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Focal Press Film andPostproductionTextbooksNew, Upcoming and Key Titles 2014

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WelcomeThis catalog showcases textbooks in Film and Postproduction published by FocalPress.

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Contents3D .......................................................................................................................................................................................... 2

Business and Planning ...................................................................................................................................................... 3

Cinematography and Directing ...................................................................................................................................... 5

Documentary ...................................................................................................................................................................... 9

Editing ................................................................................................................................................................................ 10

Film Production ................................................................................................................................................................ 12

Motion Graphics ............................................................................................................................................................... 17

Postproduction and Visual Effects ............................................................................................................................... 19

Screenwriting ................................................................................................................................................................... 21

TV and Video Production ............................................................................................................................................... 23

Sound ................................................................................................................................................................................. 26

Index ................................................................................................................................................................................... 28

Dummy text to keep placeholderDummy text to keep placeholderExploring 3D3D PostproductionThe New Grammar of Stereoscopic FilmmakingStereoscopic Workflows and Techniques

Adrian Pennington, The IBC Daily, United Kingdom andCarolyn Giardina, The Hollywood Reporter, Los Anglees,CA, USAStereographers, who represent the key new role on set liaisingbetween director and cinematographer, believe it is a key partof their job to inform and inspire directors and producers aboutthe potential of 3D stereo. In Exploring 3D leading directors,editors, and cinematographers of 3D film and TV productionargue persuasively that 3D techniques should become a staplevisual storytelling tool on a par with lighting, set design, or sound.They share their views on how this evolving set of technologies

Rick Baumgartner, Digital Media Producer, Los Angeles, CA,USA3D postproduction might well be the most overlooked part ofcreating 3D productions. An effective 3D post workflow allowsfor easier and more flexible editing, greater capacity for VFXenhancement, the ability to fix production mistakes, and muchmore. It is a topic that has been touched on in other 3D books,but not covered comprehensively, until now. In this book,Baumgartner provides real-life postproduction workflows forpost-artists working with stereoscopic 3D media. Theseworkflows have been used on actual productions and when

implemented, will save postproduction as well as production teams valuable dollars and and filmmaking techniques are used to create a new aesthetic and language for visualtime. A companion website (www.focalpress.com/cw/baumgartner) featuring project filesand video clips demonstrating the 3D workflows covered in the book is included.

storytelling. Highlights include interviews and images form How to Train Your Dragon,Coraline, Hugo, and The Great Gatsby.

Focal PressMarket: Filmmaking / Postproduction / MultimediaApril 2014: 7-1/2 x 9-1/4: 288ppPb: 978-0-415-81013-5: $39.95

Focal PressMarket: Film and VideoSeptember 2012: 7-1/2 x 9-1/4: 214ppPb: 978-0-240-82372-0: $29.95

eBook: 978-0-203-78391-7 eBook: 978-0-240-82386-7* For full contents and more information, visit: www.routledge.com/9780415810135 * For full contents and more information, visit: www.routledge.com/9780240823720

Dummy text to keep placeholderDummy text to keep placeholder3-DIY3D StorytellingStereoscopic Moviemaking on an Indie BudgetHow Stereoscopic 3D Works and How to Use It

Ray Zone, an award-winning stereoscopic 3D artist, author,and 3D film producer. He was 3D Supervisor for the 3D film"Dark Country" (2009), starring Thomas Jane and RonPerlman, and was the 3D Producer for "Brijes 3D" (2010), thefirst feature-length animated 3D film made in Mexico. Hewrote, produced, and directed the award-winning digital3D short, "Slow Glass" (2007), as well as "Whatever Happenedto Ro-Man?" (2009), which can be viewed in 3D on YouTube.Allows readers to create blockbuster-like 3D for their movieswithout the blockbuster budget

Bruce Block, Producer; Consultant; Adjunct Professor,University of Southern California, Los Angeles, CA, USA andPhilip Captain 3D McNally, Global Stereoscopic Supervisorat Dreamworks Animation, Burbank, CA, USAThis book is filled with common artistic pitfalls 3D filmmakersencounter and how to avoid and fix them, and a comprehensiveglossary. With an emphasis on the aesthetic over the technical,this book will save time, money, and the stress of having toattempt to fix a stereoscopic movie in post.

The book includes 3D glasses to view the anaglyphic images, and includes lessons on:; *Using 3D to advance the storytelling; * The primary differences between shooting in 2D Focal Press

March 2012: 7 4/9 x 10: 376ppPb: 978-0-240-81707-1: $34.95eBook: 978-0-240-81708-8

and 3D; * Preproduction, production, and postproduction techniques to ensure acomfortable 3D-viewing experience for the audience; * Depth Bracket and StereoscopicWindow Violations; * Convergence and Focus Decoupling; * Closed and Open Space; * 2DDepth Cues in 3D * For full contents and more information, visit: www.routledge.com/9780240817071

Focal PressMarket: filmmakingApril 2013: 232ppPb: 978-0-240-81875-7: $36.95eBook: 978-0-240-81876-4* For full contents and more information, visit: www.routledge.com/9780240818757

Dummy text to keep placeholderAdobe Premiere Pro Power TipsSecrets, Shortcuts, and Techniques

Larry Jordan, Television Producer, Director and Editor;Consultant; Apple Certified Trainer, Oak Park, CA, USA andLarry Jordan, Television Producer, Director and Editor;Consultant; Apple Certified Trainer, Oak Park, CA, USAPremiere Pro has seen a boom in popularity since the 2011release of Apple’s Final; Cut Pro X. FCPX has not beenwell-received by the professional editor market and ; FCP users

are flocking in droves to Premiere Pro and other NLEs. What this book offers the over twomillion Premiere Pro users is a treasure trove of tips and techniques they’ll find invaluablewhether they have been using Premiere Pro for years or if they’ve just moved over fromFCPX or another NLE, with a chapter dedicated solely to those FCP editors who haveswitched over. The book is in illustrious 4-color throughout, and there’s a companionwebsite with video tutorials of the techniques outlined in the book.

Focal PressMarket: Post ProductionNovember 2012: 7-1/2 x 9-1/4: 312ppPb: 978-0-415-65707-5: $34.95eBook: 978-0-203-06754-3* For full contents and more information, visit: www.routledge.com/9780415657075

Browse and order online:www.focalpress.com/film_video

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7th EditionDummy text to keep placeholderFilmmakers and FinancingHow to Manage Your AgentBusiness Plans for IndependentsA Writer’s Guide to Hollywood Representation

Louise Levison, President, Business Strategies, ShermanOaks, CA, USAThe first, most crucial step in making a film is finding the fundsto do it, yet many independent filmmakers skip this step and"finance" the production on their credit cards. The smarter onesturn to this popular guide. By the guru who developed thebusiness plan for the indie runaway success, The Blair WitchProject, this book teaches filmmakers how to create a successfulbusiness plan for potential investors. Each chapter concentrateson a different section of the business plan, so filmmakers cancreate a convincing marketing, financing, and distribution planto win over investors and finance their dream.

Chad Gervich, Television writer/producer, Beverly Hills, CA,USA and Chad Gervich, Television writer/producer, BeverlyHills, CA, USAHow to Manage Your Agent takes writers deep into today's worldof literary representation, illuminating not only how literary repsdo what they do, but how writers can use these same techniquesto attract representation, communicate efficiently, and motivatetheir handlers to work as hard as possible. Writers will learn thesubtle (and not-so subtle) tools, tricks, and techniques agentsuse to build hype, elicit information, leverage favors, andinfluence buyers in the world of twenty-first centuryentertainment. These are pieces of information thousands ofwriters, both aspiring and professional, are desperate to

know—and should know—in order to maximize their representation and careers.Focal PressMarket: filmmakingJanuary 2013: 6 x 9: 298ppPb: 978-0-240-82099-6: $29.95

Focal PressMarket: Film/ TV/ ScreenwritingNovember 2013: 7 x 10: 394ppPb: 978-0-240-82377-5: $29.95

eBook: 978-0-240-82137-5Prev. Ed Pb: 978-0-240-81252-6* For full contents and more information, visit: www.routledge.com/9780240820996eBook: 978-0-240-82404-8

* For full contents and more information, visit: www.routledge.com/9780240823775

Dummy text to keep placeholder2nd EditionMake Your MovieThe Business of Media DistributionWhat You Need to Know About the Business and Politics of FilmmakingMonetizing Film, TV, and Video Content in an Online World

Barbara Freedman Doyle, is currently Chair of the FilmDivision of Chapman University. She has worked with Tri-StarPictures, CBS, NBC, Disney, TNT, Showtime, HearstEntertainment, Hallmark, 20th Century Fox, and more.Make Your Movie is the book for anyone looking to land their firstjob in the film industry, hoping to advance their film career, oreven get their own movie made. It offers readers that rare andpractical guidance on how to anticipate and navigate both thebusiness and politics of the film industry. With a down-to-earth,tell it like it is approach, the author offers insight throughrelatable, real-world experience and one-on-one interviews withworking professionals who are already at the top of their game,including managers, producers, and directors. Having an insider's

Jeffrey C. Ulin, Former head of worldwide distribution forLucasfilm, San Francisco, CA, USA and Jeffrey C. Ulin, Formerhead of worldwide distribution for Lucasfilm, San Francisco,CA, USAWritten by the insider who headed sales for Lucasfilm andmanaged the release of Star Wars Episode 3, this is the first bookto show how all related media distribution markets, includingtelevision, video, and online, work together and independentlyto finance and maximize profits on productions. Providing aunique apprenticeship to the business by relating theory andpractice, this all new edition of an industry classic analyzes thegrowth of social media and gaming, 3D movie distribution, theclout of Redbox and Netflix in the home video business, the

understanding of the entire filmmaking process from start to finish, fundraising todistribution, is imperative to finding success in the industry.

implications of how Hulu and Roku disseminate TV content, and the effect of transmediastorytelling on distribution.

Focal PressFebruary 2012: 6 x 9: 308ppPb: 978-0-240-82155-9: $24.95eBook: 978-0-240-82365-2

Focal PressMarket: FilmSeptember 2013: 6 x 9: 626ppPb: 978-0-240-82423-9: $39.95

* For full contents and more information, visit: www.routledge.com/9780240821559eBook: 978-0-240-82454-3* For full contents and more information, visit: www.routledge.com/9780240824239

2nd EditionDummy text to keep placeholderThe Insider's Guide to Independent FilmDistribution

Preparing For TakeoffPreproduction for the Independent Filmmaker

Arthur Vincie, Founder of Chaotic Sequences Inc., Astoria,NY, USAPreparing for Takeoff focuses entirely on the preproductionprocess from the perspectives of both the director and producer.It empowers independent filmmakers with the tools andtechniques they need to finish their movie on time, withinbudget, and dodge the pitfalls that can be easily avoided withsome careful planning. Readers will learn everything there is toknow about effectively planning for a film, includingprevisualization, location scouting, script analysis, financing,casting, and much more. This book not only helps readersprepare for what to encounter during shooting, but also offers

Stacey Parks, Stacey Parks has worked in independent filmfor over 10 years, and is currently a sales executive at theBBC Worldwide in Los Angeles. She was previously a foreignsales agent for many years.An industry insider reveals the secrets of film distribution, thefilmmaker's greatest challenge!


preparation tips for postproduction, marketing, and distribution. The accompanying websiteincludes a bonus chapter, sample script analyses, sample budgets, and exercises that canbe applied to the reader’s own projects.

Focal PressMarket: FilmFebruary 2013: 7 1/4 x 10 1/4: 352ppPb: 978-0-415-66168-3: $29.95

Prev. Ed Pb: 978-0-240-80922-9* For full contents and more information, visit: www.routledge.com/9780240817552

eBook: 978-0-203-58894-9* For full contents and more information, visit: www.routledge.com/9780415661683

Companion WebsiteNew in Paperbacke-InspectionComplimentary Exam Copy

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4th EditionDummy text to keep placeholderThe Complete Film Production HandbookIndie Film Producing

Eve Light Honthaner, Eve Honthaner has been working inthe entertainment industry in the field of productionmanagement for many years."Concise and complete, book is a how-to, how-not-to,where-to-find, where-to-go and what-to-do on filmmaking." -Variety

Focal PressMarch 2010: 519ppPb: 978-0-240-81150-5: $59.95eBook: 978-0-080-88499-8

The Craft of Low Budget FilmmakingSuzanne Lyons, Suzanne Lyons is co-founder of SnowfallFilms, WindChill Films, Inc., and the Flash Forward Institute.She is a Hollywood producer and an award-winningfilmmaker. Her films have been distributed by Miramax,Disney, Lionsgate, and ScreenGems. She has over 25 yearsexperience in television and film, and she also conductshighly successful workshops on producing(www.suzannelyons.net).Avoid the heartbreak of getting duped, and learn how toproduce films--the easy way!

Focal PressJanuary 2012: 6 x 9: 242ppPb: 978-0-240-81763-7: $29.95eBook: 978-0-240-81764-4



Dummy text to keep placeholderScheduling and Budgeting Your FilmA Panic-Free Guide

Paula Landry, is a film & music producer creatingcommercials, multimedia concerts, films, & branded videosfor the Internet. Landry is president of Idea BlizzardProductions-the idea factory, & she spearheads the filmindustry journalism and information company, This Businessof FILM. An active member of NYWIFT, the IFP and AFM,Landry speaks at seminars around the world about the film,music and media business.First Published in 2011. Routledge is an imprint of Taylor &Francis, an informa company.

Focal PressSeptember 2011: 308ppPb: 978-0-240-81664-7: $27.95eBook: 978-0-240-81665-4* For full contents and more information, visit: www.routledge.com/9780240816647

3rd EditionThe Producer's Business HandbookThe Roadmap for the Balanced Film Producer

John J. Lee, Jr., John Lee has been immersed in everybusiness aspect of feature motion picture development.From producing to distribution, Lee has over twenty-fiveyears of experience. and Anne Marie Gillen, Anne MarieGillen, CEO of The Gillen Group, is an experiencedindependent producer, business consultant, and lecturer.Gillen is also prior Chief Operating Officer of MorganFreeman s Revelation Entertainment, where she led thecompany in its strategic financing and distribution models,and CEO of Electric Shadow Productions, which finance andexecutive produced Fried Green Tomatoes.

The first edition of this valuable business handbook for independent producers sold over10,000 copies!Focal PressNovember 2010: 7 1/2 x 9 1/5: 272ppPb: 978-0-240-81463-6: $41.95eBook: 978-0-240-81464-3Prev. Ed Pb: 978-0-240-80710-2* For full contents and more information, visit: www.routledge.com/9780240814636


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3rd EditionDummy text to keep placeholderGrammar of the ShotCinema Raw

Christopher J. Bowen, Framingham State College; Avidcertified instructor; Creative Director/Production Manager,Fellsway Creatives; Somerville, MA, USA, Roy Thompson,(deceased), former freelance trainer at Berlin TelevisionTraining Centre, Berlin, Germany, Christopher J. Bowen,Framingham State College; Avid certified instructor; CreativeDirector/Production Manager, Fellsway Creatives; Somerville,MA, USA and Roy Thompson, (deceased), former freelancetrainer at Berlin Television Training Centre, Berlin, GermanyWe "read" images just as we do words. Images, like sentences,have their own grammar. In order to tell an effective visual story,an image maker must first learn this visual grammar—so that

Shooting and Color Grading with the Ikonoskop, Digital Bolex, andBlackmagic Cinema Cameras

Kurt Lancaster, Digital filmmaker, Multimedia producer,Northern Arizona University, USA and Kurt Lancaster, Digitalfilmmaker, Multimedia producer, Northern ArizonaUniversity, USAKurt Lancaster takes filmmakers through the raw workflow withthe next generation of digital cinema cameras. While DSLR andHD video cameras have done the job in the past, shooting withraw allows filmmakers to capture an image in its purest form,which in turn gives them the freedom to manipulate the imagein postproduction without degrading the quality. With the recentsurge of affordable raw cameras on the market, this book they can abide by and effectively break the rules. This book covers the established

conventions of image-making in a clear and concise manual that introduces these conceptsempowers filmmakers to craft visually stunning films on a greatly reduced budget. Ato novices and serves as a refresher for more veteran shooters. Format agnostic, this bookcompanion website offers video interviews with the camera creators, bonus chapters,

camera user manuals, and resources for further study about raw cinema. offers what video/film artists need to know. The concise, easy-to-use presentation that isthe hallmark of this book is maintained, while the added companion website offers moreexamples and resources to drive home the lessons contained within.Focal Press

Market: Film / VideoFocal PressMarket: filmmakingFebruary 2013: 6 x 9: 312ppPb: 978-0-240-52601-0: $24.95

May 2014: 7-1/2 x 9-1/4: 202ppPb: 978-0-415-81050-0: $34.95eBook: 978-0-203-78342-9* For full contents and more information, visit: www.routledge.com/9780415810500

eBook: 978-0-240-52609-6Prev. Ed Pb: 978-0-240-52121-3* For full contents and more information, visit: www.routledge.com/9780240526010

5th EditionDummy text to keep placeholderDirectingDigital CinematographyFilm Techniques and AestheticsFundamentals, Tools, Techniques, and Workflows

Michael Rabiger, Professor Emeritus, Columbia College,Chicago, IL, USA, Mick Hurbis-Cherrier, Hunter College, NewYork, NY, USA, Michael Rabiger, Professor Emeritus,Columbia College, Chicago, IL, USA and MickHurbis-Cherrier, Hunter College, New York, NY, USAMichael Rabiger's books have sold over 100,000 copies and arepopular worldwide among filmmakers and film students.Directing is a comprehensive manual that teaches the essentialsof filmmaking from the perspective of the director. Covering theentire process of filmmaking, this book is a rich resource that

David Stump, Television Producer, Director and Editor;Consultant; Apple Certified Trainer, Oak Park, CA, USAThis book offers film directors, cinematographers, cameraoperators, and producers a deep understanding of the emerginghigh-end digital cinematography cameras used to shoot featurefilms. The benefits and drawbacks of digital vs. film acquisitionare still debated, but digital cinematography camera sales havesurpassed mechanical cameras in the classic 35mm format.Accurate, unbiased information on the tools and techniques ofdigital cinematography is hard to find; breathless manufacturerhype dominates. This book is an eagerly anticipated antidote, filmmakers will return to throughout their career. The hallmark of Rabiger's books is the

written by a prestigious author, well-known for his work on technical assessments of motionpicture cameras.

emphasis on doing. Concepts are connected with action and hands-on work; every principleis made realizable through projects and exercises. They show how to: discover your artisticidentity; develop credible and compelling stories with cast and crew; and become astoryteller with a distinctive voice and style.

Focal PressMarket: filmmakingMay 2014: 7-1/2 x 9-1/4: 494ppPb: 978-0-240-81791-0: $54.95 Focal Press

Market: Film and VideoJanuary 2013: 7-1/2 x 9-1/4: 532ppPb: 978-0-240-81845-0: $49.95



Dummy text to keep placeholderDummy text to keep placeholderDirectors Tell the StoryGenre FilmmakingMaster the Craft of Television and Film DirectingA Visual Guide to Shots and Style

Bethany Rooney, is the director of GREY’S ANATOMY,DESPERATE HOUSEWIVES, BROTHERS & SISTERS, & PRIVATEPRACTICE. She has directed Denzel Washington, HilarySwank, George Clooney, & Angela Bassett. and Mary LouBelli, is the Emmy Award winning director of MONK, THEGAME, GIRLFRIENDS, 3WAY, LIVING WITH FRAN, & CHARLESIN CHARGE.Deep insight from two leading television directors on the craftof directing

Focal PressAugust 2011: 6 x 9: 328ppPb: 978-0-240-81873-3: $25.95eBook: 978-0-240-81874-0

Danny Draven, Award Winning Independent Filmmaker,Los Angeles, CA, USA and Danny Draven, Award WinningIndependent Filmmaker, Los Angeles, CA, USAIn film, different genres use different techniques to engage theiraudience, and whether they are visual themes, narrativestructure, uses of iconography or typical character types, theyall function as an agreement between the filmmaker and the

audience. This is the first book covering those visual and narrative considerations specificto working within an individual genre of film. The book features techniques as they wereused in a popular movies, reveals how to achieve them, and then discusses when and howthey should and shouldn’t be used. Interviews from the Hollywood directors andcinematographers actually using these techniques are included throughout, and acompanion site provides accompanying video demonstrations.

Focal PressMarket: FilmApril 2013: 256ppPb: 978-0-240-82421-5: $32.95 * For full contents and more information, visit: www.routledge.com/9780240818733eBook: 978-0-240-82452-9* For full contents and more information, visit: www.routledge.com/9780240824215


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3rd Edition4th EditionFilm Directing FundamentalsDirecting and Producing for TelevisionSee Your Film Before ShootingA Format Approach

Nicholas Proferes, Professor of Film at the Film Division,School of the Arts, Columbia University where he has taughtdirecting for more than 25 years. He has worked extensivelyin the film industry as a director, cameraman, editor, andproducer in both documentary and dramatic/narrative films.Previous edition sold over 9,500 copies!

Focal PressJuly 2008: 7 1/4 x 10 1/4: 336ppPb: 978-0-240-80940-3: $38.95eBook: 978-0-080-92754-1

Ivan Cury, Professor in the Communication Department ofCalifornia State University, Los Angeles. Producer anddirector of commercials, sitcoms, variety shows,documentaries, and daytime dramas.An essential guide addressing the concerns of an increasinglypopular medium

Focal PressOctober 2010: 298ppPb: 978-0-240-81293-9: $51.95eBook: 978-0-240-81294-6Prev. Ed Pb: 978-0-240-80827-7* For full contents and more information, visit: www.routledge.com/9780240812939 Prev. Ed Pb: 978-0-240-80562-7


Dummy text to keep placeholder4th EditionChanging Direction: A Practical Approach toDirecting Actors in Film and Theatre

Producing and Directing the Short Film and VideoPeter W. Rea, Associate Professor of the Undergraduate Filmand Television Department at New York University, TischSchool of the Arts and David K. Irving, Associate Professorin the Film and Television Department at New YorkUniversity, Tisch School of the ArtsThe best, most comprehensive guide for the ever-expandingshort film and video genre!


Foreword by Ang LeeLenore DeKoven, Lenore DeKoven is an Associate Professorat Columbia University's School of the Arts, where she iscurrently a faculty member, and has also taught at UCLAand New York University.Demystifies one of the most difficult aspects of directing




6th Edition5th EditionThe Camera Assistant's ManualDirecting the Documentary

David E. Elkins, SOC, Filmmaker-In-Residence and Chair ofthe Cinematography Department, North Carolina School ofthe Arts School of Filmmaking, Winston-Salem, USA. andDavid E. Elkins, SOC, Filmmaker-In-Residence and Chair ofthe Cinematography Department, North Carolina School ofthe Arts School of Filmmaking, Winston-Salem, USA.The Camera Assistant’s Manual, Sixth Edition is a nuts and boltsguide offering beginning camera assistants and film studentsinformation on all aspects of this unique position within the filmindustry. This essential guide covers the basics ofcinematography, how to maintain a camera, how to transporta camera, how to troubleshoot common problems that arise on

Michael Rabiger, Professor Emeritus, Columbia College,Chicago, IL, USA and Michael Rabiger, Professor Emeritus,Columbia College, Chicago, IL, USAPrevious editions of this well-regarded book have sold over 100,000copies!

Focal PressFebruary 2009: 7 1/4 x 10 1/4: 660ppPb: 978-0-240-81089-8: $52.95eBook: 978-1-315-76833-5

set, and even advice about interviewing for the job. This new edition has been updatedto include new forms, checklists, tables, and illustrations that will be essential to the successof any camera assistant. For the very first time, this book now offers a website with onlinetutorials, video clips, and techniques that camera assistants can easily use while on location. Prev. Ed Pb: 978-0-240-80608-2

* For full contents and more information, visit: www.routledge.com/9780240810898Focal PressFebruary 2013: 6 x 9: 596ppPb: 978-0-240-81868-9: $49.95eBook: 978-0-240-81869-6Prev. Ed Pb: 978-0-240-81057-7* For full contents and more information, visit: www.routledge.com/9780240818689


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2nd EditionDummy text to keep placeholderVoice & VisionMoviemaking with your Camera Field GuideA Creative Approach to Narrative Film and DV ProductionThe essential guide to shooting video with HDSLRs and digital cameras

Mick Hurbis-Cherrier, Hunter College, New York, NY, USA,Mick Hurbis-Cherrier, Hunter College, New York, NY, USA,Mick Hurbis-Cherrier, Hunter College, New York, NY, USAand Mick Hurbis-Cherrier, Hunter College, New York, NY,USAFirst Published in 2012. Routledge is an imprint of Taylor &Francis, an informa company.

Focal PressJune 2011: 578ppPb: 978-0-240-81158-1: $54.95eBook: 978-0-080-88505-6

Olivia SperanzaUnknowingly, photographers are already trained in many of thekey skills behind great cinematography-the art of lighting andcrafting films-and finally cameras have caught up, allowing themto harness those abilities. The HDSLR Moviemaking Field Guideshows photographers how they can build on what they alreadyknow to create truly spectacular movies in whatever genre theychoose. It introduces everything, from the language of cinemaand the basic rules of direction, to the art of movie editing andthe best ways to get your new creation out there.

Focal PressNovember 2012Pb: 978-0-240-82425-3: $15.95eBook: 978-0-240-82459-8

Prev. Ed Pb: 978-0-240-80773-7* For full contents and more information, visit: www.routledge.com/9780240824253* For full contents and more information, visit: www.routledge.com/9780240811581

Dummy text to keep placeholder2nd EditionThe Filmmaker's EyeDSLR CinemaLearning (and Breaking) the Rules of Cinematic CompositionCrafting the Film Look with Large Sensor Video Cameras

Gustavo Mercado, Independent filmmaker, Professor inHunter College's Film & Media Studies Department, NewYork, NY, USAShows aspiring filmmakers the rules of image composition--andhow to break them--with beautiful, full-color examples and asleek, elegant design

Focal PressSeptember 2010: 9 x 9: 192ppPb: 978-0-240-81217-5: $27.95* For full contents and more information, visit: www.routledge.com/9780240812175

Kurt Lancaster, Digital filmmaker, Multimedia producer,Northern Arizona University, USA and Kurt Lancaster, Digitalfilmmaker, Multimedia producer, Northern ArizonaUniversity, USAThe HD video capabilities of DSLR cameras have revolutionizedthe digital filmmaking world. It makes the mythic "film-look"possible even while working on a low budget. DSLR Cinemashows filmmakers how and why to make cinematic decisionsin their productions. It is the first book geared for filmmakersinstead of photographers.

The second edition features brand new case studies with master DSLR shooters, coversupdated technologies and workflows (including workflow surrounding both Adobe Premiereand Final Cut X editing software), and an updated equipment section. This lavishly illustrated,full color book features coverage of storytelling, shot composition, lighting, DSLR picturestyles, capturing quality audio, postproduction workflows, and new large sensor videoexamples. The new edition also covers new camera models from Canon, Nikon, Panasonic,and Sony.

Focal PressMarket: FilmOctober 2012: 7-1/2 x 9-1/4: 294ppPb: 978-0-240-82373-7: $39.95eBook: 978-0-240-82387-4Prev. Ed Pb: 978-0-240-81551-0* For full contents and more information, visit: www.routledge.com/9780240823737

Dummy text to keep placeholder2nd EditionRunning the ShowCinematography: Theory and PracticeThe Essential Guide to Being a First Assistant DirectorImage Making for Cinematographers and Directors

Liz Gill, Liz Gill has been working as a First AD since 1994,for directors such as Barry Levinson, Todd Haynes, KevinReynolds, and more, working on widely-seen films such asThe Omen and Bloody Sunday. She has served as the directoron several episodes of East Enders. She studied at ColumbiaUniversity and NYU before beginning her career as anassistant to Martin Scorsese. After stints in NYC and LA(working for Harvey Weinstein), she moved to Ireland whereshe is one of the top First ADs in the country.Learn what it takes to thrive in one of the most vital but unseen

roles on a film set.

Blain Brown, Director of Photography, Los Angeles, CA, USAThe previous edition sold over 50,000 copies! A leading book inthe field, Cinematography has been translated into manylanguages and is a staple at the world's top film schools.Cinematography presents the basics and beyond, employingclear explanations of standard practice together with substantialillustrations and diagrams to reveal the real world of filmproduction. Covering the most up-to-date information on thefilm/digital interface, new formats, the latest cranes and camerasupport and other equipment, it also illustrates the classic triedand true methods.

Focal PressJuly 2011: 7 1/4 x 10 1/4: 366ppPb: 978-0-240-81209-0: $49.95eBook: 978-0-080-95895-8

Focal PressMarch 2012: 7 1/2 x 9 1/5: 248ppPb: 978-0-240-82146-7: $34.95eBook: 978-0-240-82361-4

Prev. Ed Pb: 978-0-240-80500-9 * For full contents and more information, visit: www.routledge.com/9780240821467* For full contents and more information, visit: www.routledge.com/9780240812090


7CINEMATOGRAPHY AND DIRECTING













2nd EditionThe Visual StoryCreating the Visual Structure of Film, TV and Digital Media

Bruce Block, Producer; Consultant; Adjunct Professor,University of Southern California, Los Angeles, CA, USA andBruce Block, Producer; Consultant; Adjunct Professor,University of Southern California, Los Angeles, CA, USAIf you can't make it to one of Bruce Block's legendary visualstorytelling seminars, then you need his book! Now in full colorfor the first time, this best-seller offers a clear view of therelationship between the story/script structure and the visualstructure of a film, video, animated piece, or video game. You'lllearn how to structure your visuals as carefully as a writerstructures a story or a composer structures music. Understandingvisual structure allows you to communicate moods and

emotions, and most importantly, reveals the critical relationship between story structureand visual structure.

Focal PressOctober 2007: 7 1/4 x 10 1/4: 298ppPb: 978-0-240-80779-9: $34.95eBook: 978-0-080-55169-2Prev. Ed Pb: 978-0-240-80467-5* For full contents and more information, visit: www.routledge.com/9780240807799

3rd EditionVideo ShooterMastering Storytelling Techniques

Barry Braverman, Veteran Director of Photography; Directorof DVD training at Video Symphony; and Contributing Editorto Video Systems magazine, Burbank, CA, USA and BarryBraverman, Veteran Director of Photography; Director ofDVD training at Video Symphony; and Contributing Editorto Video Systems magazine, Burbank, CA, USAVideo Shooter is an essential guidebook for anybody interestedin telling a story with a DV cam. Barry Braverman is a highlyexperienced shooter whose name is gold in the field. This bookcovers everything from framing a shot, to lighting, to the type

of camera (and tripod) one should use, and perhaps most importantly—how to translatethe use of all the equipment and techniques into a story.

Humorous and opinionated, the author provides anecdotes and illustrations that help youto learn the tricks of the trade. He gets right to the point of what you need to know to getgood shots--and on a budget.

Focal PressMarket: filmmakingSeptember 2013: 7-1/2 x 9-1/4Pb: 978-0-240-82517-5: $46.95eBook: 978-0-240-82522-9Prev. Ed Pb: 978-0-240-81088-1* For full contents and more information, visit: www.routledge.com/9780240825175


CINEMATOGRAPHY AND DIRECTING8






5th Edition6th Edition • NEW EDITIONDirecting the DocumentaryDirecting the Documentary

Michael Rabiger, Professor Emeritus, Columbia College,Chicago, IL, USA and Michael Rabiger, Professor Emeritus,Columbia College, Chicago, IL, USAPrevious editions of this well-regarded book have sold over 100,000copies!

Focal PressFebruary 2009: 7 1/4 x 10 1/4: 660ppPb: 978-0-240-81089-8: $52.95eBook: 978-1-315-76833-5

Michael Rabiger, Professor Emeritus, Columbia College,Chicago, IL, USADirecting the Documentary, Sixth Edition is the definitive book onthe form. Ideal for documentary courses as well as aspiring andestablished documentary filmmakers, this book has it all, within-depth lessons and an insider's perpsective on preproduction,production, and postproduction. Including dozens of projects,exercises, and thought-provoking questions, this edition coversboth the fundamental basics as well as more advanced issues,best practices for researching and honing a documentary idea,developing a crew, and much more. A companion websitefeatures handy production checklists and forms, updated

projects, exercises, and video examples.

Focal PressMarket: Directing / DocumentarySeptember 2014: 7 1/4 x 10 1/4: 536pp Prev. Ed Pb: 978-0-240-80608-2Pb: 978-0-415-71930-8: $53.95 * For full contents and more information, visit: www.routledge.com/9780240810898eBook: 978-1-315-86750-2Prev. Ed Pb: 978-0-240-81089-8* For full contents and more information, visit: www.routledge.com/9780415719308

Dummy text to keep placeholder2nd Edition • NEW EDITIONArchival Storytelling: A Filmmaker's Guide toFinding, Using, and Licensing Third-Party Visualsand Music

The Shut Up and Shoot Documentary GuideA Down & Dirty DV Production

Anthony Q. Artis, Filmmaker, Adjunct Professor of film andtelevision, NYUTo anyone who wants to make a documentary but doesn’t havea lot of time, money, or experience, Anthony Artis says: "It’s timeto get down and dirty!"—a filmmaking mentality that teachesguerilla filmmakers to be creative with their resources and domore with less. This all new edition of a bestselling classic revealshow to make documentaries better, faster, and cheaper andincludes fresh coverage of DSLR cameras, lighting gear, visualstorytelling, shooting on iPhones, previsualization,postproduction techniques, and distribution in the online era.A bonus website features video and audio tutorials, interviews

with filmmakers, storyboards, releases, equipment guides, and checklists.

Sheila Curran Bernard, Sheila Curran Bernard is an Emmy-and Peabody Award-winning filmmaker and consultantwhose film credits include the series Slavery by AnotherName, Eyes on the Prize, I’ll Make Me a World, This Far ByFaith, America’s War on Poverty, and School. She has taughtat Princeton University and Westbrook College and recentlyjoined the faculty of the University at Albany, State Universityof New York. and Kenn Rabin, Kenn Rabin is aninternationally recognized expert on the use of archivalmaterials in film storytelling. His credits include the dramaticfeatures Milk, directed by Gus Van Sant; Good Night, andGood Luck, directed by George Clooney; and The GoodFocal Press

Market: Film & Video Production / DocumentaryMay 2014: 7 1/4 x 10 1/4: 400ppPb: 978-0-240-82415-4: $34.95

German, directed by Steven Soderbergh, in addition to a number of acclaimed archivaltelevision series, including the 13-hour Vietnam: A Television History and the 14-hourEyes on the Prize, for which he was nominated for an Emmy.eBook: 978-0-240-82444-4Author of Documentary Storytelling --seller of 16K copies in 2 editions!Prev. Ed Pb: 978-0-240-80935-9

* For full contents and more information, visit: www.routledge.com/9780240824154 Focal PressSeptember 2008: 6 x 9: 336ppPb: 978-0-240-80973-1: $41.95* For full contents and more information, visit: www.routledge.com/9780240809731

Dummy text to keep placeholder3rd EditionThe Shut Up and Shoot Documentary GuideDocumentary StorytellingA Down & Dirty DV ProductionCreative Nonfiction on Screen

Anthony Q. Artis, Filmmaker, Adjunct Professor of film andtelevision, NYU and Anthony Q. Artis, Filmmaker, AdjunctProfessor of film and television, NYUA straight shot of guerrilla DV filmmaking with no ice and nochaser.

Focal PressSeptember 2007: 7 1/4 x 10 1/4: 296ppPb: 978-0-240-80935-9: $36.95eBook: 978-0-080-55017-6

Sheila Curran Bernard, Sheila Curran Bernard is an Emmy-and Peabody Award-winning filmmaker and consultantwhose film credits include the series Slavery by AnotherName, Eyes on the Prize, I’ll Make Me a World, This Far ByFaith, America’s War on Poverty, and School. She has taughtat Princeton University and Westbrook College and recentlyjoined the faculty of the University at Albany, State Universityof New York. and Sheila Curran Bernard, Sheila CurranBernard is an Emmy- and Peabody Award-winning filmmakerand consultant whose film credits include the series Slaveryby Another Name, Eyes on the Prize, I’ll Make Me a World,This Far By Faith, America’s War on Poverty, and School. She

has taught at Princeton University and Westbrook College and recently joined thefaculty of the University at Albany, State University of New York.Previous editions have sold more than 23,000 copies combined! * For full contents and more information, visit: www.routledge.com/9780240809359Focal PressAugust 2010: 6 x 9: 368ppPb: 978-0-240-81241-0: $29.95eBook: 978-0-080-96232-0Prev. Ed Pb: 978-0-240-80875-8* For full contents and more information, visit: www.routledge.com/9780240812410


9DOCUMENTARY













5th EditionDummy text to keep placeholderAvid EditingCutting RhythmsA Guide for Beginning and Intermediate UsersShaping the Film Edit

Sam Kauffmann, Boston University’s College ofCommunication, Boston. MA, USA and Ashley Kennedy,Lynda.com, USA.New edition of bestseller updated to cover Media Composer 5,editing DSLR-captured footage, a new chapter on building anedit suite, and a revamped, 4-color color correction chapter

Focal PressMarket: Film/Multimedia/video editingJuly 2012: 7-1/2 x 9-1/4: 462ppPb: 978-0-240-81856-6: $49.95

Karen Pearlman, Karen Pearlman is Head of Screen Studiesat the Australian Film, Television and Radio School, and afreelance film editor who cuts drama, documentary, andexperimental projects. She has edited many award-winningshorts, and is also co-founder of The Physical TV Company,which specializes in the creation of dance on screen. andKaren Pearlman, Karen Pearlman is Head of Screen Studiesat the Australian Film, Television and Radio School, and afreelance film editor who cuts drama, documentary, andexperimental projects. She has edited many award-winning

shorts, and is also co-founder of The Physical TV Company, which specializes in thecreation of dance on screen.This groundbreaking book presents a brand-new methodology for improving a film edit.

eBook: 978-0-240-81857-3Focal PressJanuary 2009: 7 1/2 x 9 1/5: 304ppPb: 978-0-240-81014-0: $41.95eBook: 978-0-080-92776-3



Dummy text to keep placeholder5th EditionAdobe Premiere Pro Power TipsThe Technique of Film and Video EditingSecrets, Shortcuts, and TechniquesHistory, Theory, and Practice

Larry Jordan, Television Producer, Director and Editor;Consultant; Apple Certified Trainer, Oak Park, CA, USA andLarry Jordan, Television Producer, Director and Editor;Consultant; Apple Certified Trainer, Oak Park, CA, USAPremiere Pro has seen a boom in popularity since the 2011release of Apple’s Final; Cut Pro X. FCPX has not beenwell-received by the professional editor market and ; FCP users

Ken Dancyger, Tisch School of the Arts, New York University,NY, USALast edition sold more than 7,000 copies! Strengthen visualstories by knowing WHY edits affect an audience's responses.

Focal PressNovember 2010: 7 1/2 x 9 1/5: 460ppPb: 978-0-240-81397-4: $46.95eBook: 978-0-240-81396-7

are flocking in droves to Premiere Pro and other NLEs. What this book offers the over twomillion Premiere Pro users is a treasure trove of tips and techniques they’ll find invaluablewhether they have been using Premiere Pro for years or if they’ve just moved over fromFCPX or another NLE, with a chapter dedicated solely to those FCP editors who haveswitched over. The book is in illustrious 4-color throughout, and there’s a companionwebsite with video tutorials of the techniques outlined in the book.

Focal PressMarket: Post ProductionNovember 2012: 7-1/2 x 9-1/4: 312ppPb: 978-0-415-65707-5: $34.95



2nd Edition3rd EditionDialogue Editing for Motion PicturesGrammar of the EditA Guide to the Invisible ArtChristopher J. Bowen, Framingham State College; Avid

certified instructor; Creative Director/Production Manager,Fellsway Creatives; Somerville, MA, USA and Roy Thompson,(deceased), former freelance trainer at Berlin TelevisionTraining Centre, Berlin, GermanyWe "read" images just as we do words. Images, like sentences,have their own grammar. In order to tell an effective visual story,an editor must first learn this visual grammar—so they can abideby and effectively break the rules. Grammar of the Edit sets down,in a simple, uncomplicated way, the fundamental knowledgenecessary for making good edits between shots. Regardless ofthe type of project a filmmaker is working on or the software heis using, the core concepts important for solid editing remain

John Purcell, an Emmy award-winning dialogue editor withexperience in film, video and music editingIn Dialogue Editing for Motion Pictures, Second Edition veteran filmsound editor John Purcell arms aspiring and beginning soundeditors with classic as well as cutting-edge practices to effectivelyedit dialogue for film, TV, and video. In straightforward terms,he describes how to produce professional level dialogue trackswith industry-proven techniques. Additionally, readers will findinnovative solutions to common dialogue editing challengessuch as room tone balancing, noise removal, perspective control,finding and using alternative takes, and even time management

and postproduction politics. A robust companion website features project files and videotutorials.the same. This book focuses on where and how an edit is made and teaches filmmakers

and videographers how to answer the simple question: What do I need to do in order tomake a good edit between two shots?

Focal PressJuly 2013: 7-1/2 x 9-1/4: 448ppPb: 978-0-415-82817-8: $44.95Focal Press

February 2013: 6 x 9: 288ppPb: 978-0-240-52600-3: $24.95eBook: 978-0-240-52608-9




EDITING10















2nd Edition • NEW EDITIONThe Focal Easy Guide to Final Cut Pro X

Rick Young, Director and Founding Member of the UK FinalCut Pro User Group and an Apple Solutions ExpertCovering the most recent 10.1 release, and packed with tutorialsand real-world examples, The Focal Easy Guide to Final Cut Pro X,Second Edition clearly explains the key concepts of Final Cut ProX and ways to achieve results quickly, regardless of the skill levelof the video editor. This new edition features a thoroughintroduction to Final Cut Pro X; concise, step-by-step coverageof tools and features that will enable editors to produceprofessional-grade content; and a companion website withdownloadable video footage on which editors can practice,video tutorials demonstrating techniques described in the book,as well as periodic PDF and video updates covering changes to

the software.

Focal PressMarket: Multimedia / Video EditingOctober 2014: 6 x 9: 280ppPb: 978-1-138-78553-3: $38.95Prev. Ed Pb: 978-0-240-52383-5* For full contents and more information, visit: www.routledge.com/9781138785533

Dummy text to keep placeholderFinal Cut Pro X Beyond the BasicsAdvanced Techniques for Editors

Tom Wolsky, Senior Instructor at Digital Media Academy,Certified Final Cut Pro TrainerCovering the most recent 10.1 release, and picking up wherethe intro-level books leave off, Final Cut Pro X Beyond the Basicsis brimming with cutting-edge techniques and time-saving tipsthat aspiring and established video editors will reference againand again. Wolsky covers all the bases, including using markersand the timeline index, working with compound clips, expandingaudio components and working with audio effects, multicam,color correction including secondary corrections and isolatedcolor adjustment, compositing, animation, and much more. The

book's companion website features video tutorials of techniques in action, as well asupdates addressing revisions to the software.

Focal PressMarket: Video Editing / MultimediaAugust 2014: 7-1/2 x 9-1/4: 408ppPb: 978-1-138-78711-7: $53.95eBook: 978-1-315-76681-2* For full contents and more information, visit: www.routledge.com/9781138787117

Dummy text to keep placeholderAvid UncutWorkflows, Tips, and Techniques from Hollywood Pros

Steve Hullfish, Editor, Producer, IL, USAAvid is an incredibly deep program with thousands of features.In this must-own book for any Avid editor, Steve Hullfish revealsvital time-saving techniques and tips that will wow clients andkeep them coming back for more. Topics include pre-postworkflows; settings; off-line workflows with coverage ontrimming, multicam, using Phrasefind, audio, and stereoscopic3D; on-line workflows including importing from other editingapps, color correction, and collaborating with ProTools; effects;and video hardware. Also included is a chapter dedicated toeditors switching over to Avid from Final Cut Pro and a

companion website loaded with videos demonstrating techniques discussed in the book.

Focal PressMarket: Filmmaking / PostproductionMay 2014: 7-1/2 x 9-1/4: 416ppPb: 978-0-415-82764-5: $44.95eBook: 978-0-203-52223-3* For full contents and more information, visit: www.routledge.com/9780415827645


11EDITING







5th EditionDummy text to keep placeholderDirectingCinema RawFilm Techniques and AestheticsShooting and Color Grading with the Ikonoskop, Digital Bolex, and

Blackmagic Cinema Cameras Michael Rabiger, Professor Emeritus, Columbia College,Chicago, IL, USA, Mick Hurbis-Cherrier, Hunter College, NewYork, NY, USA, Michael Rabiger, Professor Emeritus,Columbia College, Chicago, IL, USA and MickHurbis-Cherrier, Hunter College, New York, NY, USAMichael Rabiger's books have sold over 100,000 copies and arepopular worldwide among filmmakers and film students.Directing is a comprehensive manual that teaches the essentialsof filmmaking from the perspective of the director. Covering theentire process of filmmaking, this book is a rich resource that

Kurt Lancaster, Digital filmmaker, Multimedia producer,Northern Arizona University, USA and Kurt Lancaster, Digitalfilmmaker, Multimedia producer, Northern ArizonaUniversity, USAKurt Lancaster takes filmmakers through the raw workflow withthe next generation of digital cinema cameras. While DSLR andHD video cameras have done the job in the past, shooting withraw allows filmmakers to capture an image in its purest form,which in turn gives them the freedom to manipulate the imagein postproduction without degrading the quality. With the recentsurge of affordable raw cameras on the market, this book

filmmakers will return to throughout their career. The hallmark of Rabiger's books is theemphasis on doing. Concepts are connected with action and hands-on work; every principleis made realizable through projects and exercises. They show how to: discover your artisticempowers filmmakers to craft visually stunning films on a greatly reduced budget. Aidentity; develop credible and compelling stories with cast and crew; and become astoryteller with a distinctive voice and style.

companion website offers video interviews with the camera creators, bonus chapters,camera user manuals, and resources for further study about raw cinema.

Focal PressMarket: Film and VideoJanuary 2013: 7-1/2 x 9-1/4: 532ppPb: 978-0-240-81845-0: $49.95

Focal PressMarket: Film / VideoMay 2014: 7-1/2 x 9-1/4: 202ppPb: 978-0-415-81050-0: $34.95

eBook: 978-0-203-07238-7eBook: 978-0-203-78342-9Prev. Ed Pb: 978-0-240-80882-6* For full contents and more information, visit: www.routledge.com/9780415810500* For full contents and more information, visit: www.routledge.com/9780240818450

2nd EditionDummy text to keep placeholderVoice & VisionBeyond ContinuityA Creative Approach to Narrative Film and DV ProductionScript Supervision for the Modern Filmmaker

Mick Hurbis-Cherrier, Hunter College, New York, NY, USA,Mick Hurbis-Cherrier, Hunter College, New York, NY, USA,Mick Hurbis-Cherrier, Hunter College, New York, NY, USAand Mick Hurbis-Cherrier, Hunter College, New York, NY,USAFirst Published in 2012. Routledge is an imprint of Taylor &Francis, an informa company.

Focal PressJune 2011: 578ppPb: 978-0-240-81158-1: $54.95eBook: 978-0-080-88505-6

Mary Cybulski, Script Editor, Los Angeles, CA, USAA guide to the craft of script supervising, this book includespractical instruction and examples explaining the skills neededto work as a professional script supervisor. Mary Cybulski coversthe basic skills of breaking down a script, taking notes on set,matching, cheating, screen direction, and what the director,actors, and editor expect from a script supervisor. Also includedare many of the more subtle, but just as important, skills: howto get a job, how to tell what is important in a script and on set,how to get along with the cast and crew, and how not to getoverwhelmed when there is too much information to process.

Focal PressMarket: filmmakingMarch 2014: 6 x 9: 258ppPb: 978-0-240-81489-6: $27.95



2nd EditionDummy text to keep placeholderSpecial Makeup Effects for Stage and ScreenGenre FilmmakingMaking and Applying ProstheticsA Visual Guide to Shots and Style

Todd Debreceni, Special effects makeup artist: worked forDisney, Warner Bros., 20th Century Fox, and TBS; Owner ofBack Porch F/X makeup effects.In the world of film, video, and theater, character transformationtakes a lot of work, skill, and creativity. This highly visual, full-colorbook features a recipe-style approach, instructing readers onthe how-tos and why-tos of SFX makeup and prosthetics. Thenumerous case studies feature some of today's hottest SFXmake-up artists. The accompanying website showcasesstep-by-step tutorials that show exactly how some of the lookswere achieved. The contributors have worked on films such as

Danny Draven, Award Winning Independent Filmmaker,Los Angeles, CA, USA and Danny Draven, Award WinningIndependent Filmmaker, Los Angeles, CA, USAIn film, different genres use different techniques to engage theiraudience, and whether they are visual themes, narrativestructure, uses of iconography or typical character types, theyall function as an agreement between the filmmaker and the

audience. This is the first book covering those visual and narrative considerations specificto working within an individual genre of film. The book features techniques as they wereused in a popular movies, reveals how to achieve them, and then discusses when and howthey should and shouldn’t be used. Interviews from the Hollywood directors and

Aliens vs Predator, X-Files, Prince Caspian, The Elephant Man, Dracula (1992), The Omen (2006),Tropic Thunder, and Schindler's List.

cinematographers actually using these techniques are included throughout, and acompanion site provides accompanying video demonstrations.

Focal PressMarket: filmmakingJanuary 2013: 7-1/2 x 9-1/4: 504ppPb: 978-0-240-81696-8: $54.95

Focal PressMarket: FilmApril 2013: 256ppPb: 978-0-240-82421-5: $32.95

eBook: 978-0-240-81697-5eBook: 978-0-240-82452-9Prev. Ed Pb: 978-0-240-80996-0* For full contents and more information, visit: www.routledge.com/9780240824215* For full contents and more information, visit: www.routledge.com/9780240816968


FILM PRODUCTION12



http://www.directingbook.com





http://www.focalpress.com/cw/cybulski





http://www,focalpress.com/cw/debreceni




Dummy text to keep placeholder5th EditionStorytelling Across Worlds: Transmedia for Creativesand Producers

The Grip BookThe Studio Grip’s Essential Guide

Michael G. Uva, Key Grip, Hollywood, CA and Michael G.Uva, Key Grip, Hollywood, CAIn The Grip Book, Fifth Edition, first time studio grips will discoverthe A-Zs of professional film grip work, including learning toinstall, set up, maintain, and ensure the safety of all equipmentneeded on set. Loaded with time-tested tips and tricks forsmooth and safe set-up and operation, as well as suggestionsfor on-set etiquette and how to succeed as a technical crewmember, this book is a must-have for any professional grip oranyone aspiring to be one. This new edition features acompletely new test section with 125 question and answers,engaging how-to videos on the book's companion e-resource,and a European-specific appendix with Euro-centric size and

electric measurements.

Tom Dowd, Columbia College Chicago; member of theScience Fiction Writers of America, the International GameDevelopers Association, and the Academy of Interactive Artsand Sciences, Michael Niederman, Columbia College,Michael Fry, Columbia College, Josef Steiff, ColumbiaCollege, Tom Dowd, Columbia College Chicago; memberof the Science Fiction Writers of America, the InternationalGame Developers Association, and the Academy ofInteractive Arts and Sciences, Michael Niederman, ColumbiaCollege, Michael Fry, Columbia College and Josef Steiff,Columbia College

Transmedia is a practical primer on the conceptualization, structuring, writing, execution,management, and marketing of a transmedia property that exists in multiple forms ofmedia and shares a single interwoven story. Thus far, creatives and producers have focusedFocal Presson single areas of production—motion pictures, television, or video games. For those whoMarket: Filmare going to participate in or supervise the creation of a transmedia property, a minimumSeptember 2013: 6 x 9: 552ppunderstanding of all the important media is required. Transmedia provides readers withthe solid foundation they need.

Pb: 978-0-415-84237-2: $49.95eBook: 978-0-203-76030-7Prev. Ed Pb: 978-0-240-81291-5

Focal PressMarket: filmmakingFebruary 2013: 352ppPb: 978-0-240-82411-6: $34.95



2nd Edition6th EditionThe Makeup Artist HandbookThe Camera Assistant's ManualTechniques for Film, Television, Photography, and TheatreDavid E. Elkins, SOC, Filmmaker-In-Residence and Chair of

the Cinematography Department, North Carolina School ofthe Arts School of Filmmaking, Winston-Salem, USA. andDavid E. Elkins, SOC, Filmmaker-In-Residence and Chair ofthe Cinematography Department, North Carolina School ofthe Arts School of Filmmaking, Winston-Salem, USA.The Camera Assistant’s Manual, Sixth Edition is a nuts and boltsguide offering beginning camera assistants and film studentsinformation on all aspects of this unique position within the filmindustry. This essential guide covers the basics ofcinematography, how to maintain a camera, how to transporta camera, how to troubleshoot common problems that arise on

Gretchen Davis, , freelance makeup artist and Mindy HallGorgeous full-color book is the only guide out there with realHollywood insider information -- it is the bible that every makeupartist needs!

Focal PressJanuary 2012: 7 1/2 x 9 1/5: 306ppPb: 978-0-240-81894-8: $44.95eBook: 978-0-240-81912-9

set, and even advice about interviewing for the job. This new edition has been updatedto include new forms, checklists, tables, and illustrations that will be essential to the successof any camera assistant. For the very first time, this book now offers a website with onlinetutorials, video clips, and techniques that camera assistants can easily use while on location. Prev. Ed Pb: 978-0-240-80941-0

* For full contents and more information, visit: www.routledge.com/9780240818948Focal PressFebruary 2013: 6 x 9: 596ppPb: 978-0-240-81868-9: $49.95eBook: 978-0-240-81869-6Prev. Ed Pb: 978-0-240-81057-7* For full contents and more information, visit: www.routledge.com/9780240818689

2nd Edition3rd EditionThe Visual StoryGrammar of the ShotCreating the Visual Structure of Film, TV and Digital MediaChristopher J. Bowen, Framingham State College; Avid

certified instructor; Creative Director/Production Manager,Fellsway Creatives; Somerville, MA, USA, Roy Thompson,(deceased), former freelance trainer at Berlin TelevisionTraining Centre, Berlin, Germany, Christopher J. Bowen,Framingham State College; Avid certified instructor; CreativeDirector/Production Manager, Fellsway Creatives; Somerville,MA, USA and Roy Thompson, (deceased), former freelancetrainer at Berlin Television Training Centre, Berlin, GermanyWe "read" images just as we do words. Images, like sentences,have their own grammar. In order to tell an effective visual story,an image maker must first learn this visual grammar—so that

Bruce Block, Producer; Consultant; Adjunct Professor,University of Southern California, Los Angeles, CA, USA andBruce Block, Producer; Consultant; Adjunct Professor,University of Southern California, Los Angeles, CA, USAIf you can't make it to one of Bruce Block's legendary visualstorytelling seminars, then you need his book! Now in full colorfor the first time, this best-seller offers a clear view of therelationship between the story/script structure and the visualstructure of a film, video, animated piece, or video game. You'lllearn how to structure your visuals as carefully as a writerstructures a story or a composer structures music. Understandingvisual structure allows you to communicate moods andthey can abide by and effectively break the rules. This book covers the established

conventions of image-making in a clear and concise manual that introduces these concepts emotions, and most importantly, reveals the critical relationship between story structureand visual structure.to novices and serves as a refresher for more veteran shooters. Format agnostic, this book

offers what video/film artists need to know. The concise, easy-to-use presentation that is Focal PressOctober 2007: 7 1/4 x 10 1/4: 298ppPb: 978-0-240-80779-9: $34.95eBook: 978-0-080-55169-2

the hallmark of this book is maintained, while the added companion website offers moreexamples and resources to drive home the lessons contained within.

Focal PressMarket: filmmakingFebruary 2013: 6 x 9: 312pp


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Pb: 978-0-240-52601-0: $24.95 Prev. Ed Pb: 978-0-240-80467-5eBook: 978-0-240-52609-6 * For full contents and more information, visit: www.routledge.com/9780240807799Prev. Ed Pb: 978-0-240-52121-3* For full contents and more information, visit: www.routledge.com/9780240526010


FILM PRODUCTION14




Dummy text to keep placeholder2nd EditionFilmmakingThe Business of Media DistributionDirect Your Movie from Script to Screen Using Proven HollywoodTechniques

Monetizing Film, TV, and Video Content in an Online WorldJeffrey C. Ulin, Former head of worldwide distribution forLucasfilm, San Francisco, CA, USA and Jeffrey C. Ulin, Formerhead of worldwide distribution for Lucasfilm, San Francisco,CA, USAWritten by the insider who headed sales for Lucasfilm andmanaged the release of Star Wars Episode 3, this is the first bookto show how all related media distribution markets, includingtelevision, video, and online, work together and independentlyto finance and maximize profits on productions. Providing aunique apprenticeship to the business by relating theory andpractice, this all new edition of an industry classic analyzes thegrowth of social media and gaming, 3D movie distribution, theclout of Redbox and Netflix in the home video business, the

Jason Tomaric, Jason J. Tomaric is an Emmy-award winningdirector with two feature films, dozens of televisioncommercials and several educational DVD series to his credit.The most definitive (yet accessible) book on filmmaking-fromFocal Press, the leading publisher in film techniques

Focal PressDecember 2010: 7 1/2 x 9 1/5: 536ppPb: 978-0-240-81700-2: $41.95eBook: 978-0-240-81701-9

implications of how Hulu and Roku disseminate TV content, and the effect of transmediastorytelling on distribution.

* For full contents and more information, visit: www.routledge.com/9780240817002Focal PressMarket: FilmSeptember 2013: 6 x 9: 626ppPb: 978-0-240-82423-9: $39.95eBook: 978-0-240-82454-3* For full contents and more information, visit: www.routledge.com/9780240824239

2nd EditionDSLR CinemaCrafting the Film Look with Large Sensor Video Cameras

Kurt Lancaster, Digital filmmaker, Multimedia producer,Northern Arizona University, USA and Kurt Lancaster, Digitalfilmmaker, Multimedia producer, Northern ArizonaUniversity, USAThe HD video capabilities of DSLR cameras have revolutionizedthe digital filmmaking world. It makes the mythic "film-look"possible even while working on a low budget. DSLR Cinemashows filmmakers how and why to make cinematic decisionsin their productions. It is the first book geared for filmmakersinstead of photographers.

The second edition features brand new case studies with master DSLR shooters, coversupdated technologies and workflows (including workflow surrounding both Adobe Premiereand Final Cut X editing software), and an updated equipment section. This lavishly illustrated,full color book features coverage of storytelling, shot composition, lighting, DSLR picturestyles, capturing quality audio, postproduction workflows, and new large sensor videoexamples. The new edition also covers new camera models from Canon, Nikon, Panasonic,and Sony.

Focal PressMarket: FilmOctober 2012: 7-1/2 x 9-1/4: 294ppPb: 978-0-240-82373-7: $39.95eBook: 978-0-240-82387-4Prev. Ed Pb: 978-0-240-81551-0* For full contents and more information, visit: www.routledge.com/9780240823737

2nd EditionSound for Digital Video

Tomlinson Holman, President of TMH Corporation; formerCorporate Technical Director at Lucasfilm, Ltd., CA, USA,Arthur Baum, University of Southern California, TomlinsonHolman, President of TMH Corporation; former CorporateTechnical Director at Lucasfilm, Ltd., CA, USA and ArthurBaum, University of Southern CaliforniaTomlinson Holman is famous for his pioneering work in filmsound production. He developed THX—the name derived fromTomlinson Holman's eXperiment— hde was sound engineeron such films as Indiana Jones and the Temple of Doom and Star

Wars: Return of the Jedi. He brings his expertise to the field of sound for video productions.In this new edition, Holman teaches genuinely professional techniques for a recordingmedium often viewed as an amateur format but on which feature films are now beingshot. This book offers professional tips on production sound, editing, and mixing techniquesthat can make lower budget works sound like fully professional productions.

Focal PressMarket: Digital Video/AudioMarch 2013: 7-1/2 x 9-1/4: 362ppPb: 978-0-415-81208-5: $49.95eBook: 978-0-203-38405-3Prev. Ed Pb: 978-0-240-80720-1


15FILM PRODUCTION




http://www.businessofmediadistribution.com





http://www.focalpress.com/9780415812085



FILM PRODUCTION16



2nd EditionDummy text to keep placeholderThe After Effects IllusionistCinema 4D ApprenticeAll the Effects in One Complete GuideReal World Skills for the Aspiring Motion Graphics Artist

Chad Perkins, Adobe Certified Instructor, Renton, WA, USAHarness the full power of After Effects by mastering its nativeplug-in effects. Author Chad Perkins breaks down the creationand application of each native plug-in effect available in theAfter Effects toolset. He also shows you how each can be usedoptimally in your own media project, when and why it makessense to use each, and how to "break the rules" by using effectsin unconventional ways. ; ; Completely updated for CS6 andrevised to include coverage of Keylight and the Cycore effects,you will learn every effect from color correction to distortion tosimulation and all in between, putting the full power of After

Effects in your hands.

Kent McQuilkin, Instructor of 3D Design and Animation at Pellissippi State College,contract Designer and Consultant for Scripps ProductionCinema 4D Apprentice teaches readers to create eye-popping motion graphics, guiding thereader through 12 core lessons, starting with the basics before moving onto more complextechniques and concepts and then tying it all together with a final project. Topics coveredinclude getting familiar with the UI, creating basic scenes, modeling, texture mapping,painting in 3D, integration with After Effects, lighting, animation, and rendering. A newbook in the successful Apprentice series, Cinema 4D has unmatched integration withAdobe After Effects and its critically acclaimed MoGraph module makes it especially popularamong motion graphics artists.

Focal PressMarket: Filmmaking & Post Production

Focal PressMarket: Multimedia/Digital Video/After EffectsOctober 2012: 7-1/2 x 9-1/4: 16ppPb: 978-0-240-81898-6: $49.95

November 2014: 410ppPb: 978-1-138-01862-4: $58.95* For full contents and more information, visit: www.routledge.com/9781138018624


3rd Edition3rd EditionAfter Effects ApprenticeMotion Graphic DesignReal World Skills for the Aspiring Motion Graphics ArtistApplied History and Aesthetics

Chris Meyer, Co-Founder of Crish Design (formerlyCyberMotion), Sandia Park, NM, USA and Trish Meyer,Co-Founder of Crish Design (formerly CyberMotion), SandiaPark, NM, USAMotion graphics designers and visual effects artists new to AfterEffects will find this book indispensable. They will quickly getinto the program and learn how to tap its potential—whetherthey want to create motion graphics for a network program,company video, or independent production. This book provides

Jon Krasner, associate professor in the CommunicationsMedia department at Fitchburg State College.Professionals and students alike are inspired by this examinationof the evolution of motion graphics as an applied art and thearticulation of aesthetic principles that can inform their work.This examination of past and current communication, as wellas stylistic trends, helps readers reach beyond technical craftskills and develop a sound appreciation of the art. Student andprofessional work is showcased in full color to contrast andcompare effective design. The companion DVD provides motiondemos, and each chapter includes student research projects,

recommended discussion topics, hands-on exercises and assignments.

lessons on how to creatively edit and combine layers, animate eye-catching titles, replacea screen on a computer monitor, place a studio shot in a new environment and manipulate3D space.

Focal PressApril 2013: 7-1/2 x 9-1/4: 526ppPb: 978-0-240-82113-9: $49.95eBook: 978-0-240-82470-3

Focal PressMarket: Visual ArtsAugust 2012: 364ppPb: 978-0-240-81736-1: $49.95

* For full contents and more information, visit: www.routledge.com/9780240821139 eBook: 978-0-240-81737-8* For full contents and more information, visit: www.routledge.com/9780240817361

Dummy text to keep placeholder2nd Edition3D Motion Graphics for 2D ArtistsHow to Cheat in After EffectsConquering the Third DimensionChad Perkins, Adobe Certified Instructor, Renton, WA, USA

After Effects (AE) is the most commonly used application in thepostproduction field. Commonly referred to as Photoshop onwheels, AE is the dominant application of its ilk with an estimateduser base of 1.25 million users. AE is used to produce motiongraphics, visual effects and graphic compositions. In addition tothe many aspiring motion graphics/VFX artists, there are manyother occasional users of AE in the form of web producers, videoeditors and other postproduction specialists that have occasionalneed of its tools. Many of these users don't know all the ins andouts of the application that would enable them to perform

Bill Byrne, Academic director of the Media Arts andAnimation, Visual Effects and Motion Graphics, Game Artand Design and Digital Filmmaking and Video Productiondepartments at The Art Institute of Austin, TX, USA; AdobeCertified Expert in Photoshop CS3; Professional motiongraphics designer and editor for TV and film, with clientssuch as Electronic Arts, NBC, Tiffany & Co., ABC Sports, ESPN,Panasonic, Snickers and RCA Records2D artists--add 3D to your skill set in a matter of minutes withthe tutorials in this book!high-level techniques. This book enables these users to perform those advanced techniques

by providing them with clear, concise instructions on a wide range of complex AE functions. Focal PressDecember 2011: 7 4/9 x 10: 248ppPb: 978-0-240-81533-6: $48.95eBook: 978-0-240-81534-3

Each technique is presented in a 1 or 2-page, 4-color spread accentuated with vibrant andinspiring images that users can recreate on their own.

Focal PressJanuary 2013: 7-7/16 x 9-11/16: 384ppPb: 978-0-415-66106-5: $44.95eBook: 978-0-203-58904-5




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5th Edition3rd EditionCreating Motion Graphics with After EffectsCinema 4DEssential and Advanced TechniquesThe Artist's Project Sourcebook

Chris Meyer and Trish Meyer, Co-Founder of Crish Design(formerly CyberMotion), Sherman Oaks, CA, USAUpdate of the bestselling After Effects book on the market

Focal PressJune 2010: 7 1/2 x 9 1/5: 752ppPb: 978-0-240-81415-5: $69.95eBook: 978-0-240-81416-2

Kent McQuilkin, Instructor of 3D Design and Animation atPellissippi State College, contract Designer and Consultantfor Scripps ProductionThe CINEMA 4D book/DVD set features toolset updates,expanded coverage of After Effects/Cinema 4D integration, andan emphasis on practical projects.

Focal PressJune 2011: 8 1/2 x 9 4/9: 440ppPb: 978-0-240-81450-6: $54.95eBook: 978-0-240-81451-3Prev. Ed Pb: 978-0-240-80953-3* For full contents and more information, visit: www.routledge.com/9780240814506 Prev. Ed Pb: 978-0-240-81010-2


Dummy text to keep placeholderDesign Essentials for the Motion Media ArtistA Practical Guide to Principles & Techniques

Angie Taylor, Angie produces animations, motion graphics,and visual effects for production companies andbroadcasters including the BBC and Channel 4 television inthe UK. An Adobe Certified Expert, and Apple SolutionsExpert, she is active on the training circuit.This comprehensive guide to the design principles essential toeffective motion design is presented by an award-winningdesigner and instructor.

Focal PressOctober 2010: 374ppPb: 978-0-240-81181-9: $44.95eBook: 978-0-080-95392-2* For full contents and more information, visit: www.routledge.com/9780240811819

Dummy text to keep placeholderCreative Motion Graphic Titling for Film, Video, andthe WebDynamic Motion Graphic Title Design

Yael Braha and Bill Byrne, Academic director of the MediaArts and Animation, Visual Effects and Motion Graphics,Game Art and Design and Digital Filmmaking and VideoProduction departments at The Art Institute of Austin, TX,USA; Adobe Certified Expert in Photoshop CS3; Professionalmotion graphics designer and editor for TV and film, withclients such as Electronic Arts, NBC, Tiffany & Co., ABC Sports,ESPN, Panasonic, Snickers and RCA RecordsTutorial-based, 4c cookbook that allows readers to master theart and technique of creating inventive and inspired titlesequences for video and the Web

Focal PressSeptember 2010: 7 4/9 x 10: 416ppPb: 978-0-240-81419-3: $51.95eBook: 978-0-240-81420-9* For full contents and more information, visit: www.routledge.com/9780240814193


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2nd Edition2nd EditionColor Correction for VideoThe Art and Technique of Digital Color CorrectionUsing Desktop Tools to Perfect Your ImageSteve Hullfish, Editor, Producer, IL, USA

A practical and inspirational guide that speaks to the artistry ofcolor correction for film and video, with insight and tutorialsfrom some of the best colorists in the business

Focal PressMay 2012: 7 1/2 x 9 1/5: 524ppPb: 978-0-240-81715-6: $54.95eBook: 978-0-240-81716-3

Steve Hullfish, Editor, Producer, IL, USA and Jaime FowlerAn application-agnostic tutorial guide to professional colorcorrection tools and techniques

Focal PressOctober 2008: 7 4/9 x 9 2/3: 296ppPb: 978-0-240-81078-2: $51.95eBook: 978-0-080-92810-4



2nd EditionDummy text to keep placeholderAudio Postproduction for Film and VideoThe Art and Technique of MatchmovingAfter-the-Shoot solutions, Professional Techniques,and CookbookRecipes to Make Your Project Sound Better

Solutions for the VFX ArtistErica Hornung, Erica Horning is the Technical Director atAcademy Award winning Hollywood visual effects studioRhythm and Hues. She was the VFX technical director onSpider-Man 3, and matchmover or senior matchmover onfilms such as Lord of the Rings: The Two Towers, The MatrixReloaded and The Matrix Revolutions, SpiderMan 2, PolarExpress, and dozens of other blockbuster movies.Matchmove tips, techniques, workflow considerations, and toolinstruction from a seasoned pro

Focal PressAugust 2010: 7 4/9 x 10: 312ppPb: 978-0-240-81230-4: $46.95eBook: 978-0-080-96113-2

Jay Rose, Sound Designer, Columnist, Digital Video MagazinePrevious edition sold 7,000 copies!

Focal PressOctober 2008: 7 1/2 x 9 1/5: 444ppPb: 978-0-240-80971-7: $46.95eBook: 978-0-080-92762-6* For full contents and more information, visit: www.routledge.com/9780240812304* For full contents and more information, visit: www.routledge.com/9780240809717

Dummy text to keep placeholderDummy text to keep placeholderDigital Compositing with NukeFix It In Post

Lee Lanier, Visual Effects Artist, Former Senior Animator atPDI/DreamworksFor novice compositors and veterans moving over from Shakeor After Effects, this is the essential guide for learning Nuke. Thisbook provides a complete overview of the Nuke software, froman introduction to the user interface to more complexcompositing tasks such as keyframe animation, rotoscoping,matte pulling, motion tracking and filter application. Far beyonda button-pushing manual, critical lessons in compositing theoryare offered, allowing the reader to use the software moreintuitively. The tutorial-based approach, augmented by video

footage and project files, will have the reader up and running in Nuke in a matter of hours.

Solutions for Postproduction ProblemsJack James, Jack James began his career in computeranimation, eventually working for Kodak’s Cinesite DigitalLab. His core expertise is in establishing workflows of datamanagement, film restoration, and conforming--proceduresthat have widely been adopted elsewhere. Since leavingCinesite, Jack has worked on the digital intermediates ofmany feature films, including Miramax’s Cold Mountain.Concise, step-by-step solutions to the soup-to-nuts problemspostproduction artists encounter regularly

Focal PressMarch 2009: 7 4/9 x 9 2/3: 236ppPb: 978-0-240-81124-6: $41.95eBook: 978-0-080-92838-8

Focal PressMarket: Digital CompositingJuly 2012: 332ppPb: 978-0-240-82035-4: $49.95eBook: 978-0-240-82036-1* For full contents and more information, visit: www.routledge.com/9780240811246* For full contents and more information, visit: www.routledge.com/9780240820354


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2nd EditionFilming the FantasticA Guide to Visual Effects Cinematography

Mark Sawicki, is a Clio-award winning cameraman, visualeffects artist, and actor.Reveals industry secrets for producing professional special effectsduring the shoot!

Focal PressSeptember 2011: 7 1/2 x 9 1/5: 352ppPb: 978-0-240-81473-5: $44.95eBook: 978-0-240-81474-2Prev. Ed Pb: 978-0-240-80915-1* For full contents and more information, visit: www.routledge.com/9780240814735


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4th Edition • TEXTBOOK • NEW EDITIONDummy text to keep placeholderWriting for Visual MediaBook of Sides

Anthony Friedmann, Award-winning filmmaker andscriptwriterThis book focuses on the fundamental problems faced by writerscreating content for media that is to be seen rather than read.It takes the student through an explicit method that trainsstudents to consistently identify a communications problem,think it through, and find a resolution before beginning to write.Through successive exercises, it helps them acquire the skill andconfidence to write effective films, corporate/training videos,documentaries, ads, PSAs, TV series and other types of visualnarrative. The companion website includes sample scripts; video

Original, Short Scenes for Actors and DirectorsDave Kost, Professor at Chapman University’s Dodge Collegeof Film and Media Arts, Orange, CAIn Book of Sides, Dave Kost brings two decades of teachingexperience to the table to deliver the ideal set of scenes for busyclassroom settings, auditions, and general training. These scenesare considerably shorter than those in similar books but stillfeature the structure of typical scenes with arcs, clear playableobjectives, and stakes for both actors. Each scene is one pagein length; printed in an easily readable, film-script format; andcompletely original, allowing aspiring actors and directors toproduce and distribute reinterpretations without worrying about

copyright restrictions.

clips of scenes produced from the scripts; interactive glossary of camera shots, movements,and transitions; and storyboards.

Focal PressMarket: Writing/Film/TelevisionApril 2014: 8-1/2 x 11: 472pp

Focal PressMarket: Acting / DirectingJuly 2014: 8-1/2 x 11: 224pp

Hb: 978-0-415-71794-6: $150.00Hb: 978-1-138-02225-6: $125.00Pb: 978-0-415-81585-7: $49.95Pb: 978-1-138-02226-3: $23.95eBook: 978-1-315-86781-6eBook: 978-1-315-77720-7* For full contents and more information, visit: www.routledge.com/9780415717946* For full contents and more information, visit: www.routledge.com/9781138022263

5th Edition2nd Edition • NEW EDITIONAlternative ScriptwritingWrite to TVBeyond the Hollywood FormulaOut of Your Head and onto the Screen

Ken Dancyger, Tisch School of the Arts, New York University,NY, USA and Jeff Rush, Temple University, Philadelphia, PA,USAUnlike other screenwriting books, this unique guide pusheswriters to challenge themselves and break free of tired, formulaicwriting—bending or breaking the rules of storytelling as weknow them. Like the best-selling previous editions, the seasonedauthors explore alternative approaches to the traditionalthree-act story structure.

Updates to the new edition include:

* Brand new chapters on multiple-threaded long form, serialtelevision scripts, genre, how genre’s very form is flexible to a

Martie Cook, Television Writer and Producer; Professor,Emerson College, Boston, MA and Martie Cook, TelevisionWriter and Producer; Professor, Emerson College, Boston,MAIn Write to TV, Second Edition industry-veteran Martie Cookprovides aspiring and established screenwriters with creativestorytelling techniques and practical tools that will help themcreate smart, original scripts for a variety of television formats,including comedy, animation, drama, reality television, andchildren's programming. Jay Leno, Mike Wallace, Norman Lear,Paul Haggis, and many others contribute their wisdom, liftingthe veil on the realities of working in the industry. The newedition includes brand new chapters on webisodes and narrative, character development, and an in-depth case study of the dark side of the fable;

developing pilots; new interviews and show examples; expanded coverage of character * An international range of contemporary and classic cinema examples; * A look atperspective as voicedevelopment and dialogue; and resources for writers. The companion website,

www.writetotv.com contains exclusive bonus content for readers.Focal PressMarket: Film/ScreenwritingFebruary 2013: 6 x 9: 488ppPb: 978-0-240-52246-3: $34.95

Focal PressMarket: Television/ScreenwritingApril 2014: 6 x 9: 408ppPb: 978-0-415-71089-3: $29.95 eBook: 978-0-240-52247-0eBook: 978-1-315-88477-6 Prev. Ed Pb: 978-0-240-80849-9Prev. Ed Pb: 978-0-240-80876-5 * For full contents and more information, visit: www.routledge.com/9780240522463* For full contents and more information, visit: www.routledge.com/9780415710893

Dummy text to keep placeholderDummy text to keep placeholderThe Screenwriter’s RoadmapHow to Manage Your Agent21 Ways to Jumpstart Your StoryA Writer’s Guide to Hollywood Representation

Neil Landau, Neil's film and television credits include thecomedy "Don't Tell Mom the Babysitter's Dead", "MelrosePlace, "The Magnificent Seven", "Doogie Howser, M.D.", "TheSecret World of Alex Mack".The screenwriter's GPS for avoiding wrong turns, dead ends,gaping p(l)otholes, and other obstacles that result in frustrationand poorly written screenplays

Focal PressMarket: ScreenwritingOctober 2012: 6 x 9: 310ppPb: 978-0-240-82060-6: $21.95

Chad Gervich, Television writer/producer, Beverly Hills, CA,USA and Chad Gervich, Television writer/producer, BeverlyHills, CA, USAHow to Manage Your Agent takes writers deep into today's worldof literary representation, illuminating not only how literary repsdo what they do, but how writers can use these same techniquesto attract representation, communicate efficiently, and motivatetheir handlers to work as hard as possible. Writers will learn thesubtle (and not-so subtle) tools, tricks, and techniques agentsuse to build hype, elicit information, leverage favors, andinfluence buyers in the world of twenty-first centuryentertainment. These are pieces of information thousands ofwriters, both aspiring and professional, are desperate to

know—and should know—in order to maximize their representation and careers.

Focal PressMarket: Film/ TV/ ScreenwritingNovember 2013: 7 x 10: 394ppPb: 978-0-240-82377-5: $29.95




21SCREENWRITING



http://www.focalpress.com/cw/friedmann








http://www.focalpress.com/cw/landau




Dummy text to keep placeholderScreenwriter's CompassCharacter As True North

Guy Gallo, Guy Gallo s screenplay of Under the Volcano wasdirected by John Huston and released in 1984. Since then,he has written over a dozen feature screenplays, and hadfour others produced. He has taught advanced screenwritingfor twenty years in the Graduate Film Division of ColumbiaUniversity s School of the Arts, and drama at Princeton aswell as New York University. Among his former students areJames Mangold (Girl Interrupted, 3:10 to Yuma, Walk theLine), Greg Mottola (Superbad, Adventureland), JeannineDominy (Dangerous Beauty), Christopher Zalla (SundanceGrand Jury 2007 for Sangre di mi sangre), and PatrickMcGrath (The Grotesque, Spider).

Good screenwriting comes from character up, not plot down--screenwriter Guy Galloshows you how to invest in your character and get your audience to throw in with you.Focal PressFebruary 2012: 6 x 9: 200ppPb: 978-0-240-81807-8: $19.95eBook: 978-0-240-81808-5* For full contents and more information, visit: www.routledge.com/9780240818078

Dummy text to keep placeholderStorytelling Across Worlds: Transmedia for Creativesand Producers

Tom Dowd, Columbia College Chicago; member of theScience Fiction Writers of America, the International GameDevelopers Association, and the Academy of Interactive Artsand Sciences, Michael Niederman, Columbia College,Michael Fry, Columbia College, Josef Steiff, ColumbiaCollege, Tom Dowd, Columbia College Chicago; memberof the Science Fiction Writers of America, the InternationalGame Developers Association, and the Academy ofInteractive Arts and Sciences, Michael Niederman, ColumbiaCollege, Michael Fry, Columbia College and Josef Steiff,Columbia College

Transmedia is a practical primer on the conceptualization, structuring, writing, execution,management, and marketing of a transmedia property that exists in multiple forms ofmedia and shares a single interwoven story. Thus far, creatives and producers have focusedon single areas of production—motion pictures, television, or video games. For those whoare going to participate in or supervise the creation of a transmedia property, a minimumunderstanding of all the important media is required. Transmedia provides readers withthe solid foundation they need.

Focal PressMarket: filmmakingFebruary 2013: 352ppPb: 978-0-240-82411-6: $34.95* For full contents and more information, visit: www.routledge.com/9780240824116

3rd EditionCrafting Short Screenplays That Connect

Claudia H Johnson, Award-Winning Screenwriter and FloridaState University's Screenwriter-in-Residence, FL, USA andClaudia H. Johnson, Pulitzer Prize nominated screenwriterand Screenwriter in Residence at the School of Film, FloridaState University, Tallahassee, USAIntroduces connection as an essential aspect of creating storiesand the screenwriting process & includes a website with thefilms of the screenplays from the book!

Focal PressAugust 2009: 328ppPb: 978-0-240-81214-4: $32.95eBook: 978-0-080-95924-5Prev. Ed Pb: 978-0-240-80641-9* For full contents and more information, visit: www.routledge.com/9780240812144


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Dummy text to keep placeholder6th Edition • NEW EDITIONThe Ad-MakersSingle-Camera Video ProductionHow the Best TV Commercials are ProducedRobert B. Musburger, PhD, Professor Emeritus and former

Director of the School of Communication, University ofHouston,TX, USA and Michael R. OgdenSimple, elegant, and easy to use, Single-Camera Video Production,Sixth Edition explains everything film and video professionalsneed to know to create video using the single-camera format.This book serves as an all-encompassing toolkit forunderstanding and implementing single-camera workflows.New to this edition are expanded sections on audio, field-testedproduction techniques, recording formats, distribution methods,and much more. An all new companion website features videoexamples of the concepts discussed in the book, as well as rollingupdates from the authors on technological advances.

Tom von Logue Newth, TOM VON LOGUE NEWTH is aCalfornia-based cinematographer, author, and critic whohas written extensively on fi lm and worked on manyindependent movies including Incident at Barstow, Alice inMurderland and Marcel et les petits pois. His reviews andcriticism have been published in The Time Out Film Guideand a variety of fi lm journals, and he is currently writing acritical biography of Rainer Werner Fassbinder.First Published in 2013. Routledge is an imprint of Taylor &

Francis, an informa company.Focal PressJune 2013: 176pp

Focal Press Pb: 978-0-415-81230-6: $29.95Market: filmmaking eBook: 978-0-203-79629-0June 2014: 6 x 9: 308pp * For full contents and more information, visit: www.routledge.com/9780415812306Pb: 978-0-415-82258-9: $31.95eBook: 978-0-203-37152-7Prev. Ed Pb: 978-0-240-81264-9* For full contents and more information, visit: www.routledge.com/9780415822589

15th Edition • TEXTBOOK2nd Edition • NEW EDITIONTelevision ProductionWrite to TV

Jim Owens, Dean of the School of Communication Arts atAsbury University and Gerald Millerson, was aninternationally acclaimed author with a long anddistinguished career in television with the BBC. He lecturedon TV production courses in the US and UK, and his booksare referred to as industry bibles.The bible of television production books, updated to include3D-production workflows and shooting with 3D cameras,shooting with DSLRs, lighting with LEDs, and more


Out of Your Head and onto the ScreenMartie Cook, Television Writer and Producer; Professor,Emerson College, Boston, MA and Martie Cook, TelevisionWriter and Producer; Professor, Emerson College, Boston,MAIn Write to TV, Second Edition industry-veteran Martie Cookprovides aspiring and established screenwriters with creativestorytelling techniques and practical tools that will help themcreate smart, original scripts for a variety of television formats,including comedy, animation, drama, reality television, andchildren's programming. Jay Leno, Mike Wallace, Norman Lear,Paul Haggis, and many others contribute their wisdom, liftingthe veil on the realities of working in the industry. The newedition includes brand new chapters on webisodes and

developing pilots; new interviews and show examples; expanded coverage of character * For full contents and more information, visit: www.routledge.com/9780240522579development and dialogue; and resources for writers. The companion website,www.writetotv.com contains exclusive bonus content for readers.

Focal PressMarket: Television/ScreenwritingApril 2014: 6 x 9: 408ppPb: 978-0-415-71089-3: $29.95eBook: 978-1-315-88477-6Prev. Ed Pb: 978-0-240-80876-5* For full contents and more information, visit: www.routledge.com/9780415710893

Dummy text to keep placeholder3rd EditionVideojournalismVideo ShooterMultimedia StorytellingMastering Storytelling Techniques

Kenneth Kobre, San Francisco State University, USAThe bestselling author of Photojournalism introduces a newbook to reflect journalism's transition to the world of multimediaand video! Videojournalism is written for the new generation of"backpack" journalists. The solo videojournalist must find ariveting story; gain access to charismatic characters who can telltheir own tales; shoot candid clips; expertly interview the players;record clear, clean sound; write a script with pizzazz; and, finally,edit the material into a piece worthy of five minutes of a viewer'sattention. Videojournalism addresses all of these challenges, andmore - never losing sight of the main point: telling a great story.

Barry Braverman, Veteran Director of Photography; Directorof DVD training at Video Symphony; and Contributing Editorto Video Systems magazine, Burbank, CA, USA and BarryBraverman, Veteran Director of Photography; Director ofDVD training at Video Symphony; and Contributing Editorto Video Systems magazine, Burbank, CA, USAVideo Shooter is an essential guidebook for anybody interestedin telling a story with a DV cam. Barry Braverman is a highlyexperienced shooter whose name is gold in the field. This bookcovers everything from framing a shot, to lighting, to the type

of camera (and tripod) one should use, and perhaps most importantly—how to translatethe use of all the equipment and techniques into a story. The opening chapters cover the foundations of multimedia storytelling, and the book

progresses to the techniques required to shoot professional video, and record high qualitysound and market the resulting product.Humorous and opinionated, the author provides anecdotes and illustrations that help you

to learn the tricks of the trade. He gets right to the point of what you need to know to getgood shots--and on a budget. Focal Press

Market: JournalismFebruary 2012: 262ppPb: 978-0-240-81465-0: $57.95

Focal PressMarket: filmmakingSeptember 2013: 7-1/2 x 9-1/4Pb: 978-0-240-82517-5: $46.95




23TV AND VIDEO PRODUCTION













Dummy text to keep placeholderDummy text to keep placeholderDSLR CinemaThe Shut Up and Shoot Freelance Video GuideCrafting the Film Look with VideoA Down & Dirty DV Production

Kurt Lancaster, Digital filmmaker, Multimedia producer,Northern Arizona University, USAThe ONLY book for filmmakers to cover DSLR cinema & motioncapture!

Focal PressOctober 2010: 7 1/2 x 9 1/5: 288ppPb: 978-0-240-81551-0: $39.95eBook: 978-0-240-81552-7

Anthony Q. Artis, Filmmaker, Adjunct Professor of film andtelevision, NYUThis author's first book sold upwards of 20,000 copies!!!

Focal PressNovember 2011: 7 1/4 x 10 1/4: 376ppPb: 978-0-240-81487-2: $36.95Pb: 978-8-535-24199-0: $38.95


eBook: 978-0-240-81488-9eBook: 978-8-535-24443-4* For full contents and more information, visit: www.routledge.com/9780240814872

5th Edition5th EditionSingle-Camera Video ProductionVideo Production Handbook

Novice guide to single-camera video production setups andworkflow!


Jim Owens, Dean of the School of Communication Arts atAsbury University and Gerald Millerson, was aninternationally acclaimed author with a long anddistinguished career in television with the BBC. He lecturedon TV production courses in the US and UK, and his booksare referred to as industry bibles.The bible of TV & video production books--now completelyoverhauled for the new millennium!

Focal PressJuly 2011: 7 1/2 x 9 1/5: 394ppPb: 978-0-240-52220-3: $49.95eBook: 978-0-240-52221-0Prev. Ed Pb: 978-0-240-52080-3* For full contents and more information, visit: www.routledge.com/9780240522203


5th EditionDummy text to keep placeholderThe Grip BookCorporate Video ProductionThe Studio Grip’s Essential GuideBeyond the Board Room (And OUT of the Bored Room)

Michael G. Uva, Key Grip, Hollywood, CA and Michael G.Uva, Key Grip, Hollywood, CAIn The Grip Book, Fifth Edition, first time studio grips will discoverthe A-Zs of professional film grip work, including learning toinstall, set up, maintain, and ensure the safety of all equipmentneeded on set. Loaded with time-tested tips and tricks forsmooth and safe set-up and operation, as well as suggestionsfor on-set etiquette and how to succeed as a technical crewmember, this book is a must-have for any professional grip oranyone aspiring to be one. This new edition features acompletely new test section with 125 question and answers,engaging how-to videos on the book's companion e-resource,and a European-specific appendix with Euro-centric size and

electric measurements.

Stuart SweetowEnhance your corporate video productions with theseprofessional techniques and learn how to land the high-profileclients your company needs!

Focal PressFebruary 2011: 7 1/2 x 9 1/5: 316ppPb: 978-0-240-81341-7: $34.95eBook: 978-0-240-81342-4* For full contents and more information, visit: www.routledge.com/9780240813417

Focal PressMarket: FilmSeptember 2013: 6 x 9: 552ppPb: 978-0-415-84237-2: $49.95eBook: 978-0-203-76030-7Prev. Ed Pb: 978-0-240-81291-5* For full contents and more information, visit: www.routledge.com/9780415842372


TV AND VIDEO PRODUCTION24














3rd EditionProducing for TV and New MediaA Real-World Approach for Producers

Cathrine Kellison, (deceased, member of the ProducersGuild of America, the Writers Guild of America, theIndependent Documentary Association, Dustin Morrow,Portland State University, OR, USA and Kacey Morrow,Western Washington University, USAThis book provides a thorough look at the role of the producerin television and new media. Written for new and aspiringproducers, it looks at both the big picture and the essentialdetails of this demanding job. In a series of interviews, seasonedTV and new media producers share their real-world professionalpractices to provide rich insight into the complex, billion-dollarindustries. The third edition features more on the topics of new

media and what that encompasses, covering the expansion of the global marketplace ofmedia content. The traditional role of a television producer is transforming into a newmedia producer, and this book provides a roadmap to the key differences, and similarities,between the two.

Focal PressMarket: filmmakingFebruary 2013: 7 1/4 x 10 1/4: 416ppPb: 978-0-240-81897-9: $44.95eBook: 978-0-240-81913-6Prev. Ed Pb: 978-0-240-81087-4* For full contents and more information, visit: www.routledge.com/9780240818979

5th EditionThe Videomaker Guide to Video Production

Videomaker, Videomaker Inc. (established in 1985) is a printmagazine with 50,000 print subscribers, an email newsletterwith over 90,000 subscribers, and a website with over amillion page views and over 400,000 unique visitors everymonthLearn from the experts of videography!

Focal PressMarket: video productionNovember 2012: 7 1/4 x 10 1/4: 404ppPb: 978-0-240-82434-5: $24.95eBook: 978-0-240-82467-3Prev. Ed Pb: 978-0-240-80968-7* For full contents and more information, visit: www.routledge.com/9780240824345


25TV AND VIDEO PRODUCTION


http://www.focalpress.com/cw/Kellison




2nd EditionDummy text to keep placeholderSound for Digital VideoLocation Audio Simplified

Tomlinson Holman, President of TMH Corporation; formerCorporate Technical Director at Lucasfilm, Ltd., CA, USA,Arthur Baum, University of Southern California, TomlinsonHolman, President of TMH Corporation; former CorporateTechnical Director at Lucasfilm, Ltd., CA, USA and ArthurBaum, University of Southern CaliforniaTomlinson Holman is famous for his pioneering work in filmsound production. He developed THX—the name derived fromTomlinson Holman's eXperiment— hde was sound engineeron such films as Indiana Jones and the Temple of Doom and Star

Capturing Your Audio... and Your AudienceDean Miles, Location audio operator, CanadaIn Location Audio Simplified, Dean Miles applies his 25 years’experience as a professional location sound technician andshares the best techniques and secrets to producing qualityaudio for your production. Humorous and practical, the bookcovers a wide array of topics, such as location selection, using afield mixer, using different kinds of microphones (includingwireless systems), booming, and camera calibration. Learn thesecrets of a real-world professional with easy to follow,non-technical tips and techniques that you can apply in the fieldon your projects immediately. Accompanied by a companionwebsite with video examples of techniques discussed in thebook being performed.

Wars: Return of the Jedi. He brings his expertise to the field of sound for video productions.In this new edition, Holman teaches genuinely professional techniques for a recordingmedium often viewed as an amateur format but on which feature films are now beingshot. This book offers professional tips on production sound, editing, and mixing techniquesthat can make lower budget works sound like fully professional productions.Focal Press

Market: filmmaking Focal PressMarket: Digital Video/AudioMarch 2013: 7-1/2 x 9-1/4: 362pp

August 2014: 6 x 9: 232ppPb: 978-1-138-01877-8: $38.95eBook: 978-1-315-85846-3 Pb: 978-0-415-81208-5: $49.95* For full contents and more information, visit: www.routledge.com/9781138018778 eBook: 978-0-203-38405-3


4th Edition4th Edition • NEW EDITIONPractical Art of Motion Picture SoundProducing Great Sound for Film and Video

David Lewis Yewdall, David Lewis Yewdall, MPSE is a veteransound editor who has worked on over 100 feature films andTV series. and David Lewis Yewdall, David Lewis Yewdall,MPSE is a veteran sound editor who has worked on over100 feature films and TV series.Insiders' perspectives on the entire process of feature film sound,pre-production through post

Focal PressMay 2011: 7 1/2 x 9 1/5: 670ppPb: 978-0-240-81240-3: $51.95eBook: 978-0-240-81523-7

Expert Tips from Preproduction to Final MixJay Rose, Sound Designer, Columnist, Digital Video MagazineFeaturing the latest software and new, in-depth interviews fromkey players in the field, Producing Great Sound for Film and Video,Fourth Edition shows film and video production professionalshow to make their film or video projects sound as good as theylook. This solution-oriented guide is filled with FAQs, how-tos,tips, and time savers, and includes a robust companion websitefeaturing audio samples and video tutorials. Readers will learnabout digital audio workflows, technical setups and guidelines,solutions for budgeting and scheduling, preproduction planning,postproduction hardware, and much more.

Focal PressMarket: Film & Video / AudioJuly 2014: 7-1/2 x 9-1/4: 576pp


Pb: 978-0-415-72207-0: $53.95eBook: 978-1-315-85850-0Prev. Ed Pb: 978-0-240-80970-0* For full contents and more information, visit: www.routledge.com/9780415722070

3rd Edition2nd Edition • NEW EDITIONSound for Film and TelevisionThe Foley Grail

Tomlinson Holman, President of TMH Corporation; formerCorporate Technical Director at Lucasfilm, Ltd., CA, USAPrevious edition sold more than 14,000 copies!


The Art of Performing Sound for Film, Games, and AnimationVanessa Theme Ament, Award-winning Foley Artist andSound DesignerIn The Foley Grail, Second Edition, award-winning Foley artistVanessa Theme Ament teaches sound designers how Foley iscrafted and edited for any project. Various renowned soundartists provide a treasure trove of shortcuts, hot tips, and othertricks of the trade. This new edition features entirely newchapters dedicated to Foley in games, television, broadcasting,and animation; case studies from well-known films, shows,games, and animations; interviews with current sound artistsfrom across the globe; and an extensive companion websitefeaturing video demonstrations of Foley artists at work, videotutorials, author lectures, teaching aids, and much more.

Prev. Ed Pb: 978-0-240-80453-8Focal Press * For full contents and more information, visit: www.routledge.com/9780240813301Market: FilmMarch 2014: 6 x 9: 280ppPb: 978-0-415-84085-9: $34.95eBook: 978-0-203-76688-0Prev. Ed Pb: 978-0-240-81125-3* For full contents and more information, visit: www.routledge.com/9780415840859


SOUND26



http://www.focalpress.com/9780415812085





http://www.GreatSound.info








3rd EditionProducing Great Sound for Film and Video

Jay Rose, Sound Designer, Columnist, Digital Video Magazineand Jay Rose, Sound Designer, Columnist, Digital VideoMagazinePrevious edition sold over 10,000 copies!

Focal PressMarch 2008: 7 1/2 x 9 1/5: 464ppPb: 978-0-240-80970-0: $46.95eBook: 978-0-080-56966-6* For full contents and more information, visit: www.routledge.com/9780240809700


27SOUND



Shut Up and Shoot Freelance Video Guide,The ............................................................................................ 24F3-DIY ........................................................................................... 2

3D Motion Graphics for 2D Artists .............................. 173D Postproduction ............................................................... 2 Single-Camera Video Production ............................... 24

Film Directing Fundamentals ......................................... 63D Storytelling ....................................................................... 2 Single-Camera Video Production ............................... 24Filming the Fantastic ....................................................... 20

ASound for Digital Video ................................................... 26Sound for Digital Video ................................................... 26Sound for Film and Television ...................................... 26Special Makeup Effects for Stage andScreen ...................................................................................... 12

Filmmaker's Eye, The ........................................................... 7Filmmakers and Financing .............................................. 3Filmmaking .......................................................................... 15Final Cut Pro X Beyond the Basics ............................... 11Fix It In Post ........................................................................... 19

Ad-Makers, The ................................................................... 23Adobe Premiere Pro Power Tips ................................... 10Adobe Premiere Pro Power Tips ................................... 10 Storytelling Across Worlds: Transmedia for Creatives

and Producers ..................................................................... 22Focal Easy Guide to Final Cut Pro X, The .................. 11Foley Grail, The .................................................................... 26

After Effects Apprentice ................................................... 17After Effects Illusionist, The ............................................. 17 Storytelling Across Worlds: Transmedia for Creatives

and Producers ..................................................................... 22GAlternative Scriptwriting ................................................. 21Archival Storytelling: A Filmmaker's Guide to Finding,Using, and Licensing Third-Party Visuals andMusic .......................................................................................... 9

TGenre Filmmaking ............................................................. 12Genre Filmmaking ............................................................. 12Art and Technique of Digital Color Correction,

The ............................................................................................ 19Technique of Film and Video Editing, The ............... 10Television Production ....................................................... 23Grammar of the Edit ......................................................... 10

Grammar of the Shot ....................................................... 13Art and Technique of Matchmoving, The ............... 19VGrammar of the Shot ....................................................... 13

Grip Book, The ...................................................................... 24Grip Book, The ...................................................................... 24

Audio Postproduction for Film and Video ............... 19Avid Editing ........................................................................... 10Avid Uncut ............................................................................ 11 Video Production Handbook ........................................ 24

HBVideo Shooter ...................................................................... 23Video Shooter ...................................................................... 23Videojournalism ................................................................. 23

How to Cheat in After Effects ........................................ 17Beyond Continuity ............................................................. 12 Videomaker Guide to Video Production, The .......... 25How to Manage Your Agent ......................................... 21Book of Sides ........................................................................ 21 Visual Story, The .................................................................. 13How to Manage Your Agent ......................................... 21Business of Media Distribution, The ........................... 15 Visual Story, The .................................................................. 13

IBusiness of Media Distribution, The ........................... 15

CVoice & Vision ....................................................................... 12Voice & Vision ....................................................................... 12

WIndie Film Producing ........................................................... 4Insider's Guide to Independent Film Distribution,The .............................................................................................. 3

Camera Assistant's Manual, The ................................. 13Camera Assistant's Manual, The ................................. 13 Write to TV ............................................................................. 23

LChanging Direction: A Practical Approach to DirectingActors in Film and Theatre ............................................... 6Cinema 4D ............................................................................ 18

Write to TV ............................................................................. 23Writing for Visual Media ................................................. 21

Location Audio Simplified .............................................. 26Cinema 4D Apprentice .................................................... 17

MCinema Raw ......................................................................... 12Cinema Raw ......................................................................... 12Cinematography: Theory and Practice ....................... 7

Make Your Movie .................................................................. 3Color Correction for Video .............................................. 19Makeup Artist Handbook, The ...................................... 13Complete Film Production Handbook, The .............. 4Motion Graphic Design ................................................... 17Corporate Video Production ......................................... 24Moviemaking with your Camera FieldGuide .......................................................................................... 7

Crafting Short Screenplays That Connect ............... 22Creating Motion Graphics with After Effects ........... 18

PCreative Motion Graphic Titling for Film, Video, andthe Web .................................................................................. 18Cutting Rhythms ................................................................ 10

Practical Art of Motion Picture Sound ....................... 26

D Preparing For Takeoff ......................................................... 3Producer's Business Handbook, The ............................. 4Producing and Directing the Short Film andVideo .......................................................................................... 6

Design Essentials for the Motion MediaArtist ......................................................................................... 18

Producing for TV and New Media ............................... 25Dialogue Editing for Motion Pictures ........................ 10Producing Great Sound for Film and Video ............ 27Digital Cinematography ................................................... 5Producing Great Sound for Film and Video ............ 27Digital Compositing with Nuke ................................... 19

RDirecting ................................................................................ 12Directing ................................................................................ 12Directing and Producing for Television ....................... 6

Running the Show ............................................................... 7Directing the Documentary ............................................. 9

SDirecting the Documentary ............................................. 9Directing the Documentary ............................................. 9Directors Tell the Story ........................................................ 5

Scheduling and Budgeting Your Film .......................... 4Documentary Storytelling ................................................ 9Screenwriter's Compass .................................................. 22DSLR Cinema ....................................................................... 24Screenwriter’s Roadmap, The ....................................... 21DSLR Cinema ....................................................................... 24Shut Up and Shoot Documentary Guide,The .............................................................................................. 9

DSLR Cinema ....................................................................... 24

E Shut Up and Shoot Documentary Guide,The .............................................................................................. 9

Exploring 3D ........................................................................... 2


INDEX BY TITLE28


ZLAZone, Ray ................................................................................... 2Lancaster, Kurt ..................................................................... 12Artis, Anthony ......................................................................... 9

Lancaster, Kurt ..................................................................... 15Artis, Anthony ......................................................................... 9Lancaster, Kurt ..................................................................... 12Artis, Anthony ...................................................................... 24Lancaster, Kurt ..................................................................... 15

B Lancaster, Kurt ..................................................................... 24Landau, Neil .......................................................................... 21Landry, Paula ........................................................................... 4Baumgartner, Rick ................................................................ 2Lanier, Lee .............................................................................. 19Block, Bruce .............................................................................. 2Lee, Jr., John J. ......................................................................... 4Block, Bruce ........................................................................... 13Levison, Louise ....................................................................... 3Block, Bruce ........................................................................... 13Lyons, Suzanne ...................................................................... 4Bowen, Christopher ......................................................... 13

MBowen, Christopher ......................................................... 10Bowen, Christopher ......................................................... 13Braha, Yael .............................................................................. 18

McQuilkin, Kent ................................................................... 17Braverman, Barry ................................................................ 23McQuilkin, Kent ................................................................... 18Braverman, Barry ................................................................ 23Mercado, Gustavo ................................................................ 7Brown, Blain ............................................................................. 7Meyer, Chris ........................................................................... 17Byrne, Bill ................................................................................. 17Meyer, Chris ........................................................................... 18

C Miles, Dean ............................................................................ 26Musburger, PhD, Robert B. ........................................... 23

OCook, Martie .......................................................................... 23Cook, Martie .......................................................................... 23Curran Bernard, Sheila ....................................................... 9

Owens, Jim ............................................................................ 23Curran Bernard, Sheila ....................................................... 9Owens, Jim ............................................................................ 24Cury, Ivan ................................................................................... 6

PCybulski, Mary ...................................................................... 12

DParks, Stacey ............................................................................ 3

Dancyger, Ken ..................................................................... 10 Pearlman, Karen .................................................................. 10Dancyger, Ken ..................................................................... 21 Pennington, Adrian ............................................................. 2Davis, Gretchen ................................................................... 13 Perkins, Chad ........................................................................ 17Debreceni, Todd ................................................................ 12 Perkins, Chad ........................................................................ 17DeKoven, Lenore .................................................................. 6 Proferes, Nicholas ................................................................. 6Dowd, Tom ............................................................................ 22 Purcell, John .......................................................................... 10Dowd, Tom ............................................................................ 22

RDraven, Danny ..................................................................... 12Draven, Danny ..................................................................... 12

ERabiger, Michael ................................................................. 12Rabiger, Michael .................................................................... 9Rabiger, Michael .................................................................... 9

Elkins, SOC, David E. ......................................................... 13 Rabiger, Michael .................................................................... 9Elkins, SOC, David E. ......................................................... 13 Rabiger, Michael ................................................................. 12

FRea, Peter W. ............................................................................ 6Rooney, Bethany ................................................................... 5Rose, Jay .................................................................................. 19Rose, Jay .................................................................................. 26Freedman Doyle, Barbara ................................................ 3Rose, Jay .................................................................................. 27Friedmann, Anthony ....................................................... 21

SGSawicki, Mark ........................................................................ 20Gallo, Guy ............................................................................... 22Speranza, Olivia ..................................................................... 7Gervich, Chad ....................................................................... 21Stump, David .......................................................................... 5Gervich, Chad ....................................................................... 21Sweetow, Stuart ................................................................. 24Gill, Liz .......................................................................................... 7

THTaylor, Angie ......................................................................... 18Holman, Tomlinson .......................................................... 26Theme Ament, Vanessa ................................................. 26Holman, Tomlinson .......................................................... 26Tomaric, Jason ..................................................................... 15Holman, Tomlinson .......................................................... 26

UHonthaner, Eve Light ......................................................... 4Hornung, Erica ..................................................................... 19Hullfish, Steve ....................................................................... 11

Ulin, Jeffrey C. ....................................................................... 15Hullfish, Steve ....................................................................... 19Ulin, Jeffrey C. ....................................................................... 15Hullfish, Steve ....................................................................... 19Uva, Michael G. .................................................................... 24Hurbis-Cherrier, Mick ....................................................... 12Uva, Michael G. .................................................................... 24Hurbis-Cherrier, Mick ....................................................... 12

VJVideomaker, ......................................................................... 25James, Jack ............................................................................ 19Vincie, Arthur ........................................................................... 3Johnson, Claudia H ........................................................... 22von Logue Newth, Tom ................................................. 23Jordan, Larry .......................................................................... 10

WJordan, Larry .......................................................................... 10

KWolsky, Tom .......................................................................... 11

Kauffmann, Sam ................................................................. 10YKellison, Cathrine ............................................................... 25

Kobre, Kenneth ................................................................... 23Kost, Dave ............................................................................... 21 Yewdall, David Lewis ....................................................... 26Krasner, Jon ........................................................................... 17 Young, Rick ............................................................................ 11


29INDEX BY AUTHOR

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