Christie's Interiors

INTERIORS24 February 2015

South Kensington

An Urban LegendSimon Costin on the Museum of British Folklore

and his magical collection

Property from the Barbara Piasecka Johnson Collection

It’s easy to buy at Christie’sRead this simple guide to buying at auction. If you still have questions our terms and conditions of business as

well as much more information can be found in the ‘all you need to know’ section at the back of this catalogue.

1BROWSING

Browsing our catalogues is a great way to

discover more about what’s coming up in

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at www.christies.com where it’s possible to

see all lots free of charge. Of course once

the sale is on view, visit our salerooms, open

seven days a week except Bank Holidays.

Make the most of your browsing:

DESCRIPTIONS

cover basic catalogue information such as size, date

or age, medium, type, attribution, quantity and so on.

ESTIMATES

are given for all lots and can be based on prices

recently paid at auction for comparable property.

They can take into account rarity, condition, quality

and provenance. The RESERVE is the price below

which a lot will not sell. Since it is confidential it is

not published in the catalogue.

The reserve will never exceed the low estimate.

TALK TO OUR SPECIALISTS who will always be happy to discuss the lot

in greater detail; their contact details are

listed opposite.

CONDITION REPORTS are available on request. These supplement the

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lot’s condition.

VIEW THE LOT PERSONALLY

We would always recommend coming to the

saleroom and looking at a lot for yourself,

especially in the case of more valuable items.

SYMBOLS

next to the lot number can indicate a variety of

things, such as where the lot can be collected

after the sale or how much if any VAT is payable.

There is a key to symbols in the ‘all you need to

know’ section at the back of this catalogue.

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2BIDDING

There are four ways to buy offering you

convenience and flexibility whether you are

able to attend the auction in person or not.

All of the following services are free:

IN THE SALEROOM

you will experience the buzz, drama and fun of

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us before you’ll need to bring some form of

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CHRISTIE’S LIVE

is our online bidding service and allows you to see

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All you have to do is click to bid wherever you

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enables you to talk directly to a Christie’s member

of staff in the auction itself who will relay progress

back to you and, on your instruction, bid on

your behalf. Please arrange a telephone line at

least 24 hours before the sale.

To organise a telephone bid ask at the Bids Office

on your visit to the saleroom or telephone us on

+44 (0)20 7839 9060.

WRITTEN BIDS are great if you cannot attend the auction or

are not available to participate either online or

on the telephone. A written bid is simply your

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To find out more about written bids and how to

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3PAYING & TAKING IT HOME

Once you have paid for your lot you can take

it home or arrange for it to be delivered.

If you need to come back a few days later

to pick something up bear in mind that all

purchased items marked with a square n

are removed to an offsite warehouse and

storage charges can apply.

HOW MUCH YOU WILL PAY

If you are successful you will pay the hammer

price plus buyer’s premium on each lot (25% of

the first £50,000 of the hammer price plus 20%

of the excess of the hammer price above £50,000

up to and including £1,000,000 plus 12% of any

amount in excess of £1,000,000) together with

any additional applicable charges such as VAT.

There is a HOW TO PAY section at the back

of this catalogue. If you still have any questions

please call our Cashiers Department on

+44 (0)20 7839 9060.

STORAGE

Lots marked with a square n are transferred to

an offsite warehouse at the close of business on

the day of the sale. We give you 2 week’s free

storage, after which charges begin.

All other lots are stored at Christie’s South

Kensington until 5pm the 5th Friday after the

sale, after which they will also be transferred to

the offsite warehouse and charges will begin.

For full post sale storage details and collection

information please see the relevant page at the

back of the catalogue. There you will find a map to

the warehouse and contact telephone numbers.

DELIVERY

We can help you with all your transport

requirements whether local deliveries or

international freight. Please call our Art Transport

Department on +44 (0)20 7839 9060.

ON THE GO

Browse this auction and view real-time results on your iPhone, iPod Touch, iPad and Android

AUCTION DATETuesday 24 February 2015 at 10am (Lots 1–480)

AUCTION NUMBER In sending written bids or making enquiries, please use auction number: 10639 (Lots 1–480)

VIEWING DATES Saturday 21 February 11am – 5pm Sunday 22 February 11am – 5pm Monday 23 February 9am – 7.30pmTuesday 24 February 9am – 10am*

*(limited view)

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Lot 266

OPENING HOURS

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THINKING

OF SELLING?

ValuationsPhilip [email protected] T +44 (0)20 7752 3146

SALE ENQUIRIES

Sophie [email protected] T +44 (0)20 7752 3368

BIDS OFFICE

T +44 (0)20 7752 3225F +44 (0)20 7581 1403

GENERAL

ENQUIRIES

T +44 (0)20 7930 6074

CHRISTIE’S SOUTH KENSINGTON

85 Old Brompton Road, London SW7 3LD

FRONT COVER

Simon Costin BACK COVER

Lots 315, 275, 278, 76, 271, 71, 178, 277 & 407

[10]

EMAIL

First initial followed by last name @christies.com

(e.g. Sophie Spreadbury = [email protected])

THIS SALE’S TEAM

Mark WilkinsonHead of Interiors

LOTS OF IRANIAN /PERSIAN ORIGINBidders are kindly reminded that some countries (such as the USA and Canada) prohibit

or restrict the purchase and import of Iranian origin “works of conventional craftsmanship”

(works that are not by a recognized artist and/or that have a function, for example: bowls, tiles,

ornamental boxes and carpets).

“Informational materials”(such as paintings, drawings and pastels, executed entirely by hand,

collages and similar decorative plaques, framed or not framed; original engravings, prints and

lithographs, printed books, newspapers and manuscripts) are not subject to the restrictions.

All bidders are responsible for familiarizing themselves with the laws that apply to them and

ensuring that they do not bid on or import property in contravention of relevant sanctions or

trade embargoes.

LOTS CONTAINING IVORYThe USA has recently changed its policy on the import of property containing elephant ivory.

Only Asian Elephant ivory may be imported into the USA, and imports must be accompanied

by DNA analysis and confrmation the object is more than 100 years old. We cannot indicate

whether the elephant ivory in a particular lot is African or Asian elephant. Buyers purchase these

lots at their own risk and will be responsible for the costs of obtaining any DNA analysis or other

report required in connection with their proposed import into the USA. A buyer’s inability to

export or import a lot is not a basis for cancelling their purchase.

Ned PakenhamFurniture

Pippa GreenWorks of Art

Celia HarveyClocks

Fiona Baker20th Century Decorative Art & Design

Mary O’ConnellEuropean Ceramics & Glass

James RichardsDrawings

Lily FaberSilver

SOUTH KENSINGTON

INTERIORS

Sophie Spreadbury Administrator

2

24 FEBRUARY 2014 · AN URBAN LEGEND

‘I have always been interested in Myths and Folk Stories

for as long as I can remember. For a child they offer a

means of making sense of the world. They represent

a series of lessons that work on both a practical and a

psychological level. They are fundamental to humanity

and have always been with us and we ignore them at

our peril. Quite often over the years, I have tried to find

a place where I could learn more about Britain's rich folk

heritage only to discover that we don't actually have any

such institution. This is strange really when we produce

so much of it. Over the past fifteen years I've become

increasingly involved with the customs themselves, not

only going to witness them but also taking part when

invited to do so. They represent a moment out of time,

where the norms of existence are bent or forgotten.

While we are rooted in the here and now, they help to put

us in touch with our past and help to build community

spirit, foster an interest in where we have come from

and the things that are important to us. It was with

this in mind that I decided to look into opening the UK's

first ever Museum dedicated solely to researching and

celebrating our native customs and traditions.’

‘Folklore can be seen as being a body of expressive

culture, traditional art, literature, knowledge, and

practice that is disseminated largely through oral

communication and behavioural example. It comes

under the heading 'intangible heritage' due to its nature

and having been deemed to be 'low culture' for so long.

Many unlikely things could be thought of as folklore or

folk culture, such as urban legends, children's rhymes,

conspiracy theories, UFO abduction reports, graffiti and

roadside memorial tributes for example. It is a hard

thing to pin down and no one description will suffice.

Most often people might think of folklore as something

that is simply 'old', 'rural' or 'dying out'. In fact folklore,

while it connects people with their past, is also being

created on a daily basis and is a great cultural signifier. It

is vital our native heritage is researched and maintained

for future generations. I see the museum as filling

a yawning gap within the cultural landscape of this

country, and as a means for people from all walks of life

to gain knowledge, and a deeper understanding, of our

unique folk culture.

Folk culture runs through our lives in ways people don't

always recognise, from street slang to urban myths.

We construct ritual and give it meaning everyday in

response to fundamental human desires. We have

constructed wayside shrines ever since the first traveller

was killed on a road and we still do it when a bicycle is

painted white and chained to the railings close to where

a cyclist was killed. The Museum of British Folklore will

reflect what it means to be human in the 21st century

and will draw on the customs and traditions of the

UK to show the world the things we hold dear and

how they resonate in the wider community and the

commonality we all have as human beings.’

The Museum of British Folklore is currently looking for

land to build on and the funds to build with. To find out

more visit www.museumofbritishfolklore.com.

AN URBAN LEGEND

The legendary set designer and art director

Simon Costin tells us why his beloved Museum of

British Folklore is so relevant to today’s world, and

invites us inside his extraordinary London home to

explore his magical collection

3

AN URBAN LEGEND · 24 FEBRUARY 2014

“Folk culture runs through our lives in ways

people don't always recognise, from street slang

to urban myths. We construct ritual and give it

meaning every day in response to fundamental

human desires.”

Simon Costin

4

24 FEBRUARY 2014 · AN URBAN LEGEND

AT HOME

WITH

SIMON COSTIN

Describe your home in three words?

Eclectic, personal, magical.

How do you choose pieces for your home?

I’ve always felt that the objects I have in my home found

me, rather than the other way around. It is very much a

natural accumulation as I tend to be drawn towards things

with a certain forlorn sensibility. I keep on adding and

moving things around in order to set up new dialogues

between objects and the context I put them into.

Where do you discover them?

I am often to be found in flea markets in London, Paris

and New York. In the UK I also go to Kempton Antique

Market and Ardingly Antique Market. Wherever I visit I

can usually sniff out the local junk and bric-a-brac shops.

What’s your advice to the novice collector?

Be ruled by the heart, not the head.

If you could see one era revived in 2015, what would it be?

The Decadent Movement or Vienna Secession.

Whose style most inspires you?

Gabriele D'Annunzio and his house in Italy.

What is your favourite building in London?

Dennis Severs House in Spitalfields.

Which room do you spend most time in?

I work from home so tend to be either in the studio, at

the top of the house, where it is very light and quiet or in

the kitchen if I’m writing as its closer to the kettle.

In another life I’d be a… Shaman.

If I could live anywhere else in the world I’d live in…

Italy, probably close to the Garda Lakes.

If I could own something I’ll never have the chance to it

would be… The Kunstkammer of Rudolf II.

Why don’t more people… Read more and learn to

tolerate each other if they can’t find it in themselves

to love.

The last great book I read was… The Goldfinch by

Donna Tartt.

My most recent wonderful discovery was…

Snowshill Manor in Worcestershire.

If I could share a nightcap with anyone it would be…

Angela Carter.

If I could breakfast with anyone it would be…

Alone, I’m terrible in the mornings!

On my coffee table is… A pile of films to be watched.

By my nightstand is… The Great God Pan by

Arthur Machen.

Great style is… Knowing what you like and not being

afraid to live with it.

Home is where… Friends and loved ones meet.

5

AN URBAN LEGEND · 24 FEBRUARY 2014

“Great style is knowing what you like and not

being afraid to live with it.”

Simon Costin

SIMON’S PICKS FROM THE INTERIORS SALE

LOT 15 LOT 168

LOT 352 LOT 84 LOT 152

ALL LOTS MARKED WITH A SQUARE n ARE REMOVED TO AN OFF-SITE WAREHOUSE AT THE CLOSE OF BUSINESS ON THE DAY OF THE SALE – 2 WEEKS FREE STORAGE6

n9 A BEECH ‘HOWARD’ SOFA

BY LENYGON AND MORANT, THIRD QUARTER 20TH CENTURY

Upholstered in red velvet, the underside with remains of label “......MORANT LTD........H.......”, on square tapering mahogany-stained beech legs with brass castors66 in. (168 cm.) wide

£800-1,200 $1,300-1,800

€1,100-1,600

n8 A SMALL GEORGE II OAK CHEST

CIRCA 1740

With panelled sides and four graduated drawers, the top drawer ftted, on ogee bracket feet33 in. (84 cm.) high; 30Ω in. (77 cm.) wide; 18Ω in. (47 cm.) deep

£600-800 $910-1,200

€790-1,000

n7 A GEORGE II WALNUT CHEST

CIRCA 1740

With pine sides, the crossbanded and quarter-veneered top above fve drawers, some lined in newspaper dating to 1820, with original feet and apparently original metalwork37º in. (94.5 cm.) high; 37º in. (94.5 cm.) wide; 20Ω in. (52 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000

n~6 A GEORGE IV ROSEWOOD CENTRE TABLE

CIRCA 1820

With circular tilt-top, on foliate carved feet with castors29º in. (74.5 cm.) high; 54 in. (137 cm.) diameter

£700-1,000 $1,100-1,500

€920-1,300

n~5 A REGENCY MAHOGANY DRUM TABLE

EARLY 19TH CENTURY

With tooled red leather top over eight oak-lined drawers inset with later bone roundels painted with letters of the alphabet, one drawer ftted with pen and ink compartments, top and base associated30Ω in. (77 cm.) high; 48Ω in. (123 cm.) diameter

£700-1,000 $1,100-1,500

€920-1,300

n4 A LATE VICTORIAN FIGURED WALNUT AND PARCEL

GILT PEDESTAL DESK

CIRCA 1880

With gilt tooled red leather top above nine drawers on castors30 in. (76 cm.) high; 45 in. (114 cm.) wide; 23Ω in. (60 cm.) deep

£800-1,200 $1,300-1,800

€1,100-1,600

n3 A BRASS CLUB FENDER

EARLY 20TH CENTURY

Re-upholstered in Kilim-pattern fabric

£800-1,200 $1,300-1,800

€1,100-1,600

n2 A GEORGE III MAHOGANY KNEEHOLE DESK

CIRCA 1760

With eight oak-lined drawers including an apron drawer, around a cupboard, on later bracket feet30æ in. (78 cm.) high; 31Ω in. (80 cm.) wide; 19 in. (48 cm.) deep

£700-1,000 $1,100-1,500

€920-1,300

n1 A GEORGE I WALNUT CHEST

EARLY 18TH CENTURY AND LATER

The top crossbanded in walnut and longbanded in fruitwood, above fve drawers on later feet, restorations and replacements34 in. (87 cm.) high; 38 in. (97 cm.) wide; 22Ω in. (57 cm.) deep

£700-1,000 $1,100-1,500

€920-1,300

The Property of a Gentleman, lots 1-15

type=external_link&url=http://www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=CSK&sale=10639&lot=0001










n15 A GEORGE III MAHOGANY FOUR POSTER BED

LATE 18TH CENTURY

The cornice decorated with Prince of Wales feathers and stiff leaves, on acanthus carved cluster columns, restorations, refreshment to decoration96 in. (244 cm.) high; 71Ω in. (182 cm.) wide; 85 in. (216 cm.) long

£1,200-1,800 $1,900-2,700

€1,600-2,300

n14 A SET OF EIGHT WILLIAM IV MAHOGANY DINING CHAIRS

SECOND QUARTER 19TH CENTURY

Each re-upholstered in blue cotton embroidered with fowers (8)

£1,000-1,500 $1,600-2,300

€1,400-2,000

n13 A PAIR OF EASY ARMCHAIRS

BY HOWARD CHAIRS LTD, LATE 20TH CENTURY

In different fabrics, on square tapering mahogany-stained legs with brass castors, the rear legs stamped HOWARD CHAIRS LTD/ LONDON ENGLAND, the undersides with HOWARD CHAIRS LTD labels, one with the Lyme Street address, the other with the Warwick Street address (2)

£1,500-2,500 $2,300-3,800

€2,000-3,300

n12 AN EARLY VICTORIAN MAHOGANY EXTENDING DINING TABLE

CIRCA 1845

With two extra leaves29 in. (74 cm.) high; 95 in. (241 cm.) wide; 52 in. (132 cm.) deep

£800-1,200 $1,300-1,800

€1,100-1,600

n11 A LATE VICTORIAN GILTWOOD AND COMPOSITION OVERMANTEL MIRROR

CIRCA 1900

After a design by Robert Adam, gilding refreshed61 in. (155 cm.) high; 63 in. (160 cm.) wide

£1,000-2,000 $1,600-3,000

€1,400-2,600

n10 A PAIR OF SOFAS

BY HOWARD CHAIRS LTD, LATE 20TH CENTURY

With square tapering mahogany-stained legs on brass castors, the rear legs all stamped HOWARD CHAIRS LTD/ LONDON ENGLANDEach 63 in. (160 cm.) wide (2)

£2,500-4,000 $3,800-6,100

€3,300-5,200









VARIOUS PROPERTIES

nD21 A SPANISH WALNUT VARGUENO-ON-STAND


The fall enclosing a ftted interior of fourteen drawers and two cupboards, each carved with strap, scroll and foliate detail, the doors applied with mouldings to simulate architectural doorways, on stand with block and turned legs; Together with a Spanish walnut armchair, 18th century54 in. (138 cm.) high; 41 in. (105 cm.) wide; 16 in. (40 cm.) deep

£1,000-2,000 $1,600-3,000

€1,400-2,600

THE PROPERTY OF A GENTLEMAN

n20 A LARGE NORTH ITALIAN WALNUT BENCH

LATE 16TH / EARLY 17TH CENTURY, PROBABLY TUSCANY

The geometrically-moulded panelled back with scroll ends, the seat with two hinged compartments104º in. (265 cm.) wide

£1,500-2,500 $2,300-3,800

€2,000-3,300

P R O V E N A N C E :

Acquired by the vendor from Tomasso Bros.

n19 A PARADE DRUM FOR THE CHARLTON STAR OF HOPE BAND

LATE 19TH CENTURY

Decorated with the Royal Coat of Arms and maker’s name stencilled ‘J.HIGHAM: LT. MAKERS, STRANGEWAYS, MANCHtr. & A.T. 84 OXFORD ST. LONDON W.’ and ‘CHARLTON STAR OF HOPE BAND’21 in. (53.2 cm.) high; 31 in. (78.7 cm.) wide

£1,000-1,500 $1,600-2,300

€1,400-2,000


n18 A DUTCH EBONY, ROSEWOOD AND MARQUETRY CENTRE TABLE

THE TOP LATE 17TH CENTURY, THE BASE 19TH CENTURY

The moulded rectangular top elaborately inlaid with birds perched among scrolling foliage and centred by a vase, above a single frieze drawer, on spiral-turned supports joined by conforming stretchers29 in. (74 cm.) high; 39Ω in. (100 cm.) wide; 26 in. (66 cm.) deep

£2,000-3,000 $3,100-4,500

€2,700-3,900


n17 A FRENCH WROUGHT-IRON AND GOLD-PAINTED CONSOLE TABLE

MID-20TH CENTURY

The rounded rectangular marble top with moulded edge above a pierced scrollwork base with applied foliate decoration37Ω in. (95 cm.) high; 71æ in. (182 cm.) wide; 21º in. (54 cm.) deep

£1,500-2,000 $2,300-3,000

€2,000-2,600

VARIOUS PROPERTIES

n16 A PAIR OF FRENCH STEEL AND BRASS-HANDLED BAYONET WALL APPLIQUES

LATE 19TH CENTURY

The steel shaped and adapted, each with three candle sockets, various impressed numbers and stamps23Ω in. (60 cm.) high (2)

£800-1,200 $1,300-1,800

€1,100-1,600









n27 A GOTHIC OAK CUPBOARD

16TH CENTURY AND LATER

With pierced tracery panels and linenfold panels below and to the sides, enclosed by three cupboards and two drawers52Ω in. (133.5 cm.) high; 52Ω in. (133.5 cm.) wide; 14 in. (36 cm.) deep

£2,000-3,000 $3,100-4,500

€2,700-3,900


Bonham’s Knightsbridge, 22 September 1994, lot 148

PROPERTY OF PRINZ MAXIMILIAN ZU FÜRSTENBERG FROM SCHLOSS WERENWAG

n26 A FLEMISH LARGE-LEAF VERDURE GAME-PARK TAPESTRY FRAGMENT

MID-16TH CENTURY

Woven in silks and wools, depicting a variety of animals including a stag, a leopard, a ram and a rabbit, within large scrolling cabbage leaves, within a strapwork border of fruiting foliage and fgures, restored cuts to feld and border, reduced in size, lacking bottom border3 ft. 11 in. x 6 ft. 6 in. (120 x 198 cm.)

£3,000-5,000 $4,600-7,600

€4,000-6,500

25 NINE ENGRAVINGS OF CLASSICAL STATUES AND BUSTS FROM ‘STATUES ET BUSTES

ANTIQUES DES MAISON ROYALES’

AFTER ST. BAUDET AND DATED 1677

Recently mounted in gilt-wood frames24º x 19æ in. (61.5 x 50 cm.) overall (9)

£1,200-1,800 $1,900-2,700

€1,600-2,300


n24 A KOREAN BRASS-MOUNTED ELM AND PINE CHEST

LATE 19TH / EARLY 20TH CENTURY

The top with up-turned ends above eighteen drawers and a central cupboard, with panelled sides and scroll feet42 in. (107 cm.) high; 45Ω in. (116 cm.) wide; 19Ω in. (50 cm.) deep

£700-1,000 $1,100-1,500

€920-1,300

THE PROPERTY OF THE LATE HAZEL WESTBURY

23 A JAPANESE ARITA FIVE-PIECE GARNITURE

EDO PERIOD (18TH CENTURY)

Comprising three baluster jars with covers and two beaker vases, each painted in underglazed blue with shaped panels of fowers, on a ground of leafy scrolls and fower heads, the domed covers similarly decorated and applied with a shishi [lion dog] shaped fnialThe jars 9Ω in. (25.5 cm.) high, including covers; the beakers 6æ in. (17 cm.) high (5)

£1,000-1,500 $1,600-2,300

€1,400-2,000

22 TEN ENGRAVINGS DEPICTING CLASSICAL MYTHOLOGICAL SUBJECTS

AFTER NICHOLAS VANNI, LATE 18TH CENTURY WITH LATER COLOUR

Recently mounted with gilt and ebonised frames20 x 15Ω in. (51 x 39.5 cm.) (10)

£800-1,200 $1,300-1,800

€1,100-1,600

(part) (part)








THE PROPERTY OF A LADY

n28 A CHINESE HONG MU LOW TABLE

MID-19TH CENTURY

The panelled top with a plain waisted frieze and pierced apron, on square-section legs with scroll feet20 in. (51 cm.) high; 18 in. (46 cm.) wide; 18º in. (46.5 cm.) deep

£800-1,200 $1,300-1,800

€1,100-1,600

29 A FRENCH GILT AND PATINATED BRONZE STRIKING MANTEL CLOCK

MID-19TH CENTURY

The case surmounted by an Orientalist fgure, the gilt brass dial with Roman hours, the twin barrel movement with recoil anchor escapement, silk suspension and unusual striking system; pendulum lacking20º in. (51.5 cm.) high; 16 in. (40.5 cm.) wide; 5 in. (13 cm.) deep

£1,500-2,500 $2,300-3,800

€2,000-3,300


n30 A PAIR OF ENGLISH BLACK AND GILT-JAPANNED MIRRORS

MODERN

Each with a bevelled plate and frame decorated with birds, foliage and fgures34æ in. (88.5 cm.) high; 35 in. (89 cm.) wide (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000

n31 A JAPANESE BLACK AND GILT-LACQUER ROBE CHEST

EDO PERIOD, 18TH CENTURY

With foliate brass angle mounts, the top revealing a lift-out tray and a paper-lined interior, with carrying handles to the long sides, the two fowerheads on the lid later added14Ω in. (36.5 cm.) high; 24Ω in. (62 cm.) wide; 18 in. (46 cm.) deep

£1,500-2,500 $2,300-3,800

€2,000-3,300

32 A JAPANESE FIGURAL LACQUER AND GESSO INCENSE BURNER


In the form of a seated fgure with glass eyes and metal ear-rings smoking a pipe, a hollowed cavity in his back for the burner18Ω in. (47 cm.) high

£1,000-1,500 $1,600-2,300

€1,400-2,000


n33 A CHINESE HONGMU AND BURR CHESTNUT ALTAR TABLE

LATE 19TH/ EARLY 20TH CENTURY

The apron, spandrels, feet and everted ends carved to both sides with scrolls, the top panelled in burr chestnut32 in. (81 cm.) high; 47 in. (120 cm.) wide; 15 in. (38 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300








n34 A CHINESE HONGMU CENTRE TABLE


The top inset with pink marble above a frieze carved with squirrels, foliage and berries, the column coiled by a dragon, on claw and ball feet32æ in. (83 cm.) high; 24º in. (61.5 cm.) diameter

£4,000-6,000 $6,100-9,100

€5,300-7,800

n35 A CHINESE EXPORT LACQUER AND BONE AND HARDSTONE INLAID PANEL

19TH CENTURY

Depicting fgures of children in various pursuits and fowering trees and gilt decoration within a moulded gilt heightened frame39Ω x 59Ω in. (100 x 151 cm.) overall

£1,200-1,800 $1,900-2,700

€1,600-2,300

n36 A REGENCY BLACK AND GILT JAPANNED PAPIER MACHE TRAY ON LATER STAND

THE TRAY EARLY 19TH CENTURY, THE STAND LATE 20TH CENTURY

Decorated with anthemions, acorns and oak leaves and a chinoiserie inner border, the stand decorated with clasped lotus fowers20 in. (51 cm.) high; 30 in. (76 cm.) wide; 21æ in. (55.5 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300

37 A PAIR OF CONTINENTAL PORCELAIN MODELS OF PARROTS

CIRCA 1900, INDISTINCT BLUE PAINTED MARK TO ONE

Modelled in the Chinese style on pierced rockwork bases15Ω in. (39.4 cm.) high (2)

£1,200-1,800 $1,900-2,700

€1,600-2,300

n38 A CEYLONESE EBONY ARMCHAIR


Originally caned, now with leather upholstery

£1,500-2,500 $2,300-3,800

€2,000-3,300

PROPERTY FROM A PRIVATE BELGIAN COLLECTION

n39 A JAPANESE ASH, BEECHWOOD, WALNUT AND FRUITWOOD MARQUETRY DISPLAY

CABINET

MEIJI PERIOD, CIRCA 1900

With an arrangement of sliding panels, drawers and compartments with geometric inlay, surmounted by a pagoda style top with splayed angular feet66 in. (168 cm.) high; 35º. in. (89.5 cm.) wide; 12 in. (30.5 cm.) deep

£1,500-2,500 $2,300-3,800

€2,000-3,300








n47 A PAIR OF SATINWOOD, INDIAN-ROSEWOOD AND

MARQUETRY SIDE TABLES

OF GEORGE III STYLE, 20TH CENTURY

Each with fan-veneered top outlined in foral marquetry30 in. (76.5 cm.) high; 50Ω in. (128.5 cm.) wide; 18Ω in. (47 cm.) deep (2)

£2,000-3,000 $3,100-4,500

€2,700-3,90047

n46 A REGENCY EBONISED AND PARCEL-GILT TUB CHAIR

EARLY 19TH CENTURY, RE-DECORATED

With a re-upholstered seat and sabre legs35 in (89 cm.) high

£700-1,000 $1,100-1,500

€920-1,300

46

n~45 A FLEMISH EBONY, IVORY AND FLORAL MARQUETRY

EASEL MIRROR


With rectangular bevelled plate29 in. (74 cm.) high; 21 in. (54 cm.) wide

£800-1,200 $1,300-1,800

€1,100-1,600

45n44 A LARGE GILTWOOD AND COMPOSITION MIRROR

LATE 19TH / EARLY 20TH CENTURY, OF GEORGE II STYLE

With overall foliate and pounced detail, the pediment with rosette terminals and centred with a large foliate scroll cartouche50 in. (127 cm.) high; 31 in. (79 cm.) wide

£1,200-1,800 $1,900-2,700

€1,600-2,300

44

n43 A GREEN-PAINTED AND PARCEL-GILT MARBLE-TOP

CONSOLE TABLE

EARLY 20TH CENTURY, RE-DECORATED

With pierced fret friezes and a central pagoda-like motif, on open pierced legs33 in. (84 cm.) high; 32Ω. (83 cm.) wide; 17æ in. (45 cm.) deep

£700-1,000 $1,100-1,500

€920-1,300

43

42 A PAIR OF ITALIAN VARIEGATED MARBLE OBELISKS

LATE 19TH CENTURY

The marbles including grey Saint Anne, pink and yellow brocatello, verde antico and red jasper, headed by gilt-metal fnials, one fnial missing, losses23Ω in. (59.5 cm.) high (2)

£600-800 $910-1,200

€790-1,000

42

n41 A GEORGE II GILTWOOD AND COMPOSITION MIRROR

MID-18TH CENTURY

With bevelled plate and foliate border, the crest with scrolling ears and centred with a cherub head with headdress, the apron centred with a shell, losses and damage43 in. (110 cm.) high; 21Ω in. (55 cm.) wide

£600-800 $910-1,200

€790-1,000

41

n40 A PAIR OF BROWN AND GOLD PAINTED TORCHERES

OF REGENCY STYLE, EARLY 20TH CENTURY

Carved with futing and gadrooning, each topped by a large wax candle, re-decorated67Ω in. (171 cm.) high excluding candles (2)

£600-800 $910-1,200

€790-1,000

40












n56 A VICTORIAN WALNUT LOW ARMCHAIR

BY HOWARD & SONS, LATE 19TH CENTURY

Re-upholstered, one back leg stamped 15080 / 7016, the castors stamped HOWARD & SONS, LONDON

’1,200-1,800 $1,900-2,700

€1,600-2,300

54 A MATCHED PAIR OF SILVER AND MAHOGANY

PHOTOGRAPH FRAMES

MARKS OF DEAKIN & FRANCIS LTD AND HENRY BOURNE, BIRMINGHAM 1903

Each of shaped outline, the silver embossed with poppies on sinuous stems, mounted on mahogany with easel support and glass, stamped marks, Rd No 4004736æ in. (17.2 cm.) high (2)

’1,800-2,200 $2,800-3,300

€2,400-2,900

n53 A REGENCY MAHOGANY WATERFALL OPEN

BOOKCASE

EARLY 19TH CENTURY

Reeded overall, with brass swan-neck handles to each side, on later bracket feet37æ in. (96 cm.) high; 37 in. (94 cm.) wide; 14Ω in. (37 cm.) deep

’1,200-1,800 $1,900-2,700

€1,600-2,300


n50 A GEORGE I FIGURED OAK GATE-LEG TABLE

EARLY 18TH CENTURY

With oval top and arched friezes with one drawer, on ring-turned baluster legs and similar cross-stretchers27 in. (70.5 cm.) high; 65 in. (166 cm.) wide, extended; 53 in. (135 cm.) deep

’1,000-1,500 $1,600-2,300

€1,400-2,000

VARIOUS PROPERTIES

48 “FRIENDSHIP IS A SHELTERING TREE’, A PAIR OF

SILVER AND OAK PHOTOGRAPH FRAMES

MARK OF DEAKIN & FRANCIS, BIRMINGHAM 1903

Each of shaped outline, the silver embossed with title and forget-me-nots, mounted on mahogany with easel support and bevelled glass, stamped marks& Rd No 413307¡ in. (18.7 cm.) high (2)

’1,500-2,000 $2,300-3,000

€2,000-2,600


n55 A SPANISH FOOTBALL TABLE

SECOND HALF 20TH CENTURY

The ends with painted inscription “ANIS DEL TORDO !Como siempre! es el mejor”36 in. (92 cm.) high; 65 in. (165 cm.) wide; 37 in. (94 cm.) deep excluding the metal poles

’2,500-4,000 $3,800-6,100

€3,300-5,200

l52 JOSE MARIA DAVID (B.1944)

CENTREPIECE, 21ST CENTURY

Gilt and silvered bronze group of animals round a water hole, signed J.M.David, I/VIII, Maromer Bronzier mark21Ω in. (54.5 cm.) wide

’2,000-3,000 $3,100-4,500

€2,600-3,800


Acquired by the vendor directly from the artist.


n49 A CHROMED METAL COFFEE TABLE


With a pebble inset resin top, inscribed 62318¿ in. (46 cm.) high; 63 in. (160 cm.) wide; 23¬ in. (60 cm.) deep

’1,000-1,500 $1,600-2,300

€1,400-2,000

51 A PAIR OF LOUIS KATONA ART DECO WROUGHT-IRON

CANDELABRA

CIRCA 1930

Each fashioned with three drip-pans on scroll supports with open work leaf and berry decoration, painted surface, stamped L.Katona 8æ in. (22.2 cm.) high; 13¡ in. (34 cm.) wide (2)

’1,200-1,800 $1,900-2,700

€1,600-2,300











n57 A SMALL GEORGE I WALNUT BUREAU

EARLY 18TH CENTURY

Feather-banded overall, the fall enclosing small drawers and pigeonholes above a baize-lined writing surface, with two short and three long drawers, on bracket feet37Ω in. (95 cm.) high; 26º in. (67 cm.) wide; 19º in. (49 cm.) deep

’1,000-1,500 $1,600-2,300

€1,400-2,000

n58 AN EARLY GEORGE III MAHOGANY KNEEHOLE DESK

CIRCA 1770

With seven oak-lined drawers around a cupboard30 in. (76 cm.) high; 31 in. (79 cm.) wide; 21 in. (53.5 cm.) deep

’700-1,000 $1,100-1,500

€920-1,300

59 NINE CLASSICAL ENGRAVINGS OF ARCHITECTURE , ROMAN COLUMNS AND ARCHES

AFTER PIRANESI AND ROSSINI, 20TH CENTURY

Three signed ‘Cavalier Piranesi’ another signed ‘G. Piranesi’ and another ‘Piranesi F’ and four signed ‘Rossini’, all in hand painted blue or red frames with gilt decoration, assorted sizes, six landscape and three portrait30æ x 40 in. (78 x 102 cm.) overall to 27Ω x 23Ω in. (70 x 60 cm.) (9)

’1,500-2,000 $2,300-3,000

€2,000-2,600

n60 A LARGE CARVED OVAL MIRROR

MID-18TH CENTURY, PROBABLY GERMAN

The later plate within a foliate surround surmounted by cherubs at each compass point53Ω in. (136 cm.) high; 43Ω in. (111 cm.) wide

’2,000-3,000 $3,100-4,500

€2,700-3,900

n61 A GEORGE III BRASS FOUR LIGHT CHANDELIER


The baluster knopped shaft supporting four scroll branches with candle nozzles and drip-pans, some later elements 22Ω in. (57 cm.) high; 30æ in. (78 cm.) wide

’2,500-4,000 $3,800-6,100

€3,300-5,200

n62 AN EARLY VICTORIAN CAST-BRASS AND STEEL FENDER

MID-19TH CENTURY

With shaped steel panels and cast foliate mounts56 in. (142 cm.) wide

’700-1,000 $1,100-1,500

€920-1,300


(part)







15PLEASE REFER TO THE IMPORTANT NOTICES AT THE FRONT & BACK OF THE CATALOGUE REGARDING LOTS OF IRANIAN/PERSIAN ORIGIN

n63 A PAIR OF FRENCH CAST-IRON ATHENIENNE STANDS


After the Antique, each with circular inset Verde Antico marble tops, of tripartite form the tapering supports with foliate dog masks, terminating in paw feet on circular plinth bases40Ω in. (103 cm.) high (2)

£1,500-2,500 $2,300-3,800

€2,000-3,300

64 A PAIR OF FRENCH GILT AND PATINATED BRONZE FIVE-LIGHT CANDELABRA


Each with four scrolling foliate cornucopia branches above central candleholders on futed shafts and pierced scrolling triple supports23 in. (58.5 cm.) high (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000

n65 A FINE TABRIZ CARPET, NORTH-WEST PERSIA

CIRCA 1940’S, SIGNATURE

approx:14ft.8in. x 11ft.3in.(446cm. x 342cm.)

£1,000-1,500 $1,600-2,300

€1,400-2,000

n66 A SWEDISH GILT-LEAD MOUNTED, BLUE AND CLEAR GLASS PIER MIRROR

ATTRIBUTED TO BURCHARD PRECHT, EARLY 18TH CENTURY

The bevelled rectangular plate fanked by futed marginal plates with Corinthian capitals, surmounted by an arched plate with a satyr mask issuing trailing foliage, with fruiting foliate fnials, some glass elements replaced, partially rebacked51Ω in. (131 cm.) high; 31 in. (79 cm.) wide

£5,000-8,000 $7,600-12,000

€6,600-10,000

This mirror displays many of the characteristics of Burchard Precht (1651-1738). Born in Bremen and apprenticed at his brother’s workshop in Hamburg, Precht moved to Stockholm around 1674. He began work at Drottingholm Palace in the same year and was appointed court-sculptor in 1682. A near pair of mirrors attributed to Precht, with an almost identical cresting, was sold Christie’s London, 20 November 2008, Dealing in Excellence: A Celebration of Hotspur and Jeremy, lot 160 (£109,250).

n67 A PAIR OF BIEDERMEIER GILT-METAL MOUNTED MAHOGANY STOOLS

SWEDISH, EARLY 19TH CENTURY

Each re-upholstered in striped blue silk, with overscrolled ends and outswept tapering legs, later mounted22 in. (56 cm.) high; 24 in. (61 cm.) wide; 15º in. (38.5 cm.) deep (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000

n68 A PAIR OF WILLIAM IV GONCALO ALVES CARD TABLES


Of conjoinable form, with conforming bead-and-reel decoration to the frieze, column and base, each with a hinged top with crossbanded and baize-lined interior, on bun feet with concealed leather castors30º in. (77 cm.) high; 35æ in. (91 cm.) wide; 17æ in. (45 cm.) deep (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000

A Private Collection from Belgravia, lots 63-68








nl74 SHANI RHYS JAMES, M.B.E. (B. 1953)

The red living roomoil on canvas71 x 71 cm. (180.3 x 180.3 cm)

’3,000-5,000 $4,600-7,600

€4,000-6,500

l73 VICTOR VASARELY (FRENCH/HUNGARIAN, 1906-1997)

Art et Architecturesigned ‘vasarely’ (lower left); signed, titled, inscribed and dated ‘1138 VASARELY-”ART ET ARCHITECTURE” 55 X 50 1960/1988’ (on the reverse)acrylic on canvas21¬ x 19¬ in. (55 x 50 cm.)

’6,000-8,000 $9,100-12,000

€7,900-10,000


Acquired directly from the artist by the present owner.

The authenticity of the work has been confirmed by Mr. Pierre Vasarely. The work will be included in the forthcoming catalogue raisonné being prepared by the Vasarely Foundation in Aix-en-Provence.

l72 DIETZ EDZARD (GERMAN, 1893-1963)

Bouquet champktre I la lettresigned ‘D Edzard’ (lower right)oil on canvas, unframed28æ x 23¬ in. (73 x 60 cm.)

’2,000-3,000 $3,100-4,500

€2,700-3,900

Mrs Christine Goodwin has confirmed the authenticity of this work.

l71 EDWARD BAWDEN, R.A. (1903-1989)

Audley End Parksigned ‘Edward Bawden’ (lower right)watercolour25º x 19º in. (64.1 x 48.9 cm.)

’2,000-3,000 $3,100-4,500

€2,700-3,900


with Bohun Gallery, Henley-on-Thames.

l70 LOUIS ICART (FRENCH, 1888-1950)

Femme assise en sous-boissigned ‘Louis Icart’ (lower right)oil on panel9 x 7 in. (22.8 x 17.7 cm.)

’3,000-5,000 $4,600-7,600

€4,000-6,500

VARIOUS PROPERTIES

69 FRENCH SCHOOL, 19TH CENTURY

Une qlqganteindistinctly signed (lower right)pastel on paper50 x 31Ω in. (127 x 80 cm.)

’1,500-2,000 $2,300-3,000

€2,000-2,600








l80 PAUL GEORGES KLEIN (FRENCH, 1909-1994)

King Oliver’s Orchestrasigned ‘Paul. G. Klein’ (upper left) and signed, inscribed and dated ‘KING OLIVER’S ORCHESTRA,1985/STORYVILLE/-/PAUL.G. KLEIN’ (on the reverse)oil on canvas51Ω x 63æ in. (130.7 x 162 cm.)

’2,000-4,000 $3,100-6,100

€2,700-5,200

Joseph Nathan Oliver (1881 – 1938) better known as ‘King Oliver’ was an American jazz cornet player and bandleader. In the 1910s and 1920s Oliver played and lead in brass and dance bands in New Orleans’ red-light district - an area which came to be known as ‘Storyville’.

l79 CLAUD LOVAT FRASER (1890-1921)

The Beggars Opera - A three-fold wooden screen with six inset panels and carved decorationthe upper left panel signed ‘C LOVATFRASER’ (lower right)oil on panelcomplete screen: 62Ω x 58æ in. (158.2 x 149.3 cm.)

’2,000-3,000 $3,100-4,500

€2,700-3,900


Given by the artist to the Playfair family circa 1920

E X H I B I T E D :

London, Leicester Galleries, Claud Lovat Fraser Memorial Exhibition, 1921.

Sir Nigel Playfair produced John Gay’s ‘The Beggar’s Opera’ at the Lyric Theatre, Hammersmith in June 1920. The music was arranged by Frederic Austin and Claud Lovat Fraser designed the set and costumes. The production was an instant success and ran for three years.

l78 FRED YATES (1922-2008)

Entrance to a Church and its garden from a cobbled streetsigned ‘Yates’ (lower left)oil on board23º x 47º in. (59 x 120 cm.)

’2,000-3,000 $3,100-4,500

€2,700-3,900

l77 VICTOR VASARELY (FRENCH/HUNGARIAN, 1906-1997)

Couplessigned ‘vasarely-’ (centre, on the right); signed, titled, inscribed and dated ‘1137 VASARELY- “COUPLES” 36 X 52 1940-1988’ (on the reverse).acrylic on canvas mounted on board14¿ x 20Ω in. (36 x 52 cm.)

’4,000-6,000 $6,100-9,100

€5,300-7,800


Acquired directly from the artist by the present owner.

The authenticity of the work has been confirmed by Mr. Pierre Vasarely. The work will be included in the forthcoming catalogue raisonné being prepared by the Vasarely Foundation in Aix-en-Provence.

76 No Lot

l75 JEAN-GABRIEL DOMERGUE (FRENCH, 1889-1962)

Portrait de Grace, nue en bustesigned ‘Jean/ Gabriel/ Domergue’ (lower left) and inscribed ‘Grace’ (on the reverse).oil on board13 x 9¡ in. (33 x 23.9 cm.)

’2,000-3,000 $3,100-4,500

€2,700-3,900


J. and H. Thomas.

Private Collection.

Galerie du Carlton.

E X H I B I T E D :

Cannes, Villa Domergue, Jean-Gabriel Domergue, un rkve de beautq, Collection Janet et Howard Thomas,

2003.

Noé Willer has confirmed the authenticity of this painting and it will be included in the forthcoming Jean-Gabriel Domergue catalogue raisonné being prepared by him.







~81 A PAIR OF VICTORIAN IVORY-HANDLED SILVER FISH

SERVERS

MARK OF HARRISON BROTHERS & HOWSON, SHEFFIELD, 1865

The carved handles in the form of fsh issuing from stiff leafage tied with string, pierced and engraved blade and tines, the blade with an oval reserve engraved with two fshermen at sea in a small sailing craft, the reverse with a similar vacant reserve, in original ftted case lined in plum-coloured silk and velvetKnife 13Ω in. long (34.5 cm.) (2)

£800-1,200 $1,300-1,800

€1,100-1,600

82 A GEORGE II IRISH SILVER TWO-HANDLED CUP

NO MAKER’S MARK, DUBLIN, 1741

With leaf-capped scroll handles and applied girdle, on pedestal foot; also another George II Irish cup similar, mark tentatively attributed to David King, Dublin, circa 1737 (?), engraved with contemporary crest below applied girdle and later crest and monogram above the girdleFirst cup 6 in. high (15 cm.), second cup 7 in. high (18 cm.)48 oz. (1488 gm.) (2)

£2,000-2,500 $3,100-3,800

€2,700-3,300

n83 A FRENCH GILT-METAL MOUNTED BURR FIELD-MAPLE

AND KINGWOOD COMMODE

OF LOUIS XV STYLE, SECOND HALF 20TH CENTURY

With yellow marble top over two drawers34Ω in. (88 cm.) high; 40 in. (102 cm.) wide; 20 in. (51 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000

84 GREGOIRE DEVIN (FRENCH, B.1978) AND LES DALO

The Sad Clownincised ‘DALO/XIIIGB170’ (underneath)acrylic on ceramicheight: 18 in. (45.5 cm.)

£800-1,200 $1,300-1,800

€1,100-1,600

Les Dalo is the duo DAniel Derock and LOïc de Bailliencourt who have worked together in Paris since 2007.

85 A SET OF 12 CHRISTOFLE ‘GALLIA’ METAL KNIFE RESTS

CIRCA 1920

Each modelled and cast as a stylised animal or bird, comprising: a peacock, swan, dove, bear, lion, pelican, hare, greyhound, pig, dog, cat and a fsh, stamped maker’s marks, in ftted case printed maker’s mark Cat 4º in. (10.8 cm.) long

£800-1,200 $1,300-1,800

€1,100-1,600


n86 TWO GEORGE IV YEW AND ELM WINDSOR

ARMCHAIRS

EARLY 19TH CENTURY

Each with a spindle-turned hoop back and arms above a saddle seat (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000

87 A PAIR OF AUSTRIAN PAINTED TERRACOTTA MODELS

OF DEER

LATE 19TH CENTURY

With glass eyes8 in. (20 cm.) high; 10 in. (25.5 cm.) long (2)

£800-1,200 $1,300-1,800

€1,100-1,600

88 A GERMAN PORCELAIN TWO-HANDLED JARDINIERE

LATE 19TH CENTURY, PROBABLY JOSEPH SCACHTEL MANUFACTORY, (BAD CHARLOTTENBRUNN, SOPHIENAU, SILESIA), UNDERGLAZE BLUE CROSSED LINES

Painted with fowers below a broad band of gilt scrolls15æ in. (40 cm.) across handles

£1,000-1,500 $1,600-2,300

€1,400-2,000


n89 A REGENCY MAHOGANY WHATNOT

EARLY 19TH CENTURY

With open tier and panelled cupboard below, with label ‘ANTIQUE FURNITURE from NORMAN ADAMS, 8-10 HANS ROAD, LONDON SW3’42Ω in. (108 cm.) high; 22 in. (56 cm.) wide; 14 in. (36 cm.) deep

£700-1,000 $1,100-1,500

€920-1,300











90 A FRENCH BRONZE MODEL OF A HORSE

1904, AFTER ARY BITTER (1883-1960)

On a naturalistic base signed ‘Ary Bitter 04’10º in. (26 cm.) high

£800-1,200 $1,300-1,800

€1,100-1,600

91 A VICTORIAN SILVER-MOUNTED ETCHED GLASS

CLARET JUG

MARK OF W. & G. SISSONS, SHEFFIELD, 1864

The plain squat ovoid sides etched with undulating band of vine leaves and tendrils, pierced mount and thumb-piece, bead borders and futed handle9Ω in. high (24 cm.)

£1,000-1,200 $1,600-1,800

€1,400-1,600

n92 A PAIR OF VICTORIAN OAK TWO-TIER OCCASIONAL

TABLES

PROBABLY RETAILED BY LIBERTY & CO, LATE 19TH CENTURY

Each with a hexagonal top and arcaded frieze on ring-turned tapering legs28 in. (71 cm.) high; 21Ω in. (54.5 cm.) wide; 18Ω in. (47 cm.) deep (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000

~93 A VICTORIAN SILVER KETTLE AND STAND

MARK OF THOMAS BRADBURY & SON, SHEFFIELD, 1853

Squat circular, sides engraved with foliate scrolls around a coat of arms, swing handle with ivory insulators, greyhound couchant fnial, stand with spirit lamp, on three scroll supports terminating in shell feet14Ω in. high (37 cm.)54 oz. (1674 gm.)

£600-800 $910-1,200

€790-1,000

The arms are for Bright quartering another and impaling Thompson quartering Yates for the marriage of Henry Arthur Bright JP of Ashfield, Liverpool and Mary Elizabeth, daughter of Samuel Henry Thompson JP, DL, of Thingwall Hall, Liverpool.

•94 AN ITALIAN SORRENTO BURR WALNUT, FRUITWOOD

AND EBONISED MARQUETRY PANEL

BY A. GARGIULO, LATE 19TH CENTURY

The dodecagonal top with scrolling foliate border enclosing two castanet dancers, signed ‘Cav. AGargiulo / Sorrento Villa, Gargiulo’26Ω in. (67.5 cm.) wide

£800-1,200 $1,300-1,800

NO RESERVE €1,100-1,600

There were numerous marquetry workshops operating in the Sorrento and Mantua regions throughout the 19th century and the Gargiulo family workshop (established in 1863) was one of the more prolific examples, producing small tourist pieces as well as fine furniture.

95 A PAIR OF FRENCH PORCELAIN SEVRES-STYLE VASES

AND COVERS

LATE 19TH / EARLY 20TH CENTURY, BLUE INTERLACED ‘L’S MARKS

Of lobed ogee form, painted with loose bouquets and ribbon-tied fower baskets within gilt cartouches, reserved against a green ground17 in. (43.2 cm.) high (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000

96 A VICTORIAN MAHOGANY LEMON SQUEEZER WITH

SILVER-PLATED JUICE CONTAINER

LATE 19TH CENTURY

One end with aperture to take a glass; a silver-plated bottle holder chased with rococo foral and vacant cartouches, leather-lined; and a pair of Victorian silver-plated coasters with basket-weave sides and wood bases, by Elkington, Mason & Co., 1860First item 9æ in. high (25 cm.) (4)

£1,000-1,200 $1,600-1,800

€1,400-1,600

97 A VICTORIAN SILVER AND ENAMEL NOVELTY VESTA

CASE IN THE FORM OF A VALISE

MARK OF S. BLANCKENSEE & SON, BIRMINGHAM, 1884

Secured with two straps, enamelled with a label reading P. & O. S..Co., OVERLAND ROUTE KHARTOUM. stuck over a second label, opposite side inscribed C.A.G. 1885, gilt interior, one end hinged to form cover1º in. long (3.7 cm.)

£800-1,200 $1,300-1,800

€1,100-1,600

n98 A FRENCH GILT-BRASS AND WIRE MESH FIRE-SCREEN

OF REGENCE STYLE, LATE 19TH CENTURY

Of cartouche outline, centred by a Medusa mask34 in. (86.5 cm.) high; 35æ in. (91 cm.) wide

£800-1,200 $1,300-1,800

€1,100-1,600











VARIOUS PROPERTIES

n104 A WILLIAM IV MAHOGANY DRESSING TABLE


The rectangular top with a shaped three quarter gallery, above three frieze drawers, on ring-turned and reeded tapering legs33 in. (84 cm.) high; 42 in. (106.5 cm.) wide; 20æ in. (53 cm.) deep

£1,500-2,500 $2,300-3,800

€2,000-3,300


n103 A SET OF SEVEN GEORGE III MAHOGANY DINING-CHAIRS

CIRCA 1760 - 70

Including one armchair, each with a drop-in seat on square channelled legsThe armchair 39º in. (100 cm.) high; 28 in. 72 cm.) wide; 22 in. (56 cm.) deep (7)

£1,200-1,800 $1,900-2,700

€1,600-2,300


Acquired from Charles Lumb & Sons, Harrogate

n102 A LARGE FRENCH GILTWOOD CANAPE

OF LOUIS XV STYLE, SECOND HALF 19TH CENTURY

Re-upholstered in white calico98 in. (249 cm.) wide

£1,500-2,500 $2,300-3,800

€2,000-3,300


n101 THREE SECTIONS OF CAST-IRON AND BEECH CINEMA OR THEATRE SEATING

PROBABLY ENGLISH, FIRST HALF 20TH CENTURY

With sequential manufacturing numbers to the inside frames, each with a curved back and folding seat upholstered in faux leatherEach row: 62 in. (157.5 cm.) wide

£1,200-1,800 $1,900-2,700

€1,600-2,300

VARIOUS PROPERTIES

n100 A NORTH EUROPEAN ORMOLU-MOUNTED AND MARQUETRY-INLAID EBONISED

LIBRARY TABLE

THIRD QUARTER 19TH CENTURY, PROBABLY ITALIAN

The rectangular top with projecting rounded ends above a panelled frieze with a single drawer, on inverted baluster profle supports31º in. (79.5 cm.) high; 61 in. (155 cm.) wide; 28Ω in. (72 cm.) deep

£2,000-4,000 $3,100-6,100

€2,700-5,200

PROPERTY FROM A PRIVATE COLLECTION

*99 A MARSEILLES (VEUVE PERRIN) FAIENCE SOUP-TUREEN AND COVER

MID-18TH CENTURY, PAINTED VP MONOGRAM

Painted with fowers, the fnial formed as two fsh and a mussel shell, the handles formed as leopards14 º in. (36 cm.) wide

£2,000-3,000 $3,100-4,500

€2,700-3,900









n110 AN OAK ‘BECKFORD’ CONSOLE TABLE

BY SOANE BRITAIN, MODERN

The marble-inset moulded rectangular top on futed column supports with reeded roundel decoration and lotus-carved capitals32Ω in. (82.5 cm.) high; 51 in. (129.5 cm.) wide; 15æ in. (40 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000

n109 A LARGE VICTORIAN ROSEWOOD STOOL

THIRD QUARTER 19TH CENTURY

Foliate-carved overall and re-upholstered in buttoned cream damask, on porcelain castors, originally a conversation settee15 in. (38 cm.) high; 63Ω in. (161 cm.) wide; 51 in. (129.5 cm.) deep

£1,500-2,500 $2,300-3,800

€2,000-3,300

VARIOUS PROPERTIES

n108 A SET OF SIX BRASS SHIP’S CEILING LIGHTS

MID-20TH CENTURY

Each cylinder with a side ftting and suspension hook with an integral brass shade with metal safety frame17Ω in. (45 cm.) high overall (6)

£1,200-1,800 $1,900-2,700

€1,600-2,300


n107 AN ITALIAN WALNUT, FRUITWOOD AND MARQUETRY THREE-DRAWER COMMODE

MID-18TH CENTURY

The overhanging top above rounded foliate angles, each drawer with raised moulded panels separated by foliate dividers, on bracket feet35Ω in. (90 cm.) high; 58 in. (148 cm.) wide; 21 in. (54 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300


n106 A GEORGE III MAHOGANY TRIPLE-PEDESTAL DINING-TABLE

EARLY 19TH CENTURY

The rectangular top with D-shaped ends and two additional leaves on shaped and scrolled sabre legs with brass caps and castors, one leaf replaced, the top reduced in size28 in. (71 cm.) high; 52 in. (132 cm.) wide; 166Ω in. (347 cm.) long, extended

£7,000-10,000 $11,000-15,000

€9,200-13,000


n105 A PAIR OF VENETIAN GILTWOOD MIRRORS

MID-18TH CENTURY

Each with its original arched plate depicting a classical fgure, surmounted by a scroll and foliate decorated lattice-work cresting, fanked by winged cherubs, the aprons centred by a mask39Ω in. (100 cm.) high; 21º in. (54 cm.) wide (2)

£1,500-2,500 $2,300-3,800

€2,000-3,300


Coker Court, Somerset since at least the early 20th century and thence by descent to the vendor.

(part)







22

24 FEBRUARY 2015 · 18TH CENTURY EUROPEAN PORCELAIN

LOT 116

LOT 122

18TH CENTURY

EUROPEAN PORCELAIN

23

18TH CENTURY EUROPEAN PORCELAIN · 24 FEBRUARY 2015

LOT 111

Choose from a selection of 18th century European porcelain offered from private collections, comprising pieces from

Austrian, French, German and Italian factories and demonstrating the rich variety of decorative styles admired and

enjoyed by the 18th century connoisseur and available to the modern collector.


THE PROPERTY OF A COLLECTOR - LOTS 111-123

111 A NYMPHENBURG ARMORIAL COFFEE CUP AND

SAUCER

CIRCA 1785, CUP WITH IMPRESSED MONOGRAM AND IRON-RED PAINTED JK, SAUCER WITH IMPRESSED SHIELD MARK AND IRON-RED PAINTED 85

Painted by Johann Klein, the cup with a coat of arms, the obverse with a monogram, the saucer with a coat of arms below a foral garland

£1,500-2,000 $2,300-3,000

€2,000-2,600

Johann Klein left the Nymphenburg manufactory in 1771 so the present lot is an example of his work as a hausmaler.

114 TWO VENICE (COZZI) TEABOWLS AND SAUCERS

CIRCA 1770, IRON-RED PAINTED ANCHOR MARKS AND MARKS

Painted with fruit below scrolling gilt foliage enclosing purple scale-pattern, gilt dentil rim (2)

£1,500-2,000 $2,300-3,000

€2,000-2,600

117 A MEISSEN TEABOWL AND SAUCER

CIRCA 1730, BLUE CROSSED SWORDS MARK, GILDER’S 56H TO SAUCER

The teabowl painted with Chinese fgures at play, the saucer with a group of fgures seated at a table, with iron-red concentric line bands and indianische Blumen

£2,000-3,000 $3,100-4,500

€2,700-3,900

112 A MEISSEN COFFEE CUP AND SAUCER

CIRCA 1740, BLUE CROSSED SWORDS MARKS, SAUCER WITH PRESSNUMMER 17

Painted with harbour scenes of Turkish and European merchants at the shore, further fgures and ships in the distance, above or within concentric iron-red line bands

£1,200-1,800 $1,900-2,700

€1,600-2,300

115 A PAIR OF HÖCHST COFFEE CUPS AND SAUCERS

CIRCA 1750, PUCE PAINTED AND IMPRESSED WHEEL MARKS, IMPRESSED IK TO CUPS AND PI TO SAUCERS

Painted with birds perched on branches, scattered insects and fower sprays (2)

£800-1,200 $1,300-1,800

€1,100-1,600

118 A MEISSEN TEABOWL AND SAUCER

CIRCA 1735, BLUE CROSSED SWORDS MARKS, GILDER’S DOTS, DREHER’S MARK TO FOOTRIM OF SAUCER

Painted in the manner of C.F. Herold with Chinese fgures within gilt quatrefoil cartouches issuing iron-red and puce scrolls, enclosing Böttger- lustre panels, further decorated with indianische Blumen, the rims with Laub-und-Bandelwerk border

£1,500-2,000 $2,300-3,000

€2,000-2,600

113 A MEISSEN GOLD-GROUND TEABOWL AND SAUCER

CIRCA 1745, BLUE CROSSED SWORDS MARKS, GILDER’S R., DREHER’S ** TO FOOTRIMS

The teabowl painted by B.G. Hauer with continuous harbour scenes with fgures at various pursuits by barrels on the shore, above double iron-red lines, the interior and saucer with similar scenes to the centre within concentric iron-red lines, indianische Blumen to the underside of the saucer

£1,200-1,800 $1,900-2,700

€1,600-2,300


Anonymous sale Christie’s London, 4 October 1982, lot 109.

116 A PAIR OF MEISSEN TEACUPS AND SAUCERS

CIRCA 1740, BLUE CROSSED SWORDS MARKS, PRESSNUMMERN 17 TO CUPS AND 64 TO SAUCERS

Painted with huntsmen, hounds and game animals, further decorated with fower sprays, supported by brown and gilt rocaille half cartouches (2)

£1,200-1,800 $1,900-2,700

€1,600-2,300

119 A MEISSEN SMALL TEABOWL AND SAUCER

CIRCA 1740, BLUE CROSSED SWORDS MARKS, GILDER’S 52.L.

The exterior of the teabowl painted with a continuous scene of fgures in a landscape, the interior painted with a traveller before distant buildings, the saucer with a horseman, with concentric iron-red line bands and Laub-und-Bandelwerk borders

£1,500-2,000 $2,300-3,000

€2,000-2,600


The collection of A.W. Foster, Apley Park, Shropshire, No.2.

The Property of The Executors of the late Major General E. H.

Goulburn D.S.O. Christie’s London, 1 December 1980, lot 291.










25

122 A SEVRES SUGAR-BOWL AND COVER

(SUCRIER ‘CANNELE’ ET COUVERCLE)

AND A SAUCER (SOUCOUPE, 2EME

GRANDEUR)

1767, BLUE INTERLACED ‘L’S WITH DATE LETTER O TO SAUCER

Painted with the ‘hop trellis’ patternThe sugar bowl and cover 4¿ in. (10.5 cm.) high

£800-1,200 $1,300-1,800

€1,100-1,600


The Property of Miss M Pinder and Mr J

Pinder, sale Christie’s London, 4 July 1977,

lot 6.

VARIOUS PROPERTIES

*125 FULDA COFFEE-POT AND COVER

CIRCA 1765-80, OVERGLAZE IRON-RED X AND BLACK A / 88, INCISED Z OR N AND IMPRESSED I

Painted with bouquets, with cover with pear fnial5æ in. (14.6 cm.) high

£600-700 $910-1,100

€790-910

128 A GERMAN SILVER-GILT COVERED

WAGER CUP MODELLED AS A LADY

IN RENAISSANCE COSTUME

EARLY 20TH CENTURY

Chased with foliate scrolls, the swivel cup at top chased with a frieze of fruit13¡ in. high (34 cm.)14 oz. (434 gm.)

£700-900 $1,100-1,400

€920-1,200

~131 A GEORGE II ROCOCO SILVER ETUI

UNMARKED, CIRCA 1750

Chased on one side with a courting couple seated in a chariot pulled by putti, the reverse with a man sitting at a table with a pair of candlesticks and an open book, also decorated with scrolls and architecture, a pair of faming hearts and a pair of love birds with mottos L’Amour l’Amitie les unit and Ils brulent d’un mkme Feu, complete with nine fttings including scissors, ivory aide-memoire, snuff spoon and ruler3Ω in. long (9 cm.)

£500-600 $760-910

€660-780

123 A SEVRES BLEU CELESTE-GROUND

CUP AND SAUCER (GOBELET

‘BOUILLARD’ ET SOUCOUPE, 1ERE

GRANDEUR)

1769, BLUE INTERLACED ‘L’S MARK ENCLOSING DATE LETTER Q, PAINTED MARKS N FOR FRANCOIS-JOSEPH ALONCLE, INCISED MARKS

Painted with colourful birds, within gilt bands, the borders with ciselq gilt trailing foliage

£800-1,200 $1,300-1,800

€1,100-1,600


Anonymous sale, Christie’s London, 30 June

1980, lot 38.

120 A VIENNA (DU PAQUIER) BEAKER

CIRCA 1730-35, INCISED DREHER’S IN TO FOOTRIM

Painted in schwarzlot in the manner of J.K.W. Anreiter with a continuous scene of two fgures seated before buidlings, below a gilt line rim

£800-1,200 $1,300-1,800

€1,100-1,600

126 A MEISSEN BLUE AND WHITE FLARED

CUP

CIRCA 1730-35, BLUE CROSSED SWORDS AND INDISTINCT PAINTER’S MARK

With loop handle, painted in underglaze blue with trailing Oriental fower-sprays, leafy branches and a bird in fight below a ribbed neck, on a short domed foot4Ω in. (11 cm.) high

£800-1,200 $1,300-1,800

€1,100-1,600

129 A MEISSEN THIMBLE

PROBABLY 19TH CENTURY

The upper and lower parts with indentations, the top painted with fgures in a landscape, the mid-section with three similar oval panels reserved against a yellow diaper-pattern band, the footrim decorated with a continuous band gilt triangle ornament, the interior richly-gilt, together with a caseæ in. (1.9 cm.) high

£1,000-1,500 $1,600-2,300

€1,400-2,000

121 A MEISSEN HAUSMALEREI SAUCER

THE PORCELAIN CIRCA 1730, THE DECORATION CIRCA 1750, BLUE CROSSED SWORDS MARK

Painted by Mayer of Pressnitz with a fgure emblematic of Plenty, seated before a stone pedestal inscribed ‘SEPTEMBER’

£800-1,200 $1,300-1,800

€1,100-1,600

124 No Lot

127 A CONTINENTAL TWO-COLOUR GOLD

SNUFF BOX

MARK OF AN INCUSE “T” BETWEEN TWO INDISTINCT OVAL MARKS, POSSIBLY SWISS, CIRCA 1830

Oblong with stiff leaf borders, cover decorated with two hippocamps fanking a basket of fowers surrounded by roses and foliage on a textured ground, the engine-turned base centred by a roundel depicting a basket of fruiting vines3¿ in. long (8 cm.)2 oz. (approx. 62 gm.)

£1,200-1,800 $1,900-2,700

€1,600-2,300

130 A GERMAN SILVER CAMPAIGN SET

MARK OF SY AND WAGNER, BERLIN, CIRCA 1870

Comprising:- beaker, fddle and thread pattern folding knife, spoon and fork, teaspoon, corkscrew and cylindrical double condiment, all applied with small gilt coat of arms, in leather travelling case; also an Italian gilt-metal three piece christening knife, fork and spoon, the knife with mother-of-pearl handle and engraved to blade with initials APG and Vicenza Casino al Duomo 1828, in original tooled red leather case lined in green silk and velvetCampaign set in case 5æ in. high (14.5 cm.) (12)

£800-1,200 $1,300-1,800

€1,100-1,600

ALL LOTS MARKED WITH A SQUARE n ARE REMOVED TO AN OFF-SITE WAREHOUSE AT THE CLOSE OF BUSINESS ON THE DAY OF THE SALE – 2 WEEKS FREE STORAGE

120

121

122

123

126

125

131

128

127

130

129













n137 AN EDWARDIAN CASED STUFFED PIKE FISH TROPHY

EARLY 20TH CENTURY

Fitted in a bowed glass and mahogany case17 in. (43 cm.) high; 47æ in. (121.5 cm.) wide

£800-1,200 $1,300-1,800

€1,100-1,600

136 TWELVE ENGRAVINGS FROM THE ART JOURNAL ‘GREAT GALLERIES’

PUBLISHED JAMES. S. VIRTUE, LONDON 1861

Including engravings after paintings by Goodhall, Turner, Teniers, Van der Velde and others including narrative paintings and landscapes with fgures, hand painted black lacquer and gilt frames11º x 14æ in. (29 x 37.5 cm.) overall (12)

£1,000-1,500 $1,600-2,300

€1,400-2,000

n135 A SMALL PAIR OF ENGLISH GILT-BRASS AND CUT-GLASS DISH LIGHTS

OF REGENCY STYLE, PROBABLY LATE 19TH / EARLY 20TH CENTURY

Each shallow bowl cut with futes and diamonds and a berry fnial in a frame cast with ‘C’ scrolls and shells12Ω in. (32 cm.) diameter; 18 in. (46 cm.) high (2)

£2,000-4,000 $3,100-6,100

€2,700-5,200

n134 A PAIR OF GEORGE III MAHOGANY ARMCHAIRS

CIRCA 1760

With gothic and rocaille carved splats and unusual re-entrant cornered arms, re-upholstered in silk (2)

£1,500-2,500 $2,300-3,800

€2,000-3,300

n133 A GEORGE II MAHOGANY DROP-LEAF DINING-TABLE

CIRCA 1750

The oval top above a drawer and shaped frieze rails on scrolled cabriole legs carved with shells and foliage and with claw and ball feet, restorations, replacements to gates28Ω in. (73 cm.) high; 50 in. (127 cm.) wide; 42 in. ( 107 cm.) deep

£3,000-5,000 $4,600-7,600

€4,000-6,500


n132 A GEORGE III GILTWOOD MIRROR

LATE 18TH CENTURY

Of oval form, some plates and baluster mouldings replaced36 in. (91.5 cm.) x 26 in. (66 cm.)

£800-1,200 $1,300-1,800

€1,100-1,600

(part)









n143 A PAIR OF WALNUT CIRCULAR STOOLS

CONSTRUCTED USING 18TH CENTURY ELEMENTS

Each covered in gros and petit point needlework depicting St Peter in front of a church and Moses receiving manna from heaven, on shell-carved cabriole legs with scroll ears and pad feetEach 16 in. (40.5 cm.) high; 15Ω in. (39.5 cm.) diameter

£2,000-4,000 $3,100-6,100

€2,700-5,200


Anonymous sale, Christie’s London, 24 June 1982, lot 10.

142 A PAIR OF SILVER-PLATED BRONZE CANDELABRA

BY CARDEILHAC OF PARIS, CIRCA 1900

Each with three foliate candle nozzles on acanthus scrolls with hoof feet, around a central futed torchere and triangular base with guilloche decoration, stamped marks under the bases17Ω in. (44.5 cm.) high (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000

141 EIGHTEEN COLOURED LITHOGRAPHS OF BIRDS

BY FREDERICK WILLIAM FROHAWK, 19TH CENTURY

Signed in the plate ‘F.W.Frohawk’ and titled and inscribed ‘LITHO’D BY BRUMBY & CLARKE LTD. HULL.’ in hand painted wood frames13º x 9Ω in. (34 x 25 cm.) overall (12)

£1,200-1,800 $1,900-2,700

€1,600-2,300

VARIOUS PROPERTIES

n140 AN EDWARDIAN WALNUT WING-BACK SOFA

OF GEORGE II STYLE, CIRCA 1910

Re-upholstered in close-nailed light brown linen50 in. (127 cm.) wide

£1,200-1,800 $1,900-2,700

€1,600-2,300


n139 A SET OF LATE VICTORIAN SATINWOOD AND SYCAMORE QUARTETTO TABLES

LATE 19TH CENTURY

Of graduated size, each with a rectangular top centred by an oval panel with an ebony lip and kingwood crossbanded edge, on ring-turned legs27 in. (69 cm.) high; 19Ω in. (49 cm.) wide; 13Ω in. (35 cm.) deep (4)

£2,000-3,000 $3,100-4,500

€2,700-3,900


Anonymous sale, Christie’s, London, 22 May 1986, lot 151 (£3,456)

na138 AN ENGLISH STEEL FENDER

OF GEORGE III STYLE, LATE 19TH CENTURY

Pierced and engraved with dragons amongst foliage60 in. (153 cm.)

£800-1,500 $1,300-2,300

€1,100-2,000

(part)








VARIOUS PROPERTIES

nl144 KARIN JONZEN (1914-1998)

Standing nudefbreglass59¡ in. (150.8 cm.) high including base

£2,500-3,500 $3,800-5,300

€3,300-4,600

l145 IVON HITCHENS (1893-1979)

Standing man with twisted stick; Figure studies of a seated and standing man; and Two studies of a man holding his left armthe frst signed and dated ‘Ivon Hitchens/26.1.67’ (lower right); the second signed ‘Ivon Hitchens’ (lower left); and the third signed ‘Ivon Hitchens’ (lower right)the frst, charcoal and red wash; the second, pen and black ink and blue wash; the third, charcoal and green wash17Ω x 22º in. (44.5 x 56.5 cm); and smaller (3)

£1,500-2,000 $2,300-3,000

€2,000-2,600

nl146 AFTER FERNAND LÉGER

Tapis vertsigned ‘F. Leger.’ (in the weave; on the reverse)wool tapestry95 x 45º in. (240 x 115 cm.)Conceived after a design by Fernand Léger before 1930 for Myrbor, this version probably executed by Marie Cuttoli and Galerie Lucie Weill between 1949 and 1962

£3,000-5,000 $4,600-7,600

€4,000-6,500

The design for this carpet is most likely part of a series Léger produced for the Myrbor Gallery based on the principles of Purism. Resembling collages, their names were determined by the colour of the grounds, White, Red, Green etc.

147 FOLLOWER OF WILLIAM STRANG

Portrait of a young girl seated, three-quarter length, wearing a blue dress and wide-brim hatoil on canvas30 x 24 in. (76.1 x 61 cm.)

£1,200-1,800 $1,900-2,700

€1,600-2,300

l*148 PIERRE BONNARD (FRENCH, 1867-1947)

Nu se dqshabillantwith signature, inscription and date (on an old label attached to the reverse)pencil on ochre paper6æ x 5 in. (17.2 x 12.7 cm.)

£1,500-2,500 $2,300-3,800

€2,000-3,300

Sold with a photo-certificate from Mr. Michél Terrasse.

l149 PHILIP NAVIASKY (1894-1983)

A young Moroccan girlsigned ‘NAVIASKY’ (lower right)oil on canvas39Ω x 25Ω in. (100 x 54.7 cm.)

£1,200-1,800 $1,900-2,700

€1,600-2,300


with Campbell Wilson, London.








l150 ROBERT HILL (1932-1990)

The Rivals from Nefyn Bay, Caernarvonshire, Walessigned ‘Robert Hill/1962’ (upper left)oil on panel49 x 96¡ in. (124.5 x 244.7 cm.)

£1,500-2,000 $2,300-3,000

€2,000-2,600

l151 LUDOVIC RODO-PISSARRO (FRENCH, 1878-1952)

A study of a young lady wearing a hat, sitting at a a cafq table; and A study of a pair of elderly couples (one illustrated)the frst with studio stamp (lower right); the second with studio stamp (lower right) and signed ‘Ludovico’ (lower left) and dated ‘1930’ (lower right)the frst black chalk on paper; the second coloured chalk on paper14Ω x 18æ in. (36.4 x 47.7 cm.); and 17º x 14 in. (43.8 x 35.6 cm.) (2)

£1,000-2,000 $1,600-3,000

€1,400-2,600

The authenticity of these works has been confirmed by Lèlia Pissarro.

l152 ZDZISLAW RUSZKOWSKI (POLISH, 1907-1991)

The girl and the dogsigned ‘Ruszkowski’ (lower left)oil on canvas35Ω x 27æ in. (90.2 x 70.5 cm.)

£1,000-2,000 $1,600-3,000

€1,400-2,600

l153 YVONNE CANU (FRENCH, 1921-2008)

Les coquelicots rosessigned ‘Canu’ (lower right)oil on canvas10 x 8º in. (25.4 x 21 cm.)

£1,000-2,000 $1,600-3,000

€1,400-2,600

l154 GUY GLADWELL (B. 1946)

Portrait of Peter Langanoil on canvas39 x 31 in. (99 x 78.7 cm.)

£1,000-1,500 $1,600-2,300

€1,400-2,000







163 A FRENCH GILT-BRONZE STRIKING MANTEL CLOCK

CHARLES LUMINEAU, PARIS, LATE 19TH CENTURY

The case with urn fnial, rams’ masks and pinecone mounts, the white enamel dial with Arabic hours and quarters, signed CLES LUMINEAU/76 Rue Turenne/PARIS, the twin barrel movement with Brocot escapement and rack striking to bell; with pendulum and winding key20Ω in. (52 cm.) high; 9Ω in. (24 cm.) wide; 6 in. (15 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000

162 A LARGE DUTCH SILVER PLAQUE

MAKER’S MARK INDISTINCT, AMSTERDAM, 1685

Embossed in relief, cut-out and mounted on a blue velvet ground, back ftted with a wood panel, the scene depicting a priestly fgure in robes and prayer shawl offering a bottle to a military offcial or warrior king in plumed helmet and cloak and surrounded by soldiers, a casket to one side in the foreground, fruiting vines on either side and clouds overhead, possibly intended to represent the annointing of a biblical monarch19Ω in. high (49.5 cm.)

£1,500-2,000 $2,300-3,000

€2,000-2,600

161 A MEISSEN MODEL OF A PARROT

BLUE CROSSED SWORDS MARK, INCISED MODEL NO. 63, PRESSNUMMER 52

Naturalistically modelled, perched on a high tree stump12√ in. (32.7 cm.) high

£1,200-1,800 $1,900-2,700

€1,600-2,300

160 A GROUP OF RUSSIAN SILVER ITEMS

VARIOUS DATES & MAKERS, 19TH CENTURY

Comprising:- a fligree spice casket with fower fnial and feet, mark of I.I.F.( Cyrilic), Moscow, “87” standard, circa 1822/55; a small plain cream jug by Bolin, Moscow, 1888; a pair of travelling egg cups with detachable bases, 1896/1908; a silver-gilt rayed cigarette case with applied crown to cover, cabochon-set thumb-piece, mark of I.K (Cyrillic), 1908/17; and a pair of oblong, half-futed salts with gilt borders and interiors, St. Petersburg, 1826, with associated fddle pattern shovel bowl salt spoons, spoons and salts all stamped with owner’s mark of two armorial shields accollqeCasket 3º in. long (8 cm.)21.5 oz. (667 gm.) (8)

£1,200-1,400 $1,900-2,100

€1,600-1,800

159 A GROUP OF THREE RUSSIAN SILVER-GILT AND

CLOISONNÉE OR LACQUERED SALTS IN FORM OF

KOVSHI AND A PAIR OF SALTS

VARIOUS DATES & MAKERS, LATE 19TH/EARLY 20TH CENTURIES

Comprising:- a small kovsh with polychrome shaded fowers on cream ground, the curved handle in form of blue feathered neck terminating in eagle’s head, by Maria Semenova, Moscow, 1908/1917; another in traditional colours on textured gilt ground by Nikolay Sverev, Moscow, 1908/1917, with later French control mark; another, same maker and date, with red-lacquered sides showing a silver- gilt lozenge reserve inscribed “Moscou, 17/X/1913”; and a pair of small silver-gilt and enamel salts with Pan-Slavic zig-zag band in traditional coloursFirst item 2æ in. long (7 cm.) (5)

£1,200-1,500 $1,900-2,300

€1,600-2,000

VARIOUS PROPERTIES

158 A RUSSIAN GOLD-MOUNTED NEPHRITE CIGARETTE

HOLDER

MARK OF MA (SANS SERIF), 1908/17

Also a small Austrian nephrite -handled and bladed paper knife with foliate-chased silver mount, Vienna circa 1900, with Russian import mark for Kiev, 1908/1917; a Russian silver coin holder of cylindrical basket-weave design, by Otto Makselius, St. Petersburg, circa 1895; and a Russian rose quartz seal with gilt-metal reed and ribbon mounts and brass matrix incised with a stag on armorial shield surmounted by a crown within wreath and Cyrillic inscription, similar to the arms of Nizhny NovgorodPaper knife 5Ω in. long (14 cm.) (4)

£1,000-1,200 $1,600-1,800

€1,400-1,600

n157 A FRENCH OR SWISS BRASS AND STEEL

FREISCHWINGER SWINGING DOUBLE DIAL CLOCK

MID-19TH CENTURY

Modelled as a gridiron pendulum, both enamel dials with Roman hours and steel moon hands, one side with a centre seconds hand, with timepiece movement50Ω in. (128.2 cm.) high; 13 in. (33 cm.) wide

£2,000-4,000 $3,100-6,100

€2,700-5,200

n156 A FRENCH OR SWISS BRASS AND STEEL

FREISCHWINGER SWINGING DOUBLE DIAL CLOCK

CIRCA 1820

In the form of a gridiron pendulum, the enamel dials with engine turned border, Roman hours and blued-steel moon hands with seconds and inner date ring, the reverse with hours and minutes, the timepiece movement with pin wheel escapement55 in. (140 cm.) high; 10Ω in. (26.7 cm.) wide

£3,000-5,000 $4,600-7,600

€4,000-6,500


With Campbell & Archard

THE PROPERTY OF A EUROPEAN COLLECTOR, LOTS 155-157

n~155 A VIENNESE ROSEWOOD AND EBONISED WALL

REGULATOR TIMEPIECE OF ONE MONTH DURATION

MID-19TH CENTURY

The line inlaid case with scroll cresting and shaped bracket to underside, the opaline glass dial with Roman hours, the single train movement with dead beat escapement and maintaining power; with ebonised wood rod pendulum, weight and crank winding key46 in. (117 cm.) high; 11 in. (28 cm.) wide; 5 in. (12.7 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000


With Campbell & Archard











n175 A FRENCH CREAM-PAINTED CHEVAL

MIRROR

OF NEO-CLASSICAL STYLE, LATE 19TH CENTURY

The bevelled oval plate in a beaded frame with a composite cresting, between futed uprights and with acanthus and paterae-carved scroll feet72 in. (183 cm.) high; 34Ω in. (88 cm.) wide; 22º in. (56.5 cm.) deep

£500-800 $760-1,200

€660-1,000

174 A PAIR OF EDWARDIAN SILVER-GILT

CASTERS IN THE 18TH CENTURY

DUTCH TASTE

MARK OF THE GOLDSMITHS AND SILVERSMITHS COMPANY LTD., LONDON, 1903

Ovoid with applied stiff leaf decoration below applied rams’ heads, Classical oval medallions and laurel swags, the square pedestal bases raised on leaf-chased ovoid feet; also an unusual large Victorian silver-gilt scent bottle made to commemorate Queen Victoria’s Diamond Jubilee, by Carl Krall, London, 1897, with detachable crown-capped stopper, chased with frieze of playful putti above applied foral swags and acanthus leaf straps, the foot with reserves dated 1819, 1837 and 1897Casters 7Ω in. high (19 cm.)28 oz. (868 gm.) (3)

£1,400-1,600 $2,200-2,400

€1,900-2,100

~173 A FRENCH PAINTING ON IVORY OF

THE CORONATION OF MARIE DE

MEDICI

CIRCA 1880

Signed Aubry, in a gilt-metal mounted walnut framethe painting 6¿ x 10 in. (15.5 x 25 cm.)

£1,000-1,500 $1,600-2,300

€1,400-2,000

172 AN ENGLISH PORCELAIN PLAQUE

MID-19TH CENTURY

Painted with a still life of apples, grapes, berries and acorns, within a later giltwood frame12æ x 11 in. (32.4 x 28 cm.)

£800-1,200 $1,300-1,800

€1,100-1,600

n171 A FRENCH SEVRES-STYLE PORCELAIN

MOUNTED GILT-BRONZE STRIKING

MANTEL CLOCK

LATE 19TH CENTURY

The arched case with urn fnial, the panels depicting fgures and landscapes, the dial with Roman hours, with twin barrel movement with Brocot escapement and rack striking to bell, the back plate with Japy Freres trade stamp; with pendulum20 in. (51 cm.) high; 13Ω in. (34.5 cm.) wide; 4æ in. (12 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000

170 A PAIR OF SMALL RUSSIAN SILVER

BEAKERS

MARK OF S.F (CYRILLIC), ASSAY MASTER’S MARK OF ALEXEI VICHLYAYEV MOSCOW, 1792

Chased with drapery swags, on three ball feet; also a small Russian silver fligree spice casket with fower fnial and feet, mark of A.B, Moscow, 1874, the front with hinged catchBeakers 2Ω in. high (6 cm.)6 oz. (186 gm.) (3)

£1,000-1,200 $1,600-1,800

€1,400-1,600

169 A VIENNA-STYLE RETICULATED TRAY

LATE 19TH CENTURY, BLUE SHIELD MARK

Painted with Orpheus presenting the lyre, within and iron-red ground border reserved with green and pale-blue panels, richly-gilt and tooled with scrolling foliage, below a pierced rim, titled in German to the underside13 in. (33 cm.) wide

£800-1,200 $1,300-1,800

€1,100-1,600

168 A GERMAN PARCEL-GILT SILVER

CASTER MODELLED AS A KINGFISHER

MARK OF NERESHEIMER OF HANAU, EARLY 20TH CENTURY

Gilt beak and breast, the head pierced and detachable; also a German silver-gilt table ornament of a sparrow, by Neresheimer of Hanau, early 20th centuryThe frst 5√ in. (15 cm.) long11.25 oz. (350 gm.) (2)

£1,200-1,500 $1,900-2,300

€1,600-2,000

*167 A RUSSIAN PARCEL-GILT SILVER CUP

AND ASSOCIATED COVER

THE CUP MARK OF TST (CYRILLIC) AND ASSAY MASTER’S MARK OF V.A (CYRILLIC), MOSCOW, 1760, COVER WITH ASSAY MASTER’S MARK OF IVAN SHAGIN, MOSCOW, 1750

Lobed baluster form chased with scrolls and rococo decoration, on fgural support above a conforming foot, the similarly decorated cover with Imperial double-headed eagle fnial, gilt interior12 in. (30 cm.)12.5 oz. (388 gm.)

£800-1,000 $1,300-1,500

€1,100-1,300

VARIOUS PROPERTIES

nD166 A FRENCH PALE GREEN PAINTED

FOUR-FOLD SCREEN

19TH CENTURY

Painted in pale green and white and applied to both sides with 18th century hand-coloured French prints of important views in Britain, Europe and the Americas within water-leaf borders, refreshment to decoration, distressedEach fold 77Ω in. (197 cm.) high; 21 in. (53.5 cm.) wide

£300-500 $460-760

€400-650


165 A LOUIS-PHILIPPE GILT-BRONZE

STRIKING MANTEL CLOCK


The parcel case fanked by two fgures allegorical of trade with anchor fnial, applied with the letters ECE.. R/P..et Cgnie the engine-turned dial with Roman numerals and Breguet-style hands, the twin barrel movement with Brocot escapement, Brocot suspension and rack-striking to bell, back plate stamped with Marti trade stamp; with pendulum.17¬ in. (44.4 cm.) high; 14º in. (36 cm.) wide; 6Ω in. (16.5 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000

164 A RUSSIAN SILVER-MOUNTED CUT-

GLASS DISH

MARK OF THE 4TH ARTEL, 1908/1917

The rim chased with stylised leaves, ribbon and wreath side handles , star-cut base7¬ in. diameter handle to handle (19.5 cm.)

£700-900 $1,100-1,400

€920-1,200














n176 A GEORGE II BRASS-MOUNTED WALNUT STRIKING

EIGHT DAY LONGCASE CLOCK WITH CALENDAR

SECOND QUARTER 18TH CENTURY, THE ASSOCIATED MOVEMENT BY WILLIAM MANLOVE, LONDON

The brass dial with silvered Roman and Arabic chapter ring, subsidiary seconds and applied arched plaque signed Willm. Manlove London to the matted centre, subsidiary month ring and strike/silent fanking the large date ring to the arch, the fve pillar movement with recoil anchor escapement and rack striking to bell; with pendulum, two weights, winding key102 in. (260 cm.) high; 21.12 in. (55 cm.) wide; 10Ω in. (27 cm.) deep

£2,500-4,000 $3,800-6,100

€3,300-5,200

n177 A FRENCH TERRACOTTA VASE

LATE 18TH CENTURY

On a modern simulated marble wooden pedestal, restorations to the vaseThe vase 38 in. (97 cm.) high; the pedestal 47º in. (120 cm.) high; 19æ in. (50 cm.) square (2)

£1,500-2,500 $2,300-3,800

€2,000-3,300

n178 AN ITALIAN GREEN PAINTED AND PARCEL GILT

ARMADIO

EARLY 20TH CENTURY

Enclosing two hanging rails, one door mirrored to the reverse, re-decorated87Ω in. (222.5 cm.) high; 62 in. (158 cm.) wide; 22Ω in. (57 cm.) deep

£1,500-2,500 $2,300-3,800

€2,000-3,300

n179 AN ITALIAN POLYCHROME WOODEN STATUE OF

SAINT FRANCIS OF ASSISI

18TH CENTURY

Displaying the stigmata, turning slightly to the left and looking down, refreshment to the decoration, restoration and losses62 in. (158 cm.) high

£800-1,200 $1,300-1,800

€1,100-1,600

180 A BOXWOOD GROUP OF SAINT FRANCIS AT THE FEET

OF CHRIST ON THE CROSS

SOUTH GERMAN, 18TH CENTURY

24 in. (61 cm.) high

£1,500-2,500 $2,300-3,800

€2,000-3,300

n181 A PAIR OF ITALIAN PIETRA DURA WALL PANELS

20TH CENTURY

Each depicting a fowering reeded vase; together with a smaller pietra dura panel, 20th century, lossesThe pair 38 in. (96.5 cm.) high; 22æ in. (58 cm.) deepThe single 35 in. (89 cm.) high; 10 in. (25.5 cm.) wide (3)

£1,200-1,800 $1,900-2,700

€1,600-2,300

The Barbara Piasecka Johnson Collection, lots 176-213








n182 AN ITALIAN POLYCHROME WOOD FEMALE FIGURE,

POSSIBLY SAINT BARBARA

14TH CENTURY

Numbered 978, decoration refreshed34Ω in. (88 cm.) high

’800-1,200 $1,300-1,800

€1,100-1,600

183 A CARVED FRUITWOOD CORPUS FIGURE

FLEMISH, 17TH CENTURY

On an integrally carved suppedaneum10 in. (45.8 cm.) high

’1,500-2,500 $2,300-3,800

€2,000-3,300

n184 AN ITALIAN CARVED GILTWOOD MIRROR

MID-19TH CENTURY

Of cartouche outline with scrolling acanthus frame47 in. (120 cm.) high; 37 in. (94 cm.) wide (2)

’800-1,200 $1,300-1,800

€1,100-1,600

185 A FRENCH PROVINCIAL WALNUT ARMOIRE

EARLY 18TH CENTURY

The panelled sides and front enclosing a later hanging rail, the plinth and feet later82 in. (208 cm.) high; 64 in. (163 cm.) wide; 27 in. (69 cm.) deep (2)

’1,500-2,500 $2,300-3,800

€2,000-3,300

n186 AN ITALIAN WALNUT SIDE CABINET

19TH CENTURY INCORPORATING SOME EARLIER ELEMENTS

With a frieze drawer over a door enclosing a shelf on paw feet44Ω in. (113 cm.) high; 37 in. (94 cm.) wide; 25 in. (64 cm.) deep

’700-1,000 $1,100-1,500

€920-1,300


Anonymous sale, Sotheby’s London, 1 November 2005, lot 73.

n187 AN ITALIAN WALNUT AND PARCEL-GILT TABERNACLE

FRAME

19TH CENTURY

The entablature and two supporting columns with trailing gilt leaf scrolls, the moulded inner frame with egg and dart gilt border24Ω in. (62 cm.) high; 16º in. (42 cm.) wide

’500-800 $760-1,200

€660-1,000









n196 A PAIR OF NORTH ITALIAN GILTWOOD FOUR-LIGHT

GIRANDOLES

LATE 19TH/EARLY 20TH CENTURY

Each with a shield-shaped plate surrounded by carved fowers and foliage, with gilt-metal branches, ftted for electricity45 in. (114 cm.) high; 31 in. (79 cm.) wide (2)

£800-1,200 $1,300-1,800

€1,100-1,600


A Roman Family, Casa d’Aste Babuino, Rome, Italy, 26-29

October, lot 99.

n194 AN ITALIAN WALNUT REFECTORY TABLE

OF 17TH CENTURY STYLE, 20TH CENTURY

With single plank rectangular top and solid panelled trestle ends joined by plain rectangular stretcher on scrolled feet32æ in. (83 cm.) high; 115Ω in. (293.5 cm.) wide; 32º in. (82 cm.) deep; the top 2ƒ in. (6 cm.) thick

£2,000-3,000 $3,100-4,500

€2,700-3,900

n193 AN ITALIAN WALNUT ARMADIO


With cartouche panelled doors, one mirrored to the reverse, enclosing a hanging rail, on scrolling feet89Ω in. (227 cm.) high; 84 in. (214 cm.) wide; 30 in. (76 cm.) deep (2)

£1,500-2,500 $2,300-3,800

€2,000-3,300

n192 A TYROLEAN PAINTED WARDROBE

EARLY 19TH CENTURY

In two halves, painted with vases of fowers and the date 1822, the interior with a hanging rail, partly repainted78 in. (198 cm.) high; 65Ω in. (167 cm.) wide; 22 in. (56 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300

n191 A SET OF SIX NORTH EUROPEAN PROVINCIAL PAINTED

CHAIRS


In the Baroque taste, in walnut, fruitwood and other timbers, each re-upholstered in close-nailed gold velvet, minor variations (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000

n190 A MATCHED SET OF SIX ITALIAN STAINED BEECH

X-FRAME FOLDING CHAIRS

LATE 19TH CENTURY, LEATHER DISTRESSED

Each with paw feet and rosette-carved arm terminalsEach 36 in. (92 cm.) high approx (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000


Anonymous sale, Christie’s, London, 1 October 1998, lot 336

n189 A LOUIS XIII OAK AND WALNUT RECLINING WING

ARMCHAIR


With a ratcheted back, the arms with extending wrought iron lopers to support a removable supper tray, re-upholstered in close-nailed cream leather with gilt-thread appliqué banding51º in. (130 cm.) high; 31 in. (79 cm.) wide; 30 in. (76 cm.) deep

£600-800 $910-1,200

€790-1,000


Anonymous sale, Sotheby’s London, 5 March 2008, lot 301.

n188 A PAIR OF ITALIAN OVAL GILTWOOD MIRRORS

EARLY 20TH CENTURY

Each with deeply-carved pierced foliate surroundEach 34 in. (87 cm.) high; 27 in. (69 cm.) wide

£800-1,200 $1,300-1,800

€1,100-1,600


n195 A LATE VICTORIAN MAHOGANY CHESTERFIELD SOFA

LATE 19TH CENTURY

Re-upholstered in ox-blood buttoned leather, on castors, the front legs possibly associated76 in. (193 cm.) wide

£1,500-2,500 $2,300-3,800

€2,000-3,300

(a pair)











n198 A POLYCHROME GLAZED TERRACOTTA ROUNDEL

DEPICTING SAINT JOHN

ITALIAN, IN THE MANNER OF THE DELLA ROBBIA WORKSHOP, 19TH CENTURY

18Ω in. (47 cm.) diam.

’1,500-2,500 $2,300-3,800

€2,000-3,300

n197 A PAIR OF WHITE PAINTED MIRRORS

OF GEORGE II STYLE, SECOND HALF 20TH CENTURY

Each carved with egg-and-dart and moulded with acanthus leaves67Ω in. (171.5 cm.) high; 42Ω in. (108 cm.) wide

’1,500-2,500 $2,300-3,800

€2,000-3,300

n199 AN ITALIAN WALNUT AND FAUX WALNUT CREDENZA


The upper section with three cupboards each enclosing a shelf, the base with hinged top enclosing a compartment, above cupboard doors enclosing four pine drawers, top and base possibly associated, restorations and replacements72 in. (183 cm.) high; 68 in. (173 cm.) wide; 30Ω in. (78 cm.) deep

’1,000-2,000 $1,600-3,000

€1,400-2,600

n201 A SET OF EIGHT ITALIAN BRECCIA MEDICEA AND BRECCIA DI SCIRO MARBLE

COLUMNS

20TH CENTURY

Each with slightly moulded base and upper section, lacking capitals and proper bases, one extensively chipped, another probably patched in grey composition83æ in. (212.7 cm.) high; approx. 12 in. (30.5 cm.) diam. (8)

’8,000-12,000 $13,000-18,000

€11,000-16,000

VIEWING BY AN APPOINTMENT ONLY, PLEASE CONTACT SOPHIE SPREADBURY TO MAKE ARRANGEMENTS.

n200 A SET OF FOUR ITALIAN MOTTLED PURPLE BRECCIA MARBLE COLUMNS

20TH CENTURY

Each with off-white marble ring-turned tapering capital and square moulded and square-section base, some chips84Ω in. (215.6 cm.) high; the bases 9Ω in. (24.1 cm.) square (4)

’3,000-5,000 $4,600-7,600

€4,000-6,500

VIEWING BY AN APPOINTMENT ONLY, PLEASE CONTACT SOPHIE SPREADBURY TO MAKE ARRANGEMENTS.








n202 A SET OF TEN COROMANDEL HIGH-BACK CHAIRS

FIRST HALF 20TH CENTURY

Including a pair of armchairs with elaborate stretchers and lion-mask fnials, each with studded leather upholstery and baluster legs joined by multiple stretchersEach 42Ω in (108 cm.) high, the armchairs 44æ in. (114 cm.) high (10)

£1,500-2,500 $2,300-3,800

€2,000-3,300

n203 A FRENCH WALNUT CHEST

19TH CENTURY

The front and sides deeply carved with foliate scrolls and a male and female bust in profle, with iron carrying handles24 in. (61 cm.) high; 50 in. (127 cm.) wide; 20 in. (51 cm.) deep

£700-1,000 $1,100-1,500

€920-1,300


Anonymous sale, Sotheby’s London, 5 March 2008, lot 302.

n204 AN ISTRIAN AND VERONA MARBLE PANEL

OF 13TH CENTURY STYLE, POSSIBLY ASSISI

Of rectangular form inlaid with a cross within a lozenge and strapwork, some losses, now adapted as table30Ω in. (79 cm.) high; 67 in. (170 cm.) wide; 39Ω in. (100 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300


La Raccolta dell ‘Antichita’ Fiorillo, sold Semenzato Casa d’Aste, Viterbo, 21-24 September 2010,

lot 3033.

n205 A PAIR OF NORTH EUROPEAN BRASS TEN-LIGHT CHANDELIERS

EARLY 20TH CENTURY, POSSIBLY INCORPORATING EARLIER BRANCHES

Each with fve-branches with a pierced quatrefoil, ftted for electricity27 in. (68.5 cm.) high; 38Ω in. (98 cm.) diam. (2)

£800-1,200 $1,300-1,800

€1,100-1,600

n206 A PAIR OF ITALIAN BRONZE AND GLASS OCCASIONAL TABLES

THE TOPS MODERN, THE BASES LATE 19TH CENTURY

The circular thick bevelled glass tops on bronze bases cast in the Renaissance style of NiccolE Roccatagliata or Andrea Vittoria with kneeling fgures, snakes and lions, the bases adapted from andirons24 in. 961 cm.) high; 22 in. (56 cm.) diameter

£1,000-1,500 $1,600-2,300

€1,400-2,000

n207 A PAIR OF ITALIAN SPECIMEN MARBLE BENCHES OR LOW TABLES

20TH CENTURY

Each inlaid in geometric designs with brecciolino, cipollino and verde antico marble17æ in. (45 cm.) high; 60Ω in. (154 cm.) wide; 17º in. (44 cm.) deep (2)

£800-1,200 $1,300-1,800

€1,100-1,600









n208 A MATCHED SET OF SIX ITALIAN WALNUT HIGH-BACK CHAIRS

MID-19TH CENTURY

Including two armchairs, each with foliate fnials and square legs with pierced front stretchers, slight differences in heightApprox 49Ω in. (126 cm.) high; One armchair 54Ω in. (138 cm.) high (6)

£1,000-2,000 $1,600-3,000

€1,400-2,600

n209 AN ITALIAN WALNUT COMMODE


The top inlaid with two panels of burr walnut above four graduated drawers, the sides with conforming panels, restorations and replacements36Ω in. (93 cm.) high; 60 in. (152.5 cm.) wide; 27 in. (69 cm.) deep

£1,200-1,500 $1,900-2,300

€1,600-2,000

n212 A NORTH ITALIAN WALNUT AND FIGURED WALNUT COMMODE

19TH CENTURY

With three drawers on scrolled bracket feet40 in. (102 cm.) high; 63æ in. (162 cm.) wide; 24Ω in. (62 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000


Anonymous sale, Christie’s New York, 22 April 2008, lot 130.

n211 A SET OF SIX NORTH EUROPEAN FRUITWOOD SIDE CHAIRS

19TH CENTURY

Each re-upholstered in close-nailed blue and cream fabric (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000


OF 17TH CENTURY STYLE, 20TH CENTURY

With single plank top and baluster trestle ends joined by a fat-section waved stretcher on scrolled feet32æ in. (83.2 cm.) high; 144Ω in. (267 cm.) wide; 35º in. (89.5 cm.) deep; the top 2º in. (5.7 cm.) thick

£2,000-3,000 $3,100-4,500

€2,700-3,900


19TH CENTURY, INCORPORATING EARLIER ELEMENTS

With a rectangular twin-plank top, the frieze carved with interlaced fowerheads and foliage31æ in. (81 cm.) high; 85º in. (216.5 cm.) wide; 39Ω in. (100 cm.) deep

£700-1,000 $1,100-1,500

€920-1,300









PROPERTY OF A GENTLEMAN

n218 A PAIR OF GILTWOOD PIER GLASSES

OF QUEEN ANNE STYLE, 20TH CENTURY

Each with an arched bevelled split plate, the upper plate centred by a star, with moulded border plates and foliate clasps60º in. (153 cm.) high; 23 in. (58.5 cm.) wide (2)

£3,000-5,000 $4,600-7,600

€4,000-6,500


Anonymous sale, Christie’s London, Important English Furniture,

25 November 2004, lot 58 where acquired by the vendor

n217 A GILT-DECORATED BLACK LACQUER CENTRE TABLE

SECOND HALF 19TH CENTURY, POSSIBLY CHINESE

The circular tilt top depicting birds in a landscape within a foral border31 in. (79 cm.) high; 33 in. (84 cm.) diameter

£1,200-1,800 $1,900-2,700

€1,600-2,300

n216 A CHINESE EXPORT LACQUER BONHEUR DU JOUR

MID-19TH CENTURY

The pair of doors enclosing six drawers and central cupboard with portrait oval below open compartments and smaller door, above twin-hinged faps with ftted interior, frieze drawer and work basket, on turned legs52º in. (133 cm.) high; 23 in. (59 cm.) square

£1,500-2,500 $2,300-3,800

€2,000-3,300

n215 AN EARLY GEORGE III MAHOGANY LINEN PRESS

CIRCA 1760, POSSIBLY BY GILES GRENDEY

With Greek key cornice over foliate carved cartouche panelled doors now enclosing a brass hanging rail, above four oak-lined drawers on later ogee feet73Ω in. (186.5 cm.) high; 50Ω in. (128.5 cm.) wide; 25 in. (63.5 cm.) deep

£2,000-3,000 $3,100-4,500

€2,700-3,900

VARIOUS PROPERTIES

n214 AN IRISH PLASTER OF A CLASSICAL MAIDEN READING

THE MODEL BY PATRICK MACDOWELL (1799-1870) , DATED 1836

The back inscribed ‘MacDowell. Sculptor \ Published .. Nov ..16 1836’, paint refreshed57 in. (145 cm.) high

£1,500-2,500 $2,300-3,800

€2,000-3,300

The sculpted marble version of the ‘Girl Reading’ was exhibited in 1862 at the International Exhibition, London.

For further information see www.christies.com

PROPERTY FROM A PRIVATE GERMAN COLLECTION

n219 A GERMAN WALNUT, FIGURED WALNUT, ASH,

FRUITWOOD AND EBONY BUREAU CABINET

MID-18TH CENTURY, PROBABLY BRUNSWICK

Banded and cross-banded overall and with bone-inlaid fgures and fower-baskets surrounded by interlaced strap-work, the moulded arched cornice above a central door fanked each side by fve drawers, above a hinged slope enclosing a ftted interior and with three further drawers below, on bun feet80 in. (203 cm.) high; 43Ω in. (110.5 cm.) wide; 23Ω in. (60 cm.) deep

£5,000-7,000 $7,600-11,000

€6,600-9,100

The design, proportions and decoration of this cabinet are typical of those produced in Braunschwieg in the middle of the 18th century. Particularly characteristic are the cartouche-shaped panels centred with ivory figures. A comparable cabinet is illustrated in H.Kreisel / G.Himmelheber, Die Kunst des deutschen Mobels, Munich 1970, Vol II, fig 878.








n225 A GEORGE IV MAHOGANY CHEVAL MIRROR

EARLY 19TH CENTURY

The rectangular swing plate fanked by turned reeded stiles, on acanthus-carved scroll feet with castors70 in. (177.5 cm.) high; 34Ω in. (88 cm.) wide; 28 in. (71 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300

224 A FRENCH BRONZE EQUESTRIAN BRONZE OF THE

GALLIC WARRIOR

CAST BY BARBEDIENNE, AFTER EMMANUEL FREMIET (1824-1910), LATE 19TH CENTURY

The cast with signature ‘E.Fremier’ and inscribed to the side ‘F.Barbedienne Fondeur’. mounted on a rouge griotte base17Ω in. (44.5 cm.) high; 11º in. (28.5 cm.) wide

£1,000-1,500 $1,600-2,300

€1,400-2,000

n223 A GEORGE II MAHOGANY BUREAU CABINET

MID-18TH CENTURY, POSSIBLY IRISH

The dentil-moulded cornice above a pair of doors enclosing three adjustable shelves, the fall enclosing an arrangement of short drawers and pigeonholes around a central cupboard, with four long graduated drawers and shaped bracket feet79º in. (201 cm.) high; 35 in. (89 cm.) wide; 21Ω in. (54.5 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300


n221 A GREEN AND POLYCHROME-PAINTED AND PARCEL-

GILT HARP

PROBABLY ITALIAN, 19TH CENTURY

Fluted and foliate-carved overall, decorated with roses, assorted fowers and leaves62 in. (157.5 cm.) high

£700-1,000 $1,100-1,500

€920-1,300


Sotheby’s London, The Property of a Private European Collector, 16

April, 1996, lot 201.

220 A FRENCH BRONZE GROUP OF A SPANISH MULATEER

CIRCA 1900, AFTER EMMANUEL FREMIET (1824-1911)

Signed in the cast ‘E. FREMIET’13º in. (33.5 cm.) high

£1,000-1,500 $1,600-2,300

€1,400-2,000

222 AN ITALIAN CARVED WHITE MARBLE GROUP OF A

BOY WRESTLING WITH A GOOSE

LATE 19TH CENTURY

Depicted with a bow at his feet19æ in. (50 cm.) high

£1,000-1,500 $1,600-2,300

€1,400-2,000








226 A GEORGE III SILVER TWO-HANDLED CUP AND COVER

MARK OF WILLIAM HOLMES, LONDON, 1788

Vase-shaped and half-futed with two bands of scrolling decoration on textured ground, bead borders and futed trumpet foot, the waisted cover chased with stiff leaf decoration below a futed ovoid fnial, the cover further chased with a band of overlapping scale decoration broken up by oval foral medallions, leaf-capped loop handles17 in. high (43 cm.)61 oz. (1891 gm.)

£1,500-2,000 $2,300-3,000

€2,000-2,600

227 A VIENNA-STYLE MYTHOLOGICAL DISH

LATE 19TH CENTURY, UNDERGLAZE BLUE SHIELD MARK

Painted with a central scene, titled in script to the reverse Perseus vermBhlung, within a richly-gilt surround, the rim decorated in colours with grotesschi and medallions13.7/98 in. (35.3) diam.

£1,200-1,800 $1,900-2,700

€1,600-2,300

n228 AN EARLY VICTORIAN MAHOGANY TWO-TIER OPEN BOOKCASE

MID-19TH CENTURY

With four adjustable shelves fanked by rounded stiles with foliate-carved capitals, on an inverted breakfront plinth base67æ in. (172 cm.) high; 52Ω in. (133 cm.) wide; 13º in. (33.5 cm.) deep

£1,500-2,000 $2,300-3,000

€2,000-2,600

~229 A GEORGE III SILVER COFFEE POT

MARK OF JOHN REILY, LONDON, 1802

Of panelled globular form on twelve-sided pedestal foot, engraved with a hooded falcon crest to side and cover, fared collar, detachable cover with rayed bright engraving, panelled spherical fnial, leaf-capped silver handle with ivory insulators9æ in. high (25 cm.)31.75 oz. (985 gm.)

£800-1,200 $1,300-1,800

€1,100-1,600


n230 A LATE REGENCY MAHOGANY LIBRARY BERGERE

EARLY 19TH CENTURY

Re-upholstered in close-nailed buttoned leather, the padded arms with turned supports, on reeded legs

£1,200-1,500 $1,900-2,300

€1,600-2,000


n231 A MAHOGANY PORTER’S CHAIR


Largely reupholstered in close-nailed buttoned leather, on castors

£1,000-1,500 $1,600-2,300

€1,400-2,000








232 A GEORGE IV SILVER TWO-HANDLED TRAY

MARK OF WILLIAM ELEY (II), LONDON, 1828

Oblong with rounded corners, gadroon border, shell, leaf and scroll handles and conforming bracket feet, centre engraved with coat of arms26¬ in. long (67 cm.)116.75 oz. (3620 gm.)

£1,500-2,000 $2,300-3,000

€2,000-2,600

The arms are for the marriage on 10/9/1828 of Samuel Bright (1799-1880) JP, Merchant of Sandheys, Liverpool, to Elizabeth Anne, daughter of Hugh Jones of Larkhill, Liverpool

233 SIX HAND-COLOURED BOTANICAL ENGRAVINGS FROM SIR JOHN HILL’S ‘EDEN’

PUBLISHED CIRCA 1757

Later framed in a gilt wood and green decorated frames28º x 22º in. (71.5 x 56.5 cm.) overall (6)

£1,500-2,000 $2,300-3,000

€2,000-2,600

n234 AN IRISH EARLY VICTORIAN ROSEWOOD LIBRARY TABLE


The rounded rectangular top with raised moulded edge above three frieze drawers, with opposing false drawers, on panelled standard end supports29º in. (74.5 cm.) high; 56æ in. (144 cm.) wide; 32Ω in. (82.5 cm.) deep

£2,000-3,000 $3,100-4,500

€2,700-3,900

235 A PAIR OF OLD SHEFFIELD PLATE WINE COOLERS

CIRCA 1825

Campana form with foral and foliate decoration to the reeded rim, handles terminating in acanthus leaves, engraved with a coat of arms to front on let-in silver reserves, detachable liners and rims, tinned interiors9 in. high (23 cm.) (2)

£1,500-1,800 $2,300-2,700

€2,000-2,300

The arms are for Feilden, Earl of Denbigh in the English peerage and Earl of Desmond in the peerage of Ireland

n236 A WILLIAM IV MAHOGANY WINE COOLER

ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY

The rounded rectangular lip above panelled sides enclosing a lead-lined interior, on probably original feet with later castors19º in. (49 cm.) high; 32 in. (81.5 cm.) wide; 22Ω in. (57 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300

n237 A GEORGE III MAHOGANY GAMES TABLE

LATE 18TH CENTURY

The leather lined tilt-top with recesses for counters28Ω in. (72.5 cm.) high; 44Ω in. (113 cm.) diameter

£700-1,000 $1,100-1,500

€920-1,300

(part)








l•*248 CARLOSGARCÍAMUELA

(SPANISH,1936-2013)

Dovesigned ‘MUELA’ (near the base)marble11 in. (28 cm.) high including base

£800-1,200 $1,300-1,800

NO RESERVE €1,100-1,600

nl247AFTERPABLOPICASSO

Femme au chapeau a pompons et au corsage imprimé embroidered with inscription and signature ‘pour Sabartés/mon ami/Picasso’ (lower right) and numbered ‘375/500’ (on a label attached to the reverse)wool tapestry in colours47º x 35¡ in. (120 x 90 cm.)published by Desso, Netherlands, under the license of succession Picasso-Paris

£1,000-1,500 $1,600-2,300

€1,400-2,000247

l246 COLINBISHOP(FL.,1992)

The Punch and Judy Showsigned and dated ‘Colin 92’ (on the reverse) and signed and inscribed ‘COLIN BISHOP THE PUNCH & JUDY SHOW’ (on the frame)oil on canvas16º x 24Ω in. (41.3 x 62.2 cm.)

£1,200-1,800 $1,900-2,700

€1,600-2,300

246

*245 THEOPHILEALEXANDRESTEINLEN

(FRENCH,1859-1923)

Etudes de personnages, 1903extensively inscribed and numbered ‘183’ and with studio stamp (lower right)pencil on paper14 x 12æ in. (35.5 x 32.4 cm.)

£800-1,200 $1,300-1,800

€1,100-1,600


with Crane Kalman Gallery, London as ‘La

Recontre’ 1984

245

l244 JONATHANKENWORTHY(B.1943)

Cheetah chasing Gazellessigned ‘Kenworthy’ (lower left)pen and black ink and grey wash on paper7 x 10æ in. (17.8 x 27.3 cm.)

£700-1,000 $1,100-1,500

€920-1,300

244

243NoLot

nl242AFTERPABLOPICASSO

Le Visage de la paix, bleuwith embroidered signature (lower left) and numbered ‘147/500’ and dated ‘1997’ (on a label on the reverse)wool tapestry in colours35¡ x 59¿ in. (90 x 150 cm.)published by Desso, Netherlands, under the license of succession Picasso-Paris

£1,000-1,500 $1,600-2,300

€1,400-2,000

242

l*241 ANTONICLAVÉ(SPANISH,1913-2005)

Retour Du Japonsigned and dated ‘Clavé 86’ (lower right)pastel, acrylic, adhesive tape and paper collage laid down on canvas30æ x 22æ in. (78 x 57.8 cm.)

£800-1,200 $1,300-1,800

€1,100-1,600

A certifcate of authenticity issued by Archives Antoni Clavé will be delivered to the buyer.

241

l240 ALBERTOMORROCCO,R.S.A.,R.S.W.

(1917-1998)

The Harbourpen and black ink on paper, unframed10 x 8 in. (25.4 x 20.4 cm.); and four other framed drawings by the same hand (5)

£1,000-1,500 $1,600-2,300

€1,400-2,000


the artist’s studio,

His sale; Christie’s, London, A Celebration:

The Studio of Alberto Morrocco & Binrock House,

Dundee, 11 July 2012, lot 101, (part of,

illustrated),

with Louise Kosman, Edinburgh.

240

239 HENRILEBASQUE(FRENCH,1865-1937)

Le Cannetsigned ‘H. Lebasque’ (lower right)pencil and coloured wash on brown paper11Ω x 14æ in. (29.2 x 37.4 cm.)

£800-1,200 $1,300-1,800

€1,100-1,600

Maria de la Ville Fromoit has confrmed the authenticity of this work.

239

l238 JONATHANKENWORTHY(B.1943)

Nomads and live stock with watching lionspen and black ink and grey wash on paper7 x 10Ω in. (17.8 x 26.7 cm.)

£800-1,200 $1,300-1,800

€1,100-1,600

238

248












l260 MADGEGILL(1884-1961)

Lady in the garden: abstract triptychpen and black ink, unframedeach 5Ω x 3Ω in. (14 x 9 cm.) (3)

£600-800 $910-1,200

€790-1,000 260

nl259LOUISMAXWELL,20THCENTURY

A fantasy in bluesigned and dated ‘Louis Maxwell/1974’ (lower centre)oil on canvas55¡ x 36æ in. (141.6 x 93.3 cm.)

£1,000-1,500 $1,600-2,300

€1,400-2,000

259

VARIOUS PROPERTIES

l258 MICHAELCANNEY(1923-1999)

Tuscany, Christmas 1991; Untitled in orange and blue; and Christmas 1989the frst two bodycolour on paper; the third bodycolour and paper collage on paper6 x 5æ in. (15.2 x 14.6 cm.); and smaller (3)

£1,000-1,500 $1,600-2,300

€1,400-2,000

258

257NoLot

THE PROPERTY OF A DECEASED ESTATE

l256 GEORGETTETAVÉ(FRENCH,1925-

2008)

Bord de Méditerranéesigned ‘Tavé’ (lower left) and again (on the reverse)oil on canvas28 x 23 in. (71.1 x 58.4 cm)

£1,500-2,000 $2,300-3,000

€2,000-2,600

256

l255 STANLEYGRIMM(1891-1966)

Dredger, Lowestoft; Poole; and Limehouse Reachthe frst signed ‘Grimm’ (lower right) and signed and inscribed ‘“Dredger,Lowestoft”/Stanley Grimm’ (on the artist’s label); the second signed ‘Grimm’ (lower right) and inscribed and indistinctly dated ‘Poole’ (on the reverse); the third signed ‘Grimm’ (lower right) and signed, inscribed and dated ‘Limehouse Reach/25th July 1933/SGrimm’ (on the reverse)oil on boardall 20 x 24 in. (50.8 x 61 cm.) (3)

£1,200-1,800 $1,900-2,700

€1,600-2,300


(1) (2) with J.J. Patrickson & Son Ltd., London

(3) with New English Art Club, London

255

l254 GALIAAMSEL(B.1967)

Cirrus IIIsigned and inscribedsandblasted jade glass29Ω x 21 x 5 in. (75 x 53.4 x 12.7 cm.)

£1,000-1,500 $1,600-2,300

€1,400-2,000

l253 WILLIAMCROZIER(1930-2011)

Malaga II; and Madrid IVboth signed and dated ‘Crozier 1990’ (lower left)the frst watercolour on paper; the second watercolour heightened with bodycolour4Ω x 6Ω in. (11.4 x 16.5 cm.); and similar (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000


with William Jackson, London.253

254

252 LEONETTOCAPPIELLO(FRENCH,

1875-1942)

The golden goosewatercolour and bodycolour on paper27 x 39 in. (68.5 x 99 cm.)

£1,000-2,000 $1,600-3,000

€1,400-2,600

252

VARIOUS PROPERTIES

l251 JULIUSSTAFFORD-BAKER(1904-

1988)

Breton Havenwatercolour and bodycolour on paper18√ x 24¡ in. (48 x 62 cm.)

£700-1,000 $1,100-1,500

€920-1,300

E X H I B I T E D :

London, Sally Hunter Fine Art, Julius & Philip

Stafford - Baker, November 1989, no. 36.

251

THE PROPERTY OF A DECEASED ESTATE

l250 GEORGETTETAVÉ(FRENCH,1925-

2008)

Les mimosas à Mandelieusigned ‘Tavè’ (lower left) and again (on the reverse)oil on canvas28 x 20¬ in. (71.1 x 52.4 cm.)

£1,500-2,000 $2,300-3,000

€2,000-2,600

250

•249 FREDHAYDEN(B.1874)

Thames barges sailing in the Pool of Londonsigned ‘Fred Hayden’ (lower right)oil on canvas24 x 29¡ in. (61 x 74.6 cm.)

£500-700 $760-1,100

€660-910

249












44

24 FEBRUARY 2015 · THE LURE OF THE EAST

THE LURE OF

THE EAST

LOT 305

The Orient has long been an inspiration to the European

arts. The cross cultural influences and references can

be seen in the diversity of works of art offered in the

following pages, from the exotic dancer to the delicate

minaret like forms of this beautifully carved chess set.

45

THE LURE OF THE EAST · 24 FEBRUARY 2015

LOT 304 LOT 217

LOT 267


~262 ANEARLYVICTORIANTURNEDIVORYPLAYINGCHESSSET

BY WILLIAM LUND, MID-19TH CENTURY

The one side stained red, the opposing natural, the kings and queens with pierced crown fnials, the white king with maker’s label to the underside ‘WILL.m. LUND 24 FLEET STREET’The king — 4º in. (101 cm.) high; the pawn — 1æ in. (4.5 cm.) high

£1,500-2,000 $2,300-3,000

€2,000-2,600


Chrisite’s, London, 7 December 2010

263 AGERMANGEISLINGENTYPEBONECHESSSET

LATE 18TH CENTURY

One side stained, the opposing natural, kings, queens and bishops in 18th century dress, knights with horses’ heads and rooks as small turrets, all raised on petal tiered pedestal basesThe king — 3 in. (7.5 cm.) high; the pawn — 1Ω in. (4 cm.) high

£1,200-1,800 $1,900-2,700

€1,600-2,300


Bonhams, London, April 2009.

264 AVICTORIANBOXWOODANDEBONYWEIGHTEDSTAUNTONCHESSSET

BY JAQUES, LONDON, CIRCA 1860

The white king stamped ‘JAQUES, LONDON’, with an associated carton pierre box, of Gothic style, frst half 19th century with yellow label to the underside ‘THE STAUNTON CHESS-MEN \ REGISTERED NO. 58,607, 5 & 6, Vict cap. 100. \ BOXWOOD AND EBONY \ JAQUES, LONDON’ and with facsimile signature of Howard StauntonThe king — 3Ω in. (9 cm.) the pawn - 1æ in. (4.5 cm.) high

£1,200-1,800 $1,900-2,700

€1,600-2,300

~265 AREGENCYTURNEDIVORYPLAYINGCHESSSET

EARLY 19TH CENTURY

One side stained red, the opposing natural, the kings with urn shaped fnials and queens with domed fnials, the bishops with reeded mitres, knights as horses’ heads, rooks as tall turrets, pawns with ball knop fnialsThe king — 3√ in. (9.7 cm.) high; the pawn — 1æ in. (4.5 cm.) high

£1,200-1,800 $1,900-2,700

€1,600-2,300


Bonhams, London, May 2010.

266 ARUSSIANORSPANISHBONEPULPITCHESSSET

19TH CENTURY

One side stained, the other left natural, the kings, queens and bishops carved as fgures wearing crowns and mitres, the knights with horses’ heads, the rooks as turretsThe king — 3æ in. (9.5 cm.) high; the pawn — 2 in. (5 cm.) high

£3,000-5,000 $4,600-7,600

€4,000-6,500


Bonhams, London, May 2010

261 AVICTORIANCOROMANDELANDEBONISED‘ROYALCABINETOFGAMES’COMPENDIUM

CIRCA 1880

With bevelled glass hinged top and front opening to reveal a pegged bone Staunton pattern chess and draughts set, cold painted lead Steeplechase game, a folding leather games board with reverse for Steeplechase, two shakers, bone dominoes, whist markers, a quantity of counters and a Guide to the Royal Cabinet of Games instruction booklet, the box with brass label engraved ‘The Royal Cabinet Games’7¡ in. (18.7 cm.) high; 13æ in. (35 cm.) wide

£1,000-1,500 $1,600-2,300

€1,400-2,000


Bonhams, London, October 2009

Property of an English Chess Collector, lots 261-269








~267 ANANGLO-INDIANVIZAGAPATAMIVORYCHESSSET

CIRCA 1820

One side stained green, the opposing natural, king and queens with carved and pierced leaf tiers, bishops with pierced faming mitres, knights as horses’ heads, rooks as turrets with fags, in a later bespoke oak presentation caseThe king — 4º in. (11 cm.) high; the pawn — 2º in. (5.5 cm.) high

£2,500-4,000 $3,800-6,100

€3,300-5,200


Bonhams, London, October 2008.

~268 AGEORGEIVTURNEDIVORYPLAYINGCHESSSET

BY JOHN CALVERT, CIRCA 1820

One side stained red, the opposing natural, the kings with cross fnials and the queens with feur-de-lys, the white kings stamped to the underside ‘CALVERT MAKER 189 FLEET ST. LONDON’The kings — 4¿ in. (10.5 cm.) high; the pawn — 1¬ in. (4.2 cm.) high

£800-1,200 $1,300-1,800

€1,100-1,600


Bloomsbury Auctions, London, September 2007.

269 APAIROFJAPANESECELADONANDBLUEGLAZEDVASES


Decorated in relief with sparrows in fight amongst fowering iris blossoms all upon a pale green glazed ground17√in. (45.3cm.) high

£800-1,200 $1,300-1,800

€1,100-1,600

VARIOUS PROPERTIES

270 ANINDIANSILVERCHESSSETANDBOARD


The kings and queens modelled as caparisoned elephants, together with a silver board, the feet modelled as elephant heads with raised tusksThe king — 3º in. (8.2 cm.) high; the board — 16 x 16 in. (40.5 x 40.5 cm.)

£1,000-1,500 $1,600-2,300

€1,400-2,000

~271 ANANGLO-INDIANIVORY,HORNVENEEREDANDBONEMINIATURECHESSTABLE

LATE 19TH CENTURY

Of octagonal form with pierced borders and cartouches depicting engraved Hindu mythological fgures, on pedestal with quadripartite base on bone lion paw feet, some resin replacements9º in. (23.5 cm.) high; 10æ in. (27.5 cm.) wide

£800-1,200 $1,300-1,800

€1,100-1,600

~272 ASETOFTHREEINDIANTEAKANDBONEANDIVORYINLAIDSTACKINGTRAYS

HOSHIARPUR, EARLY 20TH CENTURY

All with pierced handles and original maker’s label to reverse inscribed ‘B. KARAM CHAND PAYARA LAL / Inlaid Woodwork Manufacturers / Hoshiarpur India’19æ in. (50 cm.) longTogether with a set of three brass inlaid stacking trays by the same maker, also with applied labels, 20 in. (51 cm.) long (6)

£1,500-2,500 $2,300-3,800

€2,000-3,300








277 WILLYRONIS(1910-2009)

Megève, 1939gelatin silver print, printed 2004signed in ink (margin, recto); titled, dated and credit stamped (verso)image: 32 x 26cm. (12 ¬ x 10 ºin.)sheet: 40 x 29.9cm. (15 æ x 11 æin.)

£3,000-5,000 $4,600-7,600

€4,000-6,500


Private Collection, UK

276 LILLIANBASSMAN(1917-2012)

Anne-Saint-Marie, New York, Chanel advertising campaign, 1958gelatin silver print, printed latersigned in ink (verso)image: 19 x 24.2cm. (7.5 x 9.5in.)sheet: 20.3 x 25.3cm. (8 x 10in.)

£1,000-2,000 $1,600-3,000

€1,400-2,600




Tunic Suit, Suit by Charles James, Sunny Harnett, New York, Harper’s Bazaar, July 1955gelatin silver print, printed latersigned in ink (verso)image: 24.2 x 18.4cm. (9.5 x 7.2in.)sheet: 25.3 x 20.3cm. (10 x 8in.)

£1,000-2,000 $1,600-3,000

€1,400-2,600




Wonders of Water, New York, Harper’s Bazaar, 1979gelatin silver print, printed latersigned in ink (verso)image: 24.1 x 19cm. (9.5 x 7.5in.)sheet: 25.3 x 20.3cm. (10 x 8in.)

£1,000-2,000 $1,600-3,000

€1,400-2,600




Barbara Mullen, Le Pavilion, New York, Harper’s Bazaar, April 1950gelatin silver print, printed latersigned in ink (verso)image: 24.1 x 19cm. (9.5 x 7.5in.)sheet: 25.3 x 20.3cm. (10 x 8in.)

£1,000-2,000 $1,600-3,000

€1,400-2,600









n286 APAIROFITALIANTERRACOTTAWALLBRACKETS

LATE 19TH CENTURY

Each with a lobed platform above a mask of Silenus 21 in. (53.5 cm.) high; 10º in. (26 cm.) protrudence (2)

£800-1,200 $1,300-1,800

€1,100-1,600

285 APAIROFFRENCHBRONZETWIN-BRANCHWALL

APPLIQUES

EARLY 20TH CENTURY

Each cast as a classical two-handled vase with snakes entwined in the ring handles, a makers’ ‘C’ stamp and numbers to the reverse14Ω in. (37 cm.) high (2)

£800-1,200 $1,300-1,800

€1,100-1,600

n284 AGERMANCARVEDWHITEMARBLELIBRARYBUSTOF

BEARDEDGENTLEMAN

BY ANTON WERRES (1830-1900), DATED 1888

Inscribed to the reverse ‘A. WERRES FEC. 1888’ 22æ in. (56 cm.) high

£1,200-1,800 $1,900-2,700

€1,600-2,300

n283 ALARGEMAHOGANYWINGARMCHAIR

OF GEORGE II STYLE, LATE 19TH / EARLY 20TH CENTURY

Re-upholstered in close-nailed leather, the arched padded back and over-scrolled arms above a ftted squab cushion, on hipped and acanthus-carved cabriole legs with claw and ball feet, the apron centred by stylised shell

£1,500-2,000 $2,300-3,000

€2,000-2,600

~282 AGEORGEIIISCOTTISHFOUR-PIECESILVERTEA

SERVICE

MARK OF JAMES MCKAY, EDINBURGH, 1814

Comprising:- a teapot, a creamer, two sugar bowls; squat baluster with tongue border and acanthus leaf-capped handles, on circular foot, the teapot with double-knop fnial and ivory insulators to handle, sugar bowls and creamer with gilt interiors, engraved with a Scottish crest for StirlingTeapot 11Ω in. (29.3 cm.) long92.25 oz. (2869 gm.) (4)

£1,500-2,000 $2,300-3,000

€2,000-2,600

n281 AVICTORIANPLASTERRELIEFOFACLASSICALTORSO

BY BRUCCIANI OF LONDON, SECOND HALF 19TH CENTURY

Impressed ‘D.BRUCCIANI & CO LONDON’, 3267’26 in. (66 cm.) high

£1,200-1,800 $1,900-2,700

€1,600-2,300

280 APAIROFFRENCHGLASSPHARMACEUTICAL

SPECIMENJARSANDCOVERS

LATE 19TH CENTURY

Reverse painted in polychrome, silvered and gilt with a panel of irises within gilt wreaths, above a banner inscribed IRIDIS, further inscribed TISSIER / 204.FAUB: St Denis PARIS (damage to one cover)27º in. (69.2 cm.) high (2)

£1,200-1,800 $1,900-2,700

€1,600-2,300

279 APAIROFFRENCHBRONZEANDORMOLU

CANDLESTICKS

CIRCA 1830’S

Each in the form of a classical maiden standing on a globe and a plinth applied with wreaths and lyres, formerly candelabra20Ω in. (52.5 cm.) (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000

n278 AGERMANCARVEDWHITEMARBLELIBRARYBUSTOF

AWHISKEREDGENTLEMAN

BY ANTON WERRES (1830-1900), DATED 1877

Inscribed to the reverse ‘ANTON WERRES FEC. COLN 1877’ 21. Ω in. (55 cm.) high

£1,200-1,800 $1,900-2,700

€1,600-2,300











n287 AGROUPOFSIXPAINTEDWALLPANELSAFTER

SIREDWARDBURNE-JONESANDMORRIS&CO

TAPESTRIES

‘THE HOLY GRAIL’, 20TH CENTURY

Painted textile mounted on wood frame, six panels of varying lengths, copying part of the Holy Grail series of Morris & Co tapestries designed by Sir Edward Burne Jones, and showing on two panels ‘The Summons’, part of ‘The Achievement’ on the largest panel, two panels showing ‘The failure of Sir Gwain’ and one panel ‘The failure of Sir Lancelot’Largest 55Ω in. (141 cm.) high x 113¡ in. (288 cm.) wide: smallest 54æ in. (139 cm.) high x 21¬ in. (55 cm.) wide (6)

£2,000-4,000 $3,100-6,100

€2,700-5,200

L I T E R A T U R E :

H.C. Marillier, History of the Merton Abbey Tapestry Works -

Founded by William Morris, London 1927, plates 12, 13, 14 & 15

where the complete set of Holy Grail tapestries are illustrated



288 ASILVERANDMAHOGANYPHOTOGRAPHFRAME

MARK OF WILLIAM NEALE, CHESTER 1901

Shaped rectangular form, the silver openwork embossed with fowers and leaves and mounted on mahogany with easel support and bevelled glass, stamped marks9º in. (23.5 cm.) high x 11Ω in. (29.2 cm.) wide

£1,200-1,800 $1,900-2,700

€1,600-2,300

l289 LOUISICART(1888-1950)

‘PETITS CHIENS’ (PUPPIES) AND ‘LES CHATONS’ (SPILLED MILK), 1925

Two etchings and aquatints with drypoint, printed with colour and with hand colour, signed Louis IcartPlate 17 in. (43 cm.) x 21Ω in. (54.5 cm.) (2)

£1,200-1,800 $1,900-2,700

€1,600-2,300


n290 ALARGELATEVICTORIANOAKREFECTORYTABLE


On baluster-turned supports joined by a horizontal low stretcher, with sledge ends and bun feet30 in. (76 cm.) high; 120 in. (305 cm.) wide; 38Ω in. (98 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000

291 “FRIENDSHIPISASHELTERINGTREE’,APAIROFSILVERANDOAKPHOTOGRAPH

FRAMES

MARK OF DEAKIN & FRANCIS, BIRMINGHAM 1903

Each of shaped outline, the silver embossed with title and forget-me-nots, mounted on mahogany with easel support and bevelled glass, stamped marks7¡ in. (18.7 cm.) high (2)

£2,000-3,000 $3,100-4,500

€2,700-3,900

292NoLot

n293 APAIROFCLUBARMCHAIRS

20TH CENTURY

Each with tan leather upholstery, and later mahogany bun feet (2)

£1,200-1,800 $1,900-2,700

€1,600-2,300







l299 PAUL-ÉMILEPISSARRO(FRENCH,1884-1972)

Le Moutiersigned ‘Paulémile.Pissarro’ (lower left)oil on canvas21 x 25 in. (53.3 x 63.5 cm.)

£2,000-3,000 $3,100-4,500

€2,700-3,900

The authenticity of this work has been confrmed by Lèlia Pissarro.

nl298CLAUDEVENARD(FRENCH,1913-1987)

A port compositionsigned ‘C. Venard’ (lower right)oil on canvas, unframed39Ω x 39Ω in. (100.3 x 100.3 cm.)

£3,000-5,000 $4,600-7,600

€4,000-6,500

Sold with a photo certifcate from Renata Venard.

l297 MAURICEGHIGLION-GREEN(FRENCH,1913-1989)

A chateau at harvest time, a view of a city beyondsigned ‘G-Green’ (lower right);oil on board20Ω x 35 in. (52 x 89 cm.)

£2,500-3,500 $3,800-5,300

€3,300-4,600

296NoLot


La Rouvre aux touraillessigned ‘Paulémile. Pissarro’ (lower right)oil on canvas17Ω x 21 in. (44.4 x 53.3 cm.)

£2,500-3,500 $3,800-5,300

€3,300-4,600


*294 CAMILLEPISSARRO(FRENCH,1830-1903)

Les joueurs de cartessigned with initials ‘C.P.’ (lower right)pencil and grey ink wash on squared paper4º x 6º in. (10.7 x 15.8 cm.)

£2,500-3,500 $3,800-5,300

€3,300-4,600

Sold with a photo-certifcate from Mrs. Katia Pissarro, dated le 28 november 1983.







305 ANAUSTRIANCOLDPAINTEDBRONZEOFANEROTIC

DANCER

CAST BY THE BERGMAN FOUNDRY, EARLY 20TH CENTURY

Modelled with uplifting skirt, cast with ‘B’ foundry mark and inscription ‘Nam Greb’, on a verde-antico marble plinth18æ in. (47.5 cm.) high

£3,000-5,000 $4,600-7,600

€4,000-6,500

304 AFRANZBARWIG(1869-1931)PATINATEDBRONZE

‘COUGAR’, CIRCA 1920

Modelled and cast as the sleek cat sitting, on integral bronze base, signed F. Barwig10º in. (26 cm.) high

£2,000-3,000 $3,100-4,500

€2,700-3,900

303 ANADOLFMULLER-CREFELD(1863-1934)GILT-

BRONZEFIGURE

‘TAMBOURINE DANCER’, EARLY 20TH CENTURY

Modelled and cast as a bare-breasted young woman wearing a long skirt and holding a tambourine, integral base and marble plinth, signed Muller-Crefeld, Berlin18Ω in (47 cm.) high

£1,500-2,500 $2,300-3,800

€2,000-3,300

302 AVICTORHEINRICHSEIFERT(1870-1953)PATINATED

BRONZEFIGURE

EARLY 20TH CENTURY

Modelled and cast as a nude young woman standing on a globe whilst holding a long scarf, stepped marble plinth, signed V. Seifert. Fec15¿ in. (38.5 cm.) high

£1,200-1,800 $1,900-2,700

€1,600-2,300

301 ‘IRIS’,ANARTNOUVEAUCOLD-PAINTEDSPELTER

FIGUREBYF.FLORA

LATE 19TH CENTURY

Modelled and cast as an elegant lady holding a long stemmed fower, her diaphanous dress spreading out to form the base, signed F. Flora, with applied tag inscribed ‘Iris par Flora’27¬ in. (70.2 cm.) high

£1,500-2,500 $2,300-3,800

€2,000-3,300

300 ANADOLFMULLER-CREFELD(1863-1934)GILT-

BRONZENUDEFIGURE

‘TAMBOURINE DANCER’, EARLY 20TH CENTURY

Modelled and cast as a naked young woman dancing with a tambourine, integral base, signed Muller-Crefeld, Berlin, with VAB foundry seal 18º in (46.4 cm.) high

£1,500-2,500 $2,300-3,800

€2,000-3,300








n306 AGROUPOFFOURCOPPERLIDDEDSTOCKANDCASSEROLEPOTSANDTHREEBOWLS

LATE 19TH CENTURY AND EARLY 20TH CENTURY

All with twin handles, two of oblong form, one of which is engraved ‘F.W’, and a deep pot with a brass spigot stamped ‘BENHAM & SONS’, one bowl with rounded underside, stamped ‘S’ and ‘N’The largest — 22 in. (56 cm.) wide (7)

£1,500-2,000 $2,300-3,000

€2,000-2,600

n307 ASMALLMAHOGANYSERPENTINECHEST

LATE 19TH / EARLY 20TH CENTURY, OF GEORGE III STYLE

The moulded top above four long drawers fanked by bell-fower carved panelled angles, on a shaped plinth base with concealed castors34 in. (86.5 cm.) high; 38æ in. (98.5 cm.) wide; 23º in. (59 cm.) deep

£1,500-2,000 $2,300-3,000

€2,000-2,600

n308 TWOOAKHABERDASHERYCABINETS

FIRST HALF 20TH CENTURY, ADAPTED

Enclosing a total of eighty glass-fronted sliding trays, each labelled POLLARDS PAT, “KWIKSERVING” FIXTURES / K. POLLARD & CO. LTD. / CLERKENWELL, LONDON E.C.The larger: 66 in. (168 cm.) high; 76º in. (193.5 cm.) wide; 22 in. (56 cm.) deepThe smaller: 66 in. (168 cm.) high; 60 in. (152.5 cm.) wide; 22 in. (56 cm.) deep (2)

£1,800-2,500 $2,800-3,800

€2,400-3,300

309 ACOLLECTIONOFNINEVICTORIANCOPPERJELLYMOULDS

LATE 19TH CENTURY

Of various types, comprising: one modelled with guillouche banding to top; one modelled as bunch of grapes engraved ‘F.W. & Co.’ stamped ‘140’; one stamped ‘606’ and another engraved ‘H.B I0’ and stamped ‘74’; one modelled as a horse shoe, stamped with an orb and star; another modelled a jockey’s cap; one modelled with a small game bird, engraved ‘L.C -41’; and two small horse shoes The highest — 5Ω in. (14 cm.) high (9)

£2,000-3,000 $3,100-4,500

€2,700-3,900

n310 ANEARLYVICTORIANPAPIER-MACHETRAY

CIRCA 1840, AND ADAPTED TO A COFFEE TABLE

Painted and gilded with fowers and a vase on a black ground on a modern stand with simulated bamboo legs32 in. (81 cm.) wide; 20 in. (51 cm.) high

£1,000-1,500 $1,600-2,300

€1,400-2,000

nD311ASETOFFIVEMIDVICTORIANWINDSORCHAIRS

LATE 19TH CENTURY, THAMES VALLEY

In cherry and beech with fgured elm seat, each with bar top-rail and unusual pierced foliate splat, each stamped to seat with letter AEach 33æ in. (86 cm.) highAnd one later chair, made to match (6)

£800-1,200 $1,300-1,800

€1,100-1,600








n312 THREECAST-BRASSRECTANGULARJARDINIERES


Each foliate cast applied metal frame with modern wood interior linings38 in. (97 cm.) wide and smaller

£1,000-1,500 $1,600-2,300

€1,400-2,000

n313 APAIROFWALNUTLIBRARYARMCHAIRS

OF GEORGE I STYLE, 20TH CENTURY

Each re-upholstered in close-nailed brown leather, with shepherd’s crook arms and cabriole legs (2)

£1,500-2,000 $2,300-3,000

€2,000-2,600


n314 APAIROFREGENCYMAHOGANYLIBRARYBOOKCASES

CIRCA 1820

With a total of twenty-eight lettered and numbered adjustable shelves, the upper sections with original diamond-and-fowerhead brass grilles within channelled and bullseye-moulded doors, the lower sections originally with mahogany panels in the doors and now with brass grilles within their bead-and-reel mouldings104 in. (264 cm.) high; 86æ in. (220 cm.) wide; 18 in. (46 cm.) deep (2)

£4,000-6,000 $6,100-9,100

€5,300-7,800



~315 ACOLLECTIONOFTENWALKINGSTICKS

MOSTLY BRITISH, LATE 19TH / EARLY 20TH CENTURY

One with plain ivory knop handle and rosewood stem, one with malacca shaft and horn handle, one with a plated naturalistic form handle, two ivory handles canes, and fve furthertallest 35 in. (89 cm.) high (10)

£1,000-1,500 $1,600-2,300

€1,400-2,000


n316 AGEORGEIIMAHOGANYCHEST

MID-18TH CENTURY

With ‘caddy’ top, brushing slide and four graduated oak-lined drawers on restored bracket feet32 in. (82 cm.) high; 34Ω in. (87.5 cm.) wide; 19Ω in. (49.5 cm.) deep

£800-1,200 $1,300-1,800

€1,100-1,600

n317 ALATEVICTORIANEBONISEDANDPARCEL-GILTSOFA

BY GILLOWS, CIRCA 1878

Re-upholstered, the back legs stamped 6113 / GILLOW 78Ω in. (199 cm.) wide

£1,500-2,500 $2,300-3,800

€2,000-3,300









n323 AVICTORIANCARVEDGILTWOODCONSOLETABLE

OF GEORGE II STYLE, SECOND HALF 19TH CENTURY

The rectangular Portor marble top above a futed frieze centred by a mask and hung with foral and fruiting garlands, on acanthus-carved scroll legs, with conforming stretchers centred by a shell to all sides35Ω in. (90 cm.) high; 56 in. (142 cm.) wide; 26æ in. (68 cm.) deep

£3,000-5,000 $4,600-7,600

€4,000-6,500



322 ANEMPIREORMOLUSTRIKINGMANTELCLOCK

CHARLES OUDIN, EARLY 19TH CENTURY

The case fanked by a fgure allegorical of study, the white enamel dial with Roman hours and signed Ch. Oudin eleve de Breguet, with Breguet-style hands, the twin barrel movement with recoil anchor escapement, silk suspension and count wheel strike to bell; with pendulum14æ in. (38 cm.) high; 9Ω in. (24 cm.) wide; 4 in. (10 cm.) deep

£2,000-3,000 $3,100-4,500

€2,700-3,900

321 AFRENCHBRONZEMODELOFAPANTHER

CIRCA 1910, AFTER THOMAS-FRANCOIS CARTIER (1879-1943)

On a natural rocky outcrop signed ‘Cartier’16 in. (41 cm.) high; 25 in. (64 cm.) long

£1,200-1,800 $1,900-2,700

€1,600-2,300


n320 APAIROFFRENCHGILTWOODMARQUISES

OF LOUIS XVI STYLE, LATE 19TH CENTURY

Each with an arched padded back and arms above a bowfronted seat, the frame carved overall with acanthus and leaf-tips, on stop-futed tapering legs with horn castors, reupholstered in cream silkEach: 41æ in. (106 cm.) wide (2)

£2,000-3,000 $3,100-4,500

€2,700-3,900

n~319ANEARLYVICTORIANROSEWOODSTOOL

CIRCA 1850

Re-upholstered in buttoned green velvet17 in. (43 cm.) high; 37 in. (94 cm.) wide; 26 in. (66 cm.) deep

£2,500-3,500 $3,800-5,300

€3,300-4,600

n318 ASETOFFOURPATINATEDBRASSTWIN-LIGHTWALLAPPLIQUES

20TH CENTURY

Each with tapering classical backplate with an acorn fnial20 in. (51 cm.) high (4)

£1,000-1,500 $1,600-2,300

€1,400-2,000

(part)








n329 APAIROFFRENCHBEECHFAUTEUILSALAREINE

OF REGENCE STYLE, 20TH CENTURY

Upholstered in foral tapestry, the frames carved with shells and foliage, the reverse of the backs fnished in 18th century red cut-silk velvet

£1,200-1,800 $1,900-2,700

€1,600-2,300

n328 APAIROFVENETIANSTYLEMIRRORS

MODERN

Each with cut detail to the frames and applied stellate decoration55 æ in. (141.5 cm.) high; 31 in. (79 cm.) wide

£1,500-2,000 $2,300-3,000

€2,000-2,600

n327 ASETOFFOURGILTBRONZETWINLIGHTWALLAPPLIQUES

OF LOUIS XVI STYLE, EARLY 20TH CENTURY

Each with tapering backplate with lobed urn fnial above acanthus leaf clasped scroll arms, two numbered ‘135’15 in. (38 cm.) high (4)

£1,000-1,500 $1,600-2,300

€1,400-2,000

n326 ANEDWARDIANMAHOGANYANDMARQUETRYSERPENTINEKNEEHOLEDESK

EARLY 20TH CENTURY

The crossbanded top with moulded edge and gilt-tooled burgundy leather writing surface, above nine bowfronted drawers, on shaped bracket feet and castors30º in. (77 cm.) high; 47 in. (119.5 cm.) wide; 26æ in. (68 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000

n325 ANORTHEUROPEANPOLYCHROME-PAINTEDSIX-FOLDCANVASSCREEN

MID-20TH CENTURY

Each fold decorated with stylised foliate sprays in blue and yellowEach panel: 68º in. (173 cm.) high; 26 in. (66 cm.) wide

£2,000-3,000 $3,100-4,500

€2,700-3,900

324 AFRENCHBRONZEMODELOFACOW

LATE 19TH CENTURY, AFTER ISIDORE JULES BONHEUR (1827-1901)

The base cast with signature ‘I. BONHEUR’, ‘BRONZE’ and ‘Editeur Patrouilleau’, mounted on a later portoro marble base with a later plaque engraved ‘LE SYNDICAT DES COMMERCANTS EN BESTIAUX DE NORD A SON PRESIDENT’9¿ in. (23.2 cm.) high; 13 in. (33 cm.) wide

£2,000-3,000 $3,100-4,500

€2,700-3,900








l330 ALPHONSELEONQUIZET(FRENCH,1885-1955)

La Marne à Saint Mauricesigned ‘quizet’ (lower right) and inscribed as title (on a label attached to the backboard)oil on panel21 x 17Ω in. (53.4 x 44.5 cm.)

£1,500-2,500 $2,300-3,800

€2,000-3,300

l•*331 MARCELDYF(FRENCH,1899-1985)

Le Balcon et la Rosesigned ‘Dyf’ (lower right)oil on canvas28æ x 23æ in. (73 x 60.3 cm.)

£2,000-3,000 $3,100-4,500

NO RESERVE €2,700-3,900


with Frost & Reed Ltd., London.

This painting is recorded in the Marcel Dyf archive under no. 1820.

l*332 MARTINBRADLEY(B.1931)

Thème foralesigned ‘Martin Bradley’ (lower left) and signed, inscribed and dated ‘Thème forale,/Pour mon ami/Andrew De Maine/a Londres./Martin Bradley/1966.’ (on the reverse)oil on canvas39 x 25 in. (99 x 63.5 cm.)

£1,500-2,500 $2,300-3,800

€2,000-3,300

l333 JACKVETTRIANO(B.1951)

Cheating Heartssigned ‘VETTRIANO’ (lower left)oil on canvas24 x 20 in. (61 x 50.8 cm.)

£4,000-6,000 $6,100-9,100

€5,300-7,800


Anonymous sale; Christie’s, South Kensington, 6 March 2003,

lot 272, where purchased by the present owner.

l334 EDMUNDDULAC(1882-1953)

The rape of the Lapithae Womensigned ‘Edmund/Dulac’ (lower right)pencil, watercolour and bodycolour13 x 12 in. (33 x 30.5 cm.)

£2,500-3,500 $3,800-5,300

€3,300-4,600


Brig. C. Huxley, C.B.E.

E X H I B I T E D :

London, Leicester Galleries, Edmund Dulac Exhibition, December

1953, no. 46.

The current lot was executed for publication in Hearst’s American Weekly.

nl335SHANIRHYSJAMES,M.B.E.(B.1953)

The environmentalistsoil on linen72¡ x 48 in. (184 x 122 cm.)

£2,000-3,000 $3,100-4,500

€2,700-3,900


with Martin Tinney, Cardiff.








336 AYDEMIRSAIDOV(RUSSIAN,B.1979)

Where to restsigned ‘Saidov’ (lower right)oil on canvas19 x 35 in. (48.2 x 88.9 cm.)

£5,000-7,000 $7,600-11,000

€6,600-9,100

337 MARINAMARINA(RUSSIAN,20TH/21STCENTURY)

East outftsigned ‘Marina’ (lower right)oil on canvas34æ x 18 in. (88.3 x 45.7 cm.)

£5,000-7,000 $7,600-11,000

€6,600-9,100

338 ALEKSANDRANOKHIN(UKRAINIAN,20TH/21STCENTURY)

The Rape of Europasigned in Cyrillic (lower right)pencil, watercolour and oil on canvas23 x 48º in. (58.4 x 122.5 cm.)

£1,500-2,000 $2,300-3,000

€2,000-2,600

n339 NADEZHDASTUPINA(RUSSIAN,20TH/21STCENTURY)

Sunfowers and Irisessigned in Cyrillic (lower right) and signed and inscribed in Cyrillic and dated ‘2007’ (on the reverse)

340 MIKHAILZHAROV(RUSSIAN,B.1974)

The poppy feldsigned in Cyrillic (lower right)oil on canvas19æ x 54 in. (50.2 x 137.1 cm.)

£1,200-1,500 $1,900-2,300

€1,600-2,000

341NoLot







THE PROPERTY OF A NOBLEMAN

n346 AREGENCYMAHOGANYSIDEBOARD

EARLY 19TH CENTURY

Of broken D-shaped outline, with a central drawer fanked by a cupboard and deep cellarette drawer, formerly ftted, around an arched apron, the stiles with fgured cartouche panels, on turned tapering legs, the handles replaced37Ω in. (95 cm.) high; 66 in. (168 cm.) wide; 28Ω in (73 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000


n345 ANORTHEUROPEANCARVEDLIMESTONECONSOLETABLE

LATE 20TH CENTURY, THE LEGS RE-USED AND PROBABLY EARLY 20TH CENTURY

The moulded serpentine top above lion monopodia supports35Ω in. (90 cm.) high; 58 in. (148 cm.) wide; 17Ω in. (45 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300

344 AFRENCHBRONZEMODELOFABULL

LATE 19TH CENTURY, AFTER ISIDORE JULES BONHEUR (1827-1901)

The base cast with the signature ‘ I. BONHEUR’ and a plaque engraved ‘SOCIETE NATIONALE \ D’ENCOURAGEMENT A L’ AGRICULTURE \ PRIX D’HONNEUR 1912 / MR. JULES LECOMTE’12º in. (31 cm.) high; 14º in. (36 cm.) wide

£3,000-4,000 $4,600-6,100

€4,000-5,200


n343 ALATEVICTORIANOAKCHESTERFIELDSOFA

LATE 19TH CENTURY

Re-upholstered in buttoned black leather, the baluster legs carved with C-scrolls, on castors81Ω in. (207 cm.) wide

£1,500-2,000 $2,300-3,000

€2,000-2,600


n342 AFRENCHGILT-METALMOUNTEDKINGWOODANDFLORALMARQUETRYCOMMODE

OF LOUIS XV STYLE, LATE 19TH CENTURY

Of serpentine form, the moulded Rouge Royale marble top with re-entrant corners above three long drawers33Ω in. (85 cm.) high; 44 in. (112 cm.) wide; 20Ω in. (52 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000







n*352ANITALIANGREENANDRED-BROWNPAINTEDDAYBED

EARLY 19TH CENTURY

Painted to simulate bronze and mahogany, carved with winged lions and snakes, decoration refreshed70 in. (178 cm.) wide

£2,500-4,000 $3,800-6,100

€3,300-5,200

n*351ALATEVICTORIANSPECIMENMARBLECIRCULARTABLETOP


Formed from a mosaic of coloured marbles, with a central roundel of porfdo verde antico bordered with rosso antico and a black marble moulded edge, the associated ebonised base with turned and reeded baluster legs with gilt brass claws and glass ball feet27Ω in. (70 cm.) high; 34æ in. (88 cm.) diameter

£3,000-5,000 $4,600-7,600

€4,000-6,500

THE PROPERTY OF A GENTLEMAN, LOTS 350 - 352

n*350APAIROFNORTHITALIANGRAINED,EBONISED,GREENPAINTEDANDPARCELGILT

OVERMANTELMIRRORS

EARLY 19TH CENTURY

The frames with futed pilasters with foliate capitals, surmounted by eagles on rockwork with foliate swags, one inscribed to the reverse ‘23/53’, the eagles and bases on which they sit associated58Ω in. (149 cm.) high; 54 in. (137 cm.) wide (2)

£3,000-5,000 $4,600-7,600

€4,000-6,500

n349 ALARGECHINESELACQUERCHEST-ON-STAND

LATE 19TH CENTURY

Decorated overall with fgures, dragons and foliage, the hinged lid enclosing a later mirrored interior, the stand of a later date32Ω in. (82.5 cm.) high; 49æ in. (126 cm.) wide; 30æ in. (78 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300

THE PROPERTY OF A GENTLEMAN, LOTS 348 - 349

n348 AJAPANESEBRASSBOUNDGILTANDPOLYCHROME-DECORATEDBLACKLACQUER

CASKET


The removable lid enclosing a paper-lined interior, with carrying handles to the long sides14 in. (35.5 cm.) high; 23Ω in. (60 cm.) wide; 16º in. (41 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000

~347 AFRENCHCARVEDWOODANDBONESHIPMODELOFTHE‘MADELEINE’

CIRCA 1900

The wood and bone mounted masts with paper sails and cotton rigging, many deck features and a painted hull with bone veneers on a painted wood stand and realistic modelled sea, on a wood platform and under a glass case17Ω in. (44 cm.) high; 22 in. (56 cm.) long excluding case

£800-1,200 $1,300-1,800

€1,100-1,600








n353 AROYALCOPENHAGENPARTTABLE-SERVICE

DATED 1945, UNDERGLAZE BLUE WAVE, GREEN PRINTED AND PAINTED MARKS, IMPRESSED NUMERALS

Painted with fowers, comprising: a circular platter, a circular dish, three pairs of salt and pepper shakers, twenty-three dinner plates, eleven cake plates, eleven side plates, eleven two-handled broth-bowls and twelve covers, six pot a jus and covers and eleven saucersThe circular platter 13º in. (33.7 cm.) wide (105)

£1,200-1,800 $1,900-2,700

€1,600-2,300

354 AFRENCHGILTANDPATINATEDBRONZESTRIKINGMANTELCLOCK

MID-19TH CENTURY

The case surmounted by an Orientalist noblewoman and her page on drapery-covered base, the white enamel dial with Roman hours, the twin barrel movement with recoil anchor escapement, silk suspension and count wheel strike to bell, back plate with Japy Freres trade stamp; pendulum lacking20Ω in. (52 cm.) high; 17 in. (43 cm.) wide; 6 in. (15 cm.) deep

£1,500-2,500 $2,300-3,800

€2,000-3,300

n355 AFRENCHGILT-METALMOUNTEDWALNUTGUERIDON

MID-19TH CENTURY

The circular Sainte-Anne des Pyrénées marble top above a single frieze drawer, on tapering supports with scroll feet, later mounted29Ω in. (75 cm.) high; 32º in. (82 cm.) diameter

£1,500-2,000 $2,300-3,000

€2,000-2,600

356 FOURTEENMETAL-MOUNTEDCOLOUREDGLASSFLAGONS

CIRCA 1840-90, GERMANY AND ENGLAND

Of Bocksbeutels form, comprising: seven in shades of green, fve blue examples and two amethyst examples, with various metal-mounted corks and hinged covers9º in. (23.5 cm.) high max. (14)

£1,200-1,800 $1,900-2,700

€1,600-2,300

n357 APAIROFSPANISHBAROQUESTYLEGILTWOODMIRRORS

18TH / EARLY 19TH CENTURY

Each with radiating acanthus branches enclosing a raised mirror glass, restored and re-gilded31Ω in. (80 cm.) high; 32Ω in. (82.5 cm.) wide (2)

£2,000-3,000 $3,100-4,500

€2,700-3,900

n358 AFRENCHORMOLU-MOUNTEDKINGWOODBUREAUPLAT

OF LOUIS XV STYLE, MID-20TH CENTURY

The top inset with tripartite gilt-tooled leather writing surface above three frieze drawers, the opposing side faced as the front30º in. (77 cm.) high; 58 in. (147 cm.) wide; 32 in. (81 cm.) deep

£2,000-4,000 $3,100-6,100

€2,700-5,200








359 AMATCHEDPAIROFMEISSENHOOPOE

THE FIRST LATE 19TH CENTURY, THE SECOND WITH YEAR CYPHER FOR 1966, BLUE CROSSED SWORDS

MARKS, INCISED MODEL NO. 282 AND 278, PRESSNUMMERN 111, 126 AND 118

Naturalistically modelled and coloured, perched on high tree stumps12æ in. (32.4 cm.) high (2)

£1,800-2,500 $2,800-3,800

€2,400-3,300

360 ANAPOLEONIIIORMOLUANDCHAMPLEVEENAMEL-MOUNTEDONYXSTRIKING

MANTELCLOCK


The rectangular case, surmounted by an urn with panther handles and foliate mounts, with classical masks to the corners, on claw feet, the brass dial with enamel and gilt Roman numerals, the twin barrel movement with recoil anchor escapement and rack striking to bell; with pendulum and winding key15Ω in. (39.5 cm) high; 15 in. (38 cm.) wide; 8Ω in. (21.5 cm.) deep

£3,000-5,000 $4,600-7,600

€4,000-6,500


n361 AREGENCEROSEWOODSERPENTINEMARBLE-TOPCOMMODE

MID-18TH CENTURY

With two short and two long drawers, distressed condition33 in. (84 cm.) high; 50Ω in. (128.5 cm.) wide; 25 in. (64 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000

D362 APAIROFMEISSENGROUPSOFHORSETAMERS

YEAR CYPHERS FOR 1978 AND 1980, BLUE CROSSED SWORDS MARKS, INCISED 67067 AND 67068,

PRESSNUMMERN 730 AND 157

Modelled after J.J. Kändler as a blackamoor and a Turk holding rearing white stallions10æ in. (27.3 cm.) high (2)

£2,500-4,000 $3,800-6,100

€3,300-5,200

The inspiration for these models by Johann Joachim Kändler came from the the celebrated marble sculptures of the Chevaux de Marly by the French sculptor Guillame Coustou the Elder. These were installed at the Abreuvoir at Marly in 1745, following a commission from Louis XV. Replicas stand at the entrance to the Champs-Élysées in Paris.

363 ASILKTAPESTRYDAISFRAGMENTWOVENWITHTHEARMSOFTHEHOUSEOF

ORLEANSFROMTHEJULYMONARCHYOFLOUISPHILIPPE

GOBELINS WORKSHOPS, 1830 / 1831

Worked with the Royal Arms fanked by angels holding banners above a trophy27 x 38 in. (69 x 97 cm.)

£1,200-1,800 $1,900-2,700

€1,600-2,300

n364 ALARGEWALNUTLIBRARYTABLE

BY MAPLE & CO., EARLY 20TH CENTURY

With leather top and two real and one dummy drawer to each of the long sides, the short sides each with a further drawer, on castors, one drawer labelled MAPLE & CO./ LONDON/ PARIS/ BUENOS AIRES30 in. (76 cm.) high; 72 in. (183 cm.) wide; 48 in. (122 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300









n370 ADUTCHMARQUETRYCABINET-ON-STAND


Profusely decorated overall with foral swags, birds and cherubs, the doors centred with ebonised cartouches depicting coats of arms and suits of armour and enclosing three fxed shelves with drawers beneath, the upper frieze with Greek Key motif, the stand with two drawers and tapering legs joined by wavy stretchers, the inside of the doors inlaid with star-burst motif77º in. (197 cm.) high; 61º in. (156 cm.) wide; 24 in. (61 cm.) deep

£3,000-5,000 $4,600-7,600

€4,000-6,500

VARIOUS PROPERTIES

n369 APAIROFSWEDISHBLUE-PAINTEDSIDEORCENTRETABLES

20TH CENTURY

Each with a square panelled gallery top and arched corners, on turned column supports joined by an X-frame stretcher with a central vase fnial33 in. (84 cm.) high; 22Ω in. (57 cm.) square (2)

£2,000-3,000 $3,100-4,500

€2,700-3,900


368 AFÜRSTENBERGPARTTEA-SERVICE

CIRCA 1760, UNDERGLAZE BLUE F MARKS, INCISED LETTERS AND NUMERALS

Painted in purple with fower sprays, with turquoise leafy terminals, comprising: a teapot and cover with metal mount, a sugar bowl and cover, a tea caddy and cover, a milk jug, six cups and six saucers

£1,500-2,000 $2,300-3,000

€2,000-2,600

n367 ANITALIANROSEWOODANDMARQUETRYCENTRETABLE


Strung overall, the radially-veneered top elaborately inlaid with various fgures including putti, terms, animals and birds, and scrolling foliage29Ω in. (75 cm.) high; 44 in. (112 cm.) diameter

£1,500-2,500 $2,300-3,800

€2,000-3,300

VARIOUS PROPERTIES

366 APAIROFCONTINENTALSILVERPHEASANTTABLEORNAMENTS

STAMPED “925”, 20TH. CENTURY

Largest 16Ω in. long (42 cm.), 9 in. high (23 cm.)36.75 oz. (1140 gm.) (2)

£1,800-2,200 $2,800-3,300

€2,400-2,900

PROPERTY FROM A EUROPEAN PRIVATE COLLECTION

n*365AFÜRSTENBERGPARTDESSERT-SERVICE

CIRCA 1780, UNDERGLAZE BLUE SCRIPT F MARK PAINTER’S BLUE Z MARKS, VARIOUS INCISED LETTERS AND

NUMERALS

Painted with a central green wreath tied with puce ribbon suspending bouquets, the well with scattered fower sprays, the border with a berried band, within gilt line rims, comprising: a large oval two-handled tureen and cover, a two-handled tureen and cover, fve quatrefoil shaped serving dishes in sizes, six circular serving dishes in sizes, two oval two-handled sauce tureens and stands, three circular bowls in sizes, four saucer dishes in sizes and forty-eight plates in various sizesThe largest tureen 13º in. (33.5 cm.) wide (72)

£5,000-7,000 $7,600-11,000

€6,600-9,100


Anonymous sale; Sotheby’s, London, 18 November 2009, lot 488.








n376 ALARGEPAIROFFRENCHGILTWOODSIX-FOLDSCREENS

OF TRANSITIONAL STYLE, 20TH CENTURY

Lined in close-nailed foral-patterned red fabric, each panel with a shaped cresting carved with foliate scrolls and rocailleEach panel: 87Ω in. (222 cm.) high; 24Ω in. (62.5 cm.) wide (2)

£2,000-3,000 $3,100-4,500

€2,700-3,900

~375 ANOTTOMANCHRISTIANPARCEL-GILTSILVERAMULET

PROBABLY OTTOMAN GREECE, MAHMUD II ERA (1808/1839)

With chain attachment, relief-chased with Abraham to one side and St. Demetrius of Thessaloniki to the other; another Ottoman Christian amulet of a later date, probably Ottoman Greece, relief-chased with St. George slaying the dragon to front, the back with fligree decoration set with three red stones, chain attachment and pendent drop-shaped motifs; a Continental silver-mounted marine ivory shoe snuff box, circa 1740, carved with a lion, an eagle and rococo scrolls and foliage to sides and a dog chasing a rabbit to cover; a 19th century enamel bonbonnière; and a 19th century perfume box, probably Dutch, the base set with a coin (5)

£1,200-1,500 $1,900-2,300

€1,600-2,000

374 ADUTCHSILVERTEACADDYOFNAVETTEFORM

MARK OF THEODORUS GERARDUS BENTVELD, AMSTERDAM, 1815

With reeded rim and engraved reversed and interlaced monogram; also a similar caddy by Roelof Helweg retailed by Diemont, Amsterdam, 1793, with ropework borders and coiled snake fnial; and a third caddy by Jacobus Carrenhof, retailed by Diemont, Amsterdam, 1809, navette form with incurved top, engraved to back with an English crestlargest 6 in. high (15 cm.)27.5 oz. (853 gm.) (3)

£1,500-2,000 $2,300-3,000

€2,000-2,600


Second caddy with S.J. Phillips, New Bond St.

n373 APAIROFBURR-OAKANDBURR-YEWOPENBOOOKCASES

MODERN

Each with a moulded rectangular top above two adjustable shelves fanked by foliate-inlaid stiles42 in. (107 cm.) high; 51Ω in. (130.5 cm.) wide; 12Ω in. (31.5 cm.) deep (2)

£1,500-2,000 $2,300-3,000

€2,000-2,600

VARIOUS PROPERTIES

n372 AFRENCHORMOLU-MOUNTEDMAHOGANYCENTRETABLE

OF LOUIS XV STYLE, LATE 19TH CENTURY

The well fgured marble top above a long frieze drawer, the reverse fnished as the front29Ω in. (75 cm.) high; 40 in. (101.5 cm.) wide; 24Ω in. (62 cm.) deep

£3,000-5,000 $4,600-7,600

€4,000-6,500

PROPERTY OF A FAMILY TRUST

371 AMEISSENASSEMBLEDFIGURALDESK-SET

CIRCA 1760, BLUE CROSSED SWORDS MARKS, INCISED H TO STAND

The stand of rococo cartouche shape, applied with a fgure of a lady holding two branches supporting candle nozzles, with an inkwell and cover, a sander and cover, a quill stand and four small jars and coversThe stand 14Ω in. (36.8 cm.) wide

£2,500-4,000 $3,800-6,100

€3,300-5,200








377 AMEISSENMODELOFAPARROT

LATE 19TH CENTURY, BLUE CROSSED SWORDS MARK, INCISED MODEL

NO. Z.49, PRESSNUMMER 107

Naturalistically modelled and coloured, perched on rockwork10 in. (25.5 cm.) high

£1,500-2,000 $2,300-3,000

€2,000-2,600

THE PROPERTY OF A LADY OF TITLE

378 APAIROFVICTORIANORMOLUTWIN-BRANCHWALL-

LIGHTS

OF KENTIAN STYLE, LATE 19TH CENTURY

Each torchere-shaped backplate with fambeau fnial, above a lion mask issuing a pair of foliate scrolled branches, ftted for electricity20 in. (51 cm.) high; 12 in. (30 cm.) wide

£800-1,200 $1,300-1,800

€1,100-1,600


The Dukes of Leeds, Hornby Castle, Yorkshire, and thence by

descent.


n*379AWHITEMARBLEBUSTOFVENUS

FRENCH OR FLEMISH, LATE 17TH CENTURY

Her hair tied with a band and adorned with a shell, with drapery about the shoulders; on a square waisted marble socle21Ω in. (54 cm.) high

£2,500-3,500 $3,800-5,300

€3,300-4,600

VARIOUS PROPERTIES

381 ALOUIS-PHILIPPEGOTHIC-REVIVALGILTAND

PATINATEDBRONZESTRIKINGMANTELCLOCK

PONS, MID 19TH CENTURY

The case of architectural outline above a female fgure with harp, the pierced dial with silvered Roman chapter ring and blued-steel Breguet-style hands, the twin barrel movement with recoil anchor escapement, silk suspension and count wheel strike to bell, the back plate stamped S/ Pons/1058, with pendulum20¬ in. (52.4 cm.) high; 8Ω in. (21.5 cm.) wide; 4æ in. (12 cm.) deep

£1,500-2,500 $2,300-3,800

€2,000-3,300

n382 AFRENCHBRASS-MOUNTEDMAHOGANY

BIBLIOTHEQUE

OF DIRECTOIRE STYLE, LATE 19TH CENTURY

The moulded cornice and panelled frieze above a pair of grille doors enclosing four adjustable shelves73 in. (185.5 cm.) high; 42 in. (106.5 cm.) wide; 15Ω in. (39.5 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300


n380 AGILTWOODTRUMEAUMIRROR

OF GEORGE II STYLE, SECOND QUARTER 20TH CENTURY

The shell and foliate carved frame incorporating an Italianate oil-on-canvas of eighteenth-century fgures in a landscape with buildings and trees, above bevelled triple plates64 in. (163 cm.) high; 52Ω in. (133.5 cm.) wide

£1,500-2,500 $2,300-3,800

€2,000-3,300









n383 AFRENCHGILTWOODOVALMIRROR

LATE 19TH CENTURY

The original mirror plate with beaded border and gadrooned frame, surmounted by a tied-ribbon cresting and with a conforming apron38Ω in. (98 cm.) high; 27 in. (68.5 cm.) wide

£800-1,200 $1,300-1,800

€1,100-1,600


n384 AGEORGEIWALNUTANDBURRWALNUTBUREAU

CABINET

EARLY 18TH CENTURY

With feather-banding overall, the upper section enclosed by bevelled mirror doors above candle slides, the quarter-veneered slope enclosing drawers and pigeon holes fanking a central cupboard, with two short and three long graduated drawers, on later bracket feet81Ω in. (207 cm.) high; 38Ω in. (98 cm.) wide; 23 in. (59 cm.) deep

£2,500-3,500 $3,800-5,300

€3,300-4,600

n385 AVICTORIANSTEELSCALEMODELOFASUITOF

ARMOUR

CIRCA 1860

With an ostrich feather plumed helmet, pierced visor, articulated arms, gauntlets, cuirass, knees and feet, standing on an ebonised wood plinth, later replica sword and velvet backing35º in. (89.5 cm.) high

£1,000-1,500 $1,600-2,300

€1,400-2,000

n386 ANAPOLEONIIIORMOLU-MOUNTEDEBONISED

MEUBLED’APPUI

CIRCA 1860

With grey veined white marble top over a mahogany-lined frieze drawer, the door enclosing a mahogany interior with two brass strung shelves, the mounts to the door and uprights cast as male and female fauns, the side panels cast as putti respectively with a globe and a caduceus43 in. (109 cm.) high; 40 in. (102 cm.) wide; 18Ω in. (47 cm.) deep

£3,000-5,000 $4,600-7,600

€4,000-6,500


~387 AFRENCHGILT-BRONZEMOUNTEDANDBRASS-

INLAIDTORTOISESHELL‘BOULLE’STRIKINGBRACKET

CLOCK

THURET, PARIS, LATE 19TH CENTURY

The brass dial with Roman enamel hour plaques, signed beneath THURET/APARIS, the twin barrel movement with recoil anchor escapement, with Brocot regulation, count wheel strike to bell, on conforming bracket33º in. (85 cm.) high; 14 in. (36 cm.) wide; 7Ω in. (19 cm.) deep

£1,500-2,500 $2,300-3,800

€2,000-3,300

VARIOUS PROPERTIES

n388 AFRENCHONYXANDCHAMPLEVEENAMEL

MOUNTEDPEDESTALCOLUMN

LATE 19TH CENTURY

With revolving platform43 in. (109 cm.) high; the top — 13√ in. ( 35.2 cm.) wide

£800-1,200 $1,300-1,800

€1,100-1,600








394 APAIROFRESTAURATIONORMOLUANDPATINATED-BRONZECASSOLETTESANDA

PAIROFCANDLESTICKS


Each with acorn-fnial lid, reversing to reveal a nozzle, the vase-shaped body fanked by handles, on square base and plinth; the candlesticks with vase-shaped stem and circular plinth13Ω in. (34 cm.) high; 10 in. (25.5 cm.) high (4)

£1,500-2,000 $2,300-3,000

€2,000-2,600

393 APAIROFWILLIAMIVORMOLUANDPATINATED-BRONZECANDLESTICKS

EARLY 19TH CENTURY

Each with acanthus-wrapped and palmette-decorated stem supported by three dolphins on concave shaped plinth12Ω in. (32 cm.) high (2)

£800-1,200 $1,300-1,800

€1,100-1,600

n392 TWOPAIRSOFFRENCHORMOLUWALL-LIGHTS

ONE PAIR RESTAURATION, CIRCA 1830, THE OTHER THIRD QUARTER 19TH CENTURY

Each with circular back plate issuing acanthus-wrapped scrolling armsThe frst 12 in. (30 cm.) high; the other 13Ω in. (34 cm.) high (4)

£1,000-1,500 $1,600-2,300

€1,400-2,000

n391 ALOUISXVIORMOLUSTRIKINGCARTELCLOCK

LATE 18TH CENTURY

The white enamel dial with Roman hours and Arabic minutes, the twin-barrel movement with verge escapement, silk suspension and count wheel strike to bell29 in. (74 cm.) high; 14 in. (36 cm.) wide

£1,000-1,500 $1,600-2,300

€1,400-2,000

390 ACHINESEORMOLU-MOUNTEDFAMILLEROSEVASEMOUNTEDASATABLELAMP

EARLY 20TH CENTURY

Decorated with Chinese fgures, an elephant and a dragon, with a silk lampshade with an acorn fnial, ftted for electricity26Ω in. (67 cm.) high, excluding shade

£800-1,200 $1,300-1,800

€1,100-1,600

n389 ANORTHEUROPEANORMOLUANDCUT-GLASSSIX-LIGHTCHANDELIER

OF LOUIS XVI STYLE, LATE 19TH CENTURY

The central corona issuing six branches with fower-shaped nozzles43 in. (110 cm.) high; 25 in. (64 cm.) diam.

£1,000-1,500 $1,600-2,300

€1,400-2,000

Property from a Dutch Collection to

Beneft the Hartstichting and Dutch Cancer Society, lots 394-395








n399 ALARGEINDIANBRONZETEMPLEBOWLOR‘URLI’

EARLY 20TH CENTURY

With integral foliate cast handles42 in. (106.5 cm.) wide

£800-1,200 $1,300-1,800

€1,100-1,600

398 APAIROFLATEVICTORIANCAST-BRASSCANDELABRA

CIRCA 1890

Each decorated with an angel amongst foliate scrolls supporting seven candle nozzles on domed pierced bases with cast Latin religious inscriptions25 in. (64 cm.) high (2)

£800-1,200 $1,300-1,800

€1,100-1,600

397 AVICTORIANENAMELANDGILTBRASSINCENSEBURNERANDCOVER

BY ELKINGTON & CO, CIRCA 1860

With a pierced domed cover, the stand with a gilded well and a band of Persian inspired fowers in arches, the underside of the foot with an Elkington diamond mark9Ω in. (24 cm.) high

£800-1,200 $1,300-1,800

€1,100-1,600

VARIOUS PROPERTIES

396 AFRENCHSILVER-PLATEDBRONZETABLECENTREPIECE


With a classical gallery of balustrading with a foliate band, the fat top with a mirror plateau23Ω in. (60 cm.) long

£800-1,200 $1,300-1,800

€1,100-1,600

395 THREEVARIOUSFRENCHORMOLUBRULEPARFUMS


The frst with winged herm-supports on circular rouge royale marble plinth, the second with dolphin-supports enclosing an inkstand, the third vase-shaped on a yellow marble plinth; together with a French ormolu inkstand, late 19th/early 20th century The largest 6º in. (16 cm.) high; 4æ in. (12 cm.) diam.; the inkstand 7Ω in. (8.5 cm.) long (4)

£1,000-1,500 $1,600-2,300

€1,400-2,000


400 AFRENCHGILT-BRONZEMOUNTEDWHITEMARBLESTRIKINGMANTELCLOCK

RETAILED BY GOLDSMITHS & SILVERSMITHS CO., LATE 19TH CENTURY

The case fanked by classical fgures representing the arts, the white enamel dial with Arabic hours and quarters and signed Goldsmiths & Silversmiths Comp.y/112 REGENT STREET/LONDON/PARIS, the twin barrel movement with Brocot escapement and rack striking to bell, the back plate with Marti and Richard trade stamps; with pendulum and winding key8º in. (21 cm.) high; 21æ in. (55.5 cm.) wide; 4Ω in. (11.5 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000








406 ACHARLESIPARCEL-GILTSILVER

SEALTOPSPOON

MAKER’S MARK UNCERTAIN, APPARENTLY A

“D” WITH DIAGONAL LINE THROUGH CENTRE,

LONDON, 1628

The fnial prick-dot engraved with initials VL to top6¡ in. long (16.3 cm.)1.5 oz. (47 gm.)

£800-1,200 $1,300-1,800

€1,100-1,600

VARIOUS PROPERTIES

401 AGEORGEIIISCOTTISHSILVER

GOBLET

MARK OF DICK & MCPHERSON, EDINBURGH, 1806

Engraved with bands of leaves to rim and foot, further engraved with Scottish crest and motto of Nisbet, gilt interior; also a George III goblet by Elizabeth Morley, London, 1810, with bead borders, engraved with duck crest, gilt interiorThe frst 7 in. (17.8 cm.) high18 oz. (560 gm.) (2)

£1,200-1,500 $1,900-2,300

€1,600-2,000

402 ASETOFTHREEENGLISHSTEELAND

BRASS-HANDLEDFIRE-TOOLS

MID 19TH CENTURY

With cylindrical stems and a pierced shovel, the handles cast with engraved acanthus leaves and berries30Ω in. (78 cm.) long (3)

£800-1,200 $1,300-1,800

€1,100-1,600


n403 AGEORGEIIIFIGUREDMAHOGANY

ANDCROSS-BANDEDSIDETABLE

LATE 18TH CENTURY

With frieze drawer and square tapering legs27Ω in. (70 cm.) high; 30 in. (76 cm.) wide; 17æ in. (45 cm.) deep

£700-1,000 $1,100-1,500

€920-1,300


Sotheby’s, London, 7 April 1998, lot 140.

404NoLot

~405 AGOLD-MOUNTEDTORTOISESHELL

ANDCARVEDSHELLCAMEOSNUFF

BOX

UNMARKED, PROBABLY ENGLISH, CIRCA 1820

Gold-lined, shell and foliate scroll thumbpiece, cover set with shell cameo carved with portrait bust of profle of Alexander the Great3¿ in. long (8 cm.)

£1,500-2,000 $2,300-3,000

€2,000-2,600

D407 AGEORGEIIISILVEROBLONG

INKSTAND

MARK OF THOMAS AND JOSEPH GUEST AND

JOSEPH CRADOCK, LONDON, 1811

On winged paw and scroll feet, with shell and gadroon border, with supports for three silver-mounted cut-glass bottles, engraved under the central bottle with an inscription, the pen rests each later engraved with a cypher within the garter motto and below an earl’s coronet10º in. (26 cm.) wideweighable silver 33 oz. (1027 gm.) (4)

£800-1,200 $1,300-1,800

€1,100-1,600

408 AWILLIAMIVSILVERTABLEBELL

MAKER’S MARK INDISTINCT, ?.? OVER T.T, LONDON,

1834

Engraved with crest of Montgomerie, Scotland; also a silver table bell of 18th century Dutch style by J.Parkes & Co., London, 1921, part-futed below an applied girdle, applied acanthus leaves and anthemions to upper part, detachable faceted handleBoth 5¿ in. high (13 cm.)14.75 oz. (458 gm.) (2)

£1,200-1,400 $1,900-2,100

€1,600-1,800

~409 ASCRIMSHAW-ENGRAVEDWHALE’S

TOOTH

CIRCA 1840

One side decorated with two whaling boats with oarsmen and fgures with harpoons hunting whale, the other a ship in distress6Ω in. (16.5 cm.) long

£1,000-1,500 $1,600-2,300

€1,400-2,000

410 AGEORGEIIISILVERTEACADDY

MARK OF WILLIAM VINCENT, LONDON, 1777

Oblong, the sides with bright-engraved chain work borders, the front panel engraved with a vacant ribbon-tied oval cartouche, fower fnial to the hinged cover3º in. (8.3 in.) long9 oz. (280 gm.)

£1,000-1,200 $1,600-1,800

€1,400-1,600

411 APAIROFBRASSTABLELAMPS

OF REGENCY STYLE, EARLY 20TH CENTURY

Each with a gadrooned foliate capped stem and acanthus leaf base on octagonal plinth17 in. (43 cm.) excluding ftting and shade (2)

£800-1,200 $1,300-1,800

€1,100-1,600

412 AGOODSCOTTISHSCRIMSHAW-

ENGRAVEDPOWDERHORN

WITH MASONIC AND EDINBURGH MOTIFS, DATED

1855

Decorated with the Arms of Edinburgh and the the Royal Arms, bands of famous buildings including Holyrood Palace, Edinburgh University, The Register Offce, The Royal Institution and various churches and monuments, together with a band of sailing ships and war ships and a fgure of Britannia, signed and dated ‘WILLIAM GREGAN GREENBRAE LODGE 1855’13Ω in. (34 cm.) long

£1,000-1,500 $1,600-2,300

€1,400-2,000

413NoLot

401

402

403

405

406

407

408

409

410

411

412













414 ANIRISHPOTTERY‘PUREMILK’BOWL

BY J. NEWMAN DUBLIN

Transfer printed with ‘J. NEWMAN DUBLIN SCALE MAKER & GENERAL SHOP FITTER 156 CAPEL ST.’ and impressed ‘E’ to the underside 8 in (20.5 cm.) high

£800-1,200 $1,300-1,800

€1,100-1,600

n415 ASETOFTHREEVICTORIANSTEELFIREIRONS

MID-19TH CENTURY

With baluster grips and facetted pommels, writhen shafts and shaped shovel blade with pierced motif30Ω in. (77.5 cm.) high (3)

£1,200-1,800 $1,900-2,700

€1,600-2,300

416 AGEORGEIIISILVERTEACADDY

MARK OF MICHAEL PLUMMER, LONDON, 1794

Bellied oval, half-futed sides and cover, the latter with domed centre below an urn fnial, engraved to front with crest and to reverse with coat of arms6 in. high (15.2 cm.)16.75 oz. (520 gm.)

£1,000-1,200 $1,600-1,800

€1,400-1,600

n417 ALATEVICTORIANWOODENSEEDDISPLAYCABINET

LATE 19TH CENTURY

One side with a printed catalogue page of assorted seeds, the other side with a series of pigeon holes for the seed packets, the cornice with applied transfer printed advertising for the ‘One & All Seeds Co. Established 1867’52 in. (132 cm.) high 29 in. (74 cm.) wide

£800-1,200 $1,300-1,800

€1,100-1,600

418NoLot

419 AGEORGEIIISILVERVASE-SHAPEDCOFFEEPOT

MARK OF HENRY CHAWNER, LONDON, 1793

The waisted cover with urn fnial, reeded borders, bright-engraved band of palmettes above a banded frieze centred on either side by a coat of arms of a lion reguardant on a gold feld within a wreath, the oval pedestal foot with shaped outline12 in. high (30 cm.)25 oz. (775 gm.)

£1,000-1,200 $1,600-1,800

€1,400-1,600

n420 ANETCHEDGLASSHALLLANTERN

OF REGENCY STYLE, LATE 20TH CENTURY

With a bronze ball fnial, linked chains suspended by foliate hook and hanging rod with three light ftting42 in. (107 cm.) high overall

£800-1,200 $1,300-1,800

€1,100-1,600


n421 ACHARLESIOAKARMCHAIR

EARLY 17TH CENTURY

With shaped top-rail and twin-panel back, the seat with drawer, on squat baluster legs40 in. (103 cm.) high; seat 16 in. (42 cm.) high

£1,000-1,500 $1,600-2,300

€1,400-2,000

422 APAIROFGEORGEIISILVERTAPERSTICKS

MARK OF WILLIAM GOULD, LONDON, 1737

The shaped square feet with canted corners, faceted knopped stems terminating in spool-shaped sockets, engraved on the bases with a crest of a stag’s head charged with a ducal coronet to the neck4¿ in. (10.5 cm.) high8 oz. (249 gm.) (2)

£1,500-2,000 $2,300-3,000

€2,000-2,600

n423 ASETOFTHREEENGLISHREGENCYSTEELFIRETOOLS

EARLY 19TH CENTURY

With barley-twist stems and octagonal facetted handles30Ω in. (78 cm.) long (3)

£800-1,200 $1,300-1,800

€1,100-1,600

424NoLot












n430 AGEORGEIIMAHOGANYGAINSBOROUGH

ARMCHAIR

MID-18TH CENTURY

Upholstered with later foral needlework, on foliate outswept arms above scrolling foliate cabriole legs, with scroll feet, the carved back legs with pad feet, the carving added in the 19th century38 in. (96 cm.) high

£2,000-3,000 $3,100-4,500

€2,700-3,900

nl429APAIROFREINFORCEDPLASTERCARYATID

UP-LIGHTERS

BY GERALD LAING ((1936-2011), 1986

With inscription copyright ‘Gerald Laing 1986’, ftted for electricity31 in. (78.5 cm.) high (2)

£2,000-3,000 $3,100-4,500

€2,700-3,900


Purchased by the present owner at the 1999 Fine Art Society

exhibition

E X H I B I T E D :

London, Fine Art Society, Gerald Laing, Sculpture 1968-1999,

March – April 1999, no. 34

~428 AWHALEBONEANDMARINEIVORYWALKINGCANE

PROBABLY BRITISH, MID-19TH CENTURY

With a plain tapering shaft, the marine ivory handle banded with carved wood and baleen36Ω in. (93 cm.) long

£1,200-1,800 $1,900-2,700

€1,600-2,300

n427 ANITALIANBRONZEMODELOFTHEFAUNWITHKID

AFTER THE ANTIQUE, LATE 19TH CENTURY

27æ in. (70.5 cm.) high

£1,500-2,000 $2,300-3,000

€2,000-2,600

n426 AVENETIANOVERMANTELMIRROR

CIRCA 1900

The rectangular plate fanked by moulded and foliate-engraved marginal plates52Ω in. (133.5 cm.) high; 37Ω in. (95.5 cm.) wide

£1,500-2,000 $2,300-3,000

€2,000-2,600

n425 AFRENCHORMOLU-MOUNTEDKINGWOODAND

MARQUETRYSTRIKINGMANTELCLOCKINTHEFORM

OFALONGCASE

RETAILED BY KENNARD, BOSTON, OF LOUIS XV STYLE, CIRCA 1900

The case with foliate mounts overall and inlaid with a fowering urn, with cockerel fnial, the white enamel dial with Roman hours and Arabic fve minutes, decorated with foral swags and signed ... KENNARD/BOSTON, the twin barrel movement with platform lever escapement and rack striking to gong21º in. (54 cm.) high; 6º in. (16 cm.) wide; 4 in. (10 cm.) deep

£1,500-2,000 $2,300-3,000

€2,000-2,600








n436 AVICTORIANGILT-METALMOUNTED,ROSEWOOD-

CROSSBANDEDANDMARQUETRYSATINWOOD

VITRINE

LATE 19TH CENTURY

Of breakfront outline, the pierced baluster gallery above a blind frieze drawer and a bevelled glazed door enclosing a green silk-lined interior with three adjustable shelves58º in. (148 cm.) high; 52º in. (132 cm.) wide; 14Ω in. (37 cm.) deep

£2,000-3,000 $3,100-4,500

€2,700-3,900

435NoLot

434 ACHARLESXORMOLU-MOUNTEDPORTOROMARBLE

STRIKINGMANTELCLOCK

LECHOPIE AINE, EARLY 19TH CENTURY

The break-arched case applied with a classical fgure and sphinxes, on winged lion’s paw feet, the restored white enamel dial with Roman hours and signed Lechopié Ainé, the twin barrel movement with recoil anchor escapement, silk suspension and count wheel strike to bell; with pendulum14 in. (35.5 cm.) high; 10 in. (25.5 cm.) wide; 5Ω in. (14 cm.) deep

£1,800-2,500 $2,800-3,800

€2,400-3,300

n433 ABRASS‘PALMTREE’FLOORSTANDINGLAMP

IN THE MANNER OF MAISON JANSEN, CIRCA 1970

With three light ftments, in a square plant pot plinth70Ω in. (179 cm.) high

£1,500-2,500 $2,300-3,800

€2,000-3,300

432 AFRENCHBRONZEGROUPOFLAOCOON

AFTER THE ANTIQUE, LATE 19TH CENTURY

The rectangular base with foundry seal for ‘Achillé Collas Réduction Mécanique’

431 ANAUSTRIANEROTICBRONZEFIGUREOFTHE‘IRONMAIDEN’

AFTER CARL KAUBA (1865-1922), EARLY 20TH CENTURY

The iron clad lady cast with signature ‘C. Kauba’, opening to reveal a gilt bronze naked fgure on sliding base10º in. (26 cm.) high

£2,000-4,000 $3,100-6,100

€2,700-5,200







nl437IVORFOX(FL.,1950)

The Initiationsigned ‘Fox./50.’ (lower right) and signed, inscribed and dated ‘IVOR FOX/7 ELM SQ, LO/”THE INITIATION”’(on a fragmentary label attached to the reverse) oil on board36.3 x 36 in. (92.1 x 91.4 cm.)

£1,200-1,800 $1,900-2,700

€1,600-2,300

l438 ANNAFINDLAY(FL.,1923-1938)

Tenements - workmen by a canal, Glasgowoil on board20 x 24 in. (50.8 x 61 cm.)

£1,000-1,500 $1,600-2,300

€1,400-2,000


Anonymous Sale; W. H. Lane & Son, Penzance, 24 April 2001, lot 59.

l439 ELISEEMACLET(FRENCH,1881-1962)

Moulin de la Galettesigned ‘Elisée Maclet’ (lower left)oil on canvas19 x 25 in. (48.2 x 63.5 cm.)

£1,500-2,000 $2,300-3,000

€2,000-2,600

The authenticity of this work has been confrmed by Mr Jean-Paul Villain.

l440 HENRISIE(FRENCH,B.1939)

Sunny afternoon, St. Tropezsigned ‘H Sié’ (lower right)oil on canvas18 x 21¬ in. (46 x 55 cm.)

£1,000-1,500 $1,600-2,300

€1,400-2,000


Chemin sous bois, Clécysigned ‘Paulémile. Pissarro’ (lower right)oil on canvas25 x 21 in. (63.5 x 53.3 cm.)

£1,500-2,000 $2,300-3,000

€2,000-2,600


l*442 HANSSCHOELLHORN(SWISS,1892-1982)

Wäscherinnenindistinctly signed and dated ‘20’ (lower left)oil on canvas10º x 13º in. (26 x 33.6 cm.)

£1,000-2,000 $1,600-3,000

€1,400-2,600








l443 CARLOSNADAL(SPANISH,1917-1998)

Alicantesigned, inscribed and dated ‘Alicante/C Nadal/78’ (lower right) coloured pens and oil on paper8Ω x 12 in. (21.5 x 30.5 cm.)

£3,000-4,000 $4,600-6,100

€4,000-5,200


Anonymous Sale; Christies, London, 1 April 2008, lot 450.

E X H I B I T E D :

Harrogate, Duncalfe Galleries, Expressionist Paintings.

The work is sold with a photo-certifcate from Le Comité Nadal dated 28/02/08.

l444 CONROYMADDOX(1912-2005)

Cloudburst (illustrated); and Flying objectsthe frst signed and dated ‘Conroy Maddox/39’ (lower right); the second signed and dated ‘Conroy Maddox/41’ (lower right)watercolour and bodycolour15Ω x 11Ω (39.4 x 29.3 cm.); and 14Ω x 11æ in. (37 x 29.8 cm.) (2)

£1,000-1,500 $1,600-2,300

€1,400-2,000

l445 RODNEYJOSEPHBURN,R.A.(1899-1984)

Chelsea Embankment, Lots Road power station beyondsigned with initials ‘R.J.B’ (lower right)oil on canvas19Ω x 29æ in. (49.5 x 75.5 cm.)

£1,200-1,800 $1,900-2,700

€1,600-2,300

l446 FREDYATES(1922-2008)

The trainoil on canvas, unframed31Ω x 31Ω in. (80 x 80 cm.)

£1,800-2,500 $2,800-3,800

€2,400-3,300

l447 CONSTANTINEKLUGE(FRENCH,1912-2003)

Rainy evening on l’Avenue de l’Opéra with the Nymphe Fluvialesigned ‘C.Kluge’ (lower right)oil on canvas20√ x 25 in. (53 x 63.5 cm.)

£1,200-1,800 $1,900-2,700

€1,600-2,300

l*448 GEORGEOWENWYNNEAPPERLEY(1884-1960)

The Alhambra from the artist’s studio, early eveningsigned and dated ‘APPERLEY/1922’ (lower right)watercolour heightened with bodycolour6æ x 9æ in. (17.2 x 24.8 cm.)

£1,500-2,500 $2,300-3,800

€2,000-3,300









n454 ANEMPIREGREEN-PAINTEDANDPARCEL-GILT

FAUTEUILENGONDOLE

EARLY 19TH CENTURY

In the Egyptian taste, the seat reupholstered in striped silk fabric, the arm supports modelled as sphinxes, re-decorated

£1,000-1,500 $1,600-2,300

€1,400-2,000

n453 ANENGRAVEDBRASSHALLLANTERN

FRENCH OR ENGLISH, LATE 19TH CENTURY

Of tapering canted square form with a domed top with a pierced band and a suspension ring, the glazed body with a pierced and engraved foliate top band, the interior with a modern four-light ftting41Ω in. (106 cm.) high

£1,000-1,500 $1,600-2,300

€1,400-2,000


n452 AGEORGEIFIGUREDWALNUTANDFEATHER-

BANDEDBOOKCASE

EARLY 18TH CENTURY

Enclosed by a pair of six-pane astragal-glazed doors below a projecting cornice, the upper panes arched, two adjustable shelves within, above a pair of panelled doors, on bracket feet108 in. (274 cm.) high; cornice 66 in. (168 cm.) wide; 16 in. (41 cm.) deep (cornice 18Ω in. (47 cm.) deep)

£8,000-12,000 $13,000-18,000

€11,000-16,000


The Collection of Will Fisher - Founder of Jamb, Christie’s, 02

February 2012, lot 205.

Another bookcase (in oak) which shares some of the same stylistic features, such as the arched doors and the thick glazing bars, is illustrated in A. Bowett, Early English Furniture 1715-1740, Woodbridge 2009, page 132, plate 3:74

451 AGEORGEIINEEDLEWORKPICTURE

CIRCA 1730

Worked in silks and wool with a fgure of Rebecca at the well giving water to Eliezer, with various animals including camels, dogs, sheep and rabbits, a townscape in the background

VARIOUS PROPERTIES

n450 AFRENCHORMOLU-MOUNTEDMAHOGANYVITRINE

OF TRANSITIONAL STYLE, LATE 19TH CENTURY

The inset rounded rectangular marble top above a panelled frieze centred by an ormolu plaque depicting cherubs at play, the bevelled glazed door enclosing two adjustable glass shelves55Ω in. (141 cm.) high; 30Ω in. (77.5 cm.) wide; 16Ω in. (42 cm.) deep

£1,500-2,000 $2,300-3,000

€2,000-2,600


~449 ALOUISXIVSTYLEORMOLU-MOUNTED,BRASS-INLAID

TORTOISESHELL‘BOULLE’STRIKINGRELIGIEUSE

LATE 19TH CENTURY

With Roman brass chapter ring and signed beneath Martinot Paris, the twin barrel movement with Brocot escapement and suspension, rack striking to bell, back plate stamped with Marti trade stamp24æ in. (63 cm.) high; 13Ω in. (34 cm.) wide; 6æ in. (17 cm.) deep

£1,500-2,500 $2,300-3,800

€2,000-3,300








VARIOUS PROPERTIES

460 AGERMANRELIEFCARVEDPANELOFTHE

ASSUMPTIONOFCHRIST

MID-18TH CENTURY

With fgures carved in deep relief set within an architectural setting, ink inscription to the reverse ‘63’, and later mounted in a velvet lined frame9 x 6æ in. (23 x 17 cm.)

£1,000-1,500 $1,600-2,300

€1,400-2,000


~459 ALOUISXVGILT-BRONZEMOUNTEDTORTOISESHELL,

HORNANDMOTHEROFPEARL-INLAIDBRASS

STRIKINGBRACKETCLOCK

J. MORNAND, PARIS, SECOND QUARTER 18TH CENTURY AND LATER

Inlaid overall with foliage, the cast brass dial with Roman enamel hour plaques, the twin barrel movement with verge escapement, silk suspension and count wheel strike to bell, back plate signed J Mornand AParis; with case key, winding key, pendulum lacking, some re-mounting39º in. (99.7 cm.) high; 14 in. (35.6 cm.) wide; 7¿ in. (18 cm.) deep (2)

£1,500-2,500 $2,300-3,800

€2,000-3,300

n458 ASMALLGEORGEIIIMAHOGANYSIDETABLE


The moulded rectangular top above one long frieze drawer, on square legs28æ in. (73 cm.) high; 25æ in. (65.5 cm.) wide; 17æ in. (45 cm.) deep

£1,500-2,500 $2,300-3,800

€2,000-3,300

457 AGEORGEIIRISHSILVERCOVEREDJUG

MARK OF JOHN HAMILTON, DUBLIN, PROBABLY 1726

Baluster form with stepped domed cover and chair-back thumb-piece, applied girdle, knop fnial and pedestal foot, front engraved with a baroque coat of arms for Montmorency of Ireland, gilt interior, scratch-weight 36=12 engraved inside foot10¬ in. high (27 cm.)36 oz. (1116 gm.)

£2,500-3,500 $3,800-5,300

€3,300-4,600

n456 ANEDWARDIANMAHOGANYANDMARQUETRY

DISPLAYCABINET

EARLY 20TH CENTURY

Boxwood and ebony-strung overall, the bowfront central section fanked by two doors enclosing a fabric-lined interior with three shelves75Ω in. (192 cm.) high; 48 in. (122 cm.) wide; 17º in. (44 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300

n455 ABRONZEANDGILTDECORATEDFIGUREOFA

BACCHANTE

LATE 20TH CENTURY

Modelled holding a bunch of grapes, cast with signature ‘ Pradier’ to the base and on a black marble plinth42º in. (107.3 cm.) high

£800-1,200 $1,300-1,800

€1,100-1,600








461 AGEORGEIISILVERDOUBLE-LIPPEDSAUCEBOAT

MARK OF JOHN SWIFT, LONDON, 1736

With scroll side handles and oval spreading base, moulded rim, engraved with a lady’s arms to the left of one handle; also a similar but heavier example by Jonah Clifton, London, 1726, with stylised leaf at base of each spout and two moulded bands around the rim7¬ in. long (19.6 cm.)26 oz. (806 gm.) (2)

£5,000-6,000 $7,600-9,100

€6,600-7,800

The arms are for Margaret, née Docwra, widow of Phineas Bowles (died 1718)

n463 AVICTORIANWROUGHTIRONGARDENBENCH

CIRCA 1860

With scroll arms and railed seat73 in. (185 cm.) wide

£1,500-2,500 $2,300-3,800

€2,000-3,300

A similar bench was sold at Summers Place Auctions Ltd., 23rd October 2012, lot 21.


n*464APAIROFGEORGEIIIGILTWOODOPENARMCHAIRS

IN THE MANNER OF MAYHEW & INCE, LATE 18TH CENTURY

Re-upholstered in trophy patterned fabric, each with a foliate-carved oval back and padded arms with scroll terminals, above a shaped seat with futed rails, on conforming beaded and futed tapering legs headed by paterae, re-gilt (2)

£1,500-2,500 $2,300-3,800

€2,000-3,300


Sotheby’s New York, 22 January 1994, lot 228.

These saloon chairs are designed in the ‘French’ style, and with their characteristic inverted baluster legs and scrolled arms jointed into the tops of the legs they relate to the work of the London frm of Mayhew & Ince. Similar features are found on a pair of beechwood armchairs, sold Christie’s New York, 23 April 1988, lot 130, described as being nearly identical to a set of six at Syon House, Middlesex, and illustrated in R. Edwards, The Dictionary of English Furniture, revd. ed. (1954), p. 290, fg. 203.


n465 ASETOFEIGHTIRISHMAHOGANYDININGCHAIRS

BY JAMES HICKS OF DUBLIN, EARLY 20TH CENTURY

Each with an acanthus-carved top rail and pierced ladder back above the original leather drop-in seat, on square legs, each labelled JAMES HICKS / ANTIQUE WAREHOUSE / 5 LR. PEMBROKE ST., DUBLIN (8)

£800-1,200 $1,300-1,800

€1,100-1,600

n466 AGEORGEIIIPOLISHEDSTEELFENDER

LATE 18TH CENTURY

Of rectangular outline with pierced ovolo frieze, together with a set of three steel fre-tools, mid-19th CenturyThe fender — 58Ω in. (148.5 cm.) wide; 15 in. (38 cm.) deep The fre-irons — 30º in. (77 cm.) high (4)

£1,200-1,800 $1,900-2,700

€1,600-2,300


n462 AGEORGEIIIMAHOGANYANDMARQUETRYPEMBROKETABLE

CIRCA 1770-80

The hinged oval top with a satinwood band inlaid with entwined berried leaves and ribbons, the bowed frieze inlaid with ribbon-tied husks, on circular tapering reeded legs headed by square paterae-inset futed collars, on brass caps and castors29 in. (73.5 cm.) high; 34 in. (87 cm.) wide; 19Ω in. (49.5 cm.) deep

£1,200-1,800 $1,900-2,700

€1,600-2,300


Sotheby’s, London, 19 June 1981, lot 96.

Christie’s, London, 17 November 1994, lot 91.








n467 THREEENGLISHBRASSSTICKSTANDS

20TH CENTURY

Two with iron bases and one a sheet metal base24 to 23 in. (61 to 59 cm.) (3)

£1,000-1,500 $1,600-2,300

€1,400-2,000


n468 AGEORGEIIWALNUTCHEST

CIRCA 1740

Strung overall, the crossbanded and quartered ‘caddy’ top over fve drawers on restored bracket feet40 in. (102 cm.) high; 37 in. (94 cm.) wide; 20Ω in. (52 cm.) deep

£1,000-1,500 $1,600-2,300

€1,400-2,000

n469 ASMALLVICTORIANWALNUTSOFA

BY HOWARD & SONS, LATE 19TH CENTURY

With original horsehair upholstery and later foral-printed fabric, on ring-turned tapering legs, one back leg stamped 3882 / 9245, the castors stamped HOWARD & SONS, LONDON56 in. (142 cm.) wide

£1,500-2,500 $2,300-3,800

€2,000-3,300

n470 AGROUPOFTHREEBRASSANDWIREMESHNURSERYFENDERS

MID-19TH CENTURY

Of typical formThe tallest — 28 in. (71 cm.) high; 37æ in. (96 cm.) wide (3)

£1,000-1,500 $1,600-2,300

€1,400-2,000

n471 ASETOFFOURWALNUTCHAIRS

LATE 19TH / EARLY 20TH CENTURY, OF GEORGE I STYLE

Each with shell-carved toprail and vase splat, drop-in seat and wavy frieze, on scroll and cabochon-carved cabriole legs with claw and ball feetEach 41 in. (104 cm.) high (4)

£1,500-2,500 $2,300-3,800

€2,000-3,300

n472 APAIROFEDWARDIANLEATHERARMCHAIRS

CIRCA 1910

Recently re-upholstered in chestnut-coloured leather, on ebonised feet

£1,500-2,500 $2,300-3,800

€2,000-3,300









n474 ANANTIQUENINXIARUG

approx: 7ft.1in. 4ft.5in.(215cm. x 135cm.)

£600-1,000 $910-1,500

€790-1,300

n476 AFINEANTIQUEKURKKASHANCARPET

approx; 16ft.11in. x 10ft.6in.(515cm. x 320cm.)

£1,000-1,500 $1,600-2,300

€1,400-2,000

n478 ALADIKPRAYERRUG,2ND.HALFOF18THCENTURY


£800-1,200 $1,300-1,800

€1,100-1,600

n473 AFINEANTIQUETABRIZCARPET


£1,000-1,500 $1,600-2,300

€1,400-2,000

n475 ANUNUSUALANTIQUEMOGHANNARROWKELLEH


£800-1,200 $1,300-1,800

€1,100-1,600

n477 AFRANCO-FLEMISHGROSSANDPETIT-POINT

NEEDLEWORKEMBROIDEREDFRAGMENT

CIRCA 1715

Woven with scrolls, heraldic beasts and birds amidst foliage within a barber twist border5 ft. 1 in. x 4 ft. 1 in. (156 cm. x 124 cm.)

£1,500-2,500 $2,300-3,800

€2,000-3,300








End of SaleThe next Interiors sale will be held on Tuesday 17 March 2015 at 10.00 am


n479 ANANTIQUEKARABAGHRUNNER

approx: 14ft.2in. x 3ft.1in.(431cm. x 94cm.)

£800-1,200 $1,300-1,800

€1,100-1,600

n480 AFLEMISHBIBLICALTAPESTRY

AUDENAARDE, SECOND HALF 16TH CENTURY

Woven in silks and wools, depictingTobias before his blinded father Tobit and mother Anna, in a landscape setting, the border woven with alternating allegorical standing fgures and groupings of exotic fruit, two outer slips later, some minor areas of reweaving9 ft. 1 in. x 6 ft. 4Ω in. (277 cm. x 196 cm.)

£2,000-4,000 $3,100-6,100

€2,700-5,200


Anonymous sale; Sotheby’s, London, 29 October 2008, lot 60.

L I T E R A T U R E :

I. de Meuter, Tapisseries d’Audernarde du XVI au XVIII Siècle, Exhibition Catalogue, 1999, pp.

148-179, for examples of comparable early Oudernaarde biblical tapestries, some of which have a

similar border.



A GUIDE TO

CHRISTIE’S CATALOGUING PRACTICE

Some of the terms we use in catalogue descriptions

might be unfamiliar to you. We’ve outlined below

these expressions and their explanations.

Style…

In conjunction with a monarch. Eg. ‘George III style…’

In our opinion the piece is a later work (of any date) and

not of the period.

Recent manufacture…

In our opinion the piece is less than ten years old.

By… (Furniture and decorative arts)

In our opinion the artist has been directly involved in the

production of the work.

Name(s) or recognised designation of an artist

without any qualification

In our opinion a work by the artist

Cast from a model by…

In our opinion a work from the artist’s model, originating

in his circle and cast during his lifetime or shortly

thereafter

Attributed to…

In our qualified opinion the piece is probably a work by

the artist in whole or in part

Studio of / Workshop of…

In our qualified opinion a work executed in the studio or

workshop of the artist, possibly under his supervision

Circle of…

In our qualified opinion a work of the period of the artist

and showing his influence

Follower of…

In our qualified opinion a work executed in the artist’s

style but not necessarily by a pupil

Manner of…

In our qualified opinion a work executed in the artist’s

style but of a later date

After…

In our qualified opinion a later copy or aftercast (of any

date) of a work of the artist

Signed… / Dated… / Inscribed…

(Pictures, drawings, prints or miniatures)

In our qualified opinion the work has been signed / dated

/ inscribed by the artist

With signature… / With date… / With

inscription… (Pictures, drawings, prints or miniatures)

In our qualified opinion the signature / date / inscription

appears to be by a hand other than that of the artist

Labelled… / Dated… / Inscribed… / Carved

with… / Signed… / Stamped… (Furniture and

decorative arts)

In our qualified opinion the label / date / inscription /

carving / signature / stamp is contemporary

The term bears / bearing…

In conjunction with the above indicates that in our

opinion the feature described is not by the artist or

manufacturer or has been added at a significantly

later date.

Mark of…, 1725 (Silver)

In our opinion either made in the workshop of the

master or struck with his sponsor’s mark prior to retailing

between 19th May of the year specified and 18th May of

the following year until 1660 and thereafter between 29th

May of the year specified and 28th May of the following

year until 1975 and thereafter between 2nd January of the

year specified and 1st January of the following year. All

other countries have varying dating systems.

1725, mark… (Silver)

In our opinion dated as above and struck with an

unidentified sponsor’s mark as described.

All You Need to Know1725… (Silver)

In our opinion dated as above and struck with an illegible

sponsor’s mark or no sponsor’s mark at all.

Bearing…marks for 1725 (Silver)

In our opinion having either spurious or

transposed marks.

(…oz.) (Silver)

In our opinion weighing not less than the specified

number of ounces Troy.

(gross…oz.) (Silver)

In our opinion weighing not less than the specified

number of ounces Troy including any non silver additions

(e.g. wooden handles)

Glass and Ceramics

Reference is made for damage and/or restoration on

the illustrated lots only. The absence of such a reference

does not imply that a lot is free from defects nor does

any reference to particular defects imply the absence of

others. Such information is given for guidance only and

the condition of any lot and the nature and extent of any

damage or restoration should be confirmed by examination

prior to the sale. In this connection you are specifically

requested to read Condition 2 of the Conditions of Sale.

Other

• Unless otherwise stated miniatures are on ivory

• Descriptions of metals conform to the Hallmarking

Act 1973.

• All electrical goods offered in this catalogue have

either been tested and certified by an appropriately

qualified electrician or have been operationally disabled.

We would strongly advise that any intended

re-commissioning is undertaken by an

appropriately qualified electrician.

• In respect of mechanical pieces such as clocks, no

representation is made or warranty given that any such

item is in working order and nothing in the catalogue

description should be taken as such.

• The date given for Old Master, Modern and

Contemporary Prints is the date (or approximate date

when prefixed with ‘circa’) on which the matrix was

worked and not necessarily the date when the impression

was printed or published.

• Measurements of Prints are taken where possible from

the platemark (‘P’), otherwise they record the size of

the sheet (‘S’) or the borderline of the subject (‘L’). All

measurements are in centimetres to the nearest centimetre

and are approximate.

• Christie’s does not accept liability for failing to describe

any alteration or addition to an item of furniture or

an object which is concealed by upholstery, gilding

or painted decoration and could only be detected by

physically dismantling the lot.

Post 1950 Furniture

All items of post-1950 furniture included in this sale are

items either not originally supplied for use in a private

home or now offered solely as works of art. These items

may not comply with the provisions of the Furniture and

Furnishings (Fire) (Safety) Regulations 1988 (as amended

in 1989 and 1993, the “Regulations”). Accordingly, these

items should not be used as furniture in your home in their

current condition. If you do intend to use such items for this

purpose, you must first ensure that they are reupholstered,

restuffed and/or recovered (as appropriate) in order that they

comply with the provisions of the Regulations.

SALEROOM NOTICESDetails in this catalogue can be subject to change after it

has been printed. For example, some extra provenance or

information might have come to light over a particular lot,

or the lot itself might have been withdrawn from the sale,

or the estimate might have changed.

These details will appear in the saleroom notice for that

particular sale and is available at the Bids Office,

Tel: +44 (0)20 7752 3225.

HOW DOES THE AUCTION WORK?

Bidding generally opens below the low estimate

and advances in increments of up to 10%, subject

to the auctioneer’s discretion. Written bids that do

not conform to the increments set below may be

lowered to the next increment.

UK£50 to UK£1,000 by UK£50s

UK£1,000 to UK£2,000 by UK£100s

UK£2,000 to UK£3,000 by UK£200s

UK£3,000 to UK£5,000 by UK£200, 500, 800

(ie: UK£4,200,

4,500, 4,800)

UK£5,000 to UK£10,000 by UK£500s

UK£10,000 to UK£20,000 by UK£1,000s

UK£20,000 to UK£30,000 by UK£2,000s

UK£30,000 to UK£50,000 by UK£2,000,

5,000, 8,000

(ie: UK£32,000, 35,000,

38,000)

UK£50,000 to UK£100,000 by UK£5,000s

UK£100,000 to UK£200,000 by UK£10,000s

above UK£200,000 at auctioneer’s discretion

The auctioneer may vary the increments during the

course of the auction at his or her own discretion.

Auction Results: +44 (0)20 7839 9060

All You Need to KnowA GUIDE TO NON-VAT RELATED SYMBOLS

• No reserveIn these cases the lot is sold without reserve.

~ Property incorporating materials from endangered and other protected speciesPlease see “Property Incorporating Protected Species” for further information.λ Artist’s Resale Right (‘Droit de Suite’) In these cases the lot is subject to Artist’s Resale Right. The buyer agrees to pay to Christie’s an amount equal to the resale royalty. Resale royalty applies where the Hammer Price is 1,000 Euro or more and the amount cannot be more than 12,500 Euro per lot. The amount is calculated as follows:Royalty For the portion of the Hammer Price (in Euro)4.00% up to 50,0003.00% between 50,000.01 and 200,0001.00% between 200,000.01 and 350,0000.50% between 350,000.01 and 500,0000.25% in excess of 500,000

Invoices will, as usual, be issued in Pounds Sterling. For the purposes of calculating the resale royalty the Pounds Sterling/Euro rate of exchange will be the European Central Bank reference rate on the day of the sale.

∆ Christie’s InterestFrom time to time, Christie’s may offer a lot which it owns in whole or in part. Such property is identified in the catalogue with the symbol ∆ next to its lot number. On occasion, Christie’s has a direct financial interest in lots consigned for sale which may include guaranteeing a minimum price or making an advance to the consignor that is secured solely by consigned property. Such property is identified in the catalogue by the symbol º next to the lot number. This symbol will be used both in cases where Christie’s holds the financial interest on its own, and in cases where Christie’s has financed all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold successfully and may incur a loss if the sale is not successful. Where Christie’s has an ownership or financial interest in every lot in the catalogue, Christie’s will not designate each lot with a symbol, but will state its interest at the front of the catalogue.

PAYMENT & SUCCESSFUL BIDS

All you need to know on how, when and where to pay

Bidder RegistrationIf you have not previously bid or consigned with Christie’s, you should bring with you:• Individuals: government-issued photo identification (such as a

photo driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement.

• Corporate clients: a certificate of incorporation.• For other business structures such as trusts, off-shore companies

or partnerships, please contact Christie’s Credit Department at +44 (0)20 7752 3137 for advice on the information you should supply.

• If you are registering to bid on behalf of someone who has not previously bid or consigned with Christie’s you should bring identification documents not only for yourself but also for the party on whose behalf you are bidding, together with a signed letter of authorisation from that party. To allow sufficient time to process the information, you are encouraged to register at least 48 hours in advance of a sale.

You should register for a numbered bidding paddle at least 30 minutes before the auction.

Successful Written BidsChristie’s South Kensington is not able to notify successful bidders. While invoices are sent out by mail after the auction we do not accept responsibility for notifying you of the result of your bid. Buyers are requested to contact us by telephone or in person as soon as possible after the sale to obtain details of the outcome of their bids to avoid incurring unnecessary storage charges.

PaymentBuyers are expected to make payment for purchases immediately after the auction. To avoid delivery delays, prospective buyers are encouraged to supply bank or other suitable references before the auction. Please note that Christie’s will not accept payments for purchased Lots from any party other than the registered buyer.

Lots purchased in London may be paid for in the following ways: wire transfer, credit card: Visa and MasterCard & American Express only (up to £25,000), and cash (up to £5,000 (subject to conditions)), bankers draft (subject to conditions) or cheque (must be drawn in GBP on a UK bank; clearance will take 5 to 10 business days).

Wire Transfers: Lloyds TSB Bank Plc City Office PO Box 217 72 Lombard Street, London, EC3P 3BT A/C: 00172710 Sort Code: 30-00-02 for international transfers, SWIFT LOYDGB2LCTY. For banks asking for an IBAN: GB81 LOYD 3000 0200 1727 10.

Credit Card: Visa and MasterCard & American Express only A limit of £25,000 for credit card payments will apply. This limit is inclusive of the buyer’s premium and any applicable taxes. Credit card payments at London sale sites will only be accepted for London sales. Christie’s will not accept credit card payments for purchases made in any other sale site. The fax number to send completed CNP (Card Member not Present) authorisation forms to is +44 (0)20 7389 2821. The number to call to make a CNP payment over the phone is +44 (0)20 7752 3388. Alternatively, clients can mail the authorisation form to the address below.

Cash is limited to £5,000 (subject to conditions).

Bankers Draft should be made payable to Christie’s (subject to conditions).

Cheques should be made payable to Christie’s (must be drawn in GBP on a UK bank, clearance will take 5 to 10 business days).

In order to process your payment efficiently, please quote sale number, invoice number and client number with all transactions.

All mailed payments should be sent to: Christie’s, Cashiers’ Department, 8 King Street, St James’s, London, SW1Y 6QT

Please direct all inquiries to King Street Tel: +44 (0)20 7389 2996 Fax: +44 (0)20 7389 2863 or South Kensington Tel: +44 (0)20 7752 3138 Fax: +44 (0)20 7752 3143

LOTS OF IRANIAN/PERSIAN ORIGIN

Bidders are kindly reminded that some countries (such as the USA and Canada) prohibit or restrict the purchase and import of Iranian origin “works of conventional craftsmanship” (works that are not by a recognized artist and/or that have a function, for example: bowls, tiles, ornamental boxes and carpets).

“Informational materials” (such as paintings, drawings and pastels, executed entirely by hand, collages and similar decorative plaques, framed or not framed; original engravings, prints and lithographs, printed books, newspapers and manuscripts) are not subject to the restrictions.

All bidders are responsible for familiarizing themselves with the laws that apply to them and ensuring that they do not bid on or import property in contravention of relevant sanctions or trade embargoes.

If Christie’s cancels a sale due to any sanction or trade embargoes, the successful bidder will be accountable for any shortfall between the total amount originally due to us and the proceeds from a resale of the property.

PROPERTY INCORPORATING PROTECTED SPECIES

Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife are marked with the symbol ~ in the catalogue. Such material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whale bone and certain species of coral, together with Brazilian rosewood. Prospective purchasers are advised that several countries prohibit altogether the importation of property containing such materials, and that other countries require a permit (e.g., a CITES permit) from the relevant regulatory agencies in the countries of exportation as well as importation. Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country. Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered and other protected wildlife material. The inability of a client to export or import property containing endangered and other protected wildlife material is not a basis for cancellation or rescission of the sale. Please note also that lots containing potentially regulated wildlife material are marked as a convenience to our clients, but Christie’s does not accept liability for errors or for failing to mark lots containing protected or regulated species.

Recent changes to imports of elephant ivory and other wildlife material into the USA

The USA has recently changed its policy on the import of property made of or containing elephant ivory. Only Asian Elephant ivory may be imported into the USA, and imports must be accompanied by DNA analysis and confrmation the object is more than 100 years old. We have not obtained a DNA analysis on any lot prior to sale and cannot indicate whether the elephant ivory in a particular lot is African or Asian elephant. Buyers purchase these lots at their own risk and will be responsible for the costs of obtaining any DNA analysis or other report required in connection with their proposed import of such property into the USA.

The USA is also currently requiring all imports of property made of or containing wildlife material to be accompanied by a scientifc confrmation of species and in some cases an additional confrmation of age. We have not obtained such confrmations prior to sale (unless specifcally indicated) and buyers will be responsible for the costs of any such additional confrmations or opinions required for their proposed import into the USA.

A buyer’s inability to export or import any lot containing elephant ivory or other wildlife material is not a basis for cancelling the purchase.

11/04/14

VAT AT CHRISTIE’S (UK)

No symbol VAT is accounted for by Christie’s under the Auctioneers’ Margin Scheme. No VAT is charged on the Hammer price; VAT is charged at 20% on the buyer’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice.

† VAT is charged at 20% on both the Hammer and Premium (subject to the usual UK VAT rules).

* These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie’s immediately after the auction.

Ω These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 20%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice. Where applicable Customs duty will be charged (per rate specified by HMRC guidance) on the Hammer price and VAT will be payable at 20% on duty. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie’s immediately after the auction.

α The VAT treatment of the lot is determined by the registered address of the purchaser: • Purchaser from within the European Union

(EU) VAT is accounted for by Christie’s under the Auctioneers’ Margin Scheme. No VAT is charged on the Hammer price; VAT is charged at 20% on the Buyer’s Premium on a VAT inclusive basis. This VAT is not shown separately on the invoice.

• Purchasers from outside the European Union (EU) VAT is charged at 20% on both the Hammer and Premium (subject to the usual UK VAT rules).

q No VAT charged.

Can I reclaim the VAT?

Christie’s VAT refund rules are governed by the current EU and UK tax legislation. The ability to reclaim VAT depends on the particular circumstances of the buyer and the information below, which is not exhaustive, is therefore to be used as a general guide. If you have any further queries then please contact the VAT department here at Christie’s.

Where a buyer has purchased an item and intends to export the item outside the EU, a VAT refund can be obtained subject to ALL of the following conditions being satisfied: • Buyer must have registered to bid

with a NON EU address • Lots must be exported within

3 months. • Lots subject to Import VAT, shown with the Star

(*) or Omega (Ω) in the catalogue, must be exported within 30 days of collection.

• Proof of export in the appropriate form (please see section headed VAT consequences on shipping) must be provided to the VAT department at Christie’s.

Christie’s cannot refund VAT paid if the above conditions are not met.Refunds cannot be made where lots have been purchased with an inside EU address. Christie’s can only refund Import VAT (Lots with * or Ω symbol) if lots are exported within 30 days of collection. Valid export documents must be returned within the stipulated time frame. No refund will be paid out where the total amount is less than £100. UK & EU private buyers cannot reclaim VAT. Christie’s will charge £35 for each refund processed. For detailed information please see the leaflets available, or email [email protected] non-EU buyers have failed to export their lots outside of the EU within the required time, HM Revenue & Customs will not allow a VAT refund to be made. This is a requirement of UK legislation and Christie’s do not have discretion to make exceptions to the rule. UK and EU private buyers cannot reclaim any VAT charged.

UK and EU private buyers cannot reclaim any VAT charged

All You Need to Know

Symbol UK/EU Buyer

UK Trade VAT Registered Purchaser

EU VAT Registered Purchaser

Non EU Purchaser

No Symbol

No VAT refund

No VAT refund.Clients can request to be reinvoiced under standard UK VAT rules † VAT can be reclaimed through purchasers own VAT returns

VAT in the Buyers Premium will be refunded upon proof of movement within the EU

VAT refund.An amount in-lieu of the VAT in the Buyers Premium will be refunded

†

No VAT refund

VAT may be reclaimed through purchasers own UK VAT returns.

No VAT will be charged on the Buyers Premium and the VAT on the Hammer price will be refunded upon proof of movement within the EU

VAT will be refunded on the Hammer price by Christies. VAT in the Buyers Premium may be reclaimed back by Trade clients from Christies.

*

No VAT refund

Import VAT on the Hammer is reclaimable through purchasers own UK VAT return with C79 issued from HMRC.Clients can request to be reinvoiced under standard UK VAT rules †

Clients may request to be reinvoiced under standard UK VAT rules † and both Hammer and Premium VAT will be refunded upon proof of movement within the EU

VAT refund.VAT will be refunded on the Hammer price and an amount in-lieu of the VAT in the Buyers Premium will be refunded

Ω

No VAT refund

Import VAT on the Hammer is reclaimable through purchasers own UK VAT return with C79 issued from HMRC.Clients can request to be reinvoiced under standard UK VAT rules †

Clients may request to be reinvoiced under standard VAT rules and both Hammer and Premium VAT will be refunded upon proof of movement within the EU

VAT refund.VAT will be refunded on the Hammer and an amount in-lieu of the VAT in the Buyers Premium will be refunded

α

No VAT refund

No VAT refund.Clients can request to be reinvoiced under standard UK VAT rules †

Clients may request to be reinvoiced under standard UK VAT rules and the VAT charged of the Buyer's Premium will be refunded upon proof of movement within the EU.

VAT will be refunded on the Hammer by Christies. VAT charged in the Buyers Premium can be claimed back by Trade clients directly from Christies.

q N/A N/A N/A N/A

VAT refunds: What can I reclaim?

1VAT on Premium may be reclaimed from HM Revenue & Customs where the purchaser is taxable in their home jurisdiction. No VAT refund will be processed where the total VAT amount is under £100.A refund processing fee of £35 will be charged for each refund processed (regardless of the number of lots processed).

VAT Consequences on Shipping

CHRISTIE’S AUTHORISED SHIPPER If a buyer exports the purchased goods outside the EU and a CHRISTIE’S AUTHORISED SHIPPER is used, the buyer will not be required to pay the VAT at the time of settlement.

Own Shipper If the buyer exports the purchased goods outside the EU and does not use a CHRISTIE’S AUTHORISED SHIPPER, VAT will be charged on the invoice. This VAT will be refundable upon receipt of the correct export documentation by Christie’s VAT department.

Hand Carried Lots Purchased

If the buyer exports the purchased goods outside the EU himself, VAT will be charged on the invoice. For lots that are to be hand carried, the following must be adhered to:

For lots that carry the Star (*) or Omega (Ω) symbol in the catalogue, a C88 can be obtained from Christie’s Shipping department. This must be stamped by UK Customs on leaving the UK and sent to the VAT department for a VAT refund to be issued.

For lots that carry no symbol or are daggered (†) in the catalogue a Global Refund form can be obtained from Cashiers and the VAT can be reclaimed by the purchaser at the airport (subject to an admin fee). The buyer must provide valid proof of identity (i.e. passport/credit card) at time of collection and present the same proof at the Global Refund desk at the airport. Alternatively any commercial evidence of export is acceptable.

VAT Queries

If you still have any queries about VAT, please contact the following: Telephone number: +44 (0)20 7389 2886Email: [email protected]

HM Revenue & Customs Telephone Number +44 (0)28 7137 5100

1 CHRISTIE'S AS AGENTExcept as otherwise stated Christie’s acts as agent for

the seller. The contract for the sale of the property is

therefore made between the seller and the buyer.

2

CATALOGUE DESCRIPTIONS AND CONDITIONLots are sold as described and otherwise in the

condition they are in at the time of the sale,

on the following basis.

a Condition

The nature of the lots sold in our auctions is such that

they will rarely be in perfect condition, and are likely,

due to their nature and age, to show signs of wear

and tear, damage, other imperfections, restoration or

repair. Any reference to condition in a catalogue entry

will not amount to a full description of condition.

Condition reports are usually available on request,

and will supplement the catalogue description. In

describing lots, our staff assess the condition in a

manner appropriate to the estimated value of the item

and the nature of the auction in which it is included.

Any statement as to the physical nature or condition

of a lot, in a catalogue, condition report or otherwise,

is given honestly and with appropriate care. However,

Christie’s staff are not professional restorers or trained

conservators and accordingly any such statement will

not be exhaustive. We therefore recommend that you

always view property personally, and, particularly in

the case of any items of significant value, that you

instruct your own restorer or other professional adviser

to report to you in advance of bidding.

b Cataloguing Practice

Our cataloguing practice is explained in the All You

Need to Know section of the catalogue, which appears

after the catalogue entries.

c Attribution etc

Any statements made by Christie’s about any lot,

whether orally or in writing, concerning attribution

to, for example, an artist, school, or country of origin,

or history or provenance, or any date or period, are

expressions of our opinion or belief. Our opinions and

beliefs have been formed honestly and in accordance

with the standard of care reasonably to be expected

of an auction house of Christie’s standing, due regard

having been had to the estimated value of the item

and the nature of the auction in which it is included.

It must be clearly understood, however, that, due to

the nature of the auction process, we are unable to

carry out exhaustive research of the kind undertaken

by professional historians and scholars, and also that, as

research develops and scholarship and expertise evolve,

opinions on these matters may change. We therefore

recommend that, particularly in the case of any item of

significant value, you seek advice on such matters from

your own professional advisers.

d Estimates

Estimates of the selling price should not be relied on as

a statement that this is the price at which the item will

sell or its value for any other purpose.

e Fitness for Purpose

Lots sold are enormously varied in terms of age, category

and condition, and may be purchased for a variety of

purposes. Unless otherwise specifically agreed, no promise

is made that a lot is fit for any particular purpose.

3

AT THE SALE

a Refusal of admissionChristie’s has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid.

b Registration before biddingProspective buyers who wish to bid in the saleroom can register online in advance of the sale, or can come to the saleroom on the day of the sale approximately 30 minutes before the start of the sale to register in person. Prospective buyers must complete and sign a registration form with his or her name and permanent address, and provide identification before bidding. We may require the production of bank details from which payment will be made or other financial references.

c Bidding as principalWhen making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium and all applicable taxes, plus all other applicable charges, unless it has been explicitly agreed in writing with Christie’s before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Christie’s, and that Christie’s will only look to the principal for payment.

d Absentee bidsWe will use reasonable efforts to carry out written bids delivered to us prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in the currency of the place of the sale. Please refer to the catalogue for the Absentee Bids Form. If we receive written bids on a particular lot for identical amounts, and at the auction these are the highest bids on the lot, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and provided that we have exercised reasonable care in the handling of written bids, the volume of goods is such that we cannot accept liability in any individual instance for failing to execute a written bid or for errors and omissions in connection with it arising from circumstances beyond our reasonable control.

e Telephone bidsIf a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone but we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding arising from circumstances beyond our reasonable control.

f Currency converterAt some auctions a currency converter may be operated. Errors may occur in the operation of the currency converter. Where these arise from circumstances beyond our reasonable control we do not accept liability to bidders who follow the currency converter rather than the actual bidding in the saleroom.

g Video or digital imagesAt some auctions there may be a video or digital screen. Errors may occur in its operation and in the quality of the image. We do not accept liability for such errors where they arise for reasons beyond our reasonable control.

h ReservesUnless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve will not exceed the low estimate printed in the catalogue. If any lots are not subject to a reserve, they will be identified with the symbol • next to the lot number. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.

i Auctioneer’s discretion

The auctioneer has the right to exercise reasonable

discretion in refusing any bid, advancing the bidding

in such a manner as he may decide, withdrawing or

dividing any lot, combining any two or more lots and,

in the case of error or dispute, and whether during

or after the sale, determining the successful bidder,

continuing the bidding, cancelling the sale or reoffering

and reselling the item in dispute. If any dispute arises

after the sale, then, in the absence of any evidence

to the contrary the sale record maintained by the

auctioneer will be conclusive.

j Successful bid and passing of risk

Subject to the auctioneer’s reasonable discretion, the

highest bidder accepted by the auctioneer will be

the buyer and the striking of his hammer marks the

acceptance of the highest bid and the conclusion of a

contract for sale between the seller and the buyer. Risk

and responsibility for the lot (including frames or glass

where relevant) passes to the buyer at the expiration

of seven calendar days from the date of the sale or on

collection by the buyer if earlier.

4

AFTER THE SALE

a Buyer’s premium

In addition to the hammer price, the buyer agrees

to pay to us the buyer’s premium together with any

applicable value added tax. The buyer’s premium is

25% of the first £50,000 of the hammer price on each

lot plus 20% of the excess of the hammer price above

£50,000 up to and including £1,000,000 plus 12% of

any amount in excess of £1,000,000.

b Artist’s Resale Right (“Droit de Suite”)

If the Artist’s Resale Right Regulations 2006 apply to

the lot the buyer also agrees to pay to us an amount

equal to the resale royalty provided for in those

Regulations. Lots affected are identified with the

symbol λ next to the lot number.

c Payment and ownership

The buyer must pay the full amount due (comprising the

hammer price, buyer’s premium and any applicable taxes)

immediately after the sale. This applies even if the buyer

wishes to export the lot and an export licence is, or may

be, required. The buyer will not acquire title to the lot

until all amounts due to us from the buyer have been

received by us in good cleared funds even in circumstances

where we have released the lot to the buyer.

d Collection of purchases

We shall be entitled to retain items sold until all

amounts due to us, or to Christie’s International

plc, or to any of its affiliates, subsidiaries or parent

companies worldwide, have been received in full in

good cleared funds or until the buyer has performed

any other outstanding obligations as we, in our sole

discretion, shall require, including, for the avoidance

of doubt, completing any anti-money laundering or

anti-terrorism financing checks we may require to our

satisfaction. In the event a buyer fails to complete any

anti-money laundering or anti-terrorism financing

checks to our satisfaction, Christie’s shall be entitled to

cancel the sale and to take any other actions that are

required or permitted under applicable law. Subject to

this, the buyer shall collect purchased lots within two

calendar days from the date of the sale unless otherwise

agreed between us and the buyer.

Conditions of Sale

These Conditions of Sale and the information set out in the All You Need to Know section of the catalogue set out the terms governing the legal relationship of Christie’s and the seller with the buyer. You should read them carefully before bidding.

11/04/14

e Packing, handling and shipping

Although we shall use reasonable efforts to take care

when handling, packing and shipping a purchased

lot and in selecting third parties for these purposes,

we are not responsible for the acts or omissions of

any such third parties. Similarly, where we suggest

other handlers, packers or carriers if so requested,

our suggestions are made on the basis of our general

experience of such parties in the past and we are not

responsible to any person to whom we have made a

recommendation for the acts or omissions of the third

party concerned.

f Export licence

Unless otherwise agreed by us in writing, the fact

that the buyer wishes to apply for an export licence

does not affect his or her obligation to make payment

immediately after the sale nor our right to charge

interest or storage charges on late payment. If the buyer

requests us to apply for an export licence on his or

her behalf, we shall be entitled to make a charge for

this service. We shall not be obliged to rescind a sale

nor to refund any interest or other expenses incurred

by the buyer where payment is made by the buyer in

circumstances where an export licence is required.

g Remedies for non payment

If the buyer fails to make payment in full in good cleared

funds within 7 days after the sale, we shall have the right

to exercise a number of legal rights and remedies. These

include, but are not limited to, the following:

i to charge interest at an annual rate equal to 5%

above the base rate of Lloyds TSB Bank Plc;

ii to hold the defaulting buyer liable for the total

amount due and to commence legal proceedings

for its recovery together with interest, legal fees

and costs to the fullest extent permitted under

applicable law;

iii to cancel the sale;

iv to resell the property publicly or privately on such

terms as we shall think fit;

v to pay the seller an amount up to the net proceeds

payable in respect of the amount bid by the

defaulting buyer;

vi to set off against any amounts which we, or

Christie’s International plc, or any of its affiliates,

subsidiaries or parent companies worldwide, may

owe the buyer in any other transactions, the

outstanding amount remaining unpaid by the buyer;

vii where several amounts are owed by the buyer to

us, or to Christie’s International plc, or to any

of its affiliates, subsidiaries or parent companies

worldwide, in respect of different transactions, to

apply any amount paid to discharge any amount

owed in respect of any particular transaction,

whether or not the buyer so directs;

viii to reject at any future auction any bids made by or

on behalf of the buyer or to obtain a deposit from

the buyer before accepting any bids;

ix to exercise all the rights and remedies of a

person holding security over any property in our

possession owned by the buyer, whether by way

of pledge, security interest or in any other way, to

the fullest extent permitted by the law of the place

where such property is located. The buyer will be

deemed to have granted such security to us and we

may retain such property as collateral security for

such buyer’s obligations to us;

x to take such other action as we deem necessary

or appropriate.

If we resell the property under paragraph (iv) above,

the defaulting buyer shall be liable for payment of any

deficiency between the total amount originally due

to us and the price obtained upon resale as well as for

all reasonable costs, expenses, damages, legal fees and

commissions and premiums of whatever kind associated

with both sales or otherwise arising from the default.

If we pay any amount to the seller under paragraph (v)

above, the buyer acknowledges that Christie’s shall have

all of the rights of the seller, however arising, to pursue

the buyer for such amount.

h Failure to collect purchasesWhere purchases are not collected within two calendar

days from the date of the sale, whether or not payment

has been made, we shall be permitted to remove the

property to a third party warehouse at the buyer’s

expense, and only release the items after payment in full

has been made of removal, storage, handling, and any

other costs reasonably incurred, together with payment

of all other amounts due to us.

i Selling Property at Christie’sIn addition to expenses such as transport, all consignors

pay a commission according to a fixed scale of charges

based upon the value of the property sold by the

consignor at Christie’s in a calendar year. Commissions

are charged on a sale by sale basis.

5

LIMITED WARRANTYIn addition to Christie’s liability to buyers set out in

clause 2 of these Conditions, but subject to the terms

and conditions of this paragraph, Christie’s warrants

for a period of five years from the date of the sale that

any property described in headings printed in UPPER

CASE TYPE (i.e. headings having all capital-letter

type) in this catalogue (as such description may be

amended by any saleroom notice or announcement)

which is stated without qualification to be the work

of a named author or authorship, is authentic and

not a forgery. The term “author” or “authorship”

refers to the creator of the property or to the period,

culture, source or origin, as the case may be, with

which the creation of such property is identified in

the UPPER CASE description of the property in

this catalogue. Only UPPER CASE TYPE headings

of lots in this catalogue indicate what is being

warranted by Christie’s. Christie’s warranty does

not apply to supplemental material which appears

below the UPPER CASE TYPE headings of each

lot and Christie’s is not responsible for any errors or

omissions in such material. The terms used in the

headings are further explained in the All You Need

to Know section of the catalogue. The warranty does

not apply to any heading which is stated to represent

a qualified opinion.

The warranty is subject to the following:

i It does not apply where (a) the catalogue description

or saleroom notice corresponded to the generally

accepted opinion of scholars or experts at the

date of the sale or fairly indicated that there was a

conflict of opinions; or (b) correct identification of

a lot can be demonstrated only by means of either

a scientific process not generally accepted for use

until after publication of the catalogue or a process

which at the date of publication of the catalogue

was unreasonably expensive or impractical or likely

to have caused damage to the property.

ii The benefits of the warranty are not assignable and

shall apply only to the original buyer of the lot as

shown on the invoice originally issued by Christie’s

when the lot was sold at auction.

iii The original buyer must have remained the owner

of the lot without disposing of any interest in it to

any third party.

iv The buyer’s sole and exclusive remedy against

Christie’s and the seller, in place of any other

remedy which might be available, is the cancellation

of the sale and the refund of the original purchase

price paid for the lot. Neither Christie’s nor the

seller will be liable for any special, incidental or

consequential damages including, without limitation,

loss of profits nor for interest.

v The buyer must give written notice of claim to us

within five years from the date of the auction. It is

Christie’s general policy, and Christie’s shall have

the right, to require the buyer to obtain the written

opinions of two recognised experts in the field,

mutually acceptable to Christie’s and the buyer,

before Christie’s decides whether or not to cancel

the sale under the warranty.

vi The buyer must return the lot to the Christie’s

saleroom at which it was purchased in the same

condition as at the time of the sale.

6

COPYRIGHTThe copyright in all images, illustrations and written

material produced by or for Christie’s relating to a

lot including the contents of this catalogue, is and

shall remain at all times the property of Christie’s and

shall not be used by the buyer, nor by anyone else,

without our prior written consent. Christie’s and the

seller make no representation or warranty that the

buyer of a property will acquire any copyright or other

reproduction rights in it.

7 SEVERABILITYIf any part of these Conditions of Sale is found by

any court to be invalid, illegal or unenforcable, that

part shall be discounted and the rest of the conditions

shall continue to be valid to the fullest extent

permitted by law.

8 LAW AND JURISDICTIONThe rights and obligations of the parties with respect

to these Conditions of Sale, the conduct of the auction

and any matters connected with any of the foregoing

shall be governed and interpreted by the laws of

England. By bidding at auction, whether present in

person or by agent, by written bid, telephone or other

means, the buyer shall be deemed to have submitted,

for the benefit of Christie’s, to the exclusive jurisdiction

of the courts of the United Kingdom.

Conditions of Sale

All You Need to Know - Taking it Home

Every year we sell tens of thousands of lots of all shapes and sizes. We don’t store everything at our saleroom in South Kensington. All lots from Interior Sales marked with a filled square go to a warehouse in Park Royal. It’s outside the congestion charge zone and there’s plenty of dedicated free parking.

10/06/14

WHERE TO COLLECTYou can pay for and collect all sold lots from the Interior Sales, including Sunday Sales, from Christie’s South Kensington only on the day of the sale until 5.00 pm. Items marked with a filled square ( n ) in the catalogue are transferred to an offsite warehouse at the close of business on the day of the sale. We give you 2 weeks free storage from the date of the sale and after that point charges apply (ie, up to and including the 2nd Tuesday after the sale and in the case of Sunday Sales we give you slightly more than 2 weeks free storage, ie, up to and including the 3rd Tuesday after the sale). All other lots will be held at Christie’s South Kensington until 5.oopm the fifth Friday after the sale. They will then be transferred to Cadogan Tate Ltd and will be available to collect from the following Tuesday. The offsite warehouse is owned by Cadogan Tate Ltd. Please see the map and contact details below for their precise location.

WHEN TO COLLECTLots are available to collect from Cadogan Tate Ltd at 12 noon on the Thursday after the sale. In the case of Sunday Sales, lots are available to collect at 12 noon on the Tuesday after the sale. You can pay for items at Christie’s South Kensington from Monday to Friday. Items can be collected from Cadogan Tate Ltd Monday to Friday 9.00am to 5.00pm.

HOW TO COLLECTAll lots must be paid for at Christie’s South Kensington before they will be made available for you to collect.

If you are collecting from Christie’s South Kensington please ensure that you bring your invoice as well as some form of identification such as a drivers licence or passport. You will need to go to Cashiers first to pay for your lot and to get a Collection Order and this form will then allow your lot to be released from the Collection Desk.

If you are collecting from Cadogan Tate Ltd you will also need your invoice and proof of identification. In order to ensure a quick collection time please also bring a copy of your Collection Order with you. Please note that payment for lots cannot be accepted at the warehouse.

In a hurry? To ensure a speedy collection you can now call Cadogan Tate on +44 (0)800 988 6100 and book a collection time. They will have your purchases ready for collection.

Carrier / Third Party Collections

Advance booking of collections is compulsory for commercial carriers.

Please ask your carrier to call Cadogan Tate on +44 (0)800 988 6100 at least 24 hours in advance to book a collection appointment. They will have your purchases/lots ready for collection.

Please provide your carrier with:

1. Written authority to collect

2. Proof of their own identification

3. A copy of your invoice or accurate detail of sale and lot numbers

TRANSFER, STORAGE & RELATED CHARGESCadogan Tate Ltd’s charges are applied on a per lot basis and are as follows:

Furniture/ Pictures/ Large Objects Small Items

Transfer / Admin fee £42.00 £21.00

Storage per day £5.25 £2.65

EXTENDED LIABILITY CHARGEExtended Liability Charge is charged at the lower amount of 0.6% of the hammer price plus buyer’s premium or 100% of the above charges. All charges are subject to VAT. Very large or heavy items may be subject to a surcharge.

Christie’s Fine Art Storage Services (CFASS) also offers storage solutions for fine art, antiques and collectibles in New York and Singapore FreePort. CFASS is a separate subsidiary of Christie’s and clients enjoy complete confidentiality. Visit www.cfass.com for charges and other details.

SHIPPING AND DELIVERYOur Art Transport Department can organise local deliveries or international freight. Please contact them on +44 (0)20 7389 2712 or [email protected].

CADOGAN TATE, CONDITIONS OF BUSINESSAll services provided by Cadogan Tate Ltd will be subject to their standard Conditions of Business, copies of which are available at Christie’s South Kensington. Please note that in particular Cadogan Tate:

• does not accept any liability for damage or loss, due to its negligence or otherwise, exceeding the Hammer Price of a lot plus Buyer’s premium, or, at its sole option, the cost of repairing or replacing the damaged or missing lot

• reserves a lien over all goods in its possession for payment of storage and all other charges due to it

• automatically arranges on behalf of the lot’s owner and at the owner’s cost, Extended Liability Charge of the lot for the sum of the hammer price plus Buyer’s premium. This Extended Liability Charge covers the lot from the time of collection from the saleroom until release of the lot to the owner or the owner’s agent. The Extended Liability Charge payable by the owner of the lot is 0.6% of the sum of the hammer price and buyer’s premium or 100% of the transfer and storage charges, whichever is the smaller. This Extended Liability Charge will not be arranged and no charge will be payable only on receipt by Cadogan Tate of advance written notice from the owner of the lot together with formal waiver of subrogation from the owner’s insurers.

EXPORT/IMPORT PERMITSBuyers should always check whether an export licence is required before exporting. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the rescission of any sale nor any delay in making full payment for the lot.Christie’s can advise buyers on the detailed provisions of the export licensing regulations and will submit any necessary export licence applications on request. However, Christie’s cannot ensure that a licence will be obtained. Local laws may prohibit the import of some property and/or may prohibit the resale of some property in the country of importation. For more information, please contact Christie’s Art Transport Department at +44 (0)20 7389 2712 or the Department of Culture, Media and Sport at +44 (0)20 7211 6167/8.

Written Bids

To Bid Now just follow these three steps

ONEDecide on your maximum bid You might not end up paying this much. We will bid on your behalf up to your limit in order to buy the lot for you at the lowest possible price, bearing in mind the reserve and other bids. Of course, written bids always remain totally confidential. Don’t forget that your final invoice will also include buyer’s premium and any additional applicable charges, such as VAT.

TWOPlace your bidComplete this form by filling in the lot numbers and your maximum bids together with your contact details. Hand this form into the Bids Office or fax it to us on +44 (0)20 7581 1403. Please remember this form should only be used for the sale detailed above. Please write in clear, BLOCK CAPITALS.or Written bids can be left online at christies.com.Visit the website and follow the simple instructions.or By telephone. Please call the Bids Office on +44 (0)20 7752 3225.

THREECheck the resultsTo find out if you have been successful you can call the automated results line on +44 (0)20 7627 2707. Remember, lots can be subject to storage charges after the sale.

NOTICE TO BIDDERSIf you have not previously bid or consigned with Christie’s, please attach copies of the following documents. Individuals: government-issued photo identification (such as a photo driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement. Corporate clients: a certificate of incorporation. Other business structures such as trusts, offshore companies or partnerships: please contact the Credit Department at + 44 (0)20 7752 3137 for advice on the information you should supply. If you are registering to bid on behalf of someone who has not previously bid or consigned with Christie’s, please attach identification documents for yourself as well as the party on whose behalf you are bidding, together with a signed letter of authorisation from that party. New clients, clients who have not made a purchase from any Christie’s office within the last two years, and those wishing to spend more than on previous occasions may be asked to supply a bank reference.

LOT NUMBER MAXIMUM BID (UK£) (EXCLUDING BUYER’S PREMIUM)

YOUR CLIENT ACCOUNT NUMBER

NAME

INVOICE ADDRESS

POSTCODE/ZIP

COUNTRY

EMAIL

TELEPHONE

MOBILE

FAX NUMBER

I HAVE READ AND UNDERSTOOD THE TERMS AND CONDITIONS SET OUT ON THE REVERSE

SIGNED DATE

PLEASE QUOTE NUMBER IF YOU ARE REGISTERED WITHIN THE EUROPEAN COMMUNITY FORVAT/IVA/TVA/BTW/MWST/MOMS

Please ensure your details are correct as we cannot change

the invoice name once the invoice has been issued

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Christie’s South Kensington

If you can’t attend an auction in person don’t miss out, leave a written bid and we’ll do the rest — bid now it’s quick, convenient and confdential.

Sale Details

Sale title: INTERIORS

Sale date/time: TUESDAY 24 FEBRUARY 2015

AT 10.00 AM

Sale number: 10639

Written Bids must be received the day before the sale

AML 10/12/08

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Is it like a Sealed Bid?

A little. The key difference is that a sealed bid is

a fixed sum which, if you are successful, you will

end up paying regardless, whilst a written bid is

your maximum level and you may end up paying

less than that.

What will I pay?

If you are successful, the purchase price

payable will be the aggregate of the final bid

and a buyer’s premium of 25% on each lot

up to and including £50,000 plus 20% of the

excess above £50,000 up to and including

£1,000,000 plus 12% of any sum in excess

of £1,000,000, together with any additional

applicable charges, such as VAT.

Can I change my mind?

Yes of course, but only before the auction

has begun. Contact the Bids Office as soon as

you can on +44 (0)20 7752 3225.

If I’m successful, what happens next?

We will send you an invoice and payment

information sheet to the address provided,

you can then make payment and collect your

lots. Remember, lots can be subject to

storage charges after the sale, always check

the catalogue for precise details on when

charges begin.

Can I have my items delivered?

Yes. Our Art Transport team can arrange all

your transport needs, from local deliveries to

international freight. Their telephone number

is +44 (0)20 7389 2712

1

All written bids are subject to the

Conditions of Sale and Notices printed

in the catalogue.

2

Although to be certain of buying a

lot you should attend the auction,

Christie’s will use reasonable efforts

to carry out written bids delivered to

us prior to the sale. A maximum price

should be given against each lot and

the auctioneer will bid on your behalf.

Written bids should be consistent with

the normal increment in bidding at the

relevant level.

3

If your bid is successful, the purchase

price payable will be the aggregate of

the final bid and a buyer’s premium of

25% on each lot up to and including

£50,000 plus 20% of the excess

above £50,000 up to and including

£1,000,000 plus 12% of any sum in

excess of £1,000,000, together with

any additional applicable charges, such

as VAT.

4

Please ensure you have left bids on

the correct lots and that your written

bids are received by no later than the

day before the sale begins. In certain

circumstances it may not be possible to

execute bids received after the start of

the sale.

5

If we receive written bids on a

particular lot for identical amounts,

and at the auction these are the

highest bids for the lot, it will be sold

to the person whose written bid was

received and accepted first. Written

bids submitted on “no reserve” lots

will, in the absence of a higher bid, be

executed at approximately 50% of the

low pre-sale estimate or at the amount

of the bid if it is less than 50% of the

low pre-sale estimate.

6

Please note that we do not accept

responsibility for notifying you of the

result of your bid and request that you

contact us after the sale for your result.

7

Most purchases must be cleared within

2 days of the sale unless alternative

arrangements are provided for in

the relevant catalogue, after which

time storage charges will accrue in

accordance with notices in salerooms

and/or catalogues.

8

To ensure that bids will be accepted

and that delivery of lots is not delayed,

new clients or existing clients planning

to spend sums inconsistent with

their buying history may be asked to

supply written bank or other suitable

references to Christie’s. The references

should be supplied in good time

before the sale. Collection orders for

purchased lots will not be posted.

Please enquire with Cashiers

+44 (0)20 7752 3124.

9

At the time of making payment for

successful bids, please inform us if you

wish to contact Christie’s Art Transport

for shipping or removal.

10

Christie’s South Kensington Ltd

accepts payment by Visa and

Mastercard subject to conditions.

Switch and Delta are also accepted.

There is no surcharge for debit

card payments.

11

Export Licences: Overseas buyers,

please ensure that you are aware of

any restriction or licence requirements

for your intended purchase. If you

are unsure, please contact your local

customs authority, an international

shipper or Christie’s Art Transport on

+44 (0)20 7389 2712.

12

Execution of written bids is a free

service undertaken subject to other

commitments at the time of the sale

and provided that we have exercised

reasonable care in the handling of

written bids, the volume of goods is

such that we cannot accept liability

in any individual instance for failing

to execute a written bid or for errors

and omissions in connection with it

arising from circumstances beyond our

reasonable control.

Frequently asked questions Important Information

Written Bids

Christie’s South Kensington Limited, 85 Old Brompton Road, London SW7 3LD

General Enquiries

+44 (0)20 7930 6074

Fax

+44 (0)20 7581 1403

Bids Office

+44 (0)20 7752 3225

Results Line

+44 (0)20 7839 9060

These auctions feature

Bid live in Christie’s salerooms worldwide

register atchristies.com © Christie, Manson & Woods Ltd. (2015)

KS = King Street SK = South Kensington

January27 Tuesday

Interiors SK 10.00 am

28 Wednesday


February04 Wednesday

The Collections of Principessa Ismene Chigi Della Rovera

and a Noble Genoese Family SK 10.30 am

17 Tuesday

Interiors – Style & Spirit SK 10.00 am

24 Tuesday


The Collections of Principessa Ismene Chigi Della Rovera and a Noble Genoese Family,

4 February

Auction Calendar 2015

Interiors, 27 & 28 January

Interiors – Style & Spirit,

17 February

Interiors – Style & Spirit,

17 February

Christie's Interiors

Documents

Transcript of Christie's Interiors