Post on 22-Feb-2016
description
Ildiko HetesiCamouflaged Acces Black and White. Net Art, Abstract informal, 2008
« In this line of my work i have been targeting expressions we use all around the world daily when we turn on our computers or go on-line; expressions which we all know, which do not know borders, words we all use without thinking, again and again, until they loose their original contexts and become nothing more than a form. For me playing around with these words exposes their true 21st century quality; they become overused, manipulated signs without meaning. »
Ildiko HetesiGoing big just easier
2012paper plotted and
handwwoven150 x 150 cm
Ildiko HetesiThe Bigger is better is what all
women say2012
paper plotted and handwwoven150 x 150 cm
Axe 2 : l’institution
Cory Arcangel : The Sharper Image, Miami Museum of Contemporary Art, 2010
Cory Arcangel : The Sharper Image, Miami Museum of Contemporary Art, 2010
“For my show The Sharper Image at The Museum of Contemporary Art Miami, I changed the font of their website to Comic Sans for the duration of the exhibition. Maybe my best ‘artwork’ ever?!?!?!?”
Kayle Brandon, Heath Bunting: BorderXing slide Show (2004)
Kayle Brandon, Heath Bunting : D’Fence Cuts (2002)
Kayle Brandon, Heath Bunting : D’Fence Cuts (2002)
Heath Bunting, with Kayle Brandon: BorderXing : Tate Gallery
Heath Bunting, with Kayle Brandon: BorderXing Guide (2001)
Santiago Sierra : Pavillon espagnol, biennale de Venise, 2003
Santiago Sierra : Pavillon espagnol, biennale de Venise, 2003
Santiago Sierra : Pavillon espagnol, biennale de Venise, 2003
Hans Haacke : Germania, Pavillon allemand, biennale de Venise, 1993
Hans Haacke : Germania, Pavillon allemand, biennale de Venise, 1993
Santiago Sierra : 133 personés remuneradas para tenir su pelo de Rubio, Venecia, Italia, Junio de 2001
Santiago Sierra : 133 personés remuneradas para tenir su pelo de Rubio, Venecia, Italia, Junio de 2001