Catalogue 2014 - Info Groupinfogroup.info/uploads/void.pdf · Catalogue 2014. Void Acoustics...

Catalogue 2014

Void Acoustics designs, manufactures and distributes advanced professional audio systems for the installed and live-sound sectors. The company offers an evolved series of audio solutions that encompass loudspeaker systems, power amplifiers, control electronics and accessories. Void’s commitment to R&D is second to none. Its highly skilled and experienced engineers have successfully united pioneering technologies with ground-breaking design aesthetics, earning Void a worldwide reputation for high-impact products that combine sonic and visual innovation.

Established in 2002, Void products are now available in many parts of the world including Europe, North and South America, Russia, the Middle East and most parts of Asia, with a continually evolving distribution network providing ever greater access and support. Customers value Void’s superior sound quality, unique designs, dependability, and the outstanding after-sales service that the company is celebrated for. Void’s passion for excellence encompasses not only its products, people, and services, but a full awareness of environmental issues as well. The use of environmentally friendly materials and practices routinely takes place in the factories and the offices.

We employ a no-compromise approach when designing and manufacturing our products. This means that we don't set an upper price limit for the components we use, nor do we build to specific budgetary constraints. Simply stated, our goal is to make the finest products possible. We do that through meticulous engineering and by making use of the best components available, many of which we manufacture ourselves. We employ a team of dedicated craftsmen who assemble our products; we maintain tight tolerances and even hand-wind our own inductors and assemble our own PCBs. Very little is out-sourced, giving us numerous advantages. The biggest benefit is that we have total control from the design of the complete product down to the smallest part. We use the right component for the job instead of accepting a compromised off-the-shelf component that might happen to fit, or is ‘close enough.’ The next benefit is accountability. We track all stages of the manufacture of all parts and materials. This allows for a greater level of consistency from unit to unit, and from a design point of view, evolutionary improvements occur rapidly. The third major benefit of keeping manufacturing in-house is cost. By using high levels of automation in our manufacturing processes, we keep our overheads down to a minimum and the cost savings are passed on to our customers. We’ve looked at all the options for manufacturing our products and it didn't take us long to realise that control, accountability, and cost savings when taken alone, were each good enough reasons to avoid out-sourcing and using off-the-shelf components. Taken together, these three factors make Void what it is today.

By Rog Mogale

Void systems can be found in many of the largest and most prestigious dance clubs and live concert venues in the world. All of us on the Void team feel deeply honoured to have our work sought after by discriminating sound engineers, system design consultants, hire companies, and the many other audio professionals who lead the industry around the globe. We work very closely with distributors and customers alike, to refine our products and develop concepts for new ones. We class the input from those who use our products very highly, and we apply this knowledge to continually improve all that we do. Company-wide, we take after-sales support seriously and are always happy to liaise with customers and end-users to help them get the best from their purchase.

A great deal of Void’s income is spent on R&D. Our new 4,000 square meter sound research laboratory was completed in 2007 and is now fully operational. It implements some of the most advanced test equipment ever seen and allows complex procedures, such as resonance mapping, to be carried out. Few other facilities in the world can offer the same. I feel a tremendous sense of responsibility and honour in being given the task of heading our new R&D department. Although it is a never-ending challenge to design, innovate, test, evaluate, and re-design… until the highest possible standards have been met… it is an exciting and worthy pursuit. Throughout the company, each of us is willing to go just that bit further than what many others might consider to be ‘good enough.’ I believe it is this atmosphere of professional pride that has made Void such a strong player in the industry, within such a short time.

As the principal designer for Void, I strongly believe that a great change is occurring in professional audio. A shift in consciousness has started and expectations are increasing exponentially. I've always believed that products should have an impact both sonically and visually. The fact that many venues spend so much time and money on decor has led me to design products that reflect and relate to their surroundings. Why should such venues have to make do with another ‘black box’ getting in the way? With the ever increasing awareness of the society that we live in, products with enlightened visual appeal will soon become the norm. Such products may take the form of visually striking enclosures intended for clubs and theme parks; transparent Plexiglas enclosures that blend with the architecture of the modern concert hall; or perhaps subtle design styles that meet the needs of theatres, TV studios, and Houses of Worship. Whatever the challenge, Void will always innovate. By achieving a true blend of sonic excellence with appropriate visual appeal, I am pleased to say that Void can offer solutions, both now and in the future, to all those who wish to break free of traditions.

Profile

Philosophy

Ocean Beach Club – IbizaOcean Beach Club – Ibiza

Simply stated, our goal is to make the finest productsaintai ti ht tole d en ha d- i d

4rest - Moscow, Russia11 : 11 - Istanbul, Turkey38 41 - Lisbon, PortugalAgni - New Delhi, IndiaAir - Amsterdam, NetherlandsAlto - London W1, UKAnd - Braamfontein, South AfricaAqua - Kolkatta, IndiaBabaloo - Porto Potenza Picena, ItalyBarasti - Dubai, UAEBar House - Chelmsford, UKBar Mango - Reading, UKBello Vue - Zurich, SwitzerlandBevy - Chicago, USABistroen - Norheimsund, NorwayBoujis - London, UKBoujis - Hong KongBroke - London, UKCafe del Mar - Bari, ItalyCafe Gruyter - Amsterdam, NetherlandsCafe Rouge - Amsterdam, Netherlands

Cara - Phnom Phen, CambodiaCasablanca Club - Sestu, ItalyCastle - Chicago, USACentenary - Wexford, Sou'th IrelandCirkus - Ljubljana, SloveniaClub Ibiza - Daejeon, South KoreaClub Ibiza - Ma’anshan, ChinaClub NYX - Amsterdam, NetherlandsColours Of Music - PolandCorbetts Place - London E1, UKCosmic Ballroom - Newcastle, UKCrosswinds - Bloomington, USACrystal - Bucharest, RomaniaCube - Mallorca, SpainCube and Star - Shoreditch, LondonDamson Diner - Dublin, IrelandDukes 1 & 2 - Bournemouth, UKDC 10 - Ibiza, SpainDix Lounge - Tokyo, JapanEden - Ibiza, SpainElephants Head - Camden, LondonETIC - Lisbon, PortugalFalsterbo - Strandbad, SwedenFire - London, UK

Fat Lady - Tampere, FinlandFour by Azzurro - Amsterdam, HollandFugazi - Oslo, NorwayGare - Porto, PortugalHalo - Ballycastle, Northen IrelendHanima - Marche, ItalyHarveys - Bedford, UKNelsons - Dubai, UAEHop Haus I & II - Chicago, USAInside Rock Cafe - Bergen, NorwayKismet - Hyderabad, IndiaKitty Su - New Delhi, IndiaKlar Bar - Bergen, NorwayLasalle Power Co. Club - Chicago, USALe Duplex - Paris, FranceLookal Club - Luanda, AngolaMahiki - Dubai, UAEMatter - London 02 Arena, UKMezzcallina - Monterrey, MexicoMode - London, UKMonarch - San Francisco, USAMonasterio - Moscow, RussiaMono - Caserta, ItalyMood - Bergen, Norway

Moon - Mallorca, SpainNelsons - Dubai, UAENikki - Chicago, USANTT Megaclub - Dongguan, ChinaOblivion - Waterford City, Sou'th IrelandOcean Beach Club - Ibiza, SpainOlympics 2012 Coca Cola Beatbox - UKReligion - Leeds, UKRicks Cafe - Bergen, NorwayRote Sonne - Munich, GermanyPasta Project - NetherlandsPata Negra - Amsterdam, NetherlandsPJ's - Wakefield, UKPlatform One - Paisley, ScotlandPlatinum - Dublin, IrelandPlayground Nightclub - Liverpool, UKPrestige - St. Julian’s, MaltaPrimary - Chicago, USARogues - Dublin, IrelandSally's - Omagh, IrelandSands - Ibiza, SpainSankeys - Ibiza, SpainSankeys - New York, USASecter 11 - zürich, Switzerland

Shock 39 - Bangkok, ThailandShroom - New Delhi, India Southfields - Wandsworth, LondonSubsea - NorwaySupperclub - Istanbul, TurkeyTantra - Kolkatta, IndiaTengu Bar - Dublin, IrelandThe Alibi - London, UKThe Art Academy - NorwayThe Boileroom - Guildford, UKThe Mood - Newcastle, UKThe View - Winterthur, SwitzerlandThe Warehouse - Leeds, UKTresor - Berlin, GermanyT Rex - Nanjing, China Twisted Pepper - Dublin, IrelandToro Toro - Dubai, UAEVeruz - Hasselt, BelgiumWalsall Football Club - Walsall, UKWhite Lotus - Henley On Thames, UKWitness Box - Kilkenny, South IrelandXango - Sou'th IrelandZachariasbryggen - NorwayZoo Bar - Copenhagen, Denmark

Recent Installs

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Indigo SeriesThe visually stunning Indigo series combines futuristic looks with esoteric audio performance to bring a new level of sophistication every venue will want to be seen with. We believe indigo is the first range of loudspeakers that have been created for the new heightened awareness in style that today’s venue designers aspire too. Boundaries are being pushed in all areas of the entertainment industry, with the visual aspect becoming evermore important. Indigo not only fulfills your quest for the ultimate in styling, it will also bring a new level of sonic richness you never thought possible.

Nexus Series

Air Series

Xsys Series

The Nexus 6 brings the performance and styling of the future to the here and now. It’s radical styling is born from a new approach to delivering the best fidelity and coverage for the club scene of tomorrow. Virtual Arc technology has been implemented in all the midtop enclosures to form a common acoustic center that exists rearwards of the array. This approach disposes of all the disadvantages that compromise a traditional array and allows the same experience to be had by all that are in the throw of the Nexus, wherever they are.

The ground-breaking Air Series models are one of Void's most distinctive designs. The three-way Air Motion loudspeaker is sought after by ultra-modern dance clubs around the world. Often located directly over the dance floor, Air Motion provides huge sonic impact as well as being a significant visual attraction in its own right. A bigger and more powerful version of the Air Motion, the Tri Motion. Its distinctive form and performance figures proves once again that Void are leading the war on aesthetics. The smallest of the Air Series, the Airten, is the perfect complement to its bigger brothers for use as delay and area fill. All Air series products provide exceptionally high-power output with a non-fatiguing sonic signature that is as irresistible to the ear as their exotic visuals are to the eye.

Continuing Void's odyssey into the world of striking, non-traditional product designs, the four models comprising the Xsys Series not only look like something you'd see on a futuristic starship, but they sound like it as well. Utilising highly-advanced driver technology coupled with the latest developments in construction materials, xsys loudspeakers have a sophisticated appearance that encourages architects and interior designers to place these loudspeakers where they will perform properly, instead of in some out-of-the-way corner of the room where they won't be noticed. Xsys is ideal for clubs, cruise ship lounges, themed attraction parks, and numerous other upscale entertainment venues.

Incubus SystemDesigned with the sole purpose of being the best dance club system money can buy, Incubus is redefining expectations around the world. Already providing levels of control previously thought impossible, its ability to allow both linear frequency and power shading within a single mid top enclosure is ensuring perfect sound for everyone on the dance floor. Incubus is also becoming the number one choice for discerning interior designers, its physical signature cries out for extreme expression. Anyone looking to push both sonic and visual boundaries to the edge whilst raising mankind’s awareness via elevated forms of entertainment needs to audition Incubus.

Nexus SeriesThe Nexus 6 brings the performance and styling of the future to the here and now. It’s radical styling is born from a new approach to delivering the best fidelity and coverage for the club scene of tomorrow. Virtual Arc technology has been implemented in all the midtop enclosures to form a common acoustic center that exists rearwards of the array. This approach disposes of all the disadvantages that compromise a traditional array and allows the same experience to be had by all that are in the throw of the Nexus, wherever they are.

Air SeriesThe ground-breaking Air Series models are one of Void's most distinctive designs. The three-way Air Motion loudspeaker is sought after by ultra-modern dance clubs around the world. Often located directly over the dance floor, Air Motion provides huge sonic impact as well as being a significant visual attraction in its own right. A bigger and more powerful version of the Air Motion, the Tri Motion. Its distinctive form and performance figures proves once again that Void are leading the war on aesthetics. The smallest of the Air Series, the Airten, is the perfect complement to its bigger brothers for use as delay and area fill. All Air series products provide exceptionally high-power output with a non-fatiguing sonic signature that is as irresistible to the ear as their exotic visuals are to the eye.

Cyclone Series

For detailed specifications see Pg 7-9

For detailed specifications see Pg 10





Product Overview

The Cyclone series has been developed to raise the levels of audio quality and visual aesthetics for the outside application. The IP44 certified range uses a combination of UV stabilized materials and marine component to ensure a durable and robust product range.

Once again Void has broken the mould with its highly-versatile line array designs. Offering superb coupling between adjacent enclosures, a smooth and flat frequency response, an exceptionally useful 120° horizontal coverage pattern, plus quick and easy rigging, the Arcline Series begins where others leave off. With their superior pattern control and power output, Arcline loudspeakers will cover most acoustic spaces with fewer units than the competition. Their constant sound intensity over the stated coverage angles, and their exceptional linearity from the near-to-far field transition point, means that all audience members will experience virtually identical sound quality.

Arcline Series

Our flagship point source series meets the most stringent requirements for shows, events, and performances of every imaginable genre. Featuring advanced pattern control, ultra-low distortion, and superb acoustic coupling among adjacent units, Stasys loudspeakers are especially effective in large, reverberant spaces because they effortlessly direct the sound where it's needed. They are perfectly suited for use in houses of worship, concert halls, theatres, clubs, outdoor performance venues, sports facilities and more, whether permanently installed… or used for touring and other temporary events such as large AV presentations. Check out the Stasys Series of products and be prepared for them to exceed your expectations!

Stasys Series

Power Amplifiers

Digidrive V2 features 4 Inputs and 6 Outputs, while Livedrive V2 features 6 Inputs and 8 Outputs. Both models offer superlative sound quality, ease of operation and have the necessary features to obtain the best possible results from your Void loudspeakers.

Signal Processing

Our flagship point source series meets the most stringent requirements for shows, events, and performances of every imaginable genre. Featuring advanced pattern control, ultra-low distortion, and superb acoustic coupling among adjacent units, Stasys loudspeakers are especially effective in large, reverberant spaces because they effortlessly direct the sound where it's needed. They are perfectly suited for use in houses of worship, concert halls, theatres, clubs, outdoor performance venues, sports facilities and more, whether permanently installed… or used for touring and other temporary events such as large AV presentations. Check out the Stasys Series of products and be prepared for them to exceed your expectations!

Stasys Series

Digidrive V2 features 4 Inputs and 6 Outputs, while Livedrive V2 features 6 Inputs and 8 Outputs. Both models offer superlative sound quality, ease of operation and have the necessary features to obtain the best possible results from your Void loudspeakers.

Signal Processing

Venu SeriesConsisting of four full range enclosures and two low frequency enclosures, the Venu series has been created to offer everything you could ask for from a range of loudspeakers specifically designed for installation. All products have been moulded by the demands of leading installation contractors and engineers around the world. Our question was simple; tell us the exact requirements needed to design the ideal series of install loudspeakers. After 9 months of research and development, the Venu series was born. More products will be added to the range in the near future.

Venu SeriesConsisting of four full range enclosures and two low frequency enclosures, the Venu series has been created to offer everything you could ask for from a range of loudspeakers specifically designed for installation. All products have been moulded by the demands of leading installation contractors and engineers around the world. Our question was simple; tell us the exact requirements needed to design the ideal series of install loudspeakers. After 9 months of research and development, the Venu series was born. More products will be added to the range in the near future.






The Armalite series of amplifiers have been created to provide the ultimate power tools for the professional user. Years of comparative listening, evaluation, and pure R&D have resulted in a very robust range of amplifiers. A multitude of different power supply and output stage configurations were rigorously tested until the ultimate sonic accuracy and power-to-weight ratio was arrived upon. Our research definitively determined the sonic importance of a high-current supply, so our engineers designed and built a range of PSU’s capable of delivering a vastly higher amount of current than required.

Product Overview

Installs

Void Acoustics' comprehensive range of installation products have become world renowned for their sonic perfection, reliability, and revolutionary looks. Prominent installations include many of the largest and most prestigious 'super clubs' and venues around the world. Void is proud to be at the cutting edge of aural design, incorporating ground breaking technological advances with visual styling that harmoniously complements your surroundings. Void Acoustics offers the best in contemporary styled loudspeakers that sound as good as they look. Each model is the culmination of elegant styling, innovative design and breath taking performance.

Void has perfected a range of products that, for the first time ever, will visually and sonically transform your environment.

Gare - Potugal Eden - IbizaVersuz - Belgium

Eden - IbizaPaul Oakenfold - Castle Club Chicago

Incubus Install At The Castle - Chicago (installed by AIS)

The Ivy Pool Bar - Sydney

Seeds - Oslo

Installs

The five way Incubus Club System has been created to deliver the highest levels of audio performance ever achieved. Already being dubbed the greatest leap in style consciousness since the scene began, Incubus significantly raises the bar delivering phenomenal levels of aural and visual stimulation.

Performance, style and status all married into one complete package that no one can refute. It’s a statement akin to owning the most prestigious Italian race car. A dream that until now, was just a dream.

To achieve the unrivalled levels of fidelity that Incubus is capable of we turned to the very best European transducer manufactures to develop components worthy of inclusion. Two years were spent developing and honing the superlative transducers that became the heart of the Incubus system. Void would like to thank Beyma, BMS, and Faital Pro for their tireless contribution to the project.

Incubus was conceived, designed and styled by Rog Mogale and is a testament of his dedication to the scene. From the early days of disco though to his pioneering work in the mid 80’s with electro dance music, he has always fought hard to push the boundaries and better mankind though elevated forms of entertainment. Incubus is the pinnacle of his experiences, his ultimate expression for the love of dance.

Overview

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Incubus

Specification

Dimensions

Construction

Applications

HeightWidthDepthWeight

Hi-impact nightclubs, indoor and outdoor dance events

EnclosureRigging

Finish

Fibre glass Kevlar compositeStack mounted or proprietaryflying systemSmooth cellulose

1240 (mm) 48.8”944 (mm) 37.1”813(mm) 32.0”144.8 (kg) 319 lbs (Includes stand)

Air Array

Frequency ResponseEfficiency

Crossover PointsImpedancePower Handling

Maximum Output

Driver configurationDispersionConnector

90 Hz - 20 kHz -3 dB pointsLF : 111 dB 1w/1mMF : 114 dB 1w/1mHF : 116 dB 1w/1mPreset via dedicated processorLF 2 x 4 Ω MF 2 x 4 Ω HF 2 x 5.33 Ω LF : 3600 watts RMS MF : 1000 watts RMS HF : 480 watts RMS 143 dB Cont149 dB Peak4 x 12” - 4 x 3” CD - 6 x 1” CD90° h x 45° v2 x 8 Pole Speakon™

Air Array is the mid-hi element of the Incubus Club System and unites many ground breaking technologies to deliver the best high level, hi fidelity sound you will ever experience. Its radical looks are not just for show as its form has taken shape from the need to correctly fuse all its sections together to form a coherent radiation pattern over its stated dispersion angles. Line source behavioural conditions have been met by all sections, allowing both frequency and power shading to be utilised within a single enclosure. Such techniques enable SPLs in the near field to be attenuated and matched with those at greater distances, whilst HF absorption can be corrected with linear frequency shading. By employing a line source configuration, Air Array is the only mid-hi enclosure that can provide constant SPL’s at all distances with all frequencies arriving at the same time, wherever you are within its coverage pattern.

The low-mid section consists of two hyperbolic horns fed from a split manifold driven by four very high power 12” transducers. Each transducer also features a heat sink cooling system to reinforce reliability and reduce power compression levels. All this combines to produce insane output levels with the highest definition imaginable.

Four devices that use a newly developed 3” exit compression driver handle the midrange frequencies. These devices are driven by a massive 6” diaphragm to comfortably reproduce frequencies down to 500Hz. Path length compensation devices have been applied to the wave guides to seamlessly combine their outputs eliminating all destructive interference and to ensure constant output within the stated coverage angles.

The HF section uses six esoteric compression drivers with 1” throat wave guides which are positioned on a physical arc to provide a virtual common feed point. This reduces all forms of destructive interference and maintains an even frequency response within every degree of the stated coverage angles. Path length compensation devices housed within the wave guides marry with the extended upper response of the compression drivers allowing the HF to extend all the way up to 26kHz.

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Incubus

9

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


A high percentage of the urge to dance comes from the upper bass frequencies. It’s where the kick and finer details of the bass are found. The need for speed and articulation in this critical region calls upon a dedicated enclosure designed with one purpose in mind. Enter the Hyperfold 4 x 15” upper bass enclosure. Quite simply the mother of all kick cabs.

Hyperfold’s design has taken many years to conceive and implement. New technologies that have only just arrived have allowed it to exist, because size for size it contains the largest amount of drivers and hence displacement per volume. And it needs all that displacement to keep up with the efficiency of all the other elements that go into making the Incubus System.

If the Incubus Sub provides the pulse, Hyperfold is the blood that runs through the entire system. Without it there is no system, no urge to connect with the greater whole, or to become part of the dance.

The Incubus Sub’s structurally challenging design consists of three massive 21” transducers in a hybrid horn bandpass enclosure. A combined power handling of 6000 watts RMS and very high sensitivity result in foundation cracking sub all the way down to 30Hz.

Designed to work in conjunction with the Hyperfold upper bass enclosure, the Incubus Sub has been tuned with all forms of dance music in mind. A lightning quick impulse response with small levels of group delay and an in ya face style of presentation combine to make it an unforgettable experience. It’s a total connection with the fundamental frequencies that give dance music its pulse. A connection only obtainable by entire submersion in the purest form of reproduction.


Frequency Response

EfficiencyCrossover Points

ImpedancePower HandlingMaximum Output

Driver configurationDispersionProtectionConnector

Enclosure

Finish

60 Hz - 190 kHz -3 dB points109.5 dB 1w/1mPreset via dedicated processor2 x 4 Ω 4000 watts RMS 142 dB Cont148 dB Peak4 x 15”Array dependentN/A 2 x 4 Pole Speakon™

738 (mm) 29.0”738 (mm) 29.0”1218 (mm) 47.9”115 (kg) 253.5lbs

18mm Birch plyFibreglass : KevlarTextured Tour CoatSmooth cellulose

The Incubus Sub’s structurally challenging design The Incubus Sub’s structurally challenging design consists of three massive 21” transducers in a hybrid consists of three massive 21” transducers in a hybrid

A high percentage of the urge to dance comes from the upper bass frequencies. It’s where the kick and


Frequency Response



Driver configurationDispersionProtectionConnector

EnclosureFinish

29 Hz - 95 kHz -3 dB points105 dB 1w/1mPreset via dedicated processor3 x 8 Ω 6000 watts RMS 140 dB Cont146 dB Peak3 x 21”Array dependentN/A 2 x 8 Pole Speakon™

696 (mm) 27.4”1476 (mm) 58.1”1218 (mm) 47.9”136 (kg) 300 lbs

18mm Birch ply Textured Tour Coat

HyperFold Incubus Sub

Incubus

10

Specification

Dimensions

Construction

Applications


Aimed at the larger venue, the Nexus 6 is the first in a new series of products designed for the club scene of tomorrow.

The radical styling of the 6 is born from the innovative internal layout of its 20 transducers. Virtual Arc technology has been implemented on every component to form a common acoustic centre that exists rearwards of the array. This approach disposes of all the disadvantages that compromise a traditional array of multiple sound sources emitting from different locations.

Dispersion, phase, coherency and timing can all be controlled and unified because of the common acoustic feed point and multi-channel access. It allows the same experience to be had by all that are in the throw of the Nexus 6, wherever they are due to its wide and controlled dispersion. Total summation of all the components in each passband can also take place within the Nexus 6, allowing for much higher efficiency, greater output and improved reliability due to reduced component stress.

The Nexus 6 offers excellent value for money when compared to the array of enclosures normally required to achieve the same dispersion. Whether placed on LF enclosures to form a dance stack or flown independently, the Nexus 6 brings the performance and styling of the future to the here and now.


Aimed at the larger venue, the Nexus 6 is the first in a new series of products designed for the club scene of tomorrow.

Frequency ResponseEfficiency


Maximum Output

Driver configuration

DispersionConnector

EnclosureRigging

Finish

78 Hz - 21 kHz -3 dB pointsLF : 105 dB 1w/1m, HF: 110 dB 1w/1m1.8 kHz activeLF : 2 x 5.3 Ω, HF: 2 x 4 Ω LF : 2 x 1350 watts RMS HF : 2 x 320 watts RMS 137 dB Cont141 dB Peak12 x 6.5” 8 x 1”110° h x 50° v1 x 8 Pole Speakon™

1266 (mm) 49.9”561 (mm) 22.1”430 (mm) 16.9”60.5 (kg) 133.4lbs

Fibreglass Kevlar compositeStack mounted or proprietary flying systemSmooth cellulose

Nexus 6

Nexus

11

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


The revolutionary Air Motion sculpted loudspeaker array sets an entirely new standard in audio aesthetics. Never before has so much style and performance been brought together in perfect harmony.

Air Motion comprises three transducers, each loaded by an isometric conical horn. For a long time designers have known about the excellent inherent sound quality of the conical horn. Its propagation is based on the spheroid section and allows for solid radiation angles. The benefits are twofold: (1) Tight beamwidth control is possible, giving higher output and a more defined sound quality due to a decrease in early reflections, and (2) Constant directivity is possible across the horn's entire dispersion, allowing for an exceptionally balanced waveform transmission. The short version is that the end result is astonishing!

As with other Air Series enclosures, Air Motion is available in a wide range of custom colours.

The Airten V2 was developed as a smaller member of our highly acclaimed Air Series. The latest acoustic advancements were employed to create a system capable of groundbreaking output levels with unparalleled visual inspiration. Improvements have been made in all areas with the latest 3 way V2 version of the Airten. These include a dual driver LF configuration for greater bass extension and a coax point source element for the mid and HF.

The total elimination of energy robbing enclosure resonance has been achieved through the use of super strong composites that include Kevlar and carbon fibre. In addition to providing desirable acoustical properties, these advanced materials have been instrumental in allowing the Airten’s evolved form to emerge.

Airten also employs ‘intake protection’ to accurately control and limit excursion. This unique protection circuit is housed within the enclosure and requires no additional outboard processing or powering. The increased headroom available by monitoring the components at source has produced a system capable of output levels normally associated with enclosures over twice the size of Airten.

As with other Air Series enclosures, the Airten is available in a wide range of custom colours.

Frequency Response

Efficiency

Crossover Points


Driver configurationDispersionProtection (HF)

Connector

Enclosure

Rigging

Colour

140 Hz - 20 kHz -3 dB pointsLF: 106dB 1w/1mMHF: 108 dB 1w/1mLF: 140 Hz and 500 HzMHF : 600 Hz - Passive 1.7KHzLF/MHF 8Ω LF : 500 watts RMS MHF : 250 watts RMS 134 dB Cont138 dB Peak1 x 12” 1 x 8” 1 x 1.5”50° h x 60° vInternal Electronic control2 x 4 Pole Speakon™

842 (mm) 33.1”850 (mm) 33.5”760 (mm) 33.0”35.4 (kg) 77.9 lbs

Fibreglass Kevlarcomposite.Internal fly mounting system. Can be used on stand of fly bracket.Custom colours available upon request.

Frequency Response




Connector

Enclosure

Rigging

Finish

56 Hz - 20 kHz -3 dB points99.2 dB 1w/1mPassive 500Hz & 1.6kHzprocessor4 Ω 500 watts RMS 125 dB Cont128 dB Peak2 x 10” 1 x 1”80° h x 80° vInternal ElectronicControl2 x 4 Pole Speakon™

302 (mm) 11.9”684 (mm) 26.9”320 (mm) 12.6”23.8 (kg) 52.5 lbs

Fibreglass Kevlarcomposite.Internal Powerdrive type 75 mounting plate.Smooth Cellulose

The revolutionary Air Motion sculpted loudspeaker The revolutionary Air Motion sculpted loudspeaker array sets an entirely new standard in audio array sets an entirely new standard in audio

Hi-impact nightclubs, indoor and outdoor dance festivals, cruise ships, theme parks,contemporary houses of worship

Air Motion V2 Air Ten V2

Hi-impact nightclubs, indoor and outdoor dance festivals, cruise ships, theme parks,contemporary houses of worship

Air Series

12

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


The Air Series has become an iconic part of the modern dance scene. Its philosophy has been adopted all around the world in some of the most well-known dance establishments ever. It’s a sign of quality and an insurance of a good night to be had by all. The latest release in the series, the Tri Motion, extends these principles further, allowing an even larger audience to bathe in the Void experience.

The design owes its existence to those who wanted a more compact and daring version of the Air Motion. The call for even higher SPLs and more diversified looks were top of the list when it came to creating the Tri Motion. The rethink on form has also allowed for a wider horizontal dispersion with asymmetrical vertical pattern control, giving even more coverage and reducing early reflections from ceilings to provide higher fidelity.

Tri Motion’s extra horsepower has been made possible by a larger transducer for the lower frequencies and more efficient mid-hi sections with greater power handling. A 15” driver has been implemented to cover from 500Hz and below, allowing more SPL and a lower crossover point into the bass range. The mid section features a super efficient horn loaded 8” driver with a high compression ratio and asymmetric loading for pattern control, whilst the HF makes use of diffraction slot loading to provide wide and even coverage in the horizontal plane.

For the larger venue requiring cutting edge performance married with art gallery worthy aesthetics, Tri Motion is the only answer. Its creation stems from years of pushing both sonic and creative frontiers from the company that still leads the war on aesthetics.

After discovering the new Stasys X V2 works equally as well in a club environment as on tour, we tackled its aesthetics to create a new club friendly version called the Stasys Xair.

When the original Stasys X was introduced, it set new standards in the performance possible from a double 18” low frequency enclosure. It has been used on tours, in live venues, and in world-class night venues all around the world since its introduction 5 years ago. But the time has come to move on and use the latest technologies to advance and refine the design further. This is no mean feat as the first version was very well received and phenomenally successful form a sales point of view.

So what’s changed, and what are the improvements? A total rearrangement of the internal resonant chambers has improved the cooling to the extent that no external heat sinks are required, which has also led to a significant decrease in power compression. The system’s transient response, phase response and overall timing capabilities have also been vastly improved by the new internal chamber layout. This has led to a more uniform response in relation to distance and greater behavioural predictability when arrayed.

The Stasys Xair uses the latest cone materials, keeping the moving mass low enough to allow optimum transfer efficiency to take place, whilst providing the structural rigidity to maintain that form at all times. This advancement has also meant the transducer’s mechanical parameters are ideally matched to the enclosures internal loading requirements, which has lowered the f3 point and improved the attack characteristics.The Xair version sees the inclusion of an ‘Incubus style’ aluminium bracing system and dual front-facing aluminium Void logos.

The Air Series has become an iconic part of the Frequency Response

Efficiency

Crossover Points

ImpedancePower Handling

Maximum Output


Connector

Enclosure

Rigging

Colour

120 Hz - 20 kHz -3 dB pointsLF : 107 dB 1w/1m, MHF: 110 dB 1w/1mLF : 120 Hz and 500 HzMHF : 500 Hz - Passive 1.4 kHzLF/MHF : 8 Ω LF : 700 watts RMS MHF : 350 watts RMS 135 dB Cont139 dB Peak1 x 15” 1 x 8” 1 x 1.5” 90° h x 60° vInternal Electronic Control2 x 4 Pole Speakon™

600 (mm) 23.6”800 (mm) 31.5”800 (mm) 31.5”47.1 (kg) 103.8lbs

Fibre glass Kevlar composite Internal fly/Mounting system Can be used with stand or fly bracketCustom colour available upon request

Hi-impact nightclubs, indoor and outdoor dance festivals,cruise ships, theme parks, contemporary houses of worship

Tri Motion Stasys Xair

Frequency Response




EnclosureFinishGrill

30 Hz - 180 Hz -3 dB pointsLF : 103.8 dB 1w/1mHi Pass: 30 Hz 24 dB/octLo Pass: 100-145Hz 24 dB/LR4 Ω3200 watts RMS 138 dB Cont142 dB Peak2 x 18” neo Array Dependent2 x 4 Pole Speakon™

554(mm) 21.8”1218 (mm) 48.0”896 (mm) 35.3”96 (kg) 211.6 lbs

18mm birch plywoodTextured tour coatPerforated steel -foam filter

medium to large sized venues of all types,large scale touring, arena and stadium sound, dance festivals

Air Series

13

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


The Cyclone 55 has been developed to raise the levels of audio quality and visual aesthetics for the outside application. The IP44 certified range uses a combination of UV stabilized materials and marine component to ensure a durable and robust product.

Other features that allow the Cyclone 55 to raise the bar include, a dedicated Easy Hang bracket, a super quick Phoenix connector with link out and a 120-degree horizontal dispersion to help cover large areas with the Least amount of loudspeakers.

The Cyclone 55’s design spec also required very high levels of fidelity and definition from an ultra compact enclosure, so two high power 130mm LF drivers with coaxial 25mm soft dome HF units have be utilised to meet these requirements.

Cyclone 10 combines unprecedented audio quality with the iconic aesthetics associated with Void speakers, all in an IP44 rated package. Its beautifully sculpted fibreglass enclosure is paired with marine-grade stainless steel hardware and UV stabilised paint, providing the end user with years of great sound and trouble free outdoor use even in difficult environments.

The Cyclone 10 utilizes high power 10'' + 1'' drive units to provide high impact audio. Dual Phoenix connectors and our Easy Hang bracket solution make this the perfect cabinet for your outdoor installation.

Specification

Dimensions

Construction

Applications

Frequency Response

EfficiencyCrossover PointsImpedancePower HandlingMaximum Output


DispersionIP RatingConnector

EnclosureRigging

Finish

Grille

75 Hz - 20 kHz -3 dB points92 dB 1w/1m, Passive 2.2 kHz8 Ω 80 watts RMS 110 dB Cont115 dB Peak2 x 5” 2 x 1” Soft dome 120° h x 80° vIP441 x Phoenix with link out

192 (mm) 7.5”309 (mm) 12.1”207 (mm) 8.1”6.8 (kg) 15.0lbs

Fibre glass Easy Hang bracket plateUV protected smooth cellulosePowder coated stainless steel

Beach bars, theme parks, resorts, cruise ships, marine environments, hotels, public spaces

Cyclone 55

Frequency Response


Driver configurationDispersionIP RatingConnector

52 Hz - 22kHz -3dB points97 dB 1w/1m, Passive 2.1 kHz8 Ω 350 watts RMS 123dB cont 126dB peak1 x 10” - 1 x 1” 90° h x 60° vIP441 x Phoenix with link out

562 (mm) 22.1”344 (mm) 13.5”250 (mm) 9.8”10 (kg) 22 lbs

EnclosureRigging

Finish

Grille

Fibre glass Easy Hang bracket plateUV protected smooth cellulosePowder coated stainless steel

Beach bars, theme parks, resorts, cruise ships, marine environments, hotels, public spaces

Cyclone 10

Cyclone 10 combines unprecedented audio quality with the iconic aesthetics associated with Void speakers, all Cyclone 10 combines unprecedented audio quality with the iconic aesthetics associated with Void speakers, all Cyclone 10 combines unprecedented audio quality with the iconic aesthetics associated with Void speakers, all

Cyclone Series

14

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


The Indigo 6 is compact, efficient and oozes style. It’s a must have accessory for any modern visually conscious venue with something to say. An interior designers dream come true and a sound purists heaven all rolled into one.

The principles are simple: take highly refined in-house designed components and marry them with a modern day work of art. Combine that in an install friendly package with endless possibilities of enclosure colour and texture to make what we believe is the only choice for those seeking perfection.

Uses for the Indigo 6 without a sub includes sound for small bars, lounges, restaurants, home theatre 5.1 surround and area fill when used with a larger main system in clubs. Adding an Indigo Sub expands the possibilities, which include medium sized bars, lounges, restaurants and fill for larger areas of clubs that already have a main dance floor system.

To allow for easy installation in the shortest time possible, each Indigo 6 is supplied with an i6 wall bracket and fixings. And by using the optional i12 bracket, an Indigo 6 can be mounted above an indigo sub at ear height for use as a hi-fi setup in larger rooms.

The Indigo Sub is compact, efficient and oozes style. Along with other products in the series it’s a must have accessory for any modern, visually conscious venue. Interior designers will love the fact that they don’t have to hide the subs anymore and can make full use of its stunning looks to enhance the venue.

An endless possibility of enclosure colour and textures are available to make what we believe is the best choice in low-frequency reinforcement suitable for a very wide range of applications.

Uses for Indigo Sub when partnered with indigo 6s include medium-sized bars, lounges, restaurants and fill for larger areas of clubs that already have a main dance floor system.

Home theatre 5.1 systems can also make use of the indigo Sub to provide earth-shattering lows with very fast response times. And by using the optional i12 bracket, an Indigo 6 can be mounted above an indigo sub at ear height for use as a hi-fi setup in larger rooms.

Frequency Response


Driver configurationDispersionProtection (HF)Connector

EnclosureMountingFinish

Grille

68 Hz - 21 kHz -3 dB points93 dB 1w/1m, 2.2 KHz Passive8 Ω 200 watts RMS 115 dB Cont118 dB Peak1 x 6.5” 1 x 1” Coax90° h x 90° vN/ASingle set of binding post bare wire or 4mm plugs

273 (mm) 10.7”209 (mm) 8.2”163 (mm) 6.4”5.6 (kg) 12.4lbs

Fibreglass i6 wall bracket (supplied)High gloss metallic or fine textured matt.Perforated steel - foam filter

Aesthetically Advanced Bars, Clubs andLounges. Surround in 5.1 HT, Home Hi Fi. Cruise Ships, Theme Parks, Contemporary Houses or Worship

The Indigo 6 is compact, efficient and oozes style. It’s a must have accessory for any modern visually

Indigo 6

Frequency Response


Driver configurationDispersionProtection (HF)Connector

EnclosureMounting

Finish

Grille

38 Hz - 160 kHz -3 dB points92 dB 1w/1m80 - 160 hz active8 Ω 400 watts RMS 117 dB Cont120 dB Peak1 x 12” OmniN/ASingle set of Binding Post Bare wire or 4mm plugs

517 (mm) 20.3”395 (mm) 15.5”335 (mm) 13.2”21.0 (kg) 46.3lbs

Fibre glass (optional) i12 bracketto mount Indigo 6 above Indigo Sub High gloss metallic or fine textured matt.Perforated steel - foam filter

Indigo Sub

Indigo Series

Aesthetically Advanced Bars, Clubs andLounges. Surround in 5.1 HT, Home Hi Fi. Cruise Ships, Theme Parks, Contemporary Houses or Worship

15

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


The Xsys series brings new levels of performance and advanced aesthetics to the Void product range. Recent developments in construction materials have been utilised to create an enclosure with a truly unique appearance, as well as significantly enhanced performance capabilities.

The Xsys 12 features a high-power 300 mm LF cone transducer mated with a 100 mm voice coil and 63 mm Titanium/Mylar composite diaphragm HF compression driver on a rotatable horn. A neodymium magnet structure is used to increase the system's efficiency and to reduce weight. It is this combination of very high power components and the latest in diaphragm technology that allows for the extremely high SPLs possible from Xsys 12.

Numerous applications will benefit from the Xsys 12's clean, clear high-power output, while its modern appearance positions it as a true leader in cutting-edge industrial design.

The Xsys series brings new levels of performance and advanced aesthetics to the Void product range. Recent developments in construction materials have been utilised to create an enclosure with a truly unique appearance, as well as significantly enhanced performance capabilities.

The Xsys 15 features a high power 380 mm LF cone transducer paired with a 100 mm voice coil and 63 mm titanium / Mylar composite diaphragm HF compression driver on a rotatable horn. Neodymium is used to increase the system's efficiency and reduce weight. It is the combination of these exceptionally high powered components with the latest in diaphragm technology that allows for the extreme SPLs possible from the Xsys 15.

Numerous applications will benefit from the Xsys 15's high-power, low distortion output, while its modern appearance positions it as a true leader in cutting-edge industrial design.

Frequency Response



Connector

Enclosure

Rigging

FinishGrille

56 Hz - 20 kHz -3 dB points99 dB 1w/1m1.6 kHz Passive8 Ω 500 watts RMS 126 dB Cont129 dB Peak1 x 12” 1 x 1.5” neo90° h x 50° v rotatableInternal Electronic control2 x 4 Pole Speakon™

366 (mm) 14.4”696 (mm) 27.4”355 (mm) 14.0”30.2 (kg) 66.4 lbs

wood / aluminiumcomposite.20 x fly points : Powerdrive type 100 plateSmooth PolyurethanePerformated steel - foam filter

Frequency Response

Efficiency

Crossover Points


Maximum Output


Connector

50 Hz - 20 kHz -3 dB pointsLF: 99 dB 1w/1mHF: 108 dB 1w/1mPassive : 1.6kHzActive : 1.6 - 1.9 kHzBut or LR 18/24 dB/octLF/HF 8 Ω LF: 600 watts RMS HF: 100 watts RMS 127 dB Cont130 dB Peak1 x 15” 1 x 1.5” neo90° h x 50° vInternal ElectronicControl2 x 4 Pole Speakon™

446 (mm) 17.5”806 (mm) 31.7”462 (mm) 18.2”39 (kg) 85.8 lbs

Enclosure

Rigging

FinishGrille

wood / aluminiumcomposite.20 x fly points : Powerdrive type 100 plateSmooth PolyurethanePerformated steel - foam filter

The Xsys series brings new levels of performance The Xsys series brings new levels of performance The Xsys series brings new levels of performance and The Xsys series brings new levels of performance and

Small to medium sized clubs, theatres,AV presentation, cruise ships, theme parks, casinos and showrooms


Xsys Series

Xsys 12 Xsys 15

16

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


Uniting leading-edge aesthetics with the latest in advanced transducer technology, the Xsys L2 features tremendous power output with a pure sonic quality that is as aurally attractive as its enclosure is visually compelling.

Targeted towards modern entertainment and leisure facilities, an Xsys L2 Subwoofer is the ideal companion to the Xsys 12 and Xsys 15 full-range systems.

The Xsys L2 Subwoofer features a very high power 460 mm cone transducer with a 100 mm voice coil. The use of such a powerful transducer provides highly accurate transient response and intense output power, especially given the enclosure's deceptively small size.

A multi-cavity design was developed to further preserve the transients and maintain the system's high overall efficiency.

The Xsys L2 excels at delivering gripping and dramatic low frequency content that keeps music-lovers and dance club patrons coming back for more.

The highly unique Point One nearfield DJ monitor uses a specially designed 12" low frequency transducer with a coaxially mounted 1" exit compression driver. This arrangement provides a point source transmission pattern that eradicates the phase distortion which normally occurs when the listener is very close to the sound source.

An integral stand positions the Point One at the optimum angle for nearfield work, and the careful selection of materials used in the HF unit helps keep listener fatigue to a minimum.

As part of our Club-Fi series the Point One is available in a variety of different tints and finishes.

Frequency Response




Enclosure

FinishGrille

38 Hz - 160 kHz -3 dB points98 dB 1w/1m34 Hz Hi pass - up to 140 Hz Lo Pass8 Ω 750 watts RMS 126.5 dB Cont129.5 dB Peak1 x 18” Omni2 x 4 Pole Speakon™

640 (mm) 25.2”594 (mm) 23.4”630 (mm) 24.8”46.8.(kg) 103 lbs

wood / aluminiumcomposite.Smooth PolyurethanePerformated steel - foam filter

Frequency Response


Driver configurationConnector

55 Hz - 20 kHz -3 dB points99 dB 1w/1mPassive : 2kHz8 Ω 500 watts RMS 126 dB Cont130 dB Peak1 x 12” 1 x 1” Coax1 x 4 Pole Speakon™

555 (mm) 21.8”368 (mm) 14.5”325 (mm) 12.8”19 (kg) 41.8 lbs

Enclosure Clear Perspex


DJ monitor in medium to large club installations and portable systems

Uniting leading-edge aesthetics with the latest in advanced transducer technology, the Xsys L2

The highly unique Point One nearfield DJ monitor uses

Xsys L2 Point One

Venu 8 Venu 10 Venu 12Venu 6

Clubs, Bars, Lounges, Cruise Ships, Theme Parks

The Venu Series has been designed to offer everything you could ask for from an installation loudspeaker. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple: tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born.

There are many features that make the Venu Series so convenient to install and use. These include: an Easy Hang wall bracket that can support the enclosure in both vertical or horizontal positions and requires only one set of hands to attach the enclosure to the bracket. Phoenix connector with link outs for super quick and reliable hook ups. A rotatable HF horn that allows the correct dispersion to be maintained in vertical or horizontal mounting positions. Electronic HF protection for increased reliability. M8 flying points for horizontal ceiling suspension, rust-proof grille and fittings suitable for beach bar and other corrosive environments. Rotatable logo to allow for correct display in either vertical or horizontal positions and an enclosure made entirely from 15mm multi laminate birch plywood.

Add to this the evocative Void sound from a new range of custom components and a super competitive pricing structure and it’s not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.

17

Venu Series

Frequency ResponseEfficiencyCrossover pointImpedancePower HandlingMaximum OutputDriver ConfigurationDispersionProtectionConnector


EnclosureFinish Grille

Applications

72 Hz- 22 kHz - 3dB Points95dB 1w/1m2.4 kHz passive8 ohm200 watts RMS118dB cont 121dB peak1 x 6.5” 1 x 1”90 h x 60 v rotatable HF - Electronic device1 x phoenix with link out

372 (mm) 14.6”239 (mm) 9.4”200 (mm) 7.9”8.5 (Kg) 18.7 lbs

15 mm birch Plywood Textured PolyurethaneRust-proof grille

60 Hz- 22 kHz - 3dB Points97dB 1w/1m2.3 kHz passive8 ohm300 watts RMS121dB cont 124dB peak1 x 8” 1 x 1”90 h x 60 v rotatable HF - Electronic device 1 x phoenix with link out

415 (mm) 16.3”260 (mm) 10.2”233 (mm) 8.8”11.5 (Kg) 25.3 lbs


469 (mm) 18.5” 315 (mm) 12.4” 250 (mm) 9.2” 14.5 (Kg) 32.0 lbs


522 (mm) 20.5” 385 (mm) 15.1” 330 (mm) 13.5” 19.5 (Kg) 43.0 lbs




Venu Series

18

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


The Venu 115 has been designed to offer every-thing you could ask for from an installation subwoofer. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple: tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born.

There are many features that make the Venu 115 so convenient to install and use, these include, a super tough 15" transducer with a long excursion 4" coil. Phoenix connectors with link outs for super quick and reliable hook ups. A recessed rear connector panel that allows the enclosure to be placed against a rear wall. Rust-proof grille and fittings suitable for beach bar and other corrosive environments, and an enclosure made entirely from 18mm multi laminate birch plywood.

Add to this the evocative Void sound from a new range of custom components and a super competi-tive pricing structure and it’s not hard to see why many are supporting the claims that Venu is the ultimate installation series ever created.

The Venu 215 has been designed to offer everything you could ask for from an installation subwoofer. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born.

There are many features that make the Venu 215 so convenient to install and use, these include, super tough 15" transducers with a long excursion 4" coils. Phoenix connectors with link outs for super quick and reliable hook ups. A recessed rear connector panel that allows the enclosure to be placed against a rear wall. Rust-proof grille and fittings suitable for beach bar and other corrosive environments, and an enclosure made entirely from 18mm multi laminate birch plywood.


Venu 115 Venu 215

Frequency Response



EnclosureFinishGrille

38Hz - 160 Hz -3 dB points96 dB 1w/1m80 - 160 Hz active8 Ω700 watts RMS 124.5 dB Cont127.5 dB Peak1 x 15”1 x Phoenix with linkout

446 (mm) 17.6”448 (mm) 17.6”636 (mm) 25”35.5 (kg) 78.3 lbs

18mm birch plywoodTextured polyurethaneRust-proof grille

Clubs, Bars, Lounges, Cruise Ships,Theme Parks


Frequency Response




38Hz - 160 Hz -3 dB points99 dB 1w/1m80 - 160 Hz active4 Ω1400 watts RMS 130 dB Cont133 dB Peak2 x 15”1 x Phoenix with linkout

446 (mm) 17.6”860 (mm) 33.9”636 (mm) 25”62.5 (kg) 137.8 lbs

18mm birch plywoodTextured polyurethaneRust Proof grille

Venu Series

19

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


The Venu Bass has been designed to offer everything you could ask for from an installation subwoofer. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born.

There are many features that make the Venu Bass so convenient to install and use, these include, a super tough 12” transducer with a long excursion 4” coil. Phoenix connectors with link outs for super quick and reliable hook ups. A recessed rear connector panel that allows the enclosure to be placed against a rear wall. Rust-proof grille and fittings suitable for beach bar and other corrosive environments, and an enclosure made entirely from 15mm multi laminate birch plywood.


The Venu X has been designed to offer everything you could ask for from an installation subwoofer. The entire Venu series has been created due to the demands of many leading installation contractors and engineers around the world. Our question was simple, tell us the exact requirements that would enable us to design the ultimate installation series of loudspeakers. After implementing all those requirements and more, the Venu series was born.

There are many features that make the Venu X so convenient to install and use, these include, super tough 12” transducers with a long excursion 4” coil. Phoenix connectors with link outs for super quick and reliable hook ups. A recessed rear connector panel that allows the enclosure to be placed against a rear wall. Rust-proof grille and fittings suitable for beach bar and other corrosive environments, and an enclosure made entirely from 15mm multi laminate birch plywood.


Venu Bass Venu X

Frequency Response





370 (mm) 14.6”490 (mm) 19.3”430 (mm) 16.9”24.0 (kg) 52.9 lbs

15 mm birch plywoodTextured polyurethanePerforated steel - foamfilter



Frequency Response





370(mm) 14.6”780 (mm) 30.7”490 (mm) 19.3”44.5 (kg) 98.1 lbs

15mm birch plywoodTextured polyurethanePerforated steel - foamfilter

The Venu Bass has been designed to offer The Venu Bass has been designed to offer everything you could ask for from an installation everything you could ask for from an installation

The Venu X has been designed to offer everything you The Venu X has been designed to offer everything you

Venu Series

Void touring products have become industry standards across the globe. With a countless number of companies prescribing Void as their system of choice, it’s no wonder that our loudspeakers and amplifiers are seen in many of the world’s largest arenas, and on tours of all sizes, shapes, and musical styles.

It’s not just the rental sector that’s making use of Void touring products; many prestigious live venues have benefited from permanently installing our systems, gaining much loyalty among their patrons for the consistent sound quality they are now able to achieve.

From the largest tours to the smallest working band, Void products are proof that the next generation of sonic weaponry has arrived.

Animal Bike Tour - EuropeAVC - Pier 94, USABeached Festival - Manchester, UK Bestival - Isle Of Wight, UKBritish Beach Polo Championships - UKDon Letts - Hyde Park, London, UKEcoparade 2012 - Brescia, ItalyEDM Festival - Chicago, USAElectric Picnic 2012 - Streadbally, Ireland Glade Festival - Norfolk, UKGlastonbury Festival - Somerset, UKNorth Coast Music Festival - Chicago, USAOutlook Festival - Pula, CroatiaRed Bull Clash - Wembly Arena, UKShambala Festival - Northamptonshire, UK Ultra Music Festival - Miami, USAViva La Electronica Tour - ItalyWestfest - Chicago, USA Winter Music Conference - Miami, USA

Armin van Buuren - Chicago BBK & JME (2012 Redbull Clash Winners) - Wembley Arena UK

Arcline 12 & 6 (2012 Redbull Clash FOH System) - Wembley Arena UK

Ultra Music Festival - Miami

Arcline 6 With Top Danish Chart Act NephewArcline 12 - Wembley UK

Recent Touring

Touring

Arcline has been developed to give hire companies, touring companies, and installation contractors a choice of line array systems that are capable of exceeding the most demanding requirements.

The fundamental design of Arcline has been paved out by many years of research into the needs of our ever changing industry. It was determined early on that a line source with a cylindrical wavefront would best serve the requirements demanded of a modern line source system. To accomplish this, all of the components within each enclosure are physically positioned on an arc. This curved baffle arrangement allows for the components to share a common virtual acoustic centre that exists rearward of the physical array, thus equalising the sound path distances. The benefits are significant; they include constant sound intensity over the stated coverage angles, and greater linearity of the near-to-far-field transition point. The normally poor impulse response that is an inherent problem with line source transmission is also greatly improved by minimizing the path length differences, as well as by the use of our exclusive power tapering technology that's carried out in each enclosure.

The Arcline family of products provide a range of no-compromise solutions suitable for system designers, sound consultants, and production companies of all types. In the rental market particularly, versatility must be the overriding priority with any new purchases these days, and the Arcline family of products are as versatile as they come.

Overview

21

Arcline Series

22

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


Aimed at live performance venues and the touring sector, Arcline 12 takes a new approach to combat the inherent problems which compromise most small and medium format line source enclosures.

The idea of forming a line array is to produce a cylindrical wavefront which allows sound to disobey the inverse square law, but this can only occur if certain criteria are met. The major criterion is to ensure that a long enough line of enclosures are coupled to produce a cylindrical wavefront down to around 100Hz, as this would then give the lower frequencies the same decay-per-distance rate as the mid and HF frequencies. But this rarely happens when implementing small and medium format line array systems.

The outcome of not forming a long enough line to support lower frequencies is the all too familiar thin sound with a lack of low midrange and upper bass, especially as the distance from the source increases.

To rectify this problem, Arcline 12 adds a high efficiency horn loaded low-mid section to assist with low-mid projection. As with its smaller brother the Arcline 6, the 12 also physically positions its components on an arc forming a common virtual acoustic centre. This, teamed up with its 120 degree horizontal dispersion, allows for a very wide and uniform sound coverage free from phase and response abnormalities.

Frequency Response

Efficiency

Crossover Points


Maximum Output


DispersionConnector

Enclosure

Rigging

FinishGrill

90 Hz - 20 kHz -3 dB pointsLF : 105 dB 1w/1mMF : 101.5 dB 1w/1mHF : 108 dB 1w/1m250 Hz and 1.8 kHzactiveLF/MF : 8 Ω HF : 5.3 ΩLF : 700 watts RMS MF : 900 watts RMSHF : 240 watts RMS130.5 dB Cont136.5 dB Peak1 x 12”neo 4 x 6.5”neo3 x 1” neo120° h x 7° v2 x 8 pole Speakon™

437(mm) 17.2”860 (mm) 33.8”600 (mm) 23.6”55 (kg) 121.2 lbs

15mm multi laminate birch plywood3 point proprietary : tilt angles - 7”, 5.25”, 3.5”, 1.75”, 0”Textured polyurethanePerforated steel -foam filter

15mm multi laminate birch plywood3 point proprietary : tilt angles - 25”, 20”, 15”, 10”, 5”, 0”Textured polyurethanePerforated steel -foam filter

Frequency Response

Efficiency


Maximum Output


60 Hz - 21 kHz -3 dB pointsLF : 101 dB 1w/1mHF : 106 dB 1w/1m1.2 kHz activeLF : 4 Ω HF : 5.3 Ω LF : 1400 watts RMS HF : 240 watts RMS 131 dB Cont136 dB Peak2 x 15” neo 3 x 1” neo120° h x 25° v2 x 4 Pole Speakon™

448 (mm) 17.6”988 (mm) 39.3”350 (mm) 13.8”45.5 (kg) 100.3 lbs

Enclosure

Rigging

FinishGrill

medium to Large sized venues of all types,large scale touring, arena and stadium sound, dance festivals

medium to Large sized venues of all types,large scale touring, arena and stadium sound, dance festivals

Arcline 12 Arcline 15

Aimed at live performance venues and the touring Aimed at live performance venues and the touring The highly Versatile Arcline 15 is a full range line array enclosure that has been designed with both the touring and installation markets in mind. Its compact dimen-sions with extended vertical dispersion, wide frequency response and very high output make it a totally unique loudspeaker.

With a 25 degree vertical and 120 degree wide disper-sion, the Arcline 15 can happily be used in singles and without sub enclosures for many applications including pubs, bars, smaller live venues and clubs. Venues with low ceilings are also a prime candidate for the Arcline 15, its small vertical dimension and controlled disper-sion are perfect for such rooms. For the larger live venue, club or theatre, the use of multiple Arcline 15’s with sub enclosures provides a very compact yet high output solution.

By adding the touring bumper bar, the Arcline 15 becomes a fully-fledged line source array capable of tacking outside concerts, festival stages, dance events and larger conference productions. Any number of enclosures can be used depending on the output and coverage required. Many smaller events such as acoustics stages etc can use an Arcline 15 array full range and will not need the addition of sub enclosures.

By adding subs to an array the possible applications are only limited by your imaginations.

Arcline Series

23

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


Expanding on the multiple resonant chamber concept as found in the Stasys X, the Arcline X takes an even bigger break from tradition by distilling the technology one step further. Each enclosure offers 140dB peak SPL, whilst an array capable of 150dB peaks occupies a frontal area of only 3 sq meters and can be setup in less than 2 minutes by two people.

The radical advance of the multiple resonant chamber technology employed by Arcline X additionally allows a sub 40Hz f3 point, which is unprecedented for an enclosure with a volume of just 300 litres.

Careful design consideration of the internal horn paths have resulted in an extended upper response that will accurately reproduce up to 250Hz, permitting a higher crossover frequency than is possible with many other subwoofers. When used with the Arcline 6 or Arcline 12, this higher crossover raises their maximum output level capability and allows far greater projection of the important upper bass frequencies that many small line source's fail to reproduce convincingly.

Arcline X additionally features HTT (Heat Transference Technology). A side located heat sink is used to transfer heat from both woofer's voice coils and magnet assemblies, significantly decreasing power compression and improving long term reliability.

Psyco X is the latest addition to Void’s line up of high performance low frequency enclosures. Being the latest has meant it’s got to be special and have some extraordinary specs. A quick glance at its specifications will confirm this.

The design features a horn with a length of just over 3.1 meters (10.2 ft), which is about as long as anyone has ever managed to cram into an enclosure with a total volume of just 604 litres. This gives a stack of four enclosures an f3 point of 27Hz with a sensitivity of 112.5dB 1w/1m. Power handling is 6400 watts AES, which equates to a peak output of 154.3dB at 1 meter.

The use of such a long horn has given extreme efficiency, a very low f3 with well-behaved transient response and a predictable dispersion pattern when arrayed. Both the predictability and far field projection capabilities of a Psyco X Array have made it the perfect partner for the Arcline 12.

These superlative performance specs have only been made possible by a recent development in transducer chassis design that has allowed a sophisticated cooling system to be implemented. All the internal metal chassis parts and magnet structure are bolted to transfer plates and cables that connect to an external heat sink. The transference of heat from the core of the transducer to the outside of the enclosure has led to a world beating reduction in power compression. Measurements taken after a 2 hour test with continuous full power 90% duty cycle source material have confirmed a power compression level of only 1.8dB.

Frequency Response




Enclosure

Rigging

Finish

38 Hz - 250 kHz -3 dB points105 dB 1w/1m38 Hz Hi-Pass Up to 250 Hz lo-Pass4 Ω 1500 watts RMS 136 dB Cont140 dB Peak2 x 15”neo Array Dependent2 x 4 Pole Speakon™

860 (mm) 33.8”446 (mm) 17.5”800 (mm) 31.5”64.8 (kg) 142.4 lbs

18 mm multi laminate birch plywood - Carbonfibre - magnesium Tower winch system,tilt boardTextured Tour Coat

Enclosure

FinishGrill

18mm multi laminate birch plywoodTextured Tour CoatPerforated steel -foam filter

Frequency Response

Efficiency (1w/1m)

Crossover Points(24dB/oct)ImpedancePower HandlingMaximum Output(dB)


27 Hz - 190 Hz -3 dB (4 enclosures)1 enclosure : 106 dB 2 enclosures : 108.5 dB 4 enclosure s: 112.5 dB Hi-Pass :27hz Lo-Pass:80-130Hz 1 enclosure : 8 Ω 1 enclosure : 1600 watts 1 :136.5 Cont-141.1 Peak2 :142.5 Cont-148.2 Peak4 :148.6 Cont-154.3 Peak1 x 18”neo 4” voice coilArray Dependant2 x 8 Pole Speakon™ 2 x 4 Pole Speakon™

554 (mm) 21.8”1218(mm) 48.0”896 (mm) 35.3”96 (kg) 211.6 lbs

Live sound in medium sized venues. Small to medium scale touring. Theatre, AV presentations, music clubs

Medium to Large sized venues of all types,large scale touring, Arena and stadium sound, dance festivals

Arcline X Psyco X

Arcline Series

The flagship Stasys Series is the definitive aural arsenal for those with the highest level of audio requirements. Equally at home on the largest tours and in the biggest installations, Stasys always exceeds expectations.

With an output-to-size ratio among the highest in the industry, Stasys is fast becoming one of the shrewdest investments you can make. Touring companies using Stasys are discovering they can spec half the size system they normally would, which translates into major savings in transportation and crew costs.

Night clubs, music venues and Houses of Worship are all discovering the sonic and economic benefits of installing Stasys. At a time when installation budgets are carefully controlled, investing in products that have the highest levels of output and definition with proven reliability is a top priority. Stasys systems fulfil these criteria and more without breaking the bank.

Stasys is characterised by tremendous power output and exceptionally low distortion. The enclosures readily form coherent arrays when used in multiples, retaining their inherently smooth response and musical sonic characteristics.

Stasys Series products make use of many of the latest advancements in acoustic design technology. This has only been possible by utilising our extensive R&D facilities and dedicated design team. For example, all X Series products undergo a technique called 'resonance mapping'. Hundreds of small accelerometers are attached to every surface of an enclosure and measurements are taken that allow a 3D colour map of resonant modes and densities to be displayed. This information is then used to determine material selection, pinpoint any problem areas, refine enclosure bracing, and keep structural mass to a minimum while maintaining the highest achievable output with least possible colouration.

Stasys loudspeaker systems represent some of the most advanced and refined audio products available in the world today. Audition Stasys and see how it can transform your expectations.

Overview

24

Stasys Series

25

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


The new 3 way Stasys Prime V2 takes the point source concept to new levels with its extended low frequency performance, groundbreaking efficiency, and unprecedented output power. Most traditional point source enclosures can only be used above 100Hz and require the addition of LF enclosures that have enough speed and agility to cope with the demanding upper bass band. Stasys Prime negates the need of such LF enclosures, as its extended LF response allows it to be used with true dedicated subwoofers. This has the added benefit of not producing an awkward aural transition from the flown array to the typically ground-stacked subs.

Stasys Prime V2 has been designed so that lossless summation between adjacent enclosures takes place effortlessly. This seamless transition from enclosure to enclosure within the array greatly improves intelligibility and phase coherency. Array efficiency is radically increased as well, as Stasys Prime enclosures provide true acoustic addition instead of destructive interference.

The maximum continuous output level per enclosure is extremely important with any point source array, as each section of the venue is predominantly covered by a single array element. Each Stasys Prime is capable of a continuous output of 142dB, allowing the total array to be surprisingly small for a given application. The tightly controlled dispersion pattern means that more energy can be directed where it's needed, at the listener, instead of needlessly exciting the reverberant field. Because of this, Stasys systems are especially effective in difficult acoustical environments such as sports facilities, houses of worship, and other highly reverberant spaces.

Designed specifically for demanding live performance applications, the Stasys 5 Mk2 expands the boundaries of low frequency sonic bombardment. Suitable for use on the largest tours or in the biggest arenas, the Stasys 5 mk2 utilises numerous innovations to produce low frequency output with previously unheard of impact.

One such innovation harnesses some of the energy that would normally be dissipated in the rear chamber; this is accomplished by firing the transducer onto an aluminium pressure plate. The plate's restoring force is then reflected back onto the transducer, resulting in a substantial increase in transient response and efficiency. Using an actively driven element with a passively fed radiator, with gain, has analogies to a bass or kick drum, where one of the two heads is hit whilst the other is tuned to a different frequency. To gain the most from this arrangement a specially designed transducer with an asymmetrical offset suspension has been implemented.

As with all premium Void enclosures, the use of resonance mapping has resulted in an extremely rigid structure with very low colouration. The output power-to-weight ratio is near the theoretical limit with the overall weight being one of the lightest in the industry. And finally, the Stasys 5 Mk2 uses Coolwave™ technology to reduce thermal compression to an absolute minimum while ensuring that consistently high output levels are maintained throughout the longest performances.

Frequency Response

Efficiency

Crossover Points


Maximum Output


Enclosure

Rigging

FinishGrill

90 Hz - 22 kHz -3 dB pointsLF : 112 dB 1w/1mMF : 115.5 dB 1w/1mHF : 116 dB 1w/1m2 way 650 Hz - 3 way650 Hz & 6.5 kHzLF : 4 Ω MF/HF : 8 ΩLF : 1500 watts RMS MF : 150 watts RMSHF : 80 watts RMS142 dB Cont146 dB Peak2 x 15”neo 1 x 1.5”Coax25° h x 35° v2 x 8 Pole Speakon™ 2 x 4 Pole Speakon™

860(mm) 33.9”586 (mm) 23.1”775 (mm) 30.5”83 (kg) 186.2 lbs

18mm 15 laminate birch plywood4 x Aero track Proprietary flying systemTextured polyurethanePerforated steel -foam filter

Medium to Large sized venues of all types,large scale touring, arena and stadium sound, dance festivals

Frequency Response




DispersionConnector

Enclosure

FinishGrill

38 Hz - 160 Hz -3 dB pointsLF : 105.6 dB 1w/1mHi Pass: 38 Hz 24 dB/octLo Pass: Up to 160 Hz8 Ω1200 watts RMS 135 dB Cont140 dB Peak1 x 18”neo - 125mm(5”)Voice coilArray Dependent2 x 4 Pole Speakon™

860(mm) 33.9”586 (mm) 23.1”775 (mm) 30.5”53 (kg) 116.6 lbs

18mm 15 laminate birch plywoodTextured polyurethanePerforated steel -foam filter


Stasys Series

Stasys Prime V2 Stasys 5 Mk2

26

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


The Stasys 3 mk2 mid-hi touring enclosure is designed to give system operators a quick and simple solution to large scale sound reinforcement. Each enclosure comes with a multiple point Aero-track flying system allowing quick system setups and accurate arraying.

The design is the distillation of a lifetime's work. Most of the technology incorporated in the Stasys 3 mk2 has never been attempted before and is a radical departure from the norm. At the heart of the design is the 'Waveformer'. Sound waves enter the horn at varying distances from the transducer via the centrally mounted Waveformer. The distance depends on the frequency and also the radiation pattern of the transducer. New types of transducers were developed that emit different frequencies from different locations around their radiation surface. These locations are then channeled to the Waveformer and emitted at a precise distance down the horn.

The benefits of Waveforming are enormous. All frequencies reach the horn mouth at exactly the same time so that phase cancellation is virtually eliminated. The result is an extremely flat and uniform response with a very wide bandwidth in each band. Dispersion characteristics are radically improved as well, due to the Waveformer's refraction grid which reduces HF beaming significantly.

The well-defined and tightly controlled dispersion pattern means that more energy can be directed where it's needed, at the listener, instead of needlessly exciting the reverberant field. Because of this, Stasys systems are especially effective in difficult acoustical environments such as sports facilities, houses of worship, and other highly reverberant spaces.

Stasys X set a new standard in the performance possible from a double 18” low frequency enclosure. It has been used on tours, in live venues, and in world-class night venues all around the world since its introduction 5 years ago. But the time has come to move on and use the latest technologies to advance and refine the design further. This is no mean feat as the first version was very well received and phenomenally successful form a sales point of view.

So what’s changed? And what are the improvements? A total rearrangement of the internal resonant chambers has improved the cooling to the extent that no external heat sinks are required, which has also led to a significant decrease in power compression. The systems transient response, phase response and overall timing capabilities have also been vastly improved by the new internal chamber layout. This has led to a more uniform response in relation to distance and greater behavioural predictability when arrayed.

The Stasys X V2 uses the latest cone materials keeping the moving mass low enough to allow optimum transfer efficiency to take place, whilst providing the structural rigidity to maintain form at all times. This advancement has also meant the transducers mechanical parameters are ideally matched to the enclosures internal loading requirements, which has lowered the f3 point and improved the attack characteristics.

Sprayed with our brand new ‘TourCoat’ polyurea finish, the Stasys X V2 also features new truck pack friendly dimensions and universal location receptors that allow interlocking and mating with adjacent enclosures regardless of their orientation.

Stasys 3 Mk2 Stasys X V2

Frequency Response

Efficiency

Crossover Points


Maximum Output


Enclosure

Rigging

FinishGrill

120 Hz - 20 kHz -3 dB pointsLF : 108 dB 1w/1mMF : 108 dB 1w/1mHF : 109 dB 1w/1m2 way 800 Hz - 3 way800 Hz & 3.2 kHzLF/MF/HF : 8 ΩLF : 500 watts RMS MF : 200 watts RMSHF : 80 watts RMS134 dB Cont139 dB Peak1 x 12” 1 x 6.5” 1 x 1”45° h x 30° v2 x 8 Pole Speakon™ 2 x 4 Pole Speakon™

815(mm) 32.1”586 (mm) 23.1”773 (mm) 30.5”66 (kg) 145.5 lbs

18mm 15 laminate birch plywood4 x Aero track Proprietary flying systemTextured polyurethanePerforated steel -foam filter

medium to Large sized venues of all types,large scale touring, arena and stdium sound, dance festivals

Frequency Response





30 Hz - 180 Hz -3 dB pointsLF : 103.8 dB 1w/1mHi Pass: 30 Hz 24 dB/octLo Pass: 100-145Hz 24 dB/LR4 Ω3200 watts RMS 138 dB Cont142 dB Peak2 x 18” neo Array Dependent2 x 4 Pole Speakon™

554(mm) 21.8”1218 (mm) 48.0”896 (mm) 35.3”96 (kg) 211.6 lbs

18mm birch plywoodTextured polyurethanePerforated steel -foam filter

medium to Large sized venues of all types,large scale touring, arena and stdium sound, dance festivals

Stasys Series

The Stasys 3 mk2 mid-hi touring enclosure is The Stasys 3 mk2 mid-hi touring enclosure is

27

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


In an ever changing financial climate the search for cost effective solutions becomes paramount. Many compromise and turn to more traditional designs to avoid breaking the bank, but traditional doesn’t always have to mean compromise. Enter the Stasys 218, a low frequency enclosure built around traditional principles but designed with Stasys philosophy and attention to detail.

To abstract the maximum performance from the design the heart of the 218’s enclosure was subjected to the same resonance mapping procedures as all other Stasys low frequency models. This practice has dictated the type of materials used around the enclosure, optimised the brace positioning and minimised destructive nodal conditions. All of this adds up to a structurally superior housing with minimum mass, the least possible amount of cabinet born coloration and vastly increased output.

Transducer selection and integration is also critical when it comes to reflex enclosure design, so months of comparative testing and evaluation led to the birth of a new 18” transducer for the Stasys 218. The sonic properties of differing cone and surround combinations were studied as well as differing coil topographies. Flux intensities and out of band abnormalities were also manipulated until the perfect combination was achieved and our ears were happy.

For those that demand state of the art performance at a realistic price level, a new contender has arrived. It’s the marriage of a technologically advanced enclosure with esoteric performing transducers applied with superlative tuning techniques that has resulted in a phenomenal package that has well and truly left tradition behind.

Probably the most versatile loudspeaker you could ever have in your arsenal, Stasys Phil sets new standards in extra high output, full range sound reinforcement.

Primarily designed as a side or drum fill for larger setups, Stasys Phil is equally at home at FOH driven fullrange in smaller venues. Other applications include large scale FOH when used as a mid top with suitable LF enclosures and as a monitor for keyboard or percussion players.

Dance events can also make use of Phil’s versatility. A pair used as DJ monitors, could surpass the output and quality requirements of the most demanding top level DJ’s. Mobile jocks can also build scalable FOH systems without the need for further LF enclosures due to the extended 45Hz low frequency response of Stasys Phil.

Stasys Phil’s simplicity also allows it to be used with our 4 channel amplifiers using their built-in crossovers. Compact and powerful systems can be created for all types of events using our 4 channel amplifiers, allowing for very fast setup times with the minimum of fuss.

With its ability to tackle any application in its stride, most would agree that if you were ever stranded on a desert island and could only take one type of loudspeaker with you, Stasys Phil would be the one you grab first.

Stasys 218 Stasys Phil

Frequency Response



DispersionConnector


32 Hz - 200 Hz -3 dB pointsLF : 101 dB 1w/1m70 - 160 Hz, 24dB/oct4 Ω2400 watts RMS 134 dB Cont139 dB Peak2 x 18” 100mm voice coilArray Dependent2 x 4 Pole Speakon™

586 (mm) 23.0”1020 (mm) 40.1”775 (mm) 30.5”89 (kg) 196.2 lbs

18mm birch plywoodTextured polyurethanePerforated steel -foam filter


Frequency Response

Efficiency

Crossover Points


Driver configurationDispersion

Connector

Enclosure

FinishGrill

45 Hz - 21 kHz -3 dB pointsLF : 101 dB 1w/1mHF : 106 dB 1w/1m1.8kHz active LR24 dB/octLF: 4 Ω HF: 8 ΩLF: 1600 watts RMSHF: 100 watts RMS 130.5 dB Cont134 dB Peak2 x 15” neo 1 x 1.5” 80° h x 50° v Rotatable2 x 4 Pole Speakon™

1191 (mm) 46.9”586 (mm) 23.0”550 (mm) 21.6”63 (kg) 138.9 lbs

18mm 15 laminate birch plywoodTextured polyurethanePerforated steel -foam filter


In an ever changing financial climate the search for In an ever changing financial climate the search for cost effective solutions becomes paramount. Many cost effective solutions becomes paramount. Many compromise and turn to more traditional designs compromise and turn to more traditional designs to avoid breaking the bank, but traditional doesn’t to avoid breaking the bank, but traditional doesn’t

Stasys Series

28

Specification

Dimensions

Construction

Applications


Specification

Dimensions

Construction

Applications


The Stasys 4 is a versatile enclosure designed to function in more than one role. Equipped with multiple fly points, it is equally at home as a foldback monitor on a large tour, as it is when used for a Front of House application in a smaller venue. The Stasys 4 uses a 1.5" compression driver on a conical waveguide coupled with a very robust 15" woofer.

Our research uncovered the limitations in conventional HF horn design. A conical waveguide was found to give the best off-axis rejection and constant coverage within its dispersion; both of these points are critical for high level foldback use. The Stasys 4 can be switched between its high quality internal passive crossover or driven in a two-way active mode, depending on the application requirements.

All Stasys enclosures come complete with padded road covers, while a series of optional accessories allow for versatile rigging and portability. We recommend our Livedrive 4 in 8 out system controller for use with all Stasys products.

The Impulse 4t is the ideal solution for small to medium sized system operators. Like its bigger brother, the Impulse 4t comes equipped with multiple flying points and is suitable for use as a foldback monitor, for area fill, or as a Front of House system in smaller venues. The Impulse 4t's high output power and smooth, natural sound quality produce sonic results that are rarely found from such compact dimensions.

The use of carefully selected components and a well designed crossover gives the Impulse 4t a flat frequency response free from peaks and resonances. This provides higher-than-average output levels before feedback would normally occur, especially valuable when the 4t is used for stage foldback.

All Impulse series enclosures come complete with padded road covers, while a series of optional accessories allow for versatile rigging and portability.

Stasys 4 Impulse 4t

Frequency Response

Efficiency

Crossover Points


Maximum Output


Enclosure

Rigging

FinishGrill

50 Hz - 20 kHz -3 dB pointsLF : 99 dB 1w/1mHF : 106 dB 1w/1mPassive 1.6 kHz active 1.6 kHzLF/HF : 8 ΩLF : 600 watts RMS HF : 100 watts RMS126.5 dB Cont129 dB Peak1 x 15” 1 x 1.5” neo90° h x 50° v2 x 4 Pole Speakon™

750(mm) 29.5”440 (mm) 17.3”385 (mm) 15.2”36.5 (kg) 80.3 lbs

18mm 15 laminate birch plywood6 x Aero track Powerdrive type 100 plate, top hatTextured polyurethanePerforated steel -foam filter

Foldback monitor for large scale touring, FOHin small to medium size venues, theatre andstage shows.

Frequency Response


Driver configurationDispersion

Connector

65 Hz - 20 kHz -3 dB points101 dB 1w/1mPassive or active 1.4kHz8 Ω500 watts RMS 127 dB Cont130 dB Peak1 x 12” 1 x 1.5” 90° h x 50° vRotatable2 x 4 Pole Speakon™

620(mm) 24.4”370 (mm) 14.6”375 (mm) 14.7”29 (kg) 63.8 lbs

Enclosure

Rigging

FinishGrill

18mm 15 laminate birch plywood3 x Aero track 1 x Powerdrive type 100 plate, top hatTextured polyurethanePerforated steel -foam filter

Foldback monitor for large scale touring, FOHin small to medium size venues, theatre andstage shows.

Foldback monitor for large scale touring, FOH

Stage Monitors

Applications


ChannelsOutput (8Ω) WattsAES Output (4Ω) WattsAES Output (2Ω) WattsAES Bridge (4Ω) WattsAES Freq response THD+N (ref 4W 1KHz) S/N (ref full output) CMRR ref. 1KHz Damping factor (<1KHz) Voltage Gain (8W) Inputs + link outs

Outputs Power input

Medium to large scale touring, outside stage and dance productions, installation, theatre and stage, conference

The Armalite series of amplifiers have been created to provide the ultimate power tools for the professional user. Years of comparative listening, evaluation, and pure R&D have resulted in a very robust range of amplifiers. A multitude of different power supply and output stage configurations were rigorously tested until the ultimate sonic accuracy and power-to-weight ratio was arrived upon. Our research definitively determined the sonic importance of a high-current supply, so our engineers designed and built a range of PSUs capable of delivering a vastly higher amount of current than required.

In a professional product, long term reliability is every bit as important as sonic quality, and it is this mandate that led to an intensive search for the best possible components throughout. The result of this lengthy development project is a line of power amplifiers that exhibit unparalleled sound quality with the utmost reliability. By using a state-of-the-art super high-frequency switch modulated power supply, efficiency levels are extremely high, heat dissipation is low, and weight is kept to a minimum.

Both Class D and Class H topologies are utilised across the range which increases the configuration possibilities depending on application. Where pure power and efficiency are required, 5th generation class D topology is incorporated with a highly developed and versatile PFC universal 20 KW PSU. For less demanding applications that require high sonic purity class H topology is used but still coupled to an advanced and flexible PFC power unit.

88.5 (mm) 3.5" 485.1 (mm) 19.1" 457.2 (mm) 18" 12.5 (kg) 27.55 lbs

AK5

240070010001 x 2000±0.5dB 20Hz - 32kHz (-3dB @ 10 Hz-35kHz)0.005%>105dBA>65dB>500032dB2 XLR balanced 10 kΩ input impedance2 30A 4 pole Speakon™ 80- 270VAC 50-60HzUniversal Input 55% (Plug to Plug)

13 (kg) 28.66 lbs

AK6

2700120017001 x 3400±0.5dB 20Hz - 32kHz (-3dB @ 10 Hz-35kHz)0.005%>105dBA>65dB>500032dB2 XLR balanced 10 kΩ input impedance2 30A 4 pole Speakon™80- 270VAC 50-60HzUniversal Input 55% (Plug to Plug)

88.5 (mm) 3.5" 485.1 (mm) 19.1" 457.2 (mm) 18"

16 (kg) 35.27 lbs

AK7


88.5 (mm) 3.5" 485.1 (mm) 19.1" 457.2 (mm) 18"

17 (kg) 37.47 lbs

AK8


88.5 (mm) 3.5" 485.1 (mm) 19.1" 457.2 (mm) 18"

14.5 (kg) 31.96 lbs

AQ5


88.5 (mm) 3.5" 485.1 (mm) 19.1" 457.2 (mm) 18"

15 (kg) 33.06 lbs

AQ6


88.5 (mm) 3.5" 485.1 (mm) 19.1" 457.2 (mm) 18"

19 (kg) 41.88 lbs

AQ7


88.5 (mm) 3.5" 485.1 (mm) 19.1" 457.2 (mm) 18"

20 (kg) 44.09 lbs

AQ8


88.5 (mm) 3.5" 485.1 (mm) 19.1" 457.2 (mm) 18"

29

Armalite Series

'Void Acoustics reserves the right to change these specifications without prior written notice'

Digidrive V2 Livedrive V2

Applications

SpecificationInputOutputFrequency response

Dynamic range

THD

Digital ProcessingA/D - D/ACrossover Slopes

Crossover Type

Output Limiter

Equalisation

Input Compressors

Delay Time

AES/EBU Input

Connections

PresetsPower Input

DimensionsHeightWidthDepthWeight

44 (mm) 1.75”483 (mm) 19”167 (mm) 6.57”2.37 (kg) 5.22 lbs

2 channels, max level +22dBu 6 channels, max level +12dBu8Hz-40kHz ±0.1dB5Hz-45kHz ±1.5dB>118 dB (unweighted)20Hz - 20kHz 0.002% (20-40kHz@+4dBu)64 bit24 bit6, 12, 18, 24 dB Range 20Hz - 20kHzButterworth, linkwitz-rilley, Bessel HP-LP outThreshold -50 to +12dBuAttack Time predictiveRelease time 1 - 100ms10 EQ’s for each output10 EQ’s for each input Bell filters with Q of 0.20 to 25Range 20Hz-20kHz Amplittude of ±12dBHi & lo Shelf filters Fully adjustable Notch and allpass filters.1 fully adjustable Compressor on each input Input up to 2000ms Outputs up to 2sOn inputs C & D, accecpting allclock speeds up to 192kHzAnalog XLR : AES/EBU XLRUSB PC Link :Ethernet 100Universal

Live sound, touring, fixed install, stageand theatre productions, bars and clubs, conference

The Digidrive V2 is a fully featured loudspeaker management system featuring audiophile grade 24 bit A/D & D/A converters. Mixed mode architecture has also been implemented on the Digidrive V2 with the latest 64 bit processors powering each device. The combination of 64 bit processors and the highest grade converters has allowed for an unsurpassed bandwidth spanning from 5Hz to 45kHz with mastering studio levels of definition.

Up to 6 outputs can be derived from either or a sum of the 4 inputs via matrix mixing. This allows any input to be mixed at any level to any output. Inputs A & B are analogue whilst inputs C & D are Digital AES/EBU and can accept any clock speed all the way up to 192kHz. All of the inputs and outputs feature HP and LP filters that can be set anywhere between 20Hz – 20kHz. Filter types can be Bessel, Butterworth, or Linkwitz-Riley. The transparent sounding output limiters feature predictive attack with adjustable threshold and release to provide maximum protection to loudspeaker drive units, whilst a fully adjustable studio grade compressor can be applied to each input channel for even greater control. All input and output channels feature 10 bands of EQ with -48 to +12dB of gain, filter types can be bell, notch, allpass, high shelf or low shelf. Each EQ can also be bypassed, allowing for instant comparison.

The Digidrive V2 can be connected to a PC via USB or its Ethernet connection for full external control via the supplied Live Link software. Each Digidrive can also be assigned its own IP address allowing multiple units to work on a network. A choice of 5 languages can be displayed for front panel editing.

The Livedrive V2 is a fully featured loudspeaker management system featuring audiophile grade 24 bit A/D & D/A converters. Mixed mode architecture has also been implemented on the Livedrive V2 with the latest 64 bit processors powering each device. The combination of 64 bit processors and the highest grade converters has allowed for an unsurpassed bandwidth spanning from 5Hz to 45kHz with mastering studio levels of definition.

Up to 8 outputs can be derived from either or a sum of the 6 inputs via matrix mixing. This allows any input to be mixed at any level to any output. There are 6 inputs, A to D are analogue, the other two inputs are Digital AES/EBU and can accept any clock speed all the way up to 192kHz. All of the inputs and outputs feature HP and LP filters that can be set anywhere between 20Hz – 20kHz. Filter types can be Bessel, Butterworth, or Linkwitz-Riley. The transparent sounding output limiters feature predictive attack with adjustable threshold and release to provide maximum protection to loudspeaker drive units, whilst a fully adjustable studio grade compressor can be applied to each input channel for even greater control. All input and output channels feature 10 bands of EQ with -48 to +12dB of gain, filter types can be bell, notch, allpass, high shelf or low shelf. Each EQ can also be bypassed, allowing for instant comparison.

The Livedrive V2 can be connected to a PC via USB or its Ethernet connection for full external control via the supplied Live Link software. Each Livedrive can also be assigned its own IP address allowing multiple units to work on a network. A choice of 5 languages can be displayed for front panel editing.

The Livedrive V2 is a fully featured loudspeaker management system featuring audiophile grade 24 bit A/D & D/A converters. Mixed mode architecture has also been implemented on the Livedrive V2 with the latest 64 bit processors powering each device. The combination of 64 bit processors and the highest grade converters has allowed for an unsurpassed bandwidth spanning from 5Hz to 45kHz with mastering studio levels of definition.

Up to 8 outputs can be derived from either or a sum of the 6 inputs via matrix mixing. This allows any input to be mixed at any level to any output. There are 6 inputs, A to D are analogue, the other two inputs are Digital AES/EBU and can accept any clock speed all the way up to 192kHz. All of the inputs and outputs feature HP and LP filters that can be set anywhere between 20Hz – 20kHz. Filter types can be Bessel, Butterworth, or Linkwitz-Riley. The transparent sounding output limiters feature predictive attack with adjustable threshold and release to provide maximum protection to loudspeaker drive units, whilst a fully adjustable studio grade compressor can be applied to each input channel for even greater control. All input and output channels feature 10 bands of EQ with -48 to +12dB of gain, filter types can be bell, notch, allpass, high shelf or low shelf. Each EQ can also be bypassed, allowing for instant comparison.

The Livedrive V2 can be connected to a PC via USB or its Ethernet connection for full external control via the supplied Live Link software. Each Livedrive can also be assigned its own IP address allowing multiple units to work on a network. A choice of 5 languages can be displayed for front panel editing.

The Livedrive V2 is a fully featured loudspeaker

Applications

SpecificationInputOutputFrequency response

Dynamic range

THD

Digital ProcessingA/D - D/ACrossover Slopes

Crossover Type

Output Limiter

Equalisation

Input Compressors

Delay Time

AES/EBU Input

Connections

PresetsPower Input

DimensionsHeightWidthDepthWeight

44 (mm) 1.75”483 (mm) 19”167 (mm) 6.57”2.37 (kg) 5.22 lbs

4 channels, max level +22dBu 8 channels, max level +12dBu8Hz-40kHz ±0.1dB5Hz-45kHz ±1.5dB>118 dB (unweighted)20Hz - 20kHz 0.002% (20-40kHz@+4dBu)64 bit24 bit6, 12, 18, 24, 48 dB Range 20Hz - 20kHzButterworth, linkwitz-rilley, Bessel HP-LP outThreshold -50 to +12dBuAttack Time predictiveRelease time 1 - 100ms10 EQ’s for each output10 EQ’s for each input Bell filters with Q of 0.20 to 25Range 20Hz-20kHz Amplittude of ±12dBHi & lo Shelf filters Fully adjustable Notch and allpass filters.1 fully adjustable Compressor on each input Input up to 2000ms Outputs up to 2sOn inputs C & D, accecpting allclock speeds up to 192kHzAnalog XLR : AES/EBU XLRUSB PC Link :Ethernet 100Universal

Live sound, touring, fixed install, stageand theatre productions, bars and clubs, conference

30

Processors

Void Acoustics England

Tel : +44 (0)844 410 1440fax : +44 (0)844 410 1439

email : [email protected] : www.voidaudio.com

Void Acoustics England

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