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Copyright @ 1985 by BELWIN-MIrI.q PUBLISHING CORP.International CopSrright Secr:red Made inU.SA Al1 night€ Resen/ed

f 58OO N.W. 48th Avenue, Mlami, I'lorlda 8AOL4

Editor: Arrttror5r eI. CironeProduction: cleannette De Ilsa

Printer: Central Litho

IITIASITING: AnSr duplication, adaptation or ana.r4lement of ttrre composltlons contained intJ:is collection, witXrout tXre written consent of tJre ourner, is an infningBment of U.S.

cop5rri{lht law and subject to tJre pena,Ities and liabilities providedtJrerein.

COIillTEIUTS

CITYIMVIN 6

BLUE CA,NIP 9

THE SST]LPTOR,'S EYE XOR, DETAIL TE

R,EALTNT . L4

IOLK MUSIC 18

T\r r,ovE 23SKEINS . 26

IIUTRODUCTION

This collection represents mgr continuir4f interest in the grrical possibilities ofmallet instnrments e)q)ressed from an American compogitional point of view. Ihave also tried to state and develop materlat in zuch a nuulner a,s to provide thegrcat€st accessibility to the listener and to as many players as possible; partictr-lar\y, tJrose mwicians at tJre beglinnin€/intermediate lwel. The phrasing, e;mam-ics, and pedaling written in tlrese pleces are certainJ;r appropriate. However, Iwould strong\r sqggest each player develop and refine his or her sense of expres-sion to stdt tJreir need,s, requiremenB, and indlviduat r-rnderstanding!.

The relationship betnreen melodJr, Irarmorly and rhythm in this mr:sic is inte-gFal to a first'rate performance. I would ask ttre player to try and analSze, to ttrrebest of ttreir ability, the composer's intentlons in writing tJre piece.

Above al I , I hope you erlj oy playingl ttre collectlon. After years now a"s a published.composer, rr\y continued. gfratitude to all of the percussionists aror:nd the world.who play rq5r music.

BilI Molenhof

Bill Molenhof has earned popular and. critical success for hjs performapcesthrou$hout North America and. Er-rrope. His mallet career begap by tor-rring w:ithgUitarist, \Ma3rne "Iohnson, followed by a teaclringf position at tJre Berklee College ofMu.sic. During this period, Bill composed his first solo collection, MIISIC OF TTIEDAY and performed witJr Pat Metheny. Movirrg to New York, BilI became featr:red.composer arld soloist for Jackie Cain and. Roy Kral and. also performed with RgbyBra,ff.

As his reputation spread, Bill began presenting clinics arrd concerts in tJreUnited States aJId Er:rope, inltially for the Slingerland. Dn:m Comparl5r apd. morerecently, for Ludyr€/Selmer.

Continulng his composing activities while on tJre faculty at the ManlrattanSchool of Mr:sic, addltional pieces for mallets and ensemble were created andsubsequenUy published- This period. also includes hls critically acclaimed. album,BEACH STREET lmAR,S on Mark Record.s.

In co4ir:nction w-ith hls columr:s for MoDEn^IT DnUMMEF, and. IluropeanDF'IIMS AITD PERCUSSION, Bill publishes a flrccessful play-along recording! fordrummers.

Bill continues to live and. work in New york ciw.

Slow Motor

Medium Gospel Feel

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Copyright o1985 by BELWIN-MILLS PUBLISHING CORP.International Copyright Secured Made in U.S.A. All Rights Reserved

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SKEINS

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Copyright 01985 by BELWIN MILLS PUBLISHING CORP.

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