Editions beyond text: Music -...
Transcript of Editions beyond text: Music -...
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music as an object of
digital investigation
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Common objects of observation in musicology
Music notation
● Printed
● Manuscript
● Ethnographic transcription
● Analytical score
● ...
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Common objects of observation in musicology
Performance
● Live
● Recorded
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Common objects of observation in musicology
Historical sources
● Composers
● Performers
● Reception
● Social issues
● ...
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What is useful to digitize, and how?
Graphemic Acoustic
Auditory
M. Babbit (1965) The use of Computers in Musicological Research
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What is useful to digitize, and how?
Graphemic Acoustic
Auditory
M. Babbit (1965) The use of Computers in Musicological Research
Digital editions of music scoresare here. Mostly...
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what is a digital edition of music?
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Editorial genres are akin to textual editions
- facsimile and critical editions are common
First things first - paper
Example of editorial intervention in a critical edition
(Weber’s Der Freischütz, ed. Viglianti)
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First things first - paper
Example of critical apparatus from the Neue Mozart Ausgabe.
e.g. different ornamentation in source B
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“Performing” editions
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Digital to print
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Image from AirTurn website
Digital consumption
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Image from AirTurn twitter account @airturn
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(from neoscore.com)
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Screenshot of musescore.com
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scholarly digital editions of music
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Going digital - images
OCVE - ocve.org.uk
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Going digital - images
Edirom - edirom.de
Screenshot of Freischütz Digital (closed demo)
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Descriptive markup for music notation
Mise-en-page is a term used by codicologists for the general layout and
organization of the manuscript page.
Mise-en-page is a term used by codicologists for the general layout and
organization of the manuscript page.
italic
foreign word
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Descriptive markup for music notation
Mise-en-page is a term used by cardiologists codicologists for the general
layout and organization of the manuscript page.
Mise-en-page is a term used by cardiologists codicologists for the general
layout and organization of the manuscript page.
authorial revision
Mise-en-page is a term used by cardiologists for the general layout and
organization of the manuscript page.
editorial correction
codicologists
strikethrough
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Carl Maria von WeberDer Freischütz (autographe)No. 13, m. 63, soprano (Änchenn)
Descriptive markup for music notation
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Carl Maria von WeberDer Freischütz (autographe)No. 13, m. 63, soprano (Änchenn)
Descriptive markup for music notation
small notes vs. alternative
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Going digital - markup + rendering
Marenzio - marenzio.org
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Going digital - markup + rendering
Lost Voices - digitalduchemin.org
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text and music
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TEI Special Interest Group in Music
j.mp/TEImusic
● incorporating encoding for music into TEI documents
● encoding music-related documents
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Music notation in text
● Found on both historical and contemporary documents
● Treatises
● Scholarly or educational work
● Writings of music professionals● ...
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Music notation in text
As a “block”
A letter by L v Beethoven
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Music notation in text
In the text flow
Allorto, R. (2002). Nuova storia della musica
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Music notation in text
In the text flow ... ?
Tosca di Victorien Sardou, Giuseppe Giacosa e Luigi Illica. Musica di Giacomo Puccini - Gabriella Ravenni (2009)
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TEI and music notation
Manuscript description
<musicNotation> - description of type of musical notation in a manuscript
Only music-related element until P5 2.0.0
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TEI and music notation
<notatedMusic> - encodes the presence of music notation in a text
Since P5 2.0.0 (2011)
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TEI and music notation
<notatedMusic> http://j.
mp/TEInotatedMusic
● <desc> - prose description of the notated music
● <ptr> - pointer to a representation of the music notation
● <graphics> - pointer to a graphical representation of the
music notation
<notatedMusic>
<ptr target="bar1.xml"/>
<graphic url="bar1.png"/>
<desc>First bar of Chopin's Scherzo No.3 Op.39</desc>
</notatedMusic>
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try things out
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Further readings
Broude, R. (2012), “Musical Works, Musical Texts, and Musical Editions” in Scholarly Editing, v. 33http://scholarlyediting.org/2012/essays/essay.broude.html
And my review at: http://itisnotsound.wordpress.com/2012/03/01/ronald-broudes-new-article-on-musical-works-texts-editions/
Wiering, F. (2009), “Digital Critical Editions of Music: a Multidimensional Model”, in Modern Methods for Musicology, Ashgate.
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Thanks to: