Bouchra Khalili · 2019. 7. 10. · Bouchra Khalili c/ Enrique Granados, 49 08008 Barcelona T....

Bouchra Khalili

c/ Enrique Granados, 49 08008 Barcelona T. (+34) 93 451 0064 [email protected] http://www.adngaleria.com

Obras / Works



The Typographer 2019 Video 16mm


Twenty-Two Hours 2018 Video

The Tempest Society 2017 Video Presentada en Documenta 14 en Atenas, The Tempest Society no es un documental o una ficción, sino una hipótesis: tres atenienses de diferentes orígenes forman un grupo en Atenas para examinar el estado actual de Grecia, Europa y el Mediterráneo. Para ello, se reúnen en un escenario teatral, abordado como un espacio cívico. Ellos mismos son The Tempest Society para rendir homenaje a Al Assifa ("The Tempest" en árabe), un grupo de teatro activo en París en los años 70 compuesto por inmigrantes del norte de África y estudiantes franceses. A través del formato del "periódico teatral", Al Assifa aborda la lucha diaria contra la desigualdad y el racismo en Francia. 40 años después, el legado olvidado de Al Assifa encuentra un sitio para la reactivación en Grecia. En un escenario de teatro, los miembros de The Tempest Society y sus invitados hacen una llamada a la igualdad, la pertenencia ciudadana y la solidaridad. Premiered at Documenta 14 in Athens, The Tempest Society is not a documentary or a fiction, but a hypothesis: three Athenians from different backgrounds form a group in Athens to examine the current state of Greece, Europe and the Mediterranean. To do so, they gather together on a theater stage, approached as a civic space. They name themselves The Tempest Society to pay homage to Al Assifa (“The Tempest” in Arabic), a theatre group active in Paris in the 70’s composed of North-African immigrant workers and French students. Through the format of the “theatrical newspaper”, Al Assifa adresses the daily struggle against inequality and racism in France. 40 years after, the forgotten legacy of Al Assifa finds a site for reactivation in Greece. On a theater stage, members of The Tempest Society and their guests call together for equality, civic belonging and solidarity.



The Tempest Society 2017 Video

Foreign Office 2015 Film, photographs and print (The Archipelago) Foreign Office se centra en el período durante el cual Argel, entre 1962 y 1972, se convirtió en la "meca de los revolucionarios", albergando representaciones de muchos movimientos de liberación de África, Asia y América, como la Sección Internacional de Eldridge Cleaver de los Pantera Negra, el ANC de Mandela, o el PAlGC (Partido Africano para la Independencia de Guinea y Cabo Verde) fundado por Amilcar Cabral. Tomando como punto de partida este pasado olvidado de la post-independencia y el internacionalismo, Foreign Office, invita a reflexionar sobre la historia y su transmisión, y en la emancipación como algo esencialmente vinculado a la poesía. Foreign Office focuses on the period during which Algiers -between 1962 and 1972- became the “mecca of revolutionaries", hosting representations of many liberation movements from Africa, Asia and the Americas, such as Eldridge Cleaverʼs International Section of the Black Panther Party, Mandelaʼs ANC, or the PAlGC (African Party for the Independence of Guinea and Cape Verde) founded by Amilcar Cabral. Taking as a starting point this forgotten past of post-independence era and internationalism, Foreign Office, invites to reflect on history and its transmission, and on emancipation as essentially linked to poetry.



Foreign Office 2015 Film Edition of 3

Aéro-Habitat Telemly area, Victoria Hotel, residence of Karl Marx in Algiers, from February to May 1882 2015 Fotografía sobre papel / photograph on paper 75 x 96,5 cm Edition of 3


Hôtel El Safir, Ex-Aletti, Algiers City Center (Entrance of the former casino), Residence of the Black Panther Party delegation during the 1969 Pan-African Festival of Algiers 2015 Fotografía sobre papel / photograph on paper 100 x 125 cm Edition of 3


Hôtel El Safir, Ex-Aletti, Algiers City Center (Hall), Residence of the Black Panther Party delegation during the 1969 Pan-African Festival of Algiers 2015 Fotografía sobre papel / photograph on paper 76 x 97 cm Edition of 3


Hôtel El Djazair, Ex-Saint Georges, El Mouradia area (Reception Lounge), Residence of Stokely Carmichael and Miriam Makeba during the 1969 Pan-Africa Festival of Algiers 2015 Fotografía sobre papel / photograph on paper 76 x 97 cm Edition of 3


Cinéma El Hillal, Ex- Triomphe (Hall), Headquarter of the PAIGC delegation ( African Party for the Independence of Guinea and Cape Verde) 2015 Fotografía sobre papel / photograph on paper 76 x 97 cm Edition of 3



Cinéma El Hillal, Ex- Triomphe (Box-office), Headquarter of the PAIGC delegation ( African Party for the Independence of Guinea and Cape Verde) 2015 Fotografía sobre papel / photograph on paper 60 x 80 cm Edition of 3

Grand Hotel Victoria, Algiers City Center, Eldridge Cleaver first residence in Algiers 2015 Fotografía sobre papel / photograph on paper 82 x 61,5 cm Edition of 3


Headquarters of the FPLN representation (Portiguese Nation Libertaion Front), Meissonier area 2015 Fotografía sobre papel / photograph on paper 97 x 76 cm Edition of 3


Headquarters of the ANC representation (African National Congress), Algiers City Center 2015 Fotografía sobre papel / photograph on paper 75 x 60 cm Edition of 3


Headquarters of the representations of: ELF (Eritrean Liberation Front), QLF (Quebec Liberation Front), FLSC (Front for the Liberation of the Somali Coast), SWAPO (South-West African People’s Organisation), ZAPU (Zimbabwe African People’s Union), and PFLOAG (Popular Front for the Liberation of Oman and the Arab Gulf) Hydra area 2015 Fotografía sobre papel / photograph on paper 45 x 56,5 cm Edition of 3


Headquarters of the MPLA delegation (People’s Moevement for the Liberation of Angola), Algiers City Center 2015 Fotografía sobre papel / photograph on paper 75 x 100 cm Edition of 3


Headquarters of theDFLP delegation (Democratic Font for the Liberation of Palestine), Algiers City Center 2015 Fotografía sobre papel / photograph on paper 76 x 97 cm Edition of 3


Centre Familial de Ben Aknoun, Ben Aknoun area, Location of Kateb Yacine’s house (Thêatre de verdure) 2015 Fotografía sobre papel / photograph on paper 100 x 120 cm Edition of 3


Centre Familial de Ben Aknoun, Ben Aknoun area, Location of Kateb Yacine’s house (Cyclamen africanum) Flower that yateb Yacine used to offer to women 2015 Fotografía sobre papel / photograph on paper 51 x 63 cm Edition of 3


Centre Familial de Ben Aknoun, Ben Aknoun area, Location of Kateb Yacine’s house (Playing Field) 2015 Fotografía sobre papel / photograph on paper 77 x 95 cm Edition of 3


The Archipelago 2015 Impresión en papel sobre aluminio / print on paper mounted on aluminium 70 x 50 cm Edition of 3


Views of the Solo Exhibition “Foreign Office”. Palais de Tokio, February 18th to May 17th 2015


Garden Conversation 2014 Video Producida en el marco del Abraaj art Prize, 2014, Garden Conversation toma como punto de partida un hecho histórico del que quedan muchos informes, pero que no se ha documentado: la reunión en enero de 1959 en la Embajada de Marruecos en El Cairo de Ernesto Guevara y el viejo héroe marroquí exiliado de la Guerra del Rif (1921-1926), Abdelkrim Al Khattabi (Ajdir, norte de Marruecos, 1882; El Cairo, 1963). Como precursor de la lucha por la independencia, Al Khattabi luchó contra dos ejércitos coloniales (Francia y España), inventando y experimentando métodos modernos de guerra anticolonial que inspiraron a muchos líderes de movimientos de liberación como Ho Chi Minh y Ernesto Guevara. Tras la primavera árabe, Khalili examina una hipótesis en forma de meditación poética: ¿qué se dirían los fantasmas de Guevara y Khattabi si se encontraran hoy? Continuando con una serie de desplazamientos en términos de historia, geografía, género y lenguaje, Garden Conversation pretende sugerir una reflexión sobre los modos de resonancia de la historia, mostrando fantasmas de carne y hueso, determinados a captar el presente.

Produced within the framework of the Abraaj art Prize, 2014, Garden Conversation takes as a departure point an historical fact reported by many accounts, but that has not been documented: the meeting in January 1959 at the Embassy of Morocco in Cairo of Ernesto Guevara and the old exiled Moroccan hero of the Rif War (1921-1926 ), Abdelkrim Al Khattabi (Ajdir, Northern Morocco, 1882 ; Cairo, 1963). A precursor of the independence struggle, Al Khattabi fought two colonial armies (France and Spain), inventing and experimenting modern methods of anti-colonial warfare that inspired many movements of liberation’s leaders as Ho Chi Minh and Ernesto Guevara.

In the aftermaths of the Arab Spring, Khalili examine a hypothesis in the form of a poetic meditation: what the ghosts of Guevara and Khattabi would tell to each other if they were meeting today? Proceeding to a series of displacements in terms of history, geography, gender, and language, Garden Conversation aims to suggest a reflection on the modes of resonance of history, showing ghosts of flesh and blood, determinated to haunt the present-time.


Garden Conversation 2014 Video 17’


The Speeches Series (2012-2013). Video trilogy Producido respectivamente para Intense Proximity, La Triennale (Palais de Tokyo 2012); El Palacio Enciclopédico, 55a Bienal de Venecia (2013); y el proyecto invidual de Khalili en PAMM, Miami (2013); The Speeches Series (2012-2013) es una trilogía de videos que se centra en el lenguaje (Capítulo 1), la ciudadanía (Capítulo 2) y la clase trabajadora (Capítulo 3). Para el primer capítulo, Mother Tongue , Khalili colaboró con cinco exiliados en París y sus alrededores, invitándolos a traducir, memorizar y “reinterpretar" fragmentos de textos importantes del pensamiento político y la cultura contemporánea escritos por Malcolm X, Abdelkrim El Khattabi. , Édouard Glissant, Aimé Césaire y Mahmoud Darwish. Para el segundo capítulo, Words on Streets, Khalili trabajó con cinco inmigrantes en la ciudad italiana de Génova, quienes diseñaron manifiestos originales que abordan las nociones de nacionalidad, ciudadanía y pertenencia. El tercer y último capítulo Living Labour contempla cinco sujetos en Nueva York que analizan la estructura de la opresión, tal como se refleja en las condiciones laborales, que personifican la exclusión política y social. Produced respectively for Intense Proximity, La Triennale (Palais de Tokyo 2012); The Encyclopedic Palace, 55th Venice Biennale (2013); and Khalili’s solo project at PAMM, Miami (2013); The Speeches Series (2012-2013) is a video trilogy focusing on language (Chapter 1), citizenship (Chapter 2), and working-class (Chapter 3). For the first chapter, Mother Tongue, Khalili collaborated with five exiled people based in Paris and its outskirts, inviting them to translate, memorize, and “retell” fragments of major texts from political thought and contemporary culture written by Malcolm X, Abdelkrim El Khattabi, Édouard Glissant, Aimé Césaire, and Mahmoud Darwish. For the second chapter, Words on Streets, Khalili worked with five immigrants in the italian city of Genoa, who devised original manifestos that address notions of nationality, citizenship and belonging. The third and final chapter Living Labour sees five subjects in New York analyze the structure of oppression as it is reflected in labour conditions, epitomizing social and political exclusion.


Speeches – Chapter 1: Mother Tongue 2012 Video 23’ Edition of 5


Speeches – Chapter 2: Words on Street 2013 Video 18’ Edition of 5


Speeches – Chapter 3: Living Labour 2013 Video 23’ Edition of 5


The Seaman 2012 Video El puerto de Hamburgo es el segundo puerto más importante de Europa y uno de los más grandes del mundo. Pero el puerto de Hamburgo también es uno de los primeros que ha automatizado el área de almacenamiento de contenedores de sus terminales. En The Seaman, Khalili filmó un puerto desierto, vacío de vida y presencia humana, donde solo queda visible la coreografía fantasmal de las grúas que transportan miles de contenedores, día y noche. Por otro lado, un joven marinero filipino relata fuera de la pantalla y en tres capítulos su visión de la industria del transporte de mercancías globalizada, el aislamiento que sufre durante meses en los cargos y su relación con su hogar, proporcionando una descripción precisa de la condición de los trabajadores en el mar. The port of Hamburg is the second most important harbour in Europe, and one of the biggest of the world. But Hamburg’s harbour is also one of the first which has automated its terminals’ container storages area. In The Seaman, Khalili has filmed a deserted port, emptied of human life and presence, where remains only visible the ghostly choreography of the cranes that carry thousand of containers, day and night. On the other side, a young filipino seaman recounts off-screen and in three chapters his vision of globalized goods transportation industry, the isolation he suffers during months on cargos, and his relationship to his home, providing with an accurate descripition of workers’ condition on sea.


The Seaman 2012 Video 10’ Edition of 5


The Wet Feet Series 2012 Miami es una de las ciudades estadounidenses con mayor comunidad de inmigrantes de América Latina y Caribe. Entre estos inmigrantes, muchos se vieron obligados a abandonar su país ilegalmente. The Wet Feet series articula la metáfora y la metonimia, centrándose en los rastros dejados por esos viajes en objetos concretos como contenedores, botes o flotadores abandonados por los refugiados de Cuba y el Caribe durante la huida de sus países de origen a los Estados Unidos. Los contenedores oxidados y rotos fotografiados a lo largo del río Miami eran los botes improvisados utilizados principalmente por inmigrantes cubanos. Esas huellas dejadas en objetos con las cicatrices de la violencia de esos viajes tienden a convertirse, a través del tiempo, en las metáforas de las transformaciones que acompañan a la experiencia migratoria. Miami is one of the American cities that has the largest immigrant communities from Latin America and the Caribbean. Among these immigrants, many were forced to leave their country illegally. The Wet Feet series articulates metaphor and metonymy, focusing on the traces left by those journeys on concret objects as containers, boats or floats that refugees from Cuba and the Caribbean used to flee from their home countries to US. Rusted and broken containers photographed along the Miami River responds to the makeshift boats mostly used by Cuban Immigrants. Those traces left on objects bearing the scars of the violence of those journeys tend to become –through the marks of time that has passed on them- the metaphors of the transformations thet accompanies the migratory experience.


The Wet Feet series. Broken Container, Fig. 1 2012 Fotografía sobre papel / photograph on paper 120 x 100 cm



The Wet Feet series. Lost Boats, Fig. 1 2012 Fotografía sobre papel / photograph on paper 120 x 100 cm


The Wet Feet series. Lost Boats, Fig. 2 2012 Fotografía sobre papel / photograph on paper 100 x 80 cm


The Wet Feet series. Lost Boats. Detail: Dry Leaves 2012 Fotografía sobre papel / photograph on paper 100 x 80 cm


The Wet Feet series. Lost Boats, Fig. 1 Installation views of « Wet Feet and More », solo show at Galerie Polaris, Paris, 2012

The Mapping Journey Project 2008-2011 Producido entre 2008 y 2011, The Mapping Journey Project es una instalación compuesta por 8 videos de un solo canal. El objetivo de este proyecto es trazar una práctica alternativa de elaboración de mapas, desde la perspectiva de individuos obligados a cruzar fronteras ilegalmente. Cada uno de los videos consiste en una sola toma estática. En ellos, una mano que sostiene un rotulador permanente dibuja literalmente en un mapa las tortuosas y complejas rutas que cruzan las fronteras generadas por los viajes ilegales forzados, mientras que fuera de la pantalla, los narradores relatan el viaje.

Produced between 2008 and 2011, The Mapping Journey Project is an installation composed of 8 single channel videos. This project aims to draw an alternative practice of map-making elaborated and shaped from the perspective of individuals forced to cross borders illegally. Each of the videos is based on one long static shot. A hand holding a permanent marker draws literally on a map the tortuous and complex roads across borders that forced illegal journeys generate, while off-screen the narrators recounts factually the journey.


The Mapping Journey Project 2008-2011 Video instalation View at the 10th Sharjah Biennale, 2011


The Mapping Journey Project 2008-2011 Installation views, solo exhibition “Bouchra Khalili: The Mapping Journey Project”, The Museum of Modern Art, New York, 2016 Edition of 5


The Constellations Series 2011 8 impresiones sobre papel / 8 prints on paper 62 x 42 cm Cada una de las Constelaciones reproduce cada uno de los dibujos producidos por los participantes en The Mapping Journey Project, traduciendo literalmente los viajes contados en los videos en forma de constelaciones de estrellas como se han utilizado en la astronomía durante siglos. Each of the Constellations reproduces each of the drawings produced by participants in The Mapping Journey Project, literally translating the journeys recounted in the videos in the form of constellations of stars as they have been in use in astronomy has for centuries.


The Constellations Series, Fig. 1 2011 Impresión sobre papel, montada en alumino y enmarcada / print on paper, mounted on aluminium and framed 62 x 42 cm Edition of 5


Biografía / Biography


BOUCHRA KHALILI (Casablanca-Morocco, 1975)

Bouchra Khalili és una artista visual nascuda al Marroc i assentada a Berlín. Va estudiar cinema en la Sorbonne Nouvelle i arts visuals en la École Nationale Supérieure d'Arts de Paris-Cergy. La seva pràctica basada en el cinema, la instal·lació, la fotografia i el gravat, articula el llenguatge, la subjectivitat, l'oralitat i les exploracions geogràfiques. Cadascun dels seus projectes investiga estratègies i discursos de resistència elaborats, desenvolupats i narrats per individus que sovint formen part de minories polítiques apartats pel model de l'Estat-nació. El seu treball s'ha mostrat en nombroses exposicions internacionals, com en documenta 14, la 55a Biennal de Venècia, la 18a Biennal de Sydney, la 10a Biennal de Sharjah, la 6a Biennal de Marrakech. Ha tingut exposicions individuals en el Museu de Belles arts (Boston), en la Galeria Nacional Jeu de Paume (París), en el Museu Folkwang (Essen), en la Secessió (Viena), en el Centre de les Arts Wexner, en el MoMA (Nova York), MACBA (Barcelona), Palais de Tòquio, entre d’altres.

Bouchra Khalili es una artista visual nacida en Marruecos y asentada en Berlín. Estudió cine en la Sorbonne Nouvelle y artes visuales en la École Nationale Supérieure d'Arts de Paris-Cergy. Su práctica basada en el cine, la instalación, la fotografía y el grabado, articula el lenguaje, la subjetividad, la oralidad y las exploraciones geográficas. Cada uno de sus proyectos investiga estrategias y discursos de resistencia elaborados, desarrollados y narrados por individuos que a menudo forman parte de minorías políticas invisibilizados por el modelo del Estado-nación. Su trabajo se ha mostrado en numerosas exposiciones internacionales, como en documenta 14, la 55ª Bienal de Venecia, la 18ª Bienal de Sydney, la 10ª Bienal de Sharjah, la 6ª Bienal de Marrakech. Ha tenido exposiciones individuales en el Museo de Bellas Artes (Boston), en la Galería Nacional Jeu de Paume (París), en el Museo Folkwang (Essen), en la Secesión (Viena), en el Centro de las Artes Wexner, en el MoMA (Nueva York), MACBA (Barcelona), Palais de Tokyo, entre otros.

Bouchra Khalili is a Moroccan-born Berlin-based visual artist. She studied Film at Sorbonne Nouvelle and Visual Arts at the École Nationale Supérieure d'Arts de Paris-Cergy. Her practice based on film, installation, photography and printmaking, articulates language, subjectivity, orality, and geographical explorations. Each of her projects investigates strategies and discourses of resistance as elaborated, developed, and narrated by individuals, often members of political minorities rendered invisible by the nation-state model. Her work has been shown in many international exhibitions including at documenta 14, the 55th Venice Biennale, the 18th Sydney Biennale, the 10th Sharjah Biennale, the 6th Marrakech Biennale. She has had solo exhibitions at the Museum of Fine Arts (Boston), Jeu de Paume National Gallery (Paris), Museum Folkwang (Essen), Secession (Vienna), Wexner Center for the Arts, MoMA (New York), MACBA (Barcelona), Palais de Tokyo, among others.


EXPOSICIONES INDIVIDUALES / SOLO SHOWS 2020 Foreign Office. Kunstforenings, Oslo The Nordic Chapter. Fotogalleriet, Oslo The Opposite of Voice-Over. Smithsonian Museum, Washington DC 2019 The Tempest Society. Athens Festival, Greece Poets & Witnesses. Museum of Fine Arts, Boston New Façade. Site-specific installation for the 50th anniversary of NBK. NBK, Berlin 2018 Twenty-Two Hours & The Tempest Society. Museum Folkwang, Essen Blackboard. Jeu de Paume, Paris Bouchra Khalili. Secession, Vienna Artapes: Bouchra Khalili. Maxxi Museum, Rome Foreign Office. Radcliffe Institute, Harvard University The Tempest Society. Theater Common / Goethe Institute, Tokyo The Tempest Society. Serpentine Cinema, Serpentine Galleries, London 2017 Bouchra Khalili. Lisson Gallery, London Living Labour. Wexner Center for the Arts Bouchra Khalili. CAAC, Sevilla The Tempest Society, Ibsen National Theater, Skien, Norway 2016 The Mapping Journey Project. MoMA, Museum of Modern Art, New York The opposite of Voice-Over. Färgfabriken Konsthall, Stockholm 2015 Foreign Office. Palais de Tokyo, Paris Garden Conversation. MACBA, Barcelona Foreign Office. ADN Galeria, Barcelona 2014 Bouchra Khalili. Art Dubai The Player. Frac Poitou-Charentes, France The Seaman, ADN Galeria. Loop Video Art, Barcelona


2013 Living Labour. PAMM, Miami The Opposite of the Voice-Over. Justina M. Barnicke Gallery, Toronto Wet Feet and More. DAAD Galerie, Berlin The Mapping Journey Project. CAC, La Passerelle, Brest The Seaman. Freedman Gallery, Albright College 2012 Wet Feet and More. Galerie Polaris, Paris Wet Feet. Tarragona Art Center Short Films by Bouchra Khalili. German Cinematheque Museum, Berlin Short Films by Bouchra Khalili. Film Institut, Frankfurt Bouchra Khalili at The Wapping Project. Wapping Project, London 2011 Bouchra Khalili, Galerie of Marseille, Loop Video Art, Barcelona. “Best Project Award" 2008 Storytellers. Galerie of Marseille EXPOSICIONES COLECTIVAS / GROUP EXHIBITIONS 2019 The Warmth of Other Suns, The Phillips Collection, Washington DC Europa Endlos. Kunsthal Charlottenborg, Copenhagen Golden Hour, MuMo, Paris Picasso and the Exodus, Les Abattoirs, Toulouse BienalSur, CCK, Buenos Aires Stars are close. MMAG Foundation, Amman 2018 Road to Justice. Maxxi, Rome Artes Mundi 8. Cardiff National Museum Persona Grata, MAC/VAL, Vitry Musée(s) en Oeuvre. Centre Pompidou, Paris 2017 Documenta 14, Athens / Kassel La Terra Inquieta. Triennale di Milano, Palazzo Triennale, Milan Holland Festival, International Performing Art Festival, Amsterdam El Borde de una Herrida, Centro Centro, Madrid Asian Biennale, Taipei National Museum


2016 6th Marrakech Biennale The Mediterranean as conflict. IVAM, Valencia Institute of Modern Art Telling Tales. MCA, Museum of Contemporary Art, Sydney Uncertain States. Akademie der Künste, Berlin Le Musée Égaré. Printemps de Septembre, Museum Paul Dupuy Par les lueurs. Frac Aquitaine, Bordeaux Beachhead´s PEACE OF MIND. Artspace, Auckland, New Zealand. Fireflies in the Night Take Wing. Niarchos Cultural Center, Athens, Greece. Streamlines. Metaphorical and Geopolitical Interpretations of the Oceans. Deichtornhallen, Hamburg La Ville Au Loin (The City Faraway). FRAC - Centre, Orleans Utopies, Espoirs, Colères. Centre de photographie de Lectoure 2015 A Story Within A Story. 8th Goteborg Biennale Europe: The Future of History. Kunsthaus, Zurich Common Grounds. Museum Villa Stuck. Munich Chassés- croisés. Frac Nord-Pas-de-Calais, Dunkerque Mare Medi Terraneum. Es Baluard, Palma de Mallorca All roads lead to Schengen. Frac Lorraine, Metz Translocations. Arts Santa Monica, Barcelona Speaking to History. Extra City Kunsthal, Antwerp A Republic of Art. Vanabbe Museum, Eindhoven En y entre geografías. MAMM, Medellin Museum of Modern Art Memorias Imborrables. MARCO, Museo de Arte Contemporanea de Vigo, Spain Reading Exercises. Leonard & Bina Ellen Art Gallery, Concordia University, Montreal Streamlines. Deichtorhallen, Hall for Contemporary Art, Hamburg In Search For A Radical Incomplete, A Perfect Animal Within. Stacion, Center for Contemporary Art Prishtina Moving Image Art Across The Arab World. Malmö Konsthall, Malmö 2014 Here & Elsewhere. The New Museum, New York Positions. Vanabbe Museum, Eindhoven Parle pour toi, Marian Goodman Gallery, Paris Giving Contours to Shadows, N.B.K, Berlin Journal, ICA (Institute for Contemporary Art), London Committed artists? Maybe, Gulbenkian Foundation, Lisbon Unerasable Memories, Sesc Pompeia, Sao Paulo A Thousand of Him, Scotland's Centre for Photography, Edinburgh Mind The Map, Punkt Ø Galleri F 15, Momentum Kunsthall, Norway Cómplices y testigos, ADN Galeria, Barcelona Constellations, Frac Nord Pas de Calais, Dunkerque Tentura and Antitentura, Studio Gallery, Budapest Garden and Spring, Abraaj Group Art Prize, Art Dubai


2013 The Encyclopedic Palace, Venice Biennale, 55th International Exhibition Mehr Licht, 5th Moscow Biennale Salon der Angst. Wien Kunsthalle, Wien FREIHEIT ! Kunstpalais, Erlangen Cross-Borders. Museum of Contemporary Art at ZKM, Karslruhe Aparatus Criticus & Locus, Künstlerhaus, Stuttgart Desirance, Galerie Polaris, Paris Mécanique des Fluides. Cécile Fakhoury Gallery. Abidjan, Ivory Coast Labor Berlin: Drifting. Haus der Kulturen Der Welt, Berlin Imagined Places. Tropenmuseum, Amsterdam Mirages d’Orient. Yvon Lambert Collection, Avignon Ici, Ailleurs. Marseille-Provence, European Capital of Culture. La Friche, Marseille Histoires Parallèles / Pays mêlés. Carré d’Art, Nîmes Models for Taking Part. Kenderdine Art Gallery, Saskatoon 2012 Intense Proximity, La Triennale. Palais de Tokyo, Paris All our relations. 18th Biennale of Sydney Wide Open School. Hayward Gallery, London Re-Oriented. Havremagasinet. Boden, Sweden You have been there. Marian Goodman Gallery, New York Becoming voice. South London Gallery, London FIAC, Grand Palais, Paris Once upon a time. Arts Santa Monica, Barcelona J'ai deux amours. Cité Nationale de l'Immigration, Paris Live rightly, die, die … Dazibao, Montréal Uncanny Journey. Dienstgebaüde Artspace, Zurich Videobrasil 17 : International Contemporary Art Festival. SESC Belenzinho. Sao Paulo Le Retour. Museum of Modern and Contemporary Art, Algiers Always Moving Forward. Gallery of Peterborough, Ontario Hydrarchy - Transitional & Transformative Seas. Contemporary Image Collective, Cairo Drift - an exploration of urban & suburban landscapes. Sharjah Art Museum 2011 Mapping Subjectivity, II. MoMA, New York You have been there. Marian Goodman Gallery, Paris Dans le Palais de Cristal. CA’ASI, Venice. Venice Biennial. « Collateral Event » Plot for a Biennial: 10th Sharjah Biennial. Sharjah Art Foundation Locus Agonistes: Practices and Logics of the Civic. Beirut Art Center New Work From France, Hamilton Gallery, Canada Borders. Gulbenkian Foundation, Lisbon


Tandem Paris / Buenos Aires. Centro Cultural Recoleta, Buenos Aires Archives of displacement. Açik Ekran, Istanbul Arte video francés contemporáneo. CUC (Centro Cultural Universitario Tlatelolco), Mexico Contemporary African Films. Berkeley Art Musem / Pacific Film Archives The Permanent Longing for Elsewhere, Gallery TPW, Toronto Reframing Reality. Museum of Contemporary Art, Roskilde Frontières/Borders, Cape Town National Gallery, South Africa Spectrum Shorts. 40th Rotterdam International Film Festival 2010 New Work from France. Studio Museum in Harlem, New York Spatial City, An architecture of Idealism. Museum of Contemporary Art, Detroit Whose Map is it ? INIVA, London Always Moving Forward. Gallery 44, Centre for Contemporary Photography, Toronto Là où se fait notre histoire. Works from Frac Corse collection, Corte, France Frontières/Borders, Johannesburg Art Gallery, South Africa Strangers. Haus der Kulturen der Welt, Berlin The Spacemakers. Delfina Foundation. Tent Gallery, Edinburgh Broken Films, Goethe Institute, Cairo Frontières/Borders. French Cultural Center, Maputo Home Sweet Home. Werkstatt der Kulturen, Berlin Strangers. Filmoteca Espanola, Madrid. Frontières/Borders. La Centrale Electrique, European Center of Contemporary Art, Brussels Villes-Frontières. Les Abattoirs, Casablanca & French Institute, Fès, Morocco Résonances, Marrakech Art Museum 2009 2nd Thessaloniki Biennial. Thessaloniki, Greece El Sur de Nuevo. Reina Sofia National Museum, Madrid The Other Shadow of the City. Al Hoash, Palestinian Art Court, Jerusalem 8th African Photography Biennial. Mali National Museum, Bamako Images Multiples. Le Lieu Unique, Nantes Tarjama/Translation. Queens Museum of Art, New York This Land is Your Land. Center for Contemporary Arts, Glasgow Emergent Film and Contemporary Art. Haus der Kulturen der Welt, Berlin Looking Inside Out. Kunstnernes Hus, Oslo Crossings. Reina Sofia National Museum, Madrid Continents à la dérive. Centre Régional d’Art Contemporain, Sète This Living of Others. Art Projects at Art Dubai, Dubai VideoStudio # 2 : Psychogeography. The Studio Museum, New York MultiPistes Parties. Meener deWitt, Amsterdam Spectrum : Shorts. 38th Rotterdam International Film Festival


2008 Middle East Channel : Résistances I & II. The Third Guangzhou Triennial. Guangzhou Où va le Cinéma ? Centre Georges Pompidou, Paris Iconoclastes : Les Territoires de l'Esprit. Anne de Villepoix Gallery, Paris Home ? Villa des Tourelles Gallery, Nanterre Identity in Transit, Sala Uno, International Center of Contemporary Art, Rome Next, The Invitational Exhibition for Emerging Art, Chicago Lien/Delien. Reina Sofia Museum, Madrid Vues Aériennes. Cinéma du Réel. Centre Georges Pompidou, Paris On the Edge of Empire: Explorations of the Time-Image. Pioneer Theater. New York

PREMIOS Y RESIDENCIAS / AWARDS & RESIDENCIES 2019: OSI Arts Exchange Award, New York 2019: Institute for Ideas and Imagination Fellowship, Columbia’s Global Center, Paris 2018: Finalist of the Guggenheim's Hugo Boss Prize 2018: Finalist of the Artes Mundi Prize 8 2017-2018: Radcliffe Institute for Advanced Study Fellowship, Harvard University 2017: Ibsen Award, Ibsen National Theater, Skien, Norway 2014: Abraaj Art Prize 2014 2013: Sam Art Prize, Sam Art Projects Foundation, Paris 2012: DAAD-Artists In Berlin 2011–2013: Vera List Center for Art and Politics Fellowship, The New School, New York 2011: Best Project Award. Loop Video Art, Barcelona. 2011: Grant for Artist, Paris City Cultural Affairs. 2011: Archipéliques Program. Support for the production of The Wet Feet Series 2010: Villa Médicis, CulturesFrance Hors les Murs Award 2009: ArtSchool Palestine: Artist in Residence Program, Ramallah 2009: Videobrasil Residency Award 2007: Image/Mouvement Grant, French National Centre for Visual Arts 2005: Louis Lumière Prize, Film Office, French Ministry of Foreign Affairs 2003: Special Prize of The Jury, Festival of Southern Cinema, Milan 2001-2002: La Cité des Arts Residency Program, Paris


Bibliografía / Bibliography


News: 3 The Radical Ally Gato Negro, Mexico City; MFA, Boston, 2019


The Tempest Society Book Works: London, 2019

Blackboard Jeu de Paume; Presses du Réel: Paris, 2018


BOUCHRA KHALILI Foreign Office Sam Art Projects; Palais de Tokyo: Paris, 2015

BOUCHRA KHALILI Story Mapping BCD; Presses du Réel: Paris, 2011

Prensa / Press


Artforum. April 2017.


Artforum´s December Issue designates "The Mapping Journey Project" by Bouchra Khalili as one of the best shows of 2016. The exhibition was on display at MoMA The Museum of Modern Art from April to October, 2016. The work is also considered among the best in 2016.


Frieze. Review. 25th Anniversary Issue. September 2016.


Bouchra Khalili · 2019. 7. 10. · Bouchra Khalili c/ Enrique Granados, 49 08008 Barcelona T....

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