DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European...

32
DEMO SCORE ONLY FOR EVALUATION

Transcript of DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European...

Page 1: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

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Page 3: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Notas de Programa

Esta composição nasce de um desafio do meu amigo André Granjo para

escrever uma obra para o Grupo de Instrumentos de Sopro de Coimbra

(GISC), que rece

nos primeiros meses de

saxofonista Jean

Já fiz parte do GISC

adolescência várias cidades da Europa que de outra forma nunca teria

conhecido. Dedico

Martins, que o manteve ativo

tempo.

Curiosamente, do seu nome fiz uma relação com um romance que li,

“A Lenda de Martim Regos

a personagem principal, nasce no

sua vida levam-

imaginária inspirou

persistência e distraída absorção de conheci

Luís Cardoso,

Fermentelos, 28

Partitura

Instrumentação

Flautim em Dó Flauta 1 e 2 em Dó Oboé em Fagote em Dó Clarinete 1,2 e 3 Clarinete Baixo em SibSaxofone Alto 1 e 2Saxofone Tenor em SibSaxofone Barítono em MibSaxofone Alto Solo em MibQuarteto de Saxofones 4 Whirlies em Lá, Sib, Dó e Ré

Duração: ≈ 11 mGrau de dificuldadel:

Para Saxofone Alto Solo, Quarteto de Saxofones SATB e BandaFor Alto Saxophone Solo, Saxophone Quartet SATB and Wind Band

Notas de Programa

composição nasce de um desafio do meu amigo André Granjo para

escrever uma obra para o Grupo de Instrumentos de Sopro de Coimbra

que recentemente dirige artisticamente. Prevê

nos primeiros meses de 2013, com a colaboração do

Jean-Yves Fourmeau.

do GISC, como saxofonista, e com ele percorri

várias cidades da Europa que de outra forma nunca teria

Dedico a Lenda de Martm ao GISC e ao Profess

Martins, que o manteve ativo durante décadas e o dirigiu

Curiosamente, do seu nome fiz uma relação com um romance que li,

Lenda de Martim Regos” de Pedro Canais publicado em

gem principal, nasce no Ribatejo do século XV

-no pela África, América e Ásia. A sua incrível história

imaginária inspirou-me esta música, pela viagem,

sistência e distraída absorção de conhecimento.

28 de dezembro de 2012

Instrumentação

em Dó

em Sib Clarinete Baixo em Sib

1 e 2 em Mib Saxofone Tenor em Sib Saxofone Barítono em Mib Saxofone Alto Solo em Mib Quarteto de Saxofones soli SATB

em Lá, Sib, Dó e Ré

Trompa 1, 2, 3 Trompete 1,2 e 3Trombone 1, 2 eEufónio em DóTuba em DóPercussão1 (Timpanos, AfoxéPercussão 2(Vibrafone, Sinos TubularesGlockenspiel, Prato SuspensoPercussão 3(Adufe, Caixa, 4 Suspenso) Percussão 4(Bombo)

m Grau de dificuldadel: 5 (Alto)

Lenda de MartimMartim's Legend

Para Saxofone Alto Solo, Quarteto de Saxofones SATB e Banda

For Alto Saxophone Solo, Saxophone Quartet SATB and Wind Band

Luís CardosoOp. 39 - 2012

composição nasce de um desafio do meu amigo André Granjo para

escrever uma obra para o Grupo de Instrumentos de Sopro de Coimbra

Prevê-se sua a estreia

2013, com a colaboração do reconhecido

e com ele percorri na

várias cidades da Europa que de outra forma nunca teria

e ao Professor Adelino

durante décadas e o dirigiu até há pouco

Curiosamente, do seu nome fiz uma relação com um romance que li,

publicado em 2004. Martim,

o século XV e as venturas da

A sua incrível história

me esta música, pela viagem, descoberta,

mento.

Program Notes

Challenged by my friend Andrew Granjo, I wrote this piece for Wind

Instruments Group of Coimbra (GISC)

is expected to

collaboration with internationally renowned saxophonist Jean

Fourmeau.

I've been

through several European cities

impossible for me. I dedicate the "

Professor Adelino Martins, who

retirement this year

I related his name with a

written by

character, is born in Ribatejo

century,

amazing fictional story inspired me this

discovery, persistence and distracted absorbing knowledge.

Luís Cardoso,

Fermentelos,

1, 2, 3 em Fá 1,2 e 3 em Sib 1, 2 e 3 em Dó

em Dó (partes em Sib)

Afoxé e Chocal) 2

Sinos Tubulares, Adufe, Xilofone, Prato Suspenso, Pratos) 3

, 4 Timbalões, 2 Congas. Prato

4

Saxophone Quartet

Lenda de Martim Martim's Legend

Para Saxofone Alto Solo, Quarteto de Saxofones SATB e BandaFor Alto Saxophone Solo, Saxophone Quartet SATB and Wind Band

Luís Cardoso 12

Program Notes

Challenged by my friend Andrew Granjo, I wrote this piece for Wind

Instruments Group of Coimbra (GISC), where Andrew is now conductor. It

is expected to be premiered during the first months of 2013,

collaboration with internationally renowned saxophonist Jean

Fourmeau.

I've been teenager GISC saxophonist, and

through several European cities, which otherwise would have been

impossible for me. I dedicate the "Martim’s Legend

Professor Adelino Martins, who directed the group for decades

retirement this year.

I related his name with a book I read, "The Legend of Martim Regos"

written by Pedro Canais and published in 2004.

character, is born in Ribatejo (Portuguese province

y, and his fate led him through Africa, America and Asia.

amazing fictional story inspired me this music

discovery, persistence and distracted absorbing knowledge.

Luís Cardoso,

Fermentelos, December 28, 2012

Piccolo in C Flute1 & 2 in C

Oboe in C Bassoon in C

Clarinet 1, 2 & 3 in Bb Bass Clarinet in Bb

Alto Saxophone 1 & 2 in Eb Tenor Saxophone I in Bb

Baritone Saxophone in Eb Alto Saxophone Solo in Eb

Saxophone Quartet soli SATB

4 Whirlies in A, Bb, C & D

(VibraphoneGlockenspiel

(Adufe

Para Saxofone Alto Solo, Quarteto de Saxofones SATB e Banda For Alto Saxophone Solo, Saxophone Quartet SATB and Wind Band

Challenged by my friend Andrew Granjo, I wrote this piece for Wind

, where Andrew is now conductor. It

first months of 2013, in

collaboration with internationally renowned saxophonist Jean-Yves

GISC saxophonist, and with the group traveled

, which otherwise would have been

s Legend" to GISC and

directed the group for decades, until his

I read, "The Legend of Martim Regos"

in 2004. Martin, the main

Portuguese province) in the fifteenth

led him through Africa, America and Asia. Its

music, because of travel,

discovery, persistence and distracted absorbing knowledge.

Score

Instrumentation

Horn 1, 2, 3 in F Trumpet 1, 2, 3 in Bb

Trombone 1, 2, 3 in C Euphonium in C (parts in Bb)

Bass Tuba in C Percussion 1

(Timpani,Cabasa (Afoxé), Cowbell) Percussion 2

Vibraphone, Tubular Bells, Adufe, Xylophone, Glockenspiel, Suspended Cymbal, Cymbals)

Percussion 3 Adufe, Snare Drum, 4 Tom-toms, 2 Congas.

Suspended Cymbal) Percussão 4

(Bass Drum)

Duration: ≈ 11 m

Dificulty level: 5 (High)

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Page 5: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Full Score

Para o Grupo de Instrumentos de Sopro de Coimbra

Luís Cardosoop. 39 (2012)

Lenda de MartimMartim's Legend

For Alto Saxophone Solo, Saxophone Quartet SATB and Wind Band

Piccolo in C

Flute I in C

Flute II in C

Oboe in C

Bassoon in C

Clarinet I in Bb

Clarinet II in Bb

Clarinet III in Bb

Bass Clarinet in Bb

Alto Saxophone I in Eb

Alto Saxophone II in Eb

Tenor Saxophone in Bb

Baritone Saxophone in Bb

Alto Saxophone Solo in Eb

Quartet Soprano Saxophone in Bb

Quartet Alto Saxophone in Eb

Quartet Tenor Saxophone in Bb

Quartet Baritone Saxophone in Eb

Horn I in F

Horn II in F

Horn III in F

Trumpet I in Bb

Trumpet II in Bb

Trumpet III in Bb

Trombone I in C

Trombone II in C

Trombone III in C

Euphonium in C

Bass Tuba in C

Timpani

Vibraphone

Adufe

Bass Drum

ppp

(2)

2

ppp

ppp

ppp

ppp

ppp

ppp

ppp

ppp

ppp

ppp

ppp

ppp

(2)

2

2

ppp

ppp

2

Repeat notes approximately with the duration of a half note, followed by a short pause. Avoid play rhythmically with others.

Transposed

seccion 1 - 30' seccion 2 - 30'

TimpaniRepeat the two notes, approximatelywith the duration of a whole note in glissandi.Avoid play alwais the same durations.

Vibraphone

Repeat notes approximately with the duration of a half note, Avoid play rhythmically with others.

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

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Page 6: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Vib.

Adf.

B. D.

(3)3

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

(3)3

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

3

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

sssomsssound

sssosssong

a sssasssa

xoxo

fonephone

3

same of seccion 1

Repeat box fragment ad lib. Avoid play rhythmically with others.Start whispering and grow slowly.

Repeat box fragment ad lib. Avoid play rhythmically with others.Start whispering and grow slowly.

Repeat box fragment ad lib.Avoid play rhythmically with others.Start whispering and grow slowly.

Repeat box fragment ad lib.Avoid play rhythmically with others.Start whispering and grow slowly.

Whirly in C (1 player, standing up)let sound some time, take a short break and repeat until conductor's cut

(OTHER PLAYERS) Repeat box fragment ad lib. Avoid play rhythmically with others.Start whispering and grow slowly.

Repeat box fragment ad lib. Avoid play rhythmically with others.Start whispering and grow slowly.

Repeat box fragment ad lib. Avoid play rhythmically with others.Start whispering and grow slowly.

Whirly in A (1 player, standing up)let sound some time, take a short break and repeat until conductor's cut

(OTHER PLAYERS) Repeat box fragment ad lib. Avoid play rhythmically with others.Start whispering and grow slowly.

Repeat box fragment ad lib. Avoid play rhythmically with others.Start whispering and grow slowly.

Repeat box fragment ad lib. Avoid play rhythmically with others. Start whispering and grow slowly.

Whirly in Bb (1 player, standing up)let sound some time, take a short break and repeat until conductor's cut

(OTHER PLAYERS)Repeat box fragment ad lib. Avoid play rhythmically with others.Start whispering and grow slowly.

Repeat box fragment ad lib.Avoid play rhythmically with others. Start whispering and grow slowly.

Repeat box fragment ad lib. Avoid play rhythmically with others. Start whispering and grow slowly.

Whirly in D (1 player, standing up)let sound some time, take a short break and repeat until conductor's cut

(OTHER PLAYERS) Repeat box fragment ad lib.Avoid play rhythmically with others.Start whispering and grow slowly.

Repeat box fragment ad lib.Avoid play rhythmically with others. Start whispering and grow slowly.

2

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

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Page 7: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Vib.

Adf.

B. D.

(4)4

(4)4

4

4

same of seccion 2

3

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

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Page 8: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Vib.

Adf.

B. D.

(5)(Same rhythm - trumpets) (6)(Join trombones)5 6

(5)(Same rhythm - trumpets) (6)(Join trombones)5 6

5 6

5 6

same of seccion 1

All trumpets talking at the same rhythm cresc. (Whirly continues)

Same rhythm of trumpets cresc. (Whirly continues)

4

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

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Page 9: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Vib.

Adf.

B. D.

(7)(Join horns) (8) (All speakers with same rythm) (9 ssh) Tubular BellA7 8 9 10

ssss shsfz

ssss shsfz

ssss shsfz

ssss shsfz

(7)(Join horns) (8) (All speakers with same rythm) (9 ssh) Tubular BellA7 8 9 10

ssss shsfz

7 8 9 10

ssss shsfz

ssss shsfz

ssss shsfz

ssss shsfz

ssss shsfz

ssss shsfz

ssss shsfz

ssss shsfz

ssss shsfz

ssss shsfz

ppp

f

ppp7 8 9 10

same of seccion 2

Same rhythm of trumpets and trombones, etc. cresc.

Same rhythm of trumpets and trombones cresc. (Whirly continues) Whirly continues

Whirly continues

Whirly continues

Same rhythm of trumpets and trombones, etc. cresc. (Whirly continues) Whirly continues

Tubular Bellswith conductor

5

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

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Page 10: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Tub. B.

Adf.

B. D.

(A2) Brass blowing (Alto Saxophone solo song)

Adagio q=66

11

mp

(A2) Brass blowing (Alto Saxophone solo song)Adagio q=66

11

11

11

legato cantabile

long blowing, repeatedly, without producing notes, and rythm ad lib (whirly slowly disappears)

long blowing, repeatedly, without producing notes, and rythm ad lib (whirly slowly disappears, after trombone)

long blowing, repeatedly, without producing notes, and rythm ad lib (whirly slowly disappears, after horn)

long blowing, repeatedly, without producing notes, and rythm ad lib (whirly slowly disappears, after trumpet)

6

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

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Page 11: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Tub. B.

Adf.

B. D.

Beat in four, for sax quartetWoodwinds singing (Brass continues) (B2)

Brass gradually cease to blow and woodwinds stabilize in D

B12 13

Beat in four, for sax quartetWoodwinds singing (Brass continues)

Brass gradually cease to blow and woodwinds stabilize in D(B2)B12 13

mf

mf

mf

mp

12 13

12 13

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

68

Sing, with correct pitch (take as reference the the timpani for first note).Try to take the lowest possible octave. Repeat with rythm ad lib.

gradually stabilize with only the first note

44

legato cantabile

44

legato cantabile

44

legato cantabile

44

legato cantabile

7

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

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Page 12: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Adf.

Adf.

B. D.

Vivo q.=88e=eC

18 19 20 21 22 23 24 25 26 27

mf

mf

mf

mf

mf

mf

f

Vivo q.=88 e=eC18 19 20 21 22 23 24 25 26 27

fp

18 19 20 21 22 23 24 25 26 27

fp

fp

mf

pmf

p mf

mf18 19 20 21 22 23 24 25 26 27

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

68

34

2 23 3

fp simile

2 2

Adufe2 2 2 2

Adufe2 2 2 2

8

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

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Page 13: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Adf.

Adf.

B. D.

28 29 30 31 32 33 34 35 36 37

28 29 30 31 32 33 34 35 36 37

28 29 30 31 32 33 34 35 36 37

fp

fp

fp

fp

fp

fp

28 29 30 31 32 33 34 35 36 37

33

5 3 5 3 3

fp simile

fp simile

fp simile

fp simile

fp simile

fp simile

fp simile

fp simile

2 2 2 2 2

9

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

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Page 14: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Adf.

Adf.

B. D.

ff

38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53

38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53

ff

ff

ff

ff

ff

ff38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53

2 2 2 2 2 2 2 2

with timpani mallets 2 2 2 2 2 2 2

10

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 15: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Adf.

Adf.

B. D.

f dim. poco a poco

Stop Alto and Tenorband sax's (D2)

D

54 55 56 57 58 59 60 61 62

f dim. poco a poco

f dim. poco a poco

f dim. poco a poco

f dim. poco a poco

f dim. poco a poco

f dim. poco a poco

f dim. poco a poco

f dim. poco a poco

f dim. poco a poco

f dim. poco a poco

f dim. poco a poco

f dim. poco a poco

Stop Alto and Tenorband sax's

(D2)D54 55 56 57 58 59 60 61 62

ff dim. poco a poco

ff dim. poco a poco

ff dim. poco a poco

ff dim. poco a poco

dim. poco a poco

54 55 56 57 58 59 60 61 62

dim. poco a poco

dim.

dim. poco a poco

dim. poco a poco

dim. pp

dim. poco a poco

dim. poco a poco

dim. poco a poco pp

dim. poco a poco

dim. poco a poco

dim. poco a poco

dim. poco a poco ppp

dim. poco a poco

dim. poco a poco54 55 56 57 58 59 60 61 62

Repeat ad lib until conductor's cut. Avoid play rhythmically with others.

2 2 2 2 2

2

2

2

2

2

2

2

11

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 16: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Adf.

Adf.

B. D.

Stop flutes (D3)

Stop BassoonBaritone band saxBass Clarinet (D4)

63 64 65 66 67 68 69 70 71 72 73 74 75 76

Stop flutes (D3) (D4)

Stop BassoonBaritone band saxBass Clarinet

63 64 65 66 67 68 69 70 71 72 73 74 75 76

pp

63 64 65 66 67 68 69 70 71 72 73 74 75 76

pp

pp

pp

pp

pp

pp

pp

ppp ppp

ppp

ppp63 64 65 66 67 68 69 70 71 72 73 74 75 76

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

12

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 17: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Vib.

Adf.

B. D.

Adagio q=66 (E2)

Stop percussionand whirlies

(E3)Stop ClarinetsE

77 78 79 80 81 82 83 84 85 86 87

mf

Adagio q=66 (E2) (E3)Stop Clarinets

Stop percussionand whirlies

E77 78 79 80 81 82 83 84 85 86 87

pp

pp

pp

pp

77 78 79 80 81 82 83 84 85 86 87

ppp

77 78 79 80 81 82 83 84 85 86 87

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

continues ppp

continues ppp

continues ppp

legato cantabile

legato cantabile

legato cantabile

legato cantabile

legato cantabile

Whirly in C (1 player, standing up)let sound some time, take a short break and repeat until conductor's cut

Whirly in A (1 player, standing up)let sound some time, take a short break and repeat until conductor's cut

Whirly in Bb (1 player, standing up)let sound some time, take a short break and repeat until conductor's cut

Whirly in D (1 player, standing up)let sound some time, take a short break and repeat until conductor's cut

Repeat the two notes, approximatelywith the duration of a whole note in glissandi.Avoid play alwais the same durations.

VibraphoneRepeat notes approximately with the duration of a half note, Avoid play rhythmically with others.

13

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 18: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Vib.

Adf.

B. D.

fff sfz fff

Vivo q=160F88 89 90 91 92 93 94 95 96 97 98

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

ff

Vivo q=160F88 89 90 91 92 93 94 95 96 97 98

p

p

p

fff sfz fff

88 89 90 91 92 93 94 95 96 97 98

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

fff sfz fff

p

88 89 90 91 92 93 94 95 96 97 98

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

Xylophone

14

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 19: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Xyl.

Adf.

B. D.

mf ff fff

99 100 101 102 103 104 105 106 107

mf ff fff

mf ff fff

mf ff fff

p fff

mf ff fff

mf ff fff

mf ff fff

p fff

mf ff fff

mf ff fff

mf ff fff

p fff

f

99 100 101 102 103 104 105 106 107

p fff

99 100 101 102 103 104 105 106 107

p fff

p fff

p fff

p fff

p fff

p fff

p fff

p fff

p fff

p fff

fff ff

fff p

ff99 100 101 102 103 104 105 106 107

5

5

5

5

5

5

5

33

33

33

make scop with wah-wah mute+º+º

+º +º

make scop with wah-wah mute+º +º

+º +º

make scop with wah-wah mute+º +º

+º +º

Snare DrumRS(Rim Shot, only first note)

15

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 20: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Xyl.

Tom-t.

B. D.

ff p

G108 109 110 111 112 113 114 115 116 117 118 119 120

ff p

ff p

ff p

ff p

p poco a poco cresc. ff p

p poco a poco cresc. ff p

p poco a poco cresc. ff p

p

ff p

ff

ff

ff p

mf f ff mf

G108 109 110 111 112 113 114 115 116 117 118 119 120

fp poco a poco cresc. fp fp fp ff

fp poco a poco cresc. fp fp fp ff

fp poco a poco cresc. fp fp fp ff

fp poco a poco cresc. fp fpfp fp ff

p

108 109 110 111 112 113 114 115 116 117 118 119 120

p

p

p poco a poco cresc. ff

p poco a poco cresc. ff

p poco a poco cresc. ff

p

p

p

ff p

fp fp fp fp fp ff p

p

mf

p poco a poco cresc. p

ff p108 109 110 111 112 113 114 115 116 117 118 119 120

3

3

quasi legato

quasi legato

quasi legato

3

3

3 33 3

3

3 3

3 3

3 3

3 3

3

Cabasa (afoxé)

Glockenspiel

Tom-toms Congas

16

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 21: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Cab.

Glock.

Congas

B. D.

121 122 123 124 125 126 127 128 129 130

p

p

p

p

p

p p

p p

f p poco a poco cresc. f

121 122 123 124 125 126 127 128 129 130

p p

121 122 123 124 125 126 127 128 129 130

p p

p p

p

p

p

p

p

p

p

121 122 123 124 125 126 127 128 129 130

33

3

3

33

3

3

3

33

33

3

3

3

3

3

3

open 3

open 3

open 3

3

3

3

33

Xylophone

17

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 22: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Cab.

Xyl.

Congas

B. D.

H131 132 133 134 135 136 137 138 139 140 141

H131 132 133 134 135 136 137 138 139 140 141

f

f

f

f

131 132 133 134 135 136 137 138 139 140 141

mf

131 132 133 134 135 136 137 138 139 140 141

3

3

3

3

3

3

3 3

3

3

3

3

Susp. Cymb.

18

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 23: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Cab.

Xyl.

Susp. Cymb.

B. D.

142 143 144 145 146 147 148 149 150 151 152 153 154

f

142 143 144 145 146 147 148 149 150 151 152 153 154

fp mf

fp mf

fp mf

fp mf

mf

142 143 144 145 146 147 148 149 150 151 152 153 154

mf

mf

p

p

p

p

p

p

mf

mf

mf

mf

142 143 144 145 146 147 148 149 150 151 152 153 154

33

33

3 3

3 3

3 3

(+º)wah-wah mute

3 3

wah-wah mute(+º)

3 3

wah-wah mute(+º)

3 3

3 3

Timpani

Glockenspiel

Congas

19

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 24: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Glock.

Congas

B. D.

GP I155 156 157 158 159 160 161 162 163 164 165 166 167 168 169

mf

mf

mf

mf

mf

mf

p poco a poco cresc.

GP

I155 156 157 158 159 160 161 162 163 164 165 166 167 168 169

155 156 157 158 159 160 161 162 163 164 165 166 167 168 169

mf

mf

mf

155 156 157 158 159 160 161 162 163 164 165 166 167 168 169

3 3

3 3

3 3

33 3

3

3

3

3 3

3 3

3 3

3 3

33

3 3

20

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 25: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Timp.

Glock.

Congas

B. D.

170 171 172 173 174 175 176 177 178 179 180 181 182 183 184

f

170 171 172 173 174 175 176 177 178 179 180 181 182 183 184

p poco a poco cresc.

p poco a poco cresc.

170 171 172 173 174 175 176 177 178 179 180 181 182 183 184

p poco a poco cresc.

p poco a poco cresc.

p poco a poco cresc.

p poco a poco cresc.170 171 172 173 174 175 176 177 178 179 180 181 182 183 184

3 3 3 33

3 3

Cabasa (afoxé)

21

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 26: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Cab.

Glock.

Congas

B. D.

ff

185 186 187 188 189 190 191 192 193 194 195 196 197 198

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff185 186 187 188 189 190 191 192 193 194 195 196 197 198

p poco a poco cresc. ff

ff

p poco a poco cresc. ff

ff

ff

185 186 187 188 189 190 191 192 193 194 195 196 197 198

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff

ff185 186 187 188 189 190 191 192 193 194 195 196 197 198

growl

growl

growl

growl

3 3

3 3 3 3 3 3 3 33 3

33

3 3 33 3

33 3

3 3 3 3 3 3 33

33

33

campana

campana

campana

open growl

open growl

open growl

growl

growl

growl

3 3 3 3

22

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 27: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Cab.

Glock.

Congas

B. D.

ff

J199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214

ff

ff

ff

p ff

ff

ff

ff

p ff

ff

ff

ff

p ff

ff

J199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214

ff

ff

ff

p ff

mf ff

199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214

mf ff

mf ff

ff

ff

ff

mf ff

mf ff

mf ff

p ff

p ff

ff

p ff

p ff

p ff199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214

3 3

3 3

3 3

3 3

3 3

3 3

3 3

down campana - floppy (scoop with hand)

3 3

down campana - floppy (scoop with hand) 3 3

down campana - floppy (scoop with hand) 3 3

open natural 3 3

open natural 3 3

open natural 3 3

floppy3 3

floppy

3 3

floppy3 3

3 3

Cowbell

hold the instrument in one hand and the sitck in the other.o - open hand, + - close hand.

Susp. Cymb.

Tom-toms

2 2 2

23

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 28: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Cow.

Susp. Cymb.

Tom-t.

B. D.

p

215 216 217 218 219 220 221 222 223 224 225 226 227 228

p

p

p

p

p

p

p

p

p

p

215 216 217 218 219 220 221 222 223 224 225 226 227 228

p

215 216 217 218 219 220 221 222 223 224 225 226 227 228

p

p

p

p

p

p

ppp

ppp

ppp215 216 217 218 219 220 221 222 223 224 225 226 227 228

3 3

3 3

33

3

3

3

3

3 3

3 3

33

3 3

3 3

3 3

3 3

3 3

33

3

3

3

3

3 3

2 2 2 2

24

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 29: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Cow.

Susp. Cymb.

Tom-t.

B. D.

fffp sfffz

229 230 231 232 233 234 235 236

f ffp sfffz

f ffp sfffz

f ffp sfffz

f ffp sfffz

f ffp sfffz

f ffp sfffz

f ffp sfffz

pf ffp

sfffz

f ffp sfffz

f ffp sfffz

f ffp sfffz

p f ffp sfffz

ff

229 230 231 232 233 234 235 236

f ffp sfffz

229 230 231 232 233 234 235 236

f ffp sfffz

f ffp sfffz

f ffp sfffz

f ffp sfffz

f ffp sfffz

p f ffp sfffz

p f ffp sfffz

p f ffp sfffz

f ffp sfffz

p f ffp sfffz

f

f

f229 230 231 232 233 234 235 236

25

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 30: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

Picc.

Fl. I

Fl. II

Ob.

Bsn.

Cl. I

Cl. II

Cl. III

B. Cl.

A. Sax. I

A. Sax. II

T. Sax.

Bari. Sax.

Alto Sax. Solo

Qtt. Sop. Sax.

Qtt. Alto Sax.

Qtt. Ten. Sax.

Qtt. Bari. Sax.

Hn I

Hn II

Hn III

Tpt I

Tpt II

Tpt III

Tbn. I

Tbn. II

Tbn. III

Euph.

B. Tba

Cow.

Susp. Cymb.

Tom-t.

B. D.

ff fff

237 238 239 240 241 242 243 244 245 246

ff fff

ff fff

ff fff

ff fff

ff fff

ff fff

ff fff

ff fff

ff ffffff

ff fff

ff fff

ff fff

ff fff

237 238 239 240 241 242 243 244 245 246

mf ff fff

mf ff fff

mf ff fff

mf ff fff

ff fff

237 238 239 240 241 242 243 244 245 246

ff fff

ff fff

ff fff

ff fff

ff fff

ff fff

ff fff

ff fff

ff fff

ff fff

p f fff

p f fff

p f fff

p f fff237 238 239 240 241 242 243 244 245 246

3

3

3

3

3

3

3

3

3

3

3

3

3

3 3

3 3

3 3

3 3

33

3

3

3

3

3

3

3

3

3

3

3

3

Cymbals3

3

3

26

Lenda de Martim, op. 39 | 2012 | Luís Cardoso Author's Edition | www.luiscardoso.pt

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 31: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

DEMO S

CORE ONLY

FOR E

VALUATIO

N

Page 32: DEMO SCORE ONLY FOR EVALUATION · 2014. 6. 23. · Fourmeau. I've been through several European cities impossible for me. I dedicate the "Professor Adelino Martins, who retirement

DEMO S

CORE ONLY

FOR E

VALUATIO

N