Anna Ceeh was born 1974 in Leningrad (USSR), now St. Petersburg (Russia).Since 1998 – lives and works in Vienna, St.Petersburg, Minsk.2001-2006 (graduation M.A.) – Art studies at the Akademie der bildenden Künste, Vienna (Expanded Pictorial Space with Prof. Franz Graf, photography with Prof. Matthias Herrmann)Current doctoral studies at Institute for Art Theory and Cultural Studies with D. Diederichsen (Theory, Practice and Communication of Contemporary Arts) at the Academie of Fine Arts, Vienna/ AT

Visual and photographic artist, female activist, initiator and organizer of media and sound art festivals in CEE-countries, electronic music label operator.Main areas of work:• Photography, video, glitch art, arts based research (sonic studies, cultural and technological transfers and gender politics related topics), and artistic activism• Since 2001 completed a number of exhibitions in Austria, Iceland, Norway, Finland, USA, Russia, Ukraine, Swiss, Bulgaria, Sweden, Japan etc.

• Since 2003 is head of Eastern Europe department of electronic label and sonic research platform Laton. She is co-founder (with Franz Pomassl) of the sonic research project ⁄S⁄O⁄N⁄I⁄C⁄ ⁄Z⁄O⁄N⁄E⁄S⁄ incl. ZONE Club (former RUS KLUB) series at Vienna Secession (2003-2012) and RADIUS Festival for advanced electronic music and related visual art from Post Soviet Countries at CAT MAK, Vienna. Coordination and implementation of presentations in Post Soviet area incl. Arctic/ Russia (2005), Central Siberia (2006), Far East Russia (2006-2007), Caucasus (Armenia, Azerbaijan (2009), Kamchatka (2008), Belarus (2009), Ukraine (2005-2009), Baltic States (2004-2009), Central Asia (Kazakhstan, 2007) etc.(Honorary Mention Digital Musics & Sound Art, Ars Electronica 2011)• Since 2003 is planning, development, organisation, execution and implementation of projects, events and festivals in Austria (Kontra. Com 2006), Belarus (In Touch, 2009), Slovakia (Minimax 2005), ZONE (2008-2012, Secession, Vienna)

Since 2012 she has been the co/founder of the Art-Label FXXXi̶s̶m̶ Toshain / Ceeh (Vienna-Sofia-St. Petersburg). The collective operates under multiple brand names that change continually according to the concepts and issues they focus on (including, among others, FUCKi̶s̶m̶TC, FEMINi̶s̶m̶TC, FXXXi̶s̶m̶TC, XXXXXi̶s̶m̶TC, SUCKi̶s̶m̶TC).

FEMINi̶s̶m̶TC champions the semantic potential of art as a means of a condensed communication and device that compresses, stores, and disseminates information, referring beyond mere representation of images. Tailored to venues and spaces, the interventions of FXXXi̶s̶m̶TC made prêt-à-porter merchandising articles and installations show an aesthetics that draws on clear, reduced stylistic devices, the post-capitalist advertising methods of the spectacle as well as the artistic-political tactics of subversive affirmation.If contemporary art at its most vital occupies the cultural borders where change takes place and it is one vehicle, by which cultural values and practice are transformed, then our Art-Label XXXXXi̶s̶m̶TC operates on exactly this cultural border.

Since 2015 worldwide editor of the Filet Magazine (Belarus) on the cutting edge of contemporary art incl. sound art, artistic activism, and politics. She is responsible for European and international activities, including interviews with artists (i.a Kendell Geers, Anetta Mona Chisa and Lucia Tkacova), film makers (i.a. S.Loznitsa/UA), musicians, sound artists, and political art projects (KREV- The Kingdoms of Elgaland-Vargaland - upcoming) etc., and international music and contemporary arts scenes overview.

FILET is the upfront Belarusian magazine about music, cinema, erotic, fashion, and art