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SineFilozo� Dergisiwww.sine�lozo�.org

Vol/Cilt: 6 No/Sayı: 11 2021ISSN: 2547-9458

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- Makaleler -

Özet

Anahatar kelimeler:

- Recieved: - Accepted:



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Abstract

a period which exhibits impudent views on enrichment with the new economic structure. In a period

the stage. The word has been suppressed, but this also brought about an explosion of words. As Bataille

maintained a happy life in his little hut ended when his neighbor, who moved right across him, built a

Keywords: Poor-

- Articles -

- Recieved: - Accepted:



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Extended Abstract

This study is an ongoing discussion about the extent to which the narrative forms produced through cinema meet the visibility and politicization of the poverty issue, on which numerous comments have been made, but which contains many problems. Because there is a need to narrow and clarify the current

The study, designed on three levels of investigation in the scale of the limitations of the aforementioned

representation in Turkish cinema. At the second level, the study concentrated on the characteristics it displayed in terms of the articulating capacity of everyday forms of resistance, the articulation potential, the inclusive and exclusionary implications, open and closed features, the popular elements it evocates

the general unravel experienced in parallel to the social changes taking place in Turkey or not were problematized.

The methodology that guided inferences is hermeneutical and phenomenological from the Derrida’s point

Turkish comedy cinema, from the perspective of historical reading by looking at the relationship between

poor-subordinate subject regarding daily resistance practices in Turkish comedy cinema through the

and comic, with the arguments of the poststructuralist approach and with a metonymic approach that undermines ideological metaphors, in other words, with references of the deconstructive method. Thus,

to the reader after it leaves the hands of the author.

context of the politics of desire with its joy in itself, its distant attitude to fear, reversing the social roles or status at moments when it is pushed into centripetal forces, in other words, the set of values, giving

to establish order, its submission to the impossibility of displacing order without the aid of centripetal forces, and putting the lack of exit at the point reached into words with the notes from the clarinet. And so, it became possible to say that the everyday establishment of politics in comedy cinema has the



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engaging a process of emancipation, rejection of identities, using potential forces and multiplication. The possibility that this effort to identify minor cracks that leaked into the major narrative could be a source for researchers who would be interested in comedy and daily resistance literature is a wish that will make the whole of the work meaningful.

feminization of poverty.



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Görsel 1

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Görsel 2

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Görsel 3:

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Görsel 5

Tabiyetin reddi: Gülo hasreti



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The Great

Yoksul



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Görsel 6



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Görsel 8

Bay KamberPropaganda

SonuçThe Guardian



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Kaynakça



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