Dance Department Newsletter Spring 2015

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    The UNC Charlotte Department of

    Dance presented two back-to-

    back evenings of diverse

    performance, showcasing faculty

    choreography on Friday, January

    23, and hosted the North Carolina

    Dance Festival (NCDF) on

    Saturday, January 24. Both

    productions took place at 7:30 pm

    in the Anne R. Belk Theater in

    Robinson Hall.

    The Faculty Dance Concert

    featured guest and faculty

    dancers in works by professors

    Gretchen Alterowitz, E.E. Balcos,

    and Kim Jones. Charlotte

    Balletprincipals Anna Gerberich

    and Pete Leo Walker performed

    Alterowitzs contemporary

    ballet,Holding Ground,

    choreographed in fall 2012 for the

    Atlanta Ballets Wabi Sabi series.

    Whitney V. Hunter and PaulineSylviane Legras of the Martha

    Graham Dance Company and

    Daniel Fetecua Soto of the Jos

    Limn Companyjoined Kim

    Jones in Shedding, performed to

    Handels aria Cara sposa,

    performed live by countertenor

    Reginald Mobley. Soto also dance

    da 1957 solo by Jos

    Limn,Mazurkas, set to music by

    Chopin.

    The January 23 program also

    included a contact improvisation

    piece by E.E. Balcos and guest

    artist Alicia Grayson, a work by

    Greensboro-based choreographer

    and NCDF director Jan Van Dyke,

    and two works by the AGA

    Collaborative (Alterowitz, Alison

    Bory, and Amanda Hamp).

    Each year since 1991, the North

    Carolina Dance Festivalhas

    toured a program across the

    state, highlighting the work of

    North Carolinas professional

    choreographers. The 2014-15

    tour ended in Charlotte on

    January 24 and featured work by

    former Pilobolus dancer Gaspard

    Louis, Elon University professor

    Sara Ruth Tourek, UNC School of

    the Arts professor and former

    North Carolina Dance Theatremember Diego Carrasco Schoch,

    Durham-based choreographer

    Leah Wilks, and Fayetteville-

    based choreographer Kristen

    Jeppsen Groves. The UNC

    Charlotte performance also

    included a work by Davidson

    College professor Alison Bory and

    a repeat performance of Kim

    Joness Shedding.

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    UNC Charlotte traveledto NYC to perform

    Martha Graham's "Steps

    in the Street" by UNC

    Charlotte Dance majors

    and alums. In Januarythey performed this work

    successfully at the

    Knight Theater in

    conjunction with theMartha Graham Dance

    Company. They were

    excited to perform the

    work again in NYC at the

    Joyce Theater for theMartha Graham

    Company season. The

    NYC performance was

    Saturday Feb. 14th.

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    The Department of Dance will host the Collegium for African Diaspora Dance (CADD) on April 9

    and 10, 2015. CADD is an egalitarian community of scholars and artists committed to exploring,

    promoting, and engaging African diaspora dance as a resource and method of aesthetic identity.

    CADD was founded at Duke University; UNC Charlotte Assistant Professor of Dance Takiyah Nur

    Amin is one of the groups original members.

    The UNC Charlotte meeting of CADD includes two public events. Both are FREE and ALL ARE

    WELCOME.

    Thursday, April 9, at 6:30 pm in Robinson Hall, Room 103 Keynote Address by Thomas F.

    DeFrantz, Ph.D. "SWITCH: The Dancing Body of the State: Queer Social Dance, Political

    Leadership, and Black Popular Culture"

    When black social dances are practiced by American political leaders, as when First Lady

    Michelle Obama demonstrates the Dougie in her Let's Move" anti-obesity campaign, or when

    Secretary of State Hillary Rodham Clinton dances alongside others during her 2012 tour of Africa,

    black social dance moves toward a center of considerations of embodied knowledge. This lecture

    wonders at the intertwining of African American social dances and political leadership, conceived

    in the bodies of elected officials. In addition we will consider the commercial and socially-

    inscribed leaders of popular culture, including Beyonce and Madonna, as arbiters of African

    American social dance.

    Thomas F. DeFrantz, Ph.D. is professor of African & African American Studies and Dance at

    Duke University. His research focuses on theories of African diaspora aesthetics, intersections of

    dance and technology, and dance historiography.

    Friday, April 10, at 6:30pm in Robinson Hall, Studio 118 Public Roundtable with the Founding

    Members of CADD. Reception to Follow in Robinson Hall Lobby.

    Each CADD founding member will share their current research concerning theories of Black

    performance with roundtable attendees followed by a question and answer period. Participantsinclude Takiyah Nur Amin (UNC Charlotte), Raquel Monroe (Columbia College Chicago) Makeda

    Thomas (Dance and performance Institute, Trinidad), C. Kemal Nance (University of Illinois),

    Jasmine Johnson (Brandeis University), Carl Paris (Drexel University), John Perpener

    (Independent Researcher) and Thomas F. DeFrantz, Andrea Woods, and Ava LaVonne Vinesett

    (Duke University.)

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    *Support for these events provided by the College of Arts + Architecture - Department of

    Dance, The Chancellors Diversity Challenge Fund and SLIPPAGE:

    Performance|Culture|Technology

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    The Department of Dance

    presented a spring concert April

    16-18 at 7:30 pm

    and April 19 at

    2:00 pm in the

    Anne R. Belk

    Theater of

    Robinson Hall. A

    showcase of

    different dance

    styles, the concert

    featured student

    performers in

    works

    choreographed by

    dance faculty

    Gretchen

    Alterowitz, E.E.

    Balcos, Kim

    Jones, and Rachel

    Tucker.

    Alterowitzs contemporary

    ballet What tread in solidarity,

    what lament is a piece for 11

    dancers set to music by Gustav

    Mahler and Max Richter. Pulse,

    choreographed by Balcos, is

    inspired by and set to the nuevo

    tango music of Argentine

    composer Astor Piazolla.

    Domestic violence is the subject

    of Tuckers Suite Wonder, with

    music by Stevie Wonder. Kim

    Jones created Mauri Breath of

    Life in consultation with Rodney

    Bell, a celebrated dancer of Maori

    descent, for a cast of 10 dancers.

    The movement is inspired by

    (Top) A view from the

    wings of "Mauri- A

    Breath of Life" by

    faculty Kim Jones.

    Photo by K.S. UNCC

    (Left)E.E. Balcos cast

    for the Spring DanceConcert is raring to go!

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    Ali says that the UNC Charlotte Department of Dance provides students with a comprehensive study of

    performance, choreography, scholarship, and dance

    education, resulting in a well-rounded education.

    "I would enthusiastically recommend the dance

    program at UNC Charlotte because of its innovative

    approach to the study of multiple contexts and

    perspectives of dance. My education at UNC Charlotte

    made me a desirable employee upon graduation. The

    faculty were incredibly supportive of my desire to

    involve myself in a range of activities and areas of

    interest, and because of this diversity of experience

    gained during college, I found myself advantaged in

    the professional dance field. In the UNC Charlotte dance program, I became skilled in multiple genres of technique

    and performance. I gained professional experience as a student teacher and an intern with NCDT (now Carolina

    Ballet), and was supported in my endeavor to dance competitively as an athlete with the university dance team. I

    learned much about performance, history, and critical thought at UNC Charlotte, but equally importantly, I learned

    life and career skills from a caring yet rigorous faculty."

    In 2015, Ali was named the inaugural Distinguished Alumnain the Department of Dance.

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    On Friday, March 13, the College of Arts + Architecture honored five Distinguished Alumni. This was the first of

    what will become an annual celebration of the College's many accomplished graduates. Photos by Daniel Coston.

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