ENG DossierPresse FilmJoaoGilberto GG5 · Where are you, João Gilberto? Is a full-length...

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A documentary film by Georges Gachot Switzerland, Germany and France, 2018 | Duration: 107 minutes Press Kit www.hobalala-film.com Facebook: www.facebook.com/JoaoGilbertoFilm/

Transcript of ENG DossierPresse FilmJoaoGilberto GG5 · Where are you, João Gilberto? Is a full-length...

  • AdocumentaryfilmbyGeorgesGachot

    Switzerland,GermanyandFrance,2018|Duration:107minutes

    PressKit

    www.hobalala-film.com

    Facebook:www.facebook.com/JoaoGilbertoFilm/

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    CONTENTS

    TECHNICALINFORMATION....................................................................................................................................3

    SYNOPSIS..............................................................................................................................................................3

    DIRECTOR’SNOTE.................................................................................................................................................5

    FILMCREW...........................................................................................................................................................7

    LEADINGFIGURESINTHEFILM..............................................................................................................................7

    JOÃOGILBERTO–THEINVENTOROFBOSSANOVA...............................................................................................8

    MARCFISCHER–REPORTERANDAUTHOR............................................................................................................9

    THEDIRECTOR-GEORGESGACHOT....................................................................................................................10

    INTERNATIONALPRESSEXCERPTS.......................................................................................................................12

    INTERNATIONALSALES.......................................................................................................................................13

    CONTACTS..........................................................................................................................................................13

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    TECHNICALINFORMATIONLanguages: Originallanguages:German,Portuguese,French,English Subtitlesoptions:French/German/EnglishDuration: 107minutesFormat: 1.85:1Camera: Amira(ARRI)Countriesofproduction: Switzerland(principalproducer)/Germany/FranceYearofproduction: 2018

    SYNOPSIS“GirlfromIpanema”,“ChegadeSaudade”,“Corcovado”:theseclassicBossaNovasongswillforeverremaininternationalsuccessesofLatinAmericanmusic.Thisoriginalmusicwasinventedbyamanknowntheworldoverforhisguitarandvoice,amanwhonoonehasheardfromforaverylongtime.JoãoGilbertohasbeenlivinginhidinginahotelroominRiodeJaneiroformorethanadecade.Whothenisthisman?

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    Whereareyou,JoãoGilberto?Isafull-lengthdocumentaryfilmadaptedfromthebookHobalala,byMarcFischer,aGermanreporterandwriter.Inhisbook,Fischerrecountsthestoryofhisobsessionalsearchforthelastgreatestmusiclegendofourtime,theBrazilianmusicianJoãoGilberto,thefoundingfatherofBossaNova.Amanwhohasnotbeenseeninpublicforadecade.

    EventhoughMarcFischerneversucceededinfindingandmeetingJoãoGilberto,despitehistumultuousanddeterminedsearch,hehaswrittenavibrantbookonBrazil,itsmusicandcultureandspecificallyonBossaNova,itsmostexhilaratingmusictradition.Hobalalaisextremelywelldocumented,livelyandfunny,andfullofsavoryanecdotes.ItwaspublishedinGermanyin2011byRogner&BernhardinhardcoverandlateronbySuhrkampinpaperback.IthasalsobeentranslatedintoPortugueseandpublishedinBrazil.

    MarcFischercommittedsuicideaweekbeforepublicationofhisbook.

    ThisfilmtakesupthesearchforJoãoGilbertointhefootstepsofMarcFischer,andisfilledwiththesamepassionandloveforBrazilianmusic.WithMarcFischer,itasksthequestion“whoisJoãoGilberto?”“whereandwhyishehiding?”,“whatistheessenceofBossaNova?”,thismusicalmovementthathecreatedwithothers.

    Morethanhisbook,MarcFischerhasleftuswithhundredsofphotographs,selfies,videoclips,e-mails,blogs,Facebookpages,soundrecordingsandhisjournal,allofwhichwereentrustedtousbyhisparentsforthefilm.

    WehavepickedupMarc’squest,followingthetracesstepbystepthathehasleftus,andbymeansoffilmandagreaterfamiliaritywiththelocalcontext,havepushedthesearchevenfarther,pursuingBossaNovaandJoãoGilbertointurntodiscoverthestory,theessence,thespiritofboththemanandthemusic.

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    DIRECTOR’SNOTEThefilmisadetectivestorylyingsomewherebetweenfilmandliteratureandfollowsadoubleintrigue:MarcFischer,theauthorofthebook,islookingforthemysteriousJoãoGilberto,andI,thefilmmaker,takeupthequestinFischer’sfootstepslookingforJoão.

    IreadMarcFischer’sbookthreeyearsafterhisdeath.IwasverymovedbyitshonestyandimmediatelyunderstoodthatMarcFischerwasmotivatedbyhisloveofJoãoGilberto’smusic,bythesearchforabsolutebeautythatherecognizedinhismusic.

    AnastonishinganalogyexistsbetweenMarc’squesttounveiltheessenceofBrazilianmusicandmyownsearch.Iwriteanddirectmusicalfilms,andhavesince2003focusedonBrazilianmusicandculture.Ihavemadethreefeature-lengthfilmsonthissubject.

    SoMarc’sstoryconcernsmedirectly,ourpathshavecrossedinasurprisingmanner:in2010wewerebothinRioandwalkedthesamestreetsatthesametime.MarcwaslookingforBrazilianmusicianswhohadplayedwithGilberto,mostofwhomI’veknownpersonallyformanyyearsandsomeofwhoareeveninmyfilms.

    ImyselftriedmanytimesduringmystaysinBraziltomeetJoãoGilberto,tonoavail.

    SoitcouldbesaidthatIrecognizemyselfinMarcFischer.We’rebothfromnorthernEurope:IwasborninParisandhavelivedinZurichsince1981;MarcwasborninHamburgandlivedinBerlin.WeshareapassionforBrazilianmusicandtheopticfromwhichweviewBrazilisthatofastranger.

    Ithinkthatthedeepestmotivationforbothhisbookandmyfilmis“saudade”(Portuguese),or“dieSehnsucht”(German).

    ThisexpressioninGerman,whichconstantlycomesbackinMarcFischer’sbook,isuntranslatableinEnglishorFrench.Butstrangelyenough,itcorrespondsratherperfectlytotheBrazilian“saudade”.(ThefirstBossaNovasongthatJoãoGilbertorecordediscalledChegadeSaudade/Pourenfiniraveclasaudade—roughlyinEnglish:“tobringanendtolonging/yearning”).

    He/Shewholanguisheswantstoobtainorpossesssomeoneorsomethingthathe/sheknowsfromtheverystartisveryprobablyunattainable.Butsometimestheseekerfindssomethingentirelydifferentintheend.ForMarcFischer,theBossaNovarhythmisthe“saudade”anditsmagicalperformerisJoãoGilberto.

    Fischerwasaromantic,hisdesirecarrieshimtothemusicofanexoticcountryandinthathe

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    joinsthelonglistofGermansnostalgicforafarawaycountry,“thatoffloweringlemontrees”.

    Myclosescrutinyofthebookanditsadaptationintoafilmhasbroughttolightafewquestionsaboutmyownwork,especiallythatofthepastfewyears,focusedonBrazilianmusic.Whydoesonedosomething?Whatisitonedoes?–thesearequestionsthatcanneverbeansweredinanycomprehensivefashion.

    Almostincidentally,thefilmtellsthestoryofBossaNova;itevokesthatextraordinarytimeatthebeginningofthe60swheneverythingseemedpossibleinBrazil.ThenationalsoccerteamhadjustwonitssecondWorldCup,therevolutionaryarchitect,Niemeyer,wasbuildingBrazil’snewcapitalinthemiddleofthedesertandBossaNovahadjumpedtothetopoftheworld’shit-paradecharts,thanksto,amongothers,thevoiceofaninternationalstar,FrankSinatra,andthesaxophoneofStanGetz.

    Thisfilmisalso,indirectly,aportraitofJoãoGilberto,andisalsothefirstportraitofhimevermade.

    TheobjectiveisnottosucceedwhereMarcFischerfailed,i.e.,tobringJoãoGilbertoinfrontofthecamera.ThephysicalpresenceofJoãoGilbertoisnotapreconditionforthefilm’ssuccess.Theincertitudewhenitcomestothesuccessoftheendeavor,whichwastrulyexperiencedbythefilmcrew,givessubstanceandveracitytothequest.

    In2004,CaetanoVelosospokeoftheimportanceofJoãoGilbertototheneophyteGeorgesGachot:https://www.youtube.com/watch?v=cuKmTQvqgBY

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    FILMCREWDirector GeorgesGachotFilmscript GeorgesGachot,PaoloPoloniPhotographer StéphaneKuthySoundmixer BalthasarJuckerEditor JuliePelat(graduateofLaFemis,France’sschoolofcinema)Music JoãoDonatoSoundeditor MichaelKrantz(ArriMünchen)Colorgrading TraudlNicholson(ArriMünchen)Producers GeorgesGachot,Pierre-OlivierBardet,ChristophMenardi, AndreasAtzwangerProduction GachotFilms,IdéaleAudience,NEOSFilmCo-producedwith SRFSchweizerRadioundFernsehen,RTSRadioTélévisionSuisse

    BayerischerRundfunkincollaborationwithARTE

    CommissioningEditors UrsAugstburger(SRF),IrèneChalland(RTS)MatthiasLeybrand(BR),MonikaLobkowicz(ARTE)

    Fundingentities OFFICEFÉDÉRALEDELACULTURE,SUCCÈSSPASSAGEANTENNE,FONDS

    CULTURELSUISSIMAGE,ZÜRCHERFILMSTIFTUNG,SRGSSRIDÉESSUISSE,FONDSCULTURELDELASOCIETEDESAUTEURS(SSA),MEDIADESKSUISSE,DEUTSCHERFILMFÖRDERFONDS,FILMFERNSEHFONDSBAYERN,CNC,DESJARDINSAandEURIMAGES

    LEADINGFIGURESINTHEFILM–MAXSIMONISCHECK,voiceofMarcFischer,authorofbookHobalala

    –RACHEL,Fischer’sassistant,nicknamed“Watson”inthebook

    –MIÚCHA,singer,ex-wifeandconfidantofJoãoGilberto

    –JOÃODONATO,musician,oldfriendofJoãoGilberto


    –GARRINCHA,JoãoGilberto’scook


    –ROBERTOMENESCAL,composerofseveralBossaNovahits,acquaintanceofJoãoGilberto,whohehasn’tseensince1962

    –MARCOVALLE,composerandmusician,BrazilianBossaNovalegend

    –GERALDOMIRANDA,acquaintanceofJoãoGilbertowhometwithFischeratDiamantina

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    –OTAVIOTERCEIRO,JoãoGilberto’sfriendandmanager

    –ANSELMOROCHAT,musician,imitatorofJoãoGilberto

    – GEORGESGACHOT,theauthor/directorofthefilminbothvoiceoffandsynchronoussound

    JOÃOGILBERTO–THEINVENTOROFBOSSANOVA

    GirlfromIpanema,ChegadeSaudade,Desafinando–theseextremelypopularBossaNovaclassicshaveenchantedhalftheplanetsincetheendofthe50s.Theycanbeheardinbars,nightclubsandonradiostationsaroundtheworld.

    TheoriginalsoundandcomplexrhythmsofBossaNovawereinventedbyJoãoGilberto,agenrethatdidn’texistbeforehecreatedit.Hisinfluence

    onpopularBrazilianmusiccanstillbeheardtoday.Gilbertocreatedthismusicalgenrepracticallyallbyhimself,notasacomposerbutasaninterpreter.Heisthemanwiththedesperatelysweetvoiceandguitarrhythmsneverheardbefore,themanwhosesongscanbreakyourheart,withoutevenunderstandingthewords.

    JoãoGilbertohasbeeninhidingforthepastthirtyyearsinanapartmentinRiodeJaneiro.Hehaslefthisretreattogiveafewexceptionalconcerts,forexampleinItaly,Japan,NewYorkandMontreuxin1985,1989,2001and2003.HegavehislastconcertinBrazilin2008forthe50thanniversaryofBossaNova.

    Inrecentdecades,mysteriesandlegendshaveliterallyusurpedhisperson.Themoreheretreatsfromtheworld,themoreanecdotesandstoriesproliferateabouthim.Heistodayanoldmanof87wholivesinRio,whoneverleaveshishome,whorefusestobeinterviewedandwhodoesn’tcareaboutwhatothersthink.It’sbeensaidthathespendshisnightsplayingtheguitarnon-stopfortenortwelvehours,drivenbyhisdeterminationforperfection.Gilbertohasbecome,astimegoeson,akindofphantom.

    Miúcha,whoparticipatesinthefilm,isoneoftherarepersonswhoregularlyvisithimathishome.MiúchadiedfromcanceronDecember27th,2018.

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    MARCFISCHER–REPORTERANDAUTHORMarcFischerendedhislifein2011attheageof40,threemonthsafterhislasttriptoBrazilandoneweekbeforethepublicationofhisbook.

    FischerwasnotknowninGermanyforwritingbooksandreviewingmusic.HewrotearticlesforStern,derSpiegelandDieZeit.InspiredbytheAmericanNewJournalismgenreofthemid-90s,theyoungFischerbecameastarofthemonthlyreview,Tempo.Hecouldhavechosenasecurejobinarecognizedpublication,butinsteadcontinuedtoexplorethefourcornersoftheearth.Alwaysinsearchofagoodstory,hewasmotivatedbyhisnostalgiaforalost,somehowbroken,beauty,whichmeantfarmoretohimthanaregularmonthlysalary.

    AsaresultofhisarticlesinTempo,hewasconsideredaprecursorofthejournalismthatwaspopularinthe90s,wherethereporterisalsoanactivesubjectinthearticlehewrites.Forawhile,Fischerbecameapopstar–oratleasttheincarnationofpopularjournalism.Healsosanginanewwaveband,TorpedoBoyz.

    WhileFischerwasmakinginquiriesaboutGilberto,contactingallthosewhocouldpossiblehelphim,whilehetightenedthenetaroundthesubjectofhisresearch,thelegendarymusicianbecamemoreandmoremysterious,evanescent.

    MarcFischer’sbookstandsoutbytheseriousnesswithwhichtheauthorapproacheshisown“saudade”.Althoughhemixedgenres,intertwiningfictionandnon-fiction,theunderlyingthreadisalwaysexistential.

    (Photo:MarcFischerandBjörk)

    MarcFischerthusintersperseshisworkwithhisownopinionsandperspicaciousanalysisofmusicandartingeneral.Imperceptibly,thebookstraysfromitssubjecttobecomepureliterature.

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    Fischer’ssuicidethrowsastrangeshadowonhisbookandhisquest.Coulditbethathecouldnotreconcilehimselfwiththefactthathehadfailedtoattainhisgoal,i.e.,tomeetJoãoGilberto?

    FischerrecountsthejourneyhestartedagainandagaintofindJoãoGilberto;itreadslikeadetectivestory.Butthejourneywasalsoawaytofleehiscountryoforigin,Germany,wherehehadtoputalostlovebehindhim.HewantstorevealthetruthaboutGilberto,butintheendhecomesfacetofacewithatruthabouthimself.

    THEDIRECTOR-GEORGESGACHOTBorninNeuilly-sur-SeinenearParis,GeorgesGachotisaFrenchandSwissdualnational.Hestartedhiscareerworkinginfilmproductionforcommercialsasactorandassoundassistant,mostnotablyintheOscarwinningfilm“Journeyofhope”byXavierKollerin1990.SubsequentlyhewascommissionedbythemusiclabelNaxosandbyvariousEuropeanTVchannels(ZDF,BR…)andproducerstodirectmusicfilmslikeportrayofmusicians,composersandinterpreters.In1996hebeganproducinganddirectinghisownfilms-incoproductionwithinternationalpartnerslikeIdéaleAudience(France),Arte,SwisstelevisionSRF,RTS-thatenjoyedworldwidesuccess,distributedbyDoc&Films(France).Gachotreceivedtheprestigious"PrixItalia"in2002forhisportraitoftheArgentineanpianistMarthaArgerich,EveningTalksandcreatedthefirstofatrilogyoffilmsaboutBrazilianmusicin2005,“MariaBethânia"MusicaÉPerfume".ThisportraitofMariaBethâniawasdistributedin10countriesworldwide.GachotbecameatrueenthusiastandspecialistofBrazilianmusicandwentontofilmtwomorefeaturelengthdocumentariesthere,RioSonata(2010)andOSamba(2014).Between1996and2012healsodirectedfivefeaturelengthdocumentariesaboutCambodia.

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    Filmographyselected

    2017Boîtesàmusique(short)2014OSamba
2012L’ombrellodiBeatocello
2010RioSonata,NanaCaymmi
2005MariaBethânia,MúsicaéPerfume2004MoneyorBlood
2002MarthaArgerich,EveningTalks2000AndTheBeatGoesOn
1997BachatthePagodahttp://www.gachot.ch/gachot_filmography.html

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    INTERNATIONALPRESSEXCERPTS "bybeingbeautifullysimpleandlightwithinitsownmelancholia,WHEREAREYOUJOAOGILBERTOembracesthespiritoftheBossaNova(..)andbecomes,withnodoubts,afilmaboutandbeyondBrazilitself."WELT“Anappealing,touchingfilmthatrevealstheloveastrangerhasforaspectsofBrazilthatnolongerexisttoday.”OESTADODESÃOPAULO,LuizZaninOricchio

    è LINK“Inthisfilm,thedirectorusesabsencetoexploreemptiness(….)Inaway,WHEREAREYOU,JOÃOGILBERTO?speaksoftheimpossibilityoffillingthatemptiness.”O’GLOBO,LeonardoLichote“Thisisafilmaboutamadman–directedbyamadmanwhoislookingforanothermadman.”GLAMURAMA,MiuchaBuarque

    è LINK

    AGeniusofabsence“Gachotisstillthemasterwhenitcomestocreatingpalpitatingmomentswiththefilm’sparticipants.”VEJA,SérgioMartins

    è LINK

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    INTERNATIONALSALESThefilmhasbeenpurchasedinGermany,Austria,Japan,China,Poland,BrazilandtheCzechRepublicFilmreleases:Brazil:23August2018Switzerland:13September2018Germany:22November2018Japan:2019

    JoaoDonato/Miucha/MarcosValle/RobertoMenescal@theatricalPremiereinRiodeJaneiroAugust2018

    ActorMaxSimonisckekandGeorgesGachotZürich20.January2019,

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    FESTIVALS(ASELECTION)ArtFifa2019,MontrealInternationalcompetitionZagrebDox2019F.A.M.E.Paris2019"PrizeoftheStudentJury"VisionsduRéel2018,CompetitionDOKFestMünchen2018,InternationalCompetitionIn-EditBrasill2018,OpeningFilm&RetrospectivLocarnoFilmfestival2018TaipeGoldenHorseFilmfestival2018SolothurnerFilmtage2019In-EditBarcelona2018TwoRiverSide-Polen2018SoundTrackCologneSeeyousound2019-Turin

    CONTACTSDISTRIBUTIONGERMANY:FarbfilmDISTRIBUTIONBRAZIL:ImovisionDISTRIBUTIONSWITZERLAND:GachotFilmsDISTRIBUTIONCHINA:LemonTreeMediaCompanyLimitedPRODUCTIONGachotFilms(CH) Ekkehardstrasse168006ZürichTel:[email protected](FR)6Ruedel’agentBailly75009ParisTel:[email protected]
80799München
Phone:[email protected]&FilmInternationalDanielaElstnerTel:[email protected]