Emily Lutzker: The Dog Ate My Innovation
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Transcript of Emily Lutzker: The Dog Ate My Innovation
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Emily LUTZKERThe Dog Ate My Innovation
@openinvo
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“it means just what I choose it to mean—neither more nor less.”
“When I use a word,” Humpty Dumpty said, in a rather a scornful tone,
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innovaton (noun /i-nə-ˈvā-shən/)
1) the introduction of something new 2) a new idea, method, or device
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new (adj./nü/)1) having recently come into existence : recent, modern
2) having been seen, used, or known for a short time : novel <rice was a new crop
for the area> (2) : unfamiliar <visit new places> b : being other than the former or old <a steady flow of new money>
3) having been in a relationship or condition but a
short time <new to the job> <a new wife>
4) beginning as the resumption or repetition of a previous act or thing <a new day> <the new edition> b : made or become fresh <awoke a new person> c : relating to or being a new moon
5) different from one of the same category that has
existed previously <new realism>
6) of dissimilar origin and usually of superior quality <a new strain of hybrid corn>
7) capitalized : modern 3; especially : having been in use after medieval times
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THE NEW
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THE BIG BLUE NEW
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THE OLD NEW
THE NEW BLACK?
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technology (fabric) or technique (manufacturing and design)?
TECHNIQUE:from Greek
"of art, technical"
FASHION
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LEO STEINBERG
American art critic and art historian b. July 9, 1920
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POPART
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“One way to cope with the provocations of novel art is to rest firm and maintain solid standards. The standards are set by the critic's long-practiced taste and by his conviction that only those
innovations will be significant which promote the established direction of advanced art. All else is irrelevant. Judged for "quality" and for an
"advancedness" measurable by given criteria, each work is then graded on a
comparative scale.”
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“A second way is more yielding. The critic interested in a novel manifestation holds his criteria and taste in reserve. Since they were formed upon yesterday's art, he does not assume that they are ready-made for today. While he seeks to comprehend the objectives behind the new art produced, nothing is a priori excluded or judged irrelevant. Since he is not passing out grades, he
suspends judgment until the work's intention has come into focus and his response to it is - in the literal sense of the word - sym-pathetic; not necessarily to approve, but to feel along with it as with a thing that
is like no other.”
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FORGETTINGAS VIRTUE?
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NEW TECHNOLOGY BUILDS UPON OLD TECHNOLOGY
INNOVATION is TECHNOLOGY as an EVOLVING ORGANISM
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gridscarschipscities
SMARTS:
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smart≠intelligentor intellectual
- Andrew RossThe New Smartness
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INVISIBILITYIS SMART
+FORGETTING IS SMART
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THERE IS NO DOG