Entrepreneurial dimension of cultural and creative industries Dublin

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6/28/2011 1 Rene KOOYMAN Dublin 30 June 2011 THE ENTREPRENEURIAL DIMENSION OF CULTURAL AND CREATIVE INDUSTRIES ESPECIALLY SMEs UU / HKU The cultural and creative industries ‘Cultural industries’: goods or services that embody cultural expressions, irrespective embody cultural expressions, irrespective commercial value: film, DVD, video, television and radio, video games, new media, music, books and press, performing arts, visual arts. C i id i l i Creative industries: use culture as an input , whose outputs are mainly functional: architecture, advertising, design and fashion.’

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Transcript of Entrepreneurial dimension of cultural and creative industries Dublin

Page 1: Entrepreneurial dimension of cultural and creative industries Dublin

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Rene KOOYMANDublin30 June 2011

THE ENTREPRENEURIAL DIMENSIONOF CULTURAL AND CREATIVE INDUSTRIESESPECIALLY SMEs

UU / HKU

The  cultural  and creative industries

‘Cultural industries’: goods or services that

embody cultural expressions, irrespectiveembody cultural expressions, irrespective

commercial value: film, DVD, video, television

and radio, video games, new media, music, books and press, performing arts, visual arts.

‘C i  i d i ’      l      i     ‘Creative industries’ : use culture as an input , whose outputs are mainly functional: architecture, advertising, design and fashion.’ 

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staff headcount

l t  

The new SME definition

annual turnover, or

annual balance sheet

Size of enterprises by sector across CCIs Eurokleis 2010

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Distribution of total turnover per size class Eurokleis 2010

Staff headcount ‐ turnover

Creative industries:

o Micro (< 2 milj € / 10 p)

o Medium (2 – 10 m € / 50 – 250 p)

o Large enterprises (250+):

2006: Cultural Industries BRD

74%  nr of enterprises       27 % turnover

3 % enterprises        32 % turnover

< 1 % nr enterprises       40 % turnover

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o 763.000 taxable employees 

Fesel/Söndermann BRD 2009

o 210.000 Free‐lance workers

not registered

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SPECIFICITIES OF CCIs Labour market

• Thrives on numerous small initiatives

• Non‐conventional forms of employment; part‐time work, temporary contracts, self‐employment , free‐work, temporary contracts, self employment , freelancers; career high degree of uncertainty

• Multiple job‐holdings; combined sources of income

• Heterogeneity of human resources ; higher professional training, vernacular backgrounds, craft industry, any other category

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• No longer fits typical patterns of full‐time professions

• New type of employer; the ‘entrepreneurial individual’ or ‘entrepreneurial cultural worker’

DIFFERENCES PRODUCT CHARACTERISTICS

• Creative inputs and products are abundant

• Hypercompetitive environment

• Knowledge‐based and labour‐intensive input

• Not ‘simply merchandise’, but express cultural uniqueness and identities

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• Experience goods; production and consumption ‘on the spot’

• Product life‐cycles are short

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CCIs AS KEY STRATEGIC FACTOR

• CCIs drivers of economical growth (UNCTAD)

• Drivers of innovation: driving innovative processes into Drivers of innovation: driving innovative processes into realisation

• Flexibility; direct producer/client interaction; meet the clients needs

• CCIs stand at the core of cultural and industrial networks

• CCIs and Technological change/digitisation two‐way process

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• CCIs spill‐over: Corporate Identity and Branding 

• Cultural and Creative Content as independent economical factor

Entrepreneurship Determinants Themes 

The OECD/EUROSTAT framework for Entrepreneurship indicators         2008

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Access to finance and income generation: Cultural Business Modeling

Access to Venture Capital

Access to debt financing

Business Angels

Access to Venture Capital

Access to other types of equity

Tax incentives

Bankruptcy Legislation

Lack of Entrepreneurial capabilities

Weaknesses in business skills, training and experience of entrepreneurs

Traditional Business Education

Entrepreneurship Education (skills)

Entrepreneurship Infrastructure (Public and Entrepreneurship Infrastructure (Public and Private) 

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Risk attitude in society

Entrepreneurial education (mindset)

Entrepreneurial Culture

• Micro businesses: Artisan, Creative Partnership or Solo

• Small‐business: 

• Designer and Business Partner

• Designer and Licensing Partner

• Designer and Manufacturer

• Partnership with a formal Investor

• SMEs and the Financial Sector

Administrative Burdens (entry and growth)

Bankruptcy Legislation

•Regulatoryframework

Regulatory framework

p y g

Safety, health, environment and product regulation

Court‐legal framework

Labour Market Regulation

Social and Health Security

Income Taxes

Business Taxes and Fiscal Incentives

Wealth and Bequest Taxation

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IRELAND SME PERFORMANCE REVIEW 2008

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SUPPORT

Transversal:

• Coordinated support shared by several Ministries: Ministry of Culture, Economic Affairs, Education, financial support (labour)

• Recognition of the specific characteristics CCIs: offer specific support when needed. A general approach will not suffice

• Bridging the entrepreneurial skills gap: provide training and support in entrepreneurial skills

Three specific dimensions:

• Urban Area development:  integrate CCIs in urban renewal, use abandoned (industrial) real estate   create breeding places  networks

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abandoned (industrial) real estate , create breeding places, networks

• The Economical approach:  entrepreneurial support at local/neighborhood level

• The social‐cultural approach:  active and receptive cultural participation, support festivals, exhibitions, art routes, art education

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Rene KOOYMANDublin30 June 2011

[email protected]

UU / HKU