Design of Silk museum with special refer to Cultural...
2
The first step in restoring the human personality and identity of every people and nationalities is to establish a deep contact with their past, to identify social and cultural resources, and to try to maintain them. In recent years, in majority of cities, Museums are one of the cultural complexes that are known as identity elements, and sometimes as a symbol of that city. The existence of a museum with a special architecture on the Silk Road in Iran will ensure expressing the identity and culture of this land and its associations with other lands throughout history. The existence of a museum with a special architecture on the Silk Road in Iran will ensure expressing the identity and culture of this land and its associations with other lands throughout history. The preservation of the historical heritage and identity for the next generation will be part of the mission of the Silk Road Historical Museum, and this legacy which is based on material and immaterial evidences belonging to different times with a special architecture will stabilize the value of Iran along this Road. Design of Silk museum with special refer to Cultural acculturate by architecture description Museums, as presenters and symbols of the history of human social life’s various aspects, introduce concepts and courses from the depths of centuries and eras to the eyes and ears of its audiences and enhance the ability and understanding of their audience in various fields of science, culture, and history. (Nafisi, Museum upkeep, 2001) In addition to the goods, one of the important elements that was transmitted from this road was culture; This research sought to find architectural patterns that helped in transmission of culture. Designing a complex that is conducting studies on this road, as well as introducing it to compatriots and the world, is another goal of this project; In today's world and in recent decades, attention to the cultural and historical identity of countries has been taken into consideration by governments, so that large-scale planning at the macro level will be very effective.Roads and ways between the cities and between countries are one of the most important aspects of the identity of territories, because part of the thoughts, culture and identity of each land affected by the cultures transferred through the roads. One of the most important and influential ways of these roads is the Silk Road, which, regarding to its age and longevity, had a great importance in the formation of the lands’ culture in its path. Hence, knowing about the Silk Road can also lead to further recognition of other social, economic and cultural dimensions. Finding Site Location At first, due to the importance of caravanserais in Silk Road direction, three important caravanserais in Iran that were located on this historic road, were surveyed. Among these three sites (Saad al-Saltaneh caravanserai in Qazvin, Hajib and Sangi Caravanserai in Robat Karim), Sangi Caravanserai’s site was selected through the AHP method. Appropriate access to Tehran (as the capital with the highest rates of foreign tourists) Silk Road Museum and Research Center Attracting native and foreign visitors A location with the identity associated with the Silk Road Proximity to elements associated with the Silk Road The site is adjacent to the Caravanserai near the Rabat Karim Road. Establishing a suitable relationship between visitors and the site, as well as the relationship between the site and museum and institute complex Architectural structure along the lines of similarities To design the architectural structure of the project, the elements of the historical architecture of the Silk Road countries were studied, and common items were used in design. 1. Entry assortment 2.Connecting porticos An architectural set that may coincide with Ming Tong and Bunion. Piravazni. 1386.13 Design concepts Hashti, Fin Garden, Iran. . http://banker.ir/news 5. Iranian Chahar Bagh (Persian quadrilateral Garden) 3. Introspective architecture The portico that connects the monument to the complex. Due to its position, the portico was especially paid attention to. This portico is a combination of arches and architectural decorations of Silk Road’s different countries. Most of the eastern countries of the Silk Road had Entry assortment before the main building. 4. Pond and water channel shalimar Garden and DeLahoor Castel, Pakistan, . http://fa.wikipedia.org pond and water channel. Water as a source of life had a tremendous importance in the world's views, cultures and myths, and beyond the functional role , its had been taken into account as a symbol of purity, birth and beauty. In ancient Iran, the water was considered as the Messenger of brightness and cleanliness and it had a great value (Leitkouhi, Study of water status in Iranian-Islamic architecture. 2013, p. 151). In this regard, a stream, which originates from the spring inside the caravanserai, moves through the garden and eventually reaches the pond in front of the museum building and ends through the underground channel to a pond inside the museum. In fact, this illuminating element is running through the whole complex and extends the main building to the historic building. Homayoun Tomb, India, Chahar Bagh . http://fa.wikipedia.org Persian Garden was not limited to the Iran’s geographical boundaries and has entered the domain of Iranian and Persian civilization. the best examples of Iranian garden which are located outside Iran are Tomb of Homayoun in Delhi and a copy of it in Taj Mahal in Agra,India. Architectural facade displays cultural elements and architectural differences of countries 1. Museum exterior Elevation The facade of the museum. The facade should represent the events inside it. Thus, images of the physical and non-physical elements, from the perspective of visitors (according to questionnaires), that are a symbol of the countries of the Silk Road, was designed on the facades. The facades material is made of copper, as the color of the metal changes over time, and changes to brown, black, and gradually green, indicating the passage of time. Long strips in facades. Three long strips refer to the three continents conquered by the Silk Road, designed to integrate the collection around the outside of the set is designed. 2. Maquette inside the enclosure Along the way to the museum building, there are platforms that featured models of historical buildings of each of the Silk Road’s countries are out on them. The use of Indicator elements of historical architecture of Iran The Gate of Nations . http://rasekhoon.net Gate of All Nations. This gate has been designed according to the proportions of the Gate of nations of Persepolis (located in the Persepolis complex during the Achaemenid period in Iran) and has been used to bring this monument to the mind of visitors. p.01 countries Arches and decorations No. Iran-Afghanistan-India Simple curve 1 Ancient Rome-Greece-China- Turkey Roman arch 2 India-Pakistan Scalloped arch 3 Holy Number in most Silk Road’s countries Seven arches 4 Iranian Architecture Arrangement of arches in floors 5 India-China-Greece Marble 6 India-China decorations 7 Design by : s.mehrnegar.shahrouzi The overall structure of project is based on introspective architecture. This architecture is common in most Eastern countries in the Silk Route Delhi Grand Mosque. India Hadrian's gate. Turkey
Transcript of Design of Silk museum with special refer to Cultural...
The first step in restoring the human personality and identity of every people and nationalities is to establish a deep contact with their past, to identify social and cultural resources, and to try to maintain them. In recent years, in majority of cities, Museums are one of the cultural complexes that are known as identity elements, and sometimes as a symbol of that city. The existence of a museum with a special architecture on the Silk Road in Iran will ensure expressing the identity and culture of this land and its associations with other lands throughout history. The existence of a museum with a special architecture on the Silk Road in Iran will ensure expressing the identity and culture of this land and its associations with other lands throughout history. The preservation of the historical heritage and identity for the next generation will be part of the mission of the Silk Road Historical Museum, and this legacy which is based on material and immaterial evidences belonging to different times with a special architecture will stabilize the value of Iran along this Road.
Design of Silk museum with special refer to Cultural acculturate by architecture
description
Museums, as presenters and symbols of the history of human social life’s various aspects, introduce concepts and courses from the depths of centuries and eras to the eyes and ears of its audiences and enhance the ability and understanding of their audience in various fields of science, culture, and history. (Nafisi, Museum upkeep, 2001)
In addition to the goods, one of the important elements that was transmitted from this road was culture; This research sought to find architectural patterns that helped in transmission of culture. Designing a complex that is conducting studies on this road, as well as introducing it to compatriots and the world, is another goal of this project;
In today's world and in recent decades, attention to the cultural and historical identity of countries has been taken into consideration by governments, so that large-scale planning at the macro level will be very effective.Roads and ways between the cities and between countries are one of the most important aspects of the identity of territories, because part of the thoughts, culture and identity of each land affected by the cultures transferred through the roads. One of the most important and influential ways of these roads is the Silk Road, which, regarding to its age and longevity, had a great importance in the formation of the lands’ culture in its path. Hence, knowing about the Silk Road can also lead to further recognition of other social, economic and cultural dimensions.
Finding Site Location At first, due to the importance of caravanserais in Silk Road direction, three important caravanserais in Iran that were located on this historic road, were surveyed. Among these three sites (Saad al-Saltaneh caravanserai in Qazvin, Hajib and Sangi Caravanserai in Robat Karim), Sangi Caravanserai’s site was selected through the AHP method.
Appropriate access to Tehran (as the capital with the highest
rates of foreign tourists)
Silk Road Museum and Research Center
Attracting native and foreign visitors
A location with the identity associated with the Silk Road
Proximity to elements associated with the Silk
Road
The site is adjacent to the Caravanserai near the Rabat Karim Road.
Establishing a suitable relationship between visitors and the site, as well as the relationship between the
site and museum and institute complex
Architectural structure along the lines of similarities To design the architectural structure of the project, the elements of the historical architecture of the Silk Road countries were studied, and common items were used in design. 1. Entry assortment 2.Connecting porticos
An architectural set that may coincide with Ming Tong and Bunion. Piravazni. 1386.13
Design concepts
Hashti, Fin Garden, Iran. .http://banker.ir/news
5. Iranian Chahar Bagh (Persian quadrilateral Garden)
3. Introspective architecture
The portico that connects the monument to the complex. Due to its position, the portico was especially paid attention to. This portico is a combination of arches and architectural decorations of Silk Road’s different countries.
Most of the eastern countries of the Silk Road had Entry assortment before the main building.
4. Pond and water channel
shalimar Garden and DeLahoor Castel, Pakistan, .http://fa.wikipedia.org
pond and water channel. Water as a source of life had a tremendous importance in the world's views, cultures and myths, and beyond the functional role , its had been taken into account as a symbol of purity, birth and beauty. In ancient Iran, the water was considered as the Messenger of brightness and cleanliness and it had a great value (Leitkouhi, Study of water status in Iranian-Islamic architecture. 2013, p. 151). In this regard, a stream, which originates from the spring inside the caravanserai, moves through the garden and eventually reaches the pond in front of the museum building and ends through the underground channel to a pond inside the museum. In fact, this illuminating element is running through the whole complex and extends the main building to the historic building.
Homayoun Tomb, India, Chahar Bagh . http://fa.wikipedia.org
Persian Garden was not limited to the Iran’s geographical boundaries and has entered the domain of Iranian and Persian civilization. the best examples of Iranian garden which are located outside Iran are Tomb of Homayoun in Delhi and a copy of it in Taj Mahal in Agra,India.
Architectural facade displays cultural elements and architectural differences of countries
1. Museum exterior Elevation The facade of the museum. The facade should represent the events inside it. Thus, images of the physical and non-physical elements, from the perspective of visitors (according to questionnaires), that are a symbol of the countries of the Silk Road, was designed on the facades. The facades material is made of copper, as the color of the metal changes over time, and changes to brown, black, and gradually green, indicating the passage of time. Long strips in facades. Three long strips refer to the three continents conquered by the Silk Road, designed to integrate the collection around the outside of the set is designed.
2. Maquette inside the enclosure
Along the way to the museum building, there are platforms that featured models of historical buildings of each of the Silk Road’s countries are out on them.
The use of Indicator elements of historical architecture of Iran
The Gate of Nations . http://rasekhoon.net
Gate of All Nations. This gate has been designed according to the proportions of the Gate of nations of Persepolis (located in the Persepolis complex during the Achaemenid period in Iran) and has been used to bring this monument to the mind of visitors.
p.01
countries
Arches and decorations
No.
Iran-Afghanistan-India Simple curve 1
Ancient Rome-Greece-China-Turkey
Roman arch 2
India-Pakistan Scalloped arch 3
Holy Number in most Silk Road’s
countries Seven arches 4
Iranian Architecture
Arrangement of arches in floors
5
India-China-Greece Marble 6
India-China decorations 7
Design by : s.mehrnegar.shahrouzi
The overall structure of project is based on introspective architecture. This architecture is common in most Eastern countries in the Silk Route
Delhi Grand Mosque. India Hadrian's gate. Turkey
Obeying 5 Design Guidelines for building near Historical Contexts There is always a problem of agreement or disagreement about the compatibility or incompatibility with the field. This problem becomes more complicated, especially with the fact that sometimes the contrast between a building and its surrounding environment is desirable. Generally, in all circumstances, if there is a strong, clear visual relationship, instead of the imitation styles or extreme innovations, it will not cause visual disturbance. Understanding how these relationships are shaped in the past helps to find new solutions for the present and future (Brownie, Field-oriented architecture. Compatibility of New Buildings with the Old ones, 1980).
Design of Silk museum with special refer to Cultural acculturate by architecture p.02
The general limitations in dealing with the historical context were examined, and the results are shown in the table below.
All of the items listed in the table are applied in design.
Plans
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http://english.people.com.cn/90001/90782/90874/6769831.html
Museum of Natural History of America; Silk Road Section
Research Center plan. Ground floor
Research Center plan. First floor
Design by : s.mehrnegar.shahrouzi
No. Design indicator in the historical context
Selected approach to the historical context
Result
Reflection in design
1 historical context usage
Compatibility to the historical context and creating harmony while innovation and avoiding the imitation of traditional architect
complete coordination in terms of subject between the usage of new building and the historical context
Choosing the site near the Sangi Caravanserai on the Silk Road
2 Location Location of new building along the lines of historical context Using and extending the lines of the Caravanserai facade
3 Scale - Keeping the skyline of the historic monument - Creating a break in the new building facade in order to maintain the scale
- Height between 10 and 12 meters - The length is continuously less than 60 meters
4 Shape Using shapes with appropriate geometry to the historical monument
Using square and rectangular geometric shapes
5 Materials and details
- Using similar materials with the historical monument in some areas - Avoid using modern materials
- Using irregular riverbed stone in facade - Using copper
Museum plan. Ground Floor Museum plan. first floor
http://english.people.com.cn/90001/90782/90874/6769831.html
Research Center plan. Second floor
Amphitheater plan First floor
Amphitheater plan Ground floor
Site plan
North Elevation
South Elevation
Section A-A
Section C-C
Section B-B
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Portico. Elevation Portico. plan
