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above:Suzie BeringerThe Light of the Moon (Version One)Acrylic ink, watercolor, and mica and metal powders on black Canson Artigan paper and black Arches Cover. The lettering was executed with a pointed pen.7.5 × 7.5 inchesThe text is by the artist.

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this page:Ann ConnemanSo Much Has Been LostBrush-drawn lettering carved in basalt.9 × 10.5 × 6 inchesThe text is by the artist.

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right:Alicia Márquez

Veritas Numquam Perit(Truth Never Vanishes)

Raised letters cut in limestone.

16 × 16 × 3 inchesThe text is by Seneca

(c. 4bce–65ce). The carving is shown

here in the artist’s workshop.

opposite:Peter Noth

Gothic ExerciseGouache using #6 and #8

Raphaël Kaërell flat brushes and 23k gold on brown

wrapping paper. 36 × 24 inches

left:Lindsey Marshall nexusTextile, handwoven using the haute-lisse tapestry technique with cotton, linen, and woolen yarns.22 × 20 centimeters

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right:Beth Lee

Scintillate, ScintillateIridescent ink and

metallic watercolor on cold-water-dyed

Arches Text Wove using metal broad-

edged nibs.8 × 10 inches

The text is a sesqui-pedalian version of “Twinkle, Twinkle

Little Star” the artist learned as a child.

above and right:Harry Van Ornum

IndigenousCarving in mahogany

(stained with sumi ink) using a flute chisel.

43.5 × 25.5 × .25 inchesThe text is a selection of names

of native California tribes.The full piece is shown at right;

a detail appears above.

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