Baltussen_Europeana_WWI_Crowdsourcing_Waisda_FINAL.ppt

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Crowdsourcing in the Heritage Domain: Beyond the Pilot Lotte Belice Baltussen Beeld en Geluid Johan Oomen Beeld en Geluid & VU University Amsterdam Lora Aroyo VU University Amsterdam 21 june 2011 | Europeana WWI Centenary meeting

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Transcript of Baltussen_Europeana_WWI_Crowdsourcing_Waisda_FINAL.ppt

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Crowdsourcing in the Heritage Domain:Beyond the Pilot

Lotte Belice BaltussenBeeld en Geluid

Johan Oomen Beeld en Geluid & VU University Amsterdam

Lora AroyoVU University Amsterdam

21 june 2011 | Europeana WWI Centenary meeting

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1.Classification2.Correction and transcription3.Contextualisation4.Complementing collection5.Co-curation6.Crowdfunding

GLAMs:6 kinds of

crowdsourcing…

please comment!

Oomen and Aroyo 2011http://www.cs.vu.nl/~marieke/OomenAroyoCT2011.pdf

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…linked toGLAM work processes

Source: Digital NZhttp://makeit.digitalnz.org/guidelines 3.0 New Zealand

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…linked toGLAM work processes

Oomen and Aroyo 2011http://www.cs.vu.nl/~marieke/OomenAroyoCT2011.pdf

ClassificationCorrection and transcription

Contextualisation

Complementingcollection

Co-curation

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UK_Soundmap Complementing collectionComplementing collection

http://sounds.bl.uk/uksoundmap/index.aspx

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Wir Waren so Frei

Deutsche Kinematek + Bundeszentrale für politische Bildinghttp://www.wir-waren-so-frei.de

Started in Summer 2008:7,000+ images, films and storiesMost objects CC licensed

Complementing collectionComplementing collection

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1001 Stories of Denmark

Source of data above: http://www.coe.int/t/dg4/cultureheritage/heritage/ehd/3eforum/PresentationMetteBom_E_Forum2010.pdf

Heritage Agency of Denmarkhttp://www.kulturarv.dk/1001fortaellinger/en_GB

Started in 2009:1.001 stories (by pros)20,000 monthly users899 Facebook fans5 widgets

Complementing collectionComplementing collection

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Steve.museum“Steve is dedicated to exploring the effectiveness of social

tagging for accessing art museum collections online and engaging audiences.”

1 year 2,017 users 36,981 tags 1,784 images super taggers: 11 users

contributed 20.4% of the tag set

Source: Trant, Tagging, Folksonomy and Art Museums: Results of steve.museum’s researchhttp://conference.archimuse.com/files/trantSteveResearchReport2008.pdf

ClassificationClassification

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Waisda? What’s that?

Allows people to annotate audiovisual archive material

in the form of a game.

ClassificationClassification

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• Netherlands Institute for Sound and Vision (project management, content, research)

• KRO (concept, content, PR)• VU (research within PrestoPRIME)• Q42 (developer)

Project partners pilot

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• Time-related metadata• Social tagging (bridging the semantic gap)• Interaction between the archive /broadcaster and

the public• Gathering data for further research

• Efficiency?• New business model?

Added value

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How does it work?Scoring:• Basic rule – players score points when their tag exactly matches the tag entered by another player within 10 seconds• Multiple other scoring mechanisms to create various tag incentives

Scoring as filter

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Outcomes

• Matches in Waisda? • Matches GTAA / Cornetto

• Stats

• 340,551 tags added to 604 items, 42,068 unique tags• 39.134 pageviews, 555 registered players, 10,926 visits• Average playing time 6min45, 4.287 sessions

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Generating a constant flow of traffic is a challenge! Important: Partners, publicity on external websites with relevant communities and a large number of visitors.

Example FWAW, in one week:

• Triple # of tags to 160.000

• Double # of registered players to 362

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Source: Jakob Nielsen’s Alertblog 9 October 2006

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Evaluation

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Evaluation

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‘Fun’+

Competition+

Altruism+

Content+

Reward+…=

Motivation

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Five rules for museum content

1. Discoverable – it is where I am and where I look for it.2. Meaningful – I can understand it. 3. Responsive – to my interests, moods, location.4. Useable/Shareable – I can pass it on and share. 5. Available in all three locations – online, onsite and offsite.

Source: Seb Chan, Powerhouse Museum, 2009 http://www.powerhousemuseum.com/dmsblog/index.php/2009/10/29/five-rules-for-museum-content-via-amsterdam/

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Open Images

Open media platform for online access to audiovisual archive material, available for free (creative) reuse.

Built by Sound and Vision & Knowledgeland but designed for participation by others (other institutions).

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• About 1,200 Open Images items are on Wikimedia Commons (12% of video content).•These items are used on 350 Dutch and 200 international articles on Wikipedia•In one month (December 2010) these articles were consulted almost 1,2 million times.

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Tips and lessons learned

• What are your success criteria?• How do you motivate your target

users?

• Red existing reports and literature!• Keep learning and improving!

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Evaluate

Martorrel

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Get out there

Source: Minnesota Historical Societyhttp://www.slideshare.net/mnHistoricalSociety/museum-social-media-planning-worksheet

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...recommended readingblogs, feeds, people

• http://museumtwo.blogspot.com/• http://80gb.wordpress.com/• http://themuseumofthefuture.com/• http://www.delicious.com/RuncocoProject/• @ammeveleigh• @archivesopen• @digitalst• @microtask• @mia_out • @museweb• @runcoco• @wittylama

This presentation was based on Oomen and Aroyo 2011: http://www.slideshare.net/PaulaUdondek/crowdsourcing-in-het-cultureel-erfgoed-kansen-uitdagingen

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Thanks!Twitter: @lottebeliceEmail: [email protected]

@johanoomen / @laroyoSpecial thanks to Maarten Brinkerink (@mbrinkerink)

http://blog.waisda.nlhttp://waisda.nlhttp://www.openimages.eu