Blur Setlist México 2015
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Transcript of Blur Setlist México 2015
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"Go Out"
I'm gettin' sad alone
Dancing with myself
Greedy go-getter goal
The luxury of stealth
I'm seedy and the whole
Dancing with myself
I get into my bed
I do it to myself
To the local,
To the lo-o-o, I go out
To the local
By myself
To the local
I did it to my head
There's nothing to be addressed now
There's nothing to get up about
Cause we do it all the time
The shepherd is undone
Done it all again
I get ready to go
The greed go-getter con
e going to the local
e going to the local
!-ohh
e going to the local
e going to the local
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To many western men
It's a problem left undone
Imperious design
The purpose of luxury
" greedy go-getter in the s#y bar
$he all alone
$he get ready to go
$he does it with herself
$he does it with herself
$he does it with herself
$he does it on her own
$he does it on her own
"There's No Other Way"
%ou're ta#ing the fun
!ut of e&erythinga#ing me run
(hen I don't want to thin#
%ou're ta#ing the fun
!ut of e&erything
I don't want to thin# at all
)Chorus*
There's no other way
There's no other way
"ll that you can do
Is watch them play
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%ou're ta#ing the fun
!ut of e&erything
%ou're ma#ing it clear
(hen I don't want to thin#
%ou're ta#ing me up
(hen I don't want to go up anymore
I'm +ust watching it all
)repeat chorus*
"Lonesome Street"
(hat do you got
ass produced in somewhere hot
%ou'll ha&e to go on the nderground
To get things done here
."nd then you ha&e to see/
If you need a yellow duc# - ser&ice done
This is a place to come to, or, well, it wasI #now a hot spot
Crossing on the guillotine
"nd if you ha&e nobody left to rely on
I'll hold you in my arms and let you drift
It's got to be that time again
"nd 0une, 0une will be o&er soon again
$o get yourself up, get past on your way
There's nothing to be ashamed of
Ta#ing o1 again
The 234 to 5ast Grinstead
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.%ou'&e sent me o1 to see/
(e're going up, up, up, up, up
Coursing on our greatest night
"nd tal#ing types will let us down, again
Tal#, tal# on your arse all night
%ou wanna be there
$tep inside the tarmac ride
To the land that crime forgot
!h, +ust don't go there
Crac#s inside the tarmac ride
To the land that crime forgot, oh no
"nd if you ha&e nobody left to rely on
I'll hold you in my arms and let you drift
Going down to 6onesome $treet
Going down to 6onesome $treet
6onesome $treet
Going down to 6onesome $treet
6onesome $treet
Going down to 6onesome $treet
6onesome $treet
"Badhead"
$o far I'&e not really stayed in touch
(ell you #new as much it's no surprise that today
I'll get up early too from a lac# of anything to do
"nd i might as well +ust grin and bear it
Because it's not worth the trouble of an argument
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"nd you ha&e not really stayed in touch
(ell I #new as much it's no surprise that today
I get up for round two with nothing to do
5xcept get a touch of 7u
"nd i might as well grin and bear it
Because it's not worth the trouble of an argument
"nd in any case i'd rather wear it
It's li#e a badhead in the morning
"nd I #now
"nd i might as well grin and bear it
Because it's not worth the trouble of an argument
"nd in any case i'd rather wear it
It's li#e a badhead in the morning
)8epeat*
"Ghost Ship"
I remember 7ashbac#s lighting up magic whip
5ight o'cloc#, 9owloon emptiness, handle it
The wide old sea image I had to &iew 33 seconds ago
I didn't send you, so you will ne&er #now
I got away for a little while
But then it came bac# much harder
$winging on the cable line to :o 6in
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Climbing down the ghostly wine in a battery
That light in your eyes, I search for religiously
!h, when it's not there, oh 6ord, it's hurting me
I got away for a little while
But then it came bac# much harder
Till I e&er hold you bac# there again
(ill you be mine
Cause I'm on a ghost ship dri&ing my heart
In ong 9ong
It's the last ride boarding here tonight
!ut in the bay .out in the bay/, I need a lightning in you to shine out
Bright race
;eelin' outta body here, what can I do
It's up to the top e&eryday to +oin here with you
I had to get away for a little while
But then it came bac# much harder
"Cofee & TV"
Do you feel li#e a chain store
:ractically 7oored
!ne of many
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$o gi&e me Co1ee and T=
istory
I'&e seen so much
I'm goin' blind
"nd I'm brain-dead &irtually
$ociability
It's hard enough for me
Ta#e me away from this big bad world
"nd agree to marry me
$o we can start o&er again
Do you go to the country
It isn't &ery far
There's people there who will hurt you
'Cause of who you are
%our ears are full of the language
There's wisdom there you're sure
'Til the words start slurring
"nd you can't >nd the door
$o gi&e me Co1ee and T=
istory
I'&e seen so much
I'm goin' blind
"nd I'm brain-dead &irtually
$ociability
It's hard enough for me
Ta#e me away from this big bad world
"nd agree to marry me
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$o we can start o&er again
$o gi&e me Co1ee and T=
istory
I'&e seen so much
I'm goin' blind
"nd I'm brain-dead &irtually
$ociability
It's hard enough for me
Ta#e me away from this big bad world
"nd agree to marry me
$o we can start o&er again
!h???we could start o&er again
!h???we could start o&er again
!h???we could start o&er again
!h???we could start o&er again
"Out O Time"
(here's the lo&e song
To set us free
Too many people down
5&erything turning the wrong way around
"nd I don't #now what lo&e will be
But if we start dreaming now
6ord #nows we'll ne&er lea&e the clouds
)C!8$@*
"nd you'&e been so busy lately
that you ha&en't found the time
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To open up your mind
"nd watch the world spinning gently out of time
;eel the sunshine on your face
It's in a computer now
Gone to the future, way out in space
Tell me I'm not dreaming but are we out of time
.(e're/ out of time
!ut of time )x4*
"Thought Was ! Spaeman"
Thought I was a spaceman
Digging out my heart
In some distant sand dunes
In a carpar#
Cause the desert had encroached upon
The places where we li&e
:eople li#e me >nd it
To #eep the day upset
But we ne&er succeeded
(e ne&er succeeded
In fact we failed
Thought I was a spaceman
Digging out my heart
In some distant sand dune
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In a car par#
By the empty harbor
(here the +un#ball phantoms 7ow
The >ght for happy &alley
$adly, the line wrote
Thought I found my blac# box
(ashed up on the shore
"ll outlying islands
(hat's the land for
Thought I thought I'd found it
But that was not true at all
I'd wal#ed into a bar
8aised hell
Cut the cast without me
"lways and always the same
But the ghost in writing
"nd let it be you again
Thought I was a spaceman
Digging out my heart
In some distant sand dune
In yde :ar#
Thought I was a spaceman
Digging up my heart
In some distant sand dune
%ou again
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Thought I was a spaceman
Digging up my heart
In some distant sand dune
%ou again
%ou again
%ou again
"Trimm Tra##"
I got no style
I'll ta#e my time
"ll those losers on the piss again
I dose dose away
That's +ust the way it is
That's +ust the way it is
I'&e got trimm trabb
6i#e the 7ash boys ha&e
"nd I can't go bac#
6et it 7ow, let it 7ow
I sleep alone
I sleep alone
That's +ust the way it is
0ust the way it is
0ust the way it is
0ust the way it is
0ust the way it is
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That's +ust the way it is
I got trimm trabb
6i#e the 7ash boys ha&e
"nd I can't go bac#
6et it 7ow, let it 7ow
I sleep alone
I sleep alone
"Beet$e#um"
Beetlebum
(hat you'&e done
$he's a gun
Aow what you'&e done
Beetlebum
Get nothing done
%ou beetlebum +ust get numb
Aow what you'&e doneBeetlebum
)Chorus*
"nd when she lets me slip away
$he turns me on all my &iolence is gone
Aothing is wrong
I +ust slip away and I am gone
Aothing is wrong
$he turns me on
I +ust slip away and I am gone
Beetlebum
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Because you're young
$he's a gun
Aow what you'&e done
Beetlebum
$he'll suc# your thumb
$he'll ma#e you come
Co
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Bu
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I am in control
"s the local delegator
Ao calls today dear they'll +ust ha&e to wait dear
I o1er no guarantee at all
$o don't ta#e it lightly you'll put yourself under
%ou're made up too shiny today .in so much trouble/
Thoughts are +ust pissing away .in so much trouble/
" new type face and new day .in so much trouble/
%ou can't remember ten minutes ago .in so much trouble/
It's too much trouble
%ou're made up too shiny today .in so much trouble/
Thoughts are +ust pissing away .in so much trouble/
" new type face and new day .in so much trouble/
%ou can't remember ten minutes ago .in so much trouble/
It's too much trouble
6a la la la la
6a la la la )to fade*
"Tender"
Tender is the night
6ying by your side
Tender is the touch
!f someone that you lo&e too much
Tender is the day
The demons go away
6ord I need to >nd
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$omeone who can heal my mind
Come on, Come on, Come on
Get through it
Come on, Come on, Come on
6o&e's the greatest thing
Come on, Come on, Come on
Get through it
Come on, Come on, Come on
6o&e's the greatest thing
That we ha&e
I'm waiting for that feeling
I'm (aiting for that feeling
(aiting for that feeling to come
!h my baby
!h my baby
!h why
!h my
)x*
Tender is the ghost
The ghost I lo&e the most
iding from the sun
(aiting for the night to come
Tender is my heart
I'm screwing up my life
6ord I need to >nd
$omeone who can heal my mind
Come on, Come on, Come on
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Get through it
Come on, Come on, Come on
6o&e's the greatest thing
Come on, Come on, Come on
Get through it
Come on, Come on, Come on
6o&e's the greatest thing
That we ha&e
I'm waiting for that feeling
I'm (aiting for that feeling
(aiting for that feeling to come
!h my baby
!h my baby
!h why
!h my
)x*
Come on, Come on, Come on
Get through it
Come on, Come on, Come on
6o&e's the greatest thing
Come on, Come on, Come on
Get through it
Come on, Come on, Come on
6o&e's the greatest thing
That we ha&e
I'm waiting for that feeling
I'm (aiting for that feeling
(aiting for that feeling to come
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!h my baby
!h my baby
!h why
!h my
)x*
Tender is the night
6ying by your side
Tender is the touch
!f someone that you lo&e too much
Tender is my heart you #now
I'm screwing up my life
!h 6ord I need to >nd
$omeone who can heal my mind
Come on, Come on, Come on
Get through it
Come on, Come on, Come on
6o&e's the greatest thing
Come on, Come on, Come on
Get through it
Come on, Come on, Come on
6o&e's the greatest thing
That we ha&e
I'm waiting for that feeling
I'm (aiting for that feeling
(aiting for that feeling to come
!h my baby
!h my baby
!h why
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!h my
)x*
"ar$ie"
Con>dence is a preference for the habitual &oyeur of what is #nown as.par#life/
"nd morning soup can be a&oided if you ta#e a route straight through what is#nown as
.par#life/
0ohn's got brewers droop he gets intimidated by the dirty pigeons
They lo&e a bit of it .par#life/
(ho's that gut lord marching??? you should cut down on your por#life mate???get some
5xercise
)Chorus*
"ll the people
$o many people
They all go hand in hand
and in hand through their par#life
9now what I mean
I get up when I want except on (ednesdays when I get rudely awa#ened by thedustmen
.:ar#life/
I put my trousers on, ha&e a cup of tea and I thin# about lea&ing the house.par#life/
I feed the pigeons I sometimes feed the sparrows too it gi&es me a sense of enormous well
Being .par#life/
"nd then I'm happy for the rest of the day safe in the #nowledge there willalways be a bit
!f my heart de&oted to it .par#life/
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)Chorus*
:ar#life .par#life/
:ar#life .par#life/
It's got nothing to do with &orsprung durch technic you #now
"nd it's not about you +oggers who go round and round and round
:ar#life .par#life/
)Chorus x *
"Song ("
I got my head chec#ed
By a +umbo +et
It wasn't easy
But nothing is
Ao
)chorus*
(oo-hoo
(hen I feel hea&y-metal
"nd I'm pins and I'm needles
(ell, I lie and I'm easy
"ll the time but I am ne&er sure
(hy I need you
:leased to meet you
I got my head down
(hen I was young
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It's not my problem
It's not my problem
)repeat chorus*
%eah yeah
%eah yeah
%eah yeah
!h yeah
"Ong Ong"
6a la la
6a la la
6a la la???
I got on a boat on a hot sunny day
To get out of this town
Cause the tarmac was melting and the people seemed to sway$tuc# in the underground
To the isle of the blac# #ites and the wishing tree
I wanna be with you
!n the slow boat to 6antau through misty seas
I wanna be with you
I pulled out the harbour with precession behind
"nd I'm feeling the lo&e of you
$o you better get to charge until I see you again
%ou #now +ust what to do
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If you're caught up in the gales on the +un# boat sea
I wanna be with you
(hit the pilgrims the mountains in the high trape
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)Chorus*
(ell you and i
Collapsed in lo&e
"nd it loo#s li#e we might ha&e made it, yes it loo#s li#e we'&e
ade it to the end
(hat happened to us
$oon it will be gone fore&er
Infatuated only with oursel&es
"nd neither of us can thin# straight anymore
)Chorus x *
"This s ! Lo)"
"nd into the sea goes pretty 5ngland and me
"round the Bay of Biscay and bac# for tea
it traEc on the dogger ban#
p the Thames to >nd a taxi ran#$ail on by with the tide and go asleep
"nd the radio says
)Chorus*
This is a low
But it won't hurt you
(hen you are alone it will be there with you
;inding ways to stay solo
!n the Tyne forth and Cramity
There's a low in the high forties
"nd $aturday's loc#ed away on the pier
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Aot fast enough dear
!n the alin head, Blac#pool loo#s blue and red
"nd the Fueen, she's gone round the bend
0umped o1 6and's 5nd
"nd the radio says
)Chorus x *
"Stereotypes"
The suburbs they are dreaming, they are a twin#le in her eye
$he's been feeling fris#y since her husband said goodbye
$he wears a low cut t-shirt runs a little bmw
$he's most accommodating when she's in her lingerie
(ife swapping is the future, you #now that it would suit you
)Chorus*
%es, they're stereotypes, there must be more to life
"ll your life you are dreaming and then you stop dreaming;rom time to time you #now you should be going on another bender
The suburbs they are sleeping but she's dressing up tonight
$he li#es a man in uniform he lo&es to wear it tight
They are on the lo&er's sofa they are on the patio
"nd when the fun is o&er watch themsel&es on &ideo
The neighbours may be staring, but they are +ust past caring
)repeat chorus*
%es, they're must be more to life, they're stereotypes
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(ife swapping is the future, you #now that it would suit you
)repeat chorus*
"Gir$s !nd Boys"
$treet's li#e a +ungle
$o call the police
;ollowing the herd
Down to Greece
!n holiday
6o&e in the H's
Is paranoid
!n sunny beaches
Ta#e your chances loo#ing for
)Chorus*
Girls who are boys
(ho li#e boys to be girls(ho do boys li#e they're girls
(ho do girls li#e they're boys
"lways should be someone you really lo&e
"&oiding all wor#
Because there's none a&ailable
6i#e battery thin#ers
Count your thoughts on 3 4 2 >ngers
Aothing is wasted
!nly reproduced
Get nasty blisters
Du bist sehr schon
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But we ha&en't been introduced
)Chorus*
"*or Tomorro)"
e's a twentieth century boy, with his hands on the rails
Trytng not to be sic# again and holding on for tomorrow
6ondon ice crac#s on a seamless line, he's hanging on for dear
6ife
$o we hold each other tightly and hold on for tomorrow?
)chorus*
$inging la la la la la
olding on for tomorrow
$he's a twentieth century girl, with her hands on the wheel
Trying not to ma#e him sic# again, seeing what she can borrow
6ondon's so nice bac# in your seamless rhymes, but we're lost on The westway
$o we hold each other tightly and hold on for tomorrow
)chorus*
)middle*
Trying not to be sic# again and holding on for tomorrow?
$he's a twentieth century girl hanging on for dear life
$o we hold each other tightly and hold on for tomorrow
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)chorus*
.0im stops and gets out the car, goes to a house in emperorJs gate,
Through the door and to his rrom, then he puts the t& on, turns
It o1 and ma#es some tea, says modern life it's rubbish, then
$usan comes into the room, she's a naught girl with a lo&ely
$mile and says let's ta#e a dri&e to primrose hill it's windy
There and the &iew is so nice, london ice can free
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(ell, here's your luc#y day
It really, really, really could happen
%es, it really, really, really could happen
(hen the days they seem to fall through you, well +ust let them go
(ell, it really, really, really could happen
%es, it really, really, really could happen
(hen the days they seem to fall through you, well +ust let them go
0ust let them go