Post on 22-Mar-2016
description
Ke HuangM. Arch. in Clemson University School of Architecture
CONCEPT CONTEXT
CONCEPT CONTEXT
Context has always been an important consideration in my design to balance the Concept.
New York City, NY, USA
Asheville, NC, USA
Shenzhen University, Shenzhen, Guangdong, CHINA
Clemson UniversityClemson, SC, USA
USACHINA
Barcelona, Spain
Contents
Backyard BoqueriaLandscape Design for Gardunya Square, Barcelona, Spain
FootscapeLandscape Design for Lexington Avenue, Asheville, NC, USA
Transparent Dialogue Architectural Design for the Kunsthal in Chelsea/High-Line, Meatpacking District, West 19th-20th St., New York City, NY, USA
From Form to Architecture - VisualizationSky Image: Shenzhen VS Beijing - PhotographyA Way to Express - Fine Arts
1 3-Dimensional Color - Spaces of [de]composition 68
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Pre-architectural Design Training
Landscape Design
Architectural Design
Other Works
3 Part: 1 Illusion - [De]mystification of Zaha Hadid Architects Summer Pavilion at Serpentine Gallery, London, UK, 2000 Part: 2 Continuity - [De]construction of Zaha Hadid Architects Summer Pavilion at Serpentine Gallery, London, UK, 2000
2 Lifted Domino - Spaces of [de]acceleration
Pre-architectural Design Training
1 3-Dimensional Color - Spaces of [De]composition2 Lifted Domino - Spaces of [De]acceleration3 Part: 1 Illusion - [De]mystification of Zaha Hadid Architects Summer Pavilion at Serpentine Gallery, London, UK, 2000 Part: 2 Continuity - [De]construction of Zaha Hadid Architects Summer Pavilion at Serpentine Gallery, London, UK, 2000
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Assignment Description:Students are presented with a basic exercise to decompose a chosen Painting and/or Drawing by segregating and separating its elements from the 2D, to then blow-up the composition into a new 3D spatial diagram, however keeping the different fragments 2D qualities.
1. 3-Dimensional Color - Spaces of [De]compositionType: AcademicTutor: Douglas HeckerTime: Aug 2010, 5 DaysIndividual Work
In the physical model, I try to express this psychological phenomenon about dream-ing, using Kazimir Malevichs painting Su-prematism With Eight Red Rectangles as a prototype. Rather than de-compose the shape, I try to de-compose the color. I verti-calize the geometry into different depth and put the red color inside instead of showing out. Thus, you cannot see the color unless you rotate the installation to a certain angle.
Suprematism With Eight Red Rectangles, by Kazimir Malevich
Poetic Experience: Stimulate the experience of DREAMING via physical model
Rotate 1
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3-Dimensional Color Pre-architectural Design Training 7|
The poetic image is a sudden salience on the surface of the psyche -- Gaston Bachelard:
I feel the same that our perception comes out very fast, and disappears very quickly as well. The feeling is simi-lar to that if you didnt write down what you dreamed last night, you could easily forget the impressive dreams.
In the model, you can see the red colors from an angle, but when you want to see more clearly and try to rotate the model, the red colors gradually disappear. It is similar to the process of recalling the dream we had last night, the harder you try to recall it, the faster it disappears.
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2. Lifted Domino - Spaces of [De]accelerationType: AcademicTutor: Douglas HeckerTime: Aug 2010, 7 DaysIndividual Work
The 1370 foot tower makes the complexity of the city readable-- Michel de Certeau:
Photo taken on the top floor of the Empire State Building, NYC, USA
Contrast between Rough and Smooth Texture
Playale Vertical Domino
Human Scale: People can Reach the Top Panel
Assignment Description:This exercise involves a similar de-compositionof a chosen Installation, by segregating and separating its different elementstowards a modified spatial order when it comes to height and depth for each of the fragments, thus creating a new 3D spatial composition, and further merg-ing this new composition with the previous 2D exploded composition.
To make my design more readable, I attempt to make the space playable; I introduce the concept of Domino, so that you can play with the in-stallation. Also, the sudden experience brought by the change of color comes continuously from my former concept of 3-Dimentional color.
Lifted Domino Pre-architectural Design Training 9|
The Panels can Diffuse the Red Color or the Wood Color depending on the Position of the Light
Plan
Elevation
3. Part 1 Illusion - [De]mystification of Zaha Hadid Architects Summer Pavilion at Serpentine Gallery, London, UK, 2000Type: AcademicTutor: Douglas HeckerTime: Sep 2010, 2 weeksPartner: John BartlettMy Role: Physical Model, Drawings, Photography
Assignment Description: This design exercise progresses into the choosing, analysis and dismantling of an Architectural Pavilion (or Para-architectural construction); by reproducing via producing a (scaled 1/8 = 1) model, to then perform multiple cut sections of it, isolate the pieces, understand the assemblage; and finally re-construct a different ensemble, as a parallel derivative structure spinning off from the original.
East Elevation
Longitudinal Section
Cross Section
South Elevation
Floor Plan
Summer Pavilion at Serpentine Gallery, London, designed by Zaha Hadid Architects
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Illusion Pre-architectural Design Training 11|
3. Part 2 Continuity - [De]construction of Zaha Hadid Architects Summer Pavilion at Serpentine Gallery, London, UK, 2000Type: AcademicTutor: Douglas HeckerTime: Sep 2010, 2 weeksPartner: John BartlettMy Role: Physical Model, Drawings, Photography
West Elevation
North Elevation
Section 1-1
Model: Process
Floor Plan
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Section 2-2
Section 3-3
Model: Result
Continuity Pre-architectural Design Training 13|
FootscapeLandscape Design for Lexington Avenue, Asheville, NC, USA
Type: AcademicTutor: Douglas HeckerSite: Asheville, NC, USATime: Oct 2010- Nov 2010 Partner: John Bartlett My Role: Concept Creation, Concept Development, Presentation, Physical Model, Digital Model
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Research
Desgn Consideration
Sidewalk
Site Location
Art Intervention in Asheville
Concept Diagram
Concept: Footscape
Change the 3 parking lots to 3 parks, each of which are identified with a theme.
Public Parking around the SitePublic Parking within the Site Since there a=have been more than enough parking space around Lexington
Avenue, we Propose to remove 21 on-street parkings, and increase serveral bump-outs , to expand the sidewalk space, in order to hold more street activities.
We propose the concept of Footscape, which is a way of rethinking the pavement. We study the pavement, trying to use it as a media, which can help people pay attention to their feet and their experience on the street. We apply the pavements with color and/or vegetation (which can help absorb water), to change the parking space to park, to indicate public space, to create various urban furniture, to encourage social activities on the street, also to create different platforms for passersby and art performers, etc.
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The site is located in downtown Asheville.
In Asheville, or even in the US, the sidewalk is not given enough emphasis: The materials it used are not good for drainage and it fails to offer an intimate atmosphere. It is like a "Fast Food".
"Art Intervention" is a feature of Asheville. Interesting art activities can easily be found on the street.
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What if we utilize "art" as a media, and the sidewalk as a base, to re-construct the relationship between the people and the sidewalk space?
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Function Analysis
RETAIL 72%
FOOD AND BEVERAGE 28%
72% of the shops along the street are retails, in which there arent any seating areas for visitors usually. While 28% of the storefronts are restaurants or bars, which means that visitors have to consume something in order to take a seat or have a rest inside.
Music performer is playing Guitar in the morning. Passerbys on the street stop by and participate in it.
Since Lexington Avenue is an important shopping street, is it a chance that we can offer some spaces for visitors to have a rest and socialize with each other on the street?
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Plan
Pavement Transition Detail 1
Color Stone Block Grass Pavement Block Grass
Pavement Transition Detail 2
Footscape Landscape Design 17
COLLEGE StPATTON St
WALNUT St
WOODFIN St
COLLEGE St
Pavement Pattern
In the design, PAVEMENT is the basic element. Various combination and variation indicate the public spaces. Also, the pavements help people concentrate on the relationship between the foot and the ground, and at the same time enhance the walking experience.
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Bird's Eye View of North Lexington Avenue, Asheville, the north parking lot changes to a park.
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COLLEGE StPATTON St
WALNUT St
WOODFIN St
COLLEGE St
Urban Furniture
Information Board
Street Chair
Street Table
Street Shelter
Street Wave
Street Stage
Street Stand
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Section 3-3
Section 2-2
Section 1-1
Footscape Landscape Design 19
Backyard Boqueria Landscape Design for Gardunya Square in Barcelona, Spain
Type: AcademicTutor: Douglas HeckerSite: Barcelona, SpainTime: Nov 2010- Dec 2010 Partner: John Bartlett My Role: Concept Creation, Concept Development, Presentation, Digital Model
NDelivery Access Delivery Route
BoqueriaMarket
SITE
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Pedestrian Mixed with Vehicle Traffic Pedestrian Network
BoqueriaMarket
SITE
Pedestrian Only
Abstract Pedestrian Flow within Boqueria Market
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RestaurantAreaOpen Space
Sunken SpaceCafe Area
Boqueria Market Boqueria Market
Restaurant Area
Open Space
Sunken Square
Cafe Area
Boqueria Market
Restaurant Area
Open Space
Sunken Square
Cafe Area
View
Site Boqueria Market
View
Site Boqueria Market
View
Site Boqueria Market
View
Research Concept: Backyard BoqueriaLocation and Site Feature 1 Function Extension
2 New Topography
3 Roof Utilization
Delivery Route and Pedestrian Network
Potential of the Roof of the Boqueria Market
Design Consideration
The site is located right behind the Boqueria Market, which is one of the most famous and oldest market in Europe. And the site is almost buried by a group of buildings.
The roads around the site are one-way roads. Social traffic and de-livery traffic mix together now. And in the Boqueria Market, visitors flow is like a circle, they dont usually pass the market to the site.
The Boqueria Market is about 10m high. Right now only the 4-5m space from bottom is utilized. What about the rest 3-6m space?
Difine 4 main Stripe Areas as continuation from the market
Verticalize the Stripe Space, Creating Space for the Different Functions, and contine the waving elements from the ceiling of the mar-ket to the site
Form the Interior Space and Adding on the Waving Urban Furiture
Apply the pavements for the 4 Areas, integrat-ing them together as a whole
From the research, we find that the site is almost buried by buildings, which makes people hard to recognize the site. However, since Boqueria Market has already been very familiar with the visitors, what if we think of the site as the BACKYARD of the market, as part of the Boqueria Market, so that when people go into the market they can easily recognize the site and use it?
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Flat Ground
Topographic
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4m
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NDelivery Truck Entrance
Boqueria Market
Restaurant
Waving Shelter
Cafe
Waving Furniture
Sunken Square
Water Pool
Waving Furniture
Delivery Truck Exit
Social Traffic Exit
Social Traffic Entrance
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Master Plan
Physical Model
Backyard Boqueria Landscape Design 23
|Southeast Elevation
Southwest Elevation
Section 1-1
Section 2-2
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Restaurant
Waving Furniture
Rest Space under Waving ShelterWaving Shelter
Cafe
Waving Urban Furniture
Sunken Square
Water Pool
Boqueria Market
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Waving Urban Furniture
Waving Landscape (Steel Structure with wood/
stone cladding)
Restaurant
Cafe
Ground Floor
Boqueria Market
Underground Parking Level 1
Underground Parking Level 2
Elevator for Goods Delivery
Underground Parking Level 3
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Social Traffic
Delivery Route
BoqueriaMarket
SITE
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BoqueriaMarket
SITE
BoqueriaMarket
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Pedestrian Mixed with Vehicle Traffic Pedestrian NetworkPedestrian Only
Abstract Pedestrian Flow within Boqueria Market
We put the entrance and exit for the underground parking to the southwest tip of the site, and put the delivery route underground (the exit and entrance are located in the northeast tip of the site), so the traffic only occupy two edges of the site (the southwest one and the northeast one). Thus, we can open up the other two edges of the site, allowing more public space for the visitors.
We re-arrange the business hours within some part of the market, mainly along those which have restaurant functions and the main access to the site, for the sake of extending the function among the site, the Boqueria Market and La Rambla street, so that when the market is closed, people can still use the site, enjoying their beer, their meal and so on.
8:00 am-8:30 pm 8:00 am-11:00 pm8:00 am-10:00 pm 8:00 am-00:00 am
Design Analysis
Layers
1st Floor Plan
Improved Delivery Route and Pedestrian Network New Business Hours within the Boqueria Market
Backyard Boqueria Landscape Design 25
Transparent Dialogue Design for the Kunsthal in Chelsea/High-Line, Meatpacking District, West 19th-20th St., New York City
Type: AcademicTutor: Armando MontillaSite: New York City, USATime: Jan 2011- Mar 2011 Individual Work
MOMA
NEW MUSEUM
IAC BUILDING & 100 11TH AVENUE
Site
Manhattan Island, NYC
100 11TH AVENUE IAC BUILDING IAC BUILDING
High Line
Site
New York City Perception
Site AnalysisStudy on the Connection between the High Line and the Exist-ing Building
Type Positive Factor
1 Cross through Provide a sheltered space which has a potential to hold various activities
Have no access to the building from High Line level
Have no access to the building from High Line level
No public programs for people to engage with
Thanks to the transparent glass window, peoples sight can penetrate into the building, somehow knowing what is happening inside
Offer infrustructure such as WC and staircase(linking ground floor and High Line level )
2 Attached
3 Connected
Negative Factor
Site Location
Site Characteristics->The site is near High Line. Visitors are very possible to enter the Kunsthal from the High Line Level
->This area is not as popular as other areas such as 5th Avenue in NYC, but it has become more and more open and attractive to visitors since the High Line is built.
Design Consideration
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How to connect the High Line becomes the main issue of the design.
IAC BUILDING and 100 11TH AVENUE: Unexpected Reflection
NEW MUSEUM: Interesting Insertion into Urban BlockMOMA: Play with the Dialogic View
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Dialogue between the Kunsthal and the Visitor: The Visitor as an Exhibit
The inclined glass walls within the kunsthal can create interesting reflections of the visitors themselves as they look at those glasses. As a result they can see an either distorted or blurred or erratic, etc. themselves through the reflective materials, seeming like they are the authors of those interesting art works.
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Glass Curtain Wall
Mirror/ Glass Cladding
Mirror/ Glass Curtain Wall/ Glass Cladding
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View30 ft. 30 ft.
View
26 ft. 30 ft.26 ft. 30 ft.
What if we provide a transparent dia-logue to this site? Rather than thinking the kunsthall as a separate building ad-jacent to the Highline, we can actually think it as part of the open space system created by the Highline. Therefore, I di-vide the building vertically into 2 parts , the upper volume (mainly for exhibi-tions), and the podium volume (mainly for services) and insert the public func-tions such as cafe and restaurant in be-tween these two volumes.
Concept: Transparent DIalogue
StrategiesDialogue between the Kunsthal and the Highline: Transparent Connection
I create a big platform on the highline level as an extension of the open space from Highline, and design an open space stripe from the ground floor to the platform and to the rooftop garden.
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There are several balconies specially designed within the kunsthal, offering new ways for the visitors to observe the city through different angles, and at the same time being observed as well.
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Various View
ViewInteraction
Dialogue between the Kunsthal and the City: The City as an Exhibit
Transparent Dialogue Architectural Design 29
|Function Distribution
Exhibition
ExhibitionRestaurant
Auditorium
Shop/ Cafe
Office
LobbyOutdoor Platform
Classroom/ Workshop
Exhibition
Circulation
Visitor Circulation Staff Circulation
HIGH LINE HIGH LINE
HIGH LINE
North Elevation
East ElevationSouth Elevation
Site Plan
30 Portfolio of Ke Huang
HIGH LINE
Lobby
Lobby
Workshop
ClassroomStorage
WC
WC
Auditorium
UP
UP
Stepping Seat
UP
UP
UP UP
WC
WC
Office Office
Storage
Auditorium
Open to Above
Open to Above
Open to Above
DN
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DN DN
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UP
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UP UP
DNUP
Stepping Seat
Ground Floor Plan Level +0.5 - Auditorium - Workshop - Classroom -Relaxation and Education
Second Floor Plan Level +13 - Auditorium - Office - Administration
| Transparent Dialogue Architectural Design 31
Shop/ Cafe Outdoor Cafe Area
Platform
Lobby
Reception & Clothes Stor-age
HIGH LINE
DN UP
Stepping Seat
UP
DN
DN
DN
DN
UP
UP
UP
WC
WC
Kitchen
Restaurant
DN
DN
Open to above
DN
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UP UP
DNUP
WC
WC
Third Floor Plan Level +26 - Lobby - Shop/ Cafe - Connectivity and Activity
Fourth Floor Plan Level +43 - Restaurant - Relaxation
WC
WC
Specialized Exhibition Area
Balcony
DN
DNDN
UP
DNUP
UP
WC
WC
Specialized Exhibition Area
Balcony
DN UP
DN
DN
UP
UP
Exhibition Area
Balcony
DN UP
DN
Open to above
DN DN
UP
UP UP
UP
WC
WC
Fifth Floor Plan Level +56/ 57 - Exhibition - Cityscape Interation
Sixth Floor Plan Level +73 - Exhibition - View Interation
Seventh Floor Plan Level +93 - Exhibition - Skylight Engagement & City Spectatorship
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Perspective View from 10th Avenue
Ai Weiweis Art Show on 7th Floor Balcony on 7th FloorOn 5th Floor, the City as an Exhibit
Band Show on the Outdoor Platform
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Layers
Rooftop Garden
7th Floor, Specialized Exhibition
Glass Curtain Wall
Blind
6th Floor, Specialized Exhibition
5th Floor, Specialized Exhibition
4th Floor, Restaurant
3rd Floor, Lobby, Shop/ Cafe/ Outdoor Platform
Reflective Glass Curtain Wall
2nd Floor, Office and Storage
1st Floor, Auditorium, Storage, Workshop and Classroom
Reflective Material
Reflective Material
Section Detail
Cross Section
Longitudinal Section
Transparent Dialogue Architectural Design 33
Other Works
From Form to Architecture - VisualizationSky Image: Shenzhen VS Beijing - Photography
A Way to Express - Fine Arts
From Form to ArchitectureVisualization
1 Form
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2 Skeleton
3 Skin
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4 Physical Model
5 Architecture in the Urban Context
From Form to Architecture Other Works 37|
Sky Image: Shenzhen VS BeijingPhotography
Sun
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Sat
Jul.20-25 2009
Jul.26-Aug.1 2009
Aug.2-8 2009
Aug.9-15 2009
Aug.16-22 2009
Aug.23-29 2009
Aug.30-Sep.5 2009
Sep.6-12 2009
Sep.13-19 2009
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25 Days in Beijing
Blue Sky: 5 days (20%)Grey Sky: 20 days(80%)
99 Days in Shenzhen
Blue Sky: 74 days (75%)Grey Sky: 25 days (25%)
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These photos were taken every day between 8:00-8:30 a.m., mostly in Shenzhen as well as 25 days in Beijing.
Sky color was unique in the different cities. Throughout this process of recording the sky image, I found that the color was somehow expressing the city's mood: blue stood for "happy", whereas grey meant "depressed". Sky color influences human's feeling, while at the same time human's activity also greatly affects the sky color.
Sep .20-26 2009
Sep.27-Oct.3 2009
Oct.4-10 2009
Oct .11-17 2009
Oct.18-24 2009
Oct.25-31 2009
Nov.1-7 2009
Nov.8-14 2009
Nov.15-20 2009
Sky Image: Shenzhen VS Beijing Other Works 39|
Original Size: 28.8cm x 21cm
Original Size: 28.8cm x 21cm
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A Way to ExpressFine Arts
Original Size: 37.5cm x 26cm
Original Size: 37.5cm x 26cm
Original Size: 37.5cm x 26cm
A Way to Express Other Works 41|