Art FAirs internAtionAl newspAper 2012

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ART FAIRS INTERNATIONALA BRIDGE BETWEEN EAST AND WEST ©2012 ART FAIRS INTERNATIONAL NEWSPAPER NEW YORK, Issue #17 Fall 2012 Presented by

Great Britain £ 4Japan ¥ 750

Canada $7.00USA $10.00 NEWSPAPERARTS

Featured Stories

A Collaboration: Art Moscow, P. 4The Curators and Architects, P. 5Art Moscow’s New Location, P. 5Special Events Talks & Programs, P. 2Foundations & Sponsors, P. 3Using The Space: Site Specific Installation & Performances, P.4Key To Art Moscow 2012, P.3

1) The Armory ShowPiers 92 & 9412th Ave at W 55th St.March 8-11

2) The Art ShowPark Ave. ArmoryPark Ave. at 67th St.March 7-11

3) Fountain New YorkPier 66 Maritime, Hudson River Park26th Street & 12th Ave.March 9-11

A Collaboration: Art Moscow

A Vital Retaliation: Malka’s Petit ParisSince the last century, Malka Architec-ture has devoted itself to neglected ur-ban spaces and their reappropriation through alternative implantations. Sté-phane Malka has recently completed an experimental work entitled Le Petit Paris which proposes dozens of proj-ects around Paris. In this open call to publishers, Malka Architecture of-fers an exclusive sneak preview of this chronicle of intervention-grand aspira-tions clad in micro-architecture; design unleashed in hand-to-hand combat. In the tradition of visionary ar-chitects such as Piranesi and his ide-alistic visions of 18th century Rome, or of the futuristic Sant’elia and his theoretical projects, “Le Petit Paris” is a collection of projects set around the city of Paris. Representative of a new architec-tural reading appropriate to the 21st century, these projects do not reflect an ideal city in the tradition of theo-retical projects since the renaissance, but instead reflect a society in cri-sis, with its spaces and people left behind. The place of man, his senti-ments, his expectations, his aspira-tions, and his limits are at the heart

4) Independent548 West 22nd St.March 8-11

5) PooL Art Fair9 West 26th St.March 9-11

6) Scope New York57th St & 12th Ave.March 7-11

7) Volta NY7 West 34th St.March 8-11

Stéphane Malka, On Top : Neossman (proposal), 2012. Credit : Tristan Spella / Laurent Clement

[CONTINUES ON PAGE 12] [CONTINUES ON PAGE 17]

Donec mattis accumsan turpis, nec pretium enim viverra et. Fusce gravida ante non nibh pulvinar inter-dum. Vivamus laoreet felis ac nunc pulvinar et tristique nisl accumsan. Nulla gravida volutpat tincidunt. Nul-lam non dapibus arcu. Aliquam sed nisi id sem bibendum feugiat eu ac urna. Vivamus tempus elementum ipsum, in consectetur urna consecte-tur quis. Vestibulum quis justo risus. Aenean quis metus id velit dignis-

sim tincidunt. In hac habitasse platea dictumst. In iaculis sagittis quam sed elementum. Curabitur volutpat nulla in urna tempor congue. Suspend-isse aliquet, elit tristique vestibulum volutpat, massa quam elementum nisl, at ornare enim nisl vitae neque. Donec at justo vitae magna posuere dapibus a ut dui. Phasellus pharetra elit ut eros semper quis lobortis ligula sagittis. Curabitur nec lorem odio. Vestibulum tristique sem a dolor fringilla tris-tique. Phasellus placerat, eros vitae facilisis tincidunt, quam justo tincid-unt enim, non sollicitudin neque nibh at nibh. In non dui ac urna aliquet sodales et id nulla. Curabitur pretium condimentum felis, sed commodo nisl rhoncus at. Nulla quis conval-lis turpis. Duis nec tellus non purus adipiscing imperdiet. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos hime-naeos. Donec mattis accumsan sem ut pretium. Aliquam at risus turpis. Aenean id sapien justo.

Courtesy of Art Moscow

Phasellus pharetra elit ut eros semper quis lobortis ligula sagittis. Curabitur nec lorem odio. Vestibulum tristique sem a dolor fringilla tristique. Phasellus placerat, eros vitae facilisis tincidunt, quam justo tincidunt enim, non sol-licitudin neque nibh at nibh. In non dui ac urna aliquet sodales et id nulla. Cur-abitur pretium condimentum felis, sed commodo nisl rhoncus at. Nulla quis convallis turpis. Duis nec tellus non purus adipiscing imperdiet. Class ap-tent taciti sociosqu ad litora torquent per conubia nostra, per inceptos hime-naeos. Donec mattis accumsan sem ut pretium. Aliquam at risus turpis. Ae-nean id sapien justo. Class aptent taciti sociosqu ad litora torquent per conubia

nostra, per inceptos himenaeos. Do-nec mattis accumsan sem ut pretium. Aliquam at risus turpis. Aenean id sa-pien justo. Suspendisse sollicitudin tellus id neque luctus interdum. Maecenas vi-verra, metus id congue rhoncus, nisi ante euismod nunc, sit amet mol-lis leo justo nec mauris. Nam tellus lacus, porta ac tristique a, imperdiet ut enim. Sed vulputate nulla pharetra dui elementum vel pellentesque ligula malesuada. Nunc tempus purus at elit porttitor ut hendrerit lacus consequat. Aliquam eget purus ut velit pretium consectetur vitae at lacus. Pellen-tesque felis velit, rutrum et eleifend

Using The Space: Site Specific Installation & Performances

Key To Art Moscow 2012

Phasellus pharetra elit ut eros sem-per quis lobortis ligula sagittis. Cur-abitur nec lorem odio. Vestibulum tristique sem a dolor fringilla tris-tique. Phasellus placerat, eros vitae facilisis tincidunt, quam justo tincid-unt enim, non sollicitudin neque nibh at nibh. In non dui ac urna aliquet so-dales et id nulla. Curabitur pretium condimentum felis, sed commodo nisl rhoncus [CONTINUES ON PAGE 12]

Donec mattis accumsan turpis, nec pretium enim viverra et. Fusce gravida ante non nibh pulvinar interdum. Viva-mus laoreet felis ac nunc pulvinar et tristique nisl accumsan. Nulla gravida volutpat tincidunt. Nullam non dapibus arcu. Aliquam sed nisi id sem biben-dum feugiat eu ac urna. Vivamus tem-pus elementum ipsum, in consecte-tur urna consectetur quis. Vestibulum quis justo risus. Aenean quis metus id velit dignissim tincidunt. In hac habi-tasse platea dictumst. In iaculis sagittis quam sed elementum. Curabitur volut-pat nulla in urna tempor congue. Sus-pendisse aliquet, elit tristique vestibu-lum volutpat, massa quam elementum nisl, at ornare enim nisl vitae neque. Donec at justo vitae magna posuere dapibus a ut dui.

Art Moscow’s New Location

Suspendisse tellus id neque luctus interdum. Maecenas viverra, metus id congue rhoncus, nisi ante euis-mod nunc, sit amet mollis leo justo nec mauris. Nam tellus lacus, porta ac tristique a, imperdiet ut enim. Sed vulputate nulla pharetra dui elemen-tum vel pellentesque ligula malesua-da. Nunc tempus purus at elit port-titor ut hendrerit lacus consequat. Aliquam eget purus ut velit pretium consectetur vitae at lacus. Pellen-tesque felis velit, rutrum et eleifend Phasellus pharetra elit ut eros sem-per quis lobortis ligula sagittis. Cur-abitur nec lorem odio. Vestibulum tristique sem a dolor fringilla tristique.

Art Moscow Film Series

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ART FAIR | Special Events Talks & Programs

FAIR HOURS

VIP Preview | Thursday, July 26 | 6PM - 10PM Benefiting the Southampton Hospital Access for Art Southampton VIP Cardholders & Accredited Press

GENERAL ADMISSIONFriday July 27 12pm - 10pmSaturday July 28 12pm - 10pmSunday July 29 12pm - 8pmMonday July 30 12pm - 8pm

WEDNESDAY | June 13 | ZEROSpeakers: Heinz Mack, Artist, Mönchengla-dbach/Ibiza | Otto Piene, Artist, Düsseldorf/Groton, MassachusettsModerator: Hans Ulrich Obrist, Co-Director, Serpentine Gallery, London

WEDNESDAY | June 13 | ZEROSpeakers: Heinz Mack, Artist, Mönchengla-dbach/Ibiza | Otto Piene, Artist, Düsseldorf/Groton, MassachusettsModerator: Hans Ulrich Obrist, Co-Director, Serpentine Gallery, London

WEDNESDAY | June 13 | ZEROSpeakers: Heinz Mack, Artist, Mönchengla-dbach/Ibiza | Otto Piene, Artist, Düsseldorf/Groton, MassachusettsModerator: Hans Ulrich Obrist, Co-Director, Serpentine Gallery, London

THURSDAY | June 14 | Asia’s New Private InstitutionsSpeakers: Monique Burger, Director, Burger Collection, Hong Kong | Dr. Oei Hong Djien, Collector, Founder, Curator, OHD Museum, Magelang, Indonesia | Budi Tek, Collector and Founder, Yuz Museum, Jakarta and Shanghai | Rakhi Sarkar, Collector, Director, CIMA Centre of International Modern Art and Managing Trustee, Kolkata Museum of Modern ArtModerator: Claire Hsu, Co-Founder and Ex-ecutive Director of Asia Art Archive, Hong

THURSDAY | June 14 | Asia’s New Private InstitutionsSpeakers: Monique Burger, Director, Burger Collection, Hong Kong | Dr. Oei Hong Djien, Collector, Founder, Curator, OHD Museum, Magelang, Indonesia | Budi Tek, Collector and Founder, Yuz Museum, Jakarta and Shanghai | Rakhi Sarkar, Collector, Director, CIMA Cen-tre of International Modern Art and Manag-ing Trustee, Kolkata Museum of Modern ArtModerator: Claire Hsu, Co-Founder and Ex-ecutive Director of Asia Art Archive, Hong

FRIDAY | June 15 | Inventing the MuseumSpeakers: Lars Nittve, Executive Director Museum Plus (M+) of the West Kowloon Cultural District Authority, Hong Kong | Roger Mandle, Senior Advisor to the Chair of the Board of Trustees of Qatar Museums Au-thority, Qatar | Juan Ignacio Vidarte, Deputy Director and Chief Officer for Global Strate-gies, Solomon R. Guggenheim Foundation, New YorkModerator: András Szántó, Author and Con-sultant to arts and philanthropic organiza-tions, New York

FRIDAY | June 15 | Inventing the MuseumSpeakers: Lars Nittve, Executive Director Mu-seum Plus (M+) of the West Kowloon Cultur-al District Authority, Hong Kong | Roger Man-dle, Senior Advisor to the Chair of the Board of Trustees of Qatar Museums AuthorityModerator: András Szántó, Author and Con-sultant to arts and philanthropic organiza-tions, New York

SATURDAY | June 16 | The Artist as ActivistSpeakers: Yael Bartana, Artist, Tel-Aviv/Am-sterdam Santiago Cirugeda, Architect and Principal of Recetas Urbanas, Seville Theast-er Gates, Artist | Huda Lutfi, Artist, CairoModerator: Hans Ulrich Obrist, Co-Director, Serpentine Gallery, London

SATURDAY | June 16 | The Artist as ActivistSpeakers: Yael Bartana, Artist, Tel-Aviv/Am-sterdam Santiago Cirugeda, Architect and Principal of Recetas Urbanas, Seville Theast-er Gates, Artist | Huda Lutfi, Artist, CairoModerator: Hans Ulrich Obrist, Co-Director, Serpentine Gallery, London

SUNDAY | June 17 | Arte Povera TodaySpeakers: Jannis Kounellis, Artist, Rome, Santiago Sierra, Artist, Madrid | Gilberto Zorio, Artist, Torino, Monique Burger, Di-rector, Burger Collection, Hong Kong | Hong Djien, Collector, Founder, Curator, OHD Mu-seum, Magelang, Indonesia | Budi Tek, Col-lector and Founder, Yuz Museum, Jakarta and ShanghaiModerator: Germano Celant, Contempo-rary Art Historian, Milan

SUNDAY | June 17 | Arte Povera TodaySpeakers: Jannis Kounellis, Artist, Rome, Santiago Sierra, Artist, Madrid | Gilberto Zorio, Artist, Torino, Monique Burger, Di-rector, Burger Collection, Hong Kong | Hong Djien, Collector, Founder, Curator, OHD Mu-seum, Magelang, Indonesia | Budi Tek, Col-lector and Founder, Yuz Museum, Jakarta and ShanghaiModerator: Germano Celant, Contempo-rary Art Historian, Milan

PUBLISHERAbraham Lubelski

EXECUTIVE EDITORRose Hobart

EDITORIAL TEAMLeah SchlackmanCaroline LuppescuSofie Mercier

DESIGN TEAMJulie ChauChris Santangelo

Copyright NY Arts Magazine 1995-2010. All rights reserved . NY Arts Magazine is a quarterly publication.NY Arts Magazine473 Broadway,7th Floor, New York, NY 10013T: 212 274 8993 F: 212 226 3400contact@nyartsmagazine.com

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-Issue No. 17, 2012-

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Art FAirs internAtionAl newspAper 2012

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In his book, Green Metropolis, author David Owen makes a convincing argument that New York City is the most sustainable city in the U.S. Smaller resi-dential units, higher densities, fewer households owning automobiles, fewer miles traveled for those who do own automobiles, all contribute to a more sustainable environment. Essentially, less energy is used in high-density cities like New York. Examples of someone making a home in only 100 square feet of space have become a common feature in the Thursday NY Times Home Section. Creative use of space with a great deal of flexibility and multiple use of various components is essential to accommodate most New Yorkers’ basic needs in a tiny apartment. With housing costs so high in major cities like New York, living in a small unit is expected. However, my interests and focus has been in convincing people and cities that there are benefits to applying New York’s smaller residencies to places in which they are not an absolute neces-sity. Household size has changed considerably in recent years with over 26% of all U.S. households consisting of only one person. Nationally, married couples with children comprise roughly only 23% of all U.S. households. Yet we continue to provide few attractive alternatives from either the grandiose single-family house in suburbia or some form of multi-family housing in the inner city. Suburban sprawl is extremely detrimental to maintaining a vital and sustainable environment. With increasing world population and diminishing natural resources, maintaining our existing agricul-tural land, recreational areas, forests, and wetlands is essential. Jared Diamond, in his book Collapse, his sequel to Guns, Germs, and Steel, cites many examples of entire cultures that have disappeared because of poor land-use practices. While most examples are Pacific Island nations, there is one chapter on "Montana" where poor environmental practices have led to many economic problems that severely impact the quality of life. What is needed, I believe, to address these concerns, is to develop new strategies to curtail growth on the periphery of our cities by providing housing forms that are attractive and fulfill the needs of what is expected for those who currently live in large, single-family detached houses. What we need to do is to rethink that middle zone, just outside the city center, where existing neighborhoods could be reconfigured to ad-dress new and emerging lifestyles as well as chang-ing demographics and household sizes. The key to sustainability in the future is to pro-vide some form of attached dwelling unit—increas-ing density and requiring less infrastructure—but there are still concerns about issues of privacy, noise, lack of identity, etc. I think this can be allevi-ated through proper design. Another form of hous-ing that has tremendous positive implications is the Accessory Dwelling Unit (ADU), sometimes known as a granny flat. Typically, ADUs are limited to 800 square feet and can be either attached to the main dwelling unit or as a separate structure. These units can be occupied by a family member, or rented out to provide additional income. The most positive aspect of an ADU is that it provides opportuni-ties for aging in place—an idea that is essential to maintaining one’s quality of life but has become a luxury and near impossibility in contemporary soci-ety. In my own architectural practice, I have recently completed a small—269 square foot—studio for an artist client who lives abroad most of the year, but who wishes to come back and visit friends and paint during the summer. In designing small residential units, there are a number of design principles to consider in order to make that unit feel more spacious and home-like—as opposed to feeling like a temporary storage space. Incorporating multiple uses within the space of one room is a way to maximize function and square footage; a home office may also be a guest

“With increasing world popu-lation and diminishing natural resources, maintain-ing our existing agricultura”

Moscow’s Cultural Capital

BY MICHAEL FIFIELD, FAIA, AICP

room or media room. A window seat on a stair land-ing can be large enough to function as a guest bed with bedding storage underneath for the occasional guest. Engaging with the outside is another essen-tial in the creation and comfortable habitation of a small dwelling unit. Small rooms can feel infinitely larger if there is a visual of the outdoors that will

serve to extend the visual perception of the room. Interior rooms that open directly to the outdoors allow for interior spaces to spill over to the outside. Furthermore, walls and ceilings have a certain thick-ness that can be taken advantage of in order to extend the perception of the size of a room; leaving ceiling joist or beams exposed extends the percep-tion of the height of a room and providing built-in shelves and drawers in walls not only provides much needed storage space, but it can also provide richness to an otherwise sterile looking room. The most essential design principle is the will to challenge the conventional. I always tell my stu-dents in my housing courses as well as potential clients, that if you remove the title of a room from a set of drawings, and if that space can appear to be not only a great sleeping area, but perhaps a study, a home office, or other use, and be a great space for any of those uses, then you are on the right track to making a small house a special place. A window seat on a stair landing can be large enough to function as a guest bed with bedding storage underneath for the occasional guest. Engaging with the outside is another essential in the creation and comfortable habitation of a small dwelling unit. The most essential design principle is the will to challenge the conventional. I always tell my stu-dents in my housing courses as well as potential clients, that if you remove the title of a room from a set of drawings, and if that space can appear to be not only a great sleeping area, but perhaps a study,

feld72 describes itself as a “collective” organiza-tion, with the purpose of exploring the intersec-tion between architecture, applied urbanism and art. Working as both architects and investigators of urban settings, Anne Catherine Fleith, Michael Obrist, Mario Paintner, Richard Scheich, and Peter Zodere r have created projects that focus on finding new strategies for “cliché-dominated or underesti-mated” urban conditions from their office in Vienna. Its work often expand the field of architecture, concentrating on a series of “ Urban Strategies,” which examines the issues surrounding the use and perception of public space, a task realized through numerous buildings and researches in an interna-tional context. Feld72’s experiments in discovering these strategies are functional yet philosophical. Kari Jor-makka, wrote in Theory and Design in the Fourth Machine Age; “There is no break between the theo-retical and experimental projects of feld72 and their designs for buildings: all of their work, irrespective of scale or means, investigates how the world is engaged and perceived through the lens of architec-ture.” In projects like Public Parameters, Toronto Bar-beque, and MuseumsQuartier, feld72 studied how the built environment contributes to the construction of life, especially the ways in which the architecture partakes and integrates with daily social relations. Many of feld72’s works understands architecture

The Curators and ArchitectsBY MICHAEL FIFIELD, FAIA, AICP

performatively and ritualistically by involving the audience—or in this case the ‘everyman’—as an element of the work. It has launched public dis-cussions, debates, correspondence and events, incorporating the participation of the public into the construction of the architecture. One of feld72’s projects enacted in order to find tools for increasing the possibilities of public space, PublicTrailers, utilizes the accessibility of bicycle trailers as a performative tool that allows the masses to react to the city in ways they have never before. The “hegemonially-agreed patterns of behavior” are broken and a more vivacious kind of urban life is created. This piece takes advantage of the ecological and economic qualities of bicycles to incite a quick yet diverse reaction from the public. The purpose is for the users to find new ways to “combine different layers of public life that could go from a practical solution of daily life problems, to surreal moments in space, to a highly performative ‘culture of congestion.’ The eventual goal of this project is to break the monotony of functionality in public arenas and to increase the adventurous potential of these spaces. The importance of a public in constant and close contact with the city that surrounds them is deeply felt. Stationed in cities such as Shenzen, London, and Milan, PublicTrailers is a work designed to pro-

mote a sense of community often lost in the chaos of a large metropolis. These new strategies allow the masses to view their municipality in a revived way, breathing new life into older, perhaps forgotten parts of the city and forcing the public to engage—joyously—with their surrounding urban environ-ment. Feld72 describes itself as a “collective” organi-zation, with the purpose of exploring the intersec-tion between architecture, applied urbanism and art. Working as both architects and investigators of urban settings, Anne Catherine Fleith, Michael Obrist, Mario Paintner, Richard Scheich, and Peter Zodere r have created projects that focus on finding new strategies for “cliché-dominated or underesti-mated” urban conditions from their office in Vienna. Its work often expand the field of architecture, con-centrating on a series of “ Urban Strategies,” The eventual goal of this project is to break the monotony of functionality in public arenas and to increase the adventurous potential of these spaces. which examines the issues surrounding the use and perception of public space, a task realized through numerous buildings and researches in an inter-national context. These new strategies allow the masses to view their municipality in a revived way, breathing new life into older, perhaps forgotten parts of the city and forcing the public to engage with their surrounding urban environment.

4

Gallery GuideACA Galleries | New York, NY

Aicon Gallery | New York, NY | London, UK

Alicia David Contemporary Art | London, UK

Anelle Gandelman Fine Art | Larchmont, NY

Arcadia Fine Arts | New York, NY

Anita Shapolsky Gallery | New York, NY

Anthony Brunelli Fine Arts | Binghamton, NY

ARC Fine Art | Fairfield, CTv Arch 402 Gallery | London, UK

Artist League Projects | Minnneapolis, MN

Art Link International | Lakeworth, FL

Axiom Contemporary | Santa Monica, CA

Babcock Galleries | New York, NY

Bernarducci.Meisel.Gallery | New York, NY

Big Eye Gallery | New York, NY

Birnam Wood Galleries | East Hampton, NY

Bruce Lurie Gallery | West Hollywood, CA

Cade Tompkins Projects | Providence, RI

Capital Culture | London, UK

Center Space Gallery | New York, NY

Cynthia Corbett Gallery | London, UK

Danziger Projects | New York, NY

Edgar Modern | Bath, UK

element 6 arts | New York, NY

Eli Klein Fine Art | New York, NY+ Beijing

Emmanuel Fremin Gallery | New York, NY

Envie D’Art Galleries | Paris, France

Evan Lurie Gallery | Carmel, IN

Galerie LuCo | Vienna, Austria

Galerie Roccia | Montreal, Quebec Canada

Gallery Sam | Berkeley, CA

Gallery Tableau | Seoul, Korea

George Krevsky Gallery | San Francisco, CA

Gerald Peters Gallery | New York, NY + Santa Fe, NM

I. Brewster & Sons Gallery | Philadelphia, PA

Katharina Rich Perlow Gallery | New York, NY

KIWI Arts Group | Miami, FL

Louis K Meisel Gallery | New York, NY

Manifold Editions | London, UK

Mark Borghi Fine Art | New York, NY

McNeill Art Group | Southampton, NY

Michael H. Lord Gallery | Palm Springs, CA

Modernbook Gallery | San Francisco, CA

Museum Works Galleries | Chicago, IL

Peter Marcelle Gallery | Bridgehampton, NY

Peter Mendenhall Gallery | Los Angeles, CA

Portico New York | New York, NY

Quantum Contemporary Art | London, UK

Exhibition Hall MAP

Fair located on the popular Collins Avenue between 17th and 18th Street at The Catalina Hotel. As a well-known satellite art fair location, it shares the strip with an impressive list of premium, high-rise art deco hotels where the most prominent galleries, collectors and museum curators from all over the world will stay during the biggest art event held in the Americas.

Fair is composed of 64 exhibition spaces, each space transformed into a high-end gallery. Installation artists and performance artists will be taking over our public spaces to create a visual and sensory experience unlike any other satellite fair in South Beach. Our VIP and nightly events programming is provided to bring additional attention to our exhibitors and enhance the overall SELECT Fair experience for all participating and attending.

Print is a special section of SELECT Fair devoted exclusively to contemporary prints. Publishers of prints from all over the country will show the work they produce with artists, both established and emerging. Select Fair’s location at the Catalina Hotel is just a block away from the Suites of Dorchester where the IFPDA holds their annual Miami INK Fair, making central Collins Avenue THE place for print collectors to visit during Art Basel / Miami Beach.

1. Meyer Abrams 2. Harold Adams3. Rachel Akin4. Monica Angle 5. James Paulsen6. Michael Amrose 7. Kimberly Anderson8. Scott Anderson 9. Bekah Ash 10. Josh Axelrod 11. C.C. Barton 12. Edward Bartoszek 13. Joseph Becker 14. Shellie Bender 15. Camille Benjamin 16. Mitchell Berg 17. Henry Bergeson 18. James Bird 19. David Bjurstrom

20. Marvin Blackmore 21. Mike Bose 22. Donald Boudreau 23. Joseph Bradley 24. Jim Brown 25. Michael Bryant 26. Jeffrey Cannon 27. Galen Carpenter 28. Theresa Carson 29. Hsing Chang 30. John Charbonneau 31. Jack Charney 32. Andy Chen33. Jennifer Chin 34. Danny Chu

35. Bob Coller Jewett 36. Nichole Collins 37. Merry Cox38. C. L. Cunningham 39. Lisa D’Agostino 40. Chris Dahlquist 41. Dick Daniels 42. Janine DeCresenzo43. Mary DeMarco44. Nick DeVries 45. Melissa Dominiak 46. Thomas Dumke

47. Leah Dziewit 48. Paul Eshelman 49 . Nate Evans 50. Jennifer Falter51. Nathan Falter 52. Diana Ferguson 53. Giampietro Filippetti54. Linda Flake 55. Dana Forrester

56. Larry Fox 57. Susan Frerichs 58. Sandi Garris 59. Kendra Gebbia 60. Kristin Gereau 61. Keith Grace 62. Anne Havel