COLOUR: THE ART AND SCIENCE OF ILLUMINATED ...
Transcript of COLOUR: THE ART AND SCIENCE OF ILLUMINATED ...
COLOUR: THE ART AND SCIENCE OF ILLUMINATED MANUSCRIPTS
THE FITZWILLIAM MUSEUM, CAMBRIDGE
30 JULY TO 30 DECEMBER 2016
Protection under the Act is sought for the objects listed:
Object type:
Bound manuscript
Title:
Models for colour mixtures and modelling
Recipe Collection and Model Leaves
Date of creation:
c.1470-1490
Place of creation:
Eastern Netherlands
Artist/Designer (Name and Nationality):
Unknown
Dimensions (H x W x D):
See below
Material/Medium:
Parchment, ink, pigment
Brief physical description (including identifying marks and
inscriptions):
Paper (first quire: PiccP 107592, second quire, text: comparable
to PiccP 111881 and 111882, second quire, model leaf: no
watermark), i nineteenth-century paper flyleaf + 16 fols. + i
nineteenth-century paper flyleaf , first quire c.147 x 109 mm
(c. 93 x 69 mm), second quire 147 x 107 mm (c. 103 x 63 mm),
varying number of long lines, text frame ruled in ink, only
vertical lines in the second quire. Latin and Dutch (North
Eastern Netherlands), with additions in early modern High
German. Script is Gothic bookhand (first quire hybrida formata,
second quire cursive. Binding early twentieth century, reused
limp parchment.
Lender:
Cologne, Historisches Archiv
Provenance:
Ferdinand Franz Wallraf (1748-1824); his bequest to the city of
Cologne, 1824.
Literature: Menne 1937, 389-90, no. 201; Leloux 1977; Wallert
1991; Clarke 2001a, 67; Oltrogge and Fuchs 2011, 222-26;
Oltrogge 2013, 66-67
Ownership between 1933-45:
Cologne, Historisches Archiv
Is the object registered on Art Loss Register?
N/A
Lender’s accession no.
Best. 7010-293
Object type:
Bound manuscript
Title:
Instructions for the painting of acanthus leaves and backgrounds
of initials
Göttingen Model Book
Date of creation:
c.1440-1460
Place of creation:
Mainz, Germany
Artist/Designer (Name and Nationality):
Unknown
Dimensions (H x W x D):
155 x 105 mm
Material/Medium:
Parchment, ink, pigment
Brief physical description (including identifying marks and
inscriptions):
One of two known copies of an exercise book for illuminators.
11 fols., 155 x 105 mm, 30-34 long lines, within a frame ruled
in faint metal point. In early modern German, Gothic bookhand
script (cursive). Binding is nineteenth century, blue paper limp
binding
Lender:
Göttingen, Niedersächsische Staats- und Universitätsbibliothek
Provenance:
Johann Friedrich Armand von Uffenbach (1687-1769), Frankfurt;
his bequest to the University of Göttingen, 1770
Exhibitions: Hamburg 2002, no. 18.
Literature: Meyer 1894, 298-99; Lehmann-Haupt 1966, 21-23;
Lehmann-Haupt 1972; König 1979, 95-98; Roosen-Runge 1981;
Roosen-Runge and Roosen-Runge 1981, 281-85; Wieck 1981; Roosen-
Runge 1983; König 1983, 89; Höhle 1984; Roosen-Runge 1984, 73-
74; Oltrogge, Michon and Fuchs 1989; Fuchs and Oltrogge 1990;
Fuchs and Oltrogge 1991; Alexander 1992a, 126; Scheller 1995,
87; Clarke 2001a, 77; Saurma-Jeltsch 2001, 115-17, 172-77; König
2006, 110-13; Oltrogge 2013, 65-66
Ownership between 1933-45:
Göttingen, Niedersächsische Staats- und Universitätsbibliothek
Is the object registered on Art Loss Register?
N/A
Lender’s accession no.
8° Cod. MS Uffenb. 51 Cim
Object type:
Bound manuscript
Title:
De Diversis Coloribus
The Recipe Collection of Johannes Alcherius (Manuscript of Jean
Lebègue)
Date of creation:
1431
Place of creation:
France, probably Paris
Artist/Designer (Name and Nationality):
Johannes Alcherius, Milan (fl. 1382-1407)
Dimensions (H x W x D):
215 x 145 mm
Material/Medium:
Parchment, ink, pigment, gold leaf
Brief physical description (including identifying marks and
inscriptions):
Paper, i flyleaf + 101fols. + v flyleaves, 215 x 145 mm (100 x
95-100 mm), 27-33 long lines, ruled in black ink, quire marks,
catchwords, 2 blank leaves excised after fols. 104 and 105.
Latin and French, in Gothic bookhand (cursive) script. Binding
is late eighteenth or early nineteenth century, blue leather
over pasteboards.
Lender:
Paris, Bibliothèque nationale de France
Provenance:
Louis Martel, Rouen (his inscription Lud[ovicus] Martellus
Rothomagensis 1587 with his anagram Illustra Deus oculum on fol.
1); sold to Jean Bigot (d. 1645), seigneur of Sommesnil, Normandy
(his bookplate; Delisle 1877, xxxiii); by descent to Louis
Émeric Bigot (d. 1689), Rouen; by descent to Robert Bigot (d.
1692); sold at his sale in Paris, 1706 to Bibliothèque du Roi;
at the Bibliothèque Imperiale, Paris (now BnF) by 1744.
Literature: Merrifield 1967, I, 1-321; Delisle 1877, 79-80;
Stein 1914; Loumyer 1914, 54-9, 158-60, 168-70; Hallaire 1954;
Porcher 1960; Porcher 1962; Samaran and Marichal 1962; Tosatti
Soldano 1983a; Tosatti Soldano 1983b; Tosatti Soldano 1991;
Byrne 1986; Clarke 2001a, 101, no. 2790; Turner 1998; Guineau
et al. 1998; Rouse and Rouse 2000, II, Appendix 11A, 211-16;
Tosatti 2002, 59-67; Ouy 2006; Hedeman 2006a; Hedeman 2006b.
Ownership between 1933-45:
Paris, Bibliothèque nationale de France
Is the object registered on Art Loss Register?
N/A
Lender’s accession no.
MS latin 6741
Object type:
Bound manuscript
Title:
Book of Hours, Use of Rome
Date of creation:
c.1493
Place of creation:
France, Lorraine, Nancy
Artist/Designer (Name and Nationality):
Scribe: François Elzine
Artist: Georges Trubert (doc. 1467-1499)
Dimensions (H x W x D):
159 x 108 mm
Material/Medium:
Parchment, ink, pigment, gold leaf
Brief physical description (including identifying marks and
inscriptions):
Parchment, 105 fols., 159 x 108 mm (94-100 x 60-64 mm), 21 long
lines ruled in red ink. Latin, in Gothic bookhand (textualis)
script. Binding is nineteenth century, blue velvet over wooden
boards, metal clasps and corner pieces.
Lender:
Paris, Bibliothèque nationale de France
Provenance:
Made for Jean de Chasteauneuf c.1493; John Boykett Jarman (d.
1864); his sale, Sotheby’s, London, 13-14 June 1864, lot 33;
Sotheby’s, London, 16 July 1928, lot 269; acquired by the
Bibliothèque nationale de France in 1990.
Exhibitions: Paris 1993, no. 217.
Literature: Backhouse 1968, 92 n. 11; Reynaud 1977, 41, 49, 62
n. 6, figs. 31, 47; Panayotova 2007a, 251-55, figs. 9, 11.
Ownership between 1933-45:
Private collection, UK
Is the object registered on Art Loss Register?
N/A
Lender’s accession no.
MS nouv. acq. lat. 3210
Object type:
Pontifical
Title:
Ordination of priests
Date of creation:
1303-1316
Place of creation:
Metz or Verdun, France
Artist/Designer (Name and Nationality):
Master of the Cambridge Pontifical of Renaud de Bar and others
Dimensions (H x W x D):
340 x 232 mm
Material/Medium:
Parchment, ink, pigment, gold leaf
Brief physical description (including identifying marks and
inscriptions):
Parchment, ii parchment flyleaves + 131 fols. + i parchment
flyleaf, 340 x 232 mm (219 x 142 mm), 14 long lines, ruled in
plummet, catchwords, square notation on four-line staves ruled
in red ink. Latin. Script is Gothic bookhand (textualis).
Binding is sixteenth century, brown calf over wooden boards,
sewn on five supports, gold-stamped corner pieces, central panel
and arms within a medallion inscribed CAROLUS A LOTHARINGIA
EPISCOPUS METENSIS on both covers
Lender:
Prague, National Library of the Czech Republic
Provenance:
Renaut de Bar, bishop of Metz (1303-1316); still at Metz
Cathedral in 1567 when it was entered as no. 3 in the inventory
of 20 November 1567 (Pelt 1930, 312); Charles (1567-1607),
Cardinal of Lorraine and Bishop of Metz (1578-1607), his arms
on both covers and seventeenth-century inscription inside upper
cover; František Josef Sternberg-Manderscheid (1763-1830);
purchased after his death, with most of his library, by August
Longin of Lobkowicz (1797-1842), MS 235 in the Library at
Lobkowicz Palace, Prague; sold with the Lobkowicz Palace Library
to the Czechoslovakian State in 1928 and relocated to the
National Library.
Exhibitions: Prague 1891, 153, ch. 17; Prague 1926 (listed);
Olomouc 2006, no. 19
Literature: Kvĕt 1931, 224-25, 229, figs. 79-81, pl. XXXI;
Urbánková 1957, 25-6, 82, no. 115, pl. 46; de Winter 1980,
passim; Davenport 1984, 74, 530-63; de Hamel 2006b, 209-211; Stones 2013, I, 72, 86, 124, II, 84, 284, 335, 489; Stones 2014, I,
Cat. IV-9, ills. 46-50, 52-68, pls. 8-14 (with additional
literature).
Ownership between 1933-45:
Prague, National Library of the Czech Republic
Is the object registered on Art Loss Register?
N/A
Lender’s accession no.
MS XXIII.C.120