Elements of art 2015 16

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Elements of ART / DESIGN O. REID 2015

Transcript of Elements of art 2015 16

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Elements of ART / DESIGN

O. REID 2015

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Why are they soooo important?

Remember, they make things more exciting.

Without the elements verylittle would exist, because theyare essential to designing and making anything and everything.

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What are the elements of art?

Line Shape Color Value

Texture Form Space

They are the “building blocks” or “ingredients” of an artwork?

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What elements of art do you see?

Helmet Head #2, 1950Henry Moore

The Rhythm is Everything, 2012Kehinde Wiley

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LINES- Marks with length and direction

Arrest 2, 1965

Blaze 1, 1965

Bridget Riley

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… but there is more to LINES

Lines are used to create shapes, sketches, and contour drawings

David Hockney

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…and MORE…

Lines can show form.

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…and more

Lines can show direction.

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…and more

Lines can show movement and texture.

Hong ChunZhang

Vincent van Gogh

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…and more

Lines can show emotion / expression.

Dave Karlen

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Lines are essential to making and designing anything and everything.Lines come together to make wonderful things.

Pamela Sunday

Alexander Calder

Kate Esplen

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SHAPE= a line that creates an enclosed space = flat

Four Characters, 1974Jean Dubuffet

Méta-mécanique, 1954Jean Tinguely

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What kinds of SHAPES do you see?

Henri Matisse, 1953The Sheaf

Wassily Kandinsky, 1932Decisive Pink

GEOMETRIC ORGANIC

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Shapes work together.

Marc Chagall, 1955I and the Village

This painting has both organic and geometric shapes working togetherto create recognizable objects.

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COLOR – how our eyes see reflected waves of light

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Color is one of the most expressive elements of art

Andy Warhol, 1967Self-Portrait

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A simple color choice can also enhance the mood.

Pablo Picasso, 1904Old Guitarist

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VALUE – lightness and darkness

Pablo Picasso, 1937 Guernica

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Value Scales

There are a variety of techniques that can show value differences.

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Value is shown in

more than paintings

and drawings.

Can color show value differences?

Dorothea LangeMigrant Mother, 1936

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Value differences in color =tints and shades

Georgia O’KeeffeBlack Mesa Landscape, 1930

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TEXTURE – how something feels or appears to feel

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How are these textures different?

Meret OppenheimObject Paris, 1936

Albrecht DurerA young Hare, 1503

IMPLIED / VISUAL ACTUAL/REAL

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Look closely at how these textures were drawn. What do you notice?

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FORM – a 3D shape … not flat

Forms have height, length and width (depth).

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What makes these forms look so life like? What do you notice?

Wayne ThiebaudCakes, 1936

MC EscherReptiles, 1943

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Keep in mind that forms can also be sculptural.

Flying Pins, 2000Claes Oldenburg

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SPACE

- ways to talk about1. showing distance2. positive and negative areas

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What does the artist do to give the illusion of space in this landscape?

Salvador DaliWeaning from the Food Chair, 1934

ATMOSPHERICPERSPECTIVE

- Placement- Horizon line- Foreground- Middle Ground- Background

- Size- Overlapping- Detail- Color

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Using LINEAR PERSPECTIVEuses precisely drawn lines to give the illusion of space.

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Interiors and Still Lifes also use similar techniques to show depth

Frida KahloStill Life with Parrot, 1951

Rene MagrittePersonal Values, 1952

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Positive and Negative Space

Dalton Ghetti Giraffe, 2014ish

Jasper JohnsCups for Picasso, 1973

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Positive and Negative Space

Tang Yau HoongBeware of those Hands, 2011

Oscar NunezFill in the Cat, 2009

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LineShapeFormColorValueSpaceTexture

Balance

Emphasis

MovementUnityVariet

yPatter

nProportion

Composition

Elements

Principles