Post on 12-Sep-2021
Photo-Graphic Manipulation
Photo-Graphic Manipulation
The “Cheap” Effect
Photo-Graphic Manipulation
Back to the beginning
Thomas Ruff, Portrait, 1991
Photo-Graphic Manipulation
Seeing is...
Nancy Burson, Human Race Machine, 1999
Photo-Graphic Manipulation
...believing
Nancy Burson, He/She, 1997
Photo-Graphic Manipulation
Authenticity vs Ambiguity
The Moorman Polaroid, 1961
Photo-Graphic Manipulation
Authenticity vs Ambiguity
Spoof pictures of the WTC attacks, 2001
Photo-Graphic Manipulation
Authenticity vs context
Lenin speaking to the troups, 1924
Photo-Graphic Manipulation
Authenticity vs context
The same picture as original, ca. 1920
Photo-Graphic Manipulation
Authenticity vs context
Original Photograph of Stalin and Comrades by Nikolai Schwernik, 1926
Photo-Graphic Manipulation
Authenticity vs context
From the book History of the Soviet Union, 1940
Photo-Graphic Manipulation
Authenticity vs context
From a biography, 1949
Photo-Graphic Manipulation
Authenticity vs context
Painting by Isaac Brodsky, 1929
Photo-Graphic Manipulation
Authenticity...
Bob Jackson, Shooting of Lee H. Oswald, 1961
Photo-Graphic Manipulation
... and Irony
An alternative take by George Mahlberg
Photo-Graphic Manipulation
Authenticity and Irony
Olivier Chételat, The amazing Fishermen-, Dog- and Toyota-Show, 2000
Photo-Graphic Manipulation
Authenticity and Irony
Original Tourist of Death photograph, 2001
Photo-Graphic Manipulation
Authenticity as a story vehicle
Woody Allen, Zelig, 1983 and Robert Zemeckis, Forrest Gump, 2000
Photo-Graphic Manipulation
Authenticity as a story vehicle
Stephen Spielberg, Jurassic Park, 1993
Photo-Graphic Manipulation
Authenticity as a story vehicle
Scenes from Matrix Reloaded, 2003
Photo-Graphic Manipulation
Artificial authenticity
Synthetic Face Creation, Volker Blanz, Universität Tübingen, 1998
Photo-Graphic Manipulation
Artificial authenticity
Synthetic Face Creation, Volker Blanz, Universität Tübingen, 1998
Photo-Graphic Manipulation
Another “authentic” approach
David Hockney,1982
Photo-Graphic Manipulation
Another “authentic” approach
David Hockney,1982
Photo-Graphic Manipulation
Another “authentic” approach
David Hockney, 1983
Photo-Graphic Manipulation
Another “authentic” approach
Unknown “kinetic” photograph, ca. 2000
Photo-Graphic Manipulation
Merging different layers of “reality”
Nancy Burson, Various Morphing Experiments, 1982-1985
Photo-Graphic Manipulation
Merging different layers of “reality”
Herbert Beyer, Poster, ca. 1935
Photo-Graphic Manipulation
Merging different layers of “reality”
El Lissitzky, Portrait of Kurt Schwitters, 1927
Photo-Graphic Manipulation
Merging different layers of “reality”
Dziga Vertov, The Camera Eye, 1932
Photo-Graphic Manipulation
Narratives
Lászlo Moholy-Nagy, Posters, 1927-28
Photo-Graphic Manipulation
Narratives
Richard Hamilton, Interior II, 1964
Photo-Graphic Manipulation
Narratives
hi-res.net, The Center of the World, Website, 2000
Photo-Graphic Manipulation
Narratives
hi-res.net, The Center of the World, Website, 2000
Photo-Graphic Manipulation
Narratives
hi-res.net, The Center of the World, Website, 2000
Photo-Graphic Manipulation
Narratives
John Baldessari, 1984
Photo-Graphic Manipulation
The reinvasion of paint
John Baldessari, Painting, ca. 1980
Photo-Graphic Manipulation
The reinvasion of paint
John Baldessari, 1984
Photo-Graphic Manipulation
The reinvasion of paint
M/M, Yamamoto Summer Catalogue, 1999
Photo-Graphic Manipulation
The reinvasion of paint
Christian Vogt, Polaroid, 1987
Photo-Graphic Manipulation
The reinvasion of paint
Andy Warhol, Electric Chair, 1971
Photo-Graphic Manipulation
Destruction
Andy Warhol, Flowers, 1964
Photo-Graphic Manipulation
Destruction
Painted-over communist party member photos, from the book 10 years Usbekistan, 1937
Photo-Graphic Manipulation
Destruction
Stills from the opening to the Movie Seven, 1996
Photo-Graphic Manipulation
Elimination as abstraction
Richard Hamilton, Ghosts of UFA, 1994
Photo-Graphic Manipulation
Elimination as abstraction
Statedesign, Trailer for Onedotzero 4, 1998
Photo-Graphic Manipulation
Photo-Graphic spaces
Saul Bass, Opening Animation for Vertigo, 1958
Photo-Graphic Manipulation
Photo-Graphic spaces
El Lissitzky, Der Konstrukteur, 1924, Cover for the Guide for the Vchutemas, 1927
Photo-Graphic Manipulation
Photo-Graphic spaces
Alexander Rodchenko, Books, 1925
Photo-Graphic Manipulation
Photo-Graphic spaces
Flyer, Royal Academy of Art, London, 2000
Photo-Graphic Manipulation
Photo-Graphic spaces
Gerd Kilian, 1932
Photo-Graphic Manipulation
Photo-Graphic spaces
Emigré Magazine, 1990
Photo-Graphic Manipulation
Photo-Graphic spaces
John Webber, 1991
Photo-Graphic Manipulation
Photo-Graphic spaces
hi-res.net, Requiem for a Dream, Website, 2000
Photo-Graphic Manipulation
Photo-Graphic spaces
hi-res.net, Requiem for a Dream, Website, 2000
Photo-Graphic Manipulation
Photo-Graphic spaces
Cornel Windin, 2000
Photo-Graphic Manipulation
Meta-Realities
Interface Sketch, 2002
Photo-Graphic Manipulation
Meta-Realities
Cornell Windin, Poster, 2000
Photo-Graphic Manipulation
Meta-Realities
Promotional Postcard for NY furniture store Moss, 2000
Photo-Graphic Manipulation
Meta-Realities
Psyops Studios, Cowflow trailer, 1999
Photo-Graphic Manipulation
Meta-Realities
Statedesign, Trailer for Onedotzero 6, 2000