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Transcript of © 2013 Taylor & Francis Group, an Informa Business Broadcast Announcing Worktext.
© 2013 Taylor & Francis Group, an Informa Business
Broadcast Announcing Worktext
This week at RTV
• 1. Don’t forget to LOG YOUR LAB HOURS!• Ways to earn lab hours: • Monday: MPW/ Multimedia Fest Committee at
11am• Tuesday: Radio Station Meeting (11am) & Sports
Workshop (12pm)• Thursday: RTV Club (12pm) Film Club (starts next
week)(1pm)• Friday: (10am) DCTV Network Meeting (sports,
news, entertainment, ect)
Objectives for today:
• Power point for Chapter 1, Intro to announcing• Power point for Chapter 2, Vocal Development
• Take a look at wix.com and weebly.com • How to create an account. • Turn in your Ultimate media proposal assignment.
© 2013 Taylor & Francis Group, an Informa Business
Chapter Outline
• Announcer defined• Historical and Employment Perspective• Specialization• Requirements
• College degree• Physical requirements• Emotional requirements• Practical experience• Responsibilities
• Role Models
© 2013 Taylor & Francis Group, an Informa Business
What is an announcer?
• Announces station program information, public service announcements, intro and close programs, ad lib
• News, weather, sports, time, commercials• Media performer• Talent• Personality
© 2013 Taylor & Francis Group, an Informa Business
Historical Perspective
• Product of electronic era• Early radio: all male,
stylized delivery, formal setting
• Today-conversational and male and female
© 2013 Taylor & Francis Group, an Informa Business
Employment Perspective
• Small number of positions• By 2018, workforce projection is 65,000• Salaries tend to be low; driven by market size and
experience• Mean salary in 2010 -$40,000• Range -$19/hour to $10-15 million annually
© 2013 Taylor & Francis Group, an Informa Business
Announcer Specialization
• Music Announcing• News Announcing
• Anchors and Reporters
• Sports Announcing• Sportscaster, play-by-play announcer, play analyst
• Specialty Announcing• Voiceover, narrators, talk show host
• Work in more than one area
© 2013 Taylor & Francis Group, an Informa Business
College Degree
• Not always necessary• Options are trade school or a college• BA Needed in news and management• Provides a competitive advantage in a very
competitive field• Need-general education, media education and
specialized education• Writing and telling a story important
© 2013 Taylor & Francis Group, an Informa Business
Physical Requirements
• Pleasing sound• Free from regional accents• Standard American English• Outstanding word pronunciation and accurate
grammar usage.• TV requires attractive appearance• Stamina• Physical strength to carry equipment
© 2013 Taylor & Francis Group, an Informa Business
Emotional Requirements
• Ability to handle stress• Time constraints• No room for error
• Perfectionist attitude
© 2013 Taylor & Francis Group, an Informa Business
Practical Experience
• Try to gain as much experience as possible• Internships-more than one• Work at a college station
© 2013 Taylor & Francis Group, an Informa Business
Announcer Responsibility
• Entertain, perform, persuade• Communicate to an audience-who are they? What
are their likes and dislikes? Life style information• Social responsibility• Participate in community activities• Do not misuse position• Properly operate equipment• Emergency notification
© 2013 Taylor & Francis Group, an Informa Business
Role Models
Learn what has worked for others
Do not copy; be yourself
© 2013 Taylor & Francis Group, an Informa Business
Summary
• Announcer defined• Historical and Employment Perspective• Specialization• Requirements
• College degree• Physical requirements• Emotional requirements• Practical experience• Responsibilities
• Role Models
Broadcast Announcing Worktext
Chapter 4Vocal Development
Chapter Outline
• How Sound is Produced• Diaphragmatic Breathing and Proper Breathing
Posture• Element of Vocal Development: Volume, Pitch,
Rate, Tone, Articulation• Pronunciation and Sub-standard pronunciation• Common Vocal Problems• Caring for Your Voice
The Vocal Mechanism
How Sound is Produced
• Diaphragm contracts and draws air into the lungs• Diaphragm relaxes, stomach contracts and air
forced up through trachea to larynx• Larynx or voice box contains vocal cords• When silent, cords relaxed and passage open• When speaking, cords become tight, air passes
over, causing vibration and sound
Vocal Cords
How Sound is Produced II
• Vibrating air continues up to the head and mouth• Bones of sinuses and head, and mouth act as
resonators to the sound• Teeth, tongue, jaw and palate articulate sounds to
form words
Articulators
How Sound Is Produced-Summary
• Important to control the diaphragm muscle• Three-step Process:
• Sound created by air passing through vocal cords• Sound amplified and improved by the bones of the
sinuses and head (resonance)• Words are shaped by the articulators ; mouth, teeth,
tongue, jaws and palate
Diaphragmatic Breathing Technique
• Inhale- deep breath forces diaphragm down and stomach area out
• Exhale- diaphragm relaxes and stomach pushes in• To feel correct muscles lay on floor, place a book
just below rib cage, breath until you can move the boo up and down
• Proper breathing helps tone and lengthens time you can speak without a breath
Proper Breathing Posture
• Standing-feet slightly apart, weight slightly on balls of feet, head up, knees slightly flexed, hips straight, back straight
• Sitting-edge of chair, feet flat, back straight• As breath in, abdomen pushes out; chest and
shoulders remain even and do not rise • Allows for maximum expansion of diaphragm• Natural way to breath, not thoracic breathing
Vocal Development-Volume
• Loudness or softness of your voice• Contributes to perception of energy and
enthusiasm• Adds to interpretation of copy• Do not rely on volume control on board• Use projection-when speaking to someone at a
distance we “push” the sound out (use the abdominal muscles)
Vocal Development-Pitch
• The highness or lowness of your voice• Use full pitch range with emphasis on the naturally
lower range• Low range about 1/4 up from the lowest pitch
with which you speak
Vocal Development-Tone
• Quality of sound; also called timbre• Affected by what surrounds the vibrators;
difference in musical instruments• Material that surrounds vibrators, vibrates or
resonates sound in different ways; known as tone quality
• To develop tone, learn to resonant sound in chest throat and head-helps to relax and use a high quality mic
Vocal Development-Articulation
• Sounds shaped into recognizable words• Use of articulators-lips, teeth, tongue, jaw, hard
and soft palates• Produce sounds that are clear but not too precise• Need a relaxed open jaw and mouth and
moistened mouth• Practice looking in a mirror and over articulating
Pronunciation
• The way in which words are spoken by uttering the proper sound and stressing the proper syllable
• Always look up words if unfamiliar and practice out loud
• Pronunciation guides included in wire copy or at station or on line
Pronunciation II
• “A” pronounced “uh” not “aye”• “The” pronounce “thuh” not “thee”• Foreign pronunciation• Communities, lakes and streams derived from
other languages• Regional accents• Use of phonetic spelling
Sub Standard Pronunciation
• Bad pronunciation caused by laziness and force of habit
• Omissions-leaving out part of the word-dropping last “g” “walkin” “talkin”
• Additions-adding to a word-”idea” becomes “idear” or the silent “l” in “salmon” is pronounced (“salmon” instead of samon”)
Sub Standard Pronunciation II
• Substitution-”budder” for “butter”• Distortion-”jis” or “jist” for just• To correct, become conscious of your
pronunciation, record a newspaper article and analyze
Sub Standard Pronunciation IIIPractice
1. The police officer came running up behind the bank robber.
2. The druggist asked the boy where he got the prescription.
3. John’s first class was European History, one he would just like to forget.
Common Vocal Problems
• Fillers-used to fill a gap in conversation while you are thinking or a bad habit
• “uh”, “um”, “ya know”, “right”, “like”• Difficult to change especially in ad lib situations• Monotone-no variation in pitch or pace• Sing-Song-pattern of inflection repeated
throughout copy
Common Vocal Problems II
• Whiny-too high, nasal voice• Improper breathing or resonance-nasality, thin
voice, husky voice, breathy voice• Sibilance-over emphasis on “s” sounds• Popping-pop of air in words with p, b, t, d, g, k
Caring for Your Voice
• Warm up before session• Keep hydrated• Avoid Smoking• Avoid Screaming and Shouting• Rest voice after extensive use
Summary
• How Sound is Produced• Diaphragmatic Breathing and Proper Breathing
Posture• Element of Vocal Development: Volume, Pitch,
Rate, Tone, Articulation• Pronunciation and Sub-standard pronunciation• Common Vocal Problems• Caring for Your Voice