Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages...
Transcript of Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages...
Black[Foundry]Type+Tech®
Tosh, version 1.0Primal hybrid geometric, 2 Stylesby Jérémie Hornus, Ilya Naumoff, Benjamin Blaess
↬TOSH A↬TOSH B
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PRIMAL & GE⚫Hybrid Geometric
AboutTosh
TOSH – A PRIMAL GEOMETRIC HYBRIDCan a typeface channel an artistic movement?
After Impressionism, some painters expressed themselves through styles called primitive or naïve. Decades into postmodernism, we still lack typefaces with that primal spirit. Tosh meets this challenge, reducing characters to their essential energy instead of their most-minimal shapes. It engages in discourse with the sans-serif genre, combining two typologies of geometric letterforms in one typeface.
Many of Tosh’s characters burst out of their boundaries, and this is a key feature of the typeface. Ligatures develop on-the-fly, not just as OpenType substitutions, because part of one letter often overlaps the next. The right side of the “k”, for instance – or either side of the “r” – naturally fuses with several other letters, including “i” and “t”. The top of Tosh’s “f ” juts out over the character following it, too.
This modern hybrid mixes raw geometry, leading to the unexpected. Tosh’s design is modern: drawn, not written. Every detail was thought out in advance; even the tops of the lowercase ascenders come to the exact height as tops of the capital letters. Tosh A is the more geometric of the two variants, while Tosh B is more constructed. Tosh B also has more slab serifs for on-the-fly ligature generation, such as on the “d”, “g” and “q”, etc. A and B are both raw because their letterforms feature almost no modulation. Tosh A has
some barely discernible thinning where curved elements join up against the vertical ones but many of Tosh B’s characters rely on different constructions altogether, making even that kind of finesse unnecessary. Tosh A’s capital “C”, “G”, “O”, “Q” and lowercase “a” and “e” are almost perfectly round, but Tosh B jettisons that well-trodden geometric path for letters with an even more naïve design language. Typically-circular letters have straight sides there, making them much narrower, and instead of becoming condensed, Tosh B’s lowercase letters have straight-lines applied to them in other ways, such as in the diagonal-shaped bowl of the “a” or the flat bottoms on the “b” and “e”.
Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for Bulgarian and Serbian. In total, the typeface includes four complete sets of numerals: Tosh A and Tosh B each have lining figures in both proportional and tabular widths. Tosh B’s numerals are particularly expressive, especially the tabular “1", the closed-top forms on the “2”, a descending “5" and the flat tops on “3” and “6", along with the bottom of the “9”. Tosh A and Tosh B each include discretionary “ct” and “st” ligatures, and even though Tosh is primarily intended for display typography, it includes a robust collection of currency symbols. Finally, Tosh has dozens of arrows and other graphic ornaments with designs that are both reduced and playful at the same time.
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StylesTosh
TOSH REDUCING ▨ CHARACTERS TO ★ THEIR ESSENTIAL ENERGY↯ WITH THE SANS-SERIF ▓ GENRE, COMBINING ◈ TWO TYPOLOGIES OF GEOMETRIC LETTERFORMS ☆ IN ▒ ONE TYPEFACE ☑↤ ⇚ ← ↜ ↞ ⇐↢↫↤ ⇚ ← ↜ ↞ ⇐↢↫⇜ ⇝↬↣⇒↠↝→⇒⇝↬↣⇒↠↝→⇒↥↤ ⇚ ← ↜ ↞ ⇐↢↫↤ ⇚ ← ↜ ↞ ⇐↢↫⇜ ⇝↬↣⇒↠↝→⇒⇝↬↣⇒↠↝→⇒↥↤ ⇚ ← ↜ ↞ ⇐↢↫↤ ⇚ ← ↜ ↞ ⇐↢↫⇜
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StylesTosh
TOSH REDUCING ▨ CHARACTERS TO ★ THEIR ESSENTIAL ENERGY↯ WITH THE SANS-SERIF ▓ GENRE, COMBINING ◇ TWO TYPOLOGIES OF GEOMETRIC LETTERFORMS ☆ IN ░ ONE TYPEFACE ☑↤⇚←↜↞⇐↢↫↤⇚←↜↞⇐↢↫⇜ ⇝↬↣⇒↠↝→⇒⇝↬↣⇒↠↝→⇒↥↤⇚←↜↞⇐↢↫↤⇚←↜↞⇐↢↫⇜ ⇝↬↣⇒↠↝→⇒⇝↬↣⇒↠↝→⇒↥↤⇚←↜↞⇐↢↫↤⇚←↜↞⇐↢↫⇜
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Uppercase Latin
Uppercase Cyrillic
Lowercase Cyrillic
Arrows and dingbats
Lowercase Latin
A B C D E F G H I � � L M N O P Q R S T U � W � Y � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �
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a b c d e f g h i j k l m n o p q r s t u v w x y z � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ï � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �
Proportional default figures
Currencies
Punctuation marks
Superiors, Denominators & FractionsTabular figures OpenType accessible arrows
Case-sensitive punctuation
0123456789
₡ ₩ ₪ ₫ € ₭ ₮ ₱ ₴ ₵ ₸ ₹ ₺ ₼ ₽
.,:;...?!¿¡(){}[]/\_-–—
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+−×÷=¬~<>±^≠≈≤≥∞◊√∫∂∏πμ∑ΩΔl&¶†‡§™№#*®©ªº°%‰℮Math symbolsMiscellaneous
GlyphsetTosh A
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Uppercase Latin
Uppercase Cyrillic
Lowercase Cyrillic
Arrows and dingbats
Lowercase Latin
A � C � E F G H I � � L M N O P � R S T � � W � Y � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �
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� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �
P����������� ������� fi�����
Currencies
Punctuation marks
S��������, ������������ & F��������T������ fi����� OpenType accessible arrows
Case-sensitive punctuation
0123456789
₡₩₪₫€₭₮₱₴₵₸₹₺₼₽
.,:;...?!¿¡(){}[]/\_-–—
⁰¹²³⁴⁵⁶⁷⁸₀₁₂₃₄₅₆₇₈₉ ½ ⅓ ¼ ⅕ ⅙ ⅐ ⅛ ⅑ ⅔ ⅖ ⅙ ⅐ ¾ ⅗⅙ ⅜ ⅘ ⅗ ⅔ ⅚ ⅖ ⅝ ⅐ ⅑ ⅞ ⅘
0123456789 ←�→�������
@¿¡(){}[]-–—
+−×÷=¬~<>±^≠≈≤≥∞◊√∫∂∏πμ∑ΩΔ�&¶†‡§™№#*®©ªº°%‰℮Math symbolsMiscellaneous
GlyphsetTosh B
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TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH
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Two radically designed variants
Arrows & ornaments
Primitive/near-perfect circles in Tosh A Straight sides in Tosh B
Titling construction
GG�☑
O CHih
Design approachToshA/B
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Discretionary ligatures Cyrillic supportJoinning letters
Tabular figures
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Expressiveness �S geometry
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Design approachToshA/B
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GG
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Denominator
Numerator
Inferior
Superior
( ()){{}}[[]]- -––—— | | ¦ ¦ ¿¿¡¡««»»‹‹››
Case-sensitive punctuations
01234567890123456789₀₁₂₃₄₅₆₇₈₉⁰¹²³⁴⁵⁶⁷⁸9
½ ⅓ ¼ ⅕ ⅙ ⅐ ⅛ ⅑ ⅔ ⅖ � � ¾ ⅗ � ⅜ ⅘ � � ⅚� ⅝ � � ⅞ � �
Fractions
Bulgarian variants
Cyrillic
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FeaturesTosh A
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Denominator
Numerator
Inferior
Superior
(()){{}}[[]]- -––—— | | ¦ ¦ ¿¿ ¡ ¡««»»‹‹››
Case-sensitive punctuations
01234567890123456789₀₁₂₃₄₅₆₇₈₉⁰¹²³⁴⁵⁶⁷⁸9
Fractions
��������������
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FeaturesTosh B
½ ⅓ ¼ ⅕ ⅙ ⅐ ⅛ ⅑ ⅔ ⅖ � � ¾ ⅗ � ⅜ ⅘ � � ⅚� ⅝ � � ⅞ � �
Bulgarian variants
Cyrillic
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Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, and, now, anyone who arranges words, letters, numbers, and symbols for publica-
Typography is the work of typesetters (also known as com-positors), typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupa-tion. Digitization opened up typography to new generations
Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupation. Digitization
opened up typography to new generations of previously unrelated designers and lay users. As the capability to create typography has become ubiquitous, the application of principles and best practices developed over generations of skilled workers and professionals has diminished. So at a time when scientific techniques can support the proven traditions (e.g., greater legibility with the use of serifs, upper
Typography is the work of typesetters (also known as compositors), typographtechniques
Typographyin the world
Typography is the work of type-setters (also known as compos-itors), typographers, graphic designers, art directors, man-
Tosh A 18pt
Tosh A 13pt
Tosh A 8pt
Tosh A 33pt
Tosh A 60pt
Tosh A 24pt
LatinTosh A
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Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupation. Digitization
opened up typography to new generations of previously unrelated designers and lay users. As the capability to create typography has become ubiquitous, the application of principles and best practices developed over generations of skilled workers and professionals has diminished. So at a time when scientific techniques can support the proven traditions (e.g., greater legibility with the use of serifs, upper
Typography is the work of typesetters (also known as compositors), typographtechniques
Typographyin the world
Typography is the work of type-setters (also known as compos-itors), typographers, graphic designers, art directors, man-
Tosh B 18pt
Tosh B 13pt
Tosh B 8pt
Tosh B 33pt
Tosh B 60pt
Tosh B 24pt
LatinTosh B
TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS), TYPOG-RAPHERS, GRAPHIC DESIGNERS, ART DI-RECTORS, MANGA ARTISTS, COMIC BOO� ARTISTS, GRAFFITI ARTISTS, AND, NOW, ANYONE WHO ARRANGES WORDS, LETTERS,
TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS), TYPOGRAPHERS, GRAPHIC DESIGNERS, ART DIRECTORS, MANGA ARTISTS, COMIC BOO� ARTISTS, GRAFFI-TI ARTISTS, AND, NOW, ANYONE WHO ARRANGES WORDS, LET-TERS, NUMBERS, AND SYMBOLS FOR PUBLICATION, DISPLAY, OR DISTRIBUTION, FROM CLERICAL WOR�ERS AND NEWS-LETTER WRITERS TO ANYONE SELF-PUBLISHING MATERIALS. UNTIL THE DIGITAL AGE, TYPOGRAPHY WAS A SPECIALI�ED
Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupation. Digitization
opened up typography to new generations of previously unrelated designers and lay users. As the capability to create typography has become ubiquitous, the application of principles and best practices developed over generations of skilled workers and professionals has diminished. So at a time when scientific techniques can support the proven traditions (e.g., greater legibility with the use of serifs, upper
TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS),
TYPOGRAPHYin the world
TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS), TYPOG-RAPHERS, GRAPHIC DESIGN-
Tosh A 18pt
Tosh A 13pt
Tosh A 8pt
Tosh A 33pt
Tosh A 60pt
Tosh A 24pt
LatinTosh A
TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS), TYPOG-RAPHERS, GRAPHIC DESIGNERS, ART DI-RECTORS, MANGA ARTISTS, COMIC �OO� ARTISTS, GRAFFITI ARTISTS, AN�, NOW, ANYONE WHO ARRANGES WORDS, LETTERS,
TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS), TYPOGRAPHERS, GRAPHIC �ESIGNERS, ART �IRECTORS, MANGA ARTISTS, COMIC �OO� ARTISTS, GRAFFI-TI ARTISTS, AND, NOW, ANYONE WHO ARRANGES WORDS, LET-TERS, N�M�ERS, AN� SYM�OLS FOR P��LICATION, �ISPLAY, OR �ISTRI��TION, FROM CLERICAL WOR�ERS AN� NEWSLET-TER WRITERS TO ANYONE SELF-P��LISHING MATERIALS. �N-TIL THE �IGITAL AGE, TYPOGRAPHY WAS A SPECIALI�E� OC-
Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupation. Digitization
opened up typography to new generations of previously unrelated designers and lay users. As the capability to create typography has become ubiquitous, the application of principles and best practices developed over generations of skilled workers and professionals has diminished. So at a time when scientific techniques can support the proven traditions (e.g., greater legibility with the use of serifs, upper
TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS),
TYPOGRAPHYin the world
TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS), TYPOG-RAPHERS, GRAPHIC DESIGN-
Tosh B 18pt
Tosh B 13pt
Tosh B 8pt
Tosh B 33pt
Tosh B 60pt
Tosh B 24pt
LatinTosh B
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Tosh Light 17pt
Tosh Light 13pt
Tosh Light 8pt
Tosh Light 33pt
Tosh Light 60pt
Tosh Light 24pt
CyrillicTosh A
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Tosh Light 17pt
Tosh Light 13pt
Tosh Light 8pt
Tosh Light 33pt
Tosh Light 60pt
Tosh Light 24pt
CyrillicTosh B
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Tosh Light 17pt
Tosh Light 13pt
Tosh Light 8pt
Tosh Light 33pt
Tosh Light 60pt
Tosh Light 24pt
CyrillicTosh A
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Tosh Light 17pt
Tosh Light 13pt
Tosh Light 8pt
Tosh Light 33pt
Tosh Light 60pt
Tosh Light 24pt
CyrillicTosh B
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