ARC-1.0-Usermanual.pdf

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MeasurementSoftware

Correction Plug-in

The first room correctionsystem in a plug-in

MeasurementMicrophone

User Manual

ARC System is powered by


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P L E A S E N O T E

ARC System is a trademark property of IK Multimedia Production Srl.Audyssey, MultEQ, Audyssey MultEQare trademarks property of AudysseyLaboratories Inc. used under license. All other product names and trademarksare property of their respective owners, which are in no way associated or

affiliated with IK Multimedia. Product names are used solely for the purposeof identifying the specific products that were studied during IK Multimediassound model development and for describing certain types of tones producedwith IK Multimedias digital modeling technology. Use of these names do not

imply any cooperation or endorsement.


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Table of Contents

I Contents pag.

II License Agreement pag. 6

Chapter 1 ARC System Overview pag. 9 . Introduction pag. 9 . What is ARC System? pag. 0 . How does ARC System work? pag.

Chapter 2 ARC System components pag. 5 . ARC Measurement Microphone pag. 5 . ARC Measurement Software pag. 5 . ARC Correction Plug-In pag. 6

Chapter 3 Setup for measurements pag. 7 . What you need to measure your room pag. 7 .. Audio Interface required features pag. 7 . How to setup for measurements pag. 7 .. Speakers connection pag. 7 .. Powered Speakers setup pag. 8

.. Passive Speakers setup pag. 9 ..4 Active Subwoofer and Powered Speakers setup pag. 0 ..5 How to connect the ARC Measurement Microphone pag.

Chapter 4 Using the ARC Measurement pag. 4. Opening the ARC Measurement pag. 4. STEP - Welcome to ARC System pag. 4. STEP - Setup your Audio IO pag. 4 4.4 STEP - Put the Microphone at Main position and Adjust Levels pag. 5 4.4. Microphone orientation pag. 6 4.4. Microphone height pag. 7 4.5 STEP 4 - Take Measurements pag. 9

4.5. Examples of measurement locations in various room types pag. 0 4.5. Take Measurements pag. 5 4.6 STEP 5 - Calculate and Save your system correction pag. 6

Chapter 5 Using the ARC Plug-In pag. 7 5. Opening the ARC Plug-In in your DAW pag. 7 5.. Starting ARC Plug-In in Pro Tools7.x pag. 8 5.. Starting ARC Plug-In in Cubase4 pag. 8 5.. Starting ARC Plug-In in LogicPro 7.x / LogicExpress pag. 8 5..4 Starting ARC Plug-In in Digital Performer 5.x pag. 8 5..5 Starting ARC Plug-In in Live 6.x pag. 8 5..6 Starting ARC Plug-In in Sonar 6 pag. 9 5..7 Starting ARC Plug-In in GarageBand.x pag. 9 5..8 Starting ARC Plug-In n Nuendo pag. 9 5..9 Starting ARC Plug-In in Tracktion pag. 9


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5. ARC Plug-In controls pag. 9 5.. Measurement menu pag. 40 5.. Target Curve menu pag. 40 5.. Frequency Response Graphs pag. 4 5..4 Speaker Icons pag. 4 5..5 Peak Meter pag. 4 5..6 Correction ON switch and TRIM knob pag. 4 5..7 Other controls pag. 4 5. Using the ARC Plug-In pag. 4 5.4 Suggestions for the best ARC System usage pag. 44

Chapter 6 Frequently Asked Questions pag. 45

Chapter 7 Troubleshooting pag. 49

Chapter 8 Support pag. 55 8. User Area pag. 55


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II - License Agreement6

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License AgreementEND-USER LICENSE AGREEMENT FOR IK MULTIMEDIA PRODUCT

Please read this document carefully before breaking the seal on the media package. This agreement licenses the enclosed software to you and containswarranty and liability disclaimers.

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Not for resale (NFR) Version means a version of IK Multimedia Product, so identied, is intended for review and evaluation purposes, only.

) LICENSE

The IK Multimedia Product is protected by copyright laws and international copyright treaties, as well as other intellectual property laws and treaties.The IK Multimedia Product is licensed, not sold. This EULA grants you the rights as specied here below. All other actions and means of usage arereserved to the written permission of the right holder IK Multimedia Production Srl:

Applications Software. The IK Multimedia Product may be used only by you. You may install and use the IK Multimedia Product, or any prior versionthereof for the same operating system, on up to three () computers, provided that (a) each computer is owned by (or leased to) and under the exclusive

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Storage/Network use. You may also store or install a copy of the IK Multimedia Product on a storage device, such as a network server, used only to installor run the IK Multimedia Product on your other computers over an internal network; however, you must acquire and dedicate a distinct license for eachuser of the IK Multimedia Product from the storage device. Any given license for the IK Multimedia Product may not be shared or used concurrently orotherwise on different computers or by different developers in a given organization.

) AUTHORIZATION CODE

The IK Multimedia Product only functions when you are in the possession of an authorization code. You will receive an authorization code upon complet-ing the authorization code request procedure. Once your authorization code is activated, you may use the product.

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Limitations on Reverse Engineering, Decompilation, and Disassembly. You may not reverse engineer, decompile, or disassemble the IK MultimediaProduct, except and only to the extent that such activity is expressly permitted by applicable law notwithstanding this limitation of components. The IKMultimedia Product is licensed as a single product. Its component parts may not be separated for use on more than one computer.

Not for Resale Version. If the IK Multimedia Product is labeled Not for Resale or NFR or Evaluation Copy, then, notwithstanding other sections ofthis EULA, you may not sell, or otherwise transfer the IK Multimedia Product.

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Software Transfer. You may not transfer, license or sublicense your rights as Licensee of the software or any IK Multimedia product, as licensed to youunder this agreement without prior written consent of the rights owner. The carrier on which the IK Multimedia product has been distributed may betransferred or otherwise made available to any third party only with the prior written consent of the rights owner and provided that (a) the original media


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and license(s) accompany the carrier and (b) the party transferring the media does not retain a copy of the media.

5) UPGRADES

If the IK Multimedia Product is labeled or otherwise identied by IK Multimedia as an upgrade, you must be properly licensed to use a product identi-ed by IK Multimedia as being eligible for the upgrade in order to use the IK Multimedia Product.

An IK Multimedia Product labeled or otherwise identied by IK Multimedia as an upgrade replaces and/or supplements the product that formed the ba-sis for your eligibility for such upgrade. You may use the resulting upgraded product only in accordance with the terms of this EULA. If the IK MultimediaProduct is an upgrade of a component of a package of software programs that you licensed as a single product, the IK Multimedia Product may be usedand transferred only as part of that single product package and may not be separated for use on more than one computer.

6) DUAL-MEDIA SOFTWARE

You may receive the IK Multimedia Product in more than one medium. You may not loan, rent, lease, or otherwise transfer the other medium to another

user, except as part of the permanent transfer (as provided above) of the IK Multimedia Product.

7) LIMITED WARRANTY

IK Multimedia warrants to the original purchaser of the computer software product, for a period of ninety (90) days following the date of original purchase,that under normal use, the software program and the user documentation are free from defects that will materially interfere with the operation of theprogram as described in the enclosed user documentation.

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To make a warranty claim under the above limited warranty, please return the product to the point of purchase, accompanied by proof of purchase, yourname, your return address and a statement of the defect, or send the CD(s) to us at the below address within ninety (90) days of purchase. Include a copy ofthe dated purchase receipt, your name, your return address and a statement of the defect. IK Multimedia or its authorized dealer will use reasonable com-mercial efforts to repair or replace the product and return it to you (postage prepaid) or issue to you a credit equal to the purchase price, at its option.

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0) CHOICE OF LAW

You agree that any and all claims, suits or other disputes arising from your use of the software shall be determined in accordance with the laws of Italy, inthe event IK Multimedia, is made a party thereto. You agree to submit to the jurisdiction of the court in Modena, Italy for all actions, whether in contract orin tort, arising from your use or purchase of the software.

) GENERAL

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IK Multimedia Production SrlVia dellIndustria 46400 ModenaItaly

007 IK Multimedia. All rights reserved.


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Chapter 1 ARC System Overview

1.1 Introduction

The popularity of Digital Audio Workstation (DAW)-based systems have madethem the most used recording and mixing solution for hundreds of thousandsof professional, project, and home studios worldwide. While much emphasis isplaced on the gear and tools used for composing, mixing, and mastering, oneof the most critical factors influencing the quality of a music production is theaccuracy of the monitoring system. In fact, the combination of speakers and roomacoustics prove to be the weakest link in the music production chain.

Near field monitor systems used in studio applications are designed to deliversound without distortion or coloration. However, when monitors are placed in aroom, surrounding walls, ceiling, furniture, and other objects reflect and absorbtheir sounds, creating complex distortions specific to the room, and causing themto lose the accuracy they have been designed for. In other words, you end uphearing more of the sound of the room than the actual music being produced.

The traditional solutions to this problem so far have been acoustic treatments,traditional room correction EQ, or lately, advanced self-calibrated monitor sys-tems. Unfortunately, each of these options has some drawbacks, which may not

be the best alternative for todays DAW-based music production scenarios.

Acoustic treatments require a degree of expertise in their set-up that is notcommonly available among musicians working in project and home studios. Atthe same time, it can be extremely expensive for professional studios, especiallywhen a precise sonic target result is required and the room is not optimallyshaped. A complete and successful acoustical treatment usually means a heftyprice tag for many, making it an option only for a few high-end studios.

Traditional room correction EQ and advanced self-calibrated monitor systemsare also expensive, and generally are only able to correct the frequency responseof a room, but not the phase problems that can be introduced by room acoustics.

On the contrary, traditional room correction EQ will alter the phase response byitself, adding this to the already present phase room alterations. All these phasedistortions summed up, is one of the reasons that leads many engineers toturn off equalizers on the monitoring setup after briefly trying them. Moreover,traditional correction EQ calibrates the response by only considering one singleposition in the room (called the sweet-spot), usually making the listeningexperience on other zones of the room even worse. Lastly, all of these systemsfail when it comes to easy portability and mobile situations, which is now thegrowing trend for laptop-based mobile studios and traveling musicians.

To offer the definitive solution for DAW-based studios, IK Multimedia has teamedup with Audyssey Laboratories Inc., the leading provider of sound equalizationsolutions, for the production of an innovative, low-cost, and mobile solution tocorrect the distortion problems caused by room acoustics: ARC System.


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1.2 What is ARC System?

Advanced Room Correction (ARC) System includes components:

ARC Measurement MicrophoneARC Measurement SoftwareARC Plug-In

The ARC System is a combination of a professional calibrated measurementmicrophone (figure .), a measuring software (figure .), and a multi-platformplug-in (figure .) that can be integrated with any DAW-based studio, capableof correcting the distortion caused by room acoustics and able to improve how astudio will sound forever.

figure .

figure .

1.2.3.

figure .


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ARC System features Audyssey MultEQtechnology, which measures soundinformation throughout your listening area, in various zones of the room,and then combines this information to create an accurate equalizationsolution for the room's acoustical problems. The equalization solution thencorrects both time and frequency response problems more effectively andefficiently than any other room correction EQ on the market.

ARC System represents one of the most advanced solutions to acousticproblems for any DAW-based studio, dramatically improving the acousticsof home and project studios as well as correcting even the highest acousti-cally treated high-end studio. The ARC System produces results like youhave never heard before, improving the accuracy of your monitoring system.When you experience ARC System, the perspective of what you are record-ing, mixing, or mastering becomes immediately clear and reliable.

The audible results will be:

Low-end alterations (typically added by small rooms) are removed,with better low frequency control.More consistent frequency response across the entire range.Tonal balance is restored, allowing you to create accurate mixes.

And the following advantages will be achieved:

Room defects will no longer capture your attention, allowing you tofocus solely on the music and reducing your ears fatigue.Work on mixes faster and better, because now you are sure aboutwhat you are hearing.Achieve greater consistency on your music productions.Create mixes that translate to the outside world without problems.

Moreover, if you are a traveling musician, you can conveniently bring ARCSystem with you and quickly measure/correct any studio or room, so youcan produce music in any environment, maximizing your time and fuelingyour creative power.


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1.3 How does ARC System work?

1) The first step is to measure your room.

To measure your room, just connect the ARC Measurement Microphone toany phantom powered MIC input in your audio interface, and launch ARCMeasurement Software (figure .4) from your Mac or PC computer. Then,ARC Measurement will guide you through 5 easy steps that will allow you toproperly set up the microphone and measure your room. Thanks to AudysseyMultEQtechnology, ARC System not only allows you to measure and cor-rect the sweet-spot (usually, where the mixing engineer is seated), but youcan also measure multiple positions in the room, ensuring the most accuraterepresentation of its acoustical problems in the overall space.

figure .4

In fact, instead of applying a regular standard EQ as all other systems do(that will be valid only on the sweet-spot, making all other room areassound worse than before), the ARC System will analyze all your studiozones, such as your center sweet-spot, producer desk, or client couch. Then,

it will provide a correction curve that effectively works on all of the zones,at the same time. Once the measurement sets have been taken, the ARCMeasurement Software will save its results as a file that describes the roomacoustics and its relative correction. If you have various speakers configura-tions, just repeat the process, taking multiple measurement sets and savingthem in different files. The overall measurement process will take only a fewminutes but the ARC System will give you a timeless solution.

2) The second step is to apply the correction as a plug-in in your preferred DAW.

Open your DAW (such as Pro Tools, Cubase, Logic, Sonar, Live,Digital Performer, etc.), and insert ARC Plug-In (figure .5) on the StereoMaster BUS, enable the Correction On, and voil: the alterations introducedby your room acoustics will be corrected. This will allow you to finally trust


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the sound of your studio monitors and room. Now, you can easily select themeasurement sets already taken from the ARC Plug-In interface.

figure .5

This particular screen-shot of the ARC Plug-In (figure .6) shows how ahighly distorted monitoring system is flattened almost perfectly when

MultEQ is applied. In Orange is the actual room response, in Green is theflat-response of an ideal speakers/room system, and in White is the cor-rected room response applied by ARC system. As you can see, the lowfrequency extension of the speaker is not pushed beyond the physical limitsof the speaker, another advantage in comparison to all conventional roomcorrection EQ (auto equalizers).

figure .6


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Chapter 2 ARC System components

2.1 ARC Measurement Microphone

The ARC Measurement Microphone provides an overall higher qualitywhen compared to regular low or mid-priced measurement microphones.Measurement microphones usually exhibit a flat frequency response atthe expense of a poor sensitivity and a noise level that is too high for highquality recording.

The ARC Measurement Microphone exhibits a flat frequency response, andat the same time, sensitivity, noise level, and max SPL are extremely good.This means, that you will be able to use this mic not only to measure yourroom, but also to record various acoustic sources.

In addition, this microphone is omni-directional. This makes the proximityeffect found on studio-used cardioid microphones to disappear, making itsounding very open and natural. This aspect makes it even more useful,considering that on entry-level studios omni-directional microphones areusually not an option.

Technical Specifications:

Type: /4" precision measurement condenser microphonePolar pattern: omnidirectional, free fieldCapsule frequency response: 0-6,000 HzCalibrated frequency response when used with ARC: 6-0,000 Hz,+/- .5 dBOutput: transformerless, electronically balanced, 00 ohms outputimpedanceSensitivity: 50 mV/PaNoise Equivalent Level: dBMax SPL: 0 dB for % THD

2.2 ARC Measurement Software

ARC Measurement Software is a standalone application that analyzes yourspeakers and room system, and automatically calculates the best possiblecorrection intervention (that will be applied later on by the ARC Plug-In).

The ARC Measurement Software works by sending test tones to your speak-ers and at the same time, recording the signal captured in the room by theARC Measurement Microphone.


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2.3 ARC Correction Plug-In

This multi-platform plug-in is the ARC System component that will apply theARC System correction curve generated by the ARC Measurement Software,to the monitoring system.

The ARC Plug-In should be inserted on your DAW Stereo Master BUS, orwhen possible on the Monitoring BUS.


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Chapter 3 Setup for measurements

3.1 What you need to measure your room

To correctly measure your room you need:

The ARC Measuring Software properly installed. This is included inthe ARC System installer and works as a standalone application.High quality audio interface with at least one Microphone XLR Inputwith +48V Phantom power.ARC Measurement Microphone.Microphone Stand and XLR microphone cable.

3.1.1 Audio Interface required features

To correctly measure your room you need a high quality audio interface thatcan operate at 48 kHz, and can reliably record one channel while playing backtwo channels (full duplex operation must be supported).

The ARC Measurement Software only supports ASIO drivers on Windows, andCoreAudio drivers on Macintosh. Please check that your audio interface sup-

ports these standard drivers.

IMPORTANT NOTE:considering that the measurement process must be doneat 48 kHz, the ARC Measurement Software must set your audio interface sam-pling rate at 48 kHz. For this reason, please check in your audio interface thatthe sampling rate is not locked and that 48 kHz is supported and allowed.

ARC Measurement will try to set the sampling rate to 48 kHz as soon you selectyour audio interface. If the audio interface cannot be set at 48 kHz, an alertmessage will inform you that the room measurements cannot be taken.

3.2 How to setup for measurements

To properly measure your room you need to connect the ARC MeasurementMicrophone to your audio interface, and your audio interface to the speakers.In general, you will already have the speakers properly connected so youdo not need to change anything on the speakers connections at all. What isimportant is having a couple of outputs of your audio interface going to thespeakers as directly as possible.

3.2.1 Speakers connection

Be sure that your Left (L) and Right (R) speakers are directly connected to acouple of your audio interface outputs. If anything is present between youraudio interface and your speakers (like a mixer, a monitor management sys-


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tem, etc), please check that their settings do not alter the audio signal in anyway (e.g., no tone controls, no mono switch or phase reverse, etc).

If you use a powered subwoofer that performs bass management, just connectyour audio interface outputs to the subwoofer inputs, and your L & R satellitesto the proper subwoofer outputs. This way, the system will still be seen as astandard dual channel system (with an increased low frequency extension).

3.2.2 Powered Speakers setup

Figure . shows one possible way to connect your system componentswhen powered speakers are used.

figure .


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3.2.3 Passive Speakers setup

Figure . shows one possible way to connect your system componentswhen passive speakers are used.

figure .


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3.2.4 Active Subwoofer and Powered Speakers setup

Figure . shows one possible way to connect your system componentswhen an Active Subwoofer is used together with powered speakers.

figure .


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3.2.5 How to connect the ARC Measurement Microphone

Please connect the ARC Measurement Microphone to a high quality micro-phone preamplifier, enabling the +48V phantom power supply.

Please check these two options (both are ok):

The preamplifier is built-in in the audio interface. In this case,the microphone will be directly connected to the XLR inputon the audio interface, without using any attenuator pad, andenabling the +48V phantom power.

The audio interface has no mic preamplifier. In this case, youwill need to connect the microphone to an external preampli-fier or to a mixer, and connect the preamplifier output to theaudio interface line input.

To get the necessary precision, the preamplifier should be as clean and flatas possible. For this reason, you should avoid using Tube preamplifiers forthis purpose. Also, electronically balanced (transformerless) preamplifiersare preferred for this usage to transformer-based designs, which tends tocolor the sound too much.

To start, set the Gain control on your preamplifier to its middle position.Probably, you will have to adjust this later on while setting up levels.

IMPORTANT: TURN DIRECT MONITORING OFF.Any direct monitoring on the audio interface mixer should be turned OFF.To ensure this, simply check that no microphone signal at all is going outto the speakers.

a.

b.


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Chapter 4 Using the ARC Measurement

4.1 Opening the ARC Measurement

On Windows, go to your Start Menu \ Programs, and launch ARC Measurement.

On Macintosh, go to your Applications folder and launch ARC Measurement.

4.2 STEP 1 - Welcome to ARC System

After launching ARC Measurement (figure 4.), its welcome screen willappear. Click NEXT to continue.

figure 4.

Note: after you have completed each steps instructions, click NEXT. The follow-ing step number will be reflected in the top left area as STEP of 5 and the stepsindicator will show you the steps already made () and the current step ().


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4.3 STEP 2 - Setup your Audio IO

Select your audio hardware here, and choose which channels to use forspeakers outputs and for the microphone input (figure 4.).

figure 4.

Audio Hardware: click on this menu to select the audio interface you aregoing to use in the measurement process. ASIO compatible interfaces will

be listed on Windows, and CoreAudio compatible interfaces will be listed onMac OS X.

OUTPUT L:click on this menu to select the audio interface output that is con-nected to the LEFT speaker, for example Output .

OUTPUT R:click on this menu to select the audio interface output that is con-nected to the RIGHT speaker, for example Output .

Microphone INPUT: click on this menu to select the audio interface inputwhere the ARC Measurement Microphone is connected. (Remember to set theGain at middle position now, and to turn on +48V phantom power supply).

ASIO Panel: this button only appears on Windows, where ASIO drivers areused.

IMPORTANT NOTE:considering that the measurement process must be done at 48kHz, the ARC Measurement Software must set your audio interface sampling rateat 48 kHz. For this reason, please check in your audio interface that the samplingrate is not locked and that 48 kHz is supported and allowed.

ARC Measurement will try to set the sampling rate to 48 kHz as soon you selectyour audio interface. If the audio interface cannot be set at 48 kHz, an alert mes-sage will inform you that the room measurements cannot be taken.

Click NEXT once the Interface, Outputs, and Microphone Input are properlyselected.


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4.4 STEP 3 - Put the Microphone at Main position and Adjust Levels

Step will guide you to how to check levels and properly measure the room (figure 4.).

figure 4.

The Levels adjustment must be done with the ARC Measuring Microphone posi-tioned at the Main listening position. Therefore, the first thing you need to do isto place the ARC Measurement Microphone at the Main listening position. From

now on in this User Manual, we will refer to the Main position as the singlelistening position that refers to the point where you ideally sit when listening toyour monitors. On figure 4.4 the number identifies the Main position.

figure 4.4


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The Main position identification is important but not very critical. You canconsider the Main position as a point in the middle of the speakers, at a dis-tance from them where you usually sit when working in your mixes.

4.4.1 Microphone orientation

The ARC Measurement Microphone must be positioned VERTICALLY for allARC measurements (figure 4.5).

figure 4.5

Do not attempt to measure the room by pointing the microphone to thespeakers, because all measurements will be wrong and the resulting cor-rection will be wrong as well.

After having securely clipped the microphone on a standard mic stand, besure to point it to the ceiling. Ideally, the microphone should be perfectlyperpendicular to the floor.

Try to use a mic stand with a boom arm that is extended as far away fromthe stand as possible. This helps avoid reflections from the stand that willinterfere with the measurements at high frequencies. Do not stand or sitnear the microphone while the measurements are running.


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4.4.2 Microphone height

Set the microphone at the same height where your ears usually are whenlistening to the speakers (figure 4.6).

figure 4.6

At this point you should have your ARC Measurement Microphone connected tothe audio interface Mic input (+48 V phantom power ON), pointed to the ceiling,and at the correct height.

Now place the microphone at the Main position (figure 4.7):

figure 4.7


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Once the microphone is correctly positioned at Main position you can startchecking levels.

Lower your studio listening volume to ZERO. The studio listeningvolume can be controlled on your audio interface with the mainoutputs level control, or with your monitoring management system.If you are using a mixer, you can use your Control Room level.

Click PLAY TEST (figure 4.8) This will generate a test sound (chirp)and it will be sent to the outputs specified at point 4..

At this point, SLOWLY increase your studio listening level. Youshould start hearing the test tone played back continuously. Stopincreasing the listening volume at a point where the heard test toneis at a medium intensity, more or less at the level when you work inyour studio. CAUTION! DO NOT INCREASE THE LISTENING LEVELTOO FAST. This could create damage to your speakers and to yourhearing if the monitoring system is very powerful.

Check the Peak Meter indication on the ARC Measurement Software(figure 4.9). This meter shows the level of the signal captured by theARC Measurement Microphone.

While the Test tone is playing (and leaving the MicrophoneLevel slider in its default position), slowly adjust the MICGAIN control on your audio interface (or on your microphonepreamplifier) to have the Peak Meter indication within theOK range.

In case you have increased the MIC GAIN control on your inter-face up to the maximum and still see a very low or no signal atall on the Peak Meter, please check that all cabling and connec-tions are ok, and turn Phantom Power On.

If you need to fine adjust the level shown on Peak Meter, just

use the Microphone Level slider on the ARC MeasurementSoftware.

Always check that your audio interface preamplifier is NOT clip-ping. If you are not sure about which MIC GAIN control settingis best (in case you have settings that deliver a signal withinthe OK range) always use the lowest one. You can always trimit by using the ARC Measuring Software Microphone Levelslider.

Once you found the correct level, click PLAY TEST again to stop thetest tones generator.

DO NOT CHANGE any of the audio settings (studio listening level,MIC GAIN control, etc) and click NEXT.

.

.

.

4.

a.

b.

c.

d.

5.

6.

figure 4.9

figure 4.8


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4.5 STEP 4 - Take Measurements

During Step 4, you will be able to take all the necessary measurements toproperly analyze the room (figure 4.0).

figure 4.0

IMPORTANT NOTE:unlike most other room correction systems, ARC needs

from to measurement positions.

A minimum of measurement positions is required, and it is not possible toproceed with the measurement wizard until they are properly taken.

We STRONGLY suggest to go beyond , possibly 6 0 measurement posi-tions should be taken.

Each measurement should be taken at different points in the room, coveringthe entire AREA you are planning to sit when listening to your speakers. Asingle or a few points measurement will never be accurate, and cannot rep-resent the real acoustical problems of the room precisely. Consequently, the

ARC System requires at least measurements for two main reasons:

ARC System can fix the acoustics of a room from various listeningarea at the same time. To do that, it needs to measure each listen-ing area.

Even if you are planning to listen in a small area, ARC Systemrequires at least measurements to properly describe differentlistening points, even if they are separated a few inches one fromthe other.

After clicking TAKE MEASUREMENT, this button will change its status toCANCEL. So to stop a running measurement press CANCEL.

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4.5.1 Examples of measurement locations in various room types

This section will visually describe a number of different audio productionrooms with an indication of where the measurement microphone shouldbe placed for each measurement. However, these diagrams should be takenas a guide.

The order of each of the required measurements is not enforced. However,it is essential to take the measurements in a symmetrical pattern. Using aclock quadrant as an example, if you take a measurement at 9 oclock, youneed to take another measurement at oclock, and so on. Now, if you havetwo listening areas, one chair plus client couch like in example , theresult will be more accurate if you take one measurement set ( requiredmeasurements or more) per listening area. Please check below the follow-ing examples:

Example 1

Studio, one chair, one main listening position (figure 4.)

figure 4.

Main position is marked as and it is perfectly centered between the twospeakers, at the listening position. This is the position you should use tocalibrate levels (see Paragraph 4.4) and for the st measurement.


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All other measurements are symmetrical to an imaginary central line, someasurements after the initial one (Main position) are taken alternativelyon the Left and Right side.

Example 2

Studio, two chairs, wider listening position (figure 4.)

figure 4.

Main position is marked as and it is perfectly centered between the twospeakers, at the listening position. This is the position you should use tocalibrate levels and for the st measurement.


The optimized listening area is wider than the one shown in figure 4., sothe measured points location are distributed in a way that covers the entirelistening area.


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Example 3

Studio, one chair plus client couch listening area (figure 4.)

figure 4.



The optimized listening area is extended to the client couch as well; placingthe microphone as shown on figure 4. will create a correction interventionthat at the same time optimize the listening at the engineers chair and atthe client couch.


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In a situation like this, we suggest saving two measurements sets (or correc-tions), so that one can be done with all 6 measurements at the engineerschair, and the other will include the client couch as well. The most suitablecorrection will be loaded in the ARC Plug-In depending if the client is pres-ent and wants to listen from the couch.

Example 4

Movie mixing studio/theater (figure 4.4)

figure 4.4



The entire sitting area is covered, and the most accurate listening experi-ence will be at main chair, front line.


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Example 5

Project studio (figure 4.5)

figure 4.5

Main position is marked as and it is perfectly centered between the twospeakers, at the listening position. This is the position you should use to

calibrate levels and for the st measurement.


Only measurements are shown here, but as in all other examples we sug-gest to take 6-0 measurements at least.

Please note that these are just examples. Considering that all rooms aredifferent, you should experiment with various measuring patterns andtake several measurement sets, to maximize ARC System capabilities and

expand your monitoring options. Then, you can store all measurement setsand recall them later on in the ARC Plug-In, allowing you direct on-the-flycomparisons.

It should be noted that the quality of the correction curve is only as good asthe accuracy and care taken when doing measurements.

Since the measurement process is supposed to be done once, we stronglysuggest giving to this process the importance it deserves.

See the next paragraph for a step-by-step description on how to take allmeasurements.


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4.5.2 Take Measurements

figure 4.6

To properly measure the room follow these simple steps.

Preparation to the measuring:

DO NOT CHANGE ANY OF THE LEVELS THAT HAS BEEN SET AT

POINT 4.4.Quiet down the room as much as possible (e.g., if you are usinga fan and/or air conditioning, please turn it Off while measuringyour room).Be sure that the room doors or windows are set as they will beduring your usual listening. For example, dont close the main doorwhen measuring if this door is never closed while you are working,or vice versa.If you usually work with a few persons attending the sessions,please measure the room in the same conditions (if it is possible).

Taking the measurements:

Place the ARC Measurement Microphone at Main Position.Click TAKE MEASUREMENT Do not generate any noise during themeasurement process.A measurement Chirp will be played 0 times on the Left speakerand 0 times on the Right per each measurement.Do not walk, talk, or move while the chirps are played or duringpauses between the chirps.Do not touch the microphone until the ARC Measurement displaysays Move the microphone to the next position then click TAKEMEASUREMENT, and the arrow has moved to the next measure-ment number.When a measure has been successfully taken its number is high-lighted and the arrow moves to the next one (figure 4.7) Thispicture shows Measurement # successfully taken, and the ARC

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figure 4.7


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Measurement System stands by to acquire Measurement #.Repeat points , , 4, 5, 6 for all measurements (figure 4.8)You will not be able to press NEXT until successful measure-ments are taken.If possible, always take more than the required measurements.We recommend to take from 6 to 0 measurements.Once you are done with the measurements, click NEXT.

4.6 STEP 5 - Calculate and Save your system correction

Once all measurements have been taken you will be presented with thescreen shown on (figure 4.9)

figure 4.9

Measurement name: click on this field and give a name to the recentlytaken measurement set. You can measure several speaker sets or vari-ous listening conditions (see paragraph 4.5. - Examples of measure-ment locations in various room types) giving different names to them.

This feature is very useful because you will be able to instantly recalldifferent measurement sets in the ARC Plug-In to match the neededmonitoring requirements.

Speaker icon:after naming your measurement set (and before pressingthe NEXT button), you can choose your preferred speaker icon. This isjust a mnemonic help to easily recall and associate your speakers witha particular measurement set, but it does not affect the sound in anyway.

7.8.

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Chapter 5 Using the ARC Plug-In

ARC Plug-In (figure 5.) is a multiplatform audio processor that applies thecorrection curve calculated by the ARC Measurement Software to the incom-ing audio stereo signal in real-time.

figure 5.

ARC Plug-In is compatible with VST, AudioUnits, and RTAS plug-in formats,on both (when they apply) Windows XP-Vista and Mac OS X platforms.

5.1 Opening the ARC Plug-In in your DAW

ARC Plug-In is a stereo to stereo processor that should be inserted on theStereo Master BUS of your Audio Sequencer or Digital Audio Workstation.

The ARC Plug-In should remain inserted and active on the Stereo Master

BUS during the entire recording, mixing, and mastering processes. Justbefore printing the final mixdown to a file or to an external recording device,it should be turned OFF.

This is because the ARC Plug-In is used to correct the monitoring/roomsystem response, and it is NOT intended to process the mixdown of yourproject.

A few DAWs support a dedicated Monitoring BUS, where you can insertplug-ins. In those cases, the ARC Plug-In should be inserted on theMonitoring BUS instead of the Stereo Master BUS, considering that the ARCPlug-In will not process the mixdown of your project even if you dont turnit OFF before printing the mix.

Each DAW has its own criteria about how to use Aux tracks, Monitoring


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Bus, Master tracks/faders, etc. Therefore, the indications about how tostart ARC in several host applications are just a starting point, a guideline.For example, if your session already has a Master track, you do not needto create another one, just insert ARC as the last plug-in. To expand yourknowledge, it will probably be a good idea to read your DAW manual, spe-cially the chapters related to outputs, Monitoring bus, Master tracks, routingconfigurations, etc.

5.1.1 Starting ARC Plug-In in Pro Tools7.x

Launch Pro Tools and open your current session. Go to Track/New/Selectstereo Master Fader and click Create. Click on the last track insert andselect ARC from the following path:Multi-channel plug-in/Other/ARC.

5.1.2 Starting ARC Plug-In in Cubase4

Launch Cubase and open your current project (File/Open). Go to Devices/Mixer or Mixer . In the stereo out channel click the e icon and then selectARC as the last insert (from the insert menu).

5.1.3 Starting ARC Plug-In in LogicPro 7.x / LogicExpress

Launch Logic and open your current project (File/Open Recent).Then go to Audio/Audio Mixer and insert ARC as the last plug-in in the Out- track. If you have to create an Audio object, go to Windows/Environment/New/Audio Object. In the Audio Objects parameter box, set the Channelparameter to the desired Logic Audio Outputs (e.g., output stereo -). Now,insert ARC Plug-In on the newly created Audio Object.

5.1.4 Starting ARC Plug-In in Digital Performer 5.x

Launch Digital Performer and open your current project (File/Open orRecent Files). Go to Project/Add Track/Master Fader track. Select an activeoutput. Then, click on the last insert and select ARC from the IK Multimediaoptions.

5.1.5 Starting ARC Plug-In in Live 6.x

Launch Live and open your current Live Set (File/Open Recent Set). In Plug-In devices, drag ARC from the Audio Units or VST plug-in options, and dropit on the stereo Master Track. Remember that ARC should be the last plug-into be inserted, so organize them accordingly.


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5.1.6 Starting ARC Plug-In in Sonar 6

Launch Sonar and open your current project (File/Open). On the Mastertrack, right click the FX area and go to Audio FX/vstplugins/ARC.

5.1.7 Starting ARC Plug-In in GarageBand3.x

Launch Garageband and open your current project. Go to Track/Show MasterTrack. In the Track Info window choose ARC from the Audio Unit Effectsoptions (included in the Effects menu). To open ARC, click on the pencilicon located to right of the Manual menu.

5.1.8 Starting ARC Plug-In n Nuendo3

Launch Nuendo and open your current project (File/Open). Go to Devices/Mixer or Mixer . In the stereo out channel click the e icon and then selectARC as the last insert (from the insert menu).

5.1.9 Starting ARC Plug-In in Tracktion3

Launch Tracktion and open your current project via the Open Project button.Select an Audio track output as default audio device. The default audio out-put will become the master output for Tracktions mixed stereo output fromthe master fader (located on the right hand corner on the Edit screen). Then,just drag and drop a new filter from the top right area to the selected track.When the plug-ins list appears, select ARC so its interface will open.

Please read 5. ARC Plug-In controls to understand how to use ARC Plug-In.

5.2 ARC Plug-In controls

Once opened on the Stereo Master BUS, the ARC Plug-In will apply one ofthe Measurement sets you have saved from the ARC Measurement Software,to match four different Audyssey target curves. You are able to switch fromone measurement set to another one on the fly, allowing you to compareyour saved options, and match your different needs.

It will also show graphical frequency responses for the Left and Right chan-nels, before and after the correction.

The ARC Plug-In alters the Stereo Master BUS level. For this reason, a preci-sion Peak Meter is included to show both Input or Output levels (PRE/POST),so that the actual project Master level can still be kept under control.


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5.2.1 Measurement menu

Click on this menu (figure 5.) to select the Measurement set you saved fromthe ARC Measurement System.

You can save various measurement sets and use them at your convenience(e.g., for several speaker systems, or for various listening situations).

5.2.2 Target Curve menu

To cover a wide range of room types, ARC System provides a selection of fourTarget Curves created by Audyssey. Click on this menu (figure 5.) to selectone of these four Target Curves:

AUDYSSEY FLATAUDYSSEY HF Roll-off AUDYSSEY FLAT (Mid Comp)AUDYSSEY HF Roll-off (Mid Comp)

Once your measurement is done, listen to material that youre familiar with,using the ARC Plug-In on your DAW Stereo Master BUS.

To start, select the FLAT target curve and listen carefully to the speakers system.

AUDYSSEY FLAT:the system will correct the frequency response so thatthe final response will be very close to flat. However, the system willnot extend the low frequency response of the speakers beyond theirlimits to avoid possible damages and excessive distortion. In fact, theAUDYSSEY Flat curve corrects the response to flat from the low fre-quency cutoff point that the ARC System has determined, to the upperfrequency limit of the tweeters.

AUDYSSEY HF Roll-off 1:this should be selected if you feel that FLATsounds excessively bright in your room. In fact, the AUDYSSEY High

Frequency Roll-off curve introduces a slight roll-off at high frequen-cies that accounts for the balance between direct and reflected soundfor small to medium size rooms.

Both AUDYSSEY FLAT and AUDYSSEY HF Roll-off target curves arealso available with the Midrange Compensation, Mid Comp, option.

AUDYSSEY MIDRANGE COMPENSATION (Mid Comp) is sometimesnecessary to correct the directivity differences that often occur in thatfrequency range due to the crossover circuitry or horn-loaded speak-ers. Start listening to the corrected systems without Mid Comp, allowyourself to get used to the new sound of your studio, and then trythe Mid Comp option. Listen to your favorite music, and judge whichAUDYSSEY Target Curve sounds more natural on your speakers androom environment.

figure 5.

figure 5.


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5.2.3 Frequency Response Graphs

The ARC Plug-In shows two frequency response graphs (figure 5.4), one forthe Left channel and one for the Right channel. Each frequency responsegraph is showing three color-coded curves simultaneously.

figure 5.4

ORANGE CURVE (Before): represents the original measured speakers/

room frequency response.

WHITE CURVE (After): represents the corrected speakers/room fre-quency response.

GREEN CURVE (Target):represents the selected Target Curve. In figure5.4, the selected target curve was AUDYSSEY FLAT, and you can see thatit is actually flat from 0 to 0,000 Hz.

Analyze these graphs to understand where the correction curve wasapplied.

5.2.4 Speaker Icons

The ARC Plug-In shows the Speakers Icon that have been chosen after themeasurement is saved on the ARC Measurement Software.

This is useful to identify and recall the measurement sets already taken andtheir association with a real speaker model.

The speakers icon selection is a mnemonic help and does not interact withthe sound of the ARC System in any way.


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5.2.5 Peak Meter

This precision Peak Meter (figure 5.5) can show the INPUT level (unpro-cessed) or OUTPUT (processed by the ARC System).

figure 5.5

On the Peak Meter, click PRE (figure 5.6) to check the input unprocessedsignal level.

This mode is very useful to keep under control the actual Stereo Masterlevel of your project. Remember that ARC is changing the Stereo Masterpeak level, so the output DAW meters will not actually show the real levelanymore.

Use the ARC Peak Meter in PRE mode to monitor the actual project level.

On the Peak Meter, click POST (figure 5.7) to check the ARC processed signallevel.

5.2.6 Correction ON switch and TRIM knob

To enable the correction click on the CORRECTION ON switch (figure 5.8).When it is illuminated, the correction is ON.

TRIM knob: the TRIM knob (figure 5.9) adjusts the level of the correctedsound only, so you can use the TRIM knob to compare between the beforeand after sounds.

When the TRIM knob is set to its default position (0 dB), the corrected soundwill be softer than the uncorrected one. We suggest to increase the TRIM

level a little bit, to acoustically match the loudness of the corrected soundwith the uncorrected one.

Once the comparison has finished, please bring back the TRIM knob to itsdefault position (0 dB) to avoid unwanted clipping of the signal.

Its value range goes from - to +dB.

5.2.7 Other controls

LOCK: if you are running the software in demo mode and you click on theLOCK button (figure 5.0), the Product Authorization Wizard will appear.However, if you already registered and authorized your product, clicking onthe LOCK button will show you the product Serial Number, Digital ID, and

figure 5.6

figure 5.7

figure 5.8

figure 5.9

figure 5.0


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Authorization Code (figure 5.).

figure 5.

INFORMATION (INFO): by clicking on the INFO button (figure 5.), thecredit interface will be displayed. Here you can check your ARC Plug-In ver-sion. Clicking anywhere on the credit interface will return to normal mode.

PREFERENCES (PREF): click the PREF button (figure 5.) to open thePreferences window. To restore last used plug-in settings at opening, selectthe check box located at the right (unchecked by default) and click SAVE, tokeep the recent changes. Click CANCEL to ignore any changes.

KEYBOARD MODIFIER: to reset the TRIM knob to its default value, click on itwhile holding the ALT key.

5.3 Using the ARC Plug-In

Before using the ARC Plug-In, be sure you already saved one (or more)Measurement sets so that you can load them in the plug-in.

Open your DAW.Create a new session or open an existing one.Open the DAW audio mixer and locate the Stereo Master BUS. If youare using Pro Tools and your session does not have a Stereo Master

...

figure 5.

figure 5.


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BUS yet, please create one.Load the ARC Plug-In as the LATEST processor on the Stereo MasterBUS.From the Measurements menu, select one of your saved measure-ment sets.Select one of the Target Curves from its menu. We suggest to startwith FLAT.Click on the Correction ON Switch. When it is illuminated, the cor-rection is ON.

If you are using mastering processors (like T-RackS) be sure toinsert the ARC Plug-In AFTER all the other processors. The ARCPlug-In must always be the LAST one in the processing chain.If your master level is really hot, (very close to 0dB), be sureto not overload the Stereo Master BUS because of the ARCintervention.Use the TRIM knob to lower the level if clipping occurs whenchecking the ARC Peak Meter in POST mode.

Keep the ARC Plug-In inserted on the Stereo Master BUS for theentire recording, mixing, and mastering processes.Switch the ARC Plug-In OFF before bouncing to file the project.Your final mix should NOT include the ARC processing because it isdesigned for MONITORING usage only.

5.4 Suggestions for the best ARC System usage

You are probably used how your studio acoustical condition sounds.For that reason, and considering that the ARC System will improve the accu-racy of your monitoring system and change the sound of your room, pleaseapply the following suggestions to enrich your listening experience whileusing the ARC System:

Use CDs or material you know very well and are very familiar withto evaluate the new way your studio sounds.Always let yourself get used to the new sound. Do not judge the cor-

rected system by only listening a minute or two. Always give yourlistening the time to understand the room sounds different.Do not change between various measurement sets or between cor-rection ON / OFF too often. Your hearing process needs to get usedto it. It is like when your eyes needs some time to adapt to a verydifferent lighting condition.

After you select the best measurements set you will start using ARC Systemwithout even thinking it is there, it is like a set it and forget tool, that willreally help you to mix faster and better, and achieve greater consistency onyour artistic projects.

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Chapter 6 Frequently Asked Questions

What is the difference between ARC and other room correction EQ systems?

ARC is powered by Audyssey MultEQ, a breakthrough room correctiontechnology that takes an innovative approach at measurement and cor-rection that other room correction EQ systems do not:

MultEQallows you to measure multiple positions in your room tomake a much wider sweet spot. Many systems only correct for oneseat in the room. This typically makes other seats in the room soundworse because a single measurement does not provide an accuraterepresentation of the problems of the entire room.

MultEQmeasures your room using advanced proprietary methodsperfected with years of extensive research from the Audyssey team.MultEQlooks at patterns in the time domain responses and clas-sifies them into clusters based on the similarities in those patterns,typically in -5 groups. A representative response is created fromeach cluster, and a final response is then created from grouping therepresentatives. The few EQ systems that do correct for multiplepositions simply average the measurement results. This tends to

gloss over common acoustical problems and not fix them properly.

MultEQ corrects for both time and frequency domain problems,which solves many of the problems that have plagued room correc-tion EQ systems since their inception. Other EQ systems only correctfor frequency domain problems, which leaves the time domain tocause phase distortion and smearing.

One of the other benefits of ARC with MultEQis that it identifiesthe limits of the loudspeaker performance and does not apply cor-rection beyond those limits. This is particularly important in the lowfrequencies where other systems may overcorrect and potentially

damage the speakers.

My studio already has some acoustical treatment. Will ARC be useful for me?

Yes. ARC System improves the clarity and focus of the perceived soundas well, and this will partially mask untreated rooms reverberation andreflections considerably. If you already have any level of acousticaltreatment in your room (and if its done properly), it will only add to theARC correction performance, boosting the overall result of the monitorsaccuracy.

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Does ARCs results depend on the quality of monitors I use? How does thequality of my monitors affect ARC results?

ARC will improve any kind of monitor type in any room, at any levelof quality. Of course there are aspect of the monitors that will alwaystranslate to the final hearing experience, even after applying the ARCprocess, for example: good power handling, power amps distortion freeperformance, detail level, accuracy, and so on. ARC System will improveany kind of monitor-room matching and the higher the quality the moni-tors, the better the final results will be.

Can I use ARC System if I have a subwoofer?

Yes. Just connect your system so that ARC System can measure and cor-rect your Left and Right speakers, with the inclusion of the subwoofer.ARC System will correct the subwoofer frequency ranges as well, con-sidering its emission part of the Main Left and Right monitors.

Will I need to change the way I am used to working with my DAW?

No. The only difference is having the ARC Plug-In always inserted on

your Stereo Master BUS (you need to turn OFF the correction whenbouncing the final mix down). If you use mastering processors on themain Stereo Master BUS make sure to put these before ARC. ARC willalways have to be the very latest processor in your audio path. A few(the list is growing) DAWs also have dedicated Monitoring BUS, soinserting the plug-in on this BUS is the best possible option.

Can I use another measurement microphone instead of the included one?

No, this is not possible. To achieve the best possible accuracy ARCmust know the exact frequency response and directional pattern of the

microphone used. That is why the entire system is especially calibratedto the ARC Measurement Microphone and cannot be used with othermeasurement microphones. Using another measurement microphonewith the ARC System will give unpredictable results.

Can I use the included microphone for recordings other than for measurement?

Yes. Measurement microphones usually exhibit a flat frequencyresponse, at the expense of a poor sensitivity and a noise level that istoo high for high quality recording. The ARC Measurement microphoneexhibits a flat frequency response as well, but at the same time thesensitivity noise level and max SPL are extremely good. So once youhave measured your room you'll be pleased by how well this micro-phone sounds when recording various acoustic sources, which turns


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this microphone into a valuable tool that will be useful to you even afteryou have calibrated the room. Plus, this microphone is omni-directionalmaking the proximity effect found in conventionally studio-used car-dioid microphones disappear, which is important for home and projectentry-level studios, since omni-directional microphones are commonlynot a part of the set-up.

Does ARC work with surround monitoring systems?

Not at the moment. A multi-channel version of ARC System is under wayand will be available in the future.


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Chapter 7 Troubleshooting

Where can I find my IK product Serial Number?

The Serial Number is written on the Registration Card (included withyour IK product, inside the license envelope). In the snapshot, pleasecheck its exact location (figure 7.).

figure 7.

) Here you can nd your SERIAL NUMBER

) At the bottom of the registration card a legend helps youidentify the characters in your SERIAL NUMBER

For clear character identification, please analyze the legend.IMPORTANT: the number zero can easily be identified in your SerialNumber because it is crossed by a line.

Why is the Wizard rejecting my Serial Number?

Probably because it found a typo, so please analyze the common errors:*Typing a 0 (zero number) instead of an O (o letter)*Typing (one number) instead of an I (i letter)*Typing (two number) instead of a Z (z letter)*Typing 5 (five number) instead of an S (s letter)*Typing 8 (eight number) instead of a B (b letter)*Typing a . (point) instead of a - (minus)


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Suggestions:

Whenever is possible, please Copy and Paste the information.Cut off all the leading and trailing spaces.Please type all codes UPPERCASE during the Installation andRegistration process.Check that the Serial number that you are entering is in correlationwith the product installed.

During the Product Registration process, I received this message: TheSerial Number is already registered...

Remember that you are able to register your product only once. So, if youare trying to get a new Authorization Code, please read the related FAQ.

Where can I find my Digital ID?

The Digital ID is displayed in the Authorization window of your IKproduct (figure 7.).

figure 7.


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Why is my Digital ID being rejected during the Online Registration process?

There is probably a typo in it. Remember that the Digital ID has NOletter I and O, only the numbers (one) and 0 (zero). In orderto prevent any further mistakes, please Copy the Digital ID from theAuthorization Form to the Registration Form.

Where can I find my Serial Number, Digital ID and the Authorization Codeof a registered IK Product?

In your IK product interface, locate the Lock button and click on it. If yourproduct version has no Lock button, you can also log in to the User Areaand click on Request a new Authorization Code. You will be able to checkall the main information about your registered products.

How can I get a new Authorization Code?

Please log in to the User Area athttps://www.ikstore.com/Login/IKLogin.cgiThen, click on Request a new Authorization Code.

I have already registered my product online, but I did not get anAuthorization Code.

Usually, this happens because the Digital ID was not submitted dur-ing the registration process. In order to get a new Authorization Code,please read the How can I get a new Authorization Code? FAQ.

I need to log in into the User Area but I forgot my User Name and Password.What should I do?

Please go to the User Area and enter your registered email address (inthe proper empty box). You will receive an email with the necessaryinformation to Log in.

I have already installed, registered and authorized my IK product in my maincomputer. What do I have to do to use my IK product in other computers?

You need to install the program and get a new Authorization Code. Tolearn how to get a new Authorization Code, please refer to How can Iget a new Authorization Code paragraph in this chapter.


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I just bought an IK product. What should I do to register and authorize mynew product?

In the Support area of our website www.ikmultimedia.com click on theProduct Registration link, or click on the Tech Support Page link andclick on option (Register your product).

In the Serial Number field of the Product Registration Form, pleaseinsert the Serial Number written on the Registration Card (includedwith your IK boxed product, inside the license envelope) or the onethat has been delivered to you (e.g. Online purchase, such as a DigitalDelivery, or update).

Complete the Registration Form and click Submit.

Regarding the Authorization process, if you already typed your DigitalID while filling the Product Registration Form, you will receive anemail from us with your Authorization Code. If not, after you launch theprogram the Product Authorization Wizard will appear. Please read andfollow the instructions provided in each of the wizards windows and getan Authorization Code.

While measuring the room, I am getting error messages from the ARCMeasurement software related to the low signal and high background noise.As a result, I cant complete the measurement process. What should I do?

Quiet down the room as much as possible, or increase the test tonesplayback level during the measurement process. Also, check the micro-phone level again, (returning to the Measurement Step ).

While measuring the room, I am getting phase errors from the ARCMeasurement software.

Please check your speakers wiring. If the speakers are passive, check thepolarity of the leads going from the amps to the speakers. If the speak-ers are active, check the XLR or TRS cables connections and polarities.

When I open the Measurements set on my ARC Plug-in and turn theCorrection ON, the resulting sound and the displayed response is strangeand incorrect, making the monitors sound worse than when ARC Plug-in isnot enabled. Do you have any suggestions?

Be sure that your audio interface is set to 48 kHz when running theARC Measurement software, (this is the only supported Sampling Rateby the ARC Measurement Software). Also, check your audio interfacebuffer size settings. For a proper measurement, it should be set from8 to 048 samples.


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I am trying to set the microphone levels on the ARC Measurement software.However, even if the test signal is being played back from the speakers, Icannot see any level. What should I do?

Please check which audio input has been selected on the ARCMeasurement Software Step , if the +48V phantom power is ON, andif the XLR cable is properly connected, (eventually, check if the cable isin good condition).

When I open the Measurements set on my ARC Plug-in and turn theCorrection ON, the resulting sound is not optimal, and I dont feel it is cor-rect for my monitors and for my room.

Please read carefully the ARC System User Manual (Chapters & 4), andrepeat the measurement process.

When I open the Measurements set on my ARC Plug-in and turn theCorrection ON, the resulting sound and the displayed response is strangeand incorrect, making the monitors sound worse than when ARC Plug-in isnot enabled. Do you have any suggestions?

Please check if the ARC Measurement Microphone is working, by con-necting the microphone to a +48V phantom microphone preamp andlistening to it through headphones. The microphone should exhibita neutral, clean sound. If the microphone is not working, producingloud noises, or having a very weak output signal, please contact IKMultimedia Technical Support.


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Chapter 8 Support

For any question you may have, please refer to the FAQ webpage:www.ikmultimedia.com/FAQ.phpwhere you will find answers to the mostcommon questions.

To submit a Technical Support Form, go to:www.ikmultimedia.com/Support.php

To contact US Tech Support Service by phone, please call at (954) 846-9866

For other requests such as Product, Sales, or Web info, please go to:www.ikmultimedia.com/ContactIKForm.php

8.1 User Area

The User Area is a special section of our website specifically designed forour users needs.


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Through the User Area, each member of our registered users database willbe able to:

Request a new Authorization CodeSubmit a Support RequestDownload Software updates and free contentEdit your Personal and Product dataCustomize your Username/PasswordLicense Transfer Process

To access the User Area go to:https://www.ikstore.com/Login/IKLogin.cgior go towww.ikmultimedia.comand click on the User Area link (left side of the page, under Support).

To enter to the User Area for the first time, you have to Log in with theUsername and Password that you have received from us via email after yourfirst IK product registration. If you have already changed your Username andPassword, please use your most current information to Log in.


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ARC System is a trademark property of IK Multimedia Production Srl.Audyssey, MultEQ, Audyssey MultEQare trademarks property of

Audyssey Laboratories Inc. used under license. All other trademarks areproperty of their respective owners, which are in no way associated or

affiliated with IK Multimedia.www.ikmultimedia.com/arc

IK Multimedia Production Srl, Via dellIndustria 46, 400, Modena, Italy.

Phone: +9-059-85496 - Fax: +9-059-8667IK Multimedia US LLC, 5 Sawgrass Corporate Pkwy. Sunrise, FL

Phone: (954) 846-90 - Fax: (954) 846-9077www.ikmultimedia.com

All specifications are subject to change without further notice.


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ARC-1.0-Usermanual.pdf

Documents

Transcript of ARC-1.0-Usermanual.pdf