Developing and Assessing a Spatial-Skills-Focused Marimba ...marimba classes that focused on...

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Department of Occupational Therapy, University of Pittsburgh Jennie Dorris, MM; Juleen Rodakowski, OTD, MS, OTR/L, FAOTA Developing and Assessing a Spatial-Skills-Focused Marimba Program for Older Adults with Cognitive Challenges BACKGROUND AND SIGNIFICANCE AIMS METHODS RESULTS DISCUSSION REFERENCES ACKNOWLEDGEMENTS Older adults with declining cognition have declining spatial skills, leading to difficulty staying oriented in their environments. 1, 2, 3 • Music has shown the potential to enhance spatial skills. 4 • Reading written music and staying oriented on the instrument is associated with a change in spatial skills. 5 A six-week marimba program was developed and assessed* with two musical goals to target spatial skills: • Reading written music without note names. • Orientation to strike the correct bar on the instrument. Music excerpts became longer and changed direction faster over the six weeks. *Two research assistants observed and recorded when participants chose to read music without note names and counted accurate pitches for orientation success rates. Participants’ Success Rate Staying Oriented on Instrument Participants experienced modest clinically meaningful changes in their spatial orientation after six weeks of marimba classes that focused on developing orientation spatial skills. Older adults with changing cognition responded successfully to the spatial music activities of reading music and staying oriented on the instrument during increasingly challenging music over six weeks. 1. Lister JP, Barnes CA. Neurobiological changes in the hippocampus during normative aging. Arch Neurol. 2009;66(7):829-33. Epub 2009/07/15. doi: 10.1001/archneurol.2009.125. PubMed PMID: 19597084. 2. Merhav M, Wolbers, T. Aging and spatial cues influence the updating of navigational memories. [published online August 7, 2019]. Scientific Reports. doi:10.1038/s41598-019-47971-2 3. Mu Y, Gage FH. Adult hippocampal neurogenesis and its role in Alzheimer's disease. Mol Neurodegener. 2011;6:85. Epub 2011/12/24. doi: 10.1186/1750-1326-6-85. PubMed PMID: 22192775; PubMed Central PMCID: PMCPMC3261815. 4. Hetland L. (2000). Learning to make music enhances spatial reasoning. Journal of Aesthetic Education. 34(3/4): 179–238. 5. Stewart L, Walsh V, Frith U. Reading music modifies spatial mapping in pianists. Percept Psychophys. 2004; 66(2): 183-95. Epub 2004/05/08. PubMed PMID: 15129741. Thank you to our participants. Funding provided by the Academy of Country Music's Lifting Lives grant and the National Institute on Aging, R01AG056351. We thank: Dr. Jim Becker, Dr. Elizabeth Skidmore, Bonnie Hoolahan, Robin Sullivan and Holly Giovengo from the BriTE program for partnering with us for this research study. Research assistants Diana McLaughlin and Dustin Grimes for gathering data during the study. Kevin Lin for volunteering with the BriTE program during the study. From CMU, Dan Martin and Denis Colwell for supporting the Marimba Cognition Lab. Dr. Sally Newman for her expertise and consultation. The marimba used by participants. Selecting to Read Music Notation Without Note Names Success Rate Staying Oriented on Instrument STUDY TYPE: Single-group repeated measures study. PARTICIPANTS: Older adults with decline in cognition. N=15, ages 65- 89. Average Modified Mini Mental State Examination score of 81.3 (SD = 11.0). RESEARCH QUESTION Orientation Test from the Test of Visual Perceptual Skills (TVPS) Can a spatially focused music program support the orientation of older adults with declining cognition? 83% 77% 83% 92% 87% 91% Wk 1 n=12 Wk 2 n=13 Wk 3 n=11 Wk 4 n=14 Wk 5 n=12 Wk 6 n=9 Mean percentage of notes accurately played Participants Who Selected to Read Music Notation Without Note Names Orientation Test from the TVPS # of participants week one reading music without note names Number of participants # of participants week six reading music without notes names 11 1 Pre-test mean, SD (n=14) Post-test mean, SD (n=14) Cohen’s d effect size estimate Marimba participants 13.4 (1.9) 14.1 (2.7) 0.3 CONCLUSION It’s critical to determine programs that can support older adults facing deficits in their orientation. Specific musical training with marimbas appears to be associated with changes in spatial skills. Limitations: The study was limited by a small participant pool and there was a ceiling effect from the Orientation Test from the TVPS. FUTURE DIRECTIONS Different types of music training may support spatial skills, and it is important to examine the effects of spatial-skills focused music training on novices compared to those with prior musical experience. OUTCOMES INTERVENTION TASK OBJECTIVE Learning to read music without note names Ability to spatially read map of pitches Learning orientation on instrument during increasingly challenging music Staying oriented while changing direction and location quickly and accurately Participation in six weeks of spatial- skills music classes Change in scores on a spatial orientation assessment

Transcript of Developing and Assessing a Spatial-Skills-Focused Marimba ...marimba classes that focused on...

  • Department of Occupational Therapy, University of Pittsburgh

    Jennie Dorris, MM; Juleen Rodakowski, OTD, MS, OTR/L, FAOTA

    Developing and Assessing a Spatial-Skills-Focused Marimba Program for Older Adults with Cognitive Challenges

    BACKGROUND AND SIGNIFICANCE

    AIMS

    METHODS RESULTS DISCUSSION

    REFERENCES

    ACKNOWLEDGEMENTS

    • Older adults with declining cognition have declining spatial skills, leading to difficulty staying oriented in their environments. 1, 2, 3

    • Music has shown the potential to enhance spatial skills.4

    • Reading written music and staying oriented on the instrument is associated with a change in spatial skills.5

    A six-week marimba program was developed and assessed* with two musical goals to target spatial skills:

    • Reading written music without note names.

    • Orientation to strike the correct bar on the instrument. Music excerpts became longer and changed direction faster over the six weeks.

    *Two research assistants observed and recorded when participants chose to read music without note names and counted accurate pitches for orientation success rates.

    Participants’ Success Rate Staying Oriented on

    Instrument

    Participants experienced modest clinically meaningful changes in their spatial orientation after six weeks of marimba classes that focused on developing orientation spatial skills.

    Older adults with changing cognition responded successfully to the spatial music activities of reading music and staying oriented on the instrument during increasingly challenging music over six weeks.

    1. Lister JP, Barnes CA. Neurobiological changes in the hippocampus during normative aging. Arch Neurol. 2009;66(7):829-33. Epub 2009/07/15. doi: 10.1001/archneurol.2009.125. PubMed PMID: 19597084.2. Merhav M, Wolbers, T. Aging and spatial cues influence the updating of navigational memories. [published online August 7, 2019]. Scientific Reports. doi:10.1038/s41598-019-47971-23. Mu Y, Gage FH. Adult hippocampal neurogenesis and its role in Alzheimer's disease. Mol Neurodegener. 2011;6:85. Epub2011/12/24. doi: 10.1186/1750-1326-6-85. PubMed PMID: 22192775; PubMed Central PMCID: PMCPMC3261815. 4. Hetland L. (2000). Learning to make music enhances spatial reasoning. Journal of Aesthetic Education. 34(3/4): 179–238.5. Stewart L, Walsh V, Frith U. Reading music modifies spatial mapping in pianists. Percept Psychophys. 2004; 66(2): 183-95. Epub 2004/05/08. PubMed PMID: 15129741.

    Thank you to our participants. Funding provided by the Academy of Country Music's Lifting Lives grant and the National Institute on Aging, R01AG056351. We thank: Dr. Jim Becker, Dr. Elizabeth Skidmore, Bonnie Hoolahan, Robin Sullivan and Holly Giovengo from the BriTE program for partnering with us for this research study. Research assistants Diana McLaughlin and Dustin Grimes for gathering data during the study. Kevin Lin for volunteering with the BriTEprogram during the study. From CMU, Dan Martin and Denis Colwell for supporting the Marimba Cognition Lab. Dr. Sally Newman for her expertise and consultation.

    The marimba used by participants.

    Selecting to Read Music

    Notation Without

    Note Names

    Success Rate Staying Oriented on Instrument

    STUDY TYPE: Single-group repeated measures study.

    PARTICIPANTS: Older adults with decline in cognition. N=15, ages 65-89. Average Modified Mini Mental State Examination score of 81.3 (SD = 11.0).

    RESEARCH QUESTION

    Orientation Test from the Test of

    Visual Perceptual

    Skills (TVPS)

    Can a spatially focused music program support the orientation of older adults

    with declining cognition? 83%

    77%83%

    92% 87%91%

    Wk 1n=12

    Wk 2n=13

    Wk 3n=11

    Wk 4n=14

    Wk 5n=12

    Wk 6n=9

    Mea

    n pe

    rcen

    tage

    of n

    otes

    acc

    urat

    ely

    play

    ed

    Participants Who Selected to Read Music Notation Without

    Note Names

    Orientation Test from the TVPS

    # of participants week one reading music without note names

    Num

    ber o

    f par

    ticip

    ants

    # of participants week six reading music without notes names

    11

    1

    Pre-test mean, SD (n=14)

    Post-test mean, SD (n=14)

    Cohen’s d effect size estimate

    Marimba participants

    13.4 (1.9) 14.1 (2.7) 0.3

    CONCLUSION

    It’s critical to determine programs that can support older adults facing deficits in their orientation. Specific musical training with marimbas appears to be associated with changes in spatial skills.

    Limitations: The study was limited by a small participant pool and there was a ceiling effect from the Orientation Test from the TVPS.

    FUTURE DIRECTIONSDifferent types of music training may support spatial skills, and it is important to examine the effects of spatial-skills focused music training on novices compared to those with prior musical experience.

    OUTCOMES

    INTERVENTION

    TASK OBJECTIVE

    Learning to read music without note names

    Ability to spatially read map of pitches

    Learning orientation on instrument during increasingly challenging music

    Staying oriented while changing direction and location quickly and accurately

    Participation in six weeks of spatial-skills music classes

    Change in scores on a spatial orientation assessment