∑
∑
.˙ .˙#
∑.˙
.˙ .˙#œ# Œ Œ
∑
∑
.˙ .˙#
∑˙ Œ
.˙ .˙#
∑
∑
∑
.˙ .˙#
∑œ# ˙#
.˙ .˙#
∑
∑
∑
.˙ .˙#
∑œ# œ# ˙
.˙ .˙#œ# Œ Œ
w
w#
∑
w w#
Œ œ ˙#
∑∑
p
π
π
.˙
.˙
∑
.˙ .˙#˙ œ#
∑∑
œ Œ Œ
œ Œ Œ
∑
.˙ .˙#œ œ œ# œ
∑∑
&
&
&
B
?
??
44
44
44
44
44
44
44
43
43
43
43
43
43
43
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
63 ∑
∑
œ ˙
.˙ .˙#
.˙
œ ˙
∑
P
P
dolce
œb ˙
œ ˙#
˙ œ
.˙ .˙#
Œ œ œ#
.˙
.˙ .˙p
p
p
.˙
.˙
.˙
.˙ .˙#œ# œ# ˙
œ ˙.˙ .˙
∑
∑
œ œ œ.˙# .˙#
œ# œ œ#
˙ œ
∑
∑
∑
˙ œ œ.˙# .˙#.˙
.˙
∑
œ œb œ
œ# œ œ
.˙
.˙# .˙#
Œ œ# œ#
∑∑
p
p
w
w
œ œ .˙w# w#œ# œ# .˙
œ .˙
∑
36 forms of motion III: fish
perusal score - not for rehearsal or performance
sample
![Page 40: Forms of motion - Sheena Phillips€¦ · Forms of motion Sheena Phillips Three pieces for string orchestra (Violin 1, Violin II, Violin III, Viola, Violincello I, Violincello II,](https://reader030.fdocuments.net/reader030/viewer/2022013009/5ebcd6aef805321a3c6d45b5/html5/thumbnails/40.jpg)
&
&
&
B
?
??
43
43
43
43
43
43
43
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
70 .˙b
.˙
Œ Œ œ
.˙# .˙#œ# œ œ œ
˙ œ.˙ .˙
P
P
.˙
.˙#
.˙
.˙# .˙#œ# œ# ˙
œ ˙.˙ .˙
œ Œ Œ
œ Œ Œ
Œ ˙œ# œ# Œ Œ
Œ ˙#
.œ Jœ œ
œ œ Œ Œ
π
π
π
π
P
∑
∑
œ œ ˙
∑œ ˙#
Œ ˙
∑
∑
∑
œ œ ˙
∑œ ˙#
˙ œ
∑
∑
∑
œ œ ˙
∑œ# œ ˙
œ ˙
∑
F
Œ ˙
Œ ˙
œ Œ Œ
∑œ# ˙
œ ˙
∑
p
p
p
F
F
&
&
&
B
?
??
44
44
44
44
44
44
44
43
43
43
43
43
43
43
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
77 .˙#
.˙#
Œ ˙
∑œ œ# ˙
Œ Œ œ.˙ .˙
P
P
P
P
˙ Œ
˙ Œ
œ œ ˙
∑œ œ œ#
œ ˙.˙ .˙
p
p
œ .˙#
œ .˙#
œ œ .˙
∑˙ Jœ# .œ
˙ œ œw w
P
P
p
p
∑
∑
œ œ ˙
∑
Œ ˙
˙ œ.˙ .˙
F
œ ˙
.˙#
œ# ˙œ# ˙
.˙#
.˙
.˙ .˙
P
P
F
œ œ œ
œ ˙#
œ ˙œ ˙
˙ ˙b
˙ Œ˙ ˙ Œ
P
P
( )
37forms of motion III: fish
perusal score - not for rehearsal or performance
sample
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&
&
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B
?
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44
44
44
44
44
44
44
43
43
43
43
43
43
43
44
44
44
44
44
44
44
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
83 œ œ ˙
œ# ˙#
œ œ œ œœ œ œ œ
Œ ˙b
∑∑
P
œ œ ˙
.˙#
œ ˙œ ˙
.˙
∑∑
.˙ œ
w w
.˙ œ
.˙ œ
.˙ œ
w w
œ Œ Ó
F
F
Fpizz.
F
F
w
œb .˙
www
w w
Ó œ Œ
œ .˙
œb .˙
œ .˙œ .˙
˙ ˙
w w
Ó œ Œ
Œ œb ˙b
Œ œ ˙b
Œ .˙
Œ .˙
Œ˙ œ
w w
Œ œ Ó
œb > .œb ˙
œ> .œb ˙
.˙
.˙
œb ˙
.˙ .˙
œ Œ Œ
&
&
&
B
?
??
44
44
44
44
44
44
44
43
43
43
43
43
43
43
44
44
44
44
44
44
44
43
43
43
43
43
43
43
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
.˙b œb
.˙ œb
.˙ œb
.˙ œb˙ ˙
w w
œ Œ Ó
C
f
f
f
moving together again
f
f
f
f
˙ ˙
˙ ˙
˙ ˙˙ ˙˙ ˙ ˙
3
w w
∑
œb ˙
œb ˙
œ ˙œ ˙
˙ œ
∑∑
w
w
ww
wbœ œ œ œ
wb æf
arco
˙ Ó
˙ Ó
˙ Ó
˙ Ó
˙ ˙w
˙b ˙
Œ œ ˙b
Œ œ ˙
∑
Œ œ ˙
wbœ .˙
wb æ
œ œb ˙ œ
œ œ# ˙ œ
˙ œ œœ œ ˙ œ
˙ œb œbw
˙ œb œb
œb œ œ
œn œ œ
.˙œ œ œ
.˙b
.˙
.˙b
38 forms of motion III: fish
perusal score - not for rehearsal or performance
sample
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&
&
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?
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42
42
42
42
42
42
42
43
43
43
43
43
43
43
44
44
44
44
44
44
44
43
43
43
43
43
43
43
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
98 œb œ ˙
œb œ ˙
˙ œœ œ ˙
œb ˙bœ ˙
œb ˙b
.˙
.˙
œ œ œ.˙
.˙
.˙
.˙
p
p
p
p
p
p
∑
∑
˙
∑
œb œ
∑
œb œ
F
œ ˙b
œ ˙b
œ œ œœ ˙
œ ˙.˙ .˙
œ ˙F
F
F
F
F
F
.˙
.˙
.˙
.˙
œ ˙.˙ .˙
œ ˙F
F
p
p
p
p
œ ˙b
œ ˙b
œ ˙œ ˙
œ .œb jœ.˙ .˙
œ .œb jœF
F
F
F
œ œ œ ˙
œ œ œ ˙
œ .˙œ œ œ ˙
˙ ˙w w
˙ ˙
F
F
p
p
p
p
&
&
&
B
?
??
43
43
43
43
43
43
43
44
44
44
44
44
44
44
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
105 ∑
∑
.˙bŒ Œ œ
œ ˙
∑
œ ˙
Fp
p
œ ˙b œ
œ ˙b œ#
œ ˙ œœ ˙ œ
.˙ œ#w w
.˙ œ#
F
F
F
F
˙ œ> .œb œ
˙ œ# > .œ œ
˙ œ> .œ œ˙ ˙
ww w
w
.˙ Œ
œ# œ œ ˙ Œ3
.˙ œœ œ ˙
œ# .˙w w
œ# .˙
œ# œ# œ œ œ3
w
˙ œ œ˙ œ œ
ww w
wæ
P
pP
˙ ˙ ˙#3
˙ ˙# ˙#3
˙ ˙#˙ ˙# ˙
3
ww w
wæp
39forms of motion III: fish
perusal score - not for rehearsal or performance
sample
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&
&
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?
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43
43
43
43
43
43
43
44
44
44
44
44
44
44
43
43
43
43
43
43
43
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
˙# œ# œ
w
w
˙ ˙
Ó Œ œ
∑∑
P
P
P
P
F
D receding
˙# œ#
˙# œ∑
˙ œœ œ œ
∑∑
dolce
.˙
.˙∑
.˙œ œ œ œ œ
3
∑∑
Œ œ# ˙Œ œ# ˙
∑
Œ œ ˙œ .˙
œ .˙
∑
P
F dolce
P
P
œ ˙
œ# ˙∑
.˙œ ˙
œ ˙
∑
.˙
.˙œ œ ˙
.˙
.˙ .˙
.˙ .˙œ Œ Œpizz.
F
F
F dolce
F
F
˙ œ
˙ œœ œ œ
˙ œb.˙ .˙
.˙ .˙œ Œ Œ
&
&
&
B
?
??
42
42
42
42
42
42
42
43
43
43
43
43
43
43
44
44
44
44
44
44
44
43
43
43
43
43
43
43
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
118
œ œ ˙
œ œ ˙.˙
œ œb ˙.˙ .˙
.˙ .˙
œ Œ Œ
˙
˙jœ .œ
˙˙ ˙
˙ ˙
∑
p
p
p
p
p
œ jœ .œ
œ jœ .œ˙ œ
œb Jœ .œ
∑
∑∑
P
.˙
.˙
œ ˙
.˙œ œb œ
∑œ Œ Œ
P
P
.˙
.˙b
.˙
.˙b
.˙
∑œ Œ Œ
F
F
F
Œ œ jœ .œŒ œ jœ .œ
Jœ .œ ˙
Œ œ jœb .œ
Œ œ ˙b
∑Œ œ œb Œ
p
p
40 forms of motion III: fish
perusal score - not for rehearsal or performance
sample
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&
&
&
B
?
?
?
43
43
43
43
43
43
43
44
44
44
44
44
44
44
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
124
œ œ ˙
œ œ ˙œ œ ˙
œb œ ˙œ œb œ
∑
∑
P
P
∑
∑
œ œ œ
∑
œ œb œ
∑
Œ Œ œ
œ ˙ œ
œ ˙ œwb
∑˙ ˙
œb .˙
œb Œ Ó
F
F
F
P
P
œ œ œ œ œ œ œ
œ œ œ œ œ œ œ.˙ Œ
œb œ œ œ œ œ œw#
˙ ˙b
∑
P
w w
w wwb w
wb wœ# .˙
œ .˙b
œ Œ Ó
p
p
p
p
p
p
p
&
&
&B
?
?
?
Vln. I
Vln. II
Vln. III
Vla.
Vc. 1
Vc. II
Cb.
129 ∑
∑
∑
∑œ .˙#
˙ œ œ
∑
w w
w w
wb w
wb wœ# .˙
.˙ Œœ Œ Ó
F
F
F
F
F
F
∑
∑
∑
∑˙ ˙#
w w
∑
Pp
p
w w
w w
wb w
wb ww w#
w w
œ Œ Ó
p
p
p
p
w w
w w
wb w
wb ww w#
w w
Œ œ Óπ
w w
w w
wb w
wb ww w#
w w
∑
π
ππ
π
π
π
41forms of motion III: fish
perusal score - not for rehearsal or performance
sample