e/365
description
Transcript of e/365
e/365
WWW.KIPPDESIGN.COM
Academy of Art University, School of Graphic Design
Course: Senior Portfolio (graduate program)
Instructor: Mary Scott
Student: Dana Kipp
1530 Irving Street, Apt. 5 San Francisco, CA. 94122
Telephone: 970.948.0801
email: [email protected]
website: www.kippdesign.com
Book Bindery: The Key Binding & Printing
5849 Ocean View, Oakland, CA 94618
Printer: Giant Horse Printing
Die: Matte Black Foil
Photography: Dana Kipp & Nicole Rosario
Title of Book: e/365
Cover Stock: Arrestox Chili pepper & Gunny Sak linen
Text Stock: 100 lb. Finch Fine Text
Fonts: Din / Scala
Software: Software: Adobe Creative Suite 5.5
© 2013 All rights reserved. No portion of this publication
may be reproduced or transmitted in any way without the
expressed consent from Dana Kipp.
Printed in the USA.
Selective Works of Dana Kipp
e/365
P H O T O G R A P H Y / N I C O L E R O S A R I OE M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
You wanna fly, you got to give up
the shit that weighs you down.
–Toni Morrison
P R O J E C T S TAT E M E N T SECTION/ 0 0 01 02
My quest to empower others is fueled by the desire to provide knowl-
edge, cause action, and give voice to those who have gone unheard,
misunderstood, and lack the ability to help themselves. This is what
motivates me the most, both in thought and in life. Helping others rise
above what has become socially excepted, my pursuit in art and com-
munity, desires to be seen, understood, and used, inspiring a response.
Selected enablers ensue.
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / M A N D Y W I L L A R D
SECTION/ 0 0 01 02TA B L E O F C O N T E N T S
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A rational plan for the Tenderloin
Local action in action
Periodic moments
Champion of the underdog
Natural land mines
Music in the grove
Land as 1’s and 0’s
Table of contentse/365 00
P H O T O G R A P H Y / N I C O L E R O S A R I O
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
You don’t have to move your neighborhood
to live in a better one.
— Majora Carter
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M FA T H E S I S P R O J E C T SECTION/ 0 1 01 02 03 04 05 06 07 08 09 10 11 12
Master thesis project
A graphic design thesis project presents an original point of view
supported by research. The final form varies and is determined by
the nature of the project and its target audience.
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P H O T O G R A P H Y / N I C O L E R O S A R I O
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
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M FA T H E S I S P R O J E C T SECTION/ 0 1 01 02 03 04 05 06 07 08 09 10 11 12
01MFA Thesis
Neighborhood Trust
Advisors
Michael Kilgore
Carolina de Bartolo
Christine George
Artifacts
Tenderloin Mark
How-To-Book of Murals
Painters Activist Kit
Web-site
Paraphernalia
Project Overview
A rational plan forthe Tenderloin.
Problem Noticing a number of skilled yet unemployed residents living
in areas facing economic decline, San Francisco’s Tenderloin has been
plagued by social and cultural conditioning do to its association with
social disobedience. The communities lack in positive promotion has
hindered its ability to attract visitors to the neighborhood, while pos-
sessing the potential in providing community and economic incentives.
Solution The Neighborhood Trust teaches revitalization techniques to
San Francisco’s Tenderloin community through the use of murals and
public participation. Transforming public space into beautiful works
of art, murals reinforce community pride, by promoting local identity,
and giving voice to thoughs who otherwise might go unnoticed. Often
associated with the arts, mural cities have the potential to attract tour-
ism, and provide added economic incentives that enable residents the
ability to cultivate their own self-sustaining communities.
Using Community Economic Development strategies to guide the proj-
ects research of local history, attitude, and project implementation, the
Neighborhood Trust has created a positive brand identity representing
the Tenderloin community. Used as a catalyst, murals promote the
attitude of the neighborhood while designed as a resource for future
revitalization projects aimed at empowering local residents with em-
ployable skills while providing a product line of tools needed to nurture
strong community development with alternative solutions.
Artifacts With a newly developed Tenderloin brand the project comes
equipped with brand guidelines contained within the projects process
book, a how-to-guide to murals, a painters activist kit and a web-site,
used as an information resource and location to keep track of ongoing
trends, allowing for future growth.
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P H O T O G R A P H Y / N I C O L E R O S A R I O
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
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M FA T H E S I S P R O J E C T SECTION/ 0 1 01 02 03 04 05 06 07 08 09 10 11 12
P H O T O G R A P H Y / N I C O L E R O S A R I O
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
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M FA T H E S I S P R O J E C T SECTION/ 0 1 01 02 03 04 05 06 07 08 09 10
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
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M FA T H E S I S P R O J E C T SECTION/ 0 1 01 02 03 04 05 06 07 08 09 10 11 12
P H O T O G R A P H Y / N I C O L E R O S A R I O
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
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M FA T H E S I S P R O J E C T SECTION/ 0 1 01 02 03 04 05 06 07 08 09 10 11 12
P H O T O G R A P H Y / N I C O L E R O S A R I O
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
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M FA T H E S I S P R O J E C T SECTION/ 0 1 01 02 03 04 05 06 07 08 09 10 11 12
P H O T O G R A P H Y / N I C O L E R O S A R I O
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
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M FA T H E S I S P R O J E C T SECTION/ 0 1 01 02 03 04 05 06 07 08 09 10 11 12
H E A RT O F S A N F R A N C I SCO
H E A RT O F SA N F R A N C I SCO
P H O T O G R A P H Y / N I C O L E R O S A R I O
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
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M FA T H E S I S P R O J E C T SECTION/ 0 1 01 02 03 04 05 06 07 08 09 10 11 12
P H O T O G R A P H Y / N I C O L E R O S A R I O
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
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M FA T H E S I S P R O J E C T SECTION/ 0 1 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18
P H O T O G R A P H Y / N I C O L E R O S A R I O
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
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M FA T H E S I S P R O J E C T SECTION/ 0 1 01 02 03 04 05 06 07 08 09 10 11 12
P H O T O G R A P H Y / N I C O L E R O S A R I O
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
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M FA T H E S I S P R O J E C T SECTION/ 0 1 01 02 03 04 05 06 07 08 09 10 11 12
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / B A S E B A L L H A L L O F FA M E
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SECTION/ 0 2 01 02 03 04 05 06 07 08 09 10N AT U R E O F I D E N T I T Y
Project
Spalding Sports Worldwide
Professor
Gaston Yagmourian
Artifacts
Spalding Mark
Brand Guidelines
Business System
Brand Extensions
Local action in action.
Problem The problem was to define a brand that was dead, dying, or
defunct and revitalize it without diverting from the brands origins.
Questions addressed were: How do you take a brand like Spalding
to the next level? How do you define them as dead, dying or defunct?
What aspects of the brand are building blocks for the new direction?
What does this look like? How does it function?
Solution Take Spalding’s founding principle of sharing the love of
sports, and build an edgier brand experience that focusses on con-
necting communities to a more active lifestyle. Defining the brands
future trajectory, Spalding becomes an aggregate connecting the pub-
lic to sports through organized groups, recreation and news.
Creating a brand that exist in both the digital and physical world,
Spalding offers new products in technology with an online forum and
smart phone application, were people can meet and organize events
while sourcing the companies list of products for sale. Utilizing the
companies reputation as the most trusted name in sports, Spalding
opens a satellite radio station that reports on sports news and other
related activities, while at the same time engaging the public through
guerrilla marketing tactics and a brick and mortar store.
Artifacts Include a brand manual, laid out brand structure and visual
guidelines, a business identity system, website, phone application, and
other brand extension collateral.
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / N I C O L E R O S A R I O
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N AT U R E O F I D E N T I T Y SECTION/ 0 2 01 02 03 04 05 06 07 08 09 10
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / N I C K I R O S A R I O
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N AT U R E O F I D E N T I T Y SECTION/ 0 2 01 02 03 04 05 06 07 08 09 10
SPALDING BIRDR e p re s e n t i n g t h e s p i r i t o f s p o r t , b i rd s a re s o c i a l a n i m a l s w h o
d e f y t h e l a w o f n a t u r e . A d o m i n a t i n g f o r c e i n p r o f e s s i o n a l
s p o r t s a n d a s A m e r i c a s o l d e s t s p o r t i n g g o o d s c o m p a n y,
S p a l d i n g g u a r a n t e e s t h e h i g h e s t q u a l i t y i n a u t h e n t i c s p o r t
p r o d u c t s w h i l e p r o m i s i n g t o e n r i c h a n a c t i v e c o m m u n i t y.
SPALDIN
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
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N AT U R E O F I D E N T I T Y SECTION/ 0 2 01 02 03 04 05 06 07 08 09 10
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
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N AT U R E O F I D E N T I T Y SECTION/ 0 2 01 02 03 04 05 06 07 08 09 10
P H O T O G R A P H Y / N I C O L E R O S A R I O
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
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N AT U R E O F I D E N T I T Y SECTION/ 0 2 01 02 03 04 05 06 07 08 09 10
Brand Extension (Guerilla Marketing)
Using the urban landscape as a means to connect with the consumer,
sidewalks have been conceptually transformed into interactive adver-
tisements, engaging foot traffic with a game of hopscotch. Leading
pedestrians down the board eventually landing on Spalding’s bird
icon, this brand extension is designed to conjure thoughts of games a
person might play on the playground while inspiring a sense of play.
P H O T O G R A P H Y / N I C O L E R O S A R I O
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
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N AT U R E O F I D E N T I T Y SECTION/ 0 2 01 02 03 04 05 06 07 08 09 10
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
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N AT U R E O F I D E N T I T Y SECTION/ 0 2 01 02 03 04 05 06 07 08 09 10
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
PRODUCTS COMMUNITY FINDER NEWS TECHNOLOGY
COMMUNITY FINDER C O M M U N I T Y S P O R T S L O C AT O R
A R E A• S A N F R A N C I S C O
AVA I L A B L E• S O C C E R• B A S K E T B A L L• B A S E B A L L• C Y C L I N G• F O O T B A L L• V O L L E Y B A L L
S A N F R A N C I S C O , C A
H O M E | P R O D U C T S | C O M M U N I T Y F I N D E R | N E W S | H E R I TA G E | FA Q S | S I T E M A P | P R I VA C Y | C O N TA C T S
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N AT U R E O F I D E N T I T Y SECTION/ 0 2 01 02 03 04 05 06 07 08 09 10
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
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SECTION/ 0 3 01 02 03 04 05 06 07E X P E R I M E N TA L T Y P O G R A P H Y
Project
12Mo / 365
Advisors
Jeremy Stout
Artifacts
12 posters
Calendar Packaging
Identity Packaging
Periodic moments.
Problem The problem was to create a calendar by choosing a single
event or holiday occurring within each month of the year through the
use of typography. Depicting twelve uniquely different stories; the
calendar contains original typography, photography and content.
Questions addressed were: What about each event makes it unique?
How might typography reflect these qualities in a compelling way?
How might twelve subjects integrate into one cohesive calendar?
Solution Based off element properties recurring in the Periodic
Table, 12Mo/365 uses its design principle to showcase annually
recognized events, through the use of typography as the hero,
expressing each cases unique story. A collection of twelve posters
utilizing a standardized format, the design takes into consideration
the calendars usability and its over all unity. Numerically ordered
with a number positioned above the months two letter abbreviation,
the calendar provides a detailed description of the featured event
and uses a circular timetable inspired from past variations of the
periodic table. Ordered in a clockwise rotation, it records each day
of the month, depicting the months before and after in a reduced
size. Unified through its identity and packaging, this calendar was
made as a unique one of a kind collectors item.
Artifacts The deliverables consisted of twelve typographic calendar
posters, a business identity system, and packaging.
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SECTION/ 0 3 01 02 03 04 05 06 07E X P E R I M E N TA L T Y P O G R A P H Y
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T U E S D A Y
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A U G U S T 2 0 1 2
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O C T O B E R 2 0 1 217
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P H O T O G R A P H Y / N I C O L E R O S A R I O
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E X P E R I M E N TA L T Y P O G R A P H Y SECTION/ 0 3 01 02 03 04 05 06 07
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
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E X P E R I M E N TA L T Y P O G R A P H Y SECTION/ 0 3 01 02 03 04 05 06 07
SF EARTHQUAKEThe California earthquake of April 18, 1906 ranks as one
of the most significant earthquakes of all time. Today, its
importance comes more from the wealth of scientific knowl-
edge derived from it than from its sheer size. Rupturing
the northernmost 296 miles of the San Andreas fault from
northwest of San Juan Bautista to the triple junction at Cape
Mendocino, the earthquake impressed geologists with its
large, horizontal displacements and great rupture length.
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M A R C H 2 0 1 2
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APRIL
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SECTION/ 0 3 01 02 03 04 05 06 07E X P E R I M E N TA L T Y P O G R A P H Y
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
MaMISSING CHILDREN DAYBetween 1979 and 1981 a series of high-profile missing-
children cases became national headlines. Bringing atten-
tion to the seriousness of child victimization and forever
changing the response by law-enforcement agencies to
reports of missing children, Missing Children Day marked
on the 25th of May, hopes to bring awareness to the public.
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E X P E R I M E N TA L T Y P O G R A P H Y SECTION/ 0 3 01 02 03 04 05 06 07
P H O T O G R A P H Y / N I C O L E R O S A R I O
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E X P E R I M E N TA L T Y P O G R A P H Y SECTION/ 0 1 01 02 03 04 05 06 07
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SECTION/ 0 4 01 02 03 04 05 06 07 08 09 10I N T E G R AT E D C O M M U N I C AT I O N
Project
Caballero
Professor
Hunter Wimmer
Artifacts
Catalog
Poster
Products
DVD & Packaging
Tickets
Schedule
Website
Map
Other Collateral
Champion of the underdog.
Problem Find a common thread that runs through Robert Rodriguez
films. Then develop it into a brand system for a mock film festival.
Questions addressed were: What is the common thread in Robert
Rodriguez films? How can that common thread be made visual while
integrated throughout the festival? What does this system reflect
and where does the festival take place?
Solution The common thread was identified as Caballero, a Spanish
word meaning knight. Often standing up for societies underrep-
resented in both his film narratives as well as in life, Robert
Rodriguez’s upbringing as a Hispanic American has influenced his
work, having witnessed the struggle many minorities have when
pursuing a life in the United States. Helping many Latino actors
and actresses find their place in Hollywood where they might have
otherwise been over looked, he often depicts a starving artist who’s
innocence has been lost only to be avenged by a lone soldier, or saint.
Choosing a rough look and feel for the festival, reflects the films
subject matter, while remaining true to the brand system created
around the theme Caballero. Often using border town settings in
his films, provided insight in the determination of Juaréz Mexico
as the film festivals location. Known for producing big movies on a
shoestring budget, hand crafted typography was developed for the
festivals logo along with other hand created details maintaining the
festivals overall look and feel.
Artifacts Included deliverables are: a festival catalog, poster with
tube casing, business system, tickets, schedule, a map, advertise-
ments, dvd’s with packaging and limited edition festival products.
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SECTION/ 0 4 01 02 03 04 05 06 07 08 09 10I N T E G R AT E D C O M M U N I C AT I O N
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SECTION/ 0 4 01 02 03 04 05 06 07 08 09 10I N T E G R AT E D C O M M U N I C AT I O N
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I N T E G R AT E D C O M M U N I C AT I O N SECTION/ 0 4 01 02 03 04 05 06 07 08 09 10 11
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
75
I N T E G R AT E D C O M M U N I C AT I O N SECTION/ 0 4 01 02 03 04 05 06 07 08 09 10
76
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
77
I N T E G R AT E D C O M M U N I C AT I O N SECTION/ 0 4 01 02 03 04 05 06 07 08 09 10
78
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
79
I N T E G R AT E D C O M M U N I C AT I O N SECTION/ 0 4 01 02 03 04 05 06 07 08 09 10
80
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
81
SECTION/ 0 4 01 02 03 04 05 06 07 08 09 10I N T E G R AT E D C O M M U N I C AT I O N
82
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / N I C O L E R O S A R I O
83
V I S U A L C O M M U N I C AT I O N SECTION/ 0 5 01 02 03 04 05 06 07 08 09 10
Project
Fractured
Professor
Hunter Wimmer
Artifacts
Research Material
6 x 9 inch book
Poster
Postcard
Natural land mines.
Problem The problem was to research Rocky Mountain Natural Gas
and its effect on the environment and publics safety. Developing
research from both primary and secondary sources, an event was to
be held accompanied with print materials facilitating higher learn-
ing outcomes, and culminated into a final 6 x 9 inch book.
Questions addressed were: What about natural gas is unsafe? How
might natural gas effect the environment and communities safety?
Why is it a problem? What might be the solution?
Solution Identifying consumption trends and natural gas production
methods as the primary issue, print and digital solution aimed at
informing public awareness were conceptualized. Through the devel-
opment of posters, T-shirts and stickers, news pamphlet and mailers
along with a social media applications, were designed to inform, and
inspire consumer change, resulting in a safer more sustainable future.
Artifacts Project materials include, posters, cards, event double-sided
postcards, and a project brief, were developed and used for research.
Resulting form learning outcomes, T-shirts, stickers, social media
application, business system, and a 6 x 9 inch book were created.
05e/365
P H O T O G R A P H Y / N I C O L E R O S A R I O
84
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
85
SECTION/ 0 5 01 02 03 04 05 06 07 08 09 10V I S U A L C O M M U N I C AT I O N
86
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
87
V I S U A L C O M M U N I C AT I O N SECTION/ 0 5 01 02 03 04 05 06 07 08 09 10
P H O T O G R A P H Y / N I C O L E R O S A R I O
88
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
89
V I S U A L C O M M U N I C AT I O N SECTION/ 0 5 01 02 03 04 05 06 07 08 09 10
P H O T O G R A P H Y / N I C O L E R O S A R I O
90
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
91
V I S U A L C O M M U N I C AT I O N SECTION/ 0 5 01 02 03 04 05 06 07 08 09 10
Weapon of Mass Deception Rocky Mounta in Natura l Gas And I t s
E f fec ts On Our Env i ronment & Pub l i c Sa fe ty
92
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
93
V I S U A L C O M M U N I C AT I O N SECTION/ 0 5 01 02 03 04 05 06 07 08 09 10
94
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
95
SECTION/ 0 5 01 02 03 04 05 06 07 08 09 10V I S U A L C O M M U N I C AT I O N
96
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
97
V I S U A L C O M M U N I C AT I O N SECTION/ 0 5 01 02 03 04 05 06 07 08 09 10
98
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
99
V I S U A L C O M M U N I C AT I O N SECTION/ 0 5 01 02 03 04 05 06 07 08 09 10
100
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
101
V I S U A L C O M M U N I C AT I O N SECTION/ 0 5 01 02 03 04 05 06 07 08 09 10
102
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A V I D K O R M A N
103
T Y P E C O M P O S I T I O N SECTION/ 0 6 01 02 03 04 05
Music in the grove.
Problem Create three mailers that work together as a group pro-
moting and capturing the spirit of the Stern Grove Music Festival
through the use of engaging hierarchy, layout and text.
Questions addressed were: What is the Stern Grove Music Festival?
What makes it unique? How do these mailers reflect the music fes-
tivals likeness? How can these trends be carried through visually
while remaining cohesive as a group?
Solution The Stern Grove Music Festival was identified as a free
music series which takes place every summer in San Francisco’s
Sunset District Park. Surrounded by redwood tree’s, the park is
centered around an amphitheater which provides an oasis within
the confines of the city. Attracting weekend warriors visiting from
out of town and local residents alike the festival provides day enter-
tainment where patrons can relax, picnic and enjoy the music.
The cards have been designed to be bright and airy representing the
feel of summer. Controlling the type with hierarchy and arranged
in a lock-up, creating an interesting layout against a paper bag tex-
ture, provides the audience with information that is easily acces-
sible while presenting the look and feel of a daytime event.
Artifacts Included deliverables are: Three 6”x 9” mailers
Project
Stern Grove Music Festival
Professor
Michael Sanato
Artifacts
Promotional Mailers
06e/365
104
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
105
SECTION/ 0 6 01 02 03 04 05T Y P E C O M P O S I T I O N
106
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
FEATURING
JAMES GAFFIGAN
CONDUCTOR
SAN FRANCISCO
SYMPHONY
>>>>>>>>>>>>>>>>>>>>>> GOLDEN GATE PARK, SAN FRANCISCO | T
ICKET INFO: W
WW.STERNGROVE.ORG
{}
JUNETWENTYNINTH
SUNDAY
2008
GroveStern
GroveStern
FEATURING
BAJOFONDO
& Si*Sé
>>>>>>>>>>>>>>>>>>>> GOLDEN GATE PARK, SAN FRANCISCO | TICKET IN
FO: WWW.STERNGROVE.ORG {}
JULYS E V E N T E N T H
SUNDAY
2008
107
SECTION/ 0 6 01 02 03 04 05 T Y P E C O M P O S I T I O N
GroveStern
FEATURING
BAJOFONDO
& Si*Sé
>>>>>>>>>>>>>>>>>>>> GOLDEN GATE PARK, SAN FRANCISCO | TICKET IN
FO: WWW.STERNGROVE.ORG {}
JULYS E V E N T E N T H
SUNDAY
2008
GroveStern
FEATURING
BOOKER T. JONES
& BETTYE LAVETTE
>>>>>>>>>>>>>>>>>>>>>> GOLDEN GATE PARK, SAN FRANCISCO | TICKET IN
FO: WWW.STERNGROVE.ORG
{}
JULYTWENTYNINTH
S U N D A Y
2008
108
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
109
T Y P E C O M P O S I T I O N SECTION/ 0 6 01 02 03 04 05
110
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
June 15 to August 17, 2008
19th Avenue and Sloat Boulevard
San Francisco, CA.
Free Concerts and Events
Sundays at 2pm
San Francisco SymphonyThe San Francisco Symphony gave i t s f i rs t concert in 1911
and has grown in acc la im under a success ion of music
d irectors : Henry Hadley, Al fred Hertz , Bas i l Cameron,
I ssay Dobrowen, Pierre Montaeux, Enrique Jordá, Josef
Krips , Se i j i Ozawa, Edo de Waart , Herbert Blomstedt , and,
s ince 1995, Michael Ti l son Thomas. SFS has won such
recording awards as France”s Grand Pr ix du Disque and
Br ia in’s Gramophone Award.
James Gaff iganJames Gaff igan jo ined the San Francisco Symphony in
2006 as assoc iate cordinator. His most recent appointment
was as the Cleve land Orchestra ’s Ass is tant Conductor, a
post he he ld for three seasons .
S p o n s o r e d b y K D F C 1 0 2 . 1 R a d i o
/ / / / / TIC
KE
T IN
FO
: WW
W.S
TE
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OV
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| PH
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E: 4
15
.25
2.6
25
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IL: IN
FO
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GroveS tern 71ST Season
Sigmund Stern Grove
Fest ival
2008
BajofondoBa jo fondo ( f o rme l y Ba jo fondo Tango C lub ) i s a co l l ec t i ve
o f seven A rgen t i ne and U ruguayan a r t i s t s who f u se d i ve r se
e l ec t ron i c gen re s ( t r ances , t r i p hop , house , dub , and d rum
n ’bas s ) w i t h t he d rama t i c sounds o f t ango.
Si*SéFo rmed i n 2000 by s i nge r Ca ro l C and p rog rammer and
D J C l i f f C r i s t o fa ro (U .F. Low) , S i*Sé i s a comb ina t ion o f
h ip - hop , La t i n r hy t hms , and down - t empo e lec t ron i ca .
S p o n s o r e d b y K D FA 9 4 . 1 R a d i o
June 15 to Augus t 17, 2008
19th Avenue and S loa t Bou levard
San F ranc i sco, CA.
F ree Concer t s and Even t s
Sundays a t 2pm
//
//
/
TICK
ET INFO
: WW
W.S
TERNG
ROV
E.ORG
| PHO
NE: 4
15
.25
2.6
25
2 | EM
AIL: IN
FO@
STERN
GRO
VE.O
RG
GroveS tern 71ST Season
Sigmund Stern Grove
Festival
200
8
111
SECTION/ 0 6 01 02 03 04 05 T Y P E C O M P O S I T I O N
B O O K E R T . J O N E SB o o k e r T . J o n e s i s a l e g e n d a r y f i g u r e i n t h e w o r l d o f R & B
a n d p o p u l a r m u s i c , a m a s s i n g a n i m p r e s s i v e s t r i n g o f h i t s
a s a s o l o a r t i s t a n d w i t h t h e M G ’ s . A t t h e a g e o f 1 4 , J o n e s
w a s p l a y i n g i n M e m p h i s c l u b s a n d , a t a g e 1 6 , h e b e g a n
w o r k i n g s e s s i o n s a t S t a x r e c o r d s . W i t h g u i t a r i s t S t e v e
C r o p p e r , b a s s i s t L e w i e S t e i n b u r g , a n d t h e l a t e A l J a c k s o n
J r . o n d r u m s , h e f o r m e d t h e M G ’ s .
B E T T Y E L A V E T T EB e t t y e L a V a t t e i s a v e t e r a n o f t h e s o u l m u s i c s c e n e , d i c o v -
e r e d a t a g e 1 6 b y M o t o r C i t y m u s i c f i g u r e J o h n n i e M a e
M a t t h e w s . F o r d e c a d e , L a V e t t e s t r u g g l e d t o b r e a k t h r o u g h ,
u n t i l t h e 2 0 0 0 r e l e a s e o f a s h e l v e d s h e l v e d L P r e c o r d e d i n
t h e 1 9 7 0 ’ s h e r a l d e d h e r a r r i v a l a s t h e G r e a t L a d y o f S o u l .
S p o n s o r e d b y K D F C 1 0 2 . 9 R a d i o
June 15 to August 17, 2008
19th Avenue and Sloat Boulevard
San Francisco, Ca.
Free Concerts and events
Sundays at 2pm
//
//
/ T
ICK
ET
INF
O: W
WW
.ST
ER
NG
RO
VE
.OR
G | P
HO
NE
: 41
5.2
52
.62
52
| EM
AIL
: INF
O@
ST
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NG
RO
VE
.OR
G
GroveS tern 71ST Season
Sigmund Stern Grove
Festival
200
8
P H O T O G R A P H Y / N I C O L E R O S A R I O
112
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O
113
SECTION/ 0 7 01 02 03 04 05 06D I G I TA L T O O L S
Land as 1’s and 0’s.
Problem Develop a website for the Renewable Energy Coordination
Office (RECO), that expedites the processing of increased numbers
of applications for renewable energy projects.
Questions addressed were: What is RECO and what do they do?
How might a website expedite the processing of renewable energy
applications? How does the site represent RECO and it’s affiliated
government agencies?
Solution Identified as a online organization which operates under
the authority of the Department of Interior (DOI) and partners with
the Bureau of Land Management (BLM) United States Fish and
Wildlife Servise (USFWS) and the National Environment Protection
Agency (NEPA), the website acts as an aggregate, providing links to
its affiliates while offering general information on U.S. renewable
energy and land use applications.
Using both HTML and CSS, the website was programed, and
designed to be both aesthetically pleasing and functional. Thru the
creation of icon links representing the different sources of renew-
able energy used in the United States, the sites usability has been
simplified in order to provide a more streamlined approach to
accessing department information.
Artifacts Included deliverables are: a fully functioning website.
Project
Kipp Design
RECO
Advisors
Jenny Ji
Artifacts
Websites
07e/365
114
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
RECO
About Us
Educat ion
Resources
Contacts
Links
GO
T R A N S M I S S I O N C O R R I D O R
WATCH VIDEO
REC RENEWABLE ENERGY COORDINATION OFFICE
B I O F U E L
S O LA R
W I N D
Renewable Energy Coordinat ion Off ice (RECO) is an onl ine organizat ion which
operates under the author i ty of the Department of Inter ior (DOI). The off ices help to
expedi te processing of the increased number of appl icat ions for renewable energy
projects on U.S. lands. Together the U.S. Department of the Inter ior and the BLM
are working with local communit ies, state regulators, industry, and other federal
agencies in bui ld ing a c lean energy future by providing si tes for environmental ly
sound development of renewable energy on publ ic lands. Renewable energy projects
on BLM managed lands include wind, solar, geothermal, and biomass projects and
the si t ing of t ransmission faci l i t ies needed to del iver th is power to the consumer.
Al l th is effort in order to provide clean new energy for America.
NEW ENERGY FOR AMERICA
SOLAR / PVBIO FUEL WIND GEOTHERMAL TRANSMISSION CORRIDOR
115
D I G I TA L T O O L S SECTION/ 0 7 01 02 03 04 05 06
REC RENEWABLE ENERGY COORDINATION OFFICE
BIO FUEL SOLAR / PV WIND GEOTHERMAL TRANSMISSION CORRIDOR
Renewable Energy Coordination Off ice (RECO) is an onl ine organization which
operates under the authority of the Department of Interior (DOI). The off ices help to
expedite processing of the increased number of applicat ions for renewable energy
projects on U.S. lands. RECO is partnered with the Bureau of Land Management (BLM),
United States Fish and Wildl i fe Service (USFWS), and the National Environment
Protection Agency (NEPA). Recently announced, Secretary Ken Salazar and Senator
Reid opened a new RECO off ice in Nevada, the f irst of four, with the others located
in Arizona, Cali fornia, and Wyoming. With Renewable Energy teams in Colorado,
Idaho, Montana, New Mexico, Oregon/Washington and Utah. Promoting renewable
energy, i t wi l l create 2 mil l ion jobs in the United States. Spearheading the Obama
administrat ions commitment to, “rapid development of renewable energy, especial ly
on America’s public lands,” stated by Secretary Ken Salazar.
ABOUT USRECO
About Us
Educat ion
Resources
Contacts
Links
GO
RECO CONNECTS
RECO
About Us
Educat ion
Resources
Contacts
Links
GO
RECO INFORMS
RECO connects you to the BLM who strives to realize healthier and more productive
public lands through better informed cit izens and well trained employees who are
wil l ing to participate and assist in managing the BLM administered public lands and
solving complex environmental problems found in this 261 mill ion-acre laboratory.
To achieve this goal of well trained employees and informed citizens, BLM offers two sites:
(1) For informed cit izens, Learning Landscapes -- This site presents learning
opportunit ies associated with the 261 mil l ion acres of public lands that BLM manages
for al l Americans. We have gathered information for students, teachers and adult
learners to use both in the classroom, in informal outdoor sett ings, or in ‘virtual ’
classrooms and included resources from many of our f ield off ices scattered mostly
throughout the Western United States. Click here for the Learning Landscapes
Environmental Education web site.
(2) For well trained employees, the National Training Center (NTC) in Phoenix,
Arizona. NTC offers over 200 courses annually making i t a primary source for BLM
training in natural resources and leadership. However, NTC’s service to the federal
community doesn’t end there, as many courses are avai lable to employees of other
agencies through tuit ion programs. NTC is also a leader in instruct ional television and
produces courses that are broadcast via satel l i te to over 130 BLM Satel l i te Network
sites nationally. Broadcasts are not encrypted and are avai lable to other agencies.
NTC, with i ts ful l-service television capabil i ty has become the communications hub
for BLM, providing an excellent means for agency leadership to keep f ield employees
informed of law and pol icy changes. Click here for the NTC web site.
EDUCATE
REC RENEWABLE ENERGY COORDINATION OFFICE
BIO FUEL SOLAR / PV WIND GEOTHERMAL TRANSMISSION CORRIDOR
116
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
RECO
About Us
Educat ion
Resources
Contacts
Links
GO
INFORMATION
The Renewable Energy Coordinat ion Off ices are located in Ar izona, Cal i fornia,
Nevada and Wyoming. With Renewable Energy teams in Colorado, Idaho, Montana,
New Mexico, Oregon/Washington and Utah. Use the United States map or navigate
using the buttons below and be connected to one of our regional off ices. Please
let us know what you think of our new si te and i f you have any further suggest ions.
Please come back soon!
CONTACTS
REGIONAL OFFICES
ST
AT
E O
FF
ICE
S &
TE
AM
S
COMMENTS
Arizona
Colorado
Wyoming
New Mexico
Oregon
Washington
Utah
California
Idaho
Nevada
Montana
Sarah Peterson
Deputy Director, External Affairs
Off ice of the Secretary
Department of the Inter ior
(202) 208.6617
George Su
Media Speacial ist , Nat ional Park Service
Design Volunteers in Parks Manager
415.561.4758
REC RENEWABLE ENERGY COORDINATION OFFICE
BIO FUEL SOLAR / PV WIND GEOTHERMAL TRANSMISSION CORRIDOR
RECO
About Us
Educat ion
Resources
Contacts
Links
GO
T R A N S M I S S I O N C O R R I D O R
WATCH VIDEO
B I O F U E L
S O LA R
W I N D
REC RENEWABLE ENERGY COORDINATION OFFICE
BIO FUEL SOLAR / PV WIND GEOTHERMAL TRANSMISSION CORRIDOR
RECO str ives to make your onl ine exper ience one that is effort less and fun.
Working with local communit ies, state regulators, industry, and other federal
agencies RECO has gathered resources from a wide rage of data bases. Al l so
that you can get where you need to go more effect ively, whi le helping bui ld a
c lean energy future for America.
Stay up to date with the exci t ing world of Uni ted States Renewable Energy and
access one of our spot l ighted videos or search through the video l ibrary archives
and witness this histor ic per iod in t ime. Watch Video Now!
RESOURCE
VIDEO ARCHIVE LIBRARY
NEWS (October)
Date Posted
10.22.2009
10.15.2009
10.03.2009
09.20.2009
09.12.2009
FU TU RE O F B I O FU E LS
T H E S O LA R E D G E
W I N D E N E RG Y O F T H E W E S T
TRA N S M I S S I O N C O RRI D O R
FU TU RE O F G E O TH E RM A L
Corn Based Ethanol (more)
New solar farm projects (more)
Wind farms in the west (more)
Transporting our energy needs (more)
The future of hot energy (more)
Video Discription
BLM Announces 2009 Reclamat ion and Sustainable Mineral Development Awards
Background on 2009 Reclamat ion and Sustainable Mineral Development Awards
BLM Congratulates UK’s Royal Botanic Gardens, Kew, for Seed Banking Flora
Inter ior Launches Work Plan for BLM Western Oregon Forests
BLM Releases Report on Utah Oi l and Gas Leases
Salazar Seeks Congressional Support for Strategy to Manage Iconic Wi ld Horses
117
SECTION/ 0 2 01 02 03 04 05 06D I G I TA L T O O L S
RECO
About Us
Educat ion
Resources
Contacts
Links
GO
INFORMATION
The Renewable Energy Coordinat ion Off ices are located in Ar izona, Cal i fornia,
Nevada and Wyoming. With Renewable Energy teams in Colorado, Idaho, Montana,
New Mexico, Oregon/Washington and Utah. Use the United States map or navigate
using the buttons below and be connected to one of our regional off ices. Please
let us know what you think of our new si te and i f you have any further suggest ions.
Please come back soon!
CONTACTS
REGIONAL OFFICES
ST
AT
E O
FF
ICE
S &
TE
AM
S
COMMENTS
Arizona
Colorado
Wyoming
New Mexico
Oregon
Washington
Utah
California
Idaho
Nevada
Montana
Sarah Peterson
Deputy Director, External Affairs
Off ice of the Secretary
Department of the Inter ior
(202) 208.6617
George Su
Media Speacial ist , Nat ional Park Service
Design Volunteers in Parks Manager
415.561.4758
REC RENEWABLE ENERGY COORDINATION OFFICE
BIO FUEL SOLAR / PV WIND GEOTHERMAL TRANSMISSION CORRIDOR
RECO
About Us
Educat ion
Resources
Contacts
Links
GO
WATCH VIDEO
B I O F U E LS
Renewable Energy Coordinat ion Off ice (RECO) str ive to make your onl ine exper ience,
a pleasant one. Working with local communit ies, state regulators, industry, and
other federal agencies in bui ld ing a c lean energy future, RECO provides l inks to
s i tes for environmental ly sound development of renewable energy on publ ic lands.
Please check out some of our aff i l iated partners, by c l inking on their l ink below.
Now l ike never before has gather ing informat ion been made so easy and we hope
that you come back again soon.
LINKS
Department Of Energy
Department of Inter ior
Bureau Of Land Management
United States Fish And Wildl i fe Services
Environmental Protect ion Agency
USA.gov
Documentat ion
Accessibi l i ty
Home
S O LA R
W I N D
G E O T H E R M A L
T R A N S M I S S I O N C O R R I D O R
REC RENEWABLE ENERGY COORDINATION OFFICE
BIO FUEL SOLAR / PV WIND GEOTHERMAL TRANSMISSION CORRIDOR
118
E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
RECO
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Contacts
Links
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WATCH VIDEO
B I O F U E L
BIO FUELBiomass, a renewable energy source , i s a b io log ica l mater ia l der ived f rom l i v ing ,
o r recent ly l i v ing organ isms, such as wood, waste , and a lcoho l fue ls . B iomass
is commonly p lan t mat te r g rown to genera te e lec t r i c i t y o r p roduce heat . For
example , fo res t res idues (such as dead t rees , b ranches and t ree s tumps) , yard
c l ipp ings and wood ch ips may be used as b iomass. B iomass may a lso inc lude
b iodegradab le wastes tha t can be burn t as fue l .
Cur ren t ly the BLM manages approx imate ly 69 mi l l ion acres o f fo res ts and
wood lands . About 16 mi l l ion acres need res tora t ion . The BLM is increas ing the
use o f smal l -d iameter mater ia l f rom fores t ry, fue ls and range land t rea tments .
The demand fo r b iomass is expected to increase as b ioenergy fac i l i t ies come
on- l ine to p roduce heat , fue l , o r e lec t r i c i t y.
When trying to reduce hazardous fuels and uti l ize biomass, the BLM lands are not
unique. They share many of the same barriers, and offer the same opportunit ies as
other federal and private lands. Most of the 16 mil l ion acres needing restoration are
in rural areas away from exist ing markets. Transportat ion costs to exist ing markets
are high, and establ ishing new markets for woody biomass is diff icult . The BLM is
working with partners in local communit ies to identi fy and promote opportunit ies.
For more information on Bio fuels checkout (www.blm.gov)
FACTS
Species Overall Biomass
Crops
Anartart ic Kr i l l
Humans
Plankton
Catt le
Sheep and Goats
Chickens
Ants
Marine Fish
2,000
500
100
N/A
156
31.5
14.4
900-9,000
800-2,000
REC RENEWABLE ENERGY COORDINATION OFFICE
BIO FUEL SOLAR / PV WIND GEOTHERMAL TRANSMISSION CORRIDOR
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B I O F U E L
BIO FUELBiomass, a renewable energy source , i s a b io log ica l mater ia l der ived f rom l i v ing ,
o r recent ly l i v ing organ isms, such as wood, waste , and a lcoho l fue ls . B iomass
is commonly p lan t mat te r g rown to genera te e lec t r i c i t y o r p roduce heat . For
example , fo res t res idues (such as dead t rees , b ranches and t ree s tumps) , yard
c l ipp ings and wood ch ips may be used as b iomass. B iomass may a lso inc lude
b iodegradab le wastes tha t can be burn t as fue l .
Cur ren t ly the BLM manages approx imate ly 69 mi l l ion acres o f fo res ts and
wood lands . About 16 mi l l ion acres need res tora t ion . The BLM is increas ing the
use o f smal l -d iameter mater ia l f rom fores t ry, fue ls and range land t rea tments .
The demand fo r b iomass is expected to increase as b ioenergy fac i l i t ies come
on- l ine to p roduce heat , fue l , o r e lec t r i c i t y.
When trying to reduce hazardous fuels and uti l ize biomass, the BLM lands are not
unique. They share many of the same barriers, and offer the same opportunit ies as
other federal and private lands. Most of the 16 mil l ion acres needing restoration are
in rural areas away from exist ing markets. Transportat ion costs to exist ing markets
are high, and establ ishing new markets for woody biomass is diff icult . The BLM is
working with partners in local communit ies to identi fy and promote opportunit ies.
For more information on Bio fuels checkout (www.blm.gov)
FACTS
Species Overall Biomass
Crops
Anartart ic Kr i l l
Humans
Plankton
Catt le
Sheep and Goats
Chickens
Ants
Marine Fish
2,000
500
100
N/A
156
31.5
14.4
900-9,000
800-2,000
REC RENEWABLE ENERGY COORDINATION OFFICE
BIO FUEL SOLAR / PV WIND GEOTHERMAL TRANSMISSION CORRIDOR
120
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S O LA R
SOLAR / PV
Solar energy, radiant l ight and heat from the Sun, has been harnessed by humans
since ancient t imes using a range of ever-evolving technologies. Solar radiation,
accounts for most of the available renewable energy on Earth and in the Southwest
these solar radiation levels are some of the best in the world, and the BLM manages 30
mill ion acres of public lands with solar potential. The BLM has received more than 220
applications for uti l i ty-scale solar energy projects in California, Nevada, Arizona, New
Mexico, Colorado and Utah that describe more than 2.3 mill ion acres of land.
Solar powered electr ical generat ion rel ies on heat engines and photovol taics. Solar
energy’s uses are l imi ted only by human ingenui ty. A part ia l l is t of solar appl icat ions
includes space heat ing and cool ing through solar archi tecture, potable water v ia
dist i l lat ion and dis infect ion, dayl ight ing, solar hot water, solar cooking, and high
temperature process heat for industr ia l purposes.
Solar technologies are broadly character ized as ei ther passive solar or act ive solar
depending on the way they capture, convert and distr ibute solar energy. Act ive solar
techniques include the use of photovol taic panels and solar thermal col lectors to
harness the energy. Passive solar techniques include or ient ing a bui ld ing to the
Sun, select ing mater ia ls wi th favorable thermal mass or l ight dispersing propert ies,
and designing spaces that natural ly c i rculate air. For more information on solar
energy checkout (www.soareis.anl.gov)
FACTS
Subject Statistics
Land Managed
Appl icat ions
Western Projects
Land Occupied
Ener. Consumed
29.5 mi l l ion acres
225
1.8 mi l l ion acres
1,250 acres
3850.00 ZJ
REC RENEWABLE ENERGY COORDINATION OFFICE
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W I N D
WIND
Wind power uses the naturally occurring energy of the wind for practical purposes like
generating electricity, charging batteries, or pumping water. Wind turbines capture the
kinetic energy in the wind, converting it into electrical energy. Util i ty-scale turbines are
mounted on tall towers, usually 200 feet or more above the earth’s surface where the
wind is faster and less turbulent. In uti l i ty-scale power applications, anywhere from one
or two to several hundred turbines are connected to the uti l i ty grid, providing electricity
when the wind blows. The BLM manages 20.6 mill ion acres of public lands with wind
potential. The BLM’s Lands and Realty Management program has authorized a total
of 192 rights-of-ways for the use of public lands for wind energy production sites. Of
these, 25 authorizations have a total installed capacity of 327 megawatts.
For over a decade, wind energy has been the fastest growing energy technology
worldwide, achieving an annual growth rate of over 30 percent. In the United States,
the current total instal led capaci ty is approximately 19,500 MW of wind projects.
Approximately 330 MW of th is instal led capaci ty is located on Federal lands in the
western U.S. managed by BLM. Wind energy project development in the Great Plains
and the Midwest was part icular ly strong, tapping into the large wind resource there.
Factors contr ibut ing to th is boom include state legis lat ive requirements for greater
use of wind power, the fal l ing cost of wind energy, and the benef i ts of wind energy
in compet i t ive ut i l i ty markets. Wind energy accounts for 6 percent of renewable
electr ic i ty generat ion and 0.1 percent of total e lectr ic i ty supply. However, advances
by research labs, universi t ies, ut i l i t ies, and wind energy developers have cut wind
energy’s costs by more than 80 percent dur ing the last twenty years. The industry is
poised for cont inued growth. In the U.S., abundant energy potent ia l can be found in
the Northeast, the Great Plains, and the West. For more information on wind energy
checkout (www.windeis.anl.gov)
FACTS
Subject Statistics
Energy Capaci ty
Managed Land
Wind Capaci ty
Supply
21,000 MW
20.6 mi l l ion acres
19.500 MW
4.9 Mi l l ion Households
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G E O T H E R M A L
Geothermal power is power extracted from heat stored in the earth. This geothermal
energy or ig inates f rom the or ig inal format ion of the planet, f rom radioact ive decay
of minerals, and from solar energy absorbed at the surface. I t has been used for
bathing since paleol i th ic t imes and for space heat ing s ince ancient roman t imes,
but is now better known for generat ing electr ic i ty. Worldwide, geothermal plants
have the capaci ty to generate about 10 GW of electr ic i ty as of 2007, and in pract ice
supply 0.3% of global electr ic i ty demand. An addi t ional 28 GW of direct geothermal
heat ing capaci ty is instal led for distr ict heat ing, space heat ing, spas, industr ia l
processes, desal inat ion and agr icul tural appl icat ions.
Geothermal power is cost effect ive, rel iable, sustainable, and environmental ly fr iendly,
but has historical ly been l imited to areas near tectonic plate boundaries. Recent
technological advances have dramatical ly expanded the range and size of viable
resources, especial ly for applicat ions such as home heating, opening a potential for
widespread exploitat ion. Geothermal wells release greenhouse gases trapped deep
within the earth, but these emissions are much lower per energy unit than those of
conventional fossi l fuels. As a result, geothermal power has the potential to help
mit igate global warming i f widely deployed in place of fossi l fuels.
The BLM has the delegated author i ty for leasing 249 mi l l ion acres of publ ic lands
( including just over 100 mi l l ion acres of Nat ional Forest lands) wi th geothermal
potent ia l . The BLM present ly manages 530 geothermal leases, wi th 58 leases in
producing status generat ing about 1,275 megawatts of instal led geothermal energy
on publ ic lands. This amounts to about 50 percent of U.S. geothermal energy
capaci ty and suppl ies the electr ical needs of about 1.2 mi l l ion homes. For more
information on geothermal energy checkout (www.blm.gov)
GEOTHERMAL
FACTS
Subject Statistics
World Capaci ty
Managed Land
Leases
Supply
Energy
10 GW
249 mi l l ion acres
530
1.2 Mi l l ion Households
1,275 MW
REC RENEWABLE ENERGY COORDINATION OFFICE
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RECO
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GO
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W I N D
WIND
Wind power uses the naturally occurring energy of the wind for practical purposes like
generating electricity, charging batteries, or pumping water. Wind turbines capture the
kinetic energy in the wind, converting it into electrical energy. Util i ty-scale turbines are
mounted on tall towers, usually 200 feet or more above the earth’s surface where the
wind is faster and less turbulent. In uti l i ty-scale power applications, anywhere from one
or two to several hundred turbines are connected to the uti l i ty grid, providing electricity
when the wind blows. The BLM manages 20.6 mill ion acres of public lands with wind
potential. The BLM’s Lands and Realty Management program has authorized a total
of 192 rights-of-ways for the use of public lands for wind energy production sites. Of
these, 25 authorizations have a total installed capacity of 327 megawatts.
For over a decade, wind energy has been the fastest growing energy technology
worldwide, achieving an annual growth rate of over 30 percent. In the Uni ted States,
the current total instal led capaci ty is approximately 19,500 MW of wind projects.
Approximately 330 MW of th is instal led capaci ty is located on Federal lands in the
western U.S. managed by BLM. Wind energy project development in the Great Plains
and the Midwest was part icular ly strong, tapping into the large wind resource there.
Factors contr ibut ing to th is boom include state legis lat ive requirements for greater
use of wind power, the fal l ing cost of wind energy, and the benef i ts of wind energy
in compet i t ive ut i l i ty markets. Wind energy accounts for 6 percent of renewable
electr ic i ty generat ion and 0.1 percent of total e lectr ic i ty supply. However, advances
by research labs, universi t ies, ut i l i t ies, and wind energy developers have cut wind
energy’s costs by more than 80 percent dur ing the last twenty years. The industry is
poised for cont inued growth. In the U.S., abundant energy potent ia l can be found in
the Northeast, the Great Plains, and the West. For more information on wind energy
checkout (www.windeis.anl.gov)
FACTS
Subject Statistics
Energy Capaci ty
Managed Land
Wind Capaci ty
Supply
21,000 MW
20.6 mi l l ion acres
19.500 MW
4.9 Mi l l ion Households
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E M P O W E R / 3 6 5 D A N A K I P P / M FA P O R T F O L I O P H O T O G R A P H Y / D A N A K I P P
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T R A N S M I S S I O N C O R R I D O R
WATCH VIDEOTRANSMISSION CORRIDOR
A Nat ional Interest Electr ic Transmission Corr idor (NIETC) corr idor is a geographic
region designated by the United States Department of Energy where electr ic i ty
t ransmission l imitat ions are adversely affect ing American ci t izens. In 2005 the
United States Congress granted the Department of Energy the author i ty to create
these regions in an effort to speed the creat ion of more transmission capaci ty.
Should state and local governments fai l to issue permits al lowing construct ion of new
transmission, the Energy Pol icy Act of 2005 gives the Federal Energy Regulatory
Commission (FERC) the author i ty to issue a federal permit empowering a project
director to exercise the r ight of eminent domain to purchase property needed to
complete the project
The Programmatic Environmental Impact Statement identi f ies energy corridors to
faci l i tate future sit ing of renewable energy development projects, as well as oi l , gas,
and hydrogen pipel ines. Energy transport corr idors are agency-preferred locations
where pipel ines and transmission l ines may be sited and bui l t in the future to meet the
region’s increasing energy demands while mit igating potential harmful effects to the
environment. Once designated as a Corridor, individual pipel ines and transmission
l ines within the Corridor are sited by processing of a r ight-of-way application. For
more information on the transmission corridor checkout (www.corridoreis.anl.gov)
FACTS
Technology Energy Consumption
Solar
Wind
Biomass
Geothermal
3850.00 ZJ
2.25 ZJ
3.00 ZJ
3.00 ZJ
123
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A C K N O W L E D G E M E N T S
Acknowledgements
Empower 365 has been 4 years in the making, and is the culmination of
the many new skills and professional practices learned along the way. This
portfolio would have not been possible without the help from Mary Scott,
Phil Hamlet, Hunter Wimmer, Michael Kilgore, Jeremy Stout, Christine
George, Carolina De Bartolo, Gaston Yagmourian, Mark Badger, and Jenny
Ji, who all pushed me to become better. Thanks also goes to Scott Chris
who’s advisement during this project has been greatly appreciated. For
the unwavering support special thanks goes out to my loving parents
Betsy and Deryl Kipp and fiance Fanny Pan who have helped me grow as
a person and encouraged me every step of the way. Lastly my love and
appreciation goes to my late grandmother Melanie Steane who’s support
made going back to school possible. To all of you I say, thank you!
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B I O G R A P H Y
Dana Kipp
My name is Dana Kipp, and I’m a San Francisco based graphic
designer. A Pratt Institute graduate and having recently completed my
Masters at the Academy of Art University, I’ve developed a passion
for hand crafted things. Taking pride in the process I put my heart
and soul into each creation. A world traveler I’ve followed my interest
in people and places, finding myself exposed to new traditions while
learning to see the world through a different perspective. Gaining
many valuable experiences along the way, it has helps provide a pro-
fessional competitiveness knowing what to consider when designing
for a new client. I focus in print media where I have developed a pas-
sion for hand-lettering, custom typography and brand identity.
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