Aula - Literalidade e Experiência na Arte Contemporânea

MIRÓ, JoanThe Hermitage1924Oil, crayon, and graphite on canvas, 114.3 x 146.2 cmPhiladelphia Museum of Art, US © Artists Rights Society (ARS), New York / ADAGP, Paris - The Louise and Walter Arensberg Collection, 1950

MIRÓ, JoanBlue III1961Oil on canvas, 268 x 349 cm

MATISSE, HenriRed interior, Still life on a blue table1947Oil on canvas, 116 x 89 cm

MATISSE, HenriFormes (de la série : Jazz (20 planches et 1 table des planches)1977Papiers collés, pochoir, 0.425 x 0.655 m Paris, musée national d'Art moderne - Centre Georges Pompidou - Photo (C) Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Jacqueline Hyde

MATISSE, HenriLa Nageuse dans l'aquarium Jazz (Série de 20 planches, 15 doubles pages et 5 pleines pages, 15 doubles pages et 5 pleines pages, 1943-1946) Marouflé,papiers collés, 0.442 x 0.66 mMusée national d'Art moderne - Centre Georges Pompidou

PICASSO, PabloPortrait of Ambroise Vollard1910Oil on canvas, 93 x 66 cmPushkin State Museum of Fine Arts, Moscow

PICASSO, PabloLe Baiserété 1925Huile sur toile, 130,5 x 97,7 cmMusée Picasso, FrancePhoto (C) RMN-Grand Palais / Jean-Gilles Berizzi

PICASSO, PabloGrand nu au fauteuil rouge5 mai 1929Huile sur toile, 195 x 129 cmMusée Picasso, France

PICASSO, PabloLas mujeres de Argel, según Delacroix1955Óleo sobre lienzo, 54 x 64 cm

PICASSO, PabloLes femmes d'Alger (Women of Algiers)1955Oil on canvas, 46.04 cm x 54.93 cmThe San Francisco Museum of Modern Art © Estate of Pablo Picasso / Artists Rights Society (ARS), New York

PICASSO, PabloThe Artist and His Model (L`artiste et son modele) 31964

BRANCUSI, ConstantinThe seal1914

BRANCUSI, ConstantinL'Oiselet II1928Marbre veiné, 65 x 36,5 x 28,5 cmParis, musée national d'Art moderne - Centre Georges PompidouPhoto (C) Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Adam Rzepka

BRANCUSI, ConstantinAtelier BrancusiPlace Georges Pompidou, FR

GIACOMETTI, AlbertoJean-Paul Sartre1946

GIACOMETTI, AlbertoYanaihara1961Huile sur toile, 100 X 81 cm

GIACOMETTI, AlbertoTête Noire1960

GIACOMETTI, AlbertoGrande tête mince/Large Narrow Head1954Bronze, 4/664.5 x 38.1 x 24.4 cmCollection Fondation Giacometti, Paris Photo: Marc Domage© ADAGP / Fondation Giacometti, Paris / VG Bild-Kunst, Bonn 2010

GIACOMETTI, AlbertoLe Chien1951Bronze, 46 x 98,5 x 15 cmFondation Alberto Giacometti Kunsthaus, Zurich

GIACOMETTI, AlbertoGrande Femme III1960Large Standing Woman IIIBronze, cast 6/6, Susse Fondeur Paris, 237 x 31 x 54 cmPhoto: Robert Bayer, Basel

WARHOL, AndyMarilyn x 1001962 Screenprint ink and synthetic polymer paint on canvas, 210.19 x 573.15 x 6.35 cmThe Cleveland Museum of Art, Ohio, US © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York

WARHOL, AndyMarilyn Diptych1962Acrylic paint on canvas, 2054 x 1448 x 20 mmTate, Purchased 1980

WARHOL, AndyMarilyn Monroe1967

WARHOL, AndyRed Disaster1963Silkscreen ink on synthetic polymer paint on canvas, 236.2 x 203.8 cmMuseum of Fine Arts, Boston, US

WARHOL, AndyRace Riot1964Acrylic and silkscreen, 150 cm × 170 cm

BRANCUSI, ConstantinMale Torso1917Brass, without base, 63.82 x 0.48 x 19.05 cmCleveland Museum of Art, Ohio, US © Artists Rights Society (ARS), New York / ADAGP, Paris

BRANCUSI, ConstantinSocle (Sert de socle au "Torse de jeune homme")1930Pierre (calcaire), 13,4 x 22,5 x 18,4 cmParis, musée national d'Art moderne - Centre Georges PompidouPhoto (C) Centre Pompidou, MNAM-CCI, Dist. RMN-Grand Palais / Adam Rzepka

BRANCUSI, ConstantinFish1922Veined marble; two-part mirror and oak base, 12.7 x 42.8 x 2.7 cm Base (two elements): 61.3 cmPhiladelphia Museum of Art, US © Artists Rights Society (ARS), New York / ADAGP, Paris

BRANCUSI, ConstantinFish, 1930Blue-gray marble, 53.3 x 180.3 x 14 cm, on three-part pedestal of one marble 13 cm high, and two limestone cylinders 33 cm high and 27.9 cm high x81.5 cm diameter at widest pointMuseum of Modern Art, NY, US © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris

JUDD, DonaldUntitled1966Galvanized iron; 7 units, 9 x 40 x 31 inPrivate collection

JUDD, DonaldUntitled1969Copper, ten units with 9-inch intervals, 22.9 x 101.6 x 78.7 cm each; 457.2 x 101.6 x 78.7 cm Solomon R. Guggenheim Museum, New York, Panza Collection 91.3713 Art © Judd Foundation. Licensed by VAGA, New York, NY

JUDD, DonaldUntitled1978Douglas Fir plywood, 49.5 cm x 114.3 cm x 77.5 cmPace Gallery, NY, US

JUDD, DonaldUntitled 1982 Aluminum and violet Plexiglas, 100 x 100 x 37 cm

JUDD, DonaldUntitled1981Brushed aluminum and Plexiglas, 50.2 x 101 x 50.2 cmThe Metropolitan Museum of Art, NY, USGift of Dudley and Michael Del Balso, 1985

JUDD, Donald15 untitled works in concrete1980-1984, detailChinati Foundation, Marfa, Texas

15 untitled works in concrete, 1980-1984The fifteen concrete works by Donald Judd that run along the border of Chinati's property (Chinati Foundation, Marfa, TX) were the first works to be installed at the museum and were cast and assembled on the site over a four-year period, from 1980 through 1984. The individual units that comprise each work have the same measurements of 2.5 x 2.5 x 5 meters, and are made from concrete slabs that are each 25 centimeters thick. Funding for the project was provided by the DiaArt Foundation

JUDD, DonaldUntitled (Stack)1967Laquer on galvanized iron, Twelve units, 22,8 x 101,6 x 78,7 cmMuseum of Modern Art, New YorkHelen Acheson Bequest (by exchange) and gift of Joseph Helman

JUDD, DonaldUntitled1966

JUDD, DonaldUntitled1968Brass, 55.9 x 122.6 x 91.4 cmGift of Philip Johnson, MoMA

JUDD, DonaldUntitled1991 Painted aluminum, 150 x 750 x 165 cmBequest of Richard S. Zeisler and gift of Abby Aldrich Rockefeller (both by exchange) and gift of Kathy Fuld, Agnes Gund, Patricia Cisneros, Doris Fisher, Mimi Haas, Marie-Josée and Henry R. Kravis, and Emily Spiegel, MoMA

ANDRE, CarlCopper-Aluminum Plain1969Copper and aluminum, 3/8 x 72 x 72 in

ANDRE, CarlPyre (Element Series) Conceived in 1960 and executed in 1971Each: 30.5 x 30.5 x 91.4 cm. Overall: 121.9 x 91.4 x 91.4 cm

ANDRE, CarlStile (Element Series), New York 1960 (proposed) / New York 1975 (made)Private collection, Installation Museum Kurhaus Kleve.Photo: Achim Kukulies, Düsseldorf

RICHTER, GerhardFußgänger,Pedestrians1963Two-parts; Oil on canvas, 140 x 175,5 cmMMK Museum für Moderne Kunst Frankfurt am MainFormer collection of Karl Ströher, Darmstadt, Aquired 1981

RICHTER, GerhardStadtbild MadridTownscape Madrid1968Oil on canvas, 277 x 292 cm

RICHTER, GerhardSeascape (Sea-Sea)1970

Oil on canvas, 200 x 200 cm

RICHTER, Gerhard48 PortraitsPaul Valéry1971-72Oil on canvas, 70 x 55 cm

RICHTER, GerhardSternbildConstellation1969Oil on canvas, 70 x 70 cm

RICHTER, GerhardBetty1988Oil on canvas, 102 x 72 cm

RICHTER, GerhardRot-Blau-GelbRed-Blue-Yellow1972Oil on canvas, 150 x 150 cm

RICHTER, GerhardIce (2)1989Oil on canvas, 203.2 x 162.6 cm Art Institute of Chicago, Through prior gift of Joseph Winterbotham; gift of LannanFoundation © Gerhard Richter

VELDE, Bram vanSans titre, Fox-Amphoux1958-59Gouache, 105 x 90 cm

VELDE, Bram vanSans titre1964Gouache sur papier marouflé sur toile, 104 x 74 cm

VELDE, Bram vanSans titre, Genève1966Gouache, 80 x 60 cm

VELDE, Bram vanSans titre, Genève1967Gouache, 91 x 58 cm

VELDE, Bram vanSans titre1963Gouache sur papier marouflé sur toile, 121x 125.6 cm

VELDE, Bram vanSans titre, Carouge1973Lavis gouache sur, 137 x 149.5 cm

VELDE, Bram vanApparitionLithographie originale197475 exemplaires sur Rives, 95.5 x 62.5 cm

HESSE, EvaRepetition Nineteen I1967Paint and papier-mâché on aluminum screening, 19 units (one missing), 23.2 to 26.6 cm x 16.5 to 23.2 cm in diameterGift of Mr. and Mrs. Murray CharashMoMA © 2014 Estate of Eva Hesse. Galerie Hauser & Wirth, Zurich

HESSE, EvaRepetition Nineteen III1968Fiberglass and polyester resin, nineteen units, 48 to 51 cm x 27.8 to 32.2 cm in diameterGift of Charles and Anita BlattMoMA © 2014 Estate of Eva Hesse. Galerie Hauser & Wirth, Zurich

HESSE, EvaEnclosed from the set: 7 Objects/691969 Tape, liquid rubber, powder, and balloons, 7 1/2 x 3 x 1 5/8 "ArtScience Museum

HESSE, EvaConnection1969Fiberglass, polyester resin on cloth-covered metal wire, 20 units, each 40.6 to 166.4 X 2.5 to 7.6 cm

HESSE, EvaTori1969Polyester, resin, and fiberglass on wire mesh, 119.4 x 43.2 x 38.1 cmPhiladelphia Museum of Art, US

HESSE, EvaTest Piece for “Contingent”1969Latex over cheesecloth, 365.8 x 111.8 cm National Gallery of Art, Washington DCGift of the Collectors Committee

HESSE, EvaContingent1969Cheesecloth, latex, fibreglass installation (variable), 350.0 x 630.0 x 109.0 cm National Gallery of Australia Purchased 1973 Courtesy The Estate of Eva Hesse, Galerie Hauser & Wirth, Zurich

SERRA, Richard (left to right)1. Shovel Plate Prop 1969 - Plate, 99.1cm x 2m x 2.5 cm, Photograph by Peter Moore2. Close Pin Prop 1969 - Pole, 2.5 m; 8.9 cm diam.; tube, 101.9 cm long 15.2 cm diam., Solomon R. Guggenheim Museum, NY, Panza Collection3. Wall Plate Prop 1969 - Two plates: 88.9 x 88.9 cm; 101.6 x101.6 cm, Collection the artist4. Right Angle Prop 1969 - Plate: 182.9 x 182.9 x 1.3 cm, angle: 91.4 x 61 x 86.4 cm, Solomon R. Guggenheim Museum, NY, funds by The Theidoron Foundation

SERRA, RichardShovel Plate Prop1969 Steel, 203 x 213.4 x 81.3 cm; plate: 101.2 x 199.5 x 2.4 cm; tube: 144.9 cm long xv24.2 cm in diameterSolomon R. Guggenheim Museum, New York, Panza Collection © 2014 Richard Serra / Artists Rights Society (ARS), New York

SERRA, RichardRight Angle Prop1969Lead antimony, 182.9 x 182.9 x 86.4 cmSolomon R. Guggenheim Museum, New York, Purchased with funds contributed by The Theodoron Foundation © 2014 Richard Serra/Artists Rights Society (ARS), New YorkPhoto: David Heald

SERRA, RichardCorner prop1969

SERRA, RichardFollowing pages: Joplin1970Hot rolled steel, three plates

SERRA, RichardSight Point1972Corten steel, 1184 x 386 x 393 cm12-metre high platesStedelijk Museum, Amsterdam

SERRA, RichardBerlin Block (for Charlie Chaplin)1977Stahlblock, 190,5 x 190,5 x 190,5 cmNeue Nationalgalerie, Berlin

SERRA, RichardBerlin Block (For Charlie Chaplin), 1978

SERRA, RichardTilted Arc1981 Steel, New York City (destroyed)

SERRA, RichardTilted Arc1981Federal Plaza, Manhattan

SERRA, RichardClara-Clara1983Acier, 370 x 332 x 5,1 cm et 370 x 328 x 5,1 cmInstallation dans le jardin des Tuileries à Paris (coll. Ville de Paris. © Dirk Reinartz)

SERRA, RichardClara-Clara1983Jardin des Tuileries, Paris

SERRA, RichardWeitmar1984Cor-Ten steel

SERRA, RichardIntersection II1992-93Weatherproof steel, four identical conical sections, two sections 400 x 1570 along the chord x 5.4 cm thick; two sections 400 cm x 1550 cm along the chord x 5.4 cm

SERRA, RichardTorqued ellipses

SERRA, RichardTorqued Spiral (Closed Open Closed Open Closed) (Espiral bihurritua (itxita zabalik itxitazabalik itxita)), 2003Weathering steel, 14 x 13.1 x 14.1 m; platethickness: 5 cmGuggenheim Bilbao Museoa GBM2005.1 © 2012 Richard Serra/Artists Rights Society(ARS), New York

SERRA, RichardInside Out, 2013Weatherproof steel, 401.3 x 2,494.3 x 1,225.6 cmGagosian GalleryPhoto by Lorenz Kienzle

SANDBACK, FredUntitled19681/4 inch steel rod (four units) and blue fluorescent enamel colourEach element: 91.4 x 91.4 x 91.4 cm, overall: 91.4 x 457.2 x 91.4 cm© Thomas Cugini / KunstmuseumLiechtenstein, Vaduz, Liechtenstein, 2005-2006

SANDBACK, Fred Untitled (from Ten Vertical Constructions)1977Two-part vertical construction, red (variation)Dia Art FoundationPhoto: Nic Tenwiggenhorn

SANDBACK, Fred Untitled (Three-part Vertical Construction) 1978Cadmium red light acrylic yarnJensen Gallery

SANDBACK, Fred Galería Cayón2014

SANDBACK, Fred Untitled (Sculptural Study, Three Part Construction), ca. 1986/2012 - Installation view at Kunstmuseum Luzern, 2012 - photo Stefano Schroeter, Lucerne - courtesy Kunstmuseum Luzern

SANDBACK, Fred Installation entitled Sculpture September, 1996 - January, 1998Dia Art Foundation

SANDBACK, Fred Untitled (Sculptural Study, Seven-part Right-angled Triangular Construction), 1982/2010

SANDBACK, Fred "Untitled (Sculptural Study, Three-Part Corner Construction)," Acrylic Yarn, 1981. @LACMA

(detail)

SANDBACK, Fred Installation at the Lisson Gallery Milan

SANDBACK, Fred Simultan (detail)1974Woolen string, 64 x 6 x 48 cm

SANDBACK, Fred Blue Day-glo Corner Piece, 1968/20041/32" Elastic Cord & Spring Steel, 35.6 x 30.5 x 15.2 cmaccompanied by certificate of authenticityEdition of 25The intention in 1968 was to do an edition of 25. Documentation shows that five of each were made in 1968. In the archives of the estate, labels (with edition numbers in Fred's handwriting) were found for 7 of the blue, 7 of the orange, and 8 of the violet pieces. All the numbers between 6/25 - 18/25 cannot be verified by the estate. 4 artist's proofs and one exhibition copy exist as well.Barbara Krakow Gallery, Boston US

SANDBACK, Fred Orange Day-glo Corner Piece, 1968/2004Orange day-glo acrylic on 1/32” Elastic Cord & Spring SteelEdition of 25, AP 1/3Accompanied by letter of authenticity, 61 x 5.1 x 7.6 cmBarbara Krakow Gallery, Boston US

SANDBACK, Fred Untitled1974Pastel and pencil on paperEstate stamped verso 58.7 x 89.2 cm

BEUYS, Joseph Feldbett1982Field bed, electrical accumulator (copper, iron, wood), felt blankets installation

BEUYS, Joseph Memory of My Youth in the Mountains, 1977 Tallow, wax, wood, metal, oil, and carpenter's rule, 103.5 x 160.7 x 113.2 cm HirshhornMuseum and Sculpture Garden, Smithsonian Institution, Washington, DC, HoleniaPurchase Fund, in memory of Joseph H. Hirshhorn, and Joseph H. Hirshhorn Purchase Fund, 1996

BEUYS, Joseph ‘I like America and America likes me’ installation1974

BEUYS, Joseph The End of the Twentieth Century1983-8531 basalt stones, clay, and feltGalerie Bernd Klüser, Munich

BEUYS, Joseph The End of the Twentieth Century48 x 150 x 48 cmPinakothek der Moderne, Germany

MERZ, MarioInstallation Gallerie Pietro Sparta, Chagny, France1984, including: L'Autre Côté de la lune 1984 Metal tubes, glass, stone, vegetables and fruits, 70 x 350 x 900 cm

MERZ, MarioLuoghi senza strada1987 Installazione nella Chapelle Saint-Louis de la Salpetrière, Paris, 1987

MERZ, MarioChiaro Scuro1983Neon, fascine, strutture metalliche, vetro, creta, morsetti e cemento, 300 x 1000 x 600 cm

MERZ, MarioIgloo con albero1968-69Tubolare in ferro, vetri, stucco, ramo igloo, 110 x Ø 230 cm; ramo, h 247 cmCollezione Margherita Stein Proprietà Fondazione CRTProgetto Arte Moderna e Contemporanea, 2001 Deposito permanente Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Torino GAM – Galleria Civica d’Arte Moderna e Contemporanea, Torino

ZORIO, GilbertoVeduta della mostra “When Attitudes BecomeForm” – da sinistra: opere di Giovanni Anselmo e Mario Merz – Kunsthalle Berna, 1969 – foto: ShunkKender © Roy Lichtenstein Foundation

ZORIO, GilbertoPlaques de plomb, barre de cuivre, sulfate de cuivre, acide chlorhydrique, 95 x 250 x 164 cm

ZORIO, GilbertoPiombi1968Placa de Chumbo, sulfato de cobre, ácido clorídrico, 95 x 250 x 160 cm

ZORIO, GilbertoCrogiuoli1980

ZORIO, GilbertoAcidi1985Sculptures, Copper, metal, vase, rubber, copper sulfate, 276.9 x 279.4 x 243.8 cm

ZORIO, GilbertoAcidi1986Creuset, vasque de caoutchouc, tubes de fer, barre de cuivre, acide chlorhydrique, acide sulfurique, dimensions variables

ZORIO, GilbertoStella incandescente1973Fil de nickel chroméincandescent, javelot, 170 x 260 cm

ZORIO, GilbertoStar (To Purify Words) (Stella [per purificare le parole])1980Terracotta and metal, 495.3 cm diameterSolomon R. Guggenheim Museum, New York Exxon Corporation Purchase Award with additionalfunds contributed by SonnabendGallery, New York, 1982

ZORIO, GilbertoCrystal Star with Javelins1977Glass and Steel (Photo By Gail)

ZORIO, GilbertoCuoio su giavellotti2007Cuoio, 2 giavellotti. 280 x 200 x 200 cmGalleria Oredaria

ZORIO, GilbertoStella per purificare le parole1978-78

ZORIO, GilbertoStella per purificare le parole (Star to Purify Words)1978Leather and javelin, 223.5 x 229 x 61cm

KOUNELLIS, JannisSenza Titolo1967-1983Installazione, Rimini 1983

KOUNELLIS, JannisTragedia civile1975Oro zecchino, attaccapanni, cappello e cappotto, 478 x 541

KOUNELLIS, JannisSenza titolo1969Ferro e cannello a gas, 33 x 190 x 90

KOUNELLIS, JannisUntitled1984-87Steel, wood, plaster, cloth, gas burner, paint, soot marks, 201.0 x 1093.0 x 19.5 cm overallArt Gallery Society of NSW, Australia

KOUNELLIS, JannisSenza titolo 1971Rame, gomma e bombole a gas, 840 x 600

KIEFER, AnselmWayland's Song1982Oil, emulsion, straw, photograph on canvas with lead wing 280 x 380 cm

KIEFER, AnselmBarren Landscape1985-89Height 12 FeetWidth 25 and a half feetDepth 1 and a half feetTwin bookcases, labelled Tigris and Euphrates, containing approximately 200 lead books

KIEFER, AnselmEisen-Steig, 1986Oil, acrylic, olive branches, lead, iron, gold leaf and emulsion on canvas, 220 x 380 x 27.9 cm

KAPOOR, AnishAdam1988-89Sandstone and pigmentUnconfirmed: 2390 x 1205 x 1040 mmCollectionTateAcquisitionPresented by the American Fund for the Tate Gallery, courtesy of Edwin C. Cohen (for A., A., A. and J.) 2000

KAPOOR, AnishVoid Field1989 Cumbrian sandstone and pigment, Each part: 125 x 125 x 125 cm Museu Nacional Centro de Arte Reina Sofia, Madrid

void field’ by anish kapoor, 1989 sandstone, pigment 20 elements, variable dimensionsimage © designboomFondazione Prada, Venice

KAPOOR, AnishThree Witches1990Limestone with pigment, 205 x 109 x 90 cm

KAPOOR, AnishIt Is Man (Es hombre) 1988-90 Piedra arenisca de Cumbrian y pigmento, 241 x 127 x 114 cm Museu Nacional Centro de Arte Reina Sofia, Madrid

KAPOOR, AnishAngel (Ángel) 1989Pizarra y pigmento, 42 x 150 x 245 cm Museu Nacional Centro de Arte Reina Sofia, Madrid

KAPOOR, AnishMadonna (Madona)1989-90Fibra de vidrio y pigmento, 284,5 x 284,5 x 144 cmMuseu Nacional Centro de Arte Reina Sofia, Madrid

TungaXifópagas capilares entre nós Performance 1985

Tunga, Lezart / Xifópagas Capilares1989@Kanaal Art Foundation, Kortrijk, Bélgica, 1989

Tunga, Lezart1989Cobre, ferro, seda e ímã, 500 x 800 x 350 cm2500 kg @Whitechapel, Londres, 1989

TungaVanguarda Viperina1985Fotografia preto e branco, 172 x 101 cm

TUNGASemeando Sereiashttp://revistatrip.uol.com.br

TUNGASemeando Sereias(Crédito da imagem indisponível no momento)

RAMOS, NunoSem título1997Vaselina, pigmento, parafina e tecido sobre lona. 230 X 190

RAMOS, NunoSem Título1989Vaselina, parafina, pigmento, tecidos, metais, folhas de ouro sobre madeira, 340 x 280 cmColeção do artista

RAMOS, NunoVidrotexto 1 - Vista Geral1991

RAMOS, NunoVidrotexto 11991Vaselina, óleo e vidros fundidos, Dimensões aproximadas: 30 X 600 X 300 cm

RAMOS, NunoSem título, 1991Espelho, vidro, folha de ouro, folha metálica, tecidos, algodão, folhas secas, plásticos, esmalte sintético, óleo de linhaça, terebentina, parafina, vaselina, breu, resina sobre madeira. 240 X 400 cm

RAMOS, NunoSem título1991Espelho, vidro, folha de ouro, folha metálica, tecidos, algodão, folhas secas, plásticos, esmalte sintético, óleo de linhaça, terebentina, parafina, vaselina, breu, resina sobre madeira. 240 X 340 cm

RAMOS, Nuno1992 Barro, paralelepípedos, vaselina, folhas de ouro, cinzas, vidro, fumaçaColeção particularRegistro fotográfico Eduardo Ortega

RAMOS, Nuno1992Ampliações de imagens tomadas por satélites e bulbos de vidro

RAMOS, Nuno1992Nas paredes, quatro ampliações (250×250 cm) de imagens tomadas por satélite, de regiões vizinhas a São Paulo, em momentos próximos à invasão. Bulbos de vidro dependurados sobre elas

RAMOS, Nuno1992No chão, oito bulbos de vidro conectados, através de mangueiras transparentes, a duas máquinas de produzir fumaça acionadas periodicamente por um timer

RAMOS, Nuno1992Exposição feita a partir do assassinato de 111 presidiários durante a invasão do Complexo Penitenciário do Carandiru em outubro de 1991

RAMOS, Nuno1994Mácula - Sal, parafina, breu, vidro soprado, gás hélio, tubos de órgão, gesso Dimensões variáveis

FELIX, NelsonGrande Budha1985-2000Seringal Nova Olinda, AC

FELIX, NelsonSérie Gênesis 1988-91

FELIX, NelsonSobre seis mesas de granito, são colocadas peças em ferro - moldes do corpo do artista e de glândulas endócrinas -, azeite e mimosas pudicas (plantas sensitivas, conhecidas como `dormideiras`). Uma destas mesas é pendurada sobre um `tapete` desses vegetais e provoca, com seu movimento pendular, uma reação nas plantas. Invoca, assim, o instante desta ação, centralizando ali toda a atenção ao trabalho e roubando, por segundos, a presença formal da peça escultórica

FELIX, NelsonTerceira Noção do Zero1997 Mármore e graxa

FELIX, NelsonSem títulos.d.mármore e ferroDoação anônima

FELIX, Nelson

Aula - Literalidade e Experiência na Arte Contemporânea

Art & Photos

Transcript of Aula - Literalidade e Experiência na Arte Contemporânea