5th Year Fall 2011 Work

FALL2011M

ississippi State University FALL

2011

FALL

2011

TABL

Eofc

onte

ntscolor study i-iv

reflections 03quilt study 09group work 11student work site | lamar & amite 37 site | court & west 63final quilt 89

03

Beginnings are often found in endings.

It has been a practice of the School of Architecture’s Fifth Year Program to challenge students’ complacency by working through and across divergent forms of investigation; these typically range from constructing fundamental color studies to mapping both hidden and overt patterns of the city to designing essential but often prosaic aspects of buildings, such as doors or scuppers. It is our belief that learning occurs in the interstitial spaces between such activities.

In April 2011, renowned textile artist and longtime Jackson resident Gwendolyn Magee passed away. At her memorial service, held in the entry hall of the Mississippi Museum of Art, hung several of her largest works. These ranged from pieces of pure geometrical abstraction to representational and symbolic narratives on race and race relations. As a host of noted figures – both local and national – spoke of the diverse impacts Gwen’s work had engendered, my mind shifted to the studio, to students, and the possibilities embedded in pieces of cloth, in simple shifts of color and pattern, to effect the lives of those who see them.

Mississippi, like many states in the deep south, has a tremendous history of arts and crafts making. World-class folk art is just out of view in almost every small town. However, it was not the history of those forms that motivated the work of the Fall 2011 studio, but rather the studio took the practices themselves as the underlying agenda. Working in place, with materials at hand, students were asked to investigate the world they found and propose new objects that were at once both part of and compliment to the rich fabric that is Jackson.

Jassen Callenderfaculty

05

PATTERN - things worthy of imitation, model or plan used in making things, a regular way of acting or doing to make a ground; to initiate movement; to create value in repetition

In the moment of pattern there are increments of movement on a forward path mixed with returns to previous moments. Like going into the world for new experiences and returning home to verify the value of the new and the old. It is a cycling between what can be known and what is already known and familiar. These moments are like figures always searching, weaving, and constructing a ground.

Architects rely on pattern as much as any other discipline to verify what is possible in materials and space and what might be possible in qualities. Architects, like artist, spend their lives making figures and elements and trying to locate them in a composition that will let the figure hold its identity and also be a part of the overall ground at the same time; difference and similarity both maintained in the present. How do many differences make a common ground?

Qualities are like figures of experience and thus worth imitating. The aspects of shape, color, surface, texture, and all conditions of direct visual experience become tools. Architects have to make these qualities into a larger ground so our buildings will be a part of a larger pattern in the city.

Students took simple pieces and scraps of fabric and constructed large patterns that were observed from the repetition and aspects of several urban sites in Jackson. The large quilts constructed by the students gave a life to the studio that was larger than the quilts themselves. They became inspirations for urban walls in the city, lobby walls, and the distribution of materials on the ground in the city.

In the end, there is a simple and humble quilt with color and pattern that fills a room with things to see, patterns to absorb, and things to daydream about. Its value is larger than what is simply seen and yet it is simply a beautiful thing to appreciate.

Mark Vaughanfaculty

07

Our education, thus far, had exclusively presented Mississippi’s vernacular architecture to be of didactic value. However, when it comes to taking lessons from the work of other disciplines, the architectural education too often maintained its focus on the fine arts. This semester, we were presented with the regionally-specific art of quilt making, and because the idea of art-of-the-masters is a geographically foreign concept to us as students in Mississippi, the local fixture of the state’s folk art and its accessible qualities particularly resonated with us. Tasked with reinterpreting patterns observed in the city as patterns in a constructed quilt, we began to correlate the complexity of the quilts’ assembly to the complexity of conditions within the urban fabric. Simultaneous development of an urban-scaled building’s façade began to also draw comparisons to the multifaceted patterning of the quilts and the city. While the layering of creative construction scales and the pursuit of diagrammatic conditional studies was most likely the strategy behind this moment in our education, the metaphorical observations, made during the making, probably reinforced the approach most. Feeling the texture of folded pieces of fabric and over-lapping stitches likened to the hidden tactile complexity of building construction. Piecing together the current and future facades of the city’s buildings likened to the complexity of the inherent relationships of patterns and adjacencies in the design of a quilt. Composing the image of a building’s face of multiple textures and materials likened to quilted fabric of the city. Via an embedded cultural vehicle, our architectural education was continued and strengthened by intersecting carousels of metaphorical thought regarding our quilts, our buildings, and our city.

Audrey Bardwellstudent

09 QUIL

Tstu

dy

11 GRO

UPw

ork

13

left | quilt

right | mapsmetro parkway

lamar st & amite stcourt st & west st

robe

rtFE

ATH

ERST

ON &

chr

isH

OAL

15

left | quilt



andy

GRA

YDON

& ta

ylor

POOL

E

17

left | quilt



laur

enAR

INGT

ON &

laur

enLU

CKET

T

19

left | quilt



anth

onyD

INOL

FO &

cor

yVIN

CEN

T

21 sam

GRE

FSEN

G &

ryan

SAN

TOS

left | quilt



23 audr

eyBA

RDW

ELL

& c

huck

BARR

Y

left | quilt



25 richa

rdAI

KIN

& ry

anM

ORRI

S

left | quilt



27 jess

icaH

ARKI

NS

& a

myS

ELVA

GG

IO

left | quilt



29 step

henC

LAIR

MON

T &

aar

onSH

WAR

TZ

left | quilt



31 raym

ondH

UFFM

AN &

jHUM

PHRI

ES

left | quilt



33 cour

tney

BOLD

EN &

ingr

idG

ONZA

LEZ

left | quilt



35 scot

tARC

HER

& m

ered

ithYA

LE

left | quilt



37 LAM

ARst

reet

&AM

ITEs

treet

FUTURE DESIG

N

UP

UP

SITE PLAN

FUTURE DESIGN

FUTURE DESIGN

AMITE STREET

LAM

AR S

TREE

T

UP

UP

DN

DN

UP

UP

1 2

3 4 5 6

7 8 9

GUEST ROOMS

TYPICAL UPPER FLOOR PLANSCALE: 1/8”=1’-0”

SECTIONSSCALE: 1/16”=1’-0”

EAST ELEVATIONSCALE: 1/8” = 1’-0”

SOUTH ELEVATIONSCALE: 1/8” = 1’-0”

LEV

EL 4 P

LAN

SC

ALE

: 1/8”=1’-0”

LOB

BY

BA

R

GU

ES

TR

OO

MS

OP

EN

TOB

ELO

W

OP

EN

TOB

ELO

W

OFFIC

E

OFFIC

E

LEV

EL 1 P

LAN

SC

ALE

: 1/8”=1’-0”

1

2

6

3 4 5

1 2 4

4

6 7 8

5

3

1 2 3

4 5 6 7 8

109

1 2

3 4 5

6

1 1 2

3 4 5

6 7

1 2 3

4 5 6

7 8 9

10 11

1 2 3 4

5 6 7 8

9 10

1 2 3

4 5 6 7 8

9 10 11

1 2 3 4

5 6

7 8 9

1 2 3 4

5 6

scale 3/32

a b c

d

e

LEVEL 2

LOWERLEVEL

LEVEL 3

LEVEL 4

LEVEL 5

LEVEL 6

LEVEL 7

LEVEL 8

LEVEL 9

LEVEL 10

LEVEL 11

LEVEL 12

LEVEL 13

LEVEL 14

LEVEL 15

LEVEL 16

LEVEL 17

LEVEL 18

LEVEL 19

LEVEL 20

LEVEL 21

LEVEL 22

LEVEL 23

LEVEL 1

LEVEL 2

LOWERLEVEL

LEVEL 3

LEVEL 4

LEVEL 5

LEVEL 6

LEVEL 7

LEVEL 8

LEVEL 9

LEVEL 10

LEVEL 11

LEVEL 12

LEVEL 13

LEVEL 14

LEVEL 15

LEVEL 16

LEVEL 17

LEVEL 18

LEVEL 19

LEVEL 20

LEVEL 21

LEVEL 22

LEVEL 23

LEVEL 2

diagram/ NORTH INTERIOR FACADE

diagram/ SOUTH INTERIOR FACADE

diagram/ SOUTH EXTERIOR FACADE

diagram/ WEST INTERIOR FACADE diagram/ EAST INTERIOR FACADE

diagram/ SOUTH INTERIOR FACADE

red brass/ 85%copper + 15%zinc

manganese brass/ 70%copper + 30%zinc

common brass/ 63%copper + 37%zinc

scale 1/8

1 2

3 4 5 6

7 8

9

10 11

63 COUR

Tstre

et&

WES

Tstre

et

LONGITUDINAL SECTION 1/16”=1ʼ-0” FACING WEST

COURT STREET

LOBBY GROUND FLOOR PLAN 1/8”=1ʼ-0”

LOBBY SECOND FLOOR PLAN 1/8”=1ʼ-0”

TYPICAL GUEST ROOM PLAN 1/8”=1ʼ-0”

Front Desk

Lobby

Circulation Corridor

Up

Up

Up

Eating Area

Kitchen

Bar

Menʼs Restroom

Womenʼs Restroom

DeskOffice

Art Gallery

Menʼs Restroom

Womenʼs Restroom

Bridge

Open toBelow

DN

Secretary

BreakRoom

Copy Room Restroom

AdministrativeOffice



Conference

Office

Linen Storage

Guest RoomGuest RoomGuest Room

Guest Room

Guest Room

Guest Room

Guest Room

Guest Room

Guest Room Guest Room

Guest Room

Guest Room

Guest Room

Guest Room

WEST ELEVATION 1/16”=1ʼ-0”

COURT STREET

CO

URT

STR

EET

WEST STREET

CONGRESS STREET

PRESIDENT STREET

TOM

BIG

BEE

STRE

ET

PASC

AG

OU

LA S

TREE

T

Wall Detail - Plan View 3/4”=1ʼ-0”




Front Desk

Lobby


Up

Up

Up

Eating Area

Kitchen

Bar

Menʼs Restroom

Womenʼs Restroom

DeskOffice

Art Gallery

Menʼs Restroom

Womenʼs Restroom

Bridge

Open toBelow

DN

Secretary

BreakRoom

Copy Room Restroom




Conference

Office

Linen Storage


Guest Room

Guest Room

Guest Room

Guest Room

Guest Room


Guest Room

Guest Room

Guest Room

Guest Room




Front Desk

Lobby


Up

Up

Up

Eating Area

Kitchen

Bar

Menʼs Restroom

Womenʼs Restroom

DeskOffice

Art Gallery

Menʼs Restroom

Womenʼs Restroom

Bridge

Open toBelow

DN

Secretary

BreakRoom

Copy Room Restroom




Conference

Office

Linen Storage


Guest Room

Guest Room

Guest Room

Guest Room

Guest Room


Guest Room

Guest Room

Guest Room

Guest Room

1

4

7

5

8 9

6

2 3

65 richa

rdAK

IN

Pre-Cast Parapet Cap

3” Thick Pre-Cast Concrete Panel

Embedded Steel Plate

Bearing Plate

6” Metal Stud Wall

Horizontal Joint

Cast-In-Place ConcreteBeam

Cast-In-Place ConcreteColumn (beyond)

Steel Channel(bolted and welded)

Drop Down Ceiling

Window Head

Nailer

Steel Stiffening Angle

Window Sill

WALL SECTION 1”=1ʼ-0”

10 11 12

1 | west elevation2 | plans3 | detailed wall plan4 | longitudinal section5 | model photograph6 | model photograph7 | model photograph8 | model photograph9 | site plan10 | lobby drawing11 | detailed wall section12 | quilted site map

Building SectionScale 1/8” : 1’

Typical Upper Floor Plan Scale 1/8” : 1’

First Floor Plan Scale 1/8” : 1’

Basement Plan Scale 1/8” : 1’

Typical Upper Floor Plan Scale 1/8” : 1’

First Floor Plan Scale 1/8” : 1’

Basement Plan Scale 1/8” : 1’

1

2

3 4 5

COURT & WEST ST SITEwest elevationscale 1/8”=1’

CROSS SECTION B facing Escale 1/16”=1’

LONGITUDINAL SECCTION facing Nscale 1/16”=1’

SOUTH ELEVATIONscale 1/8”=1’

1 2 3 4 5 6

7 8 9 10

11 12

STRUCTURE

INTERIOR WALLS

CIRCULATION

ROOMS

SOUTH EAST CORNER

NORTH WEST CORNER

1 2

3 4 5 6

7 8 9

UP

UP

level 6 PLAN1’=1/16”


UP

UP


lobby PLAN1’=1/8”

uppe

r lev

el P

LAN

S

UP

UP



UP

UP


lobby PLAN1’=1/8”

uppe

r lev

el P

LAN

S

1 2 3

4 5 6 7 8 9

10 11 12

2

3 4

5 6 7 8 9

10 11 12 13

1

ELEVATION EAST 1/8”=1’

ELEVATION WEST 1/8”=1’

ELEVATION SOUTH 1/8”=1’

ELEVATION NORTH 1/8”=1’

ELEVATION NORTH 1/8”=1’ELEVATION NORTH 1/8”=1’

SECTION LOOKING EAST 1/8”=1’



parapet cap

insulation

roo�ng membrane

perforated metal panel

3/8” sheathing

mullion

scupper

R-11 insulated glass

JXN

H O

T E L220 ROOMS.

10 FOOT CEILINGS.RICH INDOOR & OUTDOOR LIVING AR-EAS. OPEN FLOORS. PRI-VATE ROOMS. CITY DWELL-ING REORGA-NIZED AND BROUGHT TOGETHER.

ELEVATION SOUTH 1/8”=1’


1 2 3 4 5

6 7

77 tayl

orPO

OLE



parapet cap

insulation

roo�ng membrane

perforated metal panel

3/8” sheathing

mullion

scupper

R-11 insulated glass

JXN

H O

T E L220 ROOMS.

10 FOOT CEILINGS.RICH INDOOR & OUTDOOR LIVING AR-EAS. OPEN FLOORS. PRI-VATE ROOMS. CITY DWELL-ING REORGA-NIZED AND BROUGHT TOGETHER.

7 8 9

1 | exterior rendering2 | east elevation3 | south elevation4 | west elevation5 | north elevation6 | building section7 | lobby drawing8 | detailed section9 | quilted site map

Building Section

Ground Floor

Technical Wall Section

Upper Floor Plan



1 2 3 4

5 6

7

1 2

3 4

5 6 7 8

THE CAPITOL HOTELTHE CAPITOL HOTELWEST & COURT JACKSON, MSAMY SELVAGGIO

FUTURE BUILDING

SITE & GROUND FLOOR PLAN3/32”=1’

LOBBY MEZANINE PLAN3/32”=1’

WEST ELEVATION3/32”=1’

THE CAPITOL HOTELTHE CAPITOL HOTEL

NORTH ELEVATION1/16”=1’

EAST ELEVATION1/16”=1’

TYPICAL UPPER FLOOR PLAN3/32”=1’

DETAIL .DSCALE: 2”=1’

corrugated perforated steel panelsflat steel panel aluminum window head framealuminum window sill frame thermal breaksnap-in glazing beadsealant for weatherproof jointsglazingreflective glazing2” rigid foam insullationhorizontal beammetal studair spacevapor barrier

abcdef

ghij

kl

mn

a

b

c

d

e

f

g

h

j

k

l

m

n

11109

8

1

7

65432

83 amyS

ELVA

GG

IO

DETAIL .ASCALE: 2”=1’

corrugated steel panelsflat steel panel aluminum window head framealuminum window sill frame thermal breaksnap-in glazing beadsealant for weatherproof jointsglazingreflective glazing2” rigid foam insullationair spacevapor barrierhorizontal beammetal studconcrete floorbatt insulation

abcdef

ghij

kl

mnop

a

bc

d

e

f

g

h

j

k

l

m

no

p

DETAIL .BSCALE: 2”=1’

corrugated steel panels2” rigid foam insullationair spacevapor barrierhorizontal beammetal studconcrete deckingsloped roof insullationroof flashingmetal parapet capbatt insulation

abcdef

ghij

k

a

b

c

d

ef

g

h

i

j

k

DETAIL .C SCALE: 2”=1’

corrugated perforated steel panelsflat steel panel

aluminum window head framealuminum window sill frame

thermal breaksnap-in glazing bead

sealant for weatherproof jointsglazing

reflective glazing2” rigid foam insullation

air spacevapor barrier

horizontal beammetal stud

concrete floorbatt insulation

abcdef

ghij

kl

mnop

a

b

c

d

e

f

g

h

jk

l

m

n

o

p

1 | map study2 | detail wall section3 | wall sections4 | building section5 | lobby fl oor plan6 | typical fl oor plan7 | material study8 | elevations 9 | exterior view10 | facade study 11 | lobby drawing12 | elevation drawing13 | detailed wall section14 | quilted site map

12 1314

Transverse Section looking North 1/8” = 1’

West Elevation1/8” = 1’

1/8” = 1’Ground Floor

Floors (2-3)1/8” = 1’

Floors (4-18)1/8” = 1’

E

linen

mec.

mec.

storage

E

Front Desk

Open to aboveCeiling Height- 42’

Office Space

Main Entry

Office Space

linen

E

mec.

South Elevation 1/16” = 1’

7

68

5

3 421

UPUP

UP

UP

1/8" = 1'-0"1 Level 1 - Ground Floor Plan

1/8" = 1'-0"2 Level 4 - Typical Upper Floor Plan

3 Building Footprint

UPUP

UP

UP




UPUP

UP

UP




1/8" = 1'-0"1 Section 1

875 6

4

321

unifi

edQU

ILT

89

School of ArchitectureCollege of Architecture, Art,

and DesignMississippi State University

509 E Capitol StJackson, MS 39201

www.caad.msstate.edu

5th Year Program | Fall 2011

FacultyJassen Callender, Director

Mark Vaughan

Staff

Janine Davis Pam Berberette

StudentsRichard AkinScott Archer

Lauren AringtonAudrey Bardwell

Chuck BarryCourtney Bolden

Stephen ClairmontTony Dinolfo

Robert FeatherstonIngrid Gonzalez

Andy GraydonSam Grefseng

Jessica HarkinsChris Hoal

Raymond HuffmanJ Humphries

Lauren LuckettRyan MorrisTaylor Poole

Ryan SantosAaron Schwartz

Amy SelvaggioCory Vincent

Meredith Yale

FALL2011M

ississippi State University FALL

2011

5th Year Fall 2011 Work

Documents

Transcript of 5th Year Fall 2011 Work