1. TEMPLE OF THE HOLYFAMILY MANEL CANTOS PRESENTATIONS Blog BARCELONA COMPLET canventu@gmail.comENGLISH

2. THE WORKSHOP OF THE HOLY FAMILY(1926).THE HOLY FAMILY IN 1915.TEMPLE WORK BEGAN IN 1882, ARCHITECTS, LABORERS AND WORKERS WORK VERYRUDIMENTARY. GAUDI ASSUMED THE DIRECTION OF THE WORKS OF THE STUDY 1936 THE CIVILWAR IS DESTROYED THE WORKSHOP OF GAUDI BURN THE MAJORITY OF PLANS AND DRAWINGS.JULY 1936 3. DESTRUCTION OF GAUDI -1936STUDY DURING THE CIVIL WARTHE WORKSHOP IS DESTROYEDMOST BURNING GAUDI PLANS ANDDRAWINGS.JULY 1936 4. THE DISCOVERY IN THE MUNICIPALARCHIVES TEMPLE THE SKETCHES SIGNEDBY THE 1916 GAUD, HAS ALLOWED TOKNOW THE HEIGHTS OF THE DOME OF THEVIRGIN MARY AND OF THE EVANGELISTS.SPECIFICALLY, HAS ALWAYS SHOWN THATGAUD CONCEIVED, WITH A HEIGHT OF120 M, 1926 - YEAR OF THE DEATH OFGAUDI WITH FINISHED LA TORRE OF ST.BARNAB 5. DURING THE SPANISHGUERRA CIVIL WASDESTROYED MOST OF THEWORKSHOP IN WHICHGAUD HAD WORKED, ANDWHERE HISSKETCHES, MODELS EN1944WAS RESUMED THECONSTRUCTION OF THEHOLY FAMILY, HAD TO FIRSTDEFINE HOW TO PROCEEDTO BUILD EL TEMPLOFAITHFUL TO THE IDEAS DEGAUD 6. JHS SYMBOL (JESUS) FAANA DEL NAIXEMENT 7. WORKSHOP OF THE HOLYFAMILY - TODAY 8. 1882 YEAR BEGINNING OF WORK OF THE TEMPLE 9. BEGINNING OF YEAR 1882 WORK OF THE ONCE TEMPLE WORKS 2021 ?TEMPLE 10. FAANA DEL NAIXEMENT 1891- 1900ALL ELEMENTS ARE REMINISCENTOF LIFE. FOCUSES ON HUMAN SIDEOF THE FAMILY OF JESUS. IT ISDIVIDED IN THREEINNINGS, DEDICATED TO THETHEOLOGICAL VIRTUES OF HOPELEFT, THE TRUE FAITH, AND CHARITYIN THE CENTER CROWNED BY THETREE OF LIFE BETWEEN 1894 AND1930. THE SCULPTURE IS CARLESMANI, LLOREN MATAMALA ANDJOAN MATAMALA 11. ONE OF THE INNOVATIVE DESIGN IDEAS WAS THE HEIGHT OF THE TOWERS AT THE FRONTPARABOLIC WITH A TENDENCY TO SPIRAL UPWARD AND PIERCED WITH MANY WINDOWS 12. EN1926 GAUD DIED WHEN THERE WASONLY BUILT A TOWER. THECONSTRUCTION PLANS AND PROJECTSWERE LOST AND COULD ONLY KEEPONLY A PLASTER MODEL THAT ISDAMAGED DURING THE SPANISH CIVILWAR., THE BIRTH PORCH AND THECRYPT HAS BEEN LISTED BY UNESCOWORLD HERITAGE SITE. THE ANTONIGAUDS WORK IS ALSO 13. DOOR OF CHARITYIS ONE OF THE THREE AND ISDEDICATED TO JESUS. THEYPRETEND TO BE THE STABLE OFBETHLEHEM, ARE THE WORK OF J.I BOFARULL ROS (1981-1982). THEYARE ALSO THE STAR OFBETHLEHEM AND THE SIGNS OFTHE ZODIAC, JESUS WHEN HEWAS BORN, ANGELS ANDMUSICIANS (WITH CLASSICALINSTRUMENTS:HARP, BASSOON, VIOLIN ANDFOLK GUITAR, TAMBOURINES ANDGAITA), THE LAMB SYMBOLINNOCENCE, THE DOG AS ASYMBOL OF LOYALTY AND THE 59BEADS AROUND THE WINDOW.ON THE LINTEL OF THE DOOR OFTHE "GLORIA IN EXCELSIS DEO ETIN TERRA PAX BONAE HOMINIBUSVOLUNTATIS 14. DOOR OF HOPEDEDICATED TO THE VIRGIN MARY, THESCENES THAT THE MARRIAGE OF THEVIRGIN MARY ST. JOSEPH, THEFAMILY OF JESUS (WITH SANJOAQUIN AND SANTA ANA), THE WISEAND THE CHILD JESUS ( DOVEDEAD, A SYMBOL OF HUMILITY), THEDEATH OF THE INNOCENTS, THEFLIGHT INTO EGYPT AND THE BOATSAN JOSE IS THE TIMONEL LEADINGTO THE CATHOLIC CHURCH (THE FACEJOSE CORRESPONDS GAUD). THEPORTICO IS TOPPED BY ROCKS SUCHAS THE PINNACLES OF MONTSERRATWITH THE INSCRIPTION SAVE ENTRY.SALVANOS 15. PORCH OF FAITHDEDICATED TO ST..JOSEPH, THERE ARE THEFOLLOWING SCENES: THEIMMACULATE CONCEPTION INWHICH APPEARS IN REFERENCETO THE HOLY TRINITY, JESUSWORKED AS A CARPENTER ANDPREACHING OF JESUS IN THETEMPLE, BETWEEN FIGURES SANJUAN BAUTISTA SAN ZECHARIAH. 16. DETAIL OF ONE SIDE OF THE DOORS. OF ST.JOSEPH AND BABY JESUS, SURROUNDED BYPARENTS OF BIRTH OF JESUSFAANANAIXEMENTBIRTH OF JESUS 17. ADORATION OF THE KINGS IN THE HUIDA TO EGYPT IN THE NAIXEMENTNAIXEMENT FAANAFAANA 18. LOS ANGELES MUSICOS WITH CLASSICAL FAANA DEL NAIXEMENT THE WISE AND THEINSTRUMENTS: ARPACHILD JESUS (IN THE HAND OF A DEAD PIGEON, A SYMBOL OF HUMILITY) 19. PASTORS WORSHIP AT THE BIRTH OF JESUS IN THE NAIXEMENT FAANA 20. AT THE BASE OF THE SPINE TURTLE (LAND AND SCULPTURE OF ST. BARNABE IN ITS CURRENTSEA) AS A SYMBOL OF TIME IS UNCHANGED LOCATION IN NAIXEMENT FAANA 21. THE TEMPLE OF THE HOLY FAMILY MONUMENT - MUSEUM MOST VISITED SPAIN 22. INTERIOR OF A TOWER 23. HE DESCRIBES HIS VIEW OF THE FACADE OF THE PASSION OF GAUD AS FOLLOWS:SOMEONE WILL FIND THE DOOR TOO EXTRAVAGANT, BUT I LIKE TO SEE YOUR FEAR, AND TO GETSPARE NO CHIAROSCURO, EVERYTHING SHOULD BE AS BLEAK . ALSO, IM WILLING TO SACRIFICETHE SAME BUILDING, THE IDEA OF A BLOOD SACRIFICE. 24. THE FRONT DOOR OF THE GLORY SUBIRACHSWORKS. THE PRAYER OF THE PARE NOSTRE" CENTRAL DOOR LEFT 25. INTERIORTHE INTERIOR OF THE TEMPLE.GAUD EVOLUTION "GOTHICPROJECT PIONEERED BY THEWAYS OF NATURE BUTTRESSTHE USE OF COLUMNS IN THEFORM OF A TREE TRUNK THATALLOWS DOWNLOADING THEWEIGHT OF THE ROOFDIRECTLY ABOVE THEGROUND, PRACTICAL ANDAESTHETIC SOLUTIONCONVERTS INSIDE THE TEMPLEIN AN ORGANIC SPACE THATRESEMBLES A FOREST 26. LAS BVEDASTHE VAULTS ARE FORMED BYHYPERBOLIC LIGHT DOMESMANUFACTURED AND MODULAR TOSIMPLIFY CONSTRUCTION TO PERMITFURTHER NOTABLE DECORATIVECOMBINATIONS, HIGHLIGHT THE EFFECTOF FOREST TO WHICH WE REFERREDABOVE TO TALK OF THE COLUMNS. THERANGE SYSTEMS TO ALLOWHYPERBOLOID MAKE AN OF IMPACTAND ALLOWS INSERT SURFACESCATTERED POINTS OF LIGHT. CONCAVEAND HYPERBOLIC MAKE A STAR LIGHTEFFECT ON THE SURFACE OF THE DOMEALLOWING LIGHT SCATTERED POINTS.ASTO THE DOME, WHICH RISES TO AHEIGHT OF TWENTY METRES ABOVE THENAVE, GAUD LEFT FOLLOWING PARTIALSTUDIES ALSO FORMS HYPERBOLOIDS 27. INSIDETHE COLUMNS OF THE FOUR SYMBOLSARE VARIED VAN CRUISE DEDICATED TOTHE EVANGELISTS, THE TWELVE THATCRUISE AROUND THE APOSTLES (SANPABLO SAN PEDRO AND NEXT TO THEALTAR), Y EL BISHOP CONTINUES RESTOF THE APOSTOLIC WORK: THE OFCATALONIA(BARCELONA, TARRAGONA, LLEIDA, GIRONA, VIC, URGEL, SOLSONA, TORTOSAAND PERPIGNAN) IN CRUISE, THE RESTOF SPAIN(MALLORCA, VALENCIA, ZARAGOZA, GRANADA, BURGOS, SEVILLE, VALLADOLID,TOLEDO AND SANTIAGO) IN THECENTRAL WAREHOUSE IN THE SIDE ANDTHE FIVE CONTINENTS, EACH COLUMN ISTHE PATRON SAINTS OF EACH DIOCESES 28. THE TEMPLE HAD A TOTAL OF 36 COLUMNS, WHICH RANGE BETWEEN 11.10 AND 22.20 METERSHIGH, WITH BASES OF MULTI-SIDED STAR POLYGON BY LOCATION: 6 (AISLES), 8 (SHIP CENTRAL), 10(TOWERS OF THE EVANGELISTS), 12 (TOWER OF JESUS). VARY THE BUILDING MATERIALS STONEBASALT MONTJUIC ALGRANITO 29. THE WINDOWSDID THE DRAWING OF THE WINDOWSGAUD WAS EVOLVED IN SEVERALSTAGES, FROM BEGINNERS TO THENEO-GOTHIC CON VARIANTESELLIPSOIDAL VARIOUS DRAWINGS.THIS SET OF DRAWINGS CAN BEOBSERVED IN MANY PARTS OF THEFACULTY EDIFICIO.EN CAN SEETRILOBED ARCHED WINDOWS ANDPEDIMENTS, ON THE OUTER WALLSWINDOWSGOTHIC, ROSES, ELLIPSE, LONGITUDINAL WINDOW, DISCUSSIONS, ETC. 30. LOS VENTANALESTHE WINDOWS IN THE TRANSEPT ROSE WINDOW WITH A CHROMATE HUGE SHOW WITHDELICATE NUANCES OF INTENSITY AND COLOR, IN THE APSE, IN THE FRONT OF THE GLORY ANDTO BE ONE TOO LARGE IN THE HOME BASE THE DOME 31. SCULPTURAL CYCLE OF PASSION IS INSTALLED ON THREE LEVELS, IN ASCENDING ORDER S-SHAPED TO PLAY THE CALVARY OF JESUS 32. CONTAINS SCENES OF THE LAST NIGHT OF JESUS BEFORE THE CRUCIFIXION. PRESENTS THE LASTSUPPER JESUS WITH THE TWELVE APOSTLES, IN THE MOMENT WHEN JUDAS BETRAYED HIM, ISTHE INSCRIPTION WHAT TO DO, DO IT QUICKLY 33. THE KISS OF JUDASCRUDELY CARVED FIGURESTHAT SUGGEST THE VISION ONENIGHT, "THERE IS THE SERPENTBEHIND JUDA S SYMBOLIZINGTHE DEVIL. A MAGIC SQUARE OF16 FIGURES THAT THE ADDITIONOF FOUR OF THEM IN ANYWAY, ALWAYS DA 33 THE AGEOF CHRIST TO DIE. YOU CANMAKE 310 DIFFERENTCOMBINATIONS. 34. THE TRIAL OF JESUS 35. SOLDIERS PLAYING DICE THE GARMENTS OFSOLDIER LONGINUS.JESUS. 36. ECCE HOMO IN JESUS IS PRESENTED WITH THE CROWN OF THORNS, CLOSE TO THE SCENE IS ACOLUMN WITH THE ROMAN EAGLE AND REGISTRATION TIBERIUS, EMPEROR OF ROME. FINALLYFIGURE THE TRIAL OF JESUS THAT PILATE WASHES HIS HANDS. 37. COLUMNA DE LA FLAGELACINCROSS REPLACING THE INITIALLYESTIMATED BYGAUDI, SUBIRACHS, SYMBOLIZING THEFOUR PARTS OF THE CROSS. IS FIVEMETERS HIGH AND MADE OF MARBLETRAVERTINO 38. BURIAL JOSEPH OF ARIMATHEA AND JESUSSBODY WAS LAID IN THE GRAVE, NEXT TO THEVIRGIN MARY OF THE THREE MARIAS 39. CALVARY JESUS. FIRST APPEARS TRES MARIAS AND SIMON OF CYRENE, THAT THIS HELP WITHJESUS CRUZ, SURROUNDED BY THE VIRGIN, MARY MAGDALENE AND MARY OF CLEOPHAS. VERONICAS SHOWTHE FACE OF JESUS IN NEGATIVE MARKING THE FABRIC OF WOMEN YOU CLEAN THE SWEAT, THE FIGURE OFVERONICA HAS NO FACE TO NOT INTERFERE WITH THE IMAGE OF JESUS, HERE IS A TRIBUTE TO SUBIRACHSGAUD, GIVING THEM THEIR APPEARANCE TO LOCATED EVANGELIST THE FIGURE OF THE LEFT, 40. THE CRUCIFIXION. 41. FAANA DE LA PASSI VERONICA FACELESS ANDTHE ROBE. 42. WINDOWS JUST IN A PEDIMENT, THE VERTEX WHICH IS CROWNED BY A BASKET OF FRUIT(APPLES, FIGS, LEMONS, PEACHES, ALMONDS, PRUNES, MANGRAN AND MEDLAR)SYMBOLIZES THE FRUIT OF THE SPIRIT RAIN FALLING OVER HOLY MEN. 43. SCULPTURAL FORM THAT SYMBOLIZES THE MOUNTAIN OF MONTSERRAT - CAVALL BERNAT 44. AUCTION OF CERAMICS "TRENCADIS" THE PINNACLE OF A TOWE 45. FOREIGN VIEW FROM THE TOWERS OF THE NAIXEMENT FAANA 46. ORIGINAL TERMINAL OF THE PINNACLES OF MODERN FORMS GAUDI OWN STYLE 47. SPIRAL STAIRS HELICOIDALES 48. NATURE ALWAYS PRESENT IN THE PART UPPER SNAILS 49. ESCOLES DE LA SAGRADA FAMILIAIN JULY 1936, SPANISH CIVILWAR, DESTROYED THE SCHOOL ANDWORKSHOPSAT THAT TIME, YOU LOSE THEPLANS, DRAWINGS AND ORIGINALPHOTOGRAPHS, AND SOME OF HISPLASTER MODELS WERE BROKEN.BUT IT SHOULD BE NOTED THATSINCE THE INTERVENTION OF GAUDIN 1883, DESPITE THESE ACTS OFVANDALISM, THE CONSTRUCTIONTIME HAS NOT STOPPED AND HASALWAYS RESPECTED THE ORIGINALIDEA OF THE ARCHITECT. 50. DOOR OF THE SACRISTY OF THE CRYPT INSIDE THE CRYPT 51. TOMB OF ANTONI GAUD, LOCATED IN THE CRYPT OF THE HOLY FAMILY 52. THE TEMPLE OF THE HOLY FAMILY.WHEN FINISHED, HAVE A TOTAL OF 18TOWERS, FOUR IN EACH OF THE ENTRIES -PORTAL DEDICATED TO THE APOSTLES, INTHE CENTER OF JESUS OF 170 METERS.FOUR MORE, DEDICATED TO THEEVANGELISTS, AND A SECOND DOMEDEDICATED TO THE VIRGIN. 53. LA SAGRADA FAMILIA, EL TEMPLO SMBOLO DE BARCELONA QUELLEN CASI TODA LA VIDA DE GAUD HATA SU MUERTE ES UNAOBRA INDUDABLEMENTE HERMOSA E INIMAGINABLE SI NO SE LAHA VISTO DE CERCA. SI ALGUNA PERSONA LE PREGUNTABACUNDO LA TERMINARA EL RESPONDA LOS TIEMPOS DEDIOS, NO SON LOS TIEMPOS DE LOS HOMBRES Y MURI POBRE YATROPELLADO MISERABLEMENTE POR UN TRANVA, SI VER LO QUEHUBIERA SIDO SU OBRA SOADA.GAUD CREA FIRMEMENTE EN LAS UTOPAS Y SU FERVIENTEMISTICISMO LO LLEVO HASTA OBSESIONARSE CON ESTA OBRATAN MAGNFICA QUE SE ESTN LLEVANDO A CABO, Y LASUPERPOSICIN DE ESTILOS CON REMINISCENCIAS DE ARTNOVEAU (MODERNISTA) TE DEJA EXPECTANTE, ASOMBRADO YADMIRADO.LAS TORRES DEL NACIMIENTO Y LA PASIN PARECEN COBRARVIDA AL PASO DE LA GENTE Y SUS MIRADAS, DA LA SENSACIN DEQUE NOS SIGUEN COMO SI TUVIESEN VIDA. ESAS FIGURASESTILIZADAS QUE PARECEN ELEVARSE AL CIELO.GAUDI PARAPODER TENER UNA IDEA DE CMO SONARAN SUSCAMPANAS, LLEG A ESTUDIAR CANTO GREGORIANO PARAREPRODUCIR LOS ACORDES DE LAS NOTAS MUSICALES MI-SOL-DO.GAUD PUDO REALIZAR SLO LA CRIPTA, EL BSIDE Y LA FACHADADEL NACIMIENTO Y QUE LA CONSTRUCCIN SIGUE ADELANTE PORMANEL CANTOS MANEL CANTOSLOS CONTINUOS DONATIVOS QUE RECIBEN.LOS GRUPOSPRESENTATIONS PRESENTATIONSESCULTRICOS Y ESCULTURAS DE GRAN RIQUEZA DECORATIVAhttp://barcelonacompletmaQUE ESTN EN LAS PORTADAS DE LA FE, LA ESPERANZA Y LABlog BARCELONAnelcantos.blogspot.com/CARIDAD, SON REALMENTE SORPRENDENTES POR SUMAGNIFICENCIA. COMPLETBlog BARCELONA canventu@hotmail.comCOMPLETLA FACHADA DE LA PASIN ES OTRA OBRA QUE DESPIERTA GRANINTERS Y ADMIRACIN.ES UN TEMPLO QUE INSPIRA EL ALMA, LLAMA A LA REFLEXIN Y ALRESPETUOSO SILENCIO PENSANDO EN LO QUE PASABA POR LAMENTE DE AQUEL QUE SABA QUE NO TERMINARA LO QUE ESTABAEND