Post on 11-Feb-2016
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?Quiz Show
Created by Micki Harrington: www.mickiharrington.com
100200300400500
GENRES
LIGHT
SHOTS
CAST/CREW
EQUIPMENT
NARRATIVE
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Genres:100
An action film cycle of the late 1960s and early 1970s that
featured bold, rebellious African American characters
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Genres:200
A fiction film that uses documentary conventions on
fictional matter
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Genres:300
A short documentary on current events, shown in movie theaters
beginning in the 1930s
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Genres:400
A type of documentary film whose purpose is to present the way of
life of a culture or subculture
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Genres:500
A film composed entirely of footage from
other films
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Light:100
A measure of a film stock’s sensitivity to light
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Light:200
Light striking the emulsion layer of the film, activating light-sensitive grains
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Light:300
These filters bend the light coming into the lens, softening and blurring the image
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Light:400
Glass filters whose surface is etched with spots that refract light, so they create the
appearance of water droplets in the air
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Light:500
The artful use of light and dark areas in the composition in black and white filmmaking
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Shots:100
A shot that contains two characters within the frame
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Shots:200
A camera shot taken at a large distance, capturing the entire human form
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Shots:300
A shot taken from a level camera located 5 ft. to 6 ft. from the ground, simulating
the perspective of a person
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Shots:400
A technique of moving the camera on a dolly, often to trace lateral character
movement
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Shots:500
A shot combining two kinds of movement: the camera tracks in toward the subject
while the lens zooms out
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Cast/Crew100
Reports to the DP; in charge of tasks involving lighting and electrical needs
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Cast/Crew200
An actor whose career rests on playing minor quirky characters, rather than leading
roles
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Cast/Crew300
A crew member whose job is to maintain consistency in visual details from one shot to
the next
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Cast/Crew400
A crew member who works in post-production in a specially equipped studio to
create the sounds of the story world
DAILY DOUBL
EPramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Cast/Crew500
A crew member who measures the distance between the subject and the camera lens,
marking the ring on the lens, and turning the ring precisely
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Equipment:100
A camera device that opens and closes to regulate the length of time the film is
exposed to light
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Equipment:200
A device used to manipulate the amount and/or color of light entering the lens
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Equipment:300
A small opening on a camera lens that regulates the amount of light entering the camera and striking the surface of the film
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Equipment:400
A platform with rotating wheels so it can change direction
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Equipment:500
A device that projects photographs or footage onto glass so that images can be
traced by hand to create animated images
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Narrative:100
A story narrated by one of the characters within the story, using the “I” voice
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Narrative:200
A non-standard narrative organization that assumes a “day in the life” quality
and features loose or indirect cause-effect relationships
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Narrative:300
The falling or unraveling action after the climax of a narrative that leads to
resolution
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Narrative:400
The technique of telling the story from an all-knowing viewpoint rather than from
one individual character
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Narrative:500
A chronological and complete account of all the events in a narrative
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
Final Jeopardy: Panning
A pan executed so quickly that it produces a blurred image, indicating rapid activity or, sometimes, the
passage of time.
Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson
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