3(28) 2008

STYLE

#3( 2

8)20

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STYLEA R C H I T E C T U R E I N T E R I O R D E S I G N

#3(28)2 0 0 8

arqiteqtura interieri dizaini

serTificirebulia

serTificirebulia

serTificirebulia

serTificirebulia

ggaammoommcceemmeellii -- kompania ssttiillii da dimitri mosuliSviliddiirreeqqttoorrii -- eka javaxiSvili

rreeddaaqqttoorrii -- nino laRiZe

iinnffoorrmmaacciiaa -- nino laRiZe, lali baxtaZe, qeTevan odiSeli (spec.kor. berlinidan)

mmaarrkkeettiinnggiiss mmeenneejjeerrii -- alisa Somaxia

rreekkllaammaa -- qristina gorodniCeva

TTaarrggmmaannii -- nata kurtaniZe

kkoommppiiuutteerruullii ddiizzaaiinnii -- Tamaz CxaiZe

ddiizzaaiinnii - gia nozaZe

ggaavvrrcceelleebbiiss mmeenneejjeerrii - mirian margalitaSvili

PUBLISHER - Company STYLE & Dimitri MosulishviliDIRECTOR - Eka JavakhishviliEDITOR - Nino LaghidzeINFORMATION - Nino Laghidze, Lali Bakhtadze,

Ketevan Odisheli (Special correspondent from Berlin)MARKETING MANAGER - Alisa ShomakhiaADVERTISING - Kristina GorodnichevaTRANSLATION - Nata KurtanidzeCOMPUTER GRAPHIC - Tamaz ChkhaidzeDESIGN - Gia NozadzeSALE MANAGER - Mirian Margalitashvili

kompania "stili"

0160 Tbilisi, gamrekelis q. N7, b.27

tel/faqsi: 38-33-24.

mob: 877 44-86-00, 893 42-74-73

7 Gamrekeli Str., 0160 Tbilisi, Georgia.Tel/fax: (+995 32) 38-33-24. Mob: (+995 77) 44-86-00, (+995 93) 42-74-73

http://www.archistyle.geE-mail: [email protected]

[email protected]

sareklamo teqstis Sinaarsze

redaqcia pasuxs ar agebs

aarrqqiitteeqqttoorreebbiissaa ddaa ddiizzaaiinneerreebbiiss

ssaayyuurraaddRReebboodd!!

arqiteqturul-dizaineruli Jurnali "stili" kvlav agrZelebs

TqvenTan TanamSromlobas.

gTxovT, mogvawodoT Tqvens mier realizebuli arqiteqtu-

rul-dizaineruli proeqtebi. maT Soris saukeTesoebi ganTavsebuli

iqneba Jurnali "stilis" momdevno nomrebSi, risTvisac winaswar

gixdiT madlobas.

redaqcia itovebs uflebas gacnoboT masalis momzadebisa

da publikaciisaTvis aucilebeli piroba - JurnalSi gamosaqveynebe-

li obieqti warmodgenili iqnas misi amsaxveli foto-masalis

maRalmxatvruli xarisxiT - avtorma uzrunvelyos obieqtis pro-

fesiuli fotogadaReba.nomris sponsoria

Sps `kaparol-jorjia~

gTavazobT:

� gare reklamis damzadeba da ganTavseba;

� video reklamis damzadeba da ganTavseba;

� proeqtireba, mSenebloba, dizaini.

sareklamo kompania

serTificirebulia

sivrcis orientiri

A Landmark22

sarCevi Content 1

q a l a q i

C I T Y

firosmani

Pirosmani28

epataJs moklebuli

aqtualuroba

Modernity Without Excess

32

profesionalis

savizito baraTi

Visualization of Professionalism

36

s a x l i

H O U S E

marjanov eqspresi

Marjanov Express44

axali dizaingalerea -

yvelaferi Tqveni

interierisTvis

New Design Gallery –Everything for Your Interior

50

palaco

dela rajione

PALAZZO DELLA RAGIONE58

u c x o u r i a r q i t e q t u r a

FOREIGN ARCHITECTURE

furnitura

Furniture and Furnishings

64

sportuli nagebobebi

Sports Constructions68

briuseli

Brussels70

TurqeTis turistuli

industria

Tourist Industry in Turkey

87

dominanti interierSi

Dominant in Interior96

i n t e r i e r i

I N T E R I O R

cxaurSuqfarnebi, anu sinaTle

Tqvens sardafebSi

Light in Your Basement Windows

98

serTificirebulia

eleganturoba dekorSi

Elegance in Décor106

sarCevi Content 2

brendis

axali

interpretacia

New Interpretation of Brand

108

sazogadoebrivi zonis

moculobiTi struqtura

Volumetric Structure of public zone

110

NumBar 1112

deJavu

Club Dejà Vu116

jazi operasTan...

Jazz near the Opera… 118

1001120

`saxlobana~

`rumsTan~ erTad

Play "House Game" together with ROOMS

122

sacxovrebli sivrcis

moduluri kompozicia

The modular composition of residential space

125

sacxovrebeli garemo -

cocxali organizmi

Residential space - A living body

128

sacxovrebeli garemo

konkretuli ojaxisaTvis

Living Space for a Particular Family

132

La maison Bleue140

f u r n i t u r a

F U R N I T U R E

qarTuli saxli

Kartuli Sakhli102

serTificirebulia

Jurnali vrceldeba

"kviris palitra" - jixurebsa da wignis

maRaziebSi

"macne" - jixurebi

"planeta forte" - jixurebi

"omega" - jixurebi (doloZis kuTxeSi,

infeqciuri saavadmyofos mimdebared,

yifSiZis kuTxeSi)

aeroporti

"parnasi" - qseli

"gudvili"

"wignis saxli"

supermarketebi:

"masivis" - qseli

"livo" - qseli

"ibisi" - qseli

"kontinentali"

"big beni"

sarCevi Content 3

`adamianebma unda

iswavlon silamazis xedva~

People Ought to Learn to Value Beauty

152

Îäèí òîëüêî ñïèñîê ñåìèíàðîâ, âîðêøîïîâ è ìàñòåð-êëàññîâôåñòèâàëÿ ñïîñîáåí ñîðâàòü êðåàòèâíóþ êðûøó

154

a x a l i a m b e b i

N E W S

saerTaSoriso konkursi

INTERNATIONAL UNION OF ARCHITECTS (UIA) Information Center –“Infopoint” In Turin

156

"qaRaldis arqiteqtura" -

arqiteqturuli fantazia

“Paper Architecture” –Architectural Fantasy

158

formis

iluziuri TamaSi

Phantom play of shapes

160

Change the Old with New161

On 21-24 May, 2008 ExpoGeorgiaCompany organizes Caucasus Build ’08 - 13th International Fair for the Building

161

"rediqsi" ukve TelavSia

RedX in Telavi162

kote marjaniSvilis

saxl-muzeumi sazeimod

gaixsna

Official Opening of Kote Marjanishvili House-Museum

163

`aqsisma~

mediaturi moawyo

Media Tour by Axis165

CubCikas damSvidobeba

Farewell to Chubchik168

cira kalandaZe

Tsira Kalandadze144

v e r n s a J i

V E R N I S A G E

baia galerea

Baia Gallery150

serTificirebulia

stili #28. 2008

16

“Citis bude” – ase eZaxian siyvaruliT peki-

nis CrdiloeTiT ganlagebuli olimpiuri kom-

pleqsis centrSi wamoWimul axal olimpiur

stadions, romelic furorsa da aRfrTovaneb-

as iwvevs da romelic amieridan pekinis samar-

ko niSani gaxdeba. Tumca pekinis olimpiada 2008

w. 8-24 agvistosaa dagegmili, magram Sveicaru-

li arqiteqtoruli biuros “hercog da de mo-

ronis” es saocari qmnileba magnitiviT ukve aT-

asobiT mnaxvels izidavs.

“hercog da de moronis” proeqtebi maTi ga-

numeoreblobiT da tradiciuli samSeneblo ma-

salebis, maT Soris samSeneblo saRebavebis or-

iginalurad gamoyenebis meTodebiTaa cnobili.

sulac ar iyo gasakviri is faqti, rom rode-

sac saqme saRebavze midga, cnobilma Sveicarel-

ma arqiteqorebma kvlav kaparols mimarTes.

kvlav imitom, rom maT miunxenis safexburTo sta-

dionis, alianc arenas mSeneblobisas mWidro da

efeqturi TanamSromlobis gamocdileba ukve

hqondaT. gadawyda - pekinis stadionis 90 000 kv.m.

kedlebis SesaRebad mWaxe wiTeli feris saReba-

vi gamoeyenebinaT, romelic foladiT “naqsov bu-

deSi” Signidan “gamoanaTebda”. aRsaniSnavia, rom

es “uCveulo” wiTeli saRebavi, romelic saer-

TaSoriso saxelwodebiT - amfiboliniTaa

(Amphibolin) cnobili, pekinSi mdebare kaparolis

adgilobriv sawarmoSi iqna warmoebuli.

kidev erTi stadioni kaparolisgan pekinSi

17

stili #28. 2008

saRebavs Semdegi moTxovnebi unda

daekmayofilebina: unda yofiliyo eq-

stremalur klimatur pirobebSi (ro-

goricaa pekinSi) gamoyenebadi, uki-

duresi meqanikuri datvirTvis amta-

ni (aTasobiT mayurebeli daeswreba Ta-

maSebs), ekologiurad sufTa, WuWyisa

da gansakuTrebiT ki sinaTlis amta-

ni. erTi sityviT, gansakuTrebuli fi-

zikuri Tvisebebis mqone unda yofili-

yo. yvela moTxovnili Tvisebis mqone

saRebavi specialurad SemuSavebul

iqna doqtor robert murianis insti-

tutSi, Tavisi unikalurobis wyalo-

biT aTobiT sxva mwarmoeblis mier

SemoTavazebul saRebavTa Soris am

saRebavma saerTaSoriso tenderSi Ri-

rseulad gaimarjva.

Jak hercogi, am grandiozuli pro-

eqtis erT-erTi avtori, darwmunebu-

lia, rom pekinis “Citis bude” pekini-

sTvis iseTive ukvdav simbolod iqce-

va, rogoradac parizisTvis eifelis

koSki iqca.

stili #28. 2008

18

`lam lis~ nawarmis aso-

rtimenti gamorCeulad di-

dia: kompania uSvebs 12000

dasaxelebis produqcias,

romlis TiToeuli nimuSi,

faqtiurad, xelovnebis na-

warmoebia. es sagnebi unika-

luria, romelime stilistu-

ri mimarTulebis xist Car-

CoebSi maTi gamomwyvdeva

SeuZlebelia.

weliwadSi orjer fir-

ma uSvebs 600-ode nivTisg-

an Semdgar axal koleqcias.

aseTi arCevanis pirobebSi

nebismier, yvelaze momTx-

ovn klientsac ki SeuZlia

SearCios TavisTvis is erTa-

derTi da ganumeorebeli

nivTi, romelic ganumeore-

bel saxes mianiWebs mis in-

teriers. `lam li~ yvelaze

sasurveli aqsesuaria sila-

mazis motrfiale da damfa-

sebeli adamianebis saxleb-

Si. kompania `marko polo

lam li koleqSenis~ genera-

luri direqtoris stefano

urbinatis TqmiT, `lam li~

imdenad SeuzRudav arCevans

gvTavazobs, rom masSi yve-

la adamianisTvis moiZebne-

ba sayvareli nivTi.

5769-225-X DESK, CRAWFORD, 163X76X77H

5782-350-X, BUFFET, SONATA, 196X57X97H

5758-107-X DINING TABLE, ECLAT,

112X76X48H

5756-308-X DINING TABLE, CAPRI,74H

5820-105-X, GAME TABLE, REUNION,

93X93X81H

5773-835-2325A, OCCASIONAL CHAIR,

VIVIENNE, 117X79X97H

5820-200-X, CONSOLE, INVERSE,

112X122X52H

5792-310-X, GAME TABLE, REUNION,

93X93X81H

`lam lis~ eqskluzivi2009 wlis pirveli naxevris axali koleqcia - siaxleebi

moxarulni varT warmogidgi-

noT kompania `lam lis~ axali

koleqcia `antiprima~. aRsaniSna-

via, rom Cvens statiaSi aRweri-

li nivTebi mxolod 6-8 TveSi wa-

rsdgeba farTo sazogadoebis

winaSe evropul gamofenebze.

19

stili #28. 2008

`lam li~ mxolod naturalur

masalas iyenebs Tavis muSaobaSi -

es kompaniis kredoa. xe, qva, fisi,

oqro da vercxli - aseTia `lam

lis~ ostatebis arsenali. `lam

lis~ dizainerTa 300-kaciani gun-

di safuZvlad iRebs erT romeli-

me stils, amdidrebs mas axali, maT

mierve mofiqrebuli formebiT da

aniWebs yovel sagans ganumeoreb-

el auras. Sedegad viRebT ulama-

zes kompoziciebs, romlebSic os-

taturadaa Sezavebuli Zveli te-

qnologiebi da Tanamedrove gemo-

vneba. `lam lis~ erT-erTi yvela-

ze mimzidveli Tavisebureba isaa,

rom verasdros ver ityvi danam-

dvilebiT risganaa damzadebuli

esa Tu is nivTi, radganac kompa-

niis dizainerebi ostaturad ax-

denen xis, qvis, bronzis, tyavis da

Zvlis faqturis imitirebas. `lam

lis~ erT-erTi yvelaze cnobili

teqnikaa `koromandeli~, romelic

jer kidev 300 wlis win gamoiye-

neboda CineTSi.

lam li savsebiT realuri pi-

rovnebaa: mxatvari da dizaineri,

xelovnebis istoriis da filoso-

fiis dargSi samecniero xarisxis

mflobeli; adamiani, romelmac mo-

axerxa sakuTari, uaRresad indi-

vidualuri da Taviseburi logi-

kiT ganmsWvaluli stilis Seqmna.

2003 wlis 18 ianvars baton lam

lis gadaeca prestiJuli premia

`Academy of Achievement Award~.

dResdReobiT lam li uZRveba sa-

kuTar firmas da garemoculia

mis mierve Seqmnili dizainerTa

profesionaluri gundiT. misi xe-

lmZRvanelobiT, `lam lis~ kole-

qtivma SeiTvisa dizainis globa-

luri xedva da gaaerTiana uamra-

vi idea da teqnika, rac, saboloo

jamSi, gamokveTilad individual-

ur, gansxvavebul saxes aniWebs ko-

mpaniis nawarms.

0160, Tbilisi,

gamrekelis q. #7

tel: +995 93 42-74-73

NS0008-5360,NIGHT STAND, KENSA,

69X46X71H

LF0101-5365, CABINET, SNOWLEOPARD,

91X51X91H

LF0100-5363, CABINET, ZEBRA LEAVES,

91X53X137H


CLAUDETTE, 84X76X125H


CASEY, LEFT, 71DX91H

5772-835-2323L, OCCASIONAL CHAIR,

KELLY, 84X84X112H

The range of LAM LEE products is surprisingly wide: theyproduce over 12000 items, each of them - a full-fledged work ofart too unique to be labeled as belonging to this or that particu-lar style.

Each semester the company creates a new collection includ-ing up to 600 new items. Facing such a choice, any client - how-ever choosy and demanding - can find the one and only object,capable of highlighting individuality of his interior. LAM LEE prod-ucts are welcomed by people understanding and appreciating beau-ty. According to Stefano Urbinati, general director of MARCO POLOLAM LEE COLLECTION, the great choice of LAM LEE productsincludes a favorite object to anyone.

The company’s credo is exclusive use of natural materials.Wood, stone, resin, gold and silver - this is what LAM LEE crafts-men consider as their arsenal. LAM LEE designers (a team con-sisting of over 300 members) take this or that style or trend asa foundation, enrich it with their own forms and endow each itemwith unique aura, applying secret techniques and finishing prac-tices. Their work invariably results in a beautiful composition, rep-resenting a mixture of old techniques and modern taste. One ofthe attractive distinctions is that you can never tell what an objectis made of, because the craftsmen can skillfully imitate texturesof wood, stone, bronze, leather and bone. One of the most famoustechniques applied by LAM LEE is the so-called „coromandel“,which was known in China over 300 years ago.

Lam Lee is an actual personality - artist and designer, ownerof a scientific degree in art history and philosophy, a man whohas created his own style, saturated with highly individual logic.On January 18 2003 Mr. Lam Lee received the prestigious Academyof Achievement Award. Today, he runs his own company and issurrounded by a team of professional designers, who acquired aglobal vision of design and adopted a wide range of ideas andtechniques, having integrated them into the distinctive LAM LEEstyle.

7, Gamrekelis Str.

0160, Tbilisi, Georgia

Tel: +995 93 42-74-73

Exclusive from Lam LeeNEWS ABOUT THE FIRST SEMESTER 2009 COLLECTION

It is our pleasure to introduce sev-eral samples of „Antiprima“ collec-tion, newly developed by LAM LEE,which will be presented to the pub-lic at the European exhibitions in 6-8 months.

stili #28. 2008

20

CN0283-5368, CANDLE HOLDER, AMBRO,

3/SET15X15X46/41/36H

FG0275-5386, FIGURINE, HARLEQUIN,

34X15X64H

NT0022-5360, NEST TABLE KENSA2/SET

61X41X64/50X36X58H

LF0093-5360, CABINET, KENSA,

91X46X97H

16545, CONSOLE LAMP, CRANE I,

41X51X98H

16489E, TABLE LAMP, JESTER, 20X71H

kaparol jorjias

qarxana TbilisSi

15 maiss zemo aleqseevkas dasaxlebaSi Se-

dga kaparol jorjias qarxnis oficialuri

gaxsna. kaparol jorjia, rogorc germanul

firmaTa jguf kaparolis sawarmo ukve sami

welia moRvaweobs saqarTvelos bazarze. Tvi-

Ton kaparolis jgufi 114 wlis win daars-

da germaniaSi da wamyvani poziciebi uWir-

avs evropaSi samSeneblo saRebavebis bazar-

ze. 2005 wels kaparolis jgufi investici-

iT Semovida saqarTveloSi, bolo wlebis

Sedegebze dayrdnobiT 2007 wlis gazafxul-

ze gadawyda ufro didi qarxnis aSeneba sa-

qarTveloSi, romlis warmadoba gasammagde-

boda da weliwadSi 10 000 tonas miaRwevda.

kaparol-s germaniis garda warmoeba aqvs ki-

dev 14 qveyanaSi: safrangeTSi, espaneTSi, av-

striaSi, italiaSi, belorusiaSi, inglisSi,

poloneTSi, ruseTSi (ori sawarmo), rumine-

TSi, CineTSi da maT Soris, saqarTveloSi. es

Zalian kargi da saamayoa. imaze metyvelebs,

rom dasavluri kompaniebisTvis qveyana mim-

zidveli xdeba.

qarxnis mSenebloba gazafxulze daiwyo da

dRes ukve awarmoebs wyaldispersiul saRe-

bavebs. qarxana aRWurvilia germanuli dana-

dgarebiT, rac germanuli xarisxis garanti-

as iZleva. aRsaniSnavia isic, rom saqarTve-

loSi kaparolis mxolod erTi xazis produ-

qcia iwarmoeba – wyaldispersiuli saRebave-

bi da gruntebi, danarCeni 1500 dasaxelebis

produqti pirdapir germaniidan Camodis.

2010 wlisaTvis qarxnis sruli datvirTviT

amuSaveba igegmeba, rac 10 000 tona wyaldi-

spersiuli saRebavis warmoebas gulisxmobs,

am droisTvis qarxana mTlianad amierkavka-

siis regionis momsaxurebas SeZlebs da sa-

qarTveloSi saRebavebis bazrze arsebuli

moTxovnis 30%-35 %-s daakmayofilebs. war-

madobis zrda TavisTavad produqciis gai-

afebas Seuwyobs xels. mTliani investicia,

rac dRemde kaparolis jgufma saqarTvelo-

Si ganaxorciela, 7 milion dolars Seadg-

ens, saidanac 2 milioni TviTon qarxnis mSe-

neblobaze daixarja.

qarxnis gaxsnisTvis specialurad Camovi-

dnen germaneli kolegebi, maT Soris kapar-

ol jgufis mflobeli batoni robert uri-

jan –i romelmac saqarTvelos premier mini-

strTan, baton lado gurgeniZesTan erTad sa-

zeimod gaWra lenti. gaxsnas daeswro aseve

Tbilisis meri batoni gigi ugulava da ge-

rmaniis ataSe ekonomikis dargSi batoni

qristian ernhorst-i . garda amisa gaxsnas es-

wrebodnen samSeneblo, dizaineruli da ar-

qiteqtoruli kompaniebis warmomadgenlebi,

developerebi, romelTanac kaparoli misi sa-

qarTveloSi gaxsnis dRidan mWidrod Tana-

mSromlobs.

21

stili #28. 2008

stili #28. 2008

22

sivrcis orientiri"kaparol jorjias" qarxana

proeqtis avtori: merab gujejiani

q a l a q i

C I T Y

TbilisSi mniSvnelovani obieqti -

`kaparol jorjias~ qarxana aRimarTa. mi-

si Rirseba – misi sivrcis garemosTan ur-

TierTkavSirSi mdgomareobs. nageboba

kompaqturia – arqiteqtonikis ZiriTadi

jgufebi erTmaneTTan moxerxebuladaa

dakavSirebuli. misi arqiteqtura ori-

ginaluri kompoziciiT gamoirCeva da

erT mTlianobaSi aRiqmeba. sxvadasxva

geometriuli, mobiluri formebis Ser-

wymiT, Senobis moculoba dinamiuria.

igi Tavidanve ipyrobs yuradRebas vizu-

aluri simsubuqiTa da siluetis grafi-

23

kuli sizustiT. amasTan erTad mniSvne-

lovania is, rom SemoqmedebiTad gaazre-

bul moculobaSi arqiteqturuli deta-

lebis koloriti yovel vertikalur Tu

horizontalur WrilSia gadaTamaSebu-

li da mikrosamyaros simbolur vels

qmnis. proeqtis avtori arqiteqtori me-

rab gujejiania.

interieris atmosfero Seminuli sib-

rtyeebidan SemoWrili sinaTliTa da ha-

eriTaa savse da Tavisufalia. didi mase-

bis konstruqciul simsubuqes dizainis el-

ementebic imeoreben. yuradsaRebia, is,

rom urTulesi, Tanamedrove teqnologi-

ebiT aRWurvili nagebobis interierSi

yuradRebas ipyrobs arqiteqturuli fra-

gmentebis dekoratiuli kompoziciebi. ga-

mWvirvalebas da simsubuqes, originalu-

ri formawarmomCeni koloristuli gada-

wyveta udevs safuZvlad, romelic opti-

malur fons uqmnis nebismier sagans, gamo-

kveTs mis moculobas. es, gansakuTrebiT mni-

Svnelovania - interierSi yovelives Ta-

visi adgili aqvs miCenili da skulpturu-

li xasiaTis matarebelia. gamoyenebul ma-

salaTa faqturebis zedapirebze sinaTl-

is aTinaTi interierisaTvis damaxasiaTe-

bel grafikul ideas, ufro metad aqcen-

tirebs. saerTo gamWvirvalebaSi SeWrili

xazebi da paralelebi, dinamikuri simru-

deebi maorientirebel monaxazebsa da si-

luetebs qmnian.

Senobis mgrZnobiare membranad garda-

qmnili garsi, Sida da gare samyaros, er-

Timeoris monacvleobiT aRiqvams. masSi

mTliani sivrcis Tavisuflebis mzardi

xarisxis gamoyenebiT komfortuli da mSvi-

di saqmiani garemo iqmneba.

nino laRiZe

stili #28. 2008

stili #28. 2008

24

A LandmarkPlant of CAPAROL GEORGIA

Author: Architect Merab Gujejiani

25

An important construction – Plant of CAPAROLGEORGIA, was recently built in one of the fashionabledistricts of Tbilisi. A strong point of the project is inter-action of its interior with the existing environment. Majorarchitectonic groups of this compact construction are con-veniently linked with each other. The unusual architec-tural composition is based on dynamic integration of diversegeometrical forms.

Glazed surfaces give ample access to the sunlightand visually expand the interior, failing to delimit its bor-ders and creating an illusion of lightness and freedom.The most noticeable elements of the interior are deco-rative compositions of architectural fragments, shapesof various accessories, the illusion of lightness and trans-parency, based on original coloring solution, etc. Thegeneral palette forms an optimal background for any arti-cle, accentuating its volume. This is especially impor-tant, because every element of the interior occupies itsown place, where its sculptural quality is advantageous-ly highlighted. Interplay of sunlight on the reflective sur-faces accentuates the graphical conception of the inte-rior; lines, parallels and dynamic curves, interrupting thegeneral transparency, form orientating shapes and sil-houettes.

Hull of the building, reflecting in turns the inside ofthe bank and its surroundings as a sensitive membrane,makes the interior still more comfortable and enhancesits interaction with the outer world.

NINO LAGHIDZE

stili #28. 2008

stili #28. 2008

26

serTificirebulia

arqiteqtor daviT maxarobliSvilis

proeqtiT, sul axlaxans, siRnaRSi, centr-

pointis sastumroebis qselis, `rCeulis~

axali sastumros - ~firosmanis ~ prezen-

tacia Sedga.

~firosmani ~ quCasTan absolutur si-

nqronSi modis. gare samyaro - eqsterier-

is Seminuli didi sibrtyeebiT, moculo-

bis Sida sivrceebSi iWreba. eqsterieri-

sa Tu interieris arqiteqtonika daxvewi-

lia da maT aRqmas kompoziciisa da piro-

biTobis sxvadasxva xarisxis Tanaarseboba

amZafrebs. sivrcis dadebiTi `ekologia~

masSi moxvedrisTanave SeigrZnoba.

interieris mTlianobis STabeWdileba er-

Tiani kompoziciuri gadawyvetiT, zonid-

an zonaSi gardamavali dekoris motivebiT,

erTi sibrtyidan meoreze feris gadaTama-

SebiT, moculobiT-plastikuri gadawyve-

tebiT, xazebisa da figurebis dialogebi-

Ta da dizaineruli refrenebiTaa miRweu-

li. dizainis mniSvnelovan komponents wa-

rmoadgens kedelze Sesrulebuli ferweru-

li kompoziciebi, romelTa avtori mxatva-

ri nika cecxlaZe gaxlavT. interieris di-

namikaSi gansakuTrebuli niuansis Seaqvs ra-

ti erisTavis mier Seqmnil liTonis dekors.

miuxedavad stilistikuri mTlianobi-

sa, sivrcis yoveli monakveTis individu-

aluroba SenarCunebulia. dekoris feri-

sa da faqturis monacvleoba, maTze mxed-

velobis koncentrirebas axdens.

profesionalizmi yovelTvis detale-

bSi gamovlindeba. mocemul garemoSi igi

igrZnoba yvelgan - masalis faqturaSi, aq-

sesuarebSi, avtoris Canafiqris sabolo-

od srulyofisaTvis SerCeul niuansebSi,

romelTa aliansiT, sivrce harmoniul

mTlianobad - saintereso, vrcel dekora-

tiul panod gardaiqmna.

nino laRiZe

foto: zinka barnovi

stili #28. 2008

28

firosmani

29

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30

PirosmaniThe project of Rcheuli Pirosmani, belonging to the

network of Center Point Group hotels, has been createdby David Makharoblishvili.

Pirosmani, is almost entirely open to the outer world– large glazed surfaces successfully synchronize it withthe adjacent street surroundings. Refined architectonics ofthe interior integrates several compositional and conven-tional layers, highlighting originality of the design. The firstimpression one feels upon entering the café is the posi-tive ecology of the interior space.

The author skillfully adapted unfavorable proportionsof the interior to the new requirements. Impression of integri-ty is achieved by a unified compositional solution, soft tran-sition of decorations and colors from zone to zone andfrom surface to surface, an intricate system of spatial solu-tions, dialogues and refrains of lines and shapes. Importantcomponents of the interior are wall paintings and metaldesign by Nika Tsetskhladze and Rati Eristavi.

Stylistic integrity does not subdue originality of dif-ferent sections of the interior, highlighted by distinctive col-ors and textures. Varying intensity of artificial lighting fur-ther accentuates the depth of form and color.

Professionalism is best revealed in the approach towardminor details. In this particular instance, this feature is pres-ent everywhere – in the choice of textures, accessories,decorative ornaments, highlighting the general designtheme, which come together to transform the space intoa harmonious interior, opening up before the visitor’s eyesas an interesting, vast decorative panel.

NINO LAGHIDZEPHOTO BY ZINKA BARNOV

serTificirebulia

arqiteqtor zaza ciciSvilis mier Se-

qmnili sacxovrebeli saxlis moculoba

TavSekavebuli, daxvewili maneriTaa Ses-

rulebuli. mis arqiteqtonikas, epataJs mo-

klebuli aqtualuroba - mokrZalebulo-

ba axasiaTebs. saxlis gamomxatveloba, ara

eqspresiis, aramed ostatis mier Seqmnili,

misi maRali xarisxis fonzea miRweuli. Zi-

riTad princips, romelic arqiteqtorma

sacxovreblis Seqmnisas gaatara (ra Tqma

unda saxlis mflobelis moTxovnebis da

gemovnebis gaTvaliswinebiT), SeiZleba ra-

cionalurisa da esTetikuris wonaswo-

roba daerqvas. aq, yovelive sivrciTi eq-

sperimentebis, specefeqtebisa Tu zedapi-

ruli arqiteqturuli dekoraciebis gare-

Se iqna miRweuli. esTetika esTetikisaT-

vis - es Tezisi ar iyo avtoris mTavari

mizani. mis mier xorcSesxmuli moculoba,

romelic konkretuli ojaxisaTvis, misi

cxovrebis wesis Sesabamisad `iwyoba~, mSvi-

di, araordinaluri, metad komfortuli

sacxovrebelia da ara Sou-rumi Tu Tana-

medrove `muzeumi~.

gare samyarosgan absoluturad mowyve-

tili interieri oTx Sida ezoSi ixsneba.

erT-erT maTganSi oranJereiaa mowyobili.

sacxovreblisTvis damaxasiaTebeli

mTlianoba da harmonia misi gegmarebiTi

gadawyvetis identuria. iatakis done, pi-

rdapir miwis doneze gadis da kibe Tu sa-

fexurebi saerTod ugulvelyofilia. Ria

da daxuruli sivrceebis saerTo stilis

warmomqmneli Temebi, maT erT mTianobaSi

moaqcevs. ganaTeba, feri, gemovnebiT gamo-

yenebuli masalis faqtura, furnitura ga-

momxatvelobiTia da maTze wuTieri moda

ar batonobs. am uCveulod myudro sacxo-

vrebeli garemos yovel fragmentSi axl-

is, Tanamedrovis suliereba SeigrZnoba da

visac unari aqvs SeigrZnos Teatraluro-

bas moklebuli silamaze, srulad aRiqv-

ams saxlis esTetikas.

nino laRiZe

foto: nana koberiZe

epataJs moklebuli aqtualuroba

stili #28. 2008

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34

Modernity Without Excess

This residential house has been designed by archi-tect Zaza Tsitsishvili.

Balance of rational and aesthetic are the key princi-ples, underpinning the design, created without any exces-sive experiments, special effects or superficial architec-tural decorations. Obviously, the author did not give him-self up to aesthetics for aesthetics sake only. His design,built upon the habits, lifestyle, characters of a specific fam-ily, is a peaceful, comfortable house, and not a show-room or modern art museum.

The interior is absolutely isolated from the outer worldand opens up onto four inner courtyards, of which onecontains a greenhouse.

Integrity and harmony of the house are greatly dueto its efficient planning solution. The ground floor is levelto the site, excluding the necessity to use any stairs. Openand closed spaces are integrated by themes, highlight-ing the general style of the house. Lighting, colors, taste-fully matched textures and furniture further highlights indi-viduality of the house without pointing out to any tran-sient fashion trend. Each fragment of this unusually com-fortable living space radiates spirituality and invites to rel-ish beauty devoid of any stage effects.

NINO LAGHIDZEPHOTOS BY NANA KOBERIDZE

serTificirebulia

wels, aprilis TveSi, `stilis~ warmomadgenloba, milan-

Si Semdgar dizainis saerTaSoriso gamofenaze viyaviT miw-

veulni. erTi kviris ganmavlobaSi, gamofenis uzarmazar mo-

culobaSi ganTavsebul, msoflio mniSvnelobis brendebis mi-

er warmodgenil eqspoziciebs vaTvalierebdiT da vswavlo-

bdiT da erT-erT samuSao dRes, am ulamazes `ukideganoba-

Si~, sruliad SemTxveviT `gadavawydiT~ erTmaneTs `patara~

qarTvelebi - Cven da dizaineri xaTuna fircxalava. mogexse-

nebaT, ucxo qveyanaSi TanamemamulesTan Sexvedras mZafri em-

ociuri datvirTva axlavs Tan - mokled, Cveni gacnoba Sed-

ga da gairkva, rom xaTuna, rogorc profesionali ecnoboda

milanSi warmodgenil dizainisa Tu avejis axal koleqciebs,

Tavisi samomavlo proeqtebis gansaxorcieleblad. igi oci wlis

ganmavlobaSi cxovrobda moskovSi - swavlobda da moRvawe-

obda iq. xaTunas ori profesia aqvs. igi Jurnalisti da di-

zaineria (damTavrebuli aqvs moskovis dizainis saerTaSori-

so skola), Tumca amJamad, dizainis sferoSi moRvaweobs da

sakmaod warmatebiTac. misi proeqtebiT, moskovSi, mravali

interieri ganxorcielda, araerTgzis mopovebuli aqvs war-

matebebi saerTaSoriso konkursebSi (rac, presis furcleb-

ze Tu sxvadasxva sainformacio saSualebebiT iqna dafiqsi-

rebuli), gavlili aqvs master-klasebi Tanamedrove dizain-

is korifeebTan. bolo erTi weliwadia igi saqarTveloSi Ca-

movida da axla, rogorc axlad daarsebuli arqiteqturu-

li studiis - VIP DESIGN AND BUILDING COMPANYs erT-erT fu-

Zemdebels da warmomadgenels, aqac saintereso gegmebis gan-

xorcieleba aqvs dagawyvetili.

kopania

VIP DESIGN AND BUILDING

gTavazobT momsaxurebis

farTo speqtrs:�� eqspresproeqtireba;

�� sxvadasxva daniSnulebis interierebis

mxatvruli da sainJinro proeqtireba da kon-

struireba;

�� maRali klasis dizain proeqtebi;

�� interieris sruli mowyoba;

�� teqstilis da avejis farTo arCevani.

kompania VIP DESIGN AND BUILDING

SegisrulebT nebismieri sirTulis

sarekonstruqcio-saremonto samuSaoebs:�� ofisebis mSeneblobas da mimdebare teritori-

is keTilmowyoba;

�� ezoebis dekoracia, avzebis mSenebloba;

�� gare fasadis mopirkeTeba;

�� mcire arqiteqtura da mSenebloba;

�� ultraTanamedrove samSeneblo masalebiTa da

aRWurvilobiT obieqtis kompleqtacia;

�� arqiteqturuli naxazebis sivrcobrivi

vizualizacia (kompiuteruli grafika);

�� saproeqto gadawyvetebis SeTanxmeba;

�� proeqtis ganxorcielebis yovel etapze

avtoris zedamxedveloba.

Tqven mogemsaxurebaT maRalkvalificirebuli

specialistebi, romlebic Tqven nebismier

Canafiqrs da survils realobad aqceven.

Cveni momsaxurebiT

Tqven namdvilad kmayofili darCebiT

Tbilisi, WavWavaZis I Cixi, 4a

tel.: (+995 32) 29-06-22, 36-97-99

[email protected]

37

stili #28. 2008

profesionalis

savizito

baraTi

s a x l i

H O U S E

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40

pirveli interieri, romelic saqar-

TveloSi, TbilisSi, xaTuna fircxalav-

as proeqtiT Seiqmna - misi sakuTari sa-

cxovrebeli binaa. igi qarTuli interi-

eruli realobisaTvis sakmaod araordi-

naluria.

sacxovreblis erTiani interieruli

saxe Tanamedrove da klasikuri dekoris

motivebiT, moculobiTi da plastikuri ga-

dawyvetebiT, arqiteqturuli riTmebiTaa

miRweuli.

yovel Strixsa da niuansSi, maT tona-

lobasa da sivrceSi gadanawilebaSi, pro-

fesionalizmi, daxvewili gemovneba Cans. Ta-

visuflad formirebul sacxovrebelSi

TiToeuli nivTi aqcentirebulia. yoveli

monakveTi ipyrobs yuradRebas, rogorc ga-

nsakuTrebuli movlena.

gegmarebis gadawyvetis lakonizmi,

detalebisadmi unatifesi damokidebu-

lebiT kompensirdeba. maTi vizualizacia

dizainis stilis ganmsazRvreli xdeba. in-

terieri, TiTqos Signidan naTdeba gan-

sakuTrebuli, miseuli SuqiT, rasac `ga-

mWvirvale~ detalebis, klasikuri aqse-

suarebis, avtoris mier Seqmnili deko-

ratiuli kompoziciebis, bunebrivi da xe-

41

stili #28. 2008

lovnuri ganaTebebis sinqroni aRrmavebs

da ara mxolod...

sacxovrebeli avtoris pirovnebis, pro-

fesionalizmis savizito baraTia. igi, mi-

si cxovrebis kulturis erT-erTi metad

mobiluri formaa, romelic metad faqiz-

ad reagirebs nebismier cvlilebaze.

nino laRiZe

foto: gia javeliZe

stili #28. 2008

42

In April 2008 representatives of STYLE Magazinewere invited to an international design exhibition tak-ing place in Milan. All through our 7-day visit there wehad been studying expositions of the most successfulbrands from all over the world, displayed in the hugeexhibition space, and – very unexpectedly – met therea Georgian designer Khatuna Pirtskhalava. As itappeared, Khatuna was researching new furniture col-lections, presented at the exhibition, with professionalgoals, intending to use the subsequently generated ideasin her new projects.

Khatuna Pirtskhalava moved to Moscow twenty yearsago to study and work. She has two professions: jour-nalist and designer (Khatuna graduated from theInternational Design School of Moscow and attended

master-classes with leading specialists of moderndesign), though right now design is her primary activ-ity. Khatuna’s activities are rather successful – shedesigned numerous interiors in Moscow; her works wereacknowledged at international exhibitions. Last year shereturned to Georgia and established architectural stu-dio VIP Design and Building Company.

The first interior designed by Khatuna Pirtskhalavain Tbilisi was her own apartment. This space standsout as rather original against the common backgroundof Georgian interiors.

The integral interior space represents a combina-tion of modern and classic decoration motives, volu-metric and spatial solutions and architectural rhythms.Each line and feature with their coloring and spatial

positioning declare refined taste. The loosely formulat-ed residential space puts special accents on each item;each section attracts attention with its originality.

Simplicity of planning is compensated with the mostcareful approach toward details. Their visualization actu-ally defines the style of overall design. The interior seemsto be lighted from inside with a special radiance, whichis further highlighted by transparent details, classic acces-sories, decorative compositions, created by the authorand combination of artificial and natural lighting.

The apartment is a visualization of the author’s indi-viduality and professionalism, representing her lifestylein a mobile form and reacting to every change.

NINO LAGHIDZEPHOTO BY GIA JAVELIDZE

Visualization of Professionalism

43

stili #28. 2008

kote marjaniSvilis saxelobis Tbili-

sis saxelmwifo TeatrTan, TiTqmis mis mo-

culobaSi italiuri restorani `marjan-

ov eqspresi~ gaixsna. igi, arqiteqtoreb-

is, levan saluqvaZisa da gela iordaniS-

vilis (arq. kompania `gilsi~) proeqtiT ga-

nxorcielda. Tbilisuri panoramisaTvis,

arqiteqturul-mxatvruli Tvalsazris-

iT, restorani ganumeorebelia. misi mocu-

lobis zeda done - Ria kafe-restorani -

italiuri vagzlis peronia Tavisi mosa-

cdeliT. aqedan, qveda doneze - `restora-

ni vagonSi~ - matareblis vagonSi Cavdiv-

arT.

ori erTmaneTisagan gansxvavebuli -

sivrcisaTvis, winaswar SemuSavebuli

Tematuri scenariT Sinaarsoblivad

rTuli da STambeWdavi eqspozicia Sei-

qmna da maTSi sivrcis mTlianoba cal-

keuli moduluri elementebiTaa gaje-

rebuli.

stili #28. 2008

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stili #28. 2008

arqiteqturuli sivrce - es sirTulea,

romlis gadalaxvasac, zogjer arqiteqto-

ri ver axerxebs. mocemul SemTxvevaSi ki av-

torTaTvis arsebul moculobaSi Sesvlas

dabrkoleba ar Seuqmnia. maT SesaSuri si-

TamamiT Seqmnes araordinaluri ` sakuTa-

ri arqiteqtura~. eqterierisa Tu interi-

erebis gadawyvetisas, maTSi iseTi gansaku-

Trebuli - statikuri da dinamikuri `sam-

yaroebi~ Seiqmna, romelic dasvenebisaTv-

is maqsimalurad komfortulia. warmoqmn-

il sivrceebSi evropuli tradiciebi Ta-

namedroveobasTan sinTezirdeba da erTma-

neTTan mWidro kavSirSia.

calkeul SemTxvevaSi, interierebSi, ut-

ilitaruli Tu stilisturi elementebi na-

tifi dekoriT erwymian erTmaneTs da av-

torTa peofesionalizms gamoxataven.

interierul monakveTebSi ara mxolod

kompoziciis kanonebis ganmeorebaa, aramed

moulodneli mkveTri gadawyvetebis Zieba-

caa. masalis mravalferovneba, ferTa to-

nalobebi, maTi gaazrebulad organizebu-

lad kombinireba, mTlian sivrceebs TviT-

myofads xdis.

`marjanov eqspresis~ ganwyobis TiTeu-

li niuansi adamianis yuradRebas adunebs

gare samyaros mimarT. mTliani sivrciTi ko-

mpoziciebi, maTSi gadanawilebuli arqite-

qturuli elementebi, detalebi - mdidru-

li apartamentebis STabeWdilebas tovebs.

dizaineruli fragmentebi damoukidebeli

da individualuria, Tumca erT mTliano-

baSi aRiqmeba.

nino laRiZe

stili #28. 2008

48

New Italian restaurant “Marjanov Express”, designedby architects Levan Salukvadze and Gela Iordanishvili(architectural company “Gils”) was recently opened atthe premises of Kote Marjanishvili State Georgian Theatre.

From the architectural and artistic point of view,Marjanov Express enriched the panorama of Tbilisi witha unique component. The upper part of its volume –open-air café-restaurant – resembles an Italian railwaystation platform. From there you can access the lowerfloor: replica dining-car. The two different spaces areintegrated by a complex thematic scenario, balancedby a range of modular elements.

Architectural space is an issue, which sometimesremains unsolved even in the architect’s hands. In thisparticular case transformation of the space has not cre-ated any problems for its authors. They showed a greatdeal of boldness in creating an original style. Designsolutions of restaurant exterior and interior resulted increation of special static and dynamic “worlds”, provid-ing maximal comfort and relaxation to visitors. The spacessuccessfully merge old European traditions with moder-nity. Functional and stylistic elements of the interior areintegrated by refined decorative elements, further high-lighting the authors’ professionalism.

Interior design reflects not only the observance ofcomposition rules, but also the quest of unexpectedsolutions. Diversity of construction materials, colors andtheir carefully organized combinations further increaseoriginality of the spaces.

The atmosphere of Marjanov Express makes itsvisitors forget the outer world. Spatial compositions withtheir architectural elements and details leave theimpression of luxury. Minor elements are independentand individual, though integrated into the generaldesign.

NINO LAGHIDZE

Marjanov Express

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stili #28. 2008

axali dizaingalerea -yvelaferi TqveniinterierisTvis

miuxedavad imisa, rom TbilisSi bevri galereaa, mas erTi lamazi adgi-

li Seemata diumas quCaze – dizaingalerea “guga kotetiSvili da noma stu-

dio”. maspinZlebi arian guga kotetiSvili da “noma studiis” damfuZneble-

bi nino liparteliani da maka tabataZe.

galereis koncepcia erTia - Tavisufleba xelovnebas. es xelovnebaa Tu

xeloba - xSirad bWoben adamianebi, mogzauroba mxolod mgzavroba ar aris

– vpasuxobT Cven.

Temas rom sasurveli mimarTuleba mivceT, mogiTxrobT ra xdeba Cvens ga-

lereaSi, rCevas ki mogcemT - Tavad naxeT. mis yovel kuTxeSi bevrs sainte-

resos ipovniT. gugas aveji, saocari siyvaruliT Segrovebuli nivTebi da

“nomas” naqargi, xelnakeTi teqstili, haerovani Sarfebi da aqsesuarebi in-

terierisTvis.

aq SemTxveviTi araferia, yvela nivTs Tavisi daniSnuleba aqvs konkret-

ul interierSi. Cveni funqcia xom es aris adamianebs SeuqmnaT gamsakuTre-

buli samyaro.

gemovnebaze ar kamaToben. Cven ar vkamaTobT, Cven gTavazobT estetiur

garemos. es varT Cven...

galerea sxva dizainerebsac maspinZlobs. mraval proeqtsa da ideas So-

ris varCieT erTi, rac sevdas da Rimils erTdroulad hgvris. es aris epo-

qa, istoria, bavSvoba, siTbo, nivTebi. vfiqrobT ar SevcdiT, radgan Tema

“yvelaferi bebiaCemis Sesaxeb” saintereso aRmoCnda. Txu-

Tmeti avtoris TxuTmeti istoria, sevdac da iumoric -

arafers giambobT dawvrilebiT, radgan yoveli vizi-

tis dros siurprizi geliT.

reportaJis da ideis avtori: buba svimoniSvili

stili #28. 2008

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stili #28. 2008

New Design Gallery –Everything for Your Interior

Though there already are many galleries in Tbilisi, a still another nice place – “GugaKotetishvili and Noma Studio”, located in Dumas Street – was recently added to the list ofsuch establishments. Its hosts are Guga Kotetishvili and founders of Noma Studio Nino Lipartelianiand Maka Tabatadze.

The concept of the gallery is simple – “give freedom to art”. To people wondering whetherartisanship may be leveled with art, we can answer that “trip” does not necessarily mean“transportation”.

To change the topic, we will just tell you what goes on in our gallery (though, frankly, itwould be much better if you came to see it with your own eyes). The space is filled withinteresting objects. Guga’s cherished collection of furniture and decorative articles is com-bined with Noma embroideries, handmade textiles, scarves and interior accessories.

There is nothing occasional here – every article can assume a specific function in thisor that interior. Actually, this is what we envision as our goal – to help people create origi-nal environment.

As the saying goes, there is no accounting for tastes. We do not break this rule, wejust offer you to add aesthetic quality to your life.

The gallery also hosts expositions of other designers. From among many projects andideas we singled out the one, which is both funny and sorrowful: interpretation of the epoch,history, childhood, warmth and objects. We believe we did not make a mistake, because thetheme “Everything about My Grandmother” proved really interesting and compelled fifteenauthors to present fifteen totally different stories with different humor and sorrow.

No more details – please come and visit us, and stay assured that your every visit willbe a surprise.

You can come to “Guga Kotetishvili and Noma Studio” every dayexcept Sundays from 11 a.m. to 19 p.m. Our address is 6 LEselidzeStreet / 4 Dumas Street.

REPORTAGE AND IDEA BY BUBA SVIMONISHVILI

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tobia skarpa daibada veneciaSi 1935

wlis 1 ianvars; 1969 wels daamTavra ve-

neciis universitetis arqiteqturis faku-

lteti; 1957 wlidan TanamSromlobs ar-

qiteqtor afra bianCin skarpasTan dizai-

nis, arqiteqturisa da istoriuli Zegle-

bis restavraciis sferoebSi.

tobia da afra skarpas dizaineruli na-

muSevrebi inaxeba msoflios umsxvilesi mu-

zeumebis koleqciebSi da dajildoebu-

lia mravali saerTaSoriso priziT.

maT mier Sesrulebul arqiteqturul

proeqtebSi gansakuTrebuli yuradRebis

Rirsia `B&B~-s qarxana (novedrate), kasa

benetoni (paderno), vila frajiakomo

(triesti), moltenis saxli da moltenis

saxli (karimate), kasa lorencini (abano Te-

rme), kasa tonolo (ponsano), `Benetton

Group~-is industriuli kompleqsi (kastre-

te di vilorba), palaco delo sporti (sa-

lerno), `interportos~ axali Stab-bina (pa-

dua).

tobia da afra skarpas sarestavracio

proeqtebidan, yvelaze sainteresoa bar-

Ceza vila lia da punto sipi (trevizo),

palaco del monte (rejo emilia), me-14 sa-

ukunis kompleqsi trevizoSi, vila garni-

eri (ponsano veneto), lojia dei kavali-

eri (trevizo), palaco bonati da balaco

bruzati (karpi, rejo emilia), palaco

bomben-karnarota (trevizo), galerie

del’akademia (venecia) da palaco del me-

rkato vekio (verona).

palaco

dela rajioneavtori: arqiteqtori tobia skarpa

u c x o u r i a r q i t e q t u r a

F O R E I G N A R C H I T E C T U R E

59

stili #28. 2008

arqiteqtor tobia skarpas mier SemuSa-

vebulma da `fondacione kariveronas~ mi-

er dafinansebulma sarestavracio proeqt-

ma daubruna veronis palaco dela rajio-

nes uwindeli silamaze. proeqtiT gaTvali-

swinebuli samuSaoebi Zveli tradiciebis Se-

sabamisi martivi xerxebiT ganxorcielda, ra-

mac arqiteqtors saSualeba misca minimu-

mamde daeyvana Tanamedrove teqnologieb-

is Tanamdevi agresiuloba.

palacos Sida sivrceebi aRsdga Tavisi

pirvandeli formiT; am mxriv, proeqti Za-

lian gavda palimfsestis SedarebiT axali

naweris qveS naxevrad waSlili, gamqrqale-

buli pirvandeli teqstis amokiTxvas.

sarestavracio proeqtze saubrisas, to-

bia skarpa gansakuTrebiT gamoyofs palac-

os ZiriTadi sarTulis uzarmazar, wvril

rafebSi Casmul fanjrebs, aguriT da Ta-

baSiris panelebiT nageb kedlebs, romleb-

ic foladis arSiebiTaa Semovlebuli sxva-

dasxva sivrceebis gamosakveTad, iatakze

dagebul ruxi granitis filebs, romelTa

erTferovneba vizualruad aerTianebs sa-

gamofeno darbazebs, WerSi gaWril Riob-

ebs.

TumcaRa, skarpa aqve xazs usvams imasac,

rom arqiteqtura pirvel rigSi unda akma-

yofilebdes funqciurobis moTxovnebs: `me

mudam maxsovda, rom es konkretuli Seno-

ba erT did sagamofeno sivrces warmoadg-

ens. maqsimalurad vecade, rom interieris

arqiteqtura gamokveTilad TviTmyofadi ar

yofiliyo; magram, meores mxriv, sagamofe-

no struqturebi zedmetad moqnili da us-

axuric ar unda gamomsvloda. amis gaTva-

liswinebiT da palacos momaval administ-

ratorebTan xangrZlivi diskusiebis Sede-

gad, SevqmeniT 2.5×4 metriani liTonis mo-

biluri konstruqciebi, romlebic fonad ed-

eba eqsponatebs da Seicavs xelovnuri ga-

naTebisa da usafrTxoebis sistemebs.~

Sedegad, palaco dela rajiones STam-

beWdavi da uCveulo sagamofeno sivrceebi

nebismieri gamofenis maqsimaluri efeqtu-

robiT organizebis saSualebas iZleva.

sarestavracio samuSaoebis dros, gansa-

kuTrebuli mniSvneloba mieniWa sgamofeno

sivrceebis xelovnur ganaTebas: sasurveli

gadawyvetilebis misaRebad, arqiteqtorma

tobia skarpam gamoiyena mizaris sistema RAY,

romelic gamoirCeva sinaTlis intensivob-

is marTvis unikaluri saSualebiT. mizari

– sinaTle Cvens samyaroSi - gTavazobT Se-

moqmedebiTi Ziebisa da uaxlesi teqnolo-

giebis STambeWdav nazavs.

1994 wels Seqmnilma am kompaniam male-

ve moipova sakuTari niSa gasanaTeblebis wa-

rmoebaSi. mizaris ganaTebis sistemebi wa-

rmoadgens SemoqmedebiTi Ziebis, uaxlesi te-

qnologiebisa, xarisxis da Sesrulebis STa-

mbeWdav nazavs, romelic imavdroulad iT-

valiswinebs ekonomiurobis moTxovnas da ga-

remosdacviT aspeqtebs.

stili #28. 2008

60

Tavisi unikaluri Tvisebebis wyalob-

iT, mizari sargeblobs msoflios wamyva-

ni dizainerebis da arqiteqtorebis: to-

bia skarpas, devid liuisis, momodizain-

is, silvio de pontes, mateo fiores, Ste-

fano ankonentanis, karlo vietris erTsu-

lovani aRiarebiT.

mizaris nawarmi saukeTesoa yvelgan, sa-

dac ganaTebis xarisxs pirveladi mniSvne-

loba eniWeba – rogorc profesiul pro-

eqtebSi, mag. komerciul interierebSi,

muzeumebSi Tu ofisebSi, ise sazogadoe-

brivi TavSeyris adgilebSi da sacxovre-

bel interierebSi.

tobia skarpa - ganaTebis xelovnebis Se-

saxeb:

- `xelovnebis, SemoqmedebiTi azrovne-

bis, grZnobebis da SegrZnebebis memkvidre-

oba, romelic gvimxels gasul TaobaTa me-

ntalitets da mamoZravebel motivebs, un-

ikalur formebSi ukvdavyofili simdid-

re, romelsac mTels Tavis sisruleSi mxo-

lod xelovnebaTmcodnis gamocdili Tva-

li xedavs... swored aseTi gziT midioda

proeqt "RAY"-ze muSaoba – Tavdapirveli

esTetiuri, konstruqciuli da funqciu-

ri kvlevebis ganxorcielebisas, gaTvali-

swinebul iqna uamravi gansxvavebuli ti-

pis sagamofeno sivrcis ganaTebis moTxo-

vnebi, ramac transpoziciis Sedegad mig-

viyvana mniSvnelovani arqiteqturuli fa-

seulobis mqone sivrceebisTvis moqnili ga-

naTebis sistemis Seqmnamde~.

61

stili #28. 2008

stili #28. 2008

62

PALAZZODELLARAGIONEAuthor: Architect Tobia Scarpa

Tobia Scarpa Born in Venice on January 1 1935,and graduated in architecture from the Istituto Universitariodi Venezia in 1969. He has worked together with archi-tect Afra Bianchin Scarpa since 1957, in the fields ofdesign, architecture and the restoration of monuments.

Design projects by Tobia and Afra Scarpa have wonmany international awards; some of their works are in thecollections of the most important museums in the world.

Their architectural projects include: the B&B facto-ry in Novedrate (CO), Casa Benetton in Paderno (TV),Villa Fragiacomo in Trieste, Casa Lorenzin in AbanoTerme (PD), the Molteni house in Carimate (CO), theMeroni house in Carimate (CO), Casa Tonolo inPonzano (TV), the Benetton Group industrial complexin Castrette di Villorba (TV), the Palazzo dello Sport inSalerno; the new headquarters for the Interporto in Padua.

Their restoration projects include: Barchessa VillaLia and Punto Sip in Treviso, Palazzo del Monte inReggio Emilia, a fourteenth-century complex in Treviso,projects for the restoration of Via Isonzo in Treviso and

Villa Loredan in Volpago del Montello (TV), Villa Guarnieriin Ponzano Veneto (TV), La Loggia dei Cavalieri inTreviso, Palazzo Bonati and Palazzo Brusati in Carpi(Reggio Emilia), Palazzo Bomben-Carnarotta in Treviso,the Gallerie dell’Accademia in Venice and the Palazzodel Mercato Vecchio in Verona.

Treviso, April 2008

The renovation project, which restored the Palazzodella Ragione in Verona to its ancient beauty, wasdesigned by Tobia Scarpa and sponsored by theFondazione Cariverona. A project carried out with sim-ple techniques respectful of ancient practices, using mod-ern technology whose natural aggressiveness was mit-igated to a minimum.

The spaces themselves were restored to their orig-inal form, “well aware that in the palimpsest, the ori-gins are lost, stratified, mixed”.

In describing the renovation project, Tobia Scarpaspeaks of the “trifora windows on the piano nobile

63

stili #28. 2008

reframed with a thin window structure”; “of lightweightmasonry or gypsum board walls, redesigned, framed,with a steel lip, to delineate new spaces”; “of the floorpaved in large grey marble tiles that run through allthe exhibition rooms to create unity”; “of the ceiling whichopens towards the sky in one point like a telescopeto frame the tower of the Lamberti”.

“But – reflects Scarpa in the end – architecture mustalways bow to the functions, and in this architecture themain function is exhibition space. The risk was that theinterior architecture would be too obvious, too distinc-tive, or that the exhibition structures would be flexiblebut indistinct. For this reason, after lengthy discussionswith the future management of the Palazzo, we designedmetal structures for Alucore panels measuring two anda half by four meters, which may be used in either avertical or horizontal position, to guarantee a flexible dis-tribution, and electrical power to light the paintings, topower any digital signals and to control the structuralpanels for the protection of the artworks hung on them.

Every exhibition will thus be in a position to devel-op its own strategy to enhance these intense and insome ways extraordinary spaces of the Palazzo dellaRagione” (see The exhibition design project).

Great importance was therefore attributed to thelighting solutions for which architect Tobia Scarpa usedthe Ray system, by Mizar, a project conceived to solvethe problem of regulating the intensity of the cone oflight to create a balanced lighting solution.

Born in 1994, Mizar has immediately obtained, throughits own products, a remarkable position in the field oftechnical and architectural lighting. The main featuresof its products are the constant search of equilibriumamong style, technique and performance without neglect-ing the aspect of energy saving and environmental impact.

For these reasons Mizar has chosen to collabo-rate with some of the greatest exponents of designand architecture such as Tobia Scarpa, David Lewis,Momodesign, Silvio De Ponte, Matteo Fiore, StefanoAnconetani, Carlo Vietri.

Mizar’s products are displayed at their best wherelight quality assumes primary importance as in profes-sional projects, i.e. task-orientated commercial interiors,museums, offices and directional centres, as well asin collective areas and residential concepts.

TOBIA SCARPA ON LIGHTING ART:[…] “The work of art, a legacy of thoughts, feel-

ings, perceptions, which testify to the way an entirepeople or period think and act, a wealth transcribedinto forms made up of unique qualities which are ofteninvisible even to the expert eye of the critic. This isthe order of ideas that underlies the development ofthe Ray project; the initial esthetic, formal and func-tional studies were conducted with the purpose of sat-isfying the lighting requirements of many different exhi-bition spaces and consequently, by transposition, giventhe historical and architectural importance of many muse-um venues, the accent lighting and the general light-ing for spaces with significant architectural value”.

furnituris dizaini teqnikuri sru-

lyofilebiT, novatoruli xasiaTiT,

Tanamedrove cxovrebis temps unda Se-

esabamebodes da damawynarebel stabilu-

robas qmnides. adamianis mier gamoyene-

bul mraval saganTagan, mas wamyvani ad-

gili uWiravs.

dizainze yovel epoqaSi garkveuli Se-

xedulebebi hqondaT. igi drois specifi-

kas, sazogadoebis kulturas da mflo-

belis materialur SesaZleblobebs war-

moaCens. interieris Seqmna-mowyobisas ad-

amianis saqmianoba SemoqmedebiTia. sagne-

bis garegnuli saxe, maTi funqciur-xari-

sxobrivi maCveneblebi da komfortulo-

ba, furnituris SerCevisas, gadamwyveti fa-

qtorebia. Tanamedrove furnituris Sefa-

sebis kriteriumebia - msubuqi formebi Se-

sabamisi statikuri Tu dinamikuri Tvise-

bebiT, romelic ergonomikul moTxovnebs

akmayofilebs da samuSaod da dasasveneb-

lad mosaxerxebelia.

Tanamedrove fur-

nituraze msjelo-

bisas, gansaxilve-

lad warmogi-

dgenT frag-

mentebs `sera-

lungas~ ko-

leqciebidan.

italiuri mrewvelobis istoriaSi `se-

ralunga~ gvevlineba rogorc xangrZlivi

da warmatebuli muSaobisa da mudmivi ga-

nviTarebis iSviaTi magaliTi.

am saojaxo biznesis asakma ukve 300 we-

liwads gadaabija.

`seralunga~ daarsda 1825 wels rog-

orc tyavis gadamamuSavebeli sawarmo,

romelic Tavdapirvelad sxvadasxva samre-

wvelo daniSnulebis tyavis produqcias

awarmoebda, xolo me-20

saukunis dasawyisSi Se-

udga gutaperCis da pla-

stikis gadamuSavebas.

80-ian wlebSi kompaniam (pirvelma it-

aliur sawarmoTa Soris) aSS-dan Semoita-

na axali sawarmoo xazi da daiwyo sayva-

vile larnakebis gamoSveba. axali aRWur-

viloba `seralungas~ uzarmazari – 2000

litramde tevadobis WurWlis damzadeb-

is saSualebas aZlevda. kompania male mi-

xvda rom didi zomis nivTebis warmoeba

misi Zlieri mxare iyo; Semdegi nabiji ki

garegnuli silamazis, stilis da origi-

nalobis miRweva unda yofiliyo.

erTgvari gadatrialeba kompaniis sa-

qmianobaSi gamoiwvia ori megobris: mar-

ko seralungas da luiza boCietos Semo-

qmedebiTi aliansis Camoyalibeba. markos

saqmianma alRom da luizas wa-

rmosaxvam da gemovnebam

bolo 15 wlis

stili #28. 2008

64

furnituraSerralunga - 2007Designers:

Luisa Bocchietto, Michel Boucquillon, Zaha Hadid, Patrick Jouin, Ross Lovegrove, Marc Sadler, Jean-Marie Massaud.

manZilze sruli-

ad Secvala kompa-

niis profili da aq-

cia igi Tanamedrove

stilis kanonmdeblad. bolo aTwle-

ulis manZilze, marko seralungam da

luiza boCietom, 20-ode saerTaSo-

riso donis dizainerTan TanamSro-

mlobiT, Seqmnes furnituris ko-

leqciebi gasaocari formebiT

da axali funqciebiT, romle-

bmac dizainis am sferos isto-

riaSi axali furceli gaxsnes.

mobiluri furnitura erTi

saTavsodan meoreSi advilad

gadaadgildeba. sacxovrebel Tu

sazogadoebriv interierSi esTe-

tikuri STabeWdileba, ara misi

calkeuli monakveTebiT, aramed

mTliani interieriT iqmneba, ami-

tom furnituris ganTavsebisas

yovel niuanss gansakuTrebuli da-

tvirTva eniWeba.

furnituris avangarduli fo-

rmebi komfortis SegrZnebas aZ-

lierebs. interierSi, misi

dekoris erT-erTi kompone-

ntis, avejis arqiteqtur-

ul detalebTan Serwyma,

sasurvel atmosferos

qmnis. furnituris

mrgval skulpturasTan

gaigiveba, sivrceSi, misi TavisTavad war-

moCenis saSualebas iZleva. moqnili, zed-

meti xveulebisa da ornamentebisagan Ta-

visufali dizaini naTeli, Tbili, zogj-

er kontrastuli ferebiT gamoirCeva da

Tanamedrove stilis interiers harmoni-

ulad erwymis, an mis tonalobasTan sasi-

amovno disonans qmnis. bunebrivi da xelo-

vnuri masalis ostaturi kombinireba, fo-

rmis Camoyalibebisas, dausrulebeli va-

rirebis saSualebas iZleva.

`seralungas~ 2007 da 2008 wlis kole-

qciebis avtorebis – dizainerebis luiza

boCietos, miSel bukionis, zaha hadidis,

patrik Juenis, ros lavgrovis, mark sed-

leris, Jan-mari masos, klaudio belinis,

filip starkis, rodolvo dordonis da

sotas asoCiatis axali namuSevrebi skul-

pturasTan miaxloebuli, mkveTri dasama-

xsovrebeli formebiT gamoirCeva. isini fu-

rnituris Seqmnas axleburad udgebian -

uaryofen stereotipebs, amravalferovne-

ben tradiciul wesebs.

`seralungas~ furnituris dizaini Ta-

visufalia, novatorulia da Tu igi Tao-

baTa esTetikasa da socialur moTxovni-

lebebs pasuxobs, Tavisi individualuro-

biT drosa da stils Seesabameba - Cvens wi-

naSea xelovneba.

nino laRiZe

informacia mogvawoda

`di

pa-

lma

as-

o-

Si-

at-

im~,

it-

a-

liur di-

zainer-

ul kom-

paniaTa

gaerTia-

nebis sae-

rTaSo-

riso

pres-of-

isma

65

stili #28. 2008

Design of furniture and furnishings with its techni-cal perfection and innovative character follows the paceof modernity and creates an atmosphere of pacifyingstability. Of numerous items, used by humans in thedaily life, furniture plays a key part.

Requirements toward furnishings have been vary-ing from epoch to epoch. They reflect the specifics oftime, culture of the society and creative taste of itsowner. Outward look of the furnishings, their function-al and qualitative characteristics as well as the levelof comfort provided, are decisive factors one usuallyconsiders while selecting this component of interior.Modern furnishings are valued by lightness of formsin combination with appropriate static and dynamic fea-tures, satisfying the ergonomic requirements and ensur-ing the comfort during work or leisure. While discussing modern furnishings, we would like

to attract your attention to the designs, created bydesign company Serralunga.

In the history of Italian enterprise Serralunga isa rare example of long life and capacity for ongoingevolution. This family-run firm has now come to itsthird century in business, the 5th generation of entre-preneurs and is living its second youth.

After its establishment in 1825 as a tannery, itstarted manufacturing leather items for industrial pur-poses, such as driving belts and similar products.In the 1900s it started processing gutta-percha andlater plastic for industrial purposes.

In the 1980-ies the company imported an innova-tive equipment line from USA and was the first in Italyto install a pilot system, with which it started to man-ufacture flower vases. The new equipment allowedSerralunga to produced hollow articles with capacity ofup to 2000 litres. They soon understood that the over-size dimension was the ace up their sleeve; the nextstep was to make them beautiful, intriguing and sur-prising.

A turning point in the company’s activities was thecreative encounter of two friends: Marco Serralungaand Luisa Bocchietto. The passion and businesscourage of the former, combined with the creative flairof the latter, revolutionized the company over a 15-year period, projecting it towards the dimension of cut-ting-edge modern language and lifestyle. Over the lastdecade, Marco Serralunga and Luisa Bocchietto havebeen cooperating with about 20 international design-

66

Bellini Hour, Claudio Bellini

Bellini Hour, Claudio Bellini, sistema

Furniture and FurnishingsSerralunga - 2007Designers:

Rodolfo Dordoni, Philippe Starck, Sottsass Associati, J-M Massaud, Claudio Bellini, Michel Boucquillon, Marc Sadler.

Missed Tree Collection. Jean-Marie Massaud. laccato

stili #28. 2008

ers to create collections of furnishings with spectac-ular shapes and new purposes that have become abenchmark and trendsetter in its section.

Mobile furnishings are easy to move from onearea to another. Aesthetic quality of interior or exte-rior design is based on its general look, and not thevalue of its individual sections; this is why positioningof furnishings has special importance.

Right style of the furnishings enhances the feelingof comfort and well-being. Compatibility of decorativefurnishings with other elements of interior design, e.g.architectural details, helps create the desirable atmos-phere. Furnishings with their light, warm and some-times contrasting coloring and flexible design can alsoserve as stand-alone highlights, matching or disruptingthe general design. Skillful combination of natural andartificial materials allows for endless variation while design-ing the shapes.

Serralunga 2007 and 2008 collections, created bydesigners Luisa Bocchietto, Michel Boucquillon, ZahaHadid, Patrick Jouin, Ross Lovegrove, Marc Sadler,Jean-Marie Massaud, Claudio Belini, Philippe Starck,Rodolfo Dordoni and Sottsass Associati, feature remark-able, refined sculptural forms. The authors treat fur-nishings design in an innovative manner, defying thestereotypes and diversifying traditional logic.

Serralunga furnishings are uninhibited and original;and if you agree that they conforms to the present-day aesthetic and social requirements, if you think thattheir individuality corresponds to the time and style –then we will add that they represent true art.

NINO LAGHIDZEMaterials for this article were provided

by Di Palma Associati – foreign press-office for several remarkable Italian furniture

and furnishings design companies.

67

stili #28. 2008

Pile Up

Holly All. Philippe Starck. amb

Sevres. Rodolfo Dordoni. bordo rame

Faituttotu.

Sottsass Associati

La Regista. Boucquillon. trasparente

One. Sadler

stili #28. 2008

68

iaroslavlis stadioni (ruseTi)

es pirveli stadionia, romelic avaSeneT

iaroslavlSi klub "lokomotivisTvis".

mSenebloba dasrulda 2001 wels.

tribunebi ovaluri moyvanilobisaa; isini

nawilobriv mobiluri konstruqciisgan Sedgeba,

iseve rogorc scena, romelic survilisamebr mo-

ntaJdeba da iSleba.

kompleqsi Seicavs 360-adgilian restorans,

boulingis saTamaSo darbazs da Ramis klubs.

konstruqcia ZiriTadad betoniTaa nagebi;

misi fasadi miniT da foladis filebiTaa

mopirkeTebuli.

samSeneblo samuSaoebi Seasrula kompania

"Skanska East Europe"-m.

farTi: 33620 m2

moculoba: 272550 m3

tevadoba:

yinulis hokei 9046 adgili

koncerti 8505 adgili

simaRle: 25 m

loJebis raodenoba: 32

adgilebi SSm. pirTaTvis: 40

sportuli centri "arqtika",saTxilamuro darbazi

saTxilamuro darbazi jer mSeneblobis pro-

cesSia. igi Seicavs 1.3 km sigrZis saTxilamu-

ro biliks, qerlingis darbazs, satrenaJoro da-

rbazs, sabavSvo skeitingis moedans, yinulis

alpinistur kedels, golfis simulatorebs, maRa-

ziebs da restornebs, VIP-loJebs da saunebs.

farTi: 18553 m2

moculoba: 166000 m3

Cerepovecis stadioni

(ruseTi)Cerepovecis stadionis mSenebloba dasrul-

da 2006 wlis noemberSi

tribunas nalis forma aqvs; konstruqcia Zi-

riTadad betoniTaa nagebi; misi fasadi min-

iT da foladis filebiTaa mopirkeTebuli.

samSeneblo samuSaoebi Seasrula kompania

"xansamSenma".

farTi: 12900 m2

moculoba: 128750 m3

tevadoba:

yinulis hokei 6000 adgili

koncerti 7000 adgili

simaRle: 20 m

loJebis raodenoba: 11

adgilebi SSm. pirTaTvis: 10-20

JAROSLAVL ARENA, RussiaOur first arena in Russia was Jaroslavl Arena for

Lokomotiv in Jaroslavl.It was finished year 2001The shape of the tribune is ellipse.Part of the tribune is removable as well as the

stage.There is a restaurant for 360 seats , bowling hall

and night clubIt has steel trusses length 70,5 m, and the main

construction is of concrete elements and the facade ismade of steel plates and glass

The arena was built by Skanska East Europe

FLOOR AREA 33620 M2

VOLUME 272550 M3

NUMBER OF SPECTATORS: ICE HOCKEY 9046 seatsCONCERT 8505 seatsHEIGHT 25 MLODGES 32HANDICAPPED 40

sportuli nagebobebifineTis arqiteqtura

architect Else Kettunen

69

stili #28. 2008

Perception of architectural work implies, in the firstplace, aesthetic pleasure, conditioned by an original com-bination scale of urban planning solution, site location,spatial organization of the composition, technique andfunctional structure of a construction.

The above sequence precisely characterizes theSports Constructions, designed by architect ElseKettunen.

The buildings - integral organizms with a distinc-tive structure, dominate their immediate urban settings,at the same time uniting and contradicting the surround-ing space. The form of the buildings not so much cor-responds to, rather represents the authors creative inter-pretation of their function.

Interior spaces of the buildings are subjected toa uniform planning system, while volumetric design of

the exterior highlights the specificity of building func-tion and increases the dynamics of inner space.Scaling and proportional distribution of architeqtural mass-es as well as choice of up-to-date materials stressespeculiar character of the buildings, enriching the archi-tectural panorama of the city with interesting, originaldetails.

NINO LAGHIDZE

ARCTIC SPORT CENTER, INDOOR SKIING HALL

Skiing hall is under construction. It has a ski trackof 1,3 km, curling hall, GYM, skating field for children,climbing wall made of ice, golf simulators, shops andrestaurants.

There is also a big amount of VIP lodges and saunasfor quests

FLOOR AREA 18553 M2VOLUME 166000 M3

ARENA TSEREPOVETZ, Russia

Tserepovets arena was finished in November 2006The shape of the tribune is ” horse shoe”It has steel trusses length 69,5 m, and the main

construction is of concrete elements and the facade ismade of steel plates and glass

The arena was built by Hansastroi.FLOOR AREA 12900 M2

VOLUME 128750 M3

NUMBER OF SPECTATORS: ICE HOCKEY 6000 seatsCONCERT 7000 seatsHEIGHT 20 MLODGES 11HANDICAPPED 10-20

Sports ConstructionsFinnish Architrcture

stili #28. 2008

70

briuseli

belgiis dedaqalaqi, briuseli, VIII sa-

ukuneSi daarsda. igi saukeTeso geogra-

fiuli adgilmdebareobiT gamoirCeva da

ukve 1000 wlisaa.

axlandeli briuseli vrcel dablob-

zea gaSenebuli, romlis erTi mxarec sam-

xreT-aRmosavleTisken maRldeba. aman ga-

napiroba misi dayofa zeda da qveda qala-

qad, romelTa Soris misi centraluri na-

wilia ganTavsebuli.

mTavari adgili, romliskenac guli mi-

uwevs yovel Camomsvlels - `grand-plasia~.

sinamdvileSi, igi sulac ar aris didi. Tu-

mca, Znelia, warmoidgino briuseli Sua-

saukuneebis arqiteqturuli ansamblebiT

garSemortymuli moednis gareSe. uZvele-

si SenobebiT, qandakebebiT daxunZluli

mdidruli fasadebiT, caSi aWrili wveti-

ani koSkebiT, movarayebuli karnizebiT,

grZeli koridorebiT Seqmnili panorama

imdenad uCveuloa, rom mogzaurisTvis

Tu turistisTvis Znelia konkretulad ro-

melime maTganze yuradRebis koncentrire-

ba. barokosa da goTikis uxvad Serwyma, Ta-

visi didebuli silamaziT, erTbaSad Tav-

brudamxvevia.

`grand-plasze~ aRmarTul uZveles Se-

nobaTa Soris gamoiCeva qalaqis ratuSa,

romlis mSenebloba ramdenime saukunis

ganmavlobaSi mimdinareobda. igi cnobilia

imiTac, rom misi centraluri Sesasvleli

Senobis asimetriulia. arqiteqtoris Se-

cdomis Sedegad, igi ar emTxveva ratuS-

is RerZs.

`grand-plasze~ mdebareobs `mefis sax-

li~ (sasaxle) - eleganturi, TiTqos una-

tifesi qvis maqmanebisgan Seqmnili Seno-

ba, aTeulobiT kolonazea dayrdnobili.

es goTikuri sasaxle sxva Senobisgan war-

moiqmna, romelic aq XIII saukuneSi arsebo-

71

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stili #28. 2008

bda. istoriuli qronikebidan igi `puris

saxlis~ saxelwodebiTaa cnobili. XV sa-

ukuneSi `mefis saxlma~ mniSvnelovani re-

konstruqcia ganicada, XVI saukuneSi ki,

mefe karlos V mier xelaxla gadakeTda,

Tanac Zirfesvianad. amJamad `mefis saxl-

Si~ ganTavsebulia qalaqis muzeumi, rome-

lic qalaqis istorias moicavs. mis dar-

bazebSi warmodgenilia dawvrilebiTi eq-

spoziciebi qalaqis ganviTarebis Sesaxeb,

misi daarsebis droidan.

ukanaskneli aTwleulis manZilze, we-

liwadSi orjer, `grand plasi~ begoniis

yvavilebis xaliCad gardaiqmneba. Tumca,

Zvelad briuselSi es ar xdeboda. cent-

ralur moedanze, ZiriTadad eretikosebs

wvavdnen koconze an buntisTavebs kveTd-

nen Tavs. XIX saukunis Sua xanebSi evropa-

Si Semotanili tropikuli mcenareebiT ga-

tacebulma stautemansma gadawyvita maT-

Tvis reklama gaekeTebina. 1950 -ian wleb-

Si man, flandriis ramdenime patara qala-

qSi da safrangeTis qalaq lileSi yvavi-

lebis xaliCebi Seqmna. 1971 wels ki bri-

uselis `grand plasi~ daipyro. mas Semd-

eg, gentTan axlos arsebuli plantaciebi-

dan briuselSi 700 000 begoniis yvavilis

Ziri CamoaqvT da ramodenime saaTSi 77X24m.

zomis marTxkuTxa formis xaliCa iqmneba.

igi sami dRis manZilze amSvenebs dedaqa-

laqis mTavar moedans. Tumca, belgielebs

sjerad, rom `yvavilovani xaliCebis~ mo-

wyobis tradicia saTaves, im pirveli xa-

liCidan iRebs, romelic warmoSobiT fla-

ndrieli espaneTis mefis karlos V pati-

vsacemad Seqmnes marTlmorwmune moqala-

qeebma.

`grand plasis~ gverdiT, kuTxeSi, Cab-

nelebuli kolonadis qveS ganTavsebulia

mwoliare wmindanis bareliefi. odesRac,

ubeduri dedebi, romlebsac siRaribis

gamo ar SeeZloT TavianTi Svilebis gaz-

rda, specialur yuTSi tovebdnen maT. yu-

Ti ido didi anTebuli sanTlis qveS. yu-

Tis meore mxares arsebuli Riobidan ba-

vSvebs monazvnebi iyvandnen da maT monas-

teri patronobda. am adgilas, mogvianeb-

iT, gaCnda wmindanis bareliefi. amJamad mi-

si xeli gacveTilia da damabrmaveblad pri-

alebs - mas exeba yvela, vinc natrobs ga-

nikurnos avadmyofobisagan.

briuselsa da mTels belgiaSi gansaku-

Trebuli datvirTva SeiZina cnobilma qa-

ndakebam, `maneken pisma~. mas belgielebi si-

yvaruliT `dedaqalaqis uxuces moqalaq-

es uwodeben~. qandakeba warmoadgens Ro-

beriT SemozRudul patara fantans. qvis

piedestalze dgas 2-3 wlis brinjaosgan

Camosxmuli biWunas naturaluri zomis qa-

ndakeba, romelic zedmeti `siTxisgan~ ic-

leba. belgiaSi, misi warmoSobis Sesaxeb,

bevri saxaliso legenda arsebobs. ambob-

en, rom igi hercog gotfrid brabanelis

patara Svilis gamosaxulebaa. qandakeba da-

idga 1619 wels. misi avtoria,

cnobili belgieli skulpto-

ri j. diukesnoe.

`grand plasze~ danTavseb-

ul Zvel Senobebs Soris, tu-

ristTa yuradRebas ipyrobs

`TerZTa da viqtor hiugos sa-

xli~. am saxlSi frangi mwera-

li mas Semdeg cxovrobda, rac

napoleon III ganidevna safra-

ngeTidan. arsebiTad es araer-

Ti saxlia, aramed saxlebis

mTeli kompleqsia. erT-erT ma-

TganSi, romlis Tavzec moed-

nisaken xelgaSlili qalis qa-

ndakeba dgas, didi frangi mwe-

rali cxovrobda.

qalaqis gareubanSi mTeli

rigi RirSesaniSnaobebia gan-

Tavsebuli: samefo sasaxle le-

kenSi (XVIII s.) - Tanamedrove re-

zidencia; mis Soriaxlos `at-

omiumis~ metalis modeli; `mi-

ni -evropa~ - arqiteqturuli

margalitebis modelebiT (na-

turalur zomasTan Sedareb-

iT 25-jer Semcirebuli) gaSe-

nebuli parki.

masaze, qalaqidan Crdilo-

eTiT, 12 kolometris daSore-

biT saxelmwifo botanukuri

baRi mdebareobs; aqvea saaba-

to da parki `la Sambri~.

aRmosavleTiT, 13 kilome-

tris manZilze centraluri

afrikuli muzeumi mdebare-

obs. igi, dRevandel zairze be-

lgiis adreul mfobelobas eZ-

Rvneba.

ukle, briuselis erT-erTi

gareubania. aq, erT-erT Zvel,

mravlismomswreb qvis Senoba-

sTan mijriT wiTeli aguris

Suasaukuneebisdroindeli

nageboba dgas. masSi gan-

Tavsebulia momcro restorani

`monadiris rqa~ - swored is,

sadac uleinSpigelma, ukleli

beris xarjebiT, bogano brme-

bi daapura.

specialuri korespondenti

briuselidan

foto: qeTevan mwariaSvili

stili #28. 2008

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stili #28. 2008

Brussels, the capital of Belgium, was founded inthe 8th century A.D. This city, distinguished for its advan-tageous geographic location, is over 1000 years old.

The today’s Brussels is spread out on large low-land, slightly elevated on its south-eastern part and divid-ing the city into higher and lower parts.

The main landmark of Brussels invariably attract-ing the attention of all the visitors is the Grand Place.Actually, the place is not that large, but it would betoo hard to imagine Brussels without this square, sur-rounded by medieval architectural ensembles. Thepanorama, formed by ancient buildings, whose luxuri-ous facades are decorated with innumerable statues,pointed spires, piercing the sky, carved perches andlong lanes, is so unusual that a traveler might find itdifficult to concentrate his attention on one of them inthe midst of this breathtakingly beautiful mixture of baroqueand gothic.

Among the oldest buildings surrounding the GrandPlace one could single out the Town Hall, construc-

tion of which went on for several centuries. This build-ing is famous for the asymmetric positioning of its mainentrance: due to the architect’s mistake, it does notmatch the central axis of the building.

The Grand Place also houses the King’s House– elegant, filigree palace supported by dozens of stonecolumns. This gothic building is the descendant ofthe 13th century Bread House – a wooden buildingwhere bakers sold their bread in a covered market.This construction underwent a significant reconstruc-tion in the 15th century and was further renovatedby King Charles V in the 16th century. Right now,the King’s House incorporates the city museum,offering exposition on the history of Brussels from theday of its founding.

Every two years, the Grand Place is transformedinto a large carpet of begonias. This custom is just 40years old. In the past, the Grand Place hosted execu-tions of the rebels and heretics. In mid-20th century, land-scape architect E. Stautemans, captivated by tropical plants,

newly introduced into Europe, decided to conduct a pub-licity action. In the 1950-ies he arranged flower carpetsin several Flemish towns and in Lille (France), and in1971 he “conquered” the Brussels Grand Place. Sincethen, up to 700000 live begonias are brought from Ghentplantations to spread out a 77 by 24 m carpet in theGrand Square. In spite of these facts, the Belgians believethat the tradition of flower carpets originated from thedivertissement, which faithful citizens arranged in honorof King Charles V, Flemish by origin.

In a shadowed recess aside the Grand Place, thereis a bas-relief depicting a lying saint. In the past, unhap-py mothers, who could not raise children due to thepoverty, left their babies here in a special box, on theother side of which there was an opening, through whichnuns took the foundlings away and brought them upin the monastery. Later on, this place was decoratedby the bas-relief; the hand of the saint carved on it isworn down and polished – everyone wishing to curehimself from a disease comes here to touch this hand.

Brussels

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Especially known in Brussels and throughout Belgium is the sculpture of MannekenPis. The Belgians lovingly call it the oldest citizen of the country capital. The sculp-ture – a fountain surrounded with grating – represents a life-size bronze figure of a2-3-year-old boy relieving himself of excess water. There are numerous jocular leg-ends as to its origin, one of them saying that it portrays the little son of Godfrey,the Duke of Brabant. This way or that, the sculpture was erected in 1619 by famousBelgian sculptor Jerome Duquesnoy.

Another old Grand Place building, capturing the attention of tourists is the house,where Victor Hugo lived after the Emperor Napoleon III expelled him from France.Actually, this is construction a whole complex of houses; one of them – the onecrowned by a statue of a woman, stretching her hand in direction of Grand Place– hosted the great French writer.

A variety of landmarks is scattered in the outskirts of the city – the 18th centu-ry royal palace in Laeken (the current residence of Belgian monarchs), the Atomium,located in its vicinity; mini-Europe – a park with 1:25 scale replicas of famous build-ings from across Europe.

12 km to the north from Brussels there is the National Botanical Garden, theAbbey and La Chambris Park.

13 km to the east from the city you will find the Royal Museum for CentralAfrica, mainly focused on Congo, Belgium’s former colony.

In one of the suburbs of Brussels – Uccle, there stands a weathered medievalred brick building housing a small restaurant “Hunter’s Horn” – this is a place wherethe legendary Till Eulenspiegel fed blind paupers at the expense of an Uccle monk.

CPECIAL CORESPONDENT FROM BRUSSELSPHOTO BY KETEVAN MTSARIASHVILI

- minda visargeblo SemTx-

veviT da didi madloba gavda-

vuxado turistuli kompaniis

`levon Trevelis~ turizmis

menejers, Cems megobars, baton

mamuka kelauriZes, romlis Za-

lisxmeviT Sedga specialuri

programa arqiteqturuli tu-

ris Casatareblad - SeirCa ga-

nsakuTrebuli, arqiteqturu-

li stilistikiT, infrastru-

qturiT gamorCeuli sastumro

kompleqsebi, kvalificiuri gi-

debi da mogzaurobis optima-

luri marSruti.

gTavazobT am Zalzed sain-

tereso, egzotikuri voiaJis

Cemeul interpretacias.

stili #28. 2008

78

TurqeTis turistuli industriaavtori: arqiteqtori zurab nikolaiSvili

79

stili #28. 2008

saqarTveloSi xSiria saubari tur-

izmis ganviTarebis perspektivaze, mis

SesZleblobebze da ganviTarebis gze-

bze. am mxriv sainteresoa TurqeTis

turistul qveynad qcevis magaliTi.

gansakuTrebiT mis samxreT-aRmosavl-

eT nawilSi.SarSan dasasveneblad Ca-

sul ukrainelTa ricxvi iyo 400 000,

xolo ruseTidan 2 000 000 !! gasuli

saukunis 70-ian wlebSi antalia iyo

yvelasaTvis ucnobi patara dasaxle-

ba (30 000 macxovrebliT)! 1976 wels

mis axlos gaixsna hiltonis xuTvar-

skvlaviani sastumro. dRes qalaqis mo-

saxleobam 800 000 gadaacila!

regionis sanapiro zolis sigrZe

daaxloebiT 180 km-s Seadgens! anu sa-

qarTvelos sazRvao sigrZis naxevars!

klimati subtropikulia,zamTari Tbi-

lia (+13 - +15), zafxuli cxeli da

mSrali. 30 wlis ganmavlobaSi saoca-

ri raodenobis sastumroebi, maRazi-

ebi, savaWro centrebi, kafe-restor-

nebi Tu diskoTekebi aSenda da kid-

ev ufro meti Sendeba! axal saukune-

Si kidev ufro gaizarda tempebi da

mSenebare kompleqsebis masStabi! am zo-

lSi aris: qemeri, lara, beleki, side

da alania – msoflioSi erTerTi ud-

idesi turistuli industria! aq se-

zoni oria: sazafxulo da e.w. wynari

sezoni! sazafxulo sezoni iwyeba pi-

rvel aprils da grZeldeba pirvel no-

embramde! wynar sezonSi Cadian gol-

fis moyvarulebi da ... pensionerebi!!

xnieri xalxi evropidan TveobiT cxo-

vroben sastumroebSi – aq xom Tbila!?

irgvliv aremare golfis saTamaSo te-

ritoriebs ukavia an kidev aSeneben!

rac Seexeba sastumroebs - isini Ziri-

Tadad zRvis napirzea ganlagebuli.

maTi teritoriebi umravles SemTxve-

vaSi wagrZelebuli formisaa da uf-

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ro viwro mxare zRvisken iyureba. am-

itom sastumros Senobebi wagrZele-

buli formisaa da Sedis xmeleTis si-

RrmeSi. amiT maqsimalurad optimalu-

rad iyeneben zRvispira teritorias

didi sastumroebis asaSeneblad. na-

pirTan ZiriTadad ganlagebulia xu-

Tvarskvlaviani sastumroebi, siRrme-

Si oTxvarskvlaviani, samvarskvlavi-

ani. Semdeg aris dasaxleba da gesT-

hausebi. aq naxavT praktikulad yve-

la cnobil satumro brends: rixos,

lamers, limaks, kristals, kempinsks,

ics, hiltons da a.S. maRali klasis

sastumroebis teritoriebis farTi me-

ryeobs 10 000 kv.m.-dan 160 000 kv.m.-

mde!!! TiToeul aseT sastumros aqvs

1000kv.m da meti farTis ramdenime sa-

curao auzi, patara auzi bavSvebis-

Tvis, akvaparkebi, daxuruli auzi.

zogSi auzi zRvis wyliT! sami an me-

ti restorani (Turquli, iaponuri, me-

qsikuri, franguli, Cinuri da a. S.),

ramdenime bari maT Soris Ramis, auz-

is bari. spa centrebi sauniT, Turqu-

li abanoTi, tailanduri Tu sxva sa-

xis masaJiT. aris bavSvis momvleli,

erTgvari sabavSvo bagebi, rogorc Se-

nobaSi, aseve teritoriaze.

stili #28. 2008

84

aucileblad aris nomrebi invalidebi-

sTvis da saerTo moxmarebis. gansakuTre-

biT sainteresoa maTi arqiteqturuli Tu

dizaineruli gadawyveta. yvela proeqti

ganxorcielebulia (Turqi arqiteqtore-

bis samwuxarod) mowveuli specialisteb-

is mier! Tumca, arcerT sastumroSi ar ic-

ian maTi vinaoba! rac, Zalzed samwuxaro

faqtia. nebismieri gemovnebis Tu kapriz-

is adamiani ipovis aq TavisTvis misaReb sa-

stumros Tu serviss!

sainteresoa Tvali gadavavlod ramde-

nime sastumro kompleqsis apartamentebis

rogorc vizualur mxares, aseve detal-

ur aRwerilobas.

Arcadia Limak International

1995 wels aSenda, rekonstruqcia da-

srulda 2005 wels. (aeroportidan 35 km.)

mdebareoba-beleki. teritoria 30 000 kv.m.

sul 444 nomeri (aqedan 119 naxevrad lu-

qsi da 4 luqsi), mTavari restorani (750

adg.) 5 restorani alia kart, 7 bari, 3 Ria

auzi (1100 kv.m.), daxuruli auzi, sabavSo

auzi, 3 sakonferencio darbazi (20-400kac.),

4 tenisis korti, safexburTo moedani,

golfis mindvrebi, amfiTeatri, diskoTe-

ka. kompleqsi Sedgeba ZiriTadi 7 sarTu-

liani Senobisa da 3 sarTuliani koteje-

bisgan. aivnebi xis masalisgan aris aSene-

buli, rogorc saqarTveloSi ician! Seno-

bebi segmentebad SeRebilia sxvadasxva fe-

rSi, rac datexil formebTan erTad uka-

rgavs kompleqss did zomebs da ufro ka-

merul STabeWdilebas tovebs. rasac myu-

dro Sida ezoebi, Ria kafeebiT da Sad-

revnebiT, kidev ufro xazs usvams!

interieri sada da upretenzio,zogan

gaulesavi aguriT mopirkeTebuli, xSir-

ad liTonis, xis da gobelenis elementeb-

iT!

Calista Luxury Resort Hotel

dasrulda 2007 wels. (aeroportidan

27 km. antaliidan 35 km.) mdebareoba bele-

ki. teritoria 120 000 kv.m.

85

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86

standartuli nomeria - 507(42 kv.m.

da 10 kv.m. aivani.) corner suites -

18 (saZile da sastumro 70 kv.m.

aivani 20 kv.m.) saojaxo oTaxi - 63

(dupleqsi, 80 kv.m.) prezidentis apa-

rtamenti - 2 (160 kv.m., 2 saZile, sa-

tumro, holi.) samefo apartamenti -

1 (240 kv.m.2 abazana, 2 saZile, sastu-

mro, holi.)

vila - 3 (260kv.m. samzareulo, 3 sa-

Zile, 3 abazana, jakuzi, sakuTari

auzi)

“tyupi vila” - 10 (150kv.m. duple-

qsi, sastumro, samzareulo, terasa,

2 saZile, 3 abazana)

vip vila - 1 (1500 kv.m. dupleqsi,

didi sastumro, samuSao kabineti, mi-

saRebi, saTamaSo darbazi, terasa, sa-

kuTari auzi, samzareulo, lifti,

vipspa centri)

aseve ZiriTadi restorani 1000

adgilze, 7 restorani a lia kart da

vip, spa centri, vip sauna, Ria da da-

xuruli auzebi, 7 CogburTis korti,

diskoteka, kinoTeatri, serfingi, bo-

Ca, dartsi, pliaJis frenburTi, kala-

TburTi, wylis sporti. botanikis,

kulinariuli xelovnebis, koqteilis

damzadebis da cekvis wreebi! konfe-

renc darbazi 1070kv.m. foie 408 kv.m.

mTeli kompleqsi gadawyvetilia

modernis stilSi. mis ganxorcieleba-

ze daixarja 140 mln.$. (proeqti Sea-

srula germanulma firmam “gmp”). be-

vria liToni, SuSa,feradi SuSa. sa-

ocari lamazi drapirovkebi nomreb-

Si Tu restornebSi! lamazi da gemo-

vnebiT SerCeuli naxatebi yvela siv-

rceSi! aveji da abazanis elementebi

(onkani, jakuzi, metlaxi, kafeli da

a.S.) italiuri.

uzarmazari vestibiulis iatakze

dagebulia versaCes eskizis mixedviT

moqsovili erTnaWriani xaliCa! mTe-

li dizaini gadawyvetilia frenk so-

lanos mier, is aris avtori «Jumeriah

Beach» da «Burj Al Arab» (dubai)

Kempinski Hotel

The Dome

aeroportidan 25 km-is daSorebiT

beleqSi mdebareobs 1897 w.-dan cno-

bili brebdis SedarebiT axali satu-

mro (2006 w). mas aqvs ori msoplio do-

nis golfis mindori “paSa” da “sul-

tani”.aseve regionSi yvelaze didi

spa-centri (3 600 kv.m.) wardgenilia

2008 wlis saukeTeso sastumroebis no-

minaciaze. ceremonia Catardeba qei-

fTaunSi ama wlis 18 oqtomberSi! ko-

mpleqsis arqitqturul gadawyvetaSi

gamoyenebulia seljukuri epoqis tra-

diciuli elementebi Serwymuli Ta-

87

stili #28. 2008

namedrove sastumros dizainTan! Se-

nobis fasadis, iatakebis, kedlis fra-

gmentebis da nomris abazanis mosapi-

rkeTeblad gamoyenebulia bunebrivi

qva (tupi, granite, marmarilo). sas-

tumroSi 175 nomeria iatakis gaTbo-

biT,internetiT, elevizoriT,minibar-

iT, seifiT.

standartuli nomeri 139 c.-38kv.m.

(aivniT) naxevradluqsi nomeri 13 c. -

48kv.m. (aivniT,saZile da sastumro oT-

axebiT) luqsi – 4 c. 76kv.m. (erTi sa-

ZinebeliT) prezidentis apartamenti

1 c. -180 kv.m. (ori saZinebeli, sastu-

mro samuSao magidiT) Garden golf vila 16

c. - 120 kv.m. (ori saZinebeliT, sastu-

mro oTaxiT, didi terasiT, mdidru-

li abazanebiT, sakuTari auziT, sam-

zareuloTi. mdebareoba- golfis mo-

ednis Sua!) samefo vila 2 c.- 200 kv.m.

(sami saZinebeliT, sastumro oTaxiT,

didi terasiT, mdidruli abazanebiT,

sakuTari auziT, samzareuloTi. mde-

bareoba- golfis moednis Sua!) aqvs eq-

vsi restorani, sami kafe, auzis, gam-

is da kidev ramdenime bari, diskoTe-

ka, konferenc darbazi 550kv.m., ori mo-

laparakebis darbazi 90-90kv.m., sami

gruntis CogburTis korti, sabavSo

klubi, auzis zedapiris farTi

1500kv.m., spa-centri 3600kv.m!..

cezar temple

gaixsna 1995 wels. ganaxlda 2005 w.

aeroportidan 30 km.belekidan 5 km.

teritoria 200 000 kv.m. 680 nomeri:

380 standartuli 26kv.m. farTiT, 260

nomeri saojaxo 30 kv.m., 40 nomeri “lu-

qsi”. sami restorani, 6 bari, 3 Ria

auzi, 1 daxuruli, konferenc-darba-

zi 500 adgilze, CogburTis kortebi,

amfiTeatri, diskoTeka, sabavSvo mo-

edani, mini klubi (4-17 w), Turquli

abano, sauna, fitness centri. aerobi-

ka, mSvildiT srola, kalaTburTi,

pliaJis frenburTi, magidis Cogbur-

Ti, dartsi, vindserfingi, masaJi, pi-

lingi, biliardi, internet-kafe, ZiZ-

is momsaxureba, samrecxao, wylis spo-

rtis saxeobebi. romaul stilSi Ses-

rulebuli arqiteqtura da interi-

eris dizaini TiTqos gabrunebs im

droSi da xdebi romis moqalaqe-pat-

rici! Tumca Sexamebuli dRevandelo-

basTan ar dagaviwyebs realobis Seg-

rZnebas bolomde! garda amisa erT auz-

Tan gakeTebulia gamoqvabulebi da iq-

ve napovni dinozavris Zvlebi saoc-

ar ganwyobas qmnis!

foto: zurab nikolaiSvili

gagrZeleba 29 - nomerSi

stili #28. 2008

88

In Georgia they frequently discuss

the outlooks, possibilities and ways of

tourism development. In this regard it

would be interesting to take a look at

how Turkey – especially its south-east-

ern part – was transformed into a tourist

country. Last year the number of

Ukrainians arriving to Turkey during

summer holidays was 400000, while the

quantity of Russian holiday-makers

reached 2000000! In the 1970’ies Antalya

was a totally unknown little settlement

with up to 30000 residents! In 1976 a

five-star Hilton hotel was opened near-

by and now the population of this city

has exceeded 800000 people!

Tourist Industry in TurkeyAuthor: Architect Zurab Nikolaishvili

89

stili #28. 2008

The coastline of the region is about 180 km long,

i.e. half the length of Georgian coastline! The climate

is subtropical, with warm (+13-+15oC) winters and hot

and dry summers. In the course of the last 30 years,

numerous hotels, restaurants, cafes and dancing clubs

have been built there and even more are being con-

structed! In the new century, the speed and magni-

tude of construction has increased even more!

The range of seaside resorts includes Kemer, Lara,

Belek, Side and Alanya – all servicing one of the world’s

largest tourist industries! The year is divided into two

parts – summer season and the so-called winter win-

dow! The summer season starts on April 1 and lasts

until November 1! During the winter-time, the Turkish

Riviera hosts golf amateurs and… retirees! Elderly peo-

ple from all over the Europe come here to pass whole

months in the hotels and enjoy the warm climate! The

neighborhood is all covered in golf courses already func-

tioning and ready to be launched; as regards the hotels,

they are mostly scattered along the seashore. Hotel

sites are usually rectangular, with a narrower side fac-

ing the sea; consequently, hotel buildings are elongat-

ed, drawing inland. This principle is applied with max-

imum efficiency in coastline development. The hotels

nearest to the seashore are mostly five-star, while four

and three-star hotels are shifted deeper inland; further

on there are guesthouses and houses of local resi-

dents. Here you can find the hotels of practically all

famous brands: La Mer, Crystal, Limak, Kempinski, IC,

Hilton, etc. The premises of high-class hotels are from

10000 sq. m. to 160000 sq. m. large. Each of such

hotels has several swimming pools (up to 1000 sq. m.

and larger), small swimming pools for children, aqua

parks, indoor swimming pools (some of them filled with

seawater), restaurants, indoor and poolside bars, spa

centers with saunas, Turkish baths and various kinds

of massage, indoor and outdoor child care services,

special rooms for the disabled... Especially interesting

is the architecture of these hotels. All of them are

designed by invited (non-Turkish) specialists, though in

none of the hotels the personnel would be able to tell

you the name of its author… which is a really unfor-

tunate fact, especially because the environments they

have created can satisfy any taste and requirements.

Below you will find description and characteristics

of several hotel complexes:

Arcadia Limak International

Built in 1995 and reconstructed in 2005

Location: Belek

Distance from the nearest airport: 35 km

Area: 30000 sq. m.

Quantity of rooms: 444 (including 119 junior suites

and 4 suites)

Other services: 1 main restaurant (750 seats), 5

a la carte restaurants, 7 bars, 3 outdoor swimming pools

(1100 sq. m.), an indoor pool, a youth pool, 3 confer-

ence halls (seating from 20 to 00 persons), 4 tennis

courts, a soccer pitch, golf courses, amphitheatre, a

disco-bar.

The complex comprises a 7-storey construction and

3-storey cottages with wooden balconies (just like in

Georgia!). Different sections of the buildings are paint-

ed in different colors, visually reducing their size and

softening angular shapes – this effect is further inten-

sified by inner terraces with open-air cafes and foun-

tains.

Interior of the hotel is very simple and unpreten-

tious, featuring brick, metal and wood surfaces, deco-

rated with tapestry.

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Calista Luxury Resort Hotel

Built in 2007

Location: Belek (35 km far from Antalia)

Distance from the airport: 27 km

Area: 120000 sq. m.

Quantity of rooms: 507 standard rooms (42 sq. m. of indoor area and 10 sq. m.

at the balcony); 18 corner suites (bedroom and living room of each suite constitute

70 sq. m., while the balcony is 20 sq.m.); 63 family suites (80 sq. m.); 2 presidential

suites (160 sq. m. space comprising 2 bedrooms, a living room and a hall); 1 royal

suite (240 sq. m. with 2 bedrooms, 2 bathrooms, a living room and a hall); 3 villas

(260 sq. m. of total floor surface with a kitchen, 3 bedrooms, 3 bathrooms, a Jacuzzi

and a dedicated swimming pool); 10 twin villas (150 sq. m. with a living room, a

kitchen, a terrace, 2 bedrooms and 3 bathrooms); 1 VIP villa (1500 sq. m. with a

large living room, a study, a reception room, a playroom, a terrace, a dedicated swim-

ming pool, a kitchen, an elevator and a VIP spa center)

Other services: main restaurant with 1000 seats, 7 a la carte and VIP restau-

rants, a spa center, a VIP sauna, outdoor and indoor swimming pools, 7 tennis courts,

a disco-bar, a cinema, a 1070 sq. m. conference hall, a 408 sq. m. foyer; surfing,

darts, beach volleyball, basketball, water sports as well as botany, cuisine, cocktail-

mixing and dancing classes.

This is a modern-style complex, built by the German company GMP (total cost of

the project is 140 million USD). The design abounds in metal, transparent and stained

glass surfaces and decorations, with artful draperies in the rooms and restaurants as

well as tastefully matched paintings everywhere. Furniture and bathroom equipment (taps,

Jacuzzis, floor and wall tiling, etc.) are Italian.

The floor of the foyer is entirely covered in a huge carpet of Versace design. The

design works were performed by Franck Solano (the author of Jumeriah Beach and

Burj Al Arab complexes in Dubai).

Kempinski Hotel

The Dome

Built in 2006

Location: Belek

Distance from the airport: 25 km

This comparatively new hotel, belonging to the 111-year-old brand boasts two

world-famous golf-courses: “Pasha” and “Sultan” and the largest (3600 sq. m.) spa

center in the region. The Dome by Kempinski is one of the candidates for nomina-

tion “Best Hotel of the 2008” (the award ceremony scheduled for October 18 2008 in

Cape Town). Architectural solution of the complex represents a blend of Seljuk motives

with modern hotel design elements. Hotel façade, floors, bathrooms and – partially –

walls are tiled with tuff, granite and marble. The hotel complex has 175 rooms with

floor heating, internet connection, TV, mini-bars and safes.

Quantity of rooms: 139 standard rooms with balconies (38 sq. m.); 13 junior suites

(48 sq. m.; each including a bedroom, a balcony and a living room); 4 single-bed-

room suites (76 sq. m.); 1 presidential suite (180 sq. m.; 2 bedrooms, a living room

with a desk); 16 garden golf villas (120 sq. m.; 2 bedrooms, a living room, a terrace,

bathrooms, a dedicated swimming pool and a kitchen; NB – located in the middle of

golf courses!); 2 royal villas (200 sq. m.; 3 bedrooms, a living room, a large terrace,

luxury bathrooms, a dedicated swimming pool and a kitchen; located in the middle of

golf courses).

Other services: 6 restaurants, 3 cafes, several bars, a disco-bar, a 5500 sq. m.

conference hall, two 90 sq. m. ballrooms, 3 tennis courts with clay surface; a youth

club, a 3600 sq. m. spa center and a 1500 sq. m swimming pool.

PHOTO BY ZURAB NIKOLAISHVILI

TO BE CONTINUED

stili #28. 2008

94

amjerad warmodgenili, dizaineruli

kompania `arteqskluzivis~ mier (direqtori,

arqiteqtori vasil ToxaZe) ganxorcielebu-

li, sacxovrebel interierTa garemo,

saxasiaTo moulodnelobebzea agebuli. si-

vrceSi originaluri kompoziciebis, nivTe-

bis, nakeTobebis, aqsesuarebis gadanawileba

gansazRvrul kanonzomierebebs emorCileba

da mniSvnelovnad gansazRvravs mis saerTo

atmosferos. mTliani sivrce saintereso Te-

mebiTaa savse da mis organizebaSi swored

es gaxda mTavari mxatvruli principi. amda-

gvari midgoma Tanamedrove stilistikaSi

sxvadasxva dizainerul CarTvebs ganapirob-

ebs da mas dasaSvebs xdis. sacxovreblebSi

ramodenime dominanti niuansia koncentri-

rebuli, Tumca aralokalurad. aq moxved-

rili damkvirvebeli, `dekoratiuli nakeTo-

bebiT~ Seqmnili eqspoziciis fonze aRiqvams,

rom dRes, sacxovrebeli interieris esTe-

tika saWiroebs ara mxolod Tanamedrove fo-

rmebsa da sagnebs, is aucileblad eyrdnoba

saxasiaTo niuansebs, calkeul asociaciebs,

rac mTeli sivrcis TviTmyofadobis gamosa-

vlenadaa aucilebeli.

nino laRiZe

foto: gia javeliZe

mTavari mxatvruli principi

95

stili #28. 2008

Key artistic principleThe residential interiors designed by Artexclusiv Company (director, architect Vasil Tokhadze)

are built up on the effect of pleasant unexpectedness. Original compositions, articles and acces-

sories are distributed within the space in accordance with definite rules, by large defining the

general character of the atmosphere. The interior is filled with an array of interesting themes,

and this is the key creative principle underlying its design. Such an approach allows for intro-

duction of retro elements into the modern stylistics. The residential activity within the interior is

focused on several dominants, though in a non-localized manner. The visitors, looking at this

improvised exposition of decorative articles, are sure to feel that the aesthetics of modern inte-

riors should be based not only on modern-style forms and objects, but also on the characteris-

tic touches and associations with the past, indispensable for highlighting individuality of the space.NINO LAGHIDZE

PHOTO: GIA JAVELIDZE

stili #28. 2008

96

quTaisis centrSi, mdebare erT-erTi Se-

nobis rekonstruirebis Sedegad, masSi

`banki respublikis~ filialma daido bi-

na. misi interieris dizaini arqiteqtor

daviT baxtaZis proeqtiT ganxorcielda.

saerTo sivrcis gonivrulad daculi

zonirebiT, rogorc saofise, aseve sazo-

gadoebriv monakveTebSi, horizontalSi

minimumamdea dasuli `gzebis~ gadakveTa. Se-

svlisTanave SeigrZnobT, rom interieri fe-

riTi da sivrciTi gadawyvetiT aqtiuri da

lokaluria, rac misi iersaxis ganmsazRv-

relia. dizainSi avtorebisaTvis damaxasi-

aTebeli manera, stili, TvalsaCino piro-

biToba, mTliani sivrcis originaluri ko-

mpozicia, naTlad gamoikveTeba. interie-

rSi lokalur ferTa kontrasti domini-

rebs. mocemuli Tematika guldasmiTaa da-

muSavebuli da originaluri gadawyvetiT

gamoirCeva. masSi wamyvani, dominanti el-

ementebis gadanawileba, dizaineruli xe-

rxebiT ostaturadaa Sesrulebuli, rac me-

tad sasiamovno, komfortul garemos qmnis.

nino laRiZe

dominanti interierSi

i n t e r i e r i

I N T E R I O R

97

stili #28. 2008

Interior of Bank Republic, locat-

ed in Kutaisi, has been created by

architect David Bakhtadze.

Reasonable zoning of the inte-

rior space allows for minimal over-

lapping between office and public

areas. Coloring and spatial solutions

are active and localized, defining the

image of the showroom. The design

efficiently reveals the authors’ man-

ner and style as well as original com-

position of the space. The dominat-

ing element of interior design is the

contrast of local colors. Thorough

development and original solution of

the general theme, masterful distri-

bution of design dominants create a

really pleasant, comfortable environ-

ment.NINO LAGHIDZE

Dominant

in Interior

cxaurSuqfarnebi*,

anu sinaTle

Tqvens

sardafebSi

stili #28. 2008

98

bunenebriv ganaTebas msoflios qala-

qmSneblobis praqtikaSi gansakuTrebuli

adgili uWiravs. is metad mniSvnelovania

SenobaTa sardafebis, sawarmoo farTebis,

metropolitenebis, miwisqveSa gadasasv-

lelebis, daxuruli bazrebis, sagamofeno

darbazebis, avtosadgomebis mSeneblobi-

sas.

Zvel egvipteSi TabaSiris da oniqsis

Suqgamtar Txel firfitebs iyenebden sa-

surveli ganaTebis misaRebad da Sida si-

vrcis mtvrisa da mavne radiaciuli das-

xivesbisagan dasacavad. iyenebdnen agreT-

ve perforirebuli qvis filebsa da Jalu-

zebs saWiro temperaturul reJimis dasa-

myareblad. maT mzis sxivi sarkofagebSic

ki Seiyvanes.

yvela kargad aSenebuli qalaqi inso-

laciis swor principzea agebuli. eseTia

Zveli Tbilisic, gansakuTrebiT XIX sau-

kunis bolos da XX saukunis dasawyisSi

Zveli ubnebis Senoba-nagebobebi.

Cven ar SevexebiT arqiteqturul ier-

saxis ganxilvas, mxolod sardafebisa da

miwisqveSa TaRovani konstruqciebis Sene-

bis mTavar principebs avRniSnavT. Senoba-

nagebobebis am segmentSi ganaTeba, insola-

cia, aeracia, Termoregulacia xorciel-

deboda bunebrivi gziT anu Senobis gar-

Semo gakeTebuli sahaero sistemebiTa da

cxaurSuqfarnebiT.

Tanamedrove samSeneblo tendenciebSi

es martivi da metad sasargeblo sistema

sruliad ugulvelyofilia.

Tu CaixedavT XX saukunis II naxevris ga-

nmanmavlobaSi agebuli Senobebis sardafe-

bSi, isini bneli da nestiania, uares Sem-

TxvevaSi wyliT savse. ukeTesi mdgomare-

oba arc im SenobebSia, romelTac es sis-

99

stili #28. 2008

temebi sworad hqondaT gamoyenebuli, ra-

dganac trotuarebis mowyobisa da sarda-

febis ama Tu im miznebisaTvis rekonstru-

qciis Sedegad cxaurSuqfarnebi umetesad

gaauqmes. samwuxarod es procesi dRemde

grZeldeba. amis TvalsaCino magaliTi ru-

sTavelis prospeqtis savali nawilis mim-

dinare rekonstruqciaa.

TbilisSi Tanamedrove samSeneblo bu-

mis pirobebSi mravalsarTulian Senobeb-

Si ewyoba ramdenime doniani miwisqveSa av-

tosadsgomebi, sadac iyeneben mikroklima-

tis Semqmnel agregatebs da eleqtro ga-

naTebas, rac metad Zviri ujdeba rogorc

mSeneblebs aseve iq macxovrebelT. xolo

aeraciisa da ganaTebis metad gamocdili

martivi sistema gamoyebuli egviptis ak-

ldamebidan Tanmedroveobamde saerTod

miviwyebulia.

Tumca aRniSvnis Rirsia, rom yofili

manTaSevis rigis rekonstruqciisa da

wyneTSi erT-erTi agarakis mSeneblobis-

as es sistema funqcionalurad aris ga-

moyenebuli.

bolos SevniSnavT, Zvel TbilisSi ar-

sebobda cxaurSuqfarnebis mwaemoebeli

ormocze meti manufaqtura. es teqnolo-

gia enTuziazmis doneze dResac SenarCu-

nebulia.

am statiis mizania mivawvdinoT xma im

samSeneblo kompaniebs, romlebic dainte-

resebulebi arian aSenon usafrTxod, xa-

risxianad da iafad!

* ganmarteba: cxaurSuqfarani warmoadgens Tu-

jis cxaurs, romlis segmentebSi montaJdeba mi-

nis gamWvirvale, Suqgardamtexi prizmebi da fi-

lebi.

ideis avtori da reportaJi -

buba svimoniSvili

(fotosuraTi + beWedi)

stili #28. 2008

100

Natural lighting plays a special role in urban archi-

tecture practices worldwide. It is very important in con-

struction of basements, industrial spaces, underground

stations and passages, indoor markets, exhibition halls,

parking lots, etc.

Ancient Egyptians used thin transparent plaster and

onyx plates to regulate the lighting and protect interi-

or spaces from dust and harmful ultraviolet irradiation,

perforated stone slabs and blinds – to control temper-

ature and shading. They even introduced sunlight into

sarcophaguses.

Quality urban architecture is always based on cor-

rect application of solar exposure principles, samples

of which you can find in Tbilisi, especially in the turn-

of-the-century buildings of its old districts.

As this article is not dedicated to discussion of archi-

tectural values in general, we will only draw your atten-

tion to basements and underground vaulted construc-

tions dating back to early 20th century. Lighting, inso-

lation, air conditioning and thermal regulation in such

spaces was ensured by natural means, i.e. by air cir-

culation systems arranged around the buildings and

basement windows.

In the present-day construction practices these sim-

ple and efficient systems are totally neglected.

Remember the buildings of the 1950-ies – their

basements are dark and damp, sometimes filled with

water. Even the constructions, which were built earli-

er with correct application of the above principles, are

in the same situation because their basement windows

Light in Your

Basement

Windows*

101

stili #28. 2008

were mostly walled up during side-

walk paving renovations or basement

reconstructions. Unfortunately, this

process still continues; one could

even point to the ongoing restora-

tion of Rustaveli Avenue as one of

its notable examples.

Residential constructions built

in Tbilisi in the recent years are usu-

ally provided with multilevel under-

ground parking lots, which are

equipped with HIV equipment and

electric lighting – very expensive both

for the construction companies and

the residents of such apartment

blocks. Again and again, the sim-

ple and time-tested ancient Egyptian

method of giving access to natural

light to underground interiors (e.g.

tombs) has been lost somewhere

between the past and the present.

However, this system has been

successfully applied during renova-

tion of Mantashev complex and

construction of a cottage in Tskneti.

For the conclusion, we would like

to add that in old Tbilisi there exist-

ed over forty manufactories, produc-

ing basement windows. This tech-

nology still exists at an amateur level.

This article is mainly intended

for realty developers, interested in

building safely, cheaply and preserv-

ing good quality!

* Note: basement windows consist of

cast iron grids inlaid with transparent

light-refringent glass prisms and slabs.

Author of the

idea and the article

– Buba

Svimonishvili

ase iyo ganaTebuli sardafi zamTris Rrublian dRes

BASEMENT LIGHTING IN CLOUDY WEATHER

stili #28. 2008

102

qarTuli saxlisul cota xnis win Tbilisis erT-erT ubanSi - giorgi axvledianis quCaze (CvenTvis kargad nacnob

perovskaias quCaze) gaixsna axali restorani "qarTuli saxli".

qarTuli aguriT mopirkeTebul kledlebze Zveli Tbilisis Sav-TeTri peizaJebi Tixis WurWeli erovnuli

ornamentebi - yovelive es "qarTuli saxlis" interiers XIX saukunis ganumeorebel kolorits sZens.

aq Seqmnili atmosfero Tavs qarTveli TavadiSvilis stumrad gagrZnobinebT . sada da mdidruli garemo

kidev erTxel gvagonebs winaprebis mier saTuTad Semonaxul stumarmaspinZlobis wmnida adaTs.

proeqtis avtorebi: giorgi doliZe, gaga zaqareiSvili.

103

stili #28. 2008

. interieris arqiteqtonika daxvewilia, qa-

rTulia da mis aRqmas kompoziciisa da piro-

biTobis sxvadasxva xarisxis Tanaarseboba amZa-

frebs. sivrcis dadebiTi ekologia masSi mox-

vedrisTanave SeigrZnoba.

arsebuli arasaxarbielo proporciebis Se-

cvla profesiuli intuiciis arsebul pirobe-

bTan adaptirebiT moxda. interieris mTliano-

bis STabeWdileba erTiani kompoziciuri gada-

wyvetiT, zonidan zonaSi gardamavali dekor-

is motivebiT erTi sibrtyidan meoreze feris

gadaTamaSebiT, moculobiT-plastikuri gadaw-

yvetebiTaa miRweuli.

miuxedavad stilistikuri mTlianobisa, si-

vrcis yoveli monakveTis individualuroba Se-

narCunebulia. dekoris ferisa da faqturis mo-

nacvleoba, maTze mxedvelobis koncentrireb-

as axdens. xelovnuri ganaTebis sxvadasxva in-

tensivoba ki xazs usvams formisa da feris si-

Rrmes.

profesionalizmi yovelTvis detalebSi ga-

movlindeba. igi igrZnoba yvelgan - masalis

faqturaSi, aqsesuarebSi, sivrcis sabolood

srulyofisaTvis SerCeul niuansebSi, romel-

Ta aliansiT, igi harmoniul mTlianobad ga-

rdaiqmna.

nino laRiZe

foto: mindia midelaSvili

stili #28. 2008

104

The initial uncouth proportions were ingeniously transformed into

an efficient interior space based on professional intuition and existing

requirements. The interior is visually integrated by the unified composi-

tion, soft zone-to-zone transitions, color sequences and flexible volume

solutions.

In spite of the stylistic integrity, every section of the interior retains

its individuality, accentuated by the interplay of coloring and textures

and varying intensity of artificial lighting, further highlighting the depth

of colors and forms.

The professionalism is best revealed by an approach toward minor

details. In this particular interior it is felt everywhere – in the choice of

textures and accessories, in the creative touches, giving the space a

finished look and turning it into a harmonious entity.NINO LAGHIDZE

PHOTO BY: MINDIA MIDELASHVILI

Kartuli SakhliA new restaurant „Kartuli Sakhli“ is opened in Tbilisi (Giorgi Akhvlediani st. 23).

Traditional Georgian elements, red brick earthenware and the pictures of old

Tiflis give create the classic Georgian aristocratic spirit.

Here You’ll experience an ancient Georgian hosting tradition which

happens to be sacred for Georgians.

Authors: Giorgi Dolidze, Gaga Zakareishvili

105

stili #28. 2008

stili #28. 2008

106

maRaziis, `roial dekoris~ interieri Tvi-

Tmyofadia - absoluturad gansxvavebuli sti-

listikiT gamoirCeva. araordinaluri antu-

raJi sagnobriv garemos kidev ufro amrava-

lferovnebs. interieris eleganturoba da-

xvewil dekorSi vlindeba, Sesabamisad avto-

ris - sofo SevardnaZis profesionalizmi yo-

vel fragmentSi SeigrZnoba.

sivrcis sworad organizacia, ferisa

da masalis harmonia, ostaturad mofiq-

rebuli da gadanawilebuli ganaTebis di-

zaini, mocemul saTavsoTa saerTo stili-

stur gadawyvetasTan Sesabamisi furnitu-

ra, gemovnebiT SerCeuli aqsesuarebi ... uz-

ado dizaini, saerTo ideiTa da TemiT ga-

mTlianebul, harmoniul interierul sa-

xes qmnis. masSi detaluradaa gaTvlili yo-

veli niuansi, gaTvaliswinebulia damkve-

Tis individualuroba da dizainermac,

mocemul SemTxvevaSi, amocana, yovelives

gaTvaliswinebiT, gadawyvita.

`roial dekori~ warmogidgenT msof-

lios premium brendebis mier warmoebul

produqcias - gamoyenebiTi xelovnebis ni-

muSebs saxlebis, samuSao kabinetebis Tu

komerciuli dawesebulebis interierebis

gasalamazeblad; sxvadasxva ZviradRirebu-

li masalisgan Seqmnil xelnakeT aqsesua-

rebs da piradi moxmarebis nivTebs.

nino laRiZe

eleganturoba dekorSi

107

stili #28. 2008

Elegance in Decor

The interior of Royal Decor features original,

absolutely unique stylistics. Its unordinary atmosphere

stresses the diversity of objects and articles “populat-

ing” the shop. Elegance of the interior, revealed in refined

décor, manifests the professionalism of its author

Sophio Shevardnadze.

Correct spatial organization, harmony of colours and

materials, tasteful choice of light fixtures, furniture and

accessories, conforming to general stylistic solution…

Flawless design, serving to form a harmonious interi-

or, integrated by a general idea and theme. With every

detail carefully considered and matched to the owner’s

individuality, the designers successfully reached their

goal in every aspect.NINO LAGHIDZE

brendis

axali

interpretacia

stili #28. 2008

108

warmogidgenT, sayovelTaod cnobili brendis `ronikos~ axali Sou rumis inte-

rierul garemos, romelic dizainerebis, nia mgalobliSvilis, sofo SevardnaZis

da ia lipartelianis proeqtiT Seiqmna.

ulamazes interierul monakveTTa sivrcis sworad organizacia, ferisa da ma-

salis harmonia, ostaturad mofiqrebuli da gadanawilebuli ganaTebis dizaini,

konkretuli saTavsos saerTo stilistur gadawyvetasTan Sesabamisi furnitura,

gemovnebiT SerCeuli aqsesuarebi uzado garemos qmnis, saerTo ideiTa da TemiT

gamTlianebuli harmoniuli interieruli saxis Seqmnas gulisxmobs, romelSic de-

taluradaa gaTvlili yoveli niuansi, gaTvaliswinebulia brendis individualu-

roba Tu specifika.

warmodgenili interieri TviTmyofadia - daxvewili, zomieri dekoriT da gan-

sxvavebuli stilistikiT gamoirCeva. araordinaluri anturaJi sagnobriv garemos

kidev ufro amravalferovnebs. interieris eleganturoba daxvewil dekorSi vli-

ndeba, Sesabamisad avtorTa daxvewili gemovneba yovel fragmentSi SeigrZnoba.

nino laRiZe

foto: irakli bluiSvili

New

Interpretation

of BrandWe would like to introduce to you the interior of new Roniko show-

room, which was created according to the ideas of its owner, design-

ers Nia Mgalpblishvili, Sophio Shevardnadze, Ia Liparteliani.

The correct space organization, harmony of colors and finishing

materials, skillful selection and positioning of light fixtures, furniture, per-

fectly matching the general style of the interior, tastefully picked textile

and accessories form a flawlessly tasteful and thematically integral envi-

ronment, every detail of which accentuates individuality and specificity

of the brand.

The interior, is an original space, distinguished by its integrity and

unique stylistics. Unordinary entourage adds to the diversity of interior

accessories. Elegance of the interior is highlighted by refined décor,

revealing the author’s taste at every step.NINO LAGHIDZE

PHOTO BY IRAKLI BLUISHVILI

109

stili #28. 2008

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110

Volumetric Structure

of public zone Stylish environment of Farenheit Bar, located in Vashlovani Street in Tbilisi, has been created

to architect Misha baliashvili (Director of Studio 3 Quadrates).

The highly efficient design, based on precisely calculated laconic solutions, is original, aesthet-

ic and function-specific. The construction conforms to a supreme compositional principle, integrating

diverse forms into a flexible structure.

The interior space is surprisingly well-organized. Unusual and light decor helps create a rele-

vant atmosphere. The unified, unbroken public zone leaves a lot of space for maneuvering and

allows for maximal concentration of functions.NINO LAGHIDZE

sazogadoebrivizonis moculobiTistruqtura

arqiteqtor miSa baliaSvilis (arq. studia `3 kvadratis~ direqtori) Za-

lisxmeviT, aRqmadi lakonizmiT SeniRbuli zustad gaTvlili gadawyveteb-

is fonze, misi datvirTvis specifikis Sesabamisi, stiluri garemo Seiqmna,

romelmac absoluturad Secvala aqamde arsebuli uferuloba.

maqsimalurad efeqturad warmoCenili Sedegi originalurobiT gamoir-

Ceva da funqcionalurad da esTetikurad Seesabameba konkretul moTxovn-

ebs.

TbilisSi, vaSlovanis quCas bari `farengeiti~ moevlina. misi interier-

is arqiteqtonika plastikurad viTardeba. yoveli dizaineruli amocana ko-

mpoziciuri xerxiTaa gadawyvetili da kompoziciuri principis SenarCune-

biT moculobis struqtura formaTa mravalferovnebiT iqmneba. araordina-

luri arqiteqturuli niuansebiT Seqmnil sivrces, calkeuli, gansakuTre-

buli xiblis matarebel monakveTTa erToblioba qmnis.

interieris Tavisebureba - detalebamde gaTvlili sivrcis funqciuri or-

ganizebaa. msubuqi dekori Sesabamis ganwyobas qmnis. amgvarad warmoqmnili

erTiani sazogadoebrivi zona afarTovebs `manevrirebis sivrces~ da mocem-

ul farTobze funqciaTa maqsimumis koncentrireba xdeba SesaZlebeli.

nino laRiZe

111

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112

NumBar 1

113

stili #28. 2008

Sardenis quCaze axlaxans bari

NumBar 1. gaixsna.

proeqtis avtori, arqiteqto-

ri levan muSkudiania. baris in-

terieri uCveulo geometriiT ga-

moirCeva. araordinaluri forme-

bi efeqturi moculobebiTaa gan-

sazRvruli. misi dizaini intele-

qtualuri da sulieria. avtoris

mizani - Seeqmna Zveli Tbilisis qa-

rgaSi Camjdari stabiluri, siv-

rcobrivi organizmi - Sedga.

baris interierSi sivrce ir-

ibi arekvlis formiT zemoqmedebs,

rac drois sxvadasxva momentSi

sxvadasxvagvarad intensiuria. in-

terieris TiToeuli komponenti

- kedlebis, Weris dinamika, daki-

duli antresolebi da a.S. urTi-

erTdakavSirebulia da erT mTli-

anobas qmnis. didi da mcire, Ria

da daxuruli formebis simaRli-

sa da siRrmis, SuqCrdilebis ur-

TierTTamaSi yovelives amraval-

ferovnebs.

interieri Tanamedrove sti-

lis esTetikas deklarirebs. aq, mo-

notonuri, erTferovani zedapi-

rebis nacvlad, daxvewili forme-

bi da tonalobebi dominirebs. me-

tali, minisa da xis zedapirebi ci-

lindrul. sivrcobriv-moculob-

iT formebSi gadaiRvreba da mo-

biluria. dinamikuri formebis

efeqturi monacvleobiT da uza-

do grafikiT, rafinirebuli at-

mosfero, intimurobis maRali xa-

risxia miRweuli.

nino laRiZe

foto: qristina gorodniCeva

NumBar 1

stili #28. 2008

114

A new bar called NumBar 1, designed by archi-

tect Levan Mushkudiani, was recently opened in

Chardin Street.

Interior of the bar is based on a highly unusual

geometric solution, defining unordinary forms and effi-

cient volumes.

Outer world reaches into the bar in the form of an

oblique reflection with varying intensity. Each compo-

nent of the inner space – walls, ceiling, suspended

entresols etc. and their dynamics are interlinked and

integral. Sequences of big and small, open and closed

forms are highlighted by the effects of height and depth,

light and shadow.

The design features the aesthetics of modern style.

Here monotonous surfaces are substituted by refined

forms and colors, efficient interchange of dynamic shapes

and flawless graphics forms a highly refined, intimate

interior. The author’s goal – to enrich the environment

of old Tbilisi with a stable spatial organism – has been

achieved to perfection by this new bar with its intellec-

tual and spiritual atmosphere.NINO LAGHIDZE

PHOTOS BY KRISTINA GORODNICHEVA

115

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116

warmogidgenT, TbilisSi, kostavas qu-

Caze gaxsnili axali klubis, `deJavus~ in-

terierul garemos, romelic misi erT-er-

Ti mflobelis, araprofesionali dizai-

neris, zviad Selias ideebiT Seiqmna.

klubi deJavu - ukve nanaxis SegrZnebaa.

mdgomareoba, romlic drosac adamiani

grZnobs, rom is odesRac ukve iyo msgvas

situaciaSi. es grZnoba ar ukavSirdeba wa-

rsulis gansazRvrul moments, aramed uk-

avSirdeba warsuls mTlianad.

ver vityviT, rom klub „deJavu“-Si mo-

xvedrisas warsuli gagaxsendebaTTqo, ra-

dgan interieri sakmaod Tanamedrove sti-

lSia gadawyvetili. erTi uzarmazari da-

rbazi terasebad dayofili, SuaSi scena,

romlis ganaTeba gansakuTrebiT STambeW-

davia, didi bari mravalferovani safir-

mo koqteilebiT.

musika ki, amarTlebs klubis saxelwo-

debas: 70-90 wlebis hitebs aniWeben upira-

tesobas _ es ki mTlianad dagabrunebT wa-

rsulSi, gagaxsenebT im dros da gaTqmevi-

nebT: „es xom ukve iyo“.

retro da Tanamedrove musika droTa-

ganmavlobaSi erTmaneTs cvlian. erTi si-

tyviT, SesvlisTanave igrZnoba Tavisufle-

bis aromati.

saRamos cxra saaTze klubSi gelode-

baT koncerti cocxali SesrulebiT, kon-

certis damTavrebisTanave - diskoTeka.

wagiRebT harmoniuli talRebis koriante-

li da SegiZliaT waqcevamde icekvoT me-

gobrebTan erTad.

deJavu

117

stili #28. 2008

We would like to introduce to you the interior of new

Deja Vu Club, in Kostava street, in Tbilisi, which was cre-

ated according to the ideas of its owner, amateur design-

er Zviad Shelia.

Deja Vu – French for „seen before“ - An impression

or dull familiarity of having seen or experienced some-

thing before. Well, even if visiting Club Deja Vu will not

directly cast your memories to the past, it is still worth

visiting for many reasons for those looking for a good

place for entertainment.

Interior is very modern. A large, terraced hall with a

stage in the middle, impressively fiery lights and wide

range of exquisite cocktails look very attractive.

Famous hits of 70-90’’-ies may really remind you of

the past and make you exclaim „it’s been before“, though

they are from time to time replaced with modern rhyth-

mical tunes.

At 9pm live concerts start followed by dizzy discothe-

ques. Let you be gulfed into the whirlwind of harmonious

waves and dance endlessly.

Deja Vu – offers plenty of surprises to its visitors. All

I can inform is that the program changes frequently and

special events and parties are given everyday (announce-

ments are permanently announced at the Events’ Calendar

of www.info-tbilisi.com) Don’t wait too long. Deja Vu is at

your disposal.

Club Deja Vu

stili #28. 2008

118

pasuxad kiTxvaze, Tu ra iyo am adgilas Near

Opera-s gaxsnamde (`kala jgufis~ qseli), Tamam-

ad SeiZleba iTqvas: `araferi~. mxatvar guga ko-

tetiSvilis ideebiT, araferi silamazad gada-

iqca, patara sasaxled, sadac yoveli nivTi fu-

funebis sagania, yoveli kerZi - kulinariis Se-

devri, da sarkeebSi brolis WaRebi da pirve-

lad mosulTa gaocebuli saxeebi irekleba...

arasodes giocnebiaT operasTan gatareb-

ul Rameze? aucileblad iocnebebdiT, da in-

ebeT: CvenTan es ocnebac agixdebaT. dabrZan-

diT marTlac mefur savarZelze, miirTviT, ra-

sac isurvebT da yuri ugdeT - rogori musi-

kaa! yvelaze kargi jazi, jazi operasTan...


jazi operasTan...

stili #28. 2008

119

Jazz near the Opera… To answer your question about what there was at this place, before we opened the Near Opera

(Kala Group Network), we can confidently reply: „nothing“. With ideas of artist - Guga Kotetishvili

turned „nothing“ into a beautiful place, a small palace, where every object is a piece of luxury, every

meal – a culinary masterpiece, where crystal chandeliers, along with astonished faces of visitors are

reflected in the mirrors…

Have you never dreamed about spending a night near Opera house? I’m sure, you have, and

there we go: your dream will come true at our place; please take a seat in a king size armchair, and

order whatever you wish and listen – what a music! The best jazz ever, jazz near the Opera…PHOTO BY: KRISTINA GORODNICHEVA

stili #28. 2008

120

1001interieris dizainis avtorebi:

giorgi banZelaZe, nika baxtaZe

mxatvari: qeTi matabeli

aqve sionTan, Sardenis quCaze

Tbilisis erT-erT yvelaze lamaz

quCaze, mivageniT sivrces, romel-

ic imTaviTve cota jadosnuri

iyo: TaRebiani miwisqveSeTi, rom-

lis aguris kedlebic vin icis,

ramdeni ramis momswreni yofilan,

sadac RumelebTan mimsxdarni vin

icis, ramden zRapars uyvebodnen

erTmaneTs...

„1001“ - Si (`kala jgufis~ qse-

li) aTas erTi sixaruli geliT:

1001 qveynis samzareulo, 1001 da-

saxelebis sasmeli, 1001 wvrilma-

ni, 1001 zRapari da 1001 adamia-

ni, romelic aq yvelafer amasTan

da Tqvens, swored Tqvens gasacno-

badaa mobrZanebuli.


Authors: Designers -

Giorgi Bandzeladze, Mika Bakhtadze

Artist: Keti Matabeli

Near Sioni, in one of the most beautiful

streets of Tbilisi, we uncovered a space that

from the very beginning stood out as magic:

basement space with arcs, the walls of

which have probably witnessed hundreds of

interesting stories, while those who sat

around its ovens, told one another dozens

of fairly tales.

In „1001“ (Kala Group Network) you will

experience 1001 delights: cuisines of 1001

countries, 1001 types of drinks, 1001 small

things, 1001 fairy tales and 1001 people that

come here for all of these, and of course,

to get to know with you.PHOTO BY : KRISTINA GORODNICHEVA

stili #28. 2008

121

aSS-Si 2008 wlis 17-18 ma-

iss Catarebulma Tanamedro-

ve avejis me-20 saerTaSori-

so bazrobam niu-iorkis jek-

ob jevicis sazogadoebrivi

centri cota xniT dizainer-

ul `saocrebaTa samyarod~

gadaaqcia. aSS-Si Tanamedro-

ve dizainisadmi miZRvnili es

umsxvilesi RonisZieba erTg-

vari xidia `dizaineruli si-

marTlis maZieblebsa~ da av-

angarduli dizainis Semqnel-

ebs Soris.

faqtebi:

sagamofeno sivrce: 14500

kv.m.

monawileebi:

255 debiutanti (40%), 311

aSS-s warmomadgeneli (48%),

331 ucxoeli (52%)

dizainerebi, Tanamedro-

ve saofise da sacxovrebeli

avejis, teqstilis, xaliCebis

/ iatakis safaris, saaveje ma-

salebis, Spaleris, aqsesua-

rebis, samzareulos da abaza-

nis avejis mwarmoeblebi.

warmodgenili qveynebi: 38

argentina, avstralia, av-

stria, belgia, botsvana, bra-

zilia, kanada, CineTi, CexeTi,

dania, salvadori, fineTi, sa-

frangeTi, saqarTvelo, germa-

nia, irlandia, israeli, ita-

lia, iaponia, korea, litva, ma-

laizia, meqsika, holandia, ax-

ali zelandia, norvegia, fi-

lipinebi, poloneTi, portu-

galia, singapuri, espaneTi,

SvedeTi, Sveicaria, taivani,

tailandi, TurqeTi, didi

britaneTi, aSS.

damTvaliereblebi: 25880

dizainerebi, arqiteqtore-

bi, mwarmoeblebi, maRaziebis

warmomadgenlebi, distribiu-

torebi, developerebi, sxva.

aq, msoflio mniSvnelobis

saerTaSoriso gamofenaze sa-

qarTvelodan dizaineruli

kompania `rumsi~ warsdga Ta-

visi axali, saintereso pro-

eqtiT. sasixaruloa, is faq-

ti, rom msoflio mniSvnelo-

bis brendebs Soris warmoCe-

nilma axalgazrda Semoqmed-

Ta eqspoziciam specialistTa

da damTvalierebelTa jero-

vani interesi gamoiwvia, rac

samomavlod `rumsis~ Semoqme-

debaSi mniSvnelovan siaxle-

ebs ganapirobebs.

Tumca, isic unda iTqvas,

rom saerTaSoriso gamofena-

ze, misi organizatorebis mi-

er `rumsis~ monawiled ofi-

cialurad dafiqsirebis da

mowvevis miuxedavad, mxol-

od realizebuli proeqti ga-

moifina (avtorebs, CvenTan,

amerikaSi gamgzavrebaze uari

uTxres). es ise cnobisTvis...

saerTaSoriso gamofena-

ze wardgenili siaxleebi -

`Cacmuli skamebi~ - roca

Tqveni skami Cacmulia, igi ga-

nsakuTrebiT Tbili da mosa-

xerxebeli iqneba; frTxilad

iyaviT, uceb qurTukis patro-

nma ar mogakiTxoT.

proeqti `saxlobana~ - ko-

ncepcia, masalebi, struqtu-

ra da teqnologia Sejerebu-

lia axali, gasaocari dizai-

nis Sesaqmnelad.

stili #28. 2008

122

`saxlobana~ `rumsTan~ erTad

stili #28. 2008

123

komodi `yiramala~ - mod-

iT bavSvebiviT davarRvioT

yvela wesi -

amerikaSi gadagzavnamde,

TbilisSi, merab berZeniSvil-

is saxelobis kulturis sae-

rTaSoriso centr `muzaSi~

gamoifina, raTa qarTvel sa-

zocadoebasac miscemoda sa-

Sualeba exila kompaniis axa-

li proeqti.

dizaineruli kompania

`rumsi~ daarsda saqarTvelo-

Si 2003 wels. kompaniis slo-

gani - `Semoqmedebis wyarod

nebismieri sagnis qceva SeiZ-

leba~ - yovel nabijze xorci-

eldeba praqtikaze da muSa-

obas amaRelvebel TamaSad aq-

cevs...

`rumsis~ gansakuTrebuli

Tvisebebia inovaciuri xedva

da iumoris grZnoba. `rumsi~

StampebiT ar xelmZRvanelobs

– misi yvela nakeToba damou-

kidebeli fiqris, sxvadasxva ep-

oqebis da kulturebis Seza-

vebis Sedegia, romelic, miu-

xedavad uCveulo detalebis

simravlisa, harmoniuli da

originaluria.

`rumsi~ arasdos ar iviw-

yebs azrovnebis gansxvavebu-

lobis faqtors da martivad

iRebs gabedul gadawyvetile-

bebs.

`rumsis~ damaarseblebi da

wamyvani dizainerebi arian

nata jamberiZe da qeTi To-

loraia. qarTuli dizainis ax-

ali Taobis es warmomadgen-

lebi cxovroben da muSaoben

TbilisSi. nata da qeTi ro-

melime konkretul stils ar

misdeven; maTi azriT, dizai-

nis CarCoebSi Casma SeuZlebe-

lia, dizaini TavisiT warmo-

iSoba konkretuli situaci-

idan, dizaineris ostatobi-

sa da klientis moTxovnebis

Sejerebidan, miRebuli meTo-

debisa da ocnebis nazavidan.

proeqti `saxlobana~ gTa-

vazobT TamaSis gansazRvr-

ul wesebs – iTamaSeT es Ta-

maSi `rumsTan~ erTad da ais-

ruleT bavSvobis ocnebebi.

NATA & KETI

The 20th annual International Contemporary Furniture

Fair (ICFF) May 17-20 2008 converted New York City’s

Jacob K. Javits Convention Center into a worldwide

wonder for design disciples. North America’s singular

showcase for contemporary design, the Fair draws the

most intrepid seekers of design truth and design trends

to an extraordinary exhibition of the most inspired mod-

els of design on the forefront, as well as thought-pro-

voking programs and a schedule of supplementary

exhibits and features.

Facts:

Exhibit space: 14500 sq. m.

Exhibitors: 255 first time (40%)

311 US (48%)

331 Non-US (52%)

Designers, manufacturers, representatives of contem-

porary furniture, seating, carpet and flooring, lighting, out-

door furniture, materials, wall coverings, accessories, tex-

tiles, kitchen and bath for residential, home/office, contract

Countries represented: 38

Argentina, Australia, Austria, Belgium, Botswana,

Brazil, Canada, China, Czech Republic, Denmark, El

Salvador, Finland, France, Georgia, Germany, Ireland, Israel,

Italy, Japan, Korea, Lithuania, Malaysia, Mexico, Netherlands,

New Zealand, Norway, Philippines, Poland, Portugal,

Singapore, Spain, Sweden, Switzerland, Taiwan, Thailand,

Turkey, United Kingdom, U.S.

Attendees: 25880

Interior designers, architects, retailers, designers,

manufacturers, representatives, distributors, developers and

general public

Georgia was represented at this highly important inter-

national fair by design company ROOMS with their new

project. The exposition of young Georgian designers enjoyed

considerable interest on the part of specialists and the

public, which provides ROOMS with new outlooks for

further development.

Here we would also like to note that ROOMS was

represented at the ICFF by its newly realized project only,

because the authors were not allowed to visit the U.S.

in spite of being officially invited by the Fair organizers.

The new designs presented by ROOMS at the

International Contemporary Furniture Fair were as follows:

Chairs “Dressed Chairs” - To keep the space around

you always warm and cozy, somebody will come back

to get the coat back.

Project “The House game” - the concept, material,

structure and technique must all be in balance to create

the surprising and new design.

Commode “Upsidedown” - Breaking the rules like

children do.

Before being sent to the U.S., the ROOMS designs

were exhibited in Merab Berdzenishvili International

Culture Centre Muza, so that the Georgian public could

take a look at the new project.

The design company ROOMS was founded in 2003

in Georgia. The motto of the company: “Inspiration can

come from everything that’s around” is applied to every

pace and very frequently the work turns into exciting game…

Innovation, distinct vision and the sense of humor

are the noteworthy features of ROOMS.

Rooms is not guided by rubber stamps; any prod-

uct is always the result of the intelligent efforts, merge

of various epoch and cultures, which in spite of unusu-

al details creates harmony and makes it poles apart the

pack.

ROOMS takes into consideration mental peculiari-

ties and courageous decisions are taken with simplicity.

Nata Janberidze and Keti Toloraia are the founders

and the main designers of ROOMS. They live and work

in Tbilisi and represent the new generation of the young

Georgian designers. Nata and Keti are not followers of

any particular style, they think, that design cannot be

described by a dogma, the designs come about through

the situation, product and costumer-oriented design

process, which exists somewhere between method and

magic.

Project “The House game” offers the rules of the

game: follow them with Rooms and your childhood dreams

will come true.

stili #28. 2008

124

Play “House Game” together with ROOMS

sacxovrebli sivrcis

moduluri kompoziciadizaineruli kompania `rumsis~ dizainerebis nato janberiZisa da

qeTi Toloraias proeqtiT Seqmnili, sacxovrebeli interieri Tbili-

sSi, Tanamedrove esTetikiTaa gajerebuli. masSi mkveTradaa gamoxa-

tuli stiluri dominanti. Tavisufali gegmareba, geometrizmi da fo-

rmaTa grafika esTetikasTanaa Serwymuli. gamoyenebuli masalis faq-

tura da feri, Tavisufali moculobebis da dekoris TvalSisacemi es-

Tetizmi naTlad warmoaCens interieris TviTmyofadobas, avtorTa pro-

fesionalizms.

sacxovrebli sivrcis moduluri kompozicia - arqiteqtonikuri el-

ementebis proporciebi funqciur-mxatvruli xasiaTis matarebelia da

interieris TviTmyofadobas gansazRvravs.

sacxovrebeli sivrce, yovel mocemul SemTxvevaSi, Tavisi `xasiaT-

iT~, identur mopyrobas moiTxovs. zedmeti dekoratiuli detalebis

ignori lakonuri feriTi kontrastebiTaa kompensirebuli, rac diza-

inerTa daxvewil gemovnebas deklarirebs. sacxovreblTa fragmenteb-

is saerTo tonalobebis, formaTa grafikulobis Tanaarseboba mSvid,

dadebiT ganwyobas qmnis.

mTlianobaSi, interieri Tavisufali da gamomgoneblurobas abso-

luturad moklebulia, gansakuTrebuli emociuri datvirTviT aRiq-

meba da srulad Seesabameba mobinadreTa moTxovnebs, gemovnebas, cxo-

vrebis esTetikas.

nino laRiZe

stili #28. 2008

125

stili #28. 2008

126

The modular composition of residentialspace

Residential interior in Tbilisi, designed by Nato Janberidze and Keti Toloraia

( Design Company Rooms), is saturated with modern aesthetics. It has a dis-

tinctive stylistic dominant. Free planning, geometric precision and graphic solu-

tion of forms is integrated with aesthetic beauty. Textures and colors of finishing

materials, the apparent aestheticism of the décor serve to highlight the original-

ity of interior design, as well as professionalism of its authors. The modular com-

position of residential space and proportions of architectonic elements combine

creativity with functionality and increase originality of interior.

Despite their unique and exquisite character, all parts of the interior space

are equally efficient. The lack of excessive decorative elements is compensated

by eloquent color contrasts, which manifest the designers’s.

In spite of all its originality, the atmosphere in the house is uninhibited with-

out being overly ingenious. The residential interior is organically integrated with

the surrounding landscape, enriching the site with special emotional charge and

fully conforming to its dwellers’ requirements, taste and lifestyle aesthetics.NINO LAGHIDZE

stili #28. 2008

127

stili #28. 2008

128

sacxovrebeli garemo - cocxali organizmi

stili #28. 2008

129

Tanamedrove sacxovrebeli interieri, misi dizaini da avtoris mier ma-

sSi Seqmnili atmosfero, rTuli, Sromatevadi, SemoqmedebiTi gzis Sedegia.

dizainer ruska TumaniSvilis proeqtiT TbilisSi erT-erTi saintereso

sacxovrebeli interieri ganxorcielda. misi erTiani sivrcis organizebis

mTavari mxatvruli principi minimalizmi da sisadavea. moculobis mTliani

saxe sasiamovno disonansebzea agebuli.

interieris arqiteqtonika martivicaa, rTulic da lamazic. sivrcis mTli-

anobis STabeWdileba kompoziciis dinamizmiT, dekoris, ferebis lavirebiT,

moculobiT-sivrcobrivi gadawyvetebis riTmebiTaa miRweuli.

interieris `vizualur moZraobas~ specefeqtebisa da moulodneli di-

zaineruli gadawyvetebis sistemebi ilustrirebs.

sacxovrebeli garemo, misi Semadgeneli mobiluri elementebis urTier-

TharmoniulobiT, erTi mTliani, cocxali organizmia. gaxsnili sivrce er-

Tianad aRiqmeba, Tumca masSi yoveli calkeuli elementi erTgvarad mniSv-

nelovani da dasamaxsovrebelia. maTi lavireba SeuCneveli niuansebiT war-

moebs. interieris ToToeuli horizontaluri Tu vertikaluri sibrtye Ta-

mami, araordinaluri dekoraciaa, dizaineruli kolaJia. maTi kompoziciu-

ri wyoba, tonaloba, furniturasTan, aqsesuarebTan sinqroni, srulyofile-

bis SegrZnebas badebs.

nino laRiZe

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130

stili #28. 2008

131

Residential

space -

A living bodyThe residential nterior , created by designer Rusidan Tumanishvili, is based on

simplicity and minimalism. The general principles, underlying this integral space, are

sequence of unexpected solutions.

Architectonics of the interior is simple, complex and beautiful. The impression

of integrity is achieved by the dynamism of composition, decoration, color-matching

and rhythms of spatial and volumetric solutions. Still another notable concept real-

ized in the interior is the idea of visual motion, illustrated by a system of special

effects and unexpected design solutions.

The open space is perceived as a unity, nonetheless consisting of self-impor-

tant and original elements, integrated by a carefully considered and unobtrusive struc-

ture of minor details. Each horizontal or vertical surface of the interior is an unordi-

nary decoration, a part of design collage. Their compositional structure, tonality, match-

ing with furniture and accessories evoke the feeling of perfection.NINO LAGHIDZE

stili #28. 2008

132

sacxovrebeli garemo avtori: dizaineri - maia mesxi

1988 w. daamTavra Tssa-s arqiteqturis fakultetis

interieris dizainis ganyofileba;

2005 wlidan "maia mesxis dizain studiis" damfuZnebeli;

2007 wlidan samodelo saagento "leonis", interieris

dizainis ganyofilebis pedagogi, samxatvro xelmZRvaneli.

mogexsenebaT interierze muSaobisas, ideis ganxorciele-

bis procesSi, Sedegi, xSir SemTxvevaSi, mTlianad Tu ara

nawilobriv mainc gansxvavdeba sawyisi Canafiqrisagan, mag-

ram mocemul SemTxvevaSi dizaineris maia mesxis (`maia mesx-

is dizain studia~. interieris Sesruleba - samSeneblo ko-

mpania `aqtiuri TanamSromloba~) mier Seqmnili renderuli

variantebis identuri sacxovrebeli sivrcis realizacia Se-

dga - maqsimalurad gamovlinda avtoris gemovneba da pro-

fesionalizmi.

winaswari 3D versia

realizebuli proeqti

sacxovreblis interieris Camoyalibeba-gaformebis Ziri-

Tadi idea dizaineruli svlis ganumeoreblad, funqciur-

ad sxvadasxva zonebis efeqtur gadanawilebaSi mdgomare-

obs. Tavisi arqiteqtonokiT TviTmyofadi, damoukidebeli

saTavsoebi sacxovrebeli mTlianobis komforts, simyudro-

ves ganapirobebs. aq moxvedrisas, stumars maspinZlebTan sa-

kuTari `merkantiluri~ sakiTxebis garkvevamde, amaRlebu-

li, Tbili ganwyoba eufleba, rac kvlav aq mosvlis surv-

ils badebs.

interierSi TiToeul niuanss is adgili aqvs miCenili,

saidanac igi saukeTeso saxiT aRiqmeba. formasTan, faqtu-

rasTan, ferTan damokidebuleba, dizaineris SemoqmedebiT

principebs gamoavlens da araordinaluria. mTlianobaSi, ki

avtoris originaluri da saintereso mignebebi erT amoca-

nas emsaxureba - Seiqmnas sacxovrebeli garemo - mSvidi, es-

Tetikuri yofisa da maRali komfortis garanti - konkre-

tuli ojaxisaTvis.

nino laRiZe

3D vizualizacia - irakli CxubianiSvili

foto: guram wibaxaSvili

stili #28. 2008

133

konkretuli ojaxisaTviswinaswari 3D versia

realizebuli proeqti

stili #28. 2008

134

winaswari 3D versia

realizebuli proeqti

winaswari 3D versia

winaswari 3D versia

realizebuli proeqti

stili #28. 2008

135

winaswari 3D versia

realizebuli proeqti

stili #28. 2008

136

winaswari 3D versia

realizebuli proeqti

stili #28. 2008

137

winaswari 3D versia

realizebuli proeqti

Author: designer Maia Meskhi

1988 Graduated from the archi-

tectural faculty (interior design

department) of Tbilisi State

Academy of Arts

2005 established Maia Meskhi

Design Studio

2007 started to work in Leoni

Model Agency as interior design

department tutor and arts director

stili #28. 2008

138

Realization stage of interior design

often yields certain deviations from the ini-

tial sketches. However in this particular case

the interior created by designer Maia Meskhi

(Maia Meskhi Design Studio) and realized

by construction company Active Cooperation,

is absolutely identical to its render version,

revealing the author’s professionalism at its

best.

The key highlight of this residential inte-

rior is efficient development of design theme

from zone to zone. The spaces with their

original architectonics integrate into an utter-

ly comfortable living environment. A visitor

entering this apartment perceives its posi-

tive, pacifying atmosphere from the very first

step and feels an urge to visit the place

again and again.

Every detail in the interior is positioned

so as to stand out with most efficiency.

Approach toward shapes, textures and

colours clearly expresses the designer’s artis-

tic principles and perfect taste. On the whole,

the author’s interesting and original solu-

tions aim to achieve one and only goal –

to create a living environment, guarantee-

ing comfortable and tasteful life to one par-

ticular family.NINO LAGHIDZE

3D VISUALIZATIONS BY IRALI

CHKHUBIANISHVILI

PHOTOS BY GURAM TSIBAKHASHVILI

Living Space for a Particular Family

winaswari 3D versia

realizebuli proeqti

stili #28. 2008

139

winaswari 3D versia

winaswari 3D versia

realizebuli proeqti

realizebuli proeqti

mxatvruli teqstilis saxelosnos - La

maison Bleue-s SemoqmedebiT jgufs, profe-

sionali mxatvrebi - qeTi qavTaraZe, nino

yvavilaSvili, irma xoferia, nino xoferia

da eka xunwaria qmnian.

saxelosnos sagamofeno darbazSi Segi-

ZliaT SeiZinoT naturaluri abreSumisa-

gan Seqmnili namuSevrebi: kedlis panoebi,

Tavsafrebi, sakabe qsovilebi, dekorati-

uli sanaTebi da baliSis pirebi, Sirmebi

da sxva. TiToeuli namuSevari aris xel-

iT Sesrulebuli. sruldeba individualu-

ri SekveTebic.

saxelosnos wevrebi mudmivad Rebulo-

ben monawileobas sxvadasxva gamofenebSi,

rogorc saqarTveloSi, aseve qveynis saz-

Rvrebs gareTac. `stilis~ wina nomerSi La

maison Bleue-s ori wevri ukve gagacaniT.

amjerad warmogidgenT La maison Bleue-s

erT-erTi wamyvani mxatvar-dizaineris nino

yvavilaSvilis SemoqmedebiT fragmentebs.

nino yvavilaSvilis dizaini ferTa da

formaTa paradoqsia, cocxalia, Tavisufa-

lia pirobiTobisagan. igi stilisturi

epataJis zRvarzea, magram savsea Sinaar-

siT, araCveulebrivad funqciuria da ko-

mfortulia misi mflobelisaTvis.

saerTod, ra Tqma unda furnitura, aq-

sesuari interieris kompoziciaSi domini-

nants ar warmoadgens, magram ninos mier

Seqmnili nakeTobebi sivrcobrivi gadaw-

stili #28. 2008

140

La maisonBleue

f u r n i t u r a

F U R N I T U R E

yvetis Rirebulebas usvams xazs da mxat-

vrulia, adamianTan `dialogSi~ Sedis da

nebismier arqiteqturul sivrceSi ipyr-

obs yuradRebas.

xelovanis maRali ostatoba yovelTv-

is jerovnad iyo dafasebuli. dRes igi sxva-

gvarad gaiazreba, iZens axal faseulobebs,

gamoxatulebas da Sesabamisobas Tanamed-

rove gemovnebasTan.

da kidev, rac ar unda mouxelTebeli

iyos sasurveli saxis an cxovrebiseuli mo-

vlenis silamaze, igi ar qreba, yovelTv-

is rCeba SemoqmedSi da Tuki mSvenieri na-

keToba xangrZlivad gvemsaxureba, Cvens

winaSea xelovneba.

nino laRiZe

stili #28. 2008

141

dizaineri nino yvavilaSviliDESIGNER NINO KVAVILASHVILI

stili #28. 2008

142

La maison Bleue

The creative group of textile workshop La Maison

Bleue consists of professional artists Kate Kavtaradae,

Nino Kvavilashvili, Irma Khoperia, Nino Khoperia and

Eka Khuntsaria.

In the exhibition room of the workshop you can

see and buy various handmade articles in natural silk:

wall panels, scarves, textiles, decorative lamp shades,

pillowcases, screens, etc. The artists also work on cus-

tom assignments and systematically participate in dif-

ferent exhibitions both in Georgia and abroad.

In the previous issue of STYLE we introduced

to you two of La Maison Bleue artists. Now we would

like to describe the works by Nino Kvavilashvili, one

of the leading members of La Maison Bleue work-

shop.

Nino Kavlashvili’s designs are a paradox of

colours and forms – live and free from convention-

ality. They balance on the verge of stylistic excess,

but are utterly meaningful, functional and comfortable

for their owners.

stili #28. 2008

143

Generally speaking, accessories do not tend to dominate in the interior

design, but Nino’s works contradict this rule by highlighting the value of spa-

tial solution and entering into artistic dialogue with people.

High quality of artistic performance always enjoyed respect; nowadays it

is estimated at a different plane, gaining in value, expressivity and compati-

bility with modern taste.

Just one more note for the conclusion – however elusive the beauty may

be, it invariably continues to exist in the artist’s mind – and if the artist man-

ages to interpret it so as to preserve its value for a long time to come, then

we deal with real art.NINO LAGHIDZE

stili #28. 2008

144

cira kalandaZe

v e r n s a J i

V E R N I S A G E

wiTeli iordasalami

muyao, zeTi, 51X50, 1984

RED PEONIES

OIL ON CARDBOARD 51X50, 1984

saxelosno

STUDIO

edmond kalandaZe

`cira~, Svilis portreti

qaRaldi, carci, sangina, naxSiri, 2002

EDMOND GABRIEL KALANDADZE

TSIRA, PORTRAIT OF DAUGHTER

CHALK, SANGUINE, CHARCOAL ON PAPER 45X60, 2002

stili #28. 2008

ciras mis saxelosnoSi gavesaubre. mogawv-

diT amonaridebs am saubridan.

buba : Seni cxovrebis umniSnelovanesi mo-

menti.

cira : 1956 wlis 9 marti!

- bavSvebs esvrian! me wavedi! - babuaCemis, is-

torikos sargis kakabaZis am sityvebiT iwyeba

Cemi Segnebuli cxovreba.

maxsovs, rogor vcdilobdi sulisSemxuTav

wyvdiadSi, wamis win Cemi oTaxis simyudrove rom

erqva, SemoWril sityvaTa bundovan konteqst-

Si garkvevas.…ase Seejaxa Cemi oTxi wlis gu-

lubryviloba sastik realobas.

b : Sens Semoqmedebaze ras gvetyvi?

c : ferwerul namuSevarsa da feradi naku-

webiT akinZul xumrobaSic gamoxatvis maqsima-

lur sizustes, srulyofilebas veswrafvi, ra-

dgan, mark tvenisa ar iyos, zust sityvasa da

TiTqmis zust sityvas Soris iseTive gansxvave-

baa rogoric qariSxalsa da qariSxalas Soris.

b : ra aris SenTvis ferwera, feriT-wera?

c : swored eg, feriT wera. amouwurav,

zRvardaudebel SesaZleblobaTa samyaro... Ce-

mi xedvis, Cemi siyvarulis, qveynierebisadmi Ce-

mi damokidebulebis sxvisTvis gacxadebis saSu-

aleba.

saxelosno

STUDIO

stili #28. 2008

146

minda ferTa TamaSiT, zeTis saRebavis bzinvare-

biT sulis siRrmeSi miyuJuli fiqri iseve gamovk-

veTo, warmovaCino, rogorc aaelvarebs xelSi mom-

wyvdeul kenWebs zRvis movardnili talRa.

b : rogor aRiqvam Tanamedroveobas, am zambara-

saviT daZabul dros romelSiac Cven vcxovrobT?

c : me atomuri afeTqebebiT naiarev dedamiwaze

davibade. es arasdros maviwydeba. Cemi siyvaruli da

Cemi saTqmeli ki Cemi mravaltanjuli, lamazi saqa-

rTveloTi iwyeba da mTavrdeba.

ideisa da reportaJis avtori

buba svimoniSvili

Tbilisuri Semodgoma


AUTUMN IN TBILISI


stili #28. 2008

147

We met with Tsira at her studio. Here below you can find a

brief review of our conversation.

Buba: What was the most important, crucial moment of

your life?

Tsira: 9th of March of 1956!

- They are shooting children! I am gone! - They were Russian

soldiers, children were teenage demonstrators… I remember how,

at the age of four, in the impenetrable, suffocating darkness, which

a minute ago was my room, I started to decipher the words of

my grandfather, historian Sargis Kakabadze. The moment marks

the beginning of my conscious life.

B: What are the main points of your art?

Tsira Kalandadze

qariani saRamo


WINDY EVENING


mkvlelebi

tilo, zeTi, 130smX130sm, 1989

MURDERERS

OIL ON CANVAS 130CM X 130CM, 1989

stili #28. 2008

148

qrizanTemebi

tilo, zeTi, 70X50, 2005

CHRYSANTHEMUM

OIL ON CANVAS 70X50, 2005

stili #28. 2008

Ts: I try to express my visions, my emotions most precisely,

whether playing with paints or with colored patches of fabrics… I will

quote Mark Twain, ‘The difference between the right word and the

nearly right word is the same as that between lightning and the light-

ning bug.’

B: And what about painting itself?

Ts: Painting? It’s the medium of unlimited, unimaginable pos-

sibilities… And when I try to materialize my love through sparkling-

wet brilliance of oil paints I want all my silent, innermost feelings to

stand out bright and vivid, as the pebbles, accentuated, glorified by

the frothy onslaught of wave, stand out on my wet palm.

B : What is your perception of the overstrained reality of our

times?

Ts : I was born on a planet scorched by first atomic explosions.

And on this endangered planet my ultimate love and ultimate pain

is my beautiful, long-suffering Georgia. REPORTAGE AND IDEA BY

BUBA SVIMONISHVILI

monadiris zRaprebiHUNTER'S STORIES

konkia

CINDERELLA Cem Zvel TbilisSiIN MY OLD TBILISI

simRera

SONG

krimanWuli

KRIMANCHULI

149

gia buRaZe

“Tbilisi dRisiT da RamiT”

13. 05. 2008

Gia Bugadze

“Tbilisi day and night” 13. 05. 2008

Tbilisi – Cemi cxovrebis

yoveldRiurobaa. misi quCebi,

kedlebi da gansakuTrebiT fa-

njrebi, yovel wams gvmimxel-

en maTSi mcxovrebi adamianeb-

is, adamianTa mTeli Taobebis

gaumxelel saidumlos, mogvi-

Txroben ambebs maTi mSfoTva-

re cxovrebisa da Tavgadasav-

lebis Sesaxeb. da amitomac,

miuxedavad imisa, rom Tbili-

si ymawvilkacobis Semdgom

TiTqmis ar damixatavs da

TiTqos davSordi kidec am

Temas, mainc gadavwyvite am

gadasaxedidan kidev erTxel

davxato, kidev erTxel vu-

Txra Cems qalaqs rom Zalian miyvars, masze vdardob, vbra-

zob, vwuxvar da ubralod vfiqrob dRe da Rame.

gia buRaZe

stili #28. 2008

150

gamofena moewyo galereis da sa-

qarTvelos kulturis, ZeglTa da-

cvisa da sportis saministros ku-

lturuli memkvidreobis dacvis

2008 wlis saxelmwifo programis

dacvis erToblivi proeqtis gansa-

xorcieleblad. proeqti iTvalis-

winebs elene axvledianis albomis

momzadebasa da gamocemas, romel-

Siac Seva suraTebi kerZo koleq-

ciebidan.

iuri beriSvili -

ferwera 29.05. 2008

Yuri Berishvili –

Painting 29.05. 2008

baia galereamaisi – ivnisis sagamofeno sezoni

elene axvlediani “suraTebi kerZo koleqciebidan” 17.06.2008 gamofena da proeqtis prezentacia

stili #28. 2008

151

The exhibition was made by Baia Gallery

in the framework of cultural heritage protec-

tion state program of Ministry of Culture of

Georgia. The aim of this project is making

and publishing Helene Akhvlediani’s album in

which will enter paintings of Helene Akhvlediani

from private collections.

Baia GalleryMAY – JUNE EXHIBITION SEASON

”lev baiaxCevi” –

proeqti “procesi” pirveli gamofena 17.05.2008

Lev Baiakhchev – Project “Process” First exhibition 17.05.2008

vaxo buRaZe

“sxeuli” - kidev

erTxel sxeul-

is Sesaxeb.

06.06.2008

Vakho Bugadze

“Body” – One more

time about the

body06.06.2008

Helene Akhvlediani “Paintings from private collections” 17. 06. 2008Presentation

of the project and exhibition

Cven gvqonda SesaZlebloba, Tqve-

nTvis, saiuveliro kompaniis `david

end kabirskis~ SemoqmedebiTi frag-

mentebi gagvecno. kompaniis mimarT in-

teresi dRiTi dRe izrdeba. sul axla-

xans ki moskovis cnobil saiuvilero

Jurnalis bolo nomrebSi - `Style - ru-

skaia iuvelirnaia sec~ - gamoqveyn-

da interviu, kompaniis dizaine-

rebTan. amjerad, gTavazobT

fragmentebs daviT CxeiZis

interviudan da warmogidg-

enT dizaineris axal namuSev-

rebs.

- rogor viTardeboda Tqve-

ni SemoqmedebiTi biografia? da

ratom SeaCereT minanqarze arCe-

vani?

- profesiiT arqiteqtori var.

minanqarze, bolo aTi wlis manZil-

ze vmuSaob; erTmaneTTan vaxameb saiu-

veliro dizains, minanqars da minanqris mi-

niatiurebs. vmonawileob sxvadasxva konkurseb-

Si, zogjer vimarjveb kidec. Cemis azriT, Ce-

mi amJamindeli saqmianoba mainc arqiteqtu-

raa, Tumca gansxvavebuli, ufro kame-

ruli masStabebiT.

- arsebobs Tu ara cneba `qar-

Tuli saiuveliro skola~? Sei-

Zleba Tu ara vilaparakoT qa-

rTveli iuvelirebis gansxva-

vebel stilze?

- samwuxarod, qarTuli sa-

iuveliro skola, ubralod,

amJamad ar arsebobs. aris cno-

bili dizainer-iuveliri guji

amaSukeli; igi safrangeTSi cxo-

vrobs da misi mTavari damkveTi va-

tikania. xelosnebi, oqromWedlebi, aR-

mosavluri filigranis ostatebi - yove-

live es warsulSia. Zalian sawyenia, magr-

am faqtia.

- rogor iqmneba Tqveni samkaulebi?

- rodis rogor - zogjer vwvalob, zogjer

idea uceb modis. magram mxatvari arasdros

ar unda iyos damokidebuli Tavis ganwyo-

baze, aq mudmivi muSaobaa saWiro.

- SeuZlia Tu ara silamazes samya-

ros, an Tundac erTi konkretuli ad-

amianis Sinagani samyaros gadarCena?

- silamaze erT adamiansac gada-

arCens da mTels kacobriobasac - ub-

ralod amisTvis adamianebma silama-

zis xedva unda iswavlon.

esaubra

sergei dimitriuki

blic-interviu

- Tqveni SemoqmedebiTi STagonebis

wyaro?

- qali

- 2 ram, rasac Tqveni aforiaqeba

SeuZlia?

- utifroba da upasuxismgebloba.

- 2 ram, rasac yvela -dizainer-iuv-

eliri unda flobdes?

-zomierebis da iumoris grZnoba.

- 2 ram, rac dizainer-iuv-

elirma arasdros ar unda ga-

akeTos?

- plagiati da sakuTari Tav-

is qeba.

- 2 wigni, romelmac Tqvens pi-

rovnebaze yvelaze didi gavle-

na moaxdina?

- `sami muSketeri~ da `sami

megobari~.

- 2 filmi, romlis naxvac ar-

asdros ar gbezrdebaT?

- `makulatura~ da `qin-Za-Za~.

- 2 pirovneba/persona-

Ji, romlebsac gindaT

hgavdeT?

- supermeni da kapitani

nemo.

- 2 qali, romelmac gagaocaT?

- sofi loreni da maSa malinovskaia.

- Tqveni sayvareli sasmelebi?

- Cai da tomatis wveni.

- Tqveni sayvareli alkoholuri sa-

smelebi?

- qarTuli Rvino da viski.

- Tqveni sayvareli qalaqebi?

- Tbilisi da talini.

- sayvareli adgilebi am qala-

qebSi?

- Sardenis quCa da vi-

Sgorodi.

- survili, romelic jer

ar agsrulebiaT?

- gemovnebiani da finansurad

SeuzRudavi, xelgaSlili damk-

veTi.

`adamianebma unda

iswavlon silamazis xedva~

stili #28. 2008

152

People Ought to Learn

to Value BeautyWe have already had an opportunity to tell you about G. Kabirski &

David jewelers. The interest toward this company grows daily; not long

ago, popular Moscow magazine „STYLE - Russian Jewelers’ Network“ pub-

lished an interview with G. Kabirski & David designers. On our part, we

would like to offer you quotations from their interview with David Chkheidze

and some of his new works.

- How did your artistic career develop? Why did you choose enam-

el in the long run?

- I am an architect by profession, however during the last ten years I have been

working with cloisonne enamel, combining jewelry design, enamel accessories and

miniatures. From time to time I participate in competitions and win occasional awards.

I believe that my current occupation can be leveled with architecture, but on a differ-

ent scale.

- Is there any such notion as „Georgian jewelry school“? Is it possible to

say that Georgian jewelers have a distinctive style?

- To my deep regret, at the time being Georgian jewelry school does not exist.

There is a famous jewelry designer Guji Amashukeli; he lives in France and his

main client is Vatican. Artisans, armourers, Oriental filigree masters - this is

all in the past. Very unfortunate, but such is the reality.

- How do you create your jewelry designs: do the ideas come

to you in pain or as an insight?

- It depends... However, an artist should never

depend on his mood, one should work on a per-

manent basis.

- Can beauty save the world - the uni-

verse in general or, at least, the inner world

of one particular person?

- Inner world of a person it can save in any case,

and universe in general too - but before this, people ought

to learn to value beauty.INTERVIEWED BY SERGEI DMITRIUK

FLASH INTERVIEW

- What/who do you see as a source of your inspira-

tion?

- Women.

- 2 things that can unsettle you?

- Impudence and irresponsibility.

- 2 things that any designer should have?

- Moderation and sense of humo.r

- 2 things that a designer should not do?

- Engage in plagiarism and praise himself.

- 2 books that formed you as a person-

ality?

- Three Musketeers and Three Comrades.

- 2 movies that you like to review?

- Pulp Fiction and Kin-dza-dza.

- 2 persons / characters you would like

to resemble?

- Superman and Captain Nemo.

- 2 women that have struck your imagination?

- Sophia Loren and Masha Malinovskaya.

- 2 of your favorite drinks?

- Tea and tomato juice.

- 2 of your favorite alcohol drinks?

- Georgian wine and whiskey

- 2 of your favorite cities?

- Tbilisi and Tallinn.

- 2 of your favorite places in these cities?

- Chardin Street and Toompea.

- Your unrealized wish?

- A good client with unlimited funds.

stili #28. 2008

153

Ñåãîäíÿ ñâîèìè âïå÷àòëåíèÿìè îò ôåñòèâàëÿäåëèòñÿ ñïåöèàëèñò êðåàòèâíîãî îòäåëà àãåíòñòâà

Publicis Hepta Georgia Àíàñòàñèÿ Ãðèøàíîâà

stili #28. 2008

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Êàííû âñòðåòèëè ñèçûì íåáîì è ïàñìóðíîé ïîãîäîé.Íî âåòåð, ãîñïîäà!!! Îí ïðîïèòàí ìîðåì, à çíà÷èò âñåïðåêðàñíî! Øøøøø… Ýòî âîëíû ïîþò… Íó, äà ëàäíî. Ìûíå îá ýòîì. Íà ïåðâûé âçãëÿä äóõà êðåàòèâíîñòè è êàêîãî-òî áåçóäåðæíîãî ôåñòèâàëüíîãî êóðàæà â Êàííàõ ìàëîâàòî.Ïðåäñêàçóåìàÿ Êðóàçåòò, ïàëüìû, äîðîãèå ìàãàçèíû,ñìåøàííûé äóðìàíÿùèé êîêòåéëü èç ñëàäêîâàòûõ ïàðôþìîâ,áëàãîñòíûå ñòàðóøêè ñ ìàëåíüêèìè ñîáà÷êàìè, ïàëüìû,ÿõòû. Âñå ðîâíî è ñïîêîéíî, îæèäàåìî.

Ïî-êóðîðòíîìó çâåíÿò áîêàëû íà óëèöàõ, ìàëåíüêèå óëî÷êèíàïîëíåíû ìèêñîì èç ðàçíûõ ÿçûêîâ, îãðîìíûå ÷àéêè ñèäÿòíà ïîäîêîííèêàõ âïîëíå ñåáå æèëûõ äîìîâ è ïåðåïîëíåííûõîòåëåé. Íî! Âñå ýòî òîëüêî íà ïåðâûé âçãëÿä â ñàìûé ïåðâûéäåíü.

Ëüâû.Âñå ïîñòîÿííî òâåðäÿò î òîì, ÷òî Äâîðåö ôåñòèâàëåé

íå òàêîé óæ è êðàñàâ÷èê, è íå îáëàäàåò âîæäåëåííîé ìàãèåé«ïî ýòîé ëåñòíèöå ïîäíèìàëîñü òàê ìíîãî çíàìåíèòûõ íîã».

Ñêàçàòü ÷åñòíî? Íå òàêîé óæ îí è êðàñàâ÷èê è äà — íåîáëàäàåò. Íó è ôèã ñ íåé, ñ ìàãèåé! Ìàãèþ â ýòè äíè íàäîèñêàòü â äðóãîì. Îäèí òîëüêî ñïèñîê ñåìèíàðîâ, âîðêøîïîâè ìàñòåð-êëàññîâ ôåñòèâàëÿ ñïîñîáåí ñîðâàòü êðåàòèâíóþêðûøó ëþáîìó, êòî õîòÿ áû êàêèì-òî áîêîì èìååò îòíîøåíèåê ðåêëàìíîìó áèçíåñó, à îñîáåííî ê èäåéíîé åãî ÷àñòè.

Èòàê, çàõîäèøü â registration area ôåñòèâàëÿ è, ñîáñòâåííî,ðåãèñòðèðóåøüñÿ. Òåáÿ ñ óëûáêîé ôîòîãðàôèðóþò, ñ óëûáêîéâûäàþò áåéäæ ñ òâîåé (íå ñàìîé, êñòàòè, ëó÷øåé, èáî íåêàÿîøàëåëîñòü îò ïðîèñõîäÿùåãî ÿâíî îòïå÷àòûâàåòñÿ íà ëèöå)ôîòîãðàôèåé, ïðåäëàãàþò ïðîéòè â orange zone, ãäå âñåìòåì, êòî óæå ñ áåéäæàìè âûäàþò âíóøèòåëüíîãî âèäà ñóìêóè ïðèãëàøåíèÿ íà öåðåìîíèè íàãðàæäåíèÿ è ãàëà îòêðûòèåôåñòèâàëÿ.

Öåðåìîíèè íàãðàæäåíèÿ ÷åòûðå: Press, design & cyberlions, Radio, media & outdoor lions, Direct & Promo Lions èôèíàëüíàÿ — Film, Titanium & Integrated Lions. Äà, è åùåïðèãëàøåíèÿ íà ãàëà îòêðûòèå è çàêðûòèå. Êàê-òî, çíàåòåëè, ïðèÿòíî âèäåòü ñâîå èìÿ ðÿäîì ñî ñëîâàìè «OpeningGala Carlton Hotel Beach Invitation».

×òî â ñóìêå? Êíèãè, æóðíàëû, äèñêè, ðàçíîãî ðîäàêðåàòèâíûå ïðèãëàøåíèÿ íà ñåìèíàðû è âûñòàâêè, «Little BlackBook» î ìåñòàõ â Êàííàõ, ãäå ìîæíî «drink, eat and havefun». Êíèãà ýòà, êñòàòè, ñîñòàâëåíà ñïåöèàëüíî äëÿ ó÷àñòíèêîâôåñòèâàëÿ, ÷òî ìèëî è ïðèÿòíî. Òåêñòû â íåé ñìåøíûå è

èíòåðåñíûå, êàê, ñîáñòâåííî, è ñàìè îïèñûâàåìûå ìåñòà.Â õîëëå Äâîðöà ôåñòèâàëåé óæå çàðàáîòàëè

èíòåðàêòèâíûå êèîñêè: ðÿäû ñòîëîâ ñ êîìïüþòåðàìè, âêîòîðûõ íàõîäÿòñÿ áàçû äàííûõ âñåõ ó÷àñòíèêîâ ôåñòèâàëÿ.Ìîæíî ïîñìîòðåòü âñå ðàáîòû ïî âñåì íîìèíàöèÿì. Âûñòàâêèñ ôîòîãðàôèÿìè ýòèõ ðàáîò. Âûñòàâîê ìíîãî, ñòåíäû äëèííûå,ðàáîò îãðîìíîå êîëè÷åñòâî (èõ ê òîìó æå íåëüçÿôîòîãðàôèðîâàòü), ïîýòîìó ýòè èíòåðàêòèâíûå êèîñêè î÷åíüêñòàòè.

Ðàçäàâàëè ñîêè, Êîíôåòêè ðàçíûå âåçäå â âàçî÷êàõ ñòîÿò,îáîæàþ òàêèå âîò ìåëî÷è. ×òî ìîæåò áûòü ïðîùå? Ðàññòàâèòüâàçî÷êè ñ êîíôåòêàìè. Íî ýòî òàê touching.

Ïåðåä Äâîðöîì íåáîëüøàÿ ïðîìî-âûñòàâêà îòGettyImages, äåìîíñòðèðóþùàÿ èçâåñòíûå âñåìó ìèðóôîòîãðàôèè è ïðåäëàãàþùàÿ âñåì æåëàþùèì îñòàâèòüðÿäîì ñ íèìè ñòèêåðû ñî ñâîèìè èäåÿìè ïî èñïîëüçîâàíèþýòèõ ñþæåòîâ â ðåêëàìå: ÷òî ìîæíî ïðîðåêëàìèðîâàòü,

âîðêøîïîâ è ìàñòåð-êëàññîâ ôåñòèâàëÿ

ñïîñîáåí ñîðâàòü êðåàòèâíóþ êðûøó

Îäèí òîëüêî ñïèñîê ñåìèíàðîâ,

a x a l i a m b e b i

N E W S

èñïîëüçóÿ ýòîò èìèäæ, ê ðåêëàìå êàêîãî ïðîäóêòà ýòîòñþæåò íèêîãäà áû íå ïîäîøåë è ò.ä.

Ñòèêåðû ïîñòåïåííî ïðèêëåèâàþòñÿ. Èäåè åñòü âåñüìàâåñåëûå. ×òî-òî òàì ïðî Éîêî Îíî ñ Äæîíîì Ëåíîíîì èðåêëàìó ïðåçåðâàòèâîâ âñïîìèíàåòñÿ… Èëè òàì áûëî ïðîîäåÿëà îò Ikea? Óæå ïóòàåòñÿ êëóáîê â ãîëîâå…

Ãóùà.Ñåìèíàðíîå áåçóìèå. Âòîðîé äåíü ôåñòèâàëÿ.Ñåìèíàð Thenetworkone îá èíòåðåñíûõ ïðîåêòàõ

íåçàâèñèìûõ êðåàòèâíûõ àãåíòñòâ. Ââîäíîå ñëîâî ÄæóëèàíàÁîëäèíãà, ïðåçèäåíòà âûøåîòìå÷åííîé êîìïàíèè, à çàòåìâûñòóïëåíèÿ è êåéñû îò ïðåäñòàâèòåëåé ðåêëàìíûõ àãåíòñòâÈíäèè, Áðàçèëèè, Êèòàÿ è Ðîññèè.

Âñå áûëè èíòåðåñíûå è äîñòîéíûå, íî îñîáåííîçàïîìíèëîñü âûñòóïëåíèå Äìèòðèÿ Ëåâòååâà, äèðåêòîðààãåíòñòâà IQ Marketing, Moscow ñ óìîïîìðà÷èòåëüíîçàëèõâàòñêîé ìóçûêàëüíî-àíèìàöèîííîé ïðåçåíòàöèåé,ïîñâÿùåííîé òîìó, êàê èç ïðîñòîãî íîâîãîäíåãî ïîäàðêà äëÿêëèåíòà (à èìåííî êðåàòèâíîé ñêàòåðòè-ñàìîáðàíêè èòàáóðåòêè) ïîëó÷àþòñÿ ñàìîñòîÿòåëüíûå áðåíäû, çà êîòîðûìâïîñëåäñòâèè ãîíÿþòñÿ êðóïíûå ìàãàçèíû (â äàííîì ñëó÷àåðå÷ü øëà î ñåòè êíèæíûõ ìàãàçèíîâ «Áóêáåððè»).

Òýãè:- 7 beliefs of the independent agency (Brazil): creativity and

inspiration, impartiality, multidisciplinary team, brand reputation,collaborative work, new media strength, new remuneration for-mats.

- the agency without fake promises- strong positioning and visual identity

Mindshare USAÊåéñ óäèâèòåëüíîãî ïðîåêòà In the Motherhood. Íîâàÿ

ôîðìà ðàçâëåêàòåëüíîãî êîíòåíòà. Ðàññêàç î òîì, êàê èç

çàáàâíûõ ìàìàøèíûõ èñòîðèé î äåòÿõ ìîæåò ïîëó÷èòüñÿóíèêàëüíîãî ðîäà ãëîáàëüíûé èíòåðàêòèâ: ïîïóëÿðíåéøèé ñàéòñ áëîãàìè, ôîðóìàìè, ñîâåòàìè, ìàãàçèíàìè, à ãëàâíîå —î÷åíü ñìåøíûì ñåðèàëîì, îòñíÿòûì ðåæèññåðàìè ïîñöåíàðèÿì, íàïèñàííûì ïî ìîòèâàì èñòîðèé-ïîáåäèòåëåé.

Ïëþñ ÒÂ-øîó, ïëþñ óíèêàëüíûé êîíòåíò äëÿ ìîáèëüíûõòåëåôîíîâ, ïëþñ ïðîìî â ñóïåðìàðêåòàõ, ïëþñ… Ïëþñ òî,÷òî ñåðèàëîì çàèíòåðåñîâàëñÿ êàíàë NBC, êîòîðûé êóïèëïðàâà íà ïîêóïêó âòîðîãî ñåçîíà ñåðèàëà (òðàíñëèðóåìûéäî ýòîãî òîëüêî â WEB ôîðìàòå). Íî, êîíå÷íî, ñàìûéáîëüøîé óñïåõ àãåíòñòâà — ýòî íåìûñëèìûå shifts èõêëèåíòîâ, ðàäè êîòîðûõ, ñîáñòâåííî, âñå ýòî è äåëàëîñü.

Ïðåäñòàâèòåëè Mindshare íàçâàëè èõ «forward thinkingclients», êîòîðûå íå ïîáîÿëèñü ðèñêíóòü, ñìîãëè ïîääàòüñÿíà òàêóþ «ïðîâîêàöèþ» àãåíòñòâà è â ðåçóëüòàòå âûèãðàëè.Äâà êëþ÷åâûõ áðåíäà êàìïàíèè ïîêàçàëè îòëè÷íûå ðåçóëüòàòû,ýòî áûë íàñòîÿùèé óñïåõ.

Òýãè:- consumers want to have a voice, they want to participate- 3 keys of the campaign: marketing dynamics, brand posi-

tioning & real insights- Consumers: “thank you for respecting us and not putting

brands at our faces!” (less direct product placement)- Forward thinking clients, collaborative work and enthusi-

astic reliable partners

SAWA. Screen Advertising World Association.Íàñòîÿùèé âçðûâ ýìîöèé! Ó âõîäà íà ñåìèíàð ðàçäàâàëè

ñïåöèàëüíûå î÷êè äëÿ ïðîñìîòðà 3D âèäåî, à òàêæå î÷åíüóìåñòíûé äëÿ ïåðåãðóæåííûõ èíôîðìàöèåé è âïå÷àòëåíèÿìèìîçãîâ — Ðåä Áóëë. Ýìì, íó ðàçäàëè î÷êè è îòëè÷íî.

Ñîáñòâåííî, íèêòî, ïîõîæå, è íå îæèäàë, ÷òî íà÷àëîìñåìèíàðà ñòàíåò ïî-íàñòîÿùåìó ñóìàñøåäøèé ÏÎÄÀÐÎÊ —îòðûâîê èç îòñíÿòîãî ñîâñåì íåäàâíî ïåðâîãî â ìèðå 3Dêîíöåðòà ëåãåíäàðíîé U2!!! Çàë ëèêîâàë! Åùå áû — âèäåòüÁîíî, ïîþùèì ïðÿìî ïåðåä òîáîé, áóêâàëüíî íà êðåñëåâïåðåäè ñèäÿùåãî ÷åëîâåêà! Ïîëíûé ýôôåêò ïðèñóòñòâèÿ!

Òîò ñàìûé, ìîäíûé íûí÷å â ðåêëàìíîì îáèõîäå òåðìèí— WOW effect! Òàêîå íà÷àëî ñåìèíàðà ïðîñòî ðàçîðâàëîâåñü çàë. Êàê ïî ìíå, òàê äàæå ýòîãî îòðûâêà èç êîíöåðòàU2 õâàòèëî áû äëÿ òîãî, ÷òîáû çàïîìíèòü ýòîò ñåìèíàð íàäîëãî.Íî äàëüøå áûëè óäèâèòåëüíûå, ïîëíûå èñêðîìåòíîãî þìîðà(äåéñòâèòåëüíî ñìåøíî!) âûñòóïëåíèÿ ñïèêåðîâ ñåìèíàðà,óíèêàëüíàÿ èãðà, â êîòîðîé âåñü çàë ïðåâðàòèëñÿ â «humanjoystick»: çðèòåëè ïîäíÿëè ðóêè (è ÿ âìåñòå ñ íèìè, of course)è óïðàâëÿëè ìàøèíîé íà ýêðàíå, êîòîðàÿ åçäèëà è ñîáèðàëàî÷êè.

Èãðà áûëà ñäåëàíà äëÿ êîìïàíèè Volvo èïðîäåìîíñòðèðîâàíà íà ïðàêòèêå âî ìíîãèõ êèíîòåàòðàõ ðàçíûõñòðàí ñ îãðîìíûì óñïåõîì. ×òî åùå? Óíèêàëüíûå 3Dðåêëàìíûå ðîëèêè RedBull, Vodafone, ïîðòóãàëüñêîãî ïèâà,à òàêæå ýêñêëþçèâíûé ïîêàç òðåéëåðà íîâîãî è åäèíñòâåííîãîâ ìèðå 3D ôèëüìà, êîòîðûé ñêîðî âûõîäèò íà ýêðàíàõ ÑØÀ.

Íîâåéøàÿ èñòîðèÿ òåõíîëîãèé, êîòîðàÿ òâîðèòñÿ ïðÿìîñåé÷àñ è brand-new âîçìîæíîñòè äëÿ ðåêëàìû! Ïðîãðåññ óæåíå ïðîñòî íàëèöî, à, èçâèíèòå, â ïðîöåññå ãëóáîêîéïåíåòðàöèè â íàø ìîçã, æèçíü è ìèð. Íàñòîÿùèéäèäæèòàëüíûé âçðûâ. Îé…

Ogilvy.Áëàãî ïðèøëà ïîðàíüøå è óñïåëà çàíÿòü ìåñòî, ïîòîìó

êàê íà ñåìèíàð ÿâèëîñü îãðîìíîå êîëè÷åñòâî ÷åëîâåê.Ïîëíûé àíøëàã (Ðåãèíà Äóáîâèöêàÿ, ïðèâåò!)! Ïðåäñòàâèòåëè

Îãèëâè ïîâåäàëè î ÷åòûðåõ «ëèíçàõ», ñêâîçü êîòîðûå ñåé÷àñíåîáõîäèìî ñìîòðåòü íà digital ìàðêåòèíã.

×åòûðå ïåðñïåêòèâû, êîòîðûå óæå ðåàëüíîñòü. Îãèëâèíàçâàëè èõ DADA, DATA, ALPHA, BETA. Ðå÷ü â îñíîâíîìøëà î WEB 2.0, î òîì, êàê âàæíî ñåé÷àñ ïðèäóìûâàòü ÷òî-òî ñîâåðøåííî íîâîå, ëîìàþùåå ñòåðåîòèïû, ïî-íîâîìóïåðåêðó÷èâàòü ñòàðûé îïûò (ñîáñòâåííî, ïðèíöèï, êîòîðûéèñïîëüçîâàëñÿ äàäàèñòàìè), ðàçâëåêàòü ïîòðåáèòåëÿ,ðàçãîâàðèâàòü ñ íèì è áûòü åìó ïîëåçíûì.

«Content and Functionality are the new creativity», —ïîâåäàëî Îãèëâè. Ýòî áûë èíòåðåñíûé ñåðôèíã ïî íàèáîëååèíòåðåñíûì Èíòåðíåò-ïðîåêòàì, ïîÿâèâøèìñÿ â ïîñëåäíååâðåìÿ â ñåòè. Ñåìèíàð ñòàë íàñòîÿùåé êîïèëêîé òðåíäîâ,íîâûõ äåôèíèöèé, êðåàòèâíûõ èäåé è òýãîâ

Íàïèøó òîëüêî ïàðî÷êó èíòåðåñíûõ òýãîâ, èëè, êàêñêàçàë áû ìîé ïðèÿòåëü — õóäîæíèê ãðàôôèòè — çàòýãèðóþ:

- YouTube is DADA- we must use new forms of art in advertising- collaboration: breaking down the walls between different

disciplines- people like sharing things and points of view- addressable media!- environmentally friendly — trend # 1- storytelling — trend # 2- ALPHA dogs — ALPHA consumers - Utility: create new services for your customers and let

them participate in the history of your brand- äåìîíñòðèðîâàòü õîðîøèå è ïîëåçíûå äëÿ ÷åëîâå÷åñòâà

äåëà — trend # 3- Listen to your customers!!!! Future belongs to those mar-

keters who can ACTIVELY listen the customers, giving them feed-back (Lego, Starbucks)

- the time when your campaign starts and finish is over.Continuous and innovating campaigns rule the market (perpe-tum BETA)

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teqtori, saberZneTi; jorj kunihiro, ar-

qiteqtori, iaponia; ruben mutiso, arqite-

qtori, kenia; jenifer li, arqiteqtori),

kompetenturad Seafasa msoflios sxvada-

sxva qveynidan warmodgenili saukeTeso na-

muSevrebi da Zalze sasixaruloa is faqti,

rom saerTaSoriso konkursis II premia wi-

lad xvda axalgazrda qarTveli arqiteq-

torebis jgufs - kaxa kaxiSvilis, daTo gi-

orgaZis, gigi SukakiZis SemadgenlobiT.

30 ivnisidan 3 ivlisis CaTvliT turi-

nSi arqiteqtorTa saerTaSoriso kongre-

si Sedga. specialur pavilionebSi gamofe-

nili iqna msoflios sxvadasxva wamyvani

arqiteqturuli kompaniebis, arqiteqto-

rebis namuSevrebi. saqarTvelodanac bevri

saintereso proeqti iqna eqspozirebuli.

gamofenili iqna kongresis erT_erTi mTa-

vari movlenis konkursis priziorTa namu-

Sevrebic. 2 ivliss Sedga dajildoebis

ceremoniali.

metad saamayoa Cveni TanamemamuleTa

warmateba am rangis Sejibrze.

vulocavT maT am did gamarjvebas.

lali baxtaZe

saerTaSoriso konkursi

35 wlamde asakis

arqiteqtorebisaTvissainformacio centri - infopointi turinSi (italia)

stili #28. 2008

157

The International Union of Architects (UIA) launched

the ideas competition in the framework of UIA

Congress, scheduled for June-July 2008. The aim of

the competition was to create a UIA information point

in the city of Turin – a place, dedicated to urban democ-

racy where people could meet, socialize and relax.

A relevant national competition was arranged in

Georgia in order to support young Georgia-based archi-

tects in expression of their creative potential and their

integration in the international architectural processes

in the framework of UIA.

To ensure achievement of the above goals,

Georgian competition organizers:

Union of Architects of Georgia (national member

of UIA network), and

Georgian Skier Architects’ Club SKIA

Joined the initiative of UIA and offered addition-

al incentives for young Georgia-based architects.

On February 29, exhibition hall of Gudauri Hotel

hosted the competition award ceremony.

It should be noted that some Georgian architects

took part in the UIA ideas’ competition bypassing the

“Gudauri qualifier” and sent their entries directly to Torino.

The jury of the competition, consisting of the best

international professionals (Luca Molinari, architect, Italy;

Maria Theodorou, architect, Greece; George Kunihiro,

architect, Japan; Reuben Mutiso, architect, Kenya;

Jennifer Lee, architect, USA Representative of the

Municipality of Turin; Representative of the Piedmont

Region) carefully studied the entries, submitted by rep-

resentatives of different countries worldwide to single

out the most valuable projects; we are really happy

to say that the 2nd prize was awarded to a group of

young Georgian architects – Kakha Kakhishvili,

David Giorgadze and Gigi Shukakidze.

Below please find the project description, submit-

ted to the competition organizers by Georgian archi-

tects, who won the 2nd prize:

“Firstly, we wanted to design a space without fixed

architecture, not permanent, but as mobile and flexi-

ble, as the free space of the plaza.

It should not be an architecturally pretentious solid

body, but should appear to be a simple and function-

al information provider.

The original idea for the structure is based on a

square – a Closed Model of Open Space.

The Info box must be multirefious, accessible, vari-

able and self-evident. The transformable body whose

attributes will be dynamic and which will be able to

follow the rhythm of changing purposes.

The pavilion is designed to be universal: this makes

it possible to place it anywhere on the plaza or to

move it to a new location without disrupting its func-

tionality.

Its multilateral modification brought us to the cre-

ation of the curved body type, which absorbs the sur-

rounding environment. This optical illusion is achieved

by both the shape and materials used. It allows the

free flow of movement around and through the pavil-

ion, without forming barriers, even taking into account

that it has walls.

The reason, it is not perceived as a solid object,

but as a transparent, continually transforming struc-

ture, is the material.

Material – MIRRORS – flat surfaces providing good

visual reflection, and smooth enough to show a clear

image.

The facades are constructed with modular mir-

ror segments, in which the reflections of the surround-

ings are divided, repeated and multiplied causing the

pavilion to become invisible.

LALI BAKHTADZE

INTERNATIONAL UNION OF

ARCHITECTS (UIA) Information

Center – “Infopoint” In Turin (Italy)COMPETITION FOR ARCHITECTS UNDER 35

"qaRaldis arqiteqtura" -

arqiteqturuli fantazia

(XXI studenturi konkursi-klauzura)

konkursis iniciatori gaxldaT “imma” jgufis erT-erTi damfuZnebe-

li da stu-s arqiteqturis fakultetis kursdamTavrebuli laSa mamala-

Ze, romlis arqiteqturul proeqts „The Void“ wilad xvda pativi war-

modgenili iyos 2008 wlis londonis arqiteqturis festivalze .

batoni laSas iniciativiT festivalis xelmZRvaneloba (Peter Murrey)

daTanxmda sxva qarTveli axalgazrda talantebis warmoCinebas am festi-

valze,

am axalgazrdebis SerCevis mizniT, 2008 wlis 31 maiss, dilis 10 saa-

Tze, saqarTvelos teqnikuri universitetis arqiteqturis, urbanistikis

da dizainis fakultetze Catarda 2 etapiani blic-konkursi.

pirvel etapze saqarTveloSi gamovlinda 16 saukeTeso finalisti, ro-

melTa namuSevrebi eleqtronuli fostiT gadaigzavna londonSi.

konkursis mizania Seaxsenos sazogadoebriobas is sayovelTaod aRia-

rebuli WeSmariteba, rom arqiteqtura xelovnebis erT-erTi fuZemdeblu-

ri dargia, am sityvis farTo filosofiuri gagebiT. mas didi mniSvenlo-

ba eniWeba momavali arqiteqtorebis mxatvruli da metaforuli azrov-

nebis Camoyalibebis da ganviTarebis urTules procesSi.

saqarTveloSi konkursis organizatorebi:

- saqarTvelos teqnikuri universitetis arqiteqturis, urbanistikis

da dizainis fakulteti; - Tbilisis saxelmwifo samxatvro akademiis ar-

qiteqturis fakulteti;

- “imma” jgufis warmomadgenloba saqarTveloSi.

Jiuri: sakonkurso namuSevrebi Seafasa stu-s da Tssa-s profesorebi-

sagan paritetul sawyisebze Semdgarma Jiurim.

Jiurim yuradReba miaqcia rogorc mxatvruli azrovnebis, aseve Ses-

rulebis (azris gamosaxvis) mxatvrul xarisxs.

konkursSi monawileobdnen saqarTvelos teqnikuri universitetis ar-

qiteqturis, urbanistikis da dizainis da Tbilisis samxatvro akademiis

arqiteqturis fakultetis studentebi.

gamarjvebulTa gamocxadeba Sedga imave dRes - 31 maiss, 18.00 saaTze.

warmogidgenT maT: Tbilisis teqnikuri universitetis arqiteqturis

fakulteti:

beqa xuciSvili, nino potapova, vaxtang joxaZe, giorgi qobulia, mamu-

ka maxoSvili, nika maisuraZe, SoTa ZagniZe, dima ajimiani, naTia gelovani,

Temur ninua, giorgi slivini,zurab kilaZe.

Tbilisis saxelmwifo samxatvro akademia:

Tika mosiZe, gvanca nikolaiSvili, Tika cofuraSvili, gio maxaTaZe, To-

rnike dadiani, lado Sonia, qeTi RuduSauri, salome papiaSvili, nuca ka-

ndelaki, salome iremaSvili, nika wulaia.

meore etapze konkursis iniciatorebma, londonis arqiteqturis fe-

stivalis organizatorebTan erTad, SearCies 6 saukeTeso da 2 saTadari-

go avtori. maT, LFA 2008 organizatorebisagan miiRes mowveva festival-

Si monawileobis misaRebad, romelic gaimarTeba londonSi 2008 wlis 20

ivnisidan 20 ivlisamde.

meore etapze gamarjvebulebi:

giorgi qobulia, SoTa ZagniZe, Temur ninua, Tika mosidze, Tika cofu-

raSvili, Tornike dadiani, lado Sonia, qeTi RuduSauri.

warmatebebs vusurvebT maT konkursis meore etapis gadasalaxad.

stili #28. 2008

158

“Paper Architecture” –

Architectural Fantasy(21ST STUDENT BLITZ-COMPETITION)

Initiator of this competition was one of the founders of IMMA Group

and graduate of Georgian Technical University Architecture Faculty Lasha

Mamaladze, whose architectural project The Void won the ticket to London

Festival of Architecture 2008.

Following Lasha’s initiative, manager of the Festival Peter Murrey agreed

to feature more young Georgian architects at this event.

To select the talented young architects for participation in the festival, a two-stage blitz-com-

petition was arranged at the Architecture, Urbanistics and Design Faculty of the Georgian Technical

University on May 31 2008.

16 students were shortlisted as a result of the first stage; their works have been e-mailed to

London. The goal of the competition is to remind the public once again that the architecture is

one of the fundamental branches of art in its broad, philosophical meaning. The competition is

very important in terms of developing creative and metaphoric thinking among the future archi-

tects.

The theme of this year’s competition was “material and immaterial”.

Georgian organizers of the competition were:

Architecture, Urbanistics and Design Faculty of the Georgian Technical University;

Architectural faculty of Tbilisi State Academy of Art;

Representatives of IMMA Group in Georgia.

Competition works were evaluated by the jury, comprising the professors of Georgian Technical

University and Tbilisi State Academy of Art.

The jury focused its attention on creative thinking as well as artistic qual-

ity of performance. It was not necessary to create realizable compositions -

the key points were the ability to express ideas and originality.

Participants of the competition were the students of Architecture,

Urbanistics and Design Faculty of the Georgian Technical University and the

Architectural faculty of Tbilisi State Academy of Art.

Competition winners:

Of Georgian Technical University: Beka Khutsishvili, Nino Potapova, Vakhtang

Jokhadze, Giorgi Kobulia, Mamuka Makhoshvili, Nika Maisuradze, Shota

Dzagnidze, Dima Ajimiani, Natia Gelovani, Temur Ninua, Giorgi Slivini, Zurab

Kiladze.

Of Tbilisi State Academy of Art: Tika Mosidze, Gvantsa Nikolaishvili,

Tika Tsopurashvili,Gio Makhatadze, Tornike Dadiani, Lado Shonia, Keti

Gudushauri, Salome Papiashvili, Nutsa Kandelaki, Salome Iremashvili, Nika

Tsulaia, were announced on the same day – May 31 2008.

The initiators of the competition together with LFA organizers will select

6 best and 2 alternative authors, who will eventually be invited to the London

Festival of Architecture on June 20-July 20 where.

Competition winners:

Giorgi Kobulia, ShoTa Dzagnidze, Temur Ninua, Tika Mosidze, Tika

Tsopurashvili, Tornike Dadiani, Lado Shonia, Keti Gudushauri,

We would like to wish good luck to all of the winners and hope that

they successfully pass the second stage of evaluation.

159

Temur ninua

TEMUR NINUA

Tika mosiZe

TIKA MOSIDZE

nika maisuraZe

NIKA MAISURADZE

Tika cofuraSvili

TIKA TSOFURASHVILI

salome iramaSvili

SALOME IRAMASHVILI

stili #28. 2008

stili #28. 2008

160

formis

iluziuri TamaSiguram joxaZis, klasikur formebSi, Taviseburad gamovlenili met-

ad plastikuri da polifoniuri SemoqmedebiTi stili - natifi da da-

xvewilia. joxaZis moderni mravalferovania da dramatuli msaxiobis

darad erTi xazidan meoreSi araordinalurad gansxeuldeba. ostat-

is yoveli nakeTobis aRqmisas, axal, moulodnel niuansebs aRmovaCenT

da mis mier vizualurad mowodebul poetur talRaze verTvebiT.

joxaZe improvizirebul-STagonebiTi stilis mxatvaria, romlis az-

ri, grZnoba da Semoqmedi suli Serwymulia silamazis ganuwyveteli,

daJinebuli Ziebis procesSi.

avtoris fantaziiT da monumenturi gaqanebiT buneba xis xveuleb-

Si ulamazesi da ganumeorebelia. moqniloba, sirbile da denadoba si-

vrceSi plastikuri formebis riTmis ganuwyvetel cvalebadobas gana-

pirobeben.

Semoqmedis ideebi, masalis faqturis, feris, formis iluziur Ta-

maSSi realizdeba. xelovneba, xom iluziaa da guram joxaZec srulyo-

filebis iluzias qmnis.

nino laRiZe

Phantom

play

of

shapes

Classical forms of Guram Jokhadze,s

works reflect a highly plastical and poly-

phonic creative style, refined and exqui-

site manner. Jokhadze is an artist of

improvisational-inspirational style, whose

mind, feelings and hands are united in

incessant, stubborn search for beauty. the

themes of his work come from the very

depths of his soul, reflecting his knowl-

edge and reverence of traditions and cul-

ture.

Jokhadze,s moderne resembles adra-

ma actor with unusual gift of imperson-

ating radically different characters. In

each of his works, one can discover unex-

pected nuances intensifing the poetic

mood, which the author conveysso mas-

terfully. The author,s imagination and

monumental scale enclose the nature with-

in the fine curves, phantom play of tex-

tures, colors and shapes.

Art is but an illusion, and Guram

Jokhadze creates the illusion of perfec-

tion.NINO LAGHIDZE

Change the Old with NewLIRIO – CREATE LIGHT, CONTROL SHADOW!

This conception was adopted by New Light prior to introduction of a new glob-

al brand into Georgia.

On May 19 2008 Dighomi showroom of New Light hosted a presentation of

the new Belgian brand Lirio by Philips.

The point is that Philips recently launched a new line of decorative light fix-

tures, which is known under the name of Philips Consumer Luminairs, and Lirio

is one of the most successful and famous brands within this group.

Lirio is a blend of advanced technologies and high level craftsmanship, result-

ing in sparkling originality, refined design and breathtaking combination of light and

shade.

Lighting is more than a remedy against darkness – lighting means comfort

and design, and this is the principle underpinning Lirio products.

You can already find fine samples of Lirio brand in Dighomi showroom of

New Light.

stili #28. 2008

161

On 21-24 May,2008ExpoGeorgiaCompany organizesCaucasus Build’08 - 13thInternational Fairfor the Building

and Interiors, GeoRealty ’08 - 1st Fair for Real Estate and GeoTech ’08 - 2nd

International exhibition for Construction machinery and Equipment.

The exhibitions will be held in #3, 4, 5, 6, 11 pavilions and at the open exhi-

bition space.

On 140 exhibition stands more than 250 companies will display their products

at the fair.

Products are offered from 17 countries:

Austria, Finland, France, Turkey, Ukraine,

Germany, Italy, Japan, Lithuania, Russia etc.

The Turkish National participation is pro-

vided by “TUYAP” company.

The main products and services repre-

sented at the fair are:

Adhesives and Injection Materials,

Admixtures, Alucobond, Armature, Bathtubs

and Shower Trays, Ceiling and Wall, Chemical

Substances, Coatings, Concrete and Cement,

Concrete Pumps, Construction, Construction

Equipment, Corrosion Protection Materials,

Covering Materials, Decorative Stone, Electric

Installation and Equipment, Equipment, Fire

Alarm Systems, Furniture, Gas Heaters,

Glazed Tile, Granite, Handles, Heat and

Vent, Hydro-Massage Systems, Industrial Kitchen Equipment, Laminate Flooring

Technology, Lifts and Escalators, Lighting Systems, Locks, Measuring Equipment,

Paints, Panels, Parquet, Plinths, Polycarbonate, Processing Machines, PVC Pipe

and Fittings, PVC Profiles, Sanitary, Ware, Secure ID, Security Alarm Systems,

Sewage Systems, Steel Raw Materials, Swimming-Pools, Thermal Ceramic

Chimneys, Tools, Waterproofing Materials, Windows and Doors, Wood.

Newly erected buildings, Elite real estate, Cottages, Suburban real estate,

Construction Commercial real estate, Premises for offices, Warehouses and indus-

trial facilities, Investment, Real estate abroad, Realty services, Mortgage loans, Real

estate rent, Purchase and sales of real estate, Real estate management, Property

insurance, Architect and design projects, Design and repair works, Legal services,

Information services, Insurance, Bank services.

developeruli kompania `rediqsi~ TelavSi evro-

puli standartis sacxovrebel saxls aSenebs. `redi-

qsi~ pirveli developeruli kompaniaa, romelmac ka-

xeTis am istoriul qalaqSi samSeneblo investiciis

ganxorcileba gadawyvita.

proeqti `saxli parkSi~ TelavSi, nadikvaris go-

raze mdebare parkTan xorcieldeba. es istoriuli pa-

rki erT-erTi prestiJuli adgilia qalaqSi, aq imar-

Teba seirnobebi da funqcionirebs gasarTobi atraq-

cionebi. saxlis aivnebidan da terasebidan iSleba pa-

rkisa da kavkasionis daTovlili mwvervalebis xedi.

1 ivniss q. TelavSi `rediqsis~ gayidvebis ofisi

gaixsna, romelic proeqtiT dainteresebul yvela msu-

rvels moemsaxureba. developeruli kompaniis survi-

lia, Telavma kvlav daibrunos kulturuli da tu-

ristebisTvis mimzidveli qalaqis saxe. ofisis gaxna-

sTan dakavSirebiT kompaniam saxalxo dResaswaulis mo-

wyoba gadawyvita.

am dRisaTvis `rediqsis~ warmomadgenlebma Zveli

Telavis suraTebis gacocxleba gadawyvites. amisaT-

vis arqivSi specialurad iqna moZiebuli fotomasa-

la, gasuli saukuneebis Telavis yoveldRiuri cxov-

rebis amsaxveli kadrebiT.

`rediqsis~ sacxovrebeli kompleqsi ekologiurad

sufTa adgilze mdebareobs da Telavis arqiteqturi-

saTvis damaxasiaTebel ganwyobas erwymis. es aris 6 sa-

rTuliani kompleqsi, romlis pirveli sarTuli ko-

merciuli daniSnulebis iqneba, xolo danarCeni _ sa-

cxovrebeli. amJamad mSeneblobis karkasuli nawili

dasrulebulia da Sida mosapirkeTebeli samuSaoebi

mimdinareobs.

evropuli standartis Sesabamisad `rediqsi~ bin-

ebs dasrulebuli remontiT abarebs, rac Telavis pro-

eqtzec vrceldeba.

rogorc kompaniis sazogadoebasTan urTierTob-

is menejerma mzia SaraSiZem gviTxra, dasrulebul re-

montSi aseve gaTvaliswinebulia italiuri warmoeb-

is CaSenebuli samzareulo da `boSis~ firmis teqni-

ka _ macivari, gazqura, gamwovi, sarecxisa da WurW-

lis manqanebi. saabazano mopirkeTebuli iqneba evro-

puli keramikuli filebiT. evropuli warmoebisaa

gayvanilobis umciresi detalebic ki. ToToeul bin-

as eqneba gaTbobisa da kondicirebis individualuri

sistema, germanuli warmoebis aluminis gare kar-fa-

njara ormagi minapaketiT, xolo iataki damzadebu-

li iqneba kanaduri muxis xisagan. aRsaniSnavia, rom

`rediqsi~ momaval mobinadreebs mudmiv wyalsa da el-

eqtro momaragebas sTavzobs, rac sakmaod problema-

turia Telavis sinamdvileSi. sacxovrebel kompleq-

sSi gaTvaliswinebulia miwisqveSa avtosadgomi, bine-

bSi Seyvanili iqneba satelefono, satelevizio da in-

ternetkabelebi.

`saxli parkSi~ samsadarbazoiani Senobaa, romlis

sacxovrebeli sarTulebi 38 ojaxzea gaTvlili. arqi-

teqtorma mas odnav morkaluli forma misca. xolo

gamomdinare iqidan, rom TelavSi ZiriTadad dabal-

sarTuliani Senobebia, axali sacxovrebeli kompleqs-

ic Sesabamisad, maRliv nagebobad ar daproeqtebula.

mSenebloba wlis bolosaTvis dasruldeba da ko-

mpaniaSi miiCneven, rom miuxedavad dedaqalaqTan mia-

xloebuli fasebisa, TelavSi axal sacxovrebel kom-

pleqsSi binebis gayidva SesaZlebeli iqneba.

mzia SaraSiZe, `rediqsis~ sazogadoebasTan urTi-

erTobis menejeri:

`realurad migvaCnia, rom TelavSi Cveni proeqti

warmatebuli iqneba. imisaTvis rom SeiZino bina da ga-

aremonto, gacilebiT meti dro da xarjebia saWiro,

vidre axladaSenebuli binis fasia. vfiqrobT, rom be-

vri msurveli iqneba. proeqti jer ar dasrulebula,

magram ukve uamravi adamiani rekavs da fasebiT da pi-

robebiT interesdeba. `rediqsis~ proeqtebi saSualo-

ze maRali Semosavlis mqone segmentisTvisaa gankuT-

vnili, miT ufro, rom momxmareblebs SeuZliaT bina

kreditis daxmarebiT SeiZinon. axladaSenebul komp-

leqsSi binis yidvis msurvelebi arian rogorc adgi-

lobrivi macxovreblebi, aseve Tbiliselebi da kidev

yofili Telavelebi, romlebmac erT dros es qalaqi

datoves, magram imdenad sayvarelia maTTvis, rom su-

rvili aqvT, iq bina SeiZinon~

`kaxeTi didi turistuli potencialis mqone ku-

Txea. swored amitom, vfiqrobT, rom Telavi uaxlo-

es momavalSi aqtiur da ganviTarebul turistul ce-

ntrad iqceva. amisaTvis ki saWiroa qalaqSi evropu-

li standartebis Sesabamisi nagebobebis Seqmna. Cveni

mizania regionebis mosaxleobasac SevuqmnaT cxovre-

bisaTvis aucilebeli komfortuli pirobebi”. - acxa-

debs kompania “rediqsis” generaluri direqtori da

“banki respublika” jgufi “sosiete Jeneralis” same-

Tvalyureo sabWos Tavmjdomare, batoni laSa papaS-

vili.

"rediqsi" ukve TelavSiaerTi dRiT gacocxlebuli istoria q. TelavSi

stili #28. 2008

162

RedX in TelaviHISTORY REVIVED

Developer Company RedX builds a European-standard residential construction in Telavi.

RedX is the first realty developer to invest into construction in this historical town of Kakheti

region.

Project “House in the Park” is implemented in Telavi, near Nadikvari Hill Park. This

historical park is one of the prestigious parts of the town, frequented by its residents.

Balconies and terraces of the future residential complex will open up on the park and offer

vistas of snowy Caucasian mountain peaks.

On June 1 2008 RedX opened a sales office in Telavi in order to provide services to

clients interested in this project on the local basis. Developer company wishes that Telavi

returns its reputation of cultural and tourist center. In connection with opening of the office,

RedX decided to arrange a public festival.

For this day, RedX representatives decided to revive the atmosphere of old Telavi.

Photo materials reflecting the everyday life of Telavi in the past centuries were specially

retrieved from the state archive.

RedX residential complex is located in an ecologically clean area and fits into the

architectural background of Telavi. The ground floor of the 6-level complex will be fully

commercialized and the rest of the construction will serve to residential purposes. By now,

carcass of the construction has been already finished and interior finishing works are under-

way.

According to PR-manager of the company Mzia Sharashidze, the finishing works imply

installation of Italian built-in kitchen furniture and Bosh equipment – refrigerators, gas ovens,

flue systems, linen and dishwashing machines. Bathrooms will be tiled with European ceram-

ic tiles. Each apartment will have individual heating and air conditioning systems, German

doors and windows and Canadian oak floors. It should be noted that RedX offers the

future residents of the complex unbroken water and power supply as well as phone, tel-

evision and internet connections. The residential complex also includes underground park-

ing lots.

“House in the Park” comprises 38 individual apartments. The construction is slightly

curved; considering that Telavi mostly consists of low buildings, the complex was not designed

as a high-rise.

Construction works will be finalized by the end of the year; though the apartment

prices are almost the same as in the capital, company representatives believe it possible

to sell all the apartments.

Mzia Sharashidze, PR-manager of RedX:

“Our Telavi project is going to be a success. It takes much more time and money to

buy and refurbish an apartment than to purchase a newly-built one. We believe the demand

will be high. The project has not been finalized yet, but we receive numerous phone calls

from people interested in prices and conditions. Generally, RedX projects are intended for

people with incomes above overage, but our clients can also buy apartments in credit. It

should be noted that the newly-built complex attracts both the residents of Tbilisi and peo-

ple who once left Telavi but wish to return there.”

Lasha Papashvili, general director of RedX and member of the board of directors of

Bank Republic – Group Societe Generale:

Kakheti region has a huge touristic potential. Considering this, we hope that Telavi will

soon become an active and highly developed tourist center, but to achieve this, it is nec-

essary to enrich the town with European standard infrastructure. Our goal is to contribute

to this process by providing the local population with modern comfortable living conditions.”

stili #28. 2008

163

164

kote marjaniSvilis

saxl-muzeumi

sazeimod gaixsna7 ivniss sazeimod gaixsna kote marjaniSvilis gana-

xlebuli saxl-muzeumi yvarelSi, - saxli, sadac daiba-

da da gaizarda kote marjaniSvili - reJisori, Teatr-

is damaarsebeli, me-20 saukunis saqarTvelos umniSvne-

lovanesi kulturuli moRvawe.

saxl-muzeumis restavracia–reabilitacia ganaxorci-

ela saqvelmoqmedo fondma `ciskari~, romelsac am pro-

eqtis ganxorcielebisas mxarSi amoudga developeruli

kompania `rediqsi~ da `banki respublika~ - jgufi `so-

siete Jenerali~.

Official Opening of

Kote Marjanishvili

House-MuseumRenovated house-museum of Kote Marjanishvili – a place where this

outstanding representative of Georgian culture of the 20th century was born

and passed the first years of his life – was officially opened in Kvareli on

June 7 2008.

Restoration and rehabilitation of the house-museum was implement-

ed by Tsiskari Foundation with the support of Developer Company RedX

and Bank Republic – Group Societe Generale.

Restoration works, based on archive photo materials, went on for a

year. Marjanishvili house, which had been extremely decayed, was fully

rehabilitated; which is most important, both the house and the courtyard

returned their original look (architect G. Sosanidze). On the other hand,

museum expositions were refreshed, diversified and systemized to include

the following subjects:

materials reflecting Kote Marjanishvili’s activities in Georgia, Russia

and Ukraine;

stage setting, decorations and costumes representing theater play “Uriel

Acosta”;

life of 19th century Georgian nobility;

marani (wine-cellar), where Kote Marjanishvili used to stage small the-

atrical performances.

Part of the exposition, represented in the house-museum, is dedicat-

ed to the life of Kote Marjanishvili’s sister nun Tamar Marjanishvili. Activities

of Mother Tamar, a notable representative of ecclesiastic history, are con-

nected with Georgia (Bodbe monastery) and Russia.

Exposition conception has been developed by David Tskhadadze, cur-

rent curator of the house-museum.

Renovated house-museum is equipped with new lighting system and

monitors, showing the highlights of Kote Marjanishvili’s theater plays and

movies. The museum also stores audio and video records of Kote Marjanishvili’s

plays and movies, his correspondence with distinguished representatives

of Georgian theater and cinema world, photos, play scripts, paintings, draw-

ings and sculptures by Lado Gudiashvili, Elene Akhvlediani and Petre Otskheli,

samples of decorative and applied art, manuscripts, etc.

All these changes endowed Kote Marjanishvili house-museum with a

special charm and attracts numerous visitors by reviving turn-of-the-centu-

ry Georgian history and the life of one of the notable families of this time.

A modern museum should combine the functions of a cultural center,

and this is what Kote Marjanishvili museum should be like – a lively place,

equally interesting for representatives of all generations. The museum com-

plex will become a unique, qualitatively new landmark of Georgian culture

– a “theatrical Mecca” of the kind, hosting theater amateurs, profession-

als, Georgian and foreign travelers and tourist groups. The museum plans

numerous interesting projects, e.g. revival of the excellent tradition of “fire

baptism” for first-year students of Theatrical University, which used to take

place in the winec-ellar of the museum for many years.

According to the initiative of Lasha Papashvili, general director of RedX

and member of the board of directors of Bank Republic – Group Societe

Generale, Kote Marjanishvili museum will annually award the best theater

plays with Duruji award (Duruji corporation was established in Rustaveli

theater in 1924 and its president was Kote Marjanishvili).

stili #28. 2008

26 ivniss kompania àqsisma~ masmedias saqmianob-

is Sesaxeb angariSi Caabara.

mediaturis programa 11.39 saaTze AXIS TOWERS-

is monaxulebiT daiwyo. mSenebare AXIS TOWERS - is

saZirkvelSi, miwidan 8 metris siRrmeze - Senobis

birTvSi, momavali biznes centris Sesaxeb filmis Cve-

neba gaimarTa. mSenebloba 2010 wels dasruldeba.

abaSiZisa da yazbegis gamzirze obieqtebis daT-

valierebis Semdeg àqsisis~ sacxovrebeli saxlis sa-

xuravze coffe break-i moewyo. amis Semdeg kompaniam

medias àqsis palasebi~ daaTvalierebina. mediatu-

ri saguramos `Taunhauzis~ mimdebare teritoriaze

ganlagebul sportkompleqs `saguramoSi~ vaxSmiT da-

srulda.

21-e saukunis saukeTeso, jansaRi, cxovrebisTv-

is Seqmnili ,,saguramos Taunhauzi” sakuTari tyepa-

rkiT, yvela sezonze maqsimalur komforts qmnis.

75 sacxovrebeli Taunhauzi da vila erTmaneTi-

sgan sami tipis arqiteqturiT gansxvavdeba. TiToe-

ul saxls eqneba 400 dan 450 kv.m. sakuTari ezo auz-

iT, aseve pirdapiri gasasvleli 10 000 kv. m, farTo-

bis xeivanSi, romelic mxolod ,,saguramos Taunhau-

zis” mcxovrebTaTvis iqneba gankuTvnili.

teritoriis garSemo ganviTardeba infrastru-

qtura, moewyoba skola da sabavSvo centri. srul-

ad aRWurvili sportkompleqsi ,,saguramo” romel-

ic saqarTvelos fexburTis federaciisa da silq ro-

ud grupis erToblivi proeqtia da warmoadgens sa-

qarTvelos erovnuli nakrebis oficialur sawvrT-

nel bazas, ganlagdeba saguramos Taunhausis gver-

diT da Ria iqneba aqsisis ,,saguramos Taunhausis”

binadarTaTvis. sportkompleqsi moicavs sam safex-

burTo moedans, or korts, sacurao auzsa da sas-

tumros.

saguramos Taunhauzi idealuri adgilia jansa-

Ri cxovrebis wesisa da garTobisaTvis weliwadis

nebismier dros.

àm RonisZiebebiT gvsurs, Cveni saqmianoba kid-

ev ufro gamWvirvale gavxadoT, vimegobroT media-

sTan da ukve arsebul proeqtebTan erTad Jurnali-

stebs samomavlo gegmebi gavacnoT. Cveni gundi mo-

xarulia, umaspinZlos mediis warmomadgenlebs saku-

Tar oboeqtebze da maT mSeneblobis uaxlesi teqno-

logiebi gaacnos.~ - ganacxada àqsisis~ direqtor-

ma giorgi kapanaZem.

kompania àqsisi~ TbilisSi - avlabarSi, boWor-

mis quCaze gansxvavebuli tipis àqsis palass~ aaSe-

nebs.

mravalfunqciuri kompkleqsi sacxovrebeli da

sastumro tipis nawilebisgan Sedgeba. mSeneblobis

procesSi àqsisi~, rogorc wesi uaxlesi tipis sam-

Seneblo teqnologiebs gamoiyenebs.

22-sarTulian koSkebs eqnebaT Tbilisis saukeTe-

so panoramuli xedebi, ifunqcionirebs premier kla-

sis launj bari (Lounge Bar), biblioTeka, naxevrad

Ria sacurao auzi saxuravze (Sky Pool).

kompleqsSi damontaJdeba uaxlesi tipis Sida ko-

munikaciebi da dainergeba Tanamedrove servisebi, maT

Soris IP TV.

ès aris gansxvavebuli tipis sacxovrebeli da

dasasvenebeli palasi, romlis analogia regionSi ar

moipoveba. kompleqsis sastumro nawilSi

apartamentebis xangrZlivvadiani daqiravebac

iqneba SesaZlebeli, maTTvis visac surs icxovros sa-

xlis tipis sastumroSi~. - acxadebs àqsisis~ deve-

lopment-menejeri oTar dixaminjia. àqsis palasi av-

labari~ -s mSenebloba 2011 wlisTvis dasruldeba.

foto: giorgi abdalaZe

àqsisma~ mediaturi moawyo

stili #28. 2008

165

On June 26 2008 Axis Company offered representatives

of Georgian mass-media a visualized report on its activities.

Media tour started at 11:30 a.m. with a visit to Axis Towers

construction site. Mass-media representatives descended to

the foundation of the construction – 8 meters deep under-

ground – to see the core of the future building and watch

the movie on this business centre, construction of which should

finish in 2010.

After a visit to another construction site located on the

crossing of Abashidze Street and Kazbegi Avenue, a coffee-

break was arranged on the roof of an apartment block. After

this, the hosts took mass-media representatives to Axis Palaces.

Media tour ended in a function in sports complex Saguramo,

located near Saguramo Townhouse site with its 75 cottages

and rich infrastructure to be finalized in the nearest future.

Media Tour by Axis

Sag

ura

mo

To

wn

ho

use

stili #28. 2008

166

“With this action, we wanted to ensure increased transparency of our activities,

strengthen our ties with mass-media and publicize more information about our ongo-

ing projects and future plans. Our team was happy to host mass-media representa-

tives at Axis sites and let them see advanced technologies we use in construction

process.” – stated Axis director Giorgi Kapanadze.

Axis Company launched construction of an Axis Palace of a totally different type

in Borjomi Street (Avlabar district, Tbilisi).

The multifunctional complex will consist of residential and hotel blocks. As usual,

Axis will use best available technologies during construction. The 22-floor towers, offer-

ing the best panoramic views of Tbilisi, will include a premium-class lounge bar and

a library and a semi-open swimming pool – a so-called “sky pool” – on the roof. The

complex will be equipped with advanced communication systems and will provide a

range of modern services, including IP TV.

“This is a residential / recreation complex of a totally different kind, which does

not have any matches in the region. The hotel part of the new Axis Palace will offer

long-term leasing services to consumers, wishing to live in an apartment-style hotel.”

– said Axis development manager Otar Dikhaminjia.

Construction of Axis Palace Avlabar will be finalized in 2011.PHOTO BY GIORGI ABDALADZE

stili #28. 2008

167

Tengiz mirzaSvili – foto gia CxataraSvilis

TENGIZ MIRZASHVILI – PHOTO BY GIA CHATARASHVILI

CubCikas damSvidobebabaton Tengiz mirzaSvilis -

`CubCikas~ bolo namuSevari

FAREWELL TO CHUBCHIKTHE LAST WORK

BY TENGIZ MIRZASHVILI (CHUBCHIK)

ideis avtori buba svimoniSvili

IDEA BY BUBA SVIMNISHVILI

168

stili #28. 2008

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