Eduardo Kac - The Aesthetics of Dialogue

download Eduardo Kac - The Aesthetics of Dialogue

of 22

Transcript of Eduardo Kac - The Aesthetics of Dialogue

  • 8/13/2019 Eduardo Kac - The Aesthetics of Dialogue

    1/22

    "

    !"#$ #&'()*#(+, )(-.#/(0 #& 1223, "-$ 4((& 564.#$"(0 $#&7( '"(& #& 86.'#5.( *()$#9&$ #& $(*()-. 564.#7-'#9&$: ;' +-$

    564.#$"(0 #& #'$ (&'#)('< =9) '"( =#)$' '#8( 9& '"( >(4 #& !"#$%&' )* +"%&,')* )" -,&" " ."/0*1*2$' )' 34'2"4,

    ?: @, ;&$'#'6'( 0( A)'(, B(5-)'-8(&'9 0( A)'($ C#$6-#$, D*()$#0-0( 0( E)-$#.#-, E)-/#.

    F"''5GHH+++:6&4:4)H*#$H)(*#$'-HI:"'8J:

    567-!68 9-: ; . EFGGHI

    A ')#76.'6)-., 86.'#.#&K6-., #&'()0#$7#5.#&-)< -)'#$', L-7 "-$ 7(&'()(0 "#$ +9)I -)96&0 '"(

    #&*($'#K-'#9& 9= .-&K6-K( -&0 79886-'#9& 5)97($$($, (85"-$#/#&K 0#-.9K#7 (M5()#(&7($ #&

    - +9).0 #&7)(-$#&K.< 098#&-'(0 4< '"( 8-$$ 8(0#-: N)#K#&-..< =)98 O#9 0( P-&(#)9, Q06-)09

    L-7 "-$ .#*(0 #& R"#7-K9 $#&7( 12S2: T( "-$ U6$' -77(5'(0 - 59$#'#9& -$ V)9=($$9) 9= A)' -' '"(

    D*()$#'< 9= L(&'67I< #& W(M#&K'9&, +"()( "( +#.. $'-)' '"( 5)9K)-8 #& ?(+ X(0#- 4)#&K#&K

    -496' 76))#76.68 7"-&K( '"-' +#.. #&79)59)-'( 79856'() #8-K#&K, #&'()-7'#*#'

  • 8/13/2019 Eduardo Kac - The Aesthetics of Dialogue

    2/22

  • 8/13/2019 Eduardo Kac - The Aesthetics of Dialogue

    3/22

    $

    NZ B#0 '"(< "-*( - 4#K #&=.6(&7( #& "-' +-$ '"( #&'(..(7'6-. -&0 59.#'#7-. 7.#8-'( #& E)-/#. 06)#&K '"( .-'( e@[$a

    LZ ;& '"( .-'( 12e@[$, '"( 796&')< +-$ $.9+.< K9#&K '")96K" - 5()#90 9= )(0(897)-'#/-'#9&,

    =9..9+#&K 89)( '"-& - 0(7-0( 9= 8#.#'-)< 0#7'-'9)$"#5, '9)'6)( 9= 59.#'#7-. 5)#$9&()$, -&0

    7(&$9)$"#5: ; 4(7-8( #&'()($'(0 #& 490< 59.#'#7$, -&0 =96&0 8#."(.8 O(#7",

    T()4()' X-)76$(, -&0 O9.-&0 E-)'"($, -89&K 9'"()$: !"()( +-$ - 7()'-#& $(&$( 9= )(79*()#&K- .9' 9= '"( '"#&K$ '"-' +()( .9$' 06)#&K '"( 5)(*#96$

  • 8/13/2019 Eduardo Kac - The Aesthetics of Dialogue

    4/22

    %

    NZ >()(

  • 8/13/2019 Eduardo Kac - The Aesthetics of Dialogue

    5/22

    &

    5()=9)8-&7($: ;& 96) K)965 +( "-0 -.. I#&0$ 9= 59#&'$ 9= *#(+ 4(#&K (M5)($$(0 -&0 $"-)(0

    +#'" '"( 564.#7: X-&< 9= 6$ -.$9 (84)-7(0 86.'#5.( =9)8$ 9= (M5)($$#9&, 4( #' *()4-., *#$6-.,

    86$#7-., 9) $(M6-. 9) +"-'(*() #&Z4('+((& =9)8$ ( =96&0 '"-' '"-' +-$

    '"( 5()=(7' 5.-7( '9 5()=9)8, &9' 9&.< 4(7-6$( #' +-$ #& '"( "(-)' 9= O#9, '"( *()< E9"(8#-&

    b-.#*(b 5-)' 9= '9+&, 46' -.$9 4(7-6$( ( 0#0&[' $5(7#=< '#8( 9) -&( +96.0 #85)9*#$( - .9': H5p

    NZ ;' $((8$ '9 8( '"-' -$ '"()( -&< $5(7#=#7 59.#'#7-. -K(&0- #&

  • 8/13/2019 Eduardo Kac - The Aesthetics of Dialogue

    6/22

    '

    NZ >"-' +-$

  • 8/13/2019 Eduardo Kac - The Aesthetics of Dialogue

    7/22

    (

    76).< "-#): V(95.( 796.0 &9' '(.. #= ; +-$ - K-< 8-& #& '"( 7985-&< 9= - $')-#K"' +98-&, 9) #= ;

    +-$ - 7)-/< $')-#K"' 8-&, - ')-&$*($'#'(, 9) #= ; +-$ - 4#$(M6-.: !"(< U6$' 796.0 &9' )($9.*(

    +"-' '"( "(.. ; +-$:

    NZ >"-' I#&0 9= 5()=9)8-&7($ 0#0 "-' "-55(&(0 -='() '"-'a

    LZ X< #&'()($' =9) +9)0 -&0 #8-K( #$$6($ 79&'#&6(0 '9 #&7)(-$( -$ 8< 0(0#7-'#9& '9 9)-. -&0

    *()$#=#(0 59(')< (&0(0: E('+((& 12Sl -&0 12SY ; +-$ *()< 6&$-'#$=#(0 4< +"-' ; '"(&

  • 8/13/2019 Eduardo Kac - The Aesthetics of Dialogue

    8/22

    )

    79&$#0()(0 '"( 4.#&0 -..(< 9= *#$6-. 59(')

  • 8/13/2019 Eduardo Kac - The Aesthetics of Dialogue

    9/22

    *

    "9.9K)-5"< +-$ $((& '"()(, #= &9' '"( =#)$' '#8(, ; 09&[' I&9+, 46' 7()'-#&.< 9&( 9= '"( =#)$'

    '#8($: ]9 '"()( +-$ -.. '"-' 76)#9$#'< -496' #': !"-' +-$ *()< $'#86.-'#&K:

    NZ >"-' I#&0 9= $6559)' 0#0 "()( 0#0 '"( E)-/#. T#K" !(7" $"9+ '-I( 5.-7( a >"-' I#&0 9= +9)I 796.0 9&( $(( #& #'a

    LZ !"( $"9+ +-$ #& O#9, -' '"( f-.()#- 09 R(&')9 Q85)($-)#-. O#9, - *()< ( K-..()< #& =)9&' 9=

    E9'-=9K9 4(-7": ;' -'')-7'(0 - .9' 9= 564.#7#'< -&0 - .9' 9= 5(95.(: ;' +-$ '"( 89$' 5956.-)

    $"9+ #& '"( K-..()< (*(): !"()( +()( (.(*(& -)'#$'$ =)98 ]j9 V-6.9 -&0 '+9 =)98 O#9: >( $('

    65 - 0-'-4-$( =9) -)' +9)I$: >"(& ; $-< 0-'-4-$( =9) -)' +9)I$, ; 09&[' 8(-& -)' +9)I$ '"-'(M#$'(0 5)(*#96$.< #& 9'"() 8(0#- '"-' +()( '"(& 56' #& '"($( 0-'-4-$($, .#I( 5(95.( -)( 09#&K

    &9+, X#7)9$9=' -&0 8-&< X6$(68$ -)( 09#&K '"-': ; 8(-& '"-' '"($( +()( -)' +9)I$ 7)(-'(0

    =9) '"( 8(0#68 9= *#0(9'(M', -&0 +()( 8-0( '"()(=9)( -*-#.-4.(, 9&Z.#&(, $9 '"-' 5(95.(

    796.0 $(( '"(8 =)98 -&< 5-)' 9= '"( 796&')

  • 8/13/2019 Eduardo Kac - The Aesthetics of Dialogue

    10/22

    "+

    +9)I(0 -$ - U96)&-.#$' =9) $(*()-. &(+$5-5()$ #& O#9 -&0 ]j9 V-6.9: ; +9)I(0 -.. 0-"-' ; $(( -$ - 79889& K)96&0

    #& '"(8 #$ - '9'-. )(U(7'#9& 9= +"-' '"(< #&"()#'(0 =)98 5)(*#96$ K(&()-'#9&$: !"(< )(-..