6757228 America Seen Through Photographs Darkly
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Transcript of 6757228 America Seen Through Photographs Darkly
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America, Seen Through
Photographs, DarklySusan Sontag
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Anything as a Subject
Matter• In Walt Whitman’s In Leaves of Grass he
argues that all things whether beautiful or
ugly, important or trivial, were of equal
value and opportunity to be an artistic
subject matter
• Whitman claimed that art would be
demystified by reality
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Early Photographers
• Sought to take beautiful photographs of
beautiful subject matter
• From the 1900’s on, photographers
increasingly photographed the ordinary
• Sontag argues that this endorses Whitman’sclaim
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Walker Evans
•Sontag names Walker Evans as the last
great photographer to affirm Whitman’s
humanism
•His subject matter aimed to be “literate,
authoritative, transcendent”
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Miner’s Homes
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Allie Burroughs
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Floyd Burroughs
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Burrough’s Kitchen
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Auto Parts Store
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Roadside Stand
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Steel Mill & Company Houses
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Fireplace at Burroughs House
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Inclusive Intentions
• Whitman and Evans wanted Americans to
identify with one another
• Leading the viewer to identify in things
that are different
• Sontag feels this is an alien concept toAmericans now
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Diane Arbus as the
Insider / Outsider• Sontag uses Diane Arbus’ photography as
an example of the opposite: images of outsiders that do not encourage the viewer
to identify with them
• Arbus’ work is frank and forces intimacybetween the viewer and the subject
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Diane Arbus as the
Insider / Outsider
•Sontag sees Arbus’ style as an aggression on
the public done to prove both the viewerand photographer’s hardness
• Depends on the separation between the
viewer and subject’s world
• No compassionate motive
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Diane Arbus as the
Insider / Outsider
•Arbus awkwardly posed her subjects, often
adding a sense of flaw where there wasnone
• Her subjects posed willingly because Arbus
had become their friend
• She was an insider depicting outsiders
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Untitled
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Tattooed Man at
Carnival
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Naked Man Being a
Woman
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Identical Twins
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Young Family on a
Sunday Outing
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Mexican Dwarf in
his Hotel Room
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Masked Woman in
Wheel Chair
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Outsider
• Photographer does not have access to the
person / subject directly, or on a personal
level
• Photographer is an observer, not a
participant
• The photographer interprets the subject
from an outsider’s point of view